#you can't really 'reason' with her because she's - in my opinion - not really acting out of malice

[hey-there-22]

I think little Powder created a rule for herself to not talk about Vander after she was taken in by Silco. She listens when he talks about him, she answers questions when asked directly but she never shares her thoughts. It probably started out of fear of fucking everything up and loosing Silco too, but after some time it just became a habit. 

But Felicia? Jinx didn't know Silco knew her, she didn't know she was the reason Silco became… Silco, so she just mentions her from time to time. 

The first time she did, Silco was teaching her about explosives (because that's what he had learnt they could bond over, even if he knew that Jinx's abilities would soon exceed his). He was working on one of Jinx's bombs, trying to help her figure out why it wasn't working when he just mentioned he used to deal with dynamite on the mines when he was Jinx's age.

There was a moment of silence. She wondered if that was how Silco and Vander had met, but she couldn't ask, so she tried to get that thought out of her head and said the next thing that came to her mind.

“My mum was a miner too.”

Silco froze for a second. Then continued to work in silence for a few minutes.

“There,” he said, handing the bomb to Jinx, “go test it out.”

Jinx smiled, excited, taking the bomb and Silco's sleeve to guide him outside the office, lightening the mood without even realizing it. 

They never really talked about Felicia. The same way they never really talked about Vander. One spoke, the other listened. No comments, no opinions, just letting the other one express their thoughts and feel listened to.

There was only one time Silco broke that unspoken rule: the last time they talked about her.

He had a meeting with a new investor in shimmer. An old contact, Silco had explained. After hours of negotiations, they had finally gotten to an agreement. The man looked around the room while Silco was pouring them a glass to close the deal. He shared a look with Jinx, who had been drawing on the coffee table the whole time. 

“Isn't that…” he began to ask, turning to face Silco, acting as if the kid couldn't hear him. “That's… Felicia's daughter, isn't it?”

Silco and Jinx looked at each other from across the room, both looking for the correct answer to the question in the other's reaction. People had asked before if she was one of Vander's kids and the answer had always been a simple and dry “no” from Silco that made them know not to ask again, but no one had ever recognized her because of her mother.

Silco seemed to keep his cool, thought, and quickly recomposed himself and looked away so Jinx did the same and continued drawing, pretending not to listen. Whatever he had decided was the correct answer was okey with her, she trusted him, trusted his calmness.

Silco handed the man the glass.

“She is, yes.” His tone was cold, a slight threat the man didn´t seem to get.

“Yeah, I figured," he took a sip "the three of you were inseparable back in the day after all.”

Trust? Trust was not was she was feeling anymore. Jinx had her gaze fixed on Silco. She was staring at him so intensely she could almost hear his thoughts going 'fuuuuuck'. But the coward  was. Not. Looking. Back. But then their eyes met for a brief second, and he was the smallest she had ever seen him. Guilty and ashamed and he wasn't Silco but the man he claimed Vander had killed long ago. Her father was showing vulnerability, and she wasn't about to dig in the wound. Not in front of other people.

She slowly returned to her drawings and noticed Silco physically relax. Only when the meeting was over and the investor had left, he acknowledged her again.

“Jinx…” He approached her.

“No.” She didn't move. “You can't do that”

“Do what?” He sat beside her on the floor but leaving some space between them.

“You knew my mum?” She looked at him, anger turning into tears.

Silco doubted for a second, “Yes.”

“No.” She stood up, tears uncontrollably running down her cheeks at that point. “It's not fair. You do not get to say I'm the daughter of the woman you knew. You do not get to feel grief or guilt or whatever the hell you… You can't tell me about her, or think of her when you look at me. You… you can't… She is mine. She is my mum. She can't… I've already…"

Silco got on his knees to hug her tight and she melted into his arms, all the anger transforming into muttered cries, they ended up on the floor again.”Shhh, don't cry. Don't cry, Jinx, she's yours, all yours. Shh, stop crying.”

They stayed like that for hours. Jinx eventually calmed down, but neither of them moved.

“You know, if you ever…” Silco whispered, breaking the silence.

“No.” Jinx interrupted in a weak mutter. “Grieve alone… Please. I don't want to know someone I've already lost.”

[knockknockitsnickels]

Thinking about parallels between Ms. Beast and Tower. They're both the result of choosing to fight the princess and losing (no-knife and knife routes respectively), both have similarly boastful personalities and see you as beneath them (prey and a pet).

Something about how one becomes an animal and the other becomes a god, yet both transformations are equally dehumanizing.

[shitpostingsapphic]

Why I don't feel disappointed by Vi's arc, but you might

I usually have pretty strong and polarizing opinions when it comes to my takes on Arcane, but this is one where I wanna open up the discussion a bit more and invite people to my perspective, and it's fine if you don't see it this way.

I think there are two primary reasons why people feel disappointed by the arc of s2 Vi. The first, being that Vi had stronger voiced concerns about the state of Zaun in the first season. The second, being that she spent the whole show wanting to be with her sister and she didn't end up getting that.

Why I actually feel fulfilled in Vi's arc has to do with these two points, and I invite you to sit with what I have to say next.

Both of these parts of Vi have to do with her fatal flaw: her neglect of self.

We know two things based on what the creators have said about the show: the theme of Arcane is the cycle of violence, and the entire show was written together, instead of season 2 being written after season 1 production. From this, I can then ask: what do the creators want to tell their audience about this message, knowing they wrote it all out together, knowing the events of season 2 were very purposeful, using Vi as a conduit for that message?

If violence is a cycle, can one person defy it? No, of course not. At the start of Vi's arc, she wants to be a person that breaks it, though. She wants to change things in Zaun, wants a better life for her sister. As season 1 continues on, she wants to pick up where she left off with Powder without truly processing the gravity of the years between them. She thinks she can hold the world on her shoulders and fix any problem that comes her way. She thinks she can use her fists to make progress, thinks she can physically reach out and create change, but it only contributes to the cycle. And that's not because she's morally in the wrong when she does so, but she doesn't grasp yet that her fists can't fix everything. Vander tries to tell her as such in act 1, and it's a lesson that goes beyond just the literal application.

Vi's tendency to try and fix everything around her leads to her neglect of self. Inevitably, when you try to change things you have no control over, it leaves wounds. It leaves a person feeling like something is deeply wrong with them. And we watch Vi go down this spiral. I actually find myself really brokenhearted watching Vi in the first 2 acts, because I think she represents a lot of us: we see pain and devastation around us, but we don't know what the right thing to do is. We try different tactics and try to fix things and are left wondering why things feel worse than how they started.

I think that's something a lot of viewers could benefit to reflect on: I think in watching a show with strong political messaging, we yearn for a message that tells us the answers to these big problems. Truthfully, most of us don't have a fucking clue what we're doing. We want change but don't know how to see it through. That includes the writers. This isn't a show about the solution to political strife. It's about the cycle of violence. It's about not knowing how to change something that's been continuous throughout history in some form.

If we put ourselves in Vi's shoes, it would eventually take a toll on us to try and change something that isn't within our ability to change. Vi can't fix the problems in Zaun. Vi can't change the way time and distance and pain has warped her sister into someone else. In season 2 act 1, she's still trying to take responsibility for things that are outside of her control. She blames herself for the way Jinx has changed and has to tell herself that the only way to fix it is to end the cycle with her own fists. She teams up with Caitlyn because she's convinced herself it's the only way she can help. She sees how violence has devastated not only Zaun but innocents in Piltover as well, and she feels responsible for it.

