#// then asks for critique

[burningcheese-merchant]

MERCHANT

🗣✊🎤How Golden Cheese feels about Burning Spice's Huge Gazoonkas

How do you think? Haha

She loves and worships those tig ol' biddies just like the rest of us

(Except she has it the best, because they belong to her and her alone 😎)

[eats-a-berry]

people when laios struggles with social interaction because he's neurodivergent: awww, it's ok laios, it's not your fault baby. there's nothing you can do about it

people when toshiro struggles with social interaction from being an incredibly repressed japanese guy whos character is literally about being bound by social norms/expectations that inform his worldview of a culture where his behavior is just him doing what he thinks is the best and most respectful way to behave and is mostly just tired of what looks to him as laios' carelessness and him ending up as being a complete pushover because of it: i mean, it's basically shuro's fault, he should just stop having problems since i'm not going to take the time to understand him or the culture he's from

[erinwantstowrite]

every time i start panicking about the small details (like how i don't know near as much marvel lore as i do DC, etc) i remind myself that LoF wasn't supposed to get super popular and im just having fun and practicing writing for my own books and suddenly that anxiety goes away. like it's not gonna be perfect and it was born out of me and my friend being goofy

[dear-ao3]

that walnut cake saga was the highlight of my day omfg

thanks. it was not the highlight of mine.

[verboselocket38]

To be fair the only reason cheating is ok in recent episode is because it's supposed to parallel Stella & Stolas situation so he's feeling some type of way about it if they didn't have that going on I'm sure they'll be fine with killing them and also aren't they supposed to be a little emotionally grown right now according to Viv or something? 😗 maybe idk and super unpopular opinion don't come at me but cheating isn't a big deal like I heard one guy say once "Who hasn't cheated at least once" It doesn't take away hurt but it's very common and cheating isn't the worst thing someone can do imo genuinely not trying to start a fire but people act like cheating is a crime like how they treated that Berry dude or whatever with Sabrina Carpenter or the Try Guys dude (I don't know his name)

.....Dude what the hell?

Ok first off, just because the cheating is a parallel to Stella and Stolas doesnt mean that The cheating the husband did WAS OK!!!!

Second, if ANYONE says "cheating isnt a big deal 🙄" then they should not be in a relationship EVER. Because your breaking the trust of your partner and not only hurting your partner's feelings, but suprise suprise, YOUR HURTING THE PEOPLE AROUND YOU!!

JUST BECAUSE CHEATING ISNT "the worse thing a person can do" or "is common" DOES NOT MEAN ITS RIGHT! ITS STILL A BAD THING AND SHOULD BE TREATED LIKE A BAD THING.

Do you know the people who haven't cheated once or more when in a relationship? ALOT OF PEOPLE! The ones who do cheat are toxic who dont consider their partner's feelings or the people around them.

IF ANYONE CHEATS WITH YOU, DONT STAY WITH THEM! THEY JUST PROVEN THAT THEY DONT CARE ABOUT YOU FEELINGS WHILE SEEING SOMEONE BEHIND YOUR BACK! ANYONE WHO GETS CHEATED ON HAS THE RIGHT TO BE FURIOUS, SAD, EMBARESSED, HEARTBROKEN, OR ANY OTHER EMOTIONS THEY COULD FEEL WHEN THE PERSON THEY THOUGHT LOVED THEM DECIDED TO FIND SOMEONE ELSE IN THEIR PLACE!

Given how you worded this, you probably havent been cheated on in your life, and genually its a huge red flag to believe cheating is "No big deal."

If you still dont believe me, let me put it like this for the Stolas stans:

If Stolas cheated on Blitzø with Vassago or some other man whatever tf his name is, you'd probably be singing a different tune.

To end this, I just want to say don't come to my blog defending CHEATING and acting like its no big deal. Go somewhere else.

[helluvaartcritique]

so, we all agree that hazbin's overuse of similar color palettes is a bad thing, but... why? personally i like the idea of a show set in hell whose characters are all represented by shades of red/black/pink while still being visually distinct character designs, but for some reason that just doesn't work for hazbin. but why not? how would that be improved? is there even a good way for that to be executed well?

