#you can read this two ways:

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[cobaltfluff]

suuuuper late pocky day akeshus ;w;

[sysig]

The familiarity is not very comforting (Patreon)

[partfae]

Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One

Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.

In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!

Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.

This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:

1. He was not wholly repentant

Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.

2. He was truly repentant

Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).

Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!

(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)

Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.

Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).

But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.

And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?

It comes back to Sauron's pride.

If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.

Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.

The Prodigal Son

This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.

17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)

The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.

His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.

He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.

Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.

Naked in the Garden

His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):

7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE

The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).

The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.

Instead of shame driving him to contrition, it drives him to isolation.

But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.

Enter the Rings.

Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":

This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.

And this is why he becomes so singularly obsessed with Galadriel.

She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.

She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.

She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).

In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.

His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.

Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.

And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.

I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.

And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.

But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:

Then, by reminding her of all she is losing by rejecting him:

And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.

Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.

In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.

For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.

He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.

And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.

Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.

[nobleriver]

TWD: The Ones Who Live - Finale Opening Scene + Blurred/Faraway

Requested by Anonymous

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[crispyjenkins]

mandalore the young cont.

original post/discussion here! it was just getting really long and i for one hate scrolling so far, so. here's this. have also added this au to my masterlist in my pinned post!

@malcontent-crow

#i had a whole wall of tags and it didnt save! lets try this again#i am loving this. the potential for world building and the consequences of knowing more than you should (literally)

#i had forgotten that DW wasnt in peoples thoughts as a threat during the Clan Wars#and the idea that Pre was so far underground with the movement is a very good thing to remember as well! #on one hand you have this driven and spirited young verd that is inspiring Clans to start reassessing who they are fighting and why#on the other you have this clanless outsider that knows waaaaay too much about all the potential major players and is saying#that this major threat isnt really as gone as everybody thought and hoped. sith parallels out the wahoo for ppor obi#and hes standing there watching them all argue over his head about this threat that he KNOWS needs to be dealt with#he is seeing himself as pretty on par or above with the Old Guard in terms of mental age or prowess or large scale battles#so he sees them doubt him maybe even to his face and knows he'll need to get things started on his own

#and becauae everything in the galaxay has at least one person watching it from the outside... how quickly does the news of a jedi padawan#going off the rails on this mission get out? whos keeping track and who points fingers at the jedi for attempting to control the outcome#of the war of their historical enemies in their favor? the senate (read sith) want mandalore defanged before their war but what does it look#like the jedi want? how does the council answer for his actions? do they condemn or condone him? do they try to stay out of it?

#the world building potential of the Manda and the Ka'ra is delicious.#what does it mean to be a mando or darmanda? can you walk around and have people look at you and know you have failed in your oaths?

#and ouch! Obi-Wan considering the fact that he has never been allowed to be his own person.#from padawan to knight/master and then a general and councilor and sheesh. hes really never had the chance to see who he is as a person#outside of his responsibilities to everybody around him and right now hes a war worn adult in a war worn teens body#hes always had somebody else there. as a battle companion a teacher a student as somebody to protect and guard and guide#and now he has this entire culture looking at him and waiting for his next move. and im guess it still feels like less than a burden than#the care and raising of an entire child on his own. sure he had the temple resources and other jedi to lean on but anakin always looked to#him first to solve any problem or teach him something new or cuddle him after nightmares as hes trying to hide his own dreams#and grief and flounding to find his footing as an independent adult

#so right now hes looking around at the entire mando population and realizing thats he might need to reshape himself again for somebody else#to make himself what others need and knowing he can and will do it if it means saving somebody else

#and when exactly did he come back from the war? did he have satine die in his arms and see the ruin that is madalore after a pacifist reign?#does he see the potential for that ruin to happen right now if he doesnt succeed? where does he see himself in regards to the jedi?#has he considered the consequences of stepping up to be the Mand'alor to this culture he has never seen as his own?#has he let himself think about the choices he needs to make and how some things you cant always come out the other side the same as before?