BUT SHE IS NOT AT FAULT. And she cannot fix it any more than she could have created it.

Perhaps people may feel Vi's arc is lacking because they wanted to see more of her involvement in the revolution of Zaun. They wanted to see her be able to change the situation with her sister and for them to live happily together. But because of the circumstances surrounding both, for Vi to do so, she would inevitably lean into her fatal flaw. She cannot do either of those things without neglecting herself. That's not who she is.

The whole point of a character arc is for someone to be a changed person from beginning to end. If Vi starts out as someone passionate about enacting change to the point of self-destruction, what would a resolution for a character like that look like?

Vi needs to choose herself. Vi needs to release herself of the responsibility of changing the world. She can't do it. There are ways to contribute to positive change that don't involve putting the world on your shoulders, and Vi has yet to put herself first in any situation. Vi choosing love is how she does it.

Amanda Overton, one of the main writers that contributed to Vi's character and the Caitlyn and Vi dynamic and relationship, said about Vi: "If she has no one left to protect, she would fall in love". If Vi finally lets go of this crutch of hers to protect, to fight, to take responsibility for things that aren't her burden to bear, she would fall in love. She would finally be able to choose something for herself.

This is why I find her arc fulfilling. I feel like it's not an arc we really see a lot. It's not every day we have a character that starts out like the classic anime slash marvel protagonist, and instead of being the person that saves the world, they accept they're not a superhero and it's okay to choose love and personal happiness.

If it applies, and you're reading this, I want you to ask yourself: are you perhaps disappointed with her arc because you expected her to be the superhero? And would you be okay with accepting that she isn't and doesn't need to be? That it would be better for her to choose herself?

[northopalshore]

Hii💝💝

I'm curious, based of your experience, what is your first impression of each rising sign ??

♀Hello 🌝

Personal experiences with the rising signs

Note that these do not reflect the entirety of those with the rising signs mentioned, these are just my personal opinions of people I've met in real life with these placements.

๑ஓ Aries risings:

All the aries risings I've met up to this point are very direct. They look like they bite but really don't. Also, a lot of them kind of look & act like a dumbass (in the best way possible). The edge lords with no filter, no patience, no tolerance, but most of all no bullshit.

If they call you an ass that's a term of endearment lmao. Sarcasm is their love language, jokes and wit are their strong suits. They're the ones that will debate you just for fun (the guys especially).

Intense, passionate and lively. They always look mad for some reason but they swear they aren't. It's like their eyebrows are just angled that way naturally. I love being around them though. It's always refreshing.

First impression in a single sentence: Annoyingly charming.

๑ஓ Taurus risings:

Literally the most patient and chill people I've ever met. Super friendly, slightly dorky. Perhaps it's because I have Taurus in my 3rd house, but I'm usually at ease around them. Although, sometimes it's rather awkward when we run out of things to say lol.

I'd say they are the goofiest people I've ever met.

First impression in a single sentence: Fun but kind of awkward.

๑ஓ Gemini risings:

Very talkative. Very friendly. Always seem to have some sort of new gossip or topic to think about. They do tend to be a bit two-faced at times especially when it involves gossiping, however I've noticed that if they have sun or moon here they are rather passive aggressive. By that I mean they don't "split faces" or pretend to like something as much compared to those without it. How do I say it .. they have more integrity?

It's not like all the gossip is bad, sometimes they comment on the right stuff but just hide their distaste rather than facing any sort of confrontation.

Maybe it's because my 4th house is Gemini, but I sort of have a hit or miss relationship with Gemini Suns & risings. They tend to "mother" me quite often. Perhaps they remind me of some traits my mother has? Both good & bad. I tend to have a love hate relationship with them for some reason, but I don't dislike Gemini.

There's sometimes this codependent feel whenever I'm around them. But Gemini moons? Those are my bffs lmaoo.

First impression in a single sentence: Gretchen Wieners

๑ஓ Cancer risings:

The sweetest most genuine people I've ever met, regardless of their gender. They are always honest with what they're trying to communicate. (Although most cancer risings I know have either sun or moon in the first house)

Note: I'm realising now I know quite a handful of people with sun/moon in their 1st house.

First impression in a single sentence: "I can't believe people like you still exist."

๑ஓ Leo risings:

Omg. They are super friendly & very caring. They definitely are divas in their own right. Very expressive especially when it comes to their makeup or looks. They love accessories, and outfits that stand out.

I have a leo rising friend with moon & jupiter in her 1st house. Girl, lemme tell you she is extra. Contact lenses, head accessories, heels, the works. She's very confident of herself as well. Posting videos & photos of herself often.

There is a bit of a temper but it's not that prominent & doesn't really last long either. Still, I've never met a single Leo rising that is selfish. Self obsessed yes, but not without the heart to match.

First impression in a single sentence: The bigger the hair the bigger the heart.

๑ஓ Virgo risings:

Edge lord II. There are three types of virgo rising that I usually meet. The self deprecating, the self obsessed perfectionist & the one in the middle.

On one hand, they are a super deadpan, no bullshit typa person then on the other, they are extremely self focused and sensitive towards judgement but super judgemental themselves. Then on the otherr other hand, they couldn't care less about what you think.

Very analytical, as you'd expect from Virgos. I always notice them looking around or at me trying to evaluate their surroundings lol. I appreciate their sense of thoughtfulness.

If they're nice, they're really nice but if they're immature or have issues with confidence or control especially then it's very evident. Still, I don't dislike them by any means. Virgo is my descendant I guess I'm a sucker for an edge lord lmaoo. Maybe that's why I keep marrying Sebastian in Stardew Valley.

First impression in one sentence: Okay Sasha Fierce/ 'cause tonight will be the night that I will fall ferr yeww ovar againn— ♪

๑ஓ Libra risings:

They are usually very sweet & open to communication. The ones I've met in real life are very intuitive, or at least are somewhat of a deep thinker. However, some of them tend to judge things based on looks quite fast lol. Other than that though, they usually have very good (fair) judgement & good values.

They are usually very pretty (conventionally attractive). With symmetrical oval shaped faces and a gorgeous resting face. They just look like an ad.

However, I have a housemate with a libra rising & aquarius degree and she's.. well you wouldn't expect her to be a Libra rising based on her looks. It's not like she's ugly, no. Her features just differ from what you'd expect from a Libra rising.

Also, she tends to be rather biased at times. Saying that one thing is bad, but she acts on something else which isn't "applaudable" by any means.

First impression in a single sentence: Clueless' Cher meets Karen Smith

๑ஓ Scorpio risings:

These are the asian baby girls or "goth chicks". Their favourite colour is usually black or purple. Normally I see them with tattoos or dyed hair. These are my people though, they are very inquisitive. A lot of the scorpio risings I know like to ask questions. Sometimes very.. strange or intense questions.

I love how genuine they are to themselves however, speaking their mind and expressing their feelings through their expressions. Some of them tend to be... Reclusive? They see themselves as this dark entity, either too smart for the others to comprehend or dismissive of what people have to say about them.

