#you must sacrifice

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[inspiredrawaw]

I LOVE LOVE LOVE how you draw Cosmo and Wanda, especially Cosmo, he’s so kissable! 🥰

Wanda agrees ;] I like to think Cosmos wings do a flutter when happy or excited

but thank you so much!!! :D

[poorly-drawn-mdzs]

Turtle hunt gone wrong.

[First] Prev <–-> Next

[hinamie]

took 3 tries but i think i am finally free of korra plagiarism in yuuji's water tribe design

jjk atla!au with @philosophiums

[originalaccountname]

I think my issue with the various interpretations of Mori's evilness is that there's this idea that Mori went out of his way to purposefully and deliberately target both of Dazai's friends in Dark Era to teach Dazai a lesson, and not that Dark Era is a tragedy where the cards aligned a bit too well for Mori to resist the "logical" solution served to him on a silver platter and everyone (including him) lost something that day (not that he'll acknowledge it)

[xinyuehui]

Not insane, just a feminist ♡

墨雨云间 · The Double · 2024

[dol--blathanna]

Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.

Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.

And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.

Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).

(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).

Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?

Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.

And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?

Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.

Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.

Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.

Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.

[legendoftherisingtide]

[intro]

Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.

He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.

Then why is he standing in the rain.

To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.

He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change. 

Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.

He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.

So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that. 

I hate the rain. But I will brave it for you. 

He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya. 

For Izuku.

He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.

He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.

But now it’s different.

There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.

But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.

But when did it become something else? 

When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?

Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about. 

He tells Midoriya he shouldn’t try to win this on his own. 

He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.

But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature. 

There are two reasons and both are a sacrifice of something in the moment.

It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay. 

But the sacrifice of ideology. 

With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.

Midoriya changed him.

He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation. 

Everyone sees how Bakugou feels about Midoriya.

He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting. 

There can not be a world that doesn’t have him in it.

This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.

But the final sacrifice is the culmination of Bakugou’s character.

He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.

This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.

I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.

It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.

I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.  

But can I still be with you?

The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.

And the last thing on his mind is if he can still be able to be by Midoriya’s side.

He won’t let him go again. 

[mongeese]

Very small piece overshadowed by everything else but I full almost cried at Elgin's line here. Service to others and service to a cause you believe in as service to yourself. Not working for anyone else but dedicating yourself to your work and your community because you want to, because it matters to you. So fucking true. Anyway totally unrelated hc that definitely isn't me projecting I think Elgin's butch

[Image ID: A screenshot of The Silt Verses transcript. It reads

"PAIGE stares at her. She's genuinely touched.

PAIGE: Do you do anything for yourself, Elgin?

ELGIN: (Almost surprised by the question) All of this has been for me. You know that Paige, don't you?"

End ID]

[lovesickeros]

☆ from gold, i am undone

{☆} characters tsaritsa {☆} notes cult au, yandere, drabble, gender neutral reader {☆} warnings blood, implied self harm, implied suicide attempts {☆} word count 0.9k

You weren't meant to be here.

You can feel it in the marrow of your bones– it weighs you down like heavy shackles, gold bleeding from your pores until it is all you know. The taste of ichor on your tongue, the warmth of its invasion beneath your skin, that gleam of gold that lingers in the color of your eyes like specks of dust.

You are changed, and you are whole.

But you are so unbearably broken.

A shattered piece of porcelain hastily put back together with gold to fill the cracks.

Decoration, in the end, for you are not fit to walk as "mortals" do. This gold had filled every empty crevice of your body, spilled the red into your frantic hands and made you bleed so it's callous gold could make room inside your body. It has taken from you many things, given many more, but you scratch and bite and tear until it drips onto the floor and even then it never leaves. It stains the floor no matter how hard you scrub– a permanent reminder of the sickening gold that molds you into something that used to look like you– that does look like you. Desecrated, yet so horribly divine.

All you see is a monster.

Something new, something old.

A hollowed out shell, wounds left to rot and fester until you suited the image of the Creator they bore upon statues and murals, the Creator worshiped in prayers spoken in hushed whispers and joyous chants praising your magnificence.

But what magnificence is there in detachment? What joy is there to be found in carving a God out of a human? They kneel like lambs before the shepherd, but the flock has made you– and you want to unmake them. Unweave the tapestry of their being stitch by stitch until it all falls apart and the world knows the cost of casting molten gold into the shape of a human, knows the price that has been left unpaid.

You want to take it from them. Watch them squabble and pray, blind sheep stepping into the wolf's open maw– to tear the seams of their being until the world is unwound by your heavy hands.

But you know it will not satisfy you.

Nothing does anymore.

You are no wolf. Only the shepherd who guides.