(following the trend of each of these getting longer, this has hit just under 5,000 words, so just a heads up lol? so much world building is happening in this one)

sorry you had to rewrite so much! that last exchange was cursed, it seems lmao

it's so easy to write Obi-Wan as prescient, or the route I'm going with in Dha Kar'ta, so i think it's a fun change-up to have him knowledgeable for completely different reasons! I'm actually going to avoid visions almost at all for this Obi, but everyone else certainly won't know the difference, and he doesn't tell them otherwise (though he won't encourage it either. I do actually have a Naruto time travel where Nart pretends to be psychic à la Shawn Spencer, so that isn't the route I wanna go for this Obi). the consequences of knowing too much, indeed

hmmm many of these questions depend on how deep into Jedi and galactic politics I wanna go, and I'm not sure it's very deep at all. or at least, not very dragged out. i'll explain in a mo

SO first: yes, this Obi is from after Satine dies, in 19 BBY, maybe a month or so after, but before the bombing of the Temple so before Ahsoka left the Order. He was back on the front, no time to properly mourn, though he was doing his best, and was meditating on the whole war, but especially the Sith and their hand in everything that happened on Mandalore. It went deeper than Maul, he knew, had been going on longer than Maul and even Dooku, and it occurred to Obi-Wan that the Sith either wanted a Mandalore that will side with them but not be too much a threat, or they wanted them not a threat at all. He realised his hand in that, in helping put the New Mandalorians on the throne that led to the demilitarisation of the entire sector. Obi-Wan had practically teed Mandalore up for Dooku and then Maul's interference, and if the Republic won the war, he could all too easily see them doing another excision. won't get too much into it to save it for the fic, but he is mediating with something beskar, and he gets a lil too deep into the Force, and of course this is post-Mortis so...... 👀

so this Obi-Wan, back in time, is helping Mandalore to prevent any more Sith machinations in the future, to change the future for the whole galaxy, but even before he's Chosen, he realises he's also doing all of this for Mandalore. for his own hand in its destruction, for the Jedi's hand in the Excision, for his personal connection to Satine drawing Maul to it. it's for atonement, for reparation, and also because Mandalore deserves to be saved, and Obi-Wan is in a place he can help do that. it isn't just about the health of the galaxy, anymore.

I usually shy away from having Obi-Wan leave the Order, no matter what AU I'm throwing him in because I believe in the fundamental goodness of the Order and the people in it, and Obi-Wan is fundamentally a Jedi, one of the best, one of the best. however, in this case, I don't think he can have his cake and eat it too. if Dooku had to leave the Order to accept his countship, then Obi-Wan would have to leave to become Mand'alor. Jedi are (supposed to be) politically neutral, and Obi-Wan is all too aware he'd nullified his own neutrality the moment he decided to go for Keldabe to find Jango.

one of my favorite... tropes? in time travel fic is Obi using his future fellow councilmembers' access codes to get into things he shouldn't, and he certainly knows how to work the Order's internal systems in his favor, so he

wait so i was gonna have him go in and tender his resignation from the Order directly into the systems, and backdate it for before the Mandalore mission, so that anything he's done on Mandalore so far cannot be blamed on the Jedi BUT WHAT IF he just. deletes himself. like completely. from admin to the Archives to the crèche's own internal systems to the Shadow's private servers, Obi-Wan Kenobi was never a Jedi, was never a Temple bastard, was never Qui-Gon Jinn's padawan. his mission records are all in Qui-Gon's name now, his medical file simply doesn't exist, his crècheling clan is listed as simply having been a person short compared to other clans that year. he goes so far as to delete comm histories with him or mentioning him, it's like Obi-Wan Kenobi just doesn't exist anymore.