Although, I've never met a scorpio rising who isn't slightly obsessed with themselves lmao.

First impressions in a single sentence: I bet they listen to Mitski & Lana Del Rey.

๑ஓ Sagittarius risings:

I feel like people tend to sleep on how attractive Sagittarius risings are. Like, they're giving face, body, curves and everything in between. I have an older friend (27-28) and she's just so pretty. Especially when she smiles. Ngl but I did side eye her man a couple times during their wedding.

Usually very active outdoors as well.

Most of the guys I've met with this placement are rather religious. Like, the type to debate over it. The men are quite preachy (at least the ones I've met are). Most of them are reliable and fun to be around. Certified yappers.

First impression in a single sentence: The bigger the brain the hotter the person, I just hope they don't get too big now.

๑ஓ Capricorn risings:

Usually, the people I met with this placement give a pretty cold attitude towards the things around them. Their muscles on their faces are usually tense or there's this resting b face there. Sometimes they look like they're in a hurry to do something but you see them doing nothing in particular after lol.

They look like they've got shit to do & their lives together. Either that or they look rather unmotivated lmao. When you're talking for the first few times, there's usually no expression on their face. They'll just blink every now & then.

They are competitive too which is something you'd normally expect from an Aries more than anything.

First impression in a single sentence: "They are so practical."

๑ஓ Aquarius risings:

Weirdest mfs alive. Both male & female. Also tend to be the loudest (but differs depending on the degree it's in), though still charming in a way. They tend to be very chill and always down to hang with whoever. Usually always laughing at their own jokes or something they thought of randomly. They tend to be very intuitive, although it manifests differently with every aquarius rising I've met (whether their focus is on society or themselves). There's this tunnel vision aspect as well. They are genuine to a fault lol. The ones I've met personally are a little wild or quirky, always doing their own thing.

Very opinionated usually. Always trying to look at the big picture.

First impression in a single sentence: "I mean, if it works for you great."

๑ஓ Pisces risings:

They are a little erratic, a little strange and other worldly in a way. When you look at them, at times you'll notice that they aren't really there. Their interests are always different from the people around them.

Some of them tend to have this victim mentality to them, but I think it's just because most of the ones I met were when I was younger. They're probably just as immature as other kids at the time.

Very spiritual regardless if they follow any specific religion or not, I've never met a pisces rising (or w the degree) that isn't open to the idea of a higher power or karmic cycles. This seems to be true especially as they grow older. They also always have some sort of connection to music.

First impression in a single sentence: "I wonder if their mind is at Jupiter right now"

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

***entertainment purposes only, reader discretion is advised***

Hope this was entertaining ʕ⁠´⁠•⁠ᴥ⁠•⁠`⁠ʔ◜⁠✧

@northopalshore

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[themisteriousentity]

"Golden Deer is boring though it's lackluster, the characters aren't as strong as the other paths there's less conflict-"

You fool. You absolute buffon. Golden Deer is perfectly designed. Not only does it feed into the whole "alliance" theme well by having the characters still work together despite their differences and feelings well before hitting those A supports, but it's ALSO the only route that actually puts the focus on YOU the player. Or, rather, Byleth themself

Black Eagle is about whether or not you can agree to Edelgard's ideals of acceptable sacrifice and perspective that there's only 1 way to do things. The branching happens when you decide whether or not you agree, but ultimately it just explores opposing or agreeing with Edelgard. Anything more than that is really just incidental to that main concept, whether it's Crimson Flower or Silver Snow, the entire time you're focused either on helping Edelgard achieve her goals or you're focused on showing her how wrong she is alongside the Black Eagles who think it's their duty to correct Edelgard's wrongs (and I have a whole separate thing in regards to how the cast acts in Crimson Flower verses Silver Snow). It works really well for characters designed around an empire, a domineering form of government where (usually) a singular ruler determines the course and focus

Blue Lions is focused entirely on working on past issues and learning to bring yourself into the present, but it's done almost entirely through the cast more than the player. The Blue Lions themselves all have their own traumas and deep-seated past issues that hinder or help progress. While both Blue Lions and Black Eagles have a lot in common when it comes to traumatized characters and ideology, the ideology is front and center, while in Boue Lions, their interpersonal conflicts are front and center. This shows especially in the final (non romance) scene, where Dimitri decides that his personal attachment to Edelgard and past memories still matter, and he reaches out a hand, despite her immediately trying to kill him. It's fitting for a route designed around a kingdom, which is usually built entirely on interpersonal dealings between the ruling class

Golden Deer, however, is designed very differently. Unlike the other 3 routes, the player, or more specifically Byleth, is put as the driving force instead of the Lord. And this is actually what makes Golden Deer such a good route and one with the best ending of all of them. Claude has ideals, but he isn't a person who wants to force others to follow his path like Edelgard. Claude has lived a life of strife where his past motivates him, but it doesn't chain him the same way it does Dimitri. Instead, he works on understanding everyone around him and working together towards agreed upon goals, while taking on stuff that isn't agreed upon onto himself. But more than that, while all the Lord's value your opinion, Claude is the only one who actually takes what Byleth wants (rather than just what they think about specific matters) into consideration for his plans. Repeatedly you tell Seteth in Silver Snow that you don't want to kill Edelgard, but he pushes that you have no choice. Pretty much the entire first half of Azure Moon is Dimitri ignoring you. And in Crimson Flower, you've all but completely submitted to Edelgard's will with a couple of exceptions (which actually proves my point because it's specifically in regards to the Golden Deer because you can fight the entirety of Crimson Flower while sparing all of them except for Judith). But in Verdant Wind, Claude doesn't hide that he has a problem with the church and wants Rhea gone. In Golden Wildfire, without Byleth, he's more than happy to just get rid of her without a second thought. But when Byleth is the protagonist, he goes out of his way to accommodate your wants into his plans and goals. When you express as the player that you want to reason with Edelgard and ponder if you can't walk the same path, Claude agrees with you and says he'll make it happen if he can, with the other Golden Deer mostly agreeing. When that,can't happen you both lament the fact that Edelgard gave you no choice together. He makes finding Rhea a priority, mostly because as curious as he is in general, he wants to help you find out answers only Rhea can give you. And all of the Golden Deer do this to some extent, with each other but also with you as the player. I think Hilda and Marianne's A supports with Byleth show this best personally, but that's a personal opinion. And it just works so well for a route designed around the idea of an alliance, people coming together and agreeing to work towards a goal bigger than themselves

And that's not to say the other routes aren't as good as Golden Deer, they're all equally well written, but it just makes me sad when I see people giving the Golden Deer route grief just because the characters aren't the same when it does its theme so beautifully

[melodic-haze]

"Your eyes..."

"Mm? What about them?"

"They're really pretty."

You hear your partner laugh airily, her voice rich and seductively raspy and so very addictive. You see those beautiful eyes of hers crease from the reflection of the mirror as she puts her contact lenses on carefully. Once she was done with that, she turned around and made her way to the edge of the bed, where you laid under the sheets after your.. activities not so long ago.

"Why, thank you," she says. "They are rather lovely, aren't they?"

You nod because it's the truth, "Yeah. Though, you say that but you hide them before you head outside. Why?"