And with every drop of blood spilled, they ripped the humanity from your very bones until your body was the cast in which they made something anew– something gold, something horrific. A monster as much a God, a beast as much a man.

There is nothing left but absolute authority.

You try again and again to mend this act of desecration, to peel back the outer shell and rend the gold from your marrow– but your body cannot, will not, die. It mends itself back into place no matter how damaged, and all you feel is the uncomfortable tug of your body forcing itself to live. You cannot die, but were you ever truly alive at all?

Yet with every cycle, you know only one constant besides the thrum of golden ichor in your veins– cold.

Ice that burns, ice that spreads and festers and devours. Claws that pull you apart until the gold runs thick, teeth that burrow into your bones and rip it out from the source..eyes that witness the fall of a God with reverence– hungering, all consuming reverence.

You welcome it.

It is the first time you felt pain since you were cast into an image of a being you were not meant to be. The sting of cold upon your skin makes you shiver, your body tries to reject it, but you want to welcome it– for a brief moment that lasts only as long as it takes for you to blink, you see the glint of something familiar in the reflection of her empty eyes. Something achingly, horribly familiar– something human, all the more terrifying for it.

Even when Teyvat itself crumples like paper beneath the weight of her sins – of this desecration anew, this wretched heresy – you allow her hands to do it again. You grasp her hands in yours like chains, willing her to shackle you, willing her to pull you apart and make you whole again. To break you until the gold cannot put you back together again.

You long, each time, for those eyes like spears that lodge into your skin– burrow deep and sting deeper, making gold flow like water. You long for the biting tongue, the cutting words and those teeth like weapons– long to see the spite and anger and impure disgust aimed at the woman of silver who leads you down a hall that ends only in damnation. You follow each time like the lamb led astray by the wolf, but you do not wail in betrayal when she sinks her teeth into your throat and devours you whole.

For is it a sin if you welcome it? Has their God sinned, in the eyes of the flock, for welcoming such heresy with open arms? For allowing the wolf into their home?

Is it a sin to be broken beneath the only hands that have loved you?

Is it a sin to want to love, too, those hands and teeth stained in gold?

Then you shall be damned, you swear it. Damned, but gold no more.

For death is the closest you have ever felt to being human.

[no-time-machine-available]

You don't know how deep you are into Ao3 until the site crashes and you start to feel like a headless chicken.

[lilaccatholic]

I am once again thinking about the reluctant ruler whose arc justly and correctly includes assuming the throne and taking responsibility for the people set before them

[usefulquotes7]

Someone who is worthy of your love will never put you in a situation where you feel you must sacrifice your dignity, your integrity, or your self worth to be with them. Unknown

[77ngiez]

hey guys do we realize that the main difference betwen how kai and midori developed is that kai was given the chance to learn what normal life and love and family was like by working with chidouins while midori was kept under asunaros thumb all his life. do we realize that just a few changes could have kai acting just as cruel and merciless as midori. do we realize that midori is a victim of asunaro too, and though that doesn't excuse his actions it does make them more tragic. do we realize this or are we all being serious when we say midori is the only character who isn't worth redemption.

[qiu-yan]

based on this poll it seems we don't want lan wangji as chief cultivator

someone help him he's too morally good for politics :(

[romance-rambles]

modern alkaid | the duality of pining

Alkaid's first night at in The Intermission goes badly. The next day, however, turns out for the better—as it so happens, the girl he loves might love him back.

6.3k, set during TE3, alkaid-typical anxiety + pining + happy ending, reader is mc, series: none

IF ALKAID LEAVES HIS ROOM and walks in a straight line, remembering to take a right turn before he crashes into the wall, he will come across an ordinary door.

It is blue in color, with a pop of silver provided by the cool-toned hardware. Many like it can be found installed in every door frame housed by Mrs. Santos' hotel; within Alkaid's suite alone, there are three examples to choose from—the front door, his door, and...

The door that belongs to you.

An ordinary door, made extraordinary by the girl staying in the room behind it—by you, the girl of his dreams. The one who'd fished him out of the snow and watched the aurora alongside him. The reason he'd chosen to go to St. Shelter Academia in the first place.

It's like something out of a dream, really.

To think you're sharing a suite with him—that he's separated from you by only a short trek to your door. There's a common area in between, and it would be so easy to waste the night away, chattering about something—or nothing—whilst sitting on the sofa.

How wonderful it would be to walk outside his room and be able to check up on you. To ensure that when you need someone by your side the most, you're not alone, even if you keep your secrets close to your chest.

He has some too, after all.

It only matters that you're okay.

And even taking into account their relationship status, the situation has all the markings of something that could be so terribly domestic that he can't help but want.

