#you should see the trend
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rottmnt-honeybea · 7 months ago
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My take on a tik tok trend
Yes this is Bad Future
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viviraptor-art · 8 months ago
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this takes "surrounded by idiots" to a whole new level.
inspired by this twitter prompt!!
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thelostmoongazer · 20 days ago
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So what youre saying is.... If, in the movie, the pre-50 year stasis took place in the mid 70's, and If nothing had happened to Maria and shadow ......
Shadow could have experienced the Gothic movement in the 80s.....
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defsiarte · 6 months ago
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My hate for tumblr users knows no bounds. Do you know how fucking weird it is to defend being a fan of a guy and his media bc you have depression. When he has a plethora of allegations going back decades. Get a new interest oh my goddd
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doux-amer · 2 months ago
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soonhoonsol · 8 days ago
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there’s this trend on twitter/X where fans post photos of their cleavage with kpop idol photocards (typically male idols) sticking out of their bras/shirts and idk if i’m too woke or something but this seems to me like harassment toward the idols.
please remember that some of these idols are minors, and even for those who are of age, i don’t think any of those idols would appreciate this kind of content targeted towards them. you’d think they wouldn’t see it but c’mon, so many idols are chronically online now. you really think they won’t see it? especially when you tag the official group accounts and their names??
the replies under each post are typically very sexual in nature too, either toward the op, idol or both. some fans even go so far as to put the photocards in the hem of their pants/underwear. again, gross.
it’s frankly quite sickening watching kpop stans do something demeaning towards idols just for the “trend” or “a hit tweet”. it’s even more sickening that it’s so widespread that it’s become normalized and people, especially the younger crowd, don’t see any issue with what they’re doing anymore because “everyone else is doing it”.
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jjdizz · 9 months ago
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Posting this here as well
Food for thought
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worstloki · 3 months ago
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brodinsons absolutely would mess with earth in the funniest ways idk what to tell you Thor will go on live news and relay a sob story about how Loki is his beloved wife who has been lost to a mind madness and he wants him to return but alas he is a villain on Midgard now and so Thor stays as well hoping that some part of her will recognise him and they will reunite. And then Loki goes on another channel and says yes that's all true I will castrate him promptly for wronging our vows.
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clit-a-cola · 2 months ago
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Looks like the closing argument amounted to "a lot of women in this sub group have historically dealt with self-hate/pressure/body dysphoria for decades, that means you shouldn't question when modern women of this group act on that same self-hate/pressure/body dysphoria! So stop talking about/caring about women in this group I think you don't belong in!"
Yall can take it from here cause I don't have the time or energy to dig her outta that pit.
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incesthemes · 6 months ago
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happy wincest wednesday!! i'm curious about what you think might happen to sam and dean's relationship in a world where they never find john in season one (eg. azazel kidnaps him to take him off the chessboard, he dies on an obscure hunt without lining up the clues well enough for s&d to follow him, etcetera). where would that major lingering question leave them? in terms of wincest, do you think john's death was necessary to "allow" them to act on their codependency, or would his absence push them together regardless?
OK please excuse any typos, i AM writing this with a cast on. anyway HAPPY WINCEST WEDNESDAY!!!!! this is such an awesome prompt, you've definitely got me thinking.
based on my understanding of seasons 1-2, john actually serves more to drive sam and dean apart than being them together, mostly in the way he serves as a symbol for sam and dean's fates, which are diametrically opposed. by pursuing john, they are pursuing the fates given to them, and those fates dictate a retelling of cain and abel: dean is supposed to kill sam, who has become a monster. it's only when they abandon john that they can avoid their destinies—which is why, in season 2, dean is successful at avoiding his fate (for the most part, starting from 2.09), but sam is not. sam, rather, is following a path he believes john would have wanted for him by continuing to hunt (he completely made this up in his head which is still so funny to me), but in reality pursuing the hunt continues to push him down the road azazel wanted for him. and this is why, during their "honeymoon" phase circa 2.10 to 2.17 (and ambiguously continued into 2.20), sam is the one driving most of the conflict, while dean takes an emotional, supportive role to reassure sam that he doesn't have to succumb to fate. dean has, in these episodes, fully abandoned his fate, while sam still clings to it and introduces doubt into dean's mind through his own self-assured convictions. and this is paralleled by dean fully abandoning his father and the duty john saddled him with, and by sam wanting to honor his father by continuing to hunt down azazel (and hunt in general).