The Stellaron Hunter shrugs with that ever-so-serene smile on her face, "Can't a woman be mysterious, honey? Maybe my reasonings aren't as interesting as you--" her hand quickly moves to tap your nose before dropping to hold your hand, "--seem to think."

"Aren't they, though?" You raise an eyebrow in scepticism, "I'd like to think I know you well enough by now—you're not the type to do things 'by chance'."

Her expression gives nothing away, even as you continued to stare at her and scrutinised her to find even a sliver of a reaction. You loved your girlfriend, you really did, but she was so hard to read most of the time that you found it frustrating. And she knew about it too! Hell, she even said that she understood and she wasn't mad that you found that part of her frustrating, but still.

But then you see her smile widen a fraction, and you can't help but narrow your eyes.

"You're trying to gauge my reaction to your question, right?"

"And failing miserably, yeah."

"Then there's your answer."

..?

You sit up, eyebrows furrowed and your tone confused, "You're going to have to clarify for me, babe."

Her hand then comes up to your cheek, her palm unbelievably smooth, soft and lacking of any callouses thanks to the gloves she wears. Her thumb gently swiped under your eye as she spoke, "'Eyes are the windows to your soul'. Familiar with the turn of phrase?"

You nod, bringing her palm closer to your lips to kiss it before answering, "Me and everyone else in the universe, probably. Why?"

"I don't like it."

You blink at the admission—while she did have her opinions, and even acted on some of them if it didn't affect Elio's script, she was never someone that really verbalised her likes and dislikes beyond simple things such as her liking coats and playing the violin.

"You don't?"

"No."

"Why?"

She shrugs as she lets her hand drop down, "I suppose I would much rather not, ah.. let anyone see beyond that window of mine. Such a sensitive thing is my property, after all."

Then it's you, who reaches for her hand, "But I thought you prided yourself in letting Elio dictate your every move. That's like.. the equivalent of letting him taking hold on the property you say you're defending."

"Oh, but that is where you're wrong, darling."

"Really? Why?"

Her face gets closer to yours and she presses a brief peck on your cheek, and you can smell a mix of her perfume and your shampoo clinging onto her.

"I may walk the path that Destiny has laid out for me," she presses her forehead on yours, such an intimate gesture coming from a wanted criminal that you probably would have been surprised if it weren't for your intimate familiarity, "but it is you, who has control of my heart. Why do you think I take off my contact lenses in the comfort of your presence?"

...

You couldn't help the wide smile on your face as you lightly slapped her shoulder, though you didn't pull away, "You are SO cheesy when you want to be."

"I do try my best to make up for lost time. And speaking of..."

The both of you look at the time on your phone laying on the bedside table; it's almost five in the morning.

..You can't help that slight bitterness within you, "I just wish we didn't have to sneak around like this."

"In due time, we won't have to." You both lean in at the same time for a short while before pulling back, "No matter what the outcome may be, I swear to you that we will be together in the end."

"We better. Now go," you gently push her off you, "I need to look like I haven't been in a suspicious state of undress and you need to scram before the others detain you outside of your boss' plans."

She smiles again as she steps back and puts her gloves on, though this time it's a lot more genuine.

A lot more open. All for you and you only.

You turn around, away from her, to get out of your bed and over to the closet before--

"Y/N?"

You don't bother to look back, "Yes?"

"I love you."

Such a soft admission from someone so.. so seemingly emotionally unavailable beyond that glossy magenta veneer of smiles.

Despite all the sneaking around and the conflict, moments like these make you think it's all worth it in the end.

Click.

"..Kafka?"

You hear something whirr softly as she hums in question, "Hm?"

"I love you too."

The whirring fades, and you look back to where she was before.. to find nobody there. It was as if she was never here.. and as if she never heard your response.

...

But you're sure she knew.

You're sure she knew you loved her too.

(And if Silver Wolf's weirded-out messages of Kafka spacing out like she was in some kind of sickeningly sweet daydream indicated anything, it was that you were absolutely fucking right.)

[sundrop-writes]

Okay but Emily or JJ kinks headcanons?

Okay, nothing fancy or over-edited, right off the top of my head:

(Reader is intended to gender neutral - let me know if I flubbed anywhere, and there is mentions of Will x JJ. I'm not gonna list the kinks like I would for a typical fic because this is basically just a big list of kinks lmao. Don't click through if you're uncomfortable with mentions of BDSM and anal.)

Emily would have a Mommy kink.

But she would also have a Mistress kink? Or she would love being called M'am. She would love a title. She loves it when you call her by a title that nobody else can call her.

I feel like Emily would be the type of person who would love BDSM as a lifestyle - she would love casual dominance and being called by her title being closed doors even if you're not engaged in a sexual act. She would be obsessed with having a partner who is willing to strip naked and wait, sitting pretty for her when she comes home.

She would also love collaring for that reason - because she would love the idea of owning you. (She would also definitely get you a pet tag with her name on it, or something that says 'property of Emily'.) And she would get you some kind of necklace with the letter E on it to wear casually in public so people subtly know that you're hers when you're not wearing your collar.

She loves the idea of owning you, not just because she sees you as property, but because she understands under the BDSM lifestyle, she takes care of you fully - making sure that you eat, drink enough water, take care of your health, and she will fully assume that role because taking care of you means that she gets to come home to a willing fuckhole that she can use however she wants, and she will take care of your body because she loves you and loves that body - as much as she will punish you and fuck you senseless when you both need that too.

She has a strap and she loves to use it on you. She also definitely loves to fuck you in the ass - with lots and lots of lube. She loves fucking all your holes, including your throat. (Because she owns them.)

I feel like Emily would have a pain kink. She definitely loves delivering pain and seeing you squirm (as long as you're into it) - she loves spanking and seeing the results; seeing how you can barely walk or sit down properly days after. And she might use a tool like a paddle or a flogger, but she loves a good ole fashioned hand spanking, because she loves feeling the glow on her palm of the skin to skin collisions.

She is also obsessed with rules. It's one of the reasons that she loves BDSM. She will make so many rules for you - when you can cum, when you can and can't touch yourself, when you can use your toys, what specific consequences you get if you break the rules.

She will also make rules for when you're supposed to eat and that you're supposed to eat healthy, and how much water you're supposed to drink in a day - because she demands that your (slutty) body belongs to her, and you have to take care of it if you want her to touch you.

Emily is a hard dom in my opinion - I don't think she would sub for anyone. She loves being in charge, and she is looking for a pet that she can fuck senseless and take care of - that's what she wants out of a relationship.

As for JJ?

JJ is a lot softer.

I think JJ is a switch. I think JJ could be a sub to the right person (and that person is not Will - in that relationship, she walks him like a dog. Henry was conceived by Will begging to nut and JJ giving him permission) - anyway, JJ could be a sub, but it would have to be to a really bossy, demanding person (like Emily) - otherwise she is dominant and bossy and in control.

JJ probably also has a Mommy kink. It's probably not something she would ask to be called - but she would love it if it slipped out of your mouth by accident, and she would be sooo turned on by you calling her that.

I feel like JJ would have a thing for pet names - she would call you baby, honey, sweetie, sweet pea, etc. she would call you so many different pet names, and if she found one that really made you shy or turned you on, then she would press on with that one and call you that all the time. She loves getting a reaction out of you.