In the morning, you'll both walk into the lounge after, hopefully, a good night's sleep on your part. You might forget to brush your hair, and when he playfully points out your bedhead, you'll grouse about how perfectly awake he seems to be.

Alkaid will only laugh, painfully aware of how much he adores you. As you fix your hair in the bathroom mirror, oblivious to his longing glances, you'll strike up a random conversation with him—probably related to food. After freshening up, the two of you will head down together, and he will do his best to ignore Mrs. Santos' knowing looks.

And tonight, once you've relaxed a little, you'll probably go take a—

He pauses his thoughts there, before they can spiral to places he knows would make you uncomfortable, if you ever learned of them. After all, his keen gaze had not missed the flash of uncertainty that crept into your otherwise relieved expression that morning. Nor had he missed the way you'd locked yourself in your room the moment you entered the suite.

The daydreams he holds dear are likely the last thing crossing your mind right now. No matter how comfortable you may be with his presence, there are some concerns that aren't easy to shake off.

It is a fact Alkaid knows painfully well.

With a sigh, he sits up on his bed, legs still hanging over the edge. Considering the speed with which you agreed to spend the night with him—in the suite—he suspects you didn't want to trouble him with the task of finding a place for you to stay.

You must be regretting your choice right about now.

At that thought, his lips pull into a frown. Will you...will you be able to sleep well tonight?

You made it no secret that you enjoyed exploring this quaint little town. So much so that before they had returned to the homestead, the two of you briefly discussed your plans for tomorrow, vague and unfinished as they were.

A rough night is the last thing you need.

He could never forgive himself if you walked out your door, bleary-eyed and exhausted—with only enough energy to eat breakfast before you went back to your room to nap.

Pulling himself out of his thoughts, as a plan forms in his head, Alkaid stares at his door.

It does not have the privilege of being made extraordinary simply because of the person residing in the room behind it—it is an ordinary door, as it had been this morning, and every other time he'd stayed in this particular suite. But it is through this door that he can make amends.

In that regard, he supposes it deserves some kind of credit.

THOUGH THE HOTEL DOES OFFER room service, he's always preferred to go down to the kitchen and grab the simpler orders by himself.

These days, Mrs. Santos only tends to sigh as she waves him back to his room. Sometimes, she'll let him make his order himself if she's busy. But when he'd first started this habit, after she'd offhandedly mentioned how exhausted she'd become after a day's work, he'd been met with some amount of resistance.

It had taken almost a year to wear her down.

"Here you go: a warm glass of milk," she says, handing him the glass. There's a knowing glint in her eyes, but it does not sufficiently prepare him for her teasing. "Are you having trouble sleeping? She's such a nice girl—I can see why you like her."

Alkaid flushes, instinctively spluttering out an unintelligible defense of his crush on you. Mrs. Santos only laughs wistfully and pats his shoulder. Her husband had died a few years ago—she's likely remembering him.

The thought helps him regain some of his lost composure. Unfortunately, by the time he clears his throat, she's already ushering him back to his room. He has no time to explain that the glass of milk is actually for you, or that he'd appreciate it if she'd tone down the teasing.

After all, he suspects her good-natured teasing likely contributed to your extreme discomfort at being alone with him.

He can still feel the lingering warmth of your hand from when you subconsciously held his hand, in order to escape Mrs. Santos' words. It is overshadowed by the heartache that comes with the memory of the distance you'd maintained early on in their day out, before you seemed to grow tired of your hypervigilance.

Alkaid makes a mental note to discuss it with her tomorrow as he climbs up the stairs, back to the second floor. It wouldn't do for you to be uncomfortable in your own suite.

But for now, all he can offer you is this glass of warm milk he's put on the table.

"Are you awake?" he asks softly, though the light seeping out from your room gives him a good idea of the answer.

When you first respond, your voice is startled and a bit shaky.

You repeat your words again. It still doesn't sound like the voice of someone comfortable with his presence outside her door. Instead, there's a hint of urgency in your words, one that screams at him to leave you alone.

The sound breaks his heart into such tiny pieces that it would take centuries to piece them together. Somehow, Alkaid manages to pull himself together quickly, carefully collecting the shattered fragments for his future self to deal with.

"I've ordered you a glass of warm milk. It's on the table," he tells you, keeping his tone upbeat and cheerful—just slightly above a whisper. "Drink up and rest well."

His hand is splayed out against the door's surface. Alkaid can't help but wonder: are you on the other side, holding out your hand like he is?

It seems almost disrespectful to ponder the thought.

After all, he knows it isn't true. That would imply that the respective situations they've both found themselves have any sort of equivalence, beyond the discomfort they both feel. And even that is different, in its source—you do not want to be here, and he wants what will make you the happiest.