There's a multitude of reasons for why everything being the same color doesn't really work (Not just for HH, but HB as well)

1. There's no variety

Variety is important when it comes to character design, and the same thing goes for the colors of the characters. You want to have people be able to point out which character is with from their color palettes

These palettes have variety in their colors. It's not all red, you're able to tell who is who

Hazbin Hotel and Helluva Boss on the other hand, they're very hard to distinguish.

For Hazbin, which one is Charlie? Which one is Mimzy? Is Husk in this lineup? Is Rosie here? From taking a good look at it, here's who I could figure out

The only ones I knew immediately were Emily and Adam, because their palettes stuck out from the rest of the cast. When only 2 of the characters are recognizable from their palettes, it's not pretty. Hence why diversity is important.

2. It's a problem for colorblind people.

This post explains it better than I can. Go check that out if you want.

In short, this is what people with colorblindness see when watching HH, and as a result, the characters don't stand out well from the background.

Now, how does one improve this?

Make the cast stand out from the background

Having the cast be colors other than red would be a good solution, and even better if each character had a distinct color from the other. (Since it's set in Hell, maybe have the characters be the colors of their respective sins? Just an idea)

It would give our eyes a break, and allow people who are colorblind or have other vision issues to at least see what's going on.

But that's just my idea.

Thanks for the ask!

[cipheramnesia]

Pulling this because I don't want to get into arguing about AI with a stranger, but I do think it's very funny to see Tim Burton upset about having his style imitated. "It's nothing like when I, a human, have an entirely derivative and unoriginal style - first of all, no robot could ever reproduce my human racism" oh no Tim, the machines are racist too, don't worry.

[rustchild]

one of the wild things about people’s stubborn insistence on misunderstanding The Ones Who Walk Away From Omelas is that the narrator anticipates an audience that won’t engage with the text, just in the opposite direction. Throughout the story are little asides asking what the reader is willing to believe in. Can you believe in a utopia? What if I told you this? What about this? Can you believe in the festivals? The towers by the sea? Can we believe that they have no king? Can we believe that they are joyful? Does your utopia have technology, luxury, sex, temples, drugs? The story is consulting you as it’s being told, framed as a dialogue. It literally asks you directly: do you only believe joy is possible with suffering? And, implicitly, why?

the question isn’t just “what would you personally do about the kid.” It isn’t just an intricate trolley problem. It’s an interrogation of the limits of imagination. How do we make suffering compulsory? Why? What futures (or pasts) are we capable of imagining? How do we rationalize suffering as necessary? And so on. In all of the conversations I’ve seen or had about this story, no one has mentioned the fact that it’s actively breaking the fourth wall. The narrator is building a world in front of your eyes and challenging you to participate. “I would free the kid” and then what? What does the Omelas you’ve constructed look like, and why? And what does that say about the worlds you’re building in real life?

[wihellib]

In light of your recent post I humbly present you this:

The worst part is that it didn’t even do anything to progress the story forward! It was a nothing scene, in that it did nothing but make Leviathan look awful!

Repeat After Me:

[ayv-art]

The frenemies of all time

[theoddest1]

check helluvas pride poster on their twitter. that ugly ass blue elsa rip off mf has a mlm peacock feather in his hair, confirming that yes, the guy who has said three times that his sister is hot, is a gay man.

And now we know why Andre and Mammon's portrayals are so bad

Bet my ass she added their sexualities way after writing this episode...

[showtoonzfan]

Helluva Boss and Hazbin Hotel is concerningly a trojan horse of white feminism. White feminism identifies with white patriarchy and strives to find a place of power within it, whether or not they acknowledge white men would never see them as equals. This type of feminism enforces the same patriarchal values that hold them down.

On both shows, the male characters are favored, the actions of the shitty male characters are justified to be right and that they are to be sympathized with little to no regard to their victims that are made to be at fault for being being imperfect at reacting at the abuse they receive.

And what is most perplexing to me as an outsider, is that Medrano is supposed to be a victim of abuse by some guy, and yet identifies and upholds her abusive male characters. In her attempt to humanize them, she disregards the weight of their actions. Her actions with her ex-employees and ex-friends show that the victim became the abuser to regain a sense of power, which is typically what white feminism is.