She loves soft sex and making love. She is the type of person to kiss all over your body and body worship you with her mouth - definitely into heavy, heavy verbal praise. Again, she loves getting a reaction out of you, and if she sees that verbal praise makes you shrink back in shyness or makes you moan extra hard, then she will pour it on even thicker - tell you how perfect you are, how beautiful you are, how gorgeous you look while you're cumming.

She also loves teasing. She loves to see your reaction when your body slowly winds up - when you're becoming more turned on, when your muscles are tensing and your hips are surging forward toward her touch, silently begging for more. In this same vein, she also does enjoy orgasm denial (but not to a severe degree) - because she loves to wind you up and see how whiny and desperate you get when she pulls back her touch right before you cum. She does love to hear you beg for her and say her name when you beg to cum - but she is the type of person to only deny you once (maybe twice) before letting you cum.

Aaaaand what else ? JJ is super touchy imo. So I feel like she would love running her hands all over your body during sex, and she would need cuddles after sex. She loves skin on skin touching when it's simple and gentle on top of mindblowing orgasms (and giving you orgasms).

(That's all I've got for now).

[crustyfloor]

Brain vomit...I am insanely jealous of the people who can get the new merch. And I am planning an elaborate heist. But aside from that, I'm also crazy over the lore implications of the new photo-card designs...

Of course, they're all suffering as per usual. But it's symbolized by cracks in their skin. When I saw that, I immediately linked it back to the collapse of barriers, secrets, structures, etc. The hearts, however, confused me a bit. But I suppose it's because the reason they all "broke" is ultimately because of their love.

This is probably the most distressed Ivan has ever looked in a photo card, and really, he's honest. The tone of his card is sickeningly oversaturated and overwhelming, and his emotions are visceral, I also find it interesting how the cracks are littered all over his face, and the hearts leak out like that from the neck--and Ivan holds his face like he's trying to "fix" it, or in other words, "keep it together" as he's breaking down and becoming vulnerable, he has to cover up his expression behind something more appealing as he always does. He's also wearing his Anakt Garden uniform. When he was a child, he was just learning how to develop his mask. But even then, he faltered sometimes, Ivan's automatic response is always to try to fix it, even if he's underplaying the severity of his feelings, it's what he has to do regardless, I love his card for that portrayal when he tries to keep one wound closed, another wound opens, its erratic and uncontrollable, like his true emotions. When I see him trying, it looks like it's hard because, well--he's breaking down. Normally, you can't just bounce back from that, so in this rare moment, he struggles with how to deal with it. (A certain desperation to keep up the act?) (His eyes. I really like his eyes in this PC, it's more akin to those moments when his true expression comes out, in those very rare moments)

And then there's Till, I feel pain when my wife feels pain. His expression, too, is very overwhelming. Like he's suffocating too, But his cracks are minimal, not because his pain is small but because vulnerability--something he loathes, is coming to the surface. In tears, Till is suppressing his emotions. Who he bleeds for is ambiguous here, you could say the hearts are for Ivan or for Mizi, but I think it's both. Because he hides from the both of them and eventually the love he feels for them both seeps out one way or the other like a slow leak through a crack in the wall, he's spent so many years building a fortress of a barrier to emotionally separate himself from others, it's his way of protecting himself. But at the peak of his suffering, long too deep into this hell, losing Mizi and then Ivan, he's crying because he's slowly breaking down, and the way he grips at his hair like he's trying to hold back...urgh. In different ways, indifferently, Till ignores Ivan and his affections, and fearfully, he avoids Mizi, instead watching her from afar, doing small things to feel close to her, even when he has the opportunity to get closer, and even when she acknowledges that he's so avoidant of her that it makes Mizi concerned if he even likes her or not, as was said in the Artbook when asked for her opinion of him:

"Mizi -> Till: I'd love to be friends with him. He's an artist who's so dedicated to his work. But he seems to be avoiding me... Does he hate me?"

Till doesn't confront relationships any more than he has to even though he cares so so deeply for them because confronting his emotions and confronting vulnerability, sadness, happiness, etc., and especially fear, is a commitment you have to understand how to accept and respond to, and Till doesn't understand the how when he can only go back to his starting point, hiding and or getting angry, because it's easier. At this point, it's instinct. Shyness is one thing, but doubt is something that can make you freeze in place, confuse you, make you feel unsafe, and even hinder your ability to control yourself in the wake of fear. Fear is what roots Till in place. Till, even for how emotional and sensitive he truly is, he fears the type of vulnerability being emotional requires, he knows of it, but he can never truly embrace it out of fear, that's why he rarely ever shows his heart. He already knows that wearing your weakness on your sleeve leaves you vulnerable to pain, he used to be childish and vulnerable once, and technically, he still is, but just imagine what years upon years of cruelty has instilled in him. So he acts cold and avoidant, and these misunderstood emotions lead to other misguided intentions. That's what brings me to the quote on the back of his pc

Translation:

"사랑 같은 애매한 말보다 증오란 말이 확실해요" -> "The word hatred is more certain than vaguer words like love"

Rather than confronting uncertainty and exploring the confusing, unpredictable, and gray area that is love, hate is honest, hate is intentional, hate is malleable, and you can control it. It's Till's response to feeling unsafe to resort to anger, in the same way, Ivan resorts to trying to fix it and put on a facade. Again, it ties back to the fact that Till doesn't and has never hated Ivan, but understanding Ivan is as confusing as understanding love, Till is as much of a puzzle himself. That's why they confuse each other and clash. So they come close but remain distanced because their connection is almost like unattractive magnets, Till is sensitive and loving, compared to Ivan's regrets; of not being nicer, of not understanding how to get closer to Till, then I think about what Till's recollection of his relationship with Ivan and Mizi in retrospective would be like when he does acknowledge it.

And now...mmizisua. To me, Sua looks more aware of her pain than Mizi is, like in the storyline, she is more aware of their fragility and the cruelness of their environment. It's surely a parallel to the way Sua had kept Mizi in the dark for so many years, even when this pain and this love are so destructive, she covers up her wound with her hand and hides it from Mizi, to protect her, her wound is a direct correlation to her (inevitable) death, a truth that would shatter Mizi, even after he death she wants Mizi to remember her the same as she was when she was alive, unaffected by their world. She tries to force a smile as if everything is still okay, especially because she doesn't want to affect the way Mizi looks at her so lovingly, how would Mizi ever recover if she knew the truth?

And Mizi would seemingly be none the wiser if not for the tears because, to me, she knows but looks to Sua for comfort, to forget even when she is hurt the same way, I love this side of MiziSua a lot, the side that highlights the cruelty of their relationship that surrounds their bubble, because as long as they could distract themselves with the presence of each other, the co-dependence of their dynamic, they could forget as if they couldn't feel the pain at all as long as they had each other, but Mizi is still so affected by her pain, all this hiding had amounted to nothing in the end because Mizi never changes in Sua's eyes, and Sua is still hiding her pain, but that day, Sua had broken that bubble of ignorance to the evil around them. Mizi's cracking, and she shows Sua when she pulls back her hair. It's an interesting contrast between MiziSua and IvanTill, when Mizi and Sua smile, they look happy to be in love, even if it's twisted and hurts each other, because they only rely on each other, and Ivan and Till look inconsolably pained.