Reluctantly, remembering he can't stay here forever, he pulls his hand away. You'll need to come out in order for his plan to be successful, after all. And the fact that you didn't open the door right away means you won't feel comfortable if you know he's there.

"See you tomorrow," he says, before returning to his room to grab a change of clothes.

All things considered, Alkaid's uncertain whether you'll take a shower. But just in case, he'd like to finish up quickly. The sun has long set, and though you aren't a stranger to staying up late, he doesn't want to impose on you more than he already has.

Quietly, he slips inside the bathroom—stares at the worried young man watching him from the mirror. He can't help but remember when he'd spotted you from the balcony overlooking the courtyard. Not for the first time, he'd thought his senses had betrayed him.

Alkaid was in the middle of wondering if you'd like his quaint little escape back then. Then, you were there, observing the courtyard and telling him about how your accommodation woes. The spare room in his suite, he'd thought, was only going to rot.

After all, what good would the privileges at his disposal be if he could not aid the girl he loves in her time of need?

"What should I do?" he wonders out loud as he runs his fingers through his hair. How can I make things better?

The man in the mirror does not offer him a response.

THE LIGHT IN YOUR ROOM is still on when Alkaid walks out of the bathroom and into the living room.

His hands pause their gentle drying of his damp hair. The towel they'd been using—a light blue one, in keeping with the theme of the suite—droops, the bulk of its weight coming to rest atop his shoulders. Alkaid pulls at the fabric and, from the back, wraps it snuggly around his neck.

As he is, he must look like quite the sight. Lips parted in surprise, and bright green eyes transfixed on the siren song that is the warm light seeping out from under your door—

And oh, what a beautiful song it is, drawing him to its domain so skillfully that the memory of his short trek escapes him.

All Alkaid knows when he comes to is that he is standing at your door once again, loosely curled hand poised to knock. Uncertainty leaves it lingering in the air, a few painful centimeters away, right before it resumes twisting his heart into another painful arrangement.

That the warm glass of milk he'd brought up for you seems to have vanished from its place on the table provides little relief. How can it, when his mind seems insistent on playing round after round of its latest obsession?

(Are you awake?

Are you asleep?

Are you in the midst of a beautiful dream?)

And the only one who can free him for the never-ending cycle does not wish to see him.

THE NUMBER OF SPARKLES FROLICKING in the grass turns out to be nine. Twelve, five, nineteen, forty-nine—after a few rounds of the game, he turns to his side. A stray thought about his cat's friendship with Beanie distracts him from his counting, and he is forced to discard the results of the sixth game.

He soon turns to his other side.

Sleep does not come to him that night. When he moves on from counting ragdolls, Alkaid distracts himself by softly singing a lullaby. It does not work. He switches, instead, to wishing on some distant star, hidden by the half-darkened ceiling.

That does not work either.

Eventually, he gives up and opens his eyes.

The town outside is quiet. Only his breathing disturbs the silence. Somewhere beyond the foot of his bed, a blue nightlight glows softly. His phone, once he retrieves it from the nightstand, reads 2:00 AM on the lockscreen, above a photo of Sparkles.

A pair of arms—clothed in a familiar, baggy beige sweater—hold his beloved ragdoll in place, atop your lap. The peace sign your hand had been making is just barely visible, most of it having been cut off when he'd cropped the photo. Your braid happens to fall in front of Sparkles, who eyes it with ill-intent.

Alkaid's never asked whether you'd be okay with him putting you as his lockscreen, because you'd been the one to offer this one up. He remembers you smiling oddly once he showed you the finished product. You would go on to show him that same smile again—when, after mulling over your expression, he concluded it was some sort of test, where the correct answer was no, and made amends accordingly.

It goes without saying that he's never tried changing it after that. He can't, not when you have your own version of it with Beanie on your phone.

Glee had sharpened your smile into something teasing when he took notice of his inclusion. Just his arms, the same as in his own lockscreen. You made no effort to hide how much of it was motivated by some kind of spite, but the same went for how much you adored it.

Because whenever you'd look at it, your gaze would grow soft. It was as if you were watching something so incredibly precious—a treasure you would not trade for the world.

And like clockwork, a traitorous part of him would wonder if some of that affection was aimed at him.

"I'm sure—" Exhaling deeply, he traces the curved path your arms take with his thumb. Once, you'd mentioned the shape's resemblance to a heart; he hasn't been able to unsee it since then. "—whoever that ends up being instead will be the luckiest man in the world."

And perhaps Alkaid will get to reintroduce himself to him, if their friendship survives the night.

It has to.