he does this first thing after leaving Jango, he spends the entire week back to Mandalore ensuring he's been completely erased from absolutely anything relating to the Jedi, and then uses his future councilmember knowledge (and lessons from Quinlan) to erase himself from Republic systems, too. any planet he'd helped as a padawan will suddenly have no records of him as having been there with his master, so the senate or Order can't subpoena them for the info, though Obi-Wan knows he can't have gotten everything (such as any planet not in the Republic, or who don't have holonet access to their files, or both, like Melida/Daan), but he figures he's done enough to absolve the Order if anyone comes knocking about what he's doing.

he buries his lightsaber in the deserts of Mandalore, not knowing that in his old future, he'd have done the same on Tatooine.

so as far as the Jedi are aware: Obi-Wan went on a mission with Qui-Gon that (predictably) went to hell, got separated from his master for weeks to months, then suddenly changed, at the same time their Jedi with the highest prescience collapsed due to his visions, which have also changed. Obi-Wan left Qui-Gon behind to hightail it through the Mandalore sector, and Qui-Gon couldn't catch up or find him, and then Obi-Wan disappeared from anyone's radars for two weeks. then Qui-Gon senses him reenter the Mandalore system, right before breaking his training bond with him, and the Order wakes up to Obi-Wan completely erased from their systems like he never existed in the first place. everything is going so so wrong, and yet. and yet.

and yet the Force is telling them all that this is right, that this is the least Dark course of action, that whatever Obi-Wan is doing is indeed the Will of the Force

so the Order mourns one of their own, and tells Qui-Gon to let him go. and then the Order ups their cyber security because what.

i think he leaves an unsigned letter/comm message for a few people. Bant, Quinlan, Mace, Feemor, his old crèchemaster, Yoda, maybe Jocasta Nu. it's short, basically thanking them for their hand in his upbringing (Feemor hasn't even met him before so is very confused by this), apologising for leaving abruptly, but to follow the Will of the Force, he had to leave; the first part of the message is all the same, but ends with little individual notes. he apologises to Madam Nu for fucking with her archives and hopes she can one day forgive him; he asks her to keep her friends close and to mend the tension between her and Dooku, that Obi-Wan should not know about. He tells Yoda that the future is always in motion but they must move with it; he asks Yoda to meditate on his dwindling lineages and learn to accept all that he cannot control. He reminds Quinlan to wear his gloves and asks him to thank Tholme for looking out for him when Qui-Gon wouldn't or didn't; he thanks him for their years together, and asks him to check in on Feemor every now and then. He apologises to Mace for all the shatter-points he likely caused and will continue to cause, and suggests he put a permanent reminder in his comm to remember to refill his migraine prescription that sixteen year-old Obi should not know about. He asks Bant to look out for a young Togruta initiate that will join in seven years, and suggests Bant might like the healer track rather than the knight corps; he thanks her for being his longest and most dearly-held friend. He thanks his crèchemaster for realising his visions were more than dreams (which will inadvertently lend credence to that theory for why Obi-Wan changed so suddenly), for supporting him when Bruck was at his nastiest, and for always being someone he could turn to even after he became a padawan. For Feemor, Obi-Wan apologises that they hadn't had the chance to meet before then, and for the relationship they won't have anymore; Feemor has no idea who this message is from, until he starts hearing the gossip that Obi-Wan Kenobi has left the Order again. He too mourns never getting to know his padawan brother.

and Obi-Wan sends Qui-Gon a message, of course, thanking him for his teachings, apologising for "leading him on" as an apprentice, leaving and coming back so many times only to permanently leave this time. he reminds Qui to reach out to his friends and his support system, asks him to at least consider talking to a mind or soul healer about Xanatos (knowing that once it gets out that Obi-Wan is a planetary leader, it will likely badly trigger Qui-Gon), and asks him to at least try and mend his relationship with Dooku, though understands if that's not something Qui-Gon is willing to do. asks him to keep Satine safe, but to deeply think about why the Republic is so intent on helping her faction, and why Qui-Gon had questioned so little of the New Mandalorian ethos.