[avelera]

I have seen some discourse going around about how Mel never manipulated jayce. Do you agree? And what are your views considering mel?

I say this because I think that she did kind of manipulate jayce in the beginning but genuinely ended up falling for him in the end. I mean she had to genuinely care and love him if she ended up subconsciously saving him with magic.

I think that a lot of people from what I have seen were pissed at season 2 ep8 when jayce got into the argument with Mel but I thought it was quite understandable that he reacted the way he did especially after what he went through. That being said I still felt bad for mel because she literally lost everything and was ready to open up to him.

Sorry for the ramble

I think a lot of the Mel/Jayce discourse is being done in bad faith right now, mostly by people who are anti-Jayce/Viktor rather than pro Mel/Jayce for whatever reason. I would point out, that canonically Mel and Jayce are not together at the end of the show and they also canonically (in my opinion) break up. So it's fine if you just really like the ship or wish things had gone differently, but it should be acknowledged that any Mel/Jayce fic outside the brief time they're together in the show is as much an AU as any Jayvik fic where they got together earlier.

As for the manipulation, I mean yeah, it canonically happened. There shouldn't be a debate. Jayce calls her out on in it 2.08 and Mel doesn't deny it, she just gives her reasons for why she manipulated him. Ostensibly it was to help him and Hextech too but she absolutely used sex as a tool of persuasion with deliberate intent to use it for those ends, she absolutely flirted with Jayce to ingratiate herself to him, she absolutely called him an investment (though there is a slight plothole on how he knows that, it was never said in his hearing), and even if she poses it to herself as helping him she also used those persuasive power to nudge him towards Hextech weapons which he categorically did not want to make, so her own ends superseded his benefit or preference in canonical instances.

For those who deny manipulation took place, go back and watch the opera house scene in S1. She plays him like a fiddle. Indeed, the expert violinist on stage (playing an actual Stradivarius irl, btw) is symbolically depicted as Mel's counterpart, showing how expertly she is manipulating the situation, and Jayce.

Now, I think you can chart how much Mel was with Jayce for her own ends vs. affection for him by her support for Hextech weaponry. When she's pushing for it, she's using him for her own House's goals. When she drops Hextech weapons as an issue and instead supports Jayce's vision for it (in S2) that's when she's acting out of affection for him. It's tragic that her affection for him grows while his declines so sharply as a result of his ordeal and finally realizing the early manipulations (kinda like that trope where someone dates another person for a bet, then falls for them, and then the other person learns about the bet and breaks up with them, only this one without a happy reunion after).

Their relationship is tragic. It's a tragedy. And it ends tragically with them apart and us left wondering if they could have made it together under other circumstances. "What could have been?" is an overarching theme in Arcane, and it is our own choices, our own ambition and greed that get in the way of getting what we need instead of what we want. Every single character is built around these principles, with the happy endings being those who get what they need instead of what they want, and the tragic ones (like Mel) getting what they want (power, to be an official Medarda as she says in her first scene) and not what she needs, which is anyone around her to share it with. You can feel the loss but you have to also acknowledge how she ended up there and why she narratively can't earn Jayce's love after what she did at the start of the relationship.

[campbell-rose]

Helluva Mess

Now, Sinmas was just... Something.

Alright, now for some reason Blitz and the others hesitate to kill their target? So all of the sudden because it's gay it's an issue, when they did the exact same job in the first episode with no qualms? This show is so obnoxious.

I also hate how spoiled Stolas is, because it's not really funny. I think if I didn't hate him so much, i'd actually find some of his antics humorous, but... uh, nope. I just hate his guts. I hate how he's just some woobie at this point. The narrative is acting like he's done all these things to earn all the sympathy in the world, but he hasn't. Am I supposed to like him because of Mastermind? Well, that's not happening.

Millie being pregnant is fine, I don't care. At all. Which is just more proof of how little character she has to the point that I was just meh to the reveal. Now, the reaction to this development is more interesting than the actual plot point - Why in the name of god do people think it's SALLIE'S??? It makes my brain melt out of my ears just thinking about it.

Loona's hellhound form is just a wolf with a furry face and I hate it. She should've looked actually cool, but that's more of a subjective opinion rather than an actual criticism.

Now, the main point I want to rant about: Stella and Octavia.

First off. The way Octavia is treated as some sort of villain or in the wrong for cutting Stolas out of her life after he repeatedly hurt and chose Blitzo after her, her after the many chances she gave him to do better is just terrible. She's completely within her rights to cut him out, speaking from someone with similar experience with cutting out terrible family. Stolas is in the wrong, no matter how much the narrative tries to say otherwise or tries to act like he's taking responsibility. Her rant at Stolas is one hundred percent correct, she was absolutely in the right, Stolas is a selfish asshole and he chose Blitzo over her. She doesn't need to listen to him, she doesn't owe him anything. And I know the narrative is going to make her 'come around' like Blitzo said, but I really wish she wouldn't.

Second. Stella, sweet, poor Stella god why have they done this to you? She's so one dimensional and has no relationship with Octavia. Are Viv and the crew just allergic to Stella having any potential redeeming qualities? I think if she genuinely cared about Octavia and was irritated by Andrealphus taking her divorce and using it to further his agenda, then that would instantly give her the tiniest bit of depth. But we can't have good things in the Hellaverse.

In my rewrite, Stella's scorned and just wants to take her daughter and be happy and hates Stolas and her brother in equal measure. Enjoy a drawing I did of my rewrite versions.

[zettaireido-emotion]

Camus character analysis: games VS anime

If you finished the Uta no Prince-sama anime and your opinion of this man is "wow, he's kinda terrible," I don't blame you. in fact I've seen a lot of people say this

In this post, I want to talk about his characterization in the games and give my two cents on what the anime was trying to do with him, especially in his single focus episode Saintly Territory (S3E6).

Disclaimer: I wrote this on a whim because I'm sick and stuck at home so if anyone reads this, sorry I might go all over the place

Spoilers for all of the games!

The "be my slave" thing

Starting with Anime Camus's most egregious crime: treating Haruka like a servant/slave (however you want to translate it)

Basically in his focus episode, Haruka is tasked with writing a song for Camus. She wants to learn more about him in order to write it, but Camus will only let her follow him if she acts as his servant. She accepts without complaining, Cecil is rightfully angry, Haruka continues anyway and the song gets completed.

Now, am I about to say that Game Camus would never do this? No because he literally does lmao.

The anime doesn't pull this "servant" plotline out of nowhere, here's the context in his route:

Haruka accidentally overhears Camus talking about a plot to assassinate Saotome on the phone. When he notices that she heard everything, he basically tells her that he has to kill her now. But if she served him, he'd be able to keep an eye on her, make sure she doesn't leak anything, so she could escape death.

Okay uh "work under me or DIE" isn't exactly better, nor is it a good start to a love story, but I'm not finished!!

(A side note: I have to add that the anime made him look like an even bigger asshole and borderline dumb when it came to the things he made her do. Like he expected her to know that snapping your fingers means you want coffee without prior explanation. bro

^This might have been for comedic effect but I promise he can be actually funny and endearing.)

What the anime couldn't cover

The Camus episode wraps up with Haruka pulling through and writing a song that makes Camus "sincere," he says it's cool at the very end and that's the episode. I think the problem is that we technically didn't see him being sincere or what that even means to him, besides when he was singing (banger song btw)

It's a shame because in a 20-minute episode you really can't show the game experience of slowly piecing together what this man's problem is.

