#++ Love -- Stress -- Trauma

[recoverr]

you're not a monster. you're you. you're flawed, yes, but you're also incredibly alive. just human. real. capable of great things, capable of change and growth, too. don't define yourself by the inner critic lashing out at you. you're not your worst moments.

[brucewaynehater101]

I'm bad at math, but is Bruce theoretically 38 years old when he goes into the time stream?

Hear me out (and canon likes to fluncate their ages, so this is my best guess without trying to account for birthdays):

Bruce becomes the legal guardian of 9 year old Dick when he's 23. That's a 14 year difference.

Jason becomes Robin when Dick leaves at 18. Jason is 13. That's a five year difference.

Jason dies at 15, and Tim becomes Robin at 13. That's a two year difference.

The age difference between Tim and Bruce would thus be 21 years.

Tim becomes Red Robin to find Bruce at 17.

That means that Bruce had to be 38, right? Why was I imagining him closer to 50?

Adopting so many kids must have aged him

[royalarchivist]

Pac: Take care of Ramon, take care of Richas, ok? See you on the other side, big boy.

Fit: [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. [Fit tries to lasso Pac] You're coming with me.

Pac: No, I need to leave!

Fit: You're coming with me. You are not dying today! You are not dying today!

Pac: I need to leave, Fit! I'm sorry, I'm sorry!

Ironmouse: Are you guys like, having sexy time?

Fit: There's homosexual activity going on Mouse, don't worry about us, ok?

Ironmouse: You guys, we don't have time to be gay right now.

[ Full Transcript ↓ ]

-

Pac: I'm just here to say goodbye to you, Fit.

Fit: Goodbye? We're not– we're gonna be fine, we're going to get out of here, don't worry.

Aypierre: Yeah, don't worry!

Pac: I know, but like– I will sleep until the end, you know? I will pass through this moment sleeping, man. I won't be able to be awake for the moment.

Fit: [Laughs] You know, it's– I mean, if that's how you wanna go, but– I mean, that- I mean, isn't that bed kind of like.... I don't know, it's–

Pac: No no, I will be staying on the sofa, you know, I will be staying on the sofa.

Fit: Oh the sofa. Ok, that's a nice sofa! Yeah, that is a pretty nice sofa.

Pac: Yeah, it's a nice sofa right? No, yeah– I'm going to stay on the sofa, you know? So, since I will be going Fit... [Pac starts tossing Fit all his items]

Aypierre: [Not paying attention to their conversation] Is that bigger cell? I don't think it's a bigger- biggest one.

Fit: Oh... Thank you Pac, thank you.

Pac: Everything you need to survive, ok?

Fit: Wow.

Aypierre: Wow.

Pac: And if you need this one also, maybe, who knows? [Throws him more items]

Fit: Ohhh, well hey– just take this to remember me by, ok? [Tosses him a photo of himself – the same one Aypierre was carrying all day yesterday]

Pac: [Laughs] Ok, I will sleep holding the picture you know, like this. You know, I will dream about you, Fit. And I hope this is gonna be good dreams. I see you in the other side. Good luck, my friend.

Fit: The other side... Yeah, you know, yeah, we– we– you know? It's been an honor, Pac. It's been an honor, you know?

Pac: Yeah, for me too, you know? Take care of Ramon, take care of Richas, ok?

Fit: Ok.

Pac: See you on the other side, big boy.

Fit: I will sing your praise– Oh yeah, hey– [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. You're coming with me.

Pac: No, I need to leave!

Fit: You're coming with me. You are not dying today! You are not dying today!

Pac: I need to leave, Fit! I'm sorry, I'm sorry!

Fit: Sorry, there's–

Pac: I'm sorry!

Ironmouse: Are you guys like, having sexy time?

Fit: There's homosexual activity going on Mouse, don't worry about us, ok?

Ironmouse: You guys, you guys– we don't have time to be gay right now, come on. There's no time.

Pac: No, there's no time! Oh, goodbye Fit...

Fit: Ok, c'mon, no no no, come on, we got this we got this!

Pac: Goodbye Fit, I'm sorry!

Fit: [Laughs] Oh no...

[the-random-phan]

Ectoberhaunt Day 13

Isekai: Old Hero New World

[totallycomplexloveandfiction]

this is for the people who don't understand EP:7&8 Colin

https://x.com/venusjmi explains it so beautifully!

[ghostlyboysstories]

Writeblr introduction!!!

Hi!! I write original works and am happy to ramble about my ocs or writing to anyone who asks(I’m dying to share help-).