I know I shouldn't be psycho-analyzing her as a distant observer, but I'm tired of people mystifying a suffering deer with fungal-mutated horns and not thinking there's something wrong with it and that it needs help.

No you’re completely right. Vivienne has shown for many years that she isn’t a girls girl. On the outside she’s tried to paint herself as pro feminism and that she cares about other women, when in reality she’s transphobic, has put other women down, and has slut shamed them in her work. She’s basically that obnoxious girl in middle school that acts like she’s a girls girl but in reality is constantly and desperately seeking male validation, like how she once made a tweet questioning why she hasn’t been acknowledged for being a famous female content creator in a world dominated by men even though there were many other female content creators before her that were already rising to the top. I never came out of watching or reading something she made and thought “she hates men”, cause she doesn’t. She hates women and it shows in how she writes them and uses them. Her males are allowed to be 3 dimensional yet 90% of her females are one note. Viv also caters to the male audience who lusts over her female characters and I don’t need to explain that one.

Meanwhile she hasn’t got a single favorite or popular female character. There’s a reason why for years she’s said her favorites are Alastor and Angel and how she loves writing Adam, hell…she confirmed Adam is her favorite HH character. She doesn’t care about her female characters and only her males, whom she can find enjoyment in, either woobifying or sexualizing them. I think it kinda tells you something when you learn that Val is supposed to be based on her abuser yet she constantly likes tweets by Val apologists and sexy/silly fanart of him.

Meanwhile (as everyone has been saying), her content is for white queers/white fujoshi’s, no one else. She tries so hard for some reason to act like she’s new and progressive, challenging the world that’s been dominated by white people and their bland perspectives, but she hasn’t really added anything new to the table, and the way her fandom (and she herself at this point) treats black people is fucking nuts.

[crooked-wasteland]

I've seen your tweet which criticizes the worldbuilding in Helluva Boss and how the Goetias feel like "Hollywood with royal titles" rather than true aristocracy, and I would like you to elaborate on that, if that's OK.

Thank you so much for this ask as I never got to expand on this point at the time. For those not in the know, the user is referencing this exchange on Twitter.

As much as the elites of our world would like to disperse the truth, the reality is that all societies are constructed around power. Who has power, how and why. That is the fundamental basis of every social dynamic from children on a playground to the politicians in our governments. So the very first thing we should even approach in regards to the narrative is how does power work in this universe?

So when I responded to Elcee in the tweet being referenced, I am evaluating power and power structures. Mainly there are two wholly different constructs of power between something like the aristocracy and celebrities.

The closest thing to an aristocracy we have in our modern day are the financial oligarchs of Capitalism. Elon Musk, Jeff Bezos, Bill Gates, etc. They have control everything from how our political parties engage with us to how we think based on the wealth they were born into. They curate our lives behind the scenes in ways that sound worthy of a tinfoil hat, but isn't a conspiracy. The wealthy were threatened in the 1970s by an educated proletariate. In response to our questioning the Vietnam war, the higher education that was once free or at least extremely affordable suddenly became prohibitively expensive.

So much so that only the financial aristocracy could access it. Whereas working class individuals are forced to jump through hoops and prove themselves suitably subservient to the existing power of the oligarchy in the form of scholarship applications, teacher recommendations and application letters before being granted access. This is not a mistake or how it's always been, this is by design.

Meanwhile, Celebrities are not elites. While we think of celebrities as being overpaid and living in luxury, it only takes a glance over at Chappell Roan to see the difference. When Jeff Bezos or Elon Musk or any large corporate CEO walks the red carpet, they are treated as royalty. When celebrities walk the red carpet, they are commodities.

Celebrity is the modern day face of the American Dream. Gone are the days of a single family home and a white picket fence. The boom of content over art, luxury over practicality, and excess over comfort is directly the result of selling to the world the idea of capitalistic success, which just amounts to perpetuating the system of turning humans into money. And for as much money as these celebrities make, it has been proven over and over again that they are just as susceptible to poverty as any other working class individual.