First of all, in Debut and AS you'll be quick to notice that he always has homeland and duty on the mind, constantly reminding himself that he's in Shining Agency/Japan for a reason, and it's NOT to have fun or make friends

The truth is, he slowly starts to appreciate the banter with his colleagues, music, and working there in general.

But because of his initial mindset, he has to rationalize & justify every connection he forms, like "it's just for work" or worse: "actually it was ALL A LIE and I NEVER ENJOYED A SECOND OF THE TIME WE SPENT TOGETHER, I'm such a great actor haha"

He uses that to fool himself and to push the other person away so it doesn't happen again. This scene is probably the best example:

(I'll be using google lens because it's faster but I checked that the tls were okay)

He also does this in the Non-Fiction drama, which may or may not have actually happened, but I think it's still a pretty good reflection of what could happen in reality because he tells Ranmaru their bond was a lie, then mopes around in his guilt thinking about the good times and wondering why he's sad, and THEN later doubles down on the "it was a lie, I don't care about you" because he just can't let himself get attached to anything.

Basically, he's terrified at the thought of forming actual bonds because he genuinely thinks he's nothing if he stops being a cold weapon:

At one point he does admit he sucks (as a love interest)-

-which is pretty huge by utapri standards. I love these games, but the amount of times where a male lead does something icky, and everyone, including Haruka, acts like it's normal or like it's Haruka's fault is ehhh but I digress

Upbringing

Of course he's very proud of his homeland and status, but sometimes it's to the point of thinking he can't be anything other than his title. So why is he like this?

We got to hear about his childhood from Camus himself a few times, and it often ended with Haruka thinking "wait? that's kinda messed up?" and Camus insisting it's nothing/it's normal so yeah that's something...

His parents were in an unhappy arranged marriage, and his mother was forced to birth an heir which traumatized her so much that she can't see Camus without falling ill. Overall it's a pretty tragic situation since what happened to her was horrible, though not Camus's fault either. Even now she refuses to see him, and I wouldn't say that makes him sad because he never really met her, but simply knowing of her sacrifice probably adds a lot of pressure. As in, he only exists for this one purpose (inheriting his father's title and serving the country), so if he doesn't play his part correctly, it would have all been for nothing.

He was raised by his father not as a child or son but as the heir, always treated and judged as an adult (even during physical training apparently, make of that what you will)

When Haruka asks about childhood memories he has a very hard time finding something that doesn't have to do with his duties or the nation. And then admits he didn't truly have a "childhood" since he was never treated like a child

As for the queen, I think his love for her is sincere: she taught him a lot of things growing up, and according to him, she's also a victim trapped by her duties so he wants to ease the burden.

So hypothetically, if he found things or people that made him happy in Japan, he would feel obligated to lock them away because that happiness is incompatible with his life: he'll have to leave when his mission ends, he shouldn't be spending time on things that aren't "useful" as he doesn't have the free will to pursue them

In his mind he's completely tied down by the fact that he was born and raised for a single reason, and the fact that he does want to serve the queen.

(This is Saotome describing him btw)

Also it might sound ridiculous to bring his self-worth into question because of how pretentious he is, but I've counted a few situations where he seemed to have complete disregard for his own life, only worrying about Haruka and Cecil's safety in scenes when they were present. And he thinks wanting to be loved unconditionally is a childish thought he shouldn't have.

"Double Face" was a lie. There's like at least 10 layers

On the surface he does have two personas, his perfect polite butler act for the media, and his cold bitchy attitude off camera. But honestly, even when he's not acting as a butler, he's often putting up a front to hide any form of vulnerability (from himself as well)

His main struggle is finding who he is outside of what he's being told to do. Before, he never actually stopped to think about what he WANTS because it just never occurs to him, or if it does he ignores it.

That's why realizing that he has his own desires is essential to his character development, and him staying with Quartet Night (and Haruka in his routes) is so important. It's why Reiji feels the need to reach out and when he does, Camus either freezes up or tears up;

This all makes him the opposite of Ranmaru (being true to yourself and sincere), and similar to Ai (gradually learning to view the world in a less cold and logical way), but I kind of want to save that for another post lmao

He is especially hard on Cecil because Cecil says & does whatever he wants, and everything still works out for him, which is a way of life that Camus can't imagine for himself at all (despite maybe wanting it?)

That he can realize this and eventually admit out loud, despite all his pride, is also one of my favorite things about him

Season 2 does hint at something, so that's pretty cool!

Side note, I really love that his theme in the new Oracle series is "Change," the melting of ice.

So what was the anime supposed to do??

Of course there's no way to show all this in a single episode or even during the runtime of the anime, and I never expected them to because the story is very surface-level (that goes for all characters).

It's just unfortunate since the anime is the most accessible and well-known utapri media in the western fandom, and the character's main episode is bound to leave the biggest impression.

I understand the choice of being laser-focused on the servant plotline, it's supposed to be funny (?) and waters him down to a trope that's easy to understand at first glance (the step-on-me guy I guess)

Still, I can't help but compare it to Ranmaru's episode, who was also hard to work with in the games but was chill in S3E7 and got to pet cats. Anime onlys will never know how much Camus loves to dote on his dog smh.....

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[danisbrainrot]

there's something so sacred and special to me about jackie doing misty's makeup in doomscoming. like, she didn't even like her and you'd think she'd be too obsessed with shauna to care about anyone else, but when I remember how sweet she was to misty and it also makes me think. . .

this isn't the only time we see how nice jackie is. we see it when she interacts with shauna throughout the first few episodes, when she pushes van out of the way, and when she tries and comforts allie in the first episode.

it makes me think about the jackieshauna fight, and at the time I understood where shauna was coming from because she was angry and she made some good points, but also. . . she completely misunderstood jackie? like jackie made shauna her whole universe, but shauna for some reason believes jackie wants her in her shadow? in her dreams/hallucinations about jackie she makes her so mean, when that's not how jackie treated her at all?

and this might be me overthinking jackie's character, but I always saw her doing those controlling things (like picking her dress, choosing their dorm colours) as misinterpretations of shauna. like she just thought that's what shauna wanted, so she wanted it. (this might be a stretch, because it's based off my belief that jackie left the cabin and wanted to die because she thought shauna hated her and wanted her gone.)

especially when you think about the fact jackie dreams of shauna in such a sweet way, having shauna give her hot cocoa, make her nice and warm, tell her "you know you're my best friend, right?" and I find it fascinating. they really saw each other in such different ways to how they acted. because i've never really seen shauna treat jackie that way before except for her dying dream sequence.

UGH THIS SHIP BRO.

part of me wonders if I missed stuff about jackie and shauna's characters or if shauna was punishing jackie because she needed to take her guilt over betraying her best friend out on her??

wow, I can't believe how this started as a cute little "jackie was so sweet to misty 🥰" post and then turned into a rant about jackieshauna

anyways, add your opinions and comments. I'm curious what you guys think!

[cursedvida]

It's really crazy to me to see the hate Mae gets, like I was reading some reviews and I can understand not liking a character but as soon as they start with the name calling their opinion is invalid to me because they have no reason to be calling her a bitch, among other things, like it just reeks of mysogyny, (it's like they just want an excuse to call women names) and seeing it coming from other girls makes it worse like..

