other people can do this idc but what og song(s) made you fall in love w each dj unit in d4? like, what song made you go "oh this unit IS good."
will go in unit order of L!H!G!! w explanations on why/how:
hapiara - trance tours it took me a WHILE to properly take a liking to hapiara (sorry). jsyk i didn't start w the anime so i didn't have that connection w them when i started playing. trance tours was one of the songs i just went "ehh fuck it sure i'll play it for fun" and then got blown away by the guitar and their vocals in there. i love guitar.
peaky - stormy link LISTEN. LISTEN. it isn't because of yuk.aeso but when i heard that beginning part w the synths it hooked me in so bad. i was so used to the ~130 bpm and 180-185 peaky songs i didn't listen to the other ones at the time. big bang and electric countdown were nice but to me they didn't click w me until stormy link. it was different to the usual peaky songs and it sort of dragged me in.
photon - akatsuki (fruits mix) and wonder wonder trip it's a tie tbh bc i actually didn't start properly listening to photon until after i watched anime?? lmao? akatsuki fruit mix showed me a taste of the non-dance photon songs. it gave me a floaty feeling and i loved it a lot?? wonder wonder trip on the other hand made me feel excited and like i was going on a trip (wowwwww) w friends lol. kinda tho sad at the same time bc i lost connection w my friends and p much had no one (wow that got serious anyway--)
m4 - boom boom shake it sound like a edm filipino christmas song remix. this song made me realize "wow these girls are siiiick" and made me love merm4id a lot more. lol. m4 is actually the unit that had a genre i was used to the most so,,, yea thats it tbh idk what to tell you. also the hard level chart scared me when i first started playing and it stuck w me.
rondo - prayer[s] and calendula WELL DUH IT'S THESE ONES. calendula and its lyrics spoke to me a lot at the time when i was Going Through It and prayer[s] was just sick as fuck ok? i felt like ascending and leaving the hell hole i was in at the time w both songs.
lyrilily - pining for the moon this song is actually the reason i kept playing d4dj. genuinely. i love this song so much, it's one of my top favorite lyrilily songs. it's so playful, chill, upbeat and happy. similar to rondo, it made me forget i was kinda not having a good time mentally. pining for the moon makes me relax a lot and im thankful for this song existing bc i wouldve have never fallen in love w d4dj..
call of artemis - do the dive ofc i count them duh. reminds me of old dance music so of course i love coa, raychell's vocals never disappoint me.
unichord - synchronicity call me basic or whatever but i genuinely loved synchronicity when i first heard it, even if it wasn't that popular when it first released. i sang the beginning part A LOT for weeks. lol.
abyssmare - raindrops and then now or never it took me a while to like them yeah GO AHEAD AND KILL ME IDC-- raindrops was the song that made me go "ok.... maybe theyre alright" and made me tolerate abyssmare's music and now or never is genuinely my most favorite abyssmare song. i love its vibe. that song cemented to me that abyssmare is one of my favorites. (aka all of them)
7 notes
·
View notes
hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families�� happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
638 notes
·
View notes