You can call me Rufus!(I swear if I get they both die at the end notes from this-)

I’m an adult, but I don’t really do 18+ content besides swearing and innuendo/dark humor. So I’d say my content is rated Mature, but not Explicit.

My pronouns are he/him!

Fun fact, my favorite color is dark neon-ish blue!

Can’t wait to post more original stories here!!

Stay spooky!

[betweenthenotes]

Its gonna be okay just remember that no matter what your trauma is, someone’s made a spotify playlist for it

[hanashiz]

Helianthus Child

Rest, my sweet boy, Under the hot glaze of the sunlight, Sway along on the waves insight, Being the delicate sun in delight, You stayed strong on your upright. My beautiful sunflower the hot summer, Kunikida Doppo

[cursedzucchini]

Prompt/idea #6

Y'all what if when Danny's not feeling that good (is very injured/didn't eat anything/sleep deprived) he instead of fainting just... Turns into his 14 yo self.

That wasn't such a problem at the begginjng bc he was short king and well, he didn't change that much.

But now? When he's in college (basically always on the verge of fainting from exhaustion/hunger/dehydration/whatever unholy thing he consumed to stay awake and functioning) in Gotham? When he's 24, and yeah, maybe he didn't grow that much in height, but he lost the baby fat. His face didn't look so hopeful, and innocent and he gained quite few scars.

So yeah, changing into his 14yo self wasn't the greatest by itself. But add the trauma Danny has when looking at himself in the mirror, and overall being in the wrong body (thinking about what younger him didn't know, like u can add angst Abt canon stuff, like Vlad was a fucking creep, pariah dark, or add vivisection and Dani dying or whatever).

So Danny was being extra careful about taking care of himself (he thought, like a liar). And maybe that day he forgot breakfast, lost his pocket money, his card declined, he couldn't sleep because of reccuring nightmares and the only edible (that's questionable tho) thing in his bag was some somehow wrong ectoplasm he stole from some guy few weeks ago (and Danny needed to ask the him where tf did he manage to find such a disgusting ecto. Like not even his parents manage to fuck it up that badly).

So when on his way home, some fucking asshole jumped him, of course he was going to freak the fuck out.

...if knocking the guy out counts as freaking out. And showing some of his more ghostly features out (read show the asshole the indescribable horrors of balancing life and death for eternity and no time at all).

And that somehow tipped Danny over the top. So now he's sitting there, in his now way too big clothes next to the knocked out (hopefully) clown, drawing dumb pictures on his face, waiting for Jazz to pick him up and maybe help him dispose of the body.

(bonus points if the batfam saw this go down and are now so fucking confused how tf did some twink™ knocked out the fucking joker in one punch, and than transformed into a fuckibg child????? B, no, put the adoption papers down-!)

(bonus bonus points if 14 yo Danny looks exactly like 14yo Jason, and they (especially Jason) just see young Jason sitting next to dead? Joker w a crowbar, drawing dicks on his face)

(also the reason why Danny doesn't know who joker is, is bc every time someone started talking Abt joker or the clown he assumed he was something like batman, and wasn't interested in learning anything Abt anything clown themed)

[shorthaltsjester]

sorry to say but i do actually think the focus tlovm puts on showing the workings and backgrounds of npcs is actively taking away from one of the main things that made campaign 1’s story compelling (notably. vox machina and their bonds with each other beyond the people they’re in love with)

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[morganbritton132]

in the EMTTS, does Diane ever find out about the death threat letters to Steve? if her daughter watches Eddie’s tiktok she would’ve seen the videos about it so did she tell her mom? how would Diane react? would her reaction annoy Steve or would he actually find it sweet?

Oh man, her daughter would show her Eddie’s TikTok and Diane’s response would be the same one she has for a death in the family and divorces: desserts and being a pleasant presence in their lives.

Steve doesn’t immediately put two and two together because he kinda assumes that Eddie told their friends about it and that’s why people knew, not that he posted about it on the internet. He honestly just thinks that Diane is being her usual annoying self and thus, following the rules of upper-middle class etiquette, keeps having to bake for her.

She stops by one evening and brings them a plate of macaroons and spends an hour standing on their front porch talking about the neighborhood watch. They gained three new members. Steve interprets this as dig about his sleepwalking and then spends the rest of the evening hate-baking her a pie.

Steve is sitting outside waiting for his carpool one morning and she accosts him to have him try this new doughnut recipe she’s trying out. They’re begrudgingly delicious, but her interrupting the only peace and quiet he’ll get all day to talk about the neighborhood watch again is unforgivable. Steve makes her brownies.