After all, he hasn't gotten the chance to show you the pictures he took today, some of which, as usual, feature you among the sceneries of Mrs. Santos' hometown. His favorite is the one he took of you watching the sunset.

The warm colors of the sun had imparted a golden hue on your hair. Your back was to him; your hands were tied behind your back. A gentle breeze disturbed the serene moment at the same time you turned around.

With a press of a button, your welcoming smile became forever memorialized—and it will remain so, for as long as you want to keep it.

And he will remain by your side, for as long as you want to keep him.

MRS. SANTOS IS ALREADY TENDING to her garden when he comes down to the courtyard.

The moon is faintly visible in the sky, even as the lightened skies beckon the sun to climb out from under the horizon. As usual, Alkaid passed by only a few stragglers in the common area downstairs. You were not one of them.

Because before he left the room, your snoring could be heard from the living room.

Even on an ordinary day, when you don't have classes, there'd still be some time before you wake up. Today, he expects you'll need at least an hour more and—

Alkaid blinks as a yawn cuts through his thoughts. Unwilling to grant him the possibility of dodging the same accusations, his concealed eyebags remind him of their presence. They sit heavy on his undereyes; it is enough to have him contemplating a nap.

"Good morning, Alkaid."

That doesn't mean he'll go through with one.

When he pulls his hand away from his mouth, a polite smile awaits Mrs. Santos. He nods, returning her greeting as he would on any other day. Yesterday's vow remains fresh in his mind, quietly but insistently urging him to speak up.

"There's something I wanted to discuss with you," he says, his tone both firm and polite.

The older woman looks concerned. With some difficulty, she stands up, a hand on her knee offering her some support. Mrs. Santos puts away her gardening tools and observes him carefully.

"That's not something I hear everyday," she says, her tone humorous. He feels his shoulders relax slightly. "Why don't I brew some tea first?"

Without skipping a beat, he agrees. "Alright, I'll come with—"

She disappears inside before he can finish. Alkaid follows her. When they both return, sometime later, he is dutifully carrying a tray with three cups and a tea kettle, and Mrs. Santos is quietly grumbling about it.

They go through the familiar motions in silence—arranging the cups and pouring the tea. The third cup is left empty, though neither of them discuss why. It is their understanding, implicit, that if you come down stairs, you certainly won't say no to some tea.

When all is said and done, he begins to speak. It's a rather long-winded speech, something he's come to expect when it comes to you. You did not go out of your way to ask this of him—it would not be fair if you were judged for it.

"So, I'd appreciate it if you didn't tease us about our—" His mouth seems to have some difficulty sounding the word relationship out. Alkaid swallows with great difficulty. "She isn't interested in me, in that way."

Surprise registers on her face, eyebrows knitting together. She purses her lips, then opens her mouth. It closes before she can say anything at all. Her lips purse into a thin line.

"I see," she murmurs. A realization dawns upon her. "Has she—"

Cutting herself off, without prompting, Mrs. Santos shakes her head. Even so, he knows what the question on her lips was. Because Alkaid has wondered the same thing before.

Has she said that?

He brings the teacup to his lips. In doing so, he manages to cover up the downturned edges that speak of his thoughts on the matter—the hopes he once clung to, the ones he still can't shake off.

Have you said that?

You haven't.

You've never commented on how often he happens to be passing by your house, a box of cake in hand. Or how your friend Stella seems to be of the (correct) opinion that he's in love with you, a fact she makes sure to bring up every time she sees him. Or how you end up so often on his camera reel that it's much easier to count how often you don't.

What you have said is that you like spending time with him. That when you end up in a slump, he's the person you think of. And when you finish a painting, he's the first person you think of. And when you're doing nothing at all—

But they say actions speak louder than words.

Your actions last night can't speak any louder. The only way for him to reconcile your distant behavior with your general eagerness to spend time with him is simple.

You do love him, just not in the way he loves you.

"Alright, I suppose I got ahead of myself," she agrees. "It's such a shame. She's the first—you would've made such a good couple."

Alkaid puts down his cup, narrowly avoiding a catastrophe as he swallows down the rest of his tea, just in time. Zaph had told him something similar when he'd returned from his trip. That everything about him screamed he was in love.

He supposes time has only made it more noticeable.

"Thank you." Tucking a strand of hair behind his ear, he smiles weakly at her. The moment he retracts his fingers, it slips back out. "I hope she'll be able to enjoy her trip fully."

Mrs. Santos only smiles sadly at him.

YOU COME DOWNSTAIRS EARLIER THAN expected.

The tea is still warm, and Mrs. Santos has yet to finish her usual rounds of the courtyard. When he asks about how you slept, whether your early rise is related to him in any way, you stumble over the only word that slips out.