Celebrities are products we buy, and when we stop buying them, they vanish.

Meanwhile the aristocracy, the financial oligarchy, thrives in obscurity.

The difference in power is about who still has it when we no longer see them. And the more invisible and pervasive it is, the more real it is. However one as an individual thinks about the celebrity class, they are simple a different type of specialized tool to the true power behind the scenes.

With that differential in mind, the Goetia function more like celebrities rather than CEOs, and while Elcee fails to see the bigger picture, that subliminally tells the audience that someone with the title of prince, with armies sworn to his allegiance and infinite cosmic power, is no different than a working class joe.

This isn't intentional propaganda, however. It's not her trying to further the agendas of Jeff Bezos intentionally. Just like my other post covering how Medrano tries to excuse cheating, not realizing the only time one can argue such a blanket concept of forgiveness for such a betrayal can only happen when the option of choice is non-existent (ie Divorce is not on the table for reasons outside of the characters’ choices), this is the danger of not engaging with media with your mind turned on. You will innately, no matter how careful someone tries to be, engage with the material through the eyes of the creator.

Celebrities and average people are the same: commodities in the face of real power. But Medrano cannot tell the difference between someone like Elon Musk and his employees. She sees the aristocracy, the ones who were born into a legacy of wealth, as “hardworking average folks”. And if you aren't thinking, you might find yourself implicitly believing that too. Deeper entrenching the power they have over you as an individual and society as a whole.

How we got to where we are in our real lives is mirrored in the media we consume. And that isn't an accident.

[helluverse-rewrites]

One of the worst things about hazbin to me is how it completely wastes the fact that the entire main cast come from different time periods. Like. These could've all been so cool. The different eras couldve made their characters and struggles more unique, and they would've made for such interesting episodes if explore.

For example, Niffty is Japanese right? But her clothing is supposed to allude to 50s American housewives. Considering how Japanese ppl were treated in America during and after WW2 and just. How nonexistent women's rights were, they could've done so many things with her but they just DIDN'T

LIKE THIS IS AN ADULT SHOW! IT COULD DELVE INTO SO MANY DARK TOPICS IF IT HANDLED THE HISTORICAL ASPECT OF ITS CHARACTERS INSTEAD OF TREATING IT LIKE JUST AN AESTHETIC

This. Exactly this

It's actually really disappointing because they could do so much with this concept. Outfits, the way they talk, character interactions, etc. Yet they talk like edgy teenagers instead of actual nuance. Vivzie claims that these shows are mature and deep or whatever but come on be fr 💀

I honestly just wish Niffty did things in season 1. One reason because of Kimiko Glenn, second because like you said, really interesting things could be done with her character. But that can't happen because she's a woman

[autumnteawithfriends]

Not even the type to do this but this needs to be seen by everyone. This is the email I just got from HH on the playbill update; I'm not kidding.

Meanwhile the one from Lackadaisy that was also merch related:

I think it's pretty obvious who cares about their customer/fanbase more.

Thanks for the ask, and thanks for this extra info because holy shit

Okay first of all, how the hell is the DeviantArt roleplay response by Charlie somehow either just as bad or WORSE than the Husk responses. Like, Viv (or the A24 support team), these people just want to know why the playbills that were supposed to be here since JANUARY aren’t here. It’s fucking JUNE BORDERING ON JULY.

Like, who actually gives a shit if your favorite ugly ass period blood twink with the most fuckass edgy haircut wanted to use older print? THAT DOESNT MATTER ALONG WITH NIFTY GETTING STUCK INSIDE THE MACHINE, PEOPLE WANT TO KNOW WHY THEIR GODDAMN PLAYBILLS AREN'T HERE YET

Also even though I’ve never really cared for or watched Lackadaisy when the Pilot came out, I will give Tracey kudos for not acting like a immature DeviantArt user whose also stuck in their Wattpad Fujoshi days

[helluvaartcritique]

did you know glitz and glams storyboard designs were this

vivzie. im gonna riot .

Oh wow! Definitely fits in with the clown theme more than the official designs.

Props to the artist who did theses designs, they look fantastic!