and we see this in season 1 as well: every time john makes an appearance in some way, it furthers the plot. and the plot is sam's fate (dean's fate isn't truly introduced until season 2, and so dean exists sort of ambiguously and as a result lacks narrative agency throughout season 1; his decisions make no impact on the story and sam alone drives the plot forward). john is a symbol for azazel, functionally speaking, and azazel is a symbol for sam's fate. john is azazel is destiny. thus why sam and john are so deeply paralleled and intertwined: they all come to reflect the same thing. in this way dean is the true outsider to the conflict pertinent to the story, and he's treated as such throughout the first season. he makes his mark instead by parroting john, by becoming his mouthpiece in his absence. his own individuality is constantly pushed to the side and suppressed until 1.18 allows him to finally move forward into some semblance of personhood, which is what he needs in order to finally defy john in 1.20.
i just realized this is a lot of context and not an actual answer lmao but basically all of this to say, i don't actually think john's death was necessary for their codependency. it took root in them around 1.11, long before they actually "found" john in 1.16. and it was 1.18, an episode which had little to do with john directly, which allowed dean to break out of the mold he had forced himself into. the act of choosing each other, specifically over john (who represents fate), is what allows them to achieve codependency. the moment where they choose to exist in a codependent relationship indeed is one where john is still alive, in the season 1 finale. sam chooses dean over john, in doing so abandoning his fate, and they solidify their deeper connection. it is in fact john's death which causes sam to falter in this conviction because of his desire to honor john's memory (again by just making shit up in his head about his father. i love him), and this decision has massive ramifications throughout the rest of the season.
if, instead, they simply lost john and never found him, i think a lot of the john-generated conflict would have been avoided. and john generates a lot of conflict for someone who shows up in just a handful of episodes, because he is a symbol of destiny for both of his children, pressuring them in equal amounts but in completely different ways. without that pressure looming over their heads, i think pretty much all of the conflict in season 2 could have been avoided: sam wouldn't feel the need to keep hunting azazel despite throwing away his fate and likely wouldn't be so resistant to dean's persuasions; dean wouldn't be torn between duty to his father and duty to his brother; john's memory wouldn't have caused the problems it did in the first half of the season (especially 2.02-2.04). assuming the rest of season 1 played out roughly the same even with john's absence, it would stand to reason that they would still choose their codependency, and they would settle into some kind of fucked-up domestic bliss—probably continuing to hunt small-scale until azazel inevitably forced their hand anyway (tenacious bastard). sam giving up on his revenge quest would settle most of the enduring conflicts in season 2, and sam only doesn't do that because of john's death.
of course, this makes the assumption that abandoning john is still their active choice. i think that's a reasonable assumption to make because they had begun the process of extricating themselves from their father way, way before john ever shows up or before the end of the season where they achieve codependency. for dean this looks like rebellion, defiance against the iron grip john has around him. and for sam this looks like forgiveness, which he steadily accomplishes across season 1. by 1.20 they no longer define themselves by john but by each other, and it's a mere two episodes before they make the final plunge into each other. it has little to do with john and much more to do with themselves and their interactions, their natural conflict and their unique resolutions. giving up on finding dad seemed to already be something dean was working towards by the time john showed his face in 1.16 (he was resistant to pursuing john single-mindedly and preferred to focus on the smaller hunts, both out of deference to john and out of his own desire to save people), and sam's gradual forgiveness of john began as early as 1.08. so really it was specifically his absence that allowed them to come together, because the groundwork for their extrication began without john and it bloomed despite john. he is the axis around which they are turned, but it is the process of overcoming him which allows them to choose each other. they replace their father with their brother (and in 2.03 sam even offers to replace john very, very literally, by "filling the hole" john left behind in dean) and this replacement—literally, as their father and the man who raised them, and figuratively, as the symbol for their destinies—is the foundation of their codependency.
at the same time, this doesn't exactly look at the potential conflicts that would arise with john's absence. there would be little plot movement without him there driving them forward; they would remain stagnant, and that stagnation could disallow the blossoming of their codependency through a lack of choices and decisions. it is of course the deliberate choosing of brother over father which inevitably drives them closer—in 1.11 it's sam choosing to save dean instead of finding john; in 1.16 it's dean choosing to send john away instead of braving the world together; in 1.20 it's sam and dean both standing up to john in equal measures; in 1.21-22, it's sam choosing to let azazel escape. without john exerting pressure on them, sam and dean sit comfortably without moving, together but with a marked distance between them. which was exactly meg's plan in 1.16: they weren't moving fast enough for her liking, so she used john as bait (the three of them were mutually bait for each other, rather) to force them to make decisions.
so it's sort of a double-edged sword. they steadily come together and twist themselves around each other without john there to drive them apart, but at the same time it is john's active presence which allows them to take definitive steps toward their desired state of being (codependency). without the pressure john exerts on the narrative, their progress is slow, and they're too nervous to make those drastic leaps from step to step without some external force pitting them against each other. in that way they're a little too comfortable with each other (a lifetime together will do that for you), and they have to be unavoidably forced out of that comfort in order for them to commit to anything. john is both the driving force for their codependency and the wedge hammered between them, which sums up his narrative role so poetically if you ask me.