"N—no," you say, discomfort flitting across your startled expression.

Alkaid doesn't get the opportunity to clarify your wording. Before long, you're sitting beside him on one of the white chairs, hands wrapping around your cup. He pours you some tea, carefully eyeing the steady stream of steaming liquid to ensure you don't get splashed.

You do not have the face of someone who would rather be anywhere but here. After taking a sip, you sigh happily. Eyes narrowing fondly, he smiles and pours you another cup when you finish.

It is with that same gaze that he watches you accept Mrs. Santos' flowers. You cradle them in your arms gently, their light purple color a lovely contrast to your cream cardigan. Then, you turn around and Alkaid forgets how to breathe.

Whatever it is the older woman says register in his mind as a jumbled mess of sounds, like a series of words he ought to be familiar with. The longer you watch him, the easier it becomes for his true thoughts to slip out.

You are, and always will be, the most lovely person in the room. You're—

"Beautiful," he says earnestly, his gaze lingering on your nervous smile.

By the time his mind catches up to his mouth, it is, in some ways, too late to worry about how you'll react.

A flush creeps up your neck, to your cheeks and the tips of your ears. On one side, the latter is made more prominent when you tuck a strand of hair behind your ear awkwardly.

You almost seem pleased with the compliment.

He does not think about it. Not now, not when Mrs. Santos ushers you back to the table and you set your flowers to the side, in a vase at the edge of the table. Dark purple meets green as you sit down, your lips curving into a gentle smile.

Last night's worries keep him from enjoying the sight properly.

In the background, Mrs. Santos is asking about something. Alkaid hears his name and yours—and the word together. The look the older woman sends his way leads him to believe she doesn't see the problem with her question.

It says, See? I didn't tease either of you.

Seemingly unaffected by the question, you take a big bite of a chocolate-filled croissant. Your blissful expression is perhaps the biggest compliment you could pay the older woman—second to only the way you reach out for seconds.

As you lick off the leftover chocolate on your lips, your hand hovers over the assortment of breakfast items before gleefully plucking another two croissants from its plate. Meanwhile, his plate remains untouched.

Alkaid chews on his lip, worried that perhaps you're doing too good of a job at being polite.

"Well, Alkaid here—" You reach over and nudge his elbow. "—promised he'd show me around town again. I hope that's still in effect?"

You say that as if he'd ever say no to you. He chews thoughtfully on a pastry and wonders if that might be a good thing. In that case, perhaps you'd feel less pressured to do things with him—

But your expectant gaze returns his thoughts to their normal direction.

"Of course," he answers, condensing all his longing into only two words.

The third one borders on a near-confession—an implicit acknowledgement of his affection—so he leaves the Anytime out of it. It does not stop Mrs. Santos from giving him a knowing look.

"Is that right?" She smiles pleasantly. "You two enjoy yourselves, then. I'll make sure to whip up something nice for your last night here."

Your face lights up in delight.

"That's—ahem." Coughing into your fist, you pretend to be unaffected by the allure of the older woman's words. You haven't known her long enough to find out she's already prepped the ingredients the night before. "You don't have to do that, Mrs. Santos. Last night's dinner alone was more than enough."

"Don't be silly," she says, waving your concern off. "I'd do the same for Alkaid—oh! That's right. Do you have any requests, Alkaid?"

He does not—but you do.

So, Alkaid smiles and pretends his motivations for putting the spotlight on you aren't selfish in nature. That he does not to do this to be able to see that same blissful expression on your face again, this time with the knowledge that he played a part in your happiness.

"I enjoy anything you cook, Mrs. Santos," he says smoothly, before nodding his head at you. "Since it's her first time here, I think it's only fair that she gets to pick."

The older woman laughs, not unkindly. You shove another croissant into your mouth. A silent understanding seems to form between the two women at the table, one that, Alkaid feels, has everything to do with him.

But they do not enlighten him on what that understanding is.

Instead, the conversation continues where it left off, so seamlessly that he can trick himself into thinking the interruption never happened.

You talk about food, then flowers, then your time at St. Shelter Academia. Mrs. Santos tells you stories about him, of when he was younger and would come with his family—most of them being decidedly embarrassing, particularly since you're the one listening to them. And you drink them up with the same eagerness that seems to consume Alkaid when it concerns you.

The matching lockscreens come up once, as well.

He finds himself being stared at—almost disapprovingly—by the older woman. It reminds him of your odd expression, on that day. But before he can ponder what it is she knows that he doesn't, you rescue him with an apologetic smile—one that'd have him forgiving you immediately, if there was anything to forgive.

(There isn't.)