"Oh the girl was such a bitch why did she do that 🙄" ..is it really that hard to think for a moment about the circumstances in which mae was raised?? Do they need it spell it out for them?? Like, c'mon guys do you really think that the people trapped in a bunker for generations have anything nice to teach/say about the apes?? Wes Ball please give us Mae's backstory in the sequel!! Your audience needs it bc they are out there calling Mae the real villain and saying Proximus was right 💀 (when he was literally everything Caesar hated in an ape)

Look, I'm usually a polite person when expressing my opinions, but I'm fed up with the hate towards Mae, basically because the arguments people give seem incredibly basic to me, typical of people with little to no understanding. Sometimes I doubt if these people have watched the same movie as me or maybe they have some sort of cognitive dissonance, but seriously, I find them ridiculous. Either that, or they are basically the typical comments from misogynistic guys or women with internalized misogyny who can't stand morally gray and questionable female characters.

And well, having said that, I'm going to present my doctoral thesis on this topic:

One of the things I've seen the most is people saying that Mae is evil, the true villain, or an ungrateful traitor to Noa. This argument seems quite incomprehensible to me because, even though we don't have much data about her, I believe there's something very important that explains why she acts as she does: the Proximus apes killed the people in her group, including her mother. I mean: her damn mother. If we add to that the UNDERSTANDING (I mean, you have to be very short-minded not to assume something so obvious) that she has been raised in an environment where they've probably told her all her life that the apes are the reason for all the evils of humanity and the main reason why humans live in shitty conditions, I think anyone with half a brain has enough information to understand why she does what she does.

Yes, Noa is a good guy, but he's not helping her. Noa and Mae have a common goal and decide to ally themselves momentarily to achieve that goal, which is to reach Proximus. As much as they've formed a bond throughout the story, it's not yet strong enough for Mae to set aside what she has worked for so hard. Mae not only bears the weight of humanity on her shoulders but also emotionally carries the idea that she, as the sole survivor of her group, must complete the mission at all costs. Are those who criticize her telling me that if they truly thought that with certain actions they could not only save their species but also honor their loved ones who have been killed infront their eyes, they wouldn't do them? And that they wouldn't do them for someone they've just met, no matter how much they like them? That's just not realistic, it makes no sense. We would all do the same as Mae in her situation. I mean, I have no doubts.

Another thing I love is when they say she's the "true villain" as if it weren't clear enough that she feels bad every time since she forms a bond with Raka and Noa when she does something that she knows may harm them. She feels pain for Raka's death and clearly, you can also see the conflict and remorse when she detonates the bomb. It's not something she enjoys doing, but she HAS to do it. In the final scene, even though she's carrying a gun, you can also clearly see her in conflict with herself. Clearly, she doesn't want to kill him. Clearly, she has nothing against Noa, and this is evident when she finally accepts the necklace and they even shake hands. You can't tell me that's the attitude of a villain, narratively it's not presented as such, and seeing it that way is to have understood nothing.

Mae is a complex character whose life is based on survival, she's no different from the characters we're used to loving and idolizing in other post-apocalyptic series, the difference here for me is that she's human and humans have to be bad by default and also that she's a woman. Because female characters always have to be the support, the romantic interest, or the unconditional friends of heroic male characters, and Mae is none of that. Mae is a character with her own story and ambitions that go beyond Noa's plot. Mae has her own plot, and it seems that's something that bothers people a lot.

I'm sorry, but the hate towards Mae seems very similar to the one people had for Sansa Stark in Game of Thrones, which basically stemmed from people being misogynistic and hating complex and imperfect female characters, combined with how much they hate seeing protagonist characters with such human and real characteristics that they can't bear the idea of seeing themselves reflected in them.

But hey, for Sansa Stark, I would have killed, and now for Mae too. Mae haters basically DNI

[olderthannetfic]

Okay, I need advice: I'm in a very tiny fandom (like less than two dozen active people and everyone knows each other) and one of the women in it is kind of freaking me out.

We became mutuals because we had some good discussions on some of the characters we liked, but I soon became sort of uncomfortable with a lot of her online behavior whereas simultaneously she's DM-ing me more and more.

She's one of those people who's a hardliner on the issues she cares about (mostly feminism- and SA-related) while talking over people when it comes to issues she doesn't care about (mostly racism and related things). And I see a lot of her trying to intrusively police how other people talk/act, derailing people's posts, arguing with people online over the most stupid shit (where not even her own opinions come off as overly coherent - this week she'll argue something along the lines of "men are evil" and the next she'll argue that people are "demonizing masculinity" - I'll add for clarification that she's not a TERF and supports trans rights but boy... Does she sound like one sometimes) and then digging through people's profiles to find and publicize minor transgressions and bad takes, passive-aggressive vagueposting, and going into mental breakdowns over the most innocuous of online interactions.

TBH she scares me. As someone who suffered through toxic people getting overly attached to me, I genuinely sometimes get a physical reaction when I see her lashing out on the dash.

And she keeps initiating conversations! And sometimes I don't reply or bring the conversation to a natural closure and she keeps at it, or sends me random fics of hers to read that I don't have the heart to tell her don't interest me or whatever. And recently when she disagrees with something I reblogged she direct messages me to rant about it - with a lot of sort of indirect language because she doesn't want to offend me but I can see the intent. The last couple of times I replied politely because I cared about clearing misunderstandings on the topic but next time I'm just gonna tell her I dislike it when she does that.

I really want this person to stop interacting with me, to be honest, and all my polite hints to the effect go unnoticed. But the fandom is so small I feel awkward and uncomfortable about unfollowing or blocking her. I don't think she's too bad of a person, she just comes off as very... Mentally ill, I guess? And since I've tried to be polite so far I feel like it might come out of left field for her?

TBH I feel like something about her behavior also triggers some kind of freeze/fawn reaction inside of me that I don't often get and consequently don't know how to deal with.

So I need impartial advice because I don't see the situation clearly myself

--

To summarize, a person who is a walking red flag wants to be friends, and you can't easily ghost her because the fandom is small.

I think you have to accept that there is no low-conflict way out of this.

That's what's holding you back, right? You don't want more drama and you know it's coming. I think you already know in your heart of hearts that you need to get away from her even if it's a pain in the ass.

Step one is to stop responding to her DMs. That will probably make her reach out more, but you should keep not responding. If she escalates and attacks you over it, block her.

The more you offer reasons or try to gently hint, the more that will encourage her. I don't think that's true of everyone, but I do think it's the case here. This is both because it doesn't sound like she's good at perceiving or respecting boundaries and because she inspires a bad lack of ability to assert boundaries in you.

I agree that it's unfortunate that you can't stand up for yourself or tell her plainly when she's out of line, but since you can't and that probably won't change any time soon, you'll need to protect yourself a different way. Sometimes, we just have to avoid people who are bad for us even when it's an us problem. (And here, whoaaaa red flags, so I don't think it's just a you problem anyway.)

There are many sad, lonely, needy people in the world. Some of them are officially mentally ill in some way with a diagnosis. Some just need things they aren't currently getting. That sucks...

But it's also not your job to fix.