so like, tldr (seriously), i think if john went missing and they made the active choice to stop looking for him, they still definitely would have the potential to achieve codependency, but it might take them a much longer time to do so, especially with azazel's meddling (because he, of course, wants them to kill each other—that's their destiny after all). without something to rotate around, they risk stagnation, but it would likely be a comfortable stagnation with steady, if slow, progress toward a better, closer relationship. i wouldn't say the end product would ever be healthy though, because it's clear early on that their ideal relationship with each other is that of codependency, and so they are constantly striving for that end goal. and like, thank god for that, idk what i'd do if they were normal about each other 💦
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astronomodome · 1 year ago
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Feeling conflicted about the cyberpunk thingy impulse is going for because like yeah it’s a great theme and I like the aesthetics a lot but what I really like most about cyberpunk is the themes of corporate alienation and/or transhumanism etc etc which I know will not be addressed at all and in fact it’s kind of stupid of me to expect that at all from a minecraft series. Does anyone else get that or just me
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kori-senpai · 1 year ago
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Day 1 of putting characters in my clothes because I really suck at drawing cool clothing and want to be better at it
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barneysbigstompers · 26 days ago
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booktok and it’s consequences
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moreclaypigeons · 1 year ago
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No like seriously ARE we ready to talk about the misogyny in fandom spaces
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tariah23 · 11 months ago
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That “things I’m not afraid to admit as a black person,” trend going around needs to die off like, immediately bro.
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#most of them have been quite coonish in nature while creating a safe space for whites and nbs to agree with their bigotry#like ‘I’m white but it would be racist if I SAID this haha’ type shit#oh brother#rambling#this#this is like one of the worst takes that I’ve seen in the past week from a black Person in this coon trend#last time it was the ‘i hate hood people’ now it’s ‘I refuse to be friends with black ppl’#the whites and nbs will not treat you better lovely you’re gonna be their token and they’re gonna see how far they can go with treating you#like crap#they’re gonna see if you’ll accept their microaggressions and slip ups and if you’re fine with it then oh well#why even post this oskska#a black koreaboo…. does she not know how awful Korean men treat their women…. it’s not my place to speak on this but 😵‍💫………..#she got jimins hair and think she can step to the podium…. alright#her casket ready makeup- the anime girl wig- sorry I won’t roast#this sister is hurting somewhere lol#I get the mixed ppl thing since a lot of them are annoying and awful especially the white mom black dad combos but other than thatjsjss#even to an extent black men but like then she goes on and says that she wants a Kr boyfriend like that’s any better ajjaa#as if men from any background don’t have the capacity and history for violence against women like what man#this is just textbook antiblackness jjsjs#she probably got bullied for being weird but oh well. so now all black ppl are evil monsters#you as a black person should feel weird to even project such thoughts it’s very dangerous
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thenapalmvault · 2 months ago
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Americans will whine and piss about how certain subcultures died after having abandoned it (or even cynically chalked it up to not being "cool" anymore) while consistently ignoring South American and Asian countries that have kept that subculture alive and well for years and I will always be mad about that.
#punk#subcultures#hip-hop#sorry for the coming rant lol#youth culture#hell even skinheads but that's not exactly american that's bri'ish#and even then the fuckers still whine about a buncha shit#then american skinheads made it violent and gang-like like they do with every fucking subculture and then dipped#This is inspired by a seeing a bunch of people comment about how we should bring back breakdancing and that it's dead#meanwhile hip hop dancers all over the world (esp Asia) love and embrace that shit and still keep it going#Y'all just abandoned that shit and moved on to “tougher” and “cooler” things LMAO#yOU CAN'T sit here and tell me that the old school hip hop (light& party oriented) wasn't ridiculed after the rise of Gangster rap#HIp hop needs both fun stuff and dark stuff cause that's what makes it an art form#But holy shit do you get clowned for being more akin to Kid n' Play and MC hammer like hooooly shit#That sort of thing happens with most subcultures and trends!!#Y'all outgrow that shit and suddenly think you're high above it and start mocking it then it dies then you whine about it dying#BLah blah i know it's not every american but it's a large majority of the “mecca of youth culture” or art as a whole lol#Something something americans tend to think that third world countries are “imitating” y'all cause you're superior something something#Something something americans “pioneering stuff” is really just “we did it in a public forum even if you did it first in your own corner”#the punk vampyre speaks#punk rock vampyre#But what do I know <3#goth#gothabilly#rockabilly#disco#a bunch of shit really i can't tag all of it
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