And even when he backs away from the conversation with warm cheeks and the word beautiful rattling around in his brain—even though it is entirely your fault, there is nothing to forgive.

Even though he wonders, again, when you glance at him after your devastating blow—that is his own fault.

Because last night, he'd sworn he wouldn't do this again. Last night, you seemed like you didn't even want to see his face. Last night, it seemed so easy to think he wouldn't fall back into old habits again.

Is it about him? Is it about Beanie instead?

Alkaid swipes an assortment of fruits from the center of the table. Pretends those questions won't be eating into the time he could be using to sleep. He is nothing less than his normal, polite self, even as the hurricane called you tears up his sanity.

When you look at him and smile contentedly, he adds another cause to the list.

THE PAYMENT ALKAID REQUESTS OF you, when paid in full, takes the form of a flower tucked behind his ear.

It is your idea, something spur-of-the-moment that pops into your head when you rest your hand on the bike's rear seat. You close the distance between them, and only when he replays the memory at night can he pinpoint the exact moment his fate is sealed.

There, as he's laying in bed—kept up by a situation that is in every way the opposite of last night—the sight of your eyes, glimmering with mischief, engraved into his memory forever.

In the present, however, as your hand reaches out for him, Alkaid closes his eyes.

On the front seat rests one of his hands; the other fiddles with the back of his shirt. They curl loosely into a fist as your cold fingers carefully brush his hair out of the way. His heart, as it beats only for you, tries to jump out of his chest. The trail you leave behind on his skin feels unbearably warm.

You laugh softly, to a joke only you know of.

It loops around in his mind like his new old favorite song, silencing any thoughts about how close you are. Yesterday's worries seem to flee his mind, your easy-going behavior a balm for his soul.

"Alright," you say, the sound of your voice returning to an appropriate distance. He opens his eyes to find you admiring his appearance. "I've paid your price."

The smile on your face would've stolen his breath away—if only he hadn't already forgotten how to breathe.

IN THE HOURS THAT FOLLOW, Alkaid falls in love with you, over and over again.

And the truth is, nothing in this world is easier—that if soulmates exist, then his heart knows, whether he is yours or not, that you are his. Even the heartache that visits him every time he leaves the present to court the future cannot deter him.

The most logical part of him points out that few women would act as you did this morning. The rest of him chides it for being so presumptuous, wielding last night like a dagger—so resolute in their conviction to keep him in his place.

Their job is made harder by the fact that you've once more taken to acting as you normally do.

Right now, the two of you are at a souvenir shop in hopes finding a present for Mrs. Santos. The idea came to you when they were at a convenience store earlier. You wanted to find a way to thank her for the lovely experience—and the love and care she put into every interaction with you.

"Do you think she'd like something like this?" you ask, holding up a mug with a stylized design of a grumpy cat.

Though she is a lover of cats, Mrs. Santos is, rather unfortunately, allergic to cats. For that reason, ever since he was old enough to go by himself, he's always been a solo traveler. Sparkles is there with him only in spirit—and in the many photos he has of his beloved ragdoll on his phone.

Alkaid thinks the mug is a lovely idea. Both practical and aesthetic. It is only the words written above the cat that give him a pause, in fun, bubbly letters that hardly suit the design's star.

Rather than the always cheerful Mrs. Santos, he thinks it would suit you much better.

Seemingly reading his mind, you sigh despondently. "I'll keep looking. Come on."

This is only the second shop they've visited. This is only fifth thing you've discarded from your list. Alkaid stares at the long fingers wrapped tightly around his wrist and obeys.

The urge to grasp onto them doesn't entirely die when next you release his hand.

At that time, his watch reads 11:15. Thirty minutes later, you remain unsatisfied with the selections offered by this particular store. You drag him along to the next store, brows knitted in concentration as you mull over your possible choices. He mulls them over too, in hopes of speeding the process along.

Because there are still a few more places he thinks you'd like. But the sun steadily creeps up higher in the sky, constantly reminding him constantly of their limited time together.

Tomorrow, you'll return to Harp Island—and there's no word on when you'll come back here.

"I'll go take a look too," Alkaid says, after you make a beeline for the first thing that catches your eye.

"Would you?" As you put away a hairpin you can't seem to agree with, a relieved smile crosses your lips. "Thanks, Alkaid."

He returns your smile with one of his own—something he hopes will assure you that the end is in sight. Then, he leaves first, disappearing among the shelves with only a fleeting glance at your now distant figure.

ALKAID IS NOT A STRANGER when it comes to having eyes on him. Whether it's strangers on the street or the ghosts of his childhood, he's grown adept at hiding both his discomfort and his knowledge of them.

