thing is i don't really feel bad for any tma character. i get disappointed when a character i like dies, but i can't observe the series from an "i feel bad for these people" perspective, because it's so damn fascinating to observe it from a thought exercise perspective instead. not "would i feel bad if this bad thing happened to this person", but rather "would this person be bad if they did this thing?" or "if a bad thing happened to a bad person, would they deserve it? is pain something you can deserve?"
which is why malevolent is fucking destroying me because it's not a thought exercise or a philosophical ramble, it's a story. and i'm viewing it from the perspective of "this is a story that i am being told about awful things happening to people".
all of this to say, i feel genuinely bad for arthur lester and i don't know how to deal with that
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excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
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okay its no secret i dont buy into marazhai being the persona he puts on. so as i've officially met him in game now, im making a list of all the in-game reasons i think he's a bit of an idiot [which i love btw. i find him far more compelling if he's a bit stupid/weird and he's trying so hard not to be but you just know nobody in commorragh is inviting him to parties]
the very first time you get a glance of him on a rooftop and. 'deal with this' "of course" proceeds to just walk off like 3 seconds after the other two
ambushes you. has you cornered. is in optimal position to kick your ass frankly, high ground and better weapons and utilising shock against you. ...he bitches at you for a while, gets insulted, then runs off into the forest with a maniacal cackle
heinrix fired a mild insult [considering what he's like to everyone else its barely an insult] and he took big enough issue with it to start saying how he'll break him and turn him into a pet. oh sure dude you're responding super well to this mild comment from the guy who accidentally insults everyone and their entire ancestral line at some point
i think it says something that he's learned to speak your language fluently too. that Has to be some kind of Yikes moment to admit publicly in drukhari culture. buried family secret great great grandfather drukhari-georg learned to speak mon keigh and now we claim he just spoke oddly because was shot in the head as a child to prevent the shame
he also knows the mon keigh lore that says youre a super special little guy as rogue trader and actually LISTENS to the fact you're the special little guy as rogue trader. and he does treat you as more equal/with more respect than the other characters. thats not just a drukhari culture yikes thats what gets you checked for a concussion or brain damage
literally socially atrocious enough its believed he's working with you [read: with you. not using you, not manipulating, cooperating. this is a big difference i feel] and only he himself doesnt believe it
ignore the fact he eventually DOES work with you which. is its own follow up statement
challenges you to fight him, to give chase then and there. i made him wait while i went through english government simulator where i queued for multiple days, did multiple day/week voidship trips back and forth, got distracted by accidentally starting jae's romance, pasqal telling me to servitorise her, getting blackout drunk with her, shipwide broadcast tm, giving her a voidship, her getting me a space cat, attacked by pirates, dealt with a plague, explored a few extra systems.......................
he destroys your palace. ...its rebuilt effectively within a week. most of the damage is in bodies which are just sent to the poor district to rot [almost feels worse than the damage done good job imperium]
the throne has claw marks. he could've blown it up or shot it or piled corpses on it but no he wanted to sit on the fancy chair and so turned into a common housecat mauling the sofa arm
how long was he just sitting there lounging on that chair? again see how long i kept him waiting. he was just sitting there trying to find a comfy position on this [for him] kinda small chair JUST so he could briefly taunt, break your window with his space motorbike, jump off the chair in a dramatic [but not gunna lie not that impressive] feat of gymnastics, then fly out. he doesnt even shoot at you as he leaves
i will continue my list as i see more that entertain me
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For the opinion rating: I'm sick of Jason Todd's character being so tied down to the joker, same with batgirl to a degree
strongly agree | agree | neutral | disagree | strongly disagree
I've said it before but I'll say it again if you think Joker as an individual person is important to Jason you misunderstood utrh Joker is important as far as he happened to be the person who killed Jason I do feel babs gets it slightly better just bc unlike Jason a huge chunk of her driving force hasn't been rerooted into revolving around the clown but that might also be bc of the weird cononicity of the killing joke
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Did or does anything inspire your art? It’s so fun and unique
I do have artists (both Established and like Peers/Mutuals) I enjoy and I do pluck traits from art I like as I see fit to mold my own but I don't have any conscious inspiration ykwim...ive had ppl tell me my art looks like or reminds them of things i like, whether "vibe based" (stuffed animals) or a specific media (care bears) but i dont consciously draw inspiration from care bears ykwim... I could tell u i loved archie comics as a kid and i love the art style but thats not a good answer to the question bc it doesnt present itself in my work (and if it does its not on purpose) ykwim...i hope dis makes sense.
I always bring up Urasawa when this question comes up, like I love urasawa's art and often save lots of it for inspiration but my work doesnt really ever come out as an emulation of his as a result, it's more osmosed as I try to figure out how I want to draw, bc I haven't seen anyone who draws the way I'd like to yet. (Also using him as an example, as this is how I feel about all my other "inspirations").
Theres tons of different ways to draw every possible trait of a face or body etc, so I just do that, taking shapes and such from other artists i observe along the way without really picking up the influence (and if i do its never for very long), since I've yet to find anything im very happy with
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i think part of the reason griffith is a character whos so wildly misunderstood a lot of the time is because people take what he says about his feelings as the truth. hes someone whos not really honest about his emotions, even to himself a lot of the time. like for a really obvious example, the "what a friend is to me.." scene. at face value, what he says would say that he doesnt see guts as his friend or equal but its pretty obvious from every interaction between them that that isnt the case.
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