Steve is laying with his back flat against the deck in the backyard, listening to Eddie chase Ozzy around the yard. His eyes are shut but he can feel the sun shining on him, and it’s the first time in a long time that he doesn’t feel like complete shit. So, of course.

“Yoohoo, boys,” Steve hears called over the fence and when he cracks his eyes open, he can see her waving at them. She has a tin of cookies with her and is already handing a homemade dog treat to Eddie, and Steve just sighs so deep within himself that he can feel it in his toes.

When he peels himself off the deck and drags himself over to have a pointless conversation by the fence, he can hear her talking about the neighborhood watch. Again. She is saying something about Suzanne down the street seeing a car circle the block a few time this week with their lights off, and Steve’s just had enough.

He doesn’t have it in him to bake another fucking pie.

He cuts off her rambling about being bad at guessing the make and model of cars with some barely concealed frustration, “That’s Ryan and Jackie’s kid. The one that just got a permit. He and his friends take their car out and joyride it around the neighborhood because Ryan refuses to teach him to drive.”

“We live in a cul-de-sac,” Steve adds because he thinks that she’s being a little ridiculous. He says it like he was no longer a person that had trouble leaving the house, that could open the mail without their hands shaking, that wasn’t in their backyard instead of on a run because they’re afraid – Wait.

Steve’s eyes flicker over to Eddie and then to Diane, and everything slots into place like the most obvious puzzle. Of course, she knows. Everybody probably knows. That’s why the neighborhood watch is suddenly so popular, and yeah.

Later when Steve can think about it all more rationally, it is sweet that their neighborhood is looking out for them and that they’re concerned. But in the moment, Steve feels like he’s been hit with a tidal wave of pity, and he gets frustrated. He gets angry.

He barely registers that he drops the cookie tin on the ground or hears Eddie’s blasé response about Steve’s clumsiness. He knows that he’s about to get mean and he doesn’t want to, so he just turns around and goes inside.

Eddie follows him a few minutes later, asking questions and says that it’s not a big deal that people know. He says that it’s actually better because it means there are more people looking out for him. Steve tells him that he’s not talking about it and goes to bed early.

He wakes up early too. He puts on his shoes and he goes across the street, and he tells Diane when she opens her door, “This needs to stop.”

“Oh good, you’re awake. When I saw you on the porch, I thought you might be…” She trails off, making a twirling gesture at her temple and then frowns. “Oh, that’s not correct, is it? April is always trying to teach me these new rules. I mean nothing by it, dear.”

“I’m not – I’m not broken,” Steve says. “I’m not sick, or weak, or – and I don’t need you to bake things for my husband or form a neighborhood watch for me. I need-“

“Dear, that’s simply not true,” She says, voice dropping into something serious. This might be the first time that Steve has ever seen her not smiling. “I heard about those awful letters you got sent to your door and you may not like it, but at times like these. You need people. You may not like that it’s me, sweetie, but that’s what you got.”

Steve hates how he feels like he’s ten years old and making up excuses for why his parents didn’t pick him up, “I can look after myself.”

“I’m sure you can, but do a girl a favor and let us look after you too,” She says. She must see that he’s not thrilled with that statement because she tells him about a sorority sister she had and the anonymous notes she used to find, and how they buried her two years after graduating.

So, she takes his hand and gives it a squeeze, “Let me do this. For me.”

Steve doesn’t pull his hand away and admits maybe for the first time, “I’m so scared all the time.”

[dangans-ur-ronpas]

just think itd be funny if they met irl

[thixcy]

Happy Venus day 💖 & Freaky Friday 🫦

[stressfulsloth]

Disco Elysium// Two Fishermen on an Aspidochelone, Unknown// Our Wives Under the Sea, Armfield// Unknown// Disco Elysium// Gallathea, Lyly// Sharks Feeding, Crossley// From Bodily Fear to Cosmic Horror (and back again), Miller// Disco Elysium// Early Verse, Marx// The Road, McCarthy// A Sacred and Terrible Air, Kurvitz (team ibex translation)// Disco Elysium// Disco Elysium// Disco Elysium Art Book// A Sacred and Terrible Air, Kurvitz// Nona the Ninth, Muir// Sunrise With Sea Monsters, Turner// Nona the Ninth, Muir// Disco Elysium// The World's One Hope, Brecht// The Old Gentleman of Raahe// Disco Elysium// Disco Elysium// Disco Elysium// Engraved Shell. Unknown// Capitalism and the Sea// Disco Elysium// Capitalism and the Sea//

[citricacidprince]

Thinking about Psychonauts and how much I love the Aquato family once again

They mean the world to me your honor