Still, when the topic of their discussion partially revolves around you, he feels compelled to step in and clear the misunderstanding.

"She's just a friend, I'm afraid," he says, smiling apologetically. "It's payment for a tour I'm giving her."

The culprits seems to be a pair of siblings, close in age. Over the course of their fervent but light-hearted discussion on whether men look good with flowers in their hair or not, he learned their names are May and Max—that May is the older one, and that Max is not infrequently teased for every possible reason under the sun.

They both startle easily at his interjection and glance at each other. A flush creeps up the girl's cheeks, half of which she manages to hide by giving herself a sidepart. Max only coughs politely.

The satisfied gleam in his eyes, despite his embarrassment, speaks volumes.

"Oh," she utters, clearing his throat. Max tugs at her sleeve, and May lets him drag her away—though not before she decides to offer him one last bit of advice. "I'd ask for more than one flower, then."

Alkaid merely smiles politely.

To charge anything beyond that would imply that spending time with you is not its own reward. To charge anything at all would, ordinarily—but he's found, more often that not, people tend to feel more comfortable when there's some form of reciprocity, when it comes to jokes.

If he insisted on going without pay, there was a distinct possibility of the mood souring faster than he can recite your birthday.

"What was that about?" a familiar voice rings in his ear, your warm breath fanning against his ear. He tamps down the urge to flinch, though he can do nothing for his warm cheeks. "I heard something about flowers?"

Carefully, so as to ensure you don't think he's running away from you, he takes a step back—puts his hands in his pocket. And when he looks back at you, you're doing a terrible job at hiding your smile.

The upturned corners peek out from behind your two fingers—but even if they didn't, he thinks your eyes would betray you.

"She seemed to think I should've asked for a higher price," he confesses truthfully.

There are three ways this can go. You can ignore his words entirely to show him the latest item you've pinned your hopes on. You can argue against it, with whatever argument you have on hand, and Alkaid will easily return the flower. And the third one, both the one most likely and the one he wishes for, is—

"She's not wrong." You nod, tucking a few strands of hair behind your ear. A plushie's leg peeks out from behind you as you walk up to him. "A flower isn't enough."

"What would you give me then?" he inquires calmly, as if his rapid heartbeat doesn't drown out all but the sound of your voice.

At first, it seems as though you have the answer already. Confidence drips from your tone for the first half of your sentence, but a distressed expression soon breaks out on your face. You purse your lips and cup your chin thoughtfully.

"Well, for something obtainable..." You mutter, sounding exasperated. He expects some of your next words to be a quip about how difficult it is to put a number on him. "Maybe a 100...maybe 200...300...? Your birthday is...so that many...?"

Alkaid hums, taking note of your wording. "And if it isn't obtainable?"

"It'd be hard to wrap," you caution him, having forgotten whatever plans you had for the plushie. As it swings behind you, he realizes it's a teddy bear. "But if I could, I think I'd give you the world."

The last of your words comes out softly, like a confession meant only for him. Your gaze softens, and though you seem like you're somewhere else, he can't help but think you're still thinking about him. And for the first time in a while, the contrarian in him remains quiet.

When Alkaid smiles softly, his heart feels lighter than it has in ages.

The girl he loves wants to give him the world—and though you keep your secrets close to your chest, you are not a liar. He will not make you out to be a liar, by wondering if you really mean it at all.

And it is easy enough. All it requires is framing last night's interactions with you a bit differently—that you were not afraid of him but of what he'd figure out. It's a thought he'd entertained on and off, but never with as much conviction.

In a way, the two of you are nothing less than birds of a feather.

"Just spending time with you is enough," Alkaid assures.

With a dramatic sigh, you hold the teddy bear against your chest and huff. His smile takes on a helpless tinge as he watches you shake your head. When you take note of it, your eyes narrow into what would be a ferocious glare if not for the faint pout on your lips.

"And we return to the crux of the problem again," you complain, shoving the teddy bear at him. "We'll come back to this. What do you think of this bear for Mrs. Santos? Doesn't it look like her?"

He takes a step closer. "Hmm, I think she'll appreciate it. Do you like it?"

Your nose scrunches up at his words. A sigh escapes your lips as you look longingly at the teddy bear, then at him. This time, you don't shake your head quite as vigorously as before.

"Alright, let's keep looking," you say, your hand wrapping around his wrist again. "You come with me this time, alright?"

The answer to that comes easily, even before you confide in him how boring it was without him. Alkaid chuckles warmly and quietly takes your hand, the way he'd wanted to earlier, with an explanation on the tip of his tongue—

"It's more comfortable this way."

Once the flash of surprise fades from your eyes, you grin at him. "You read my mind."

It takes some time before either of you are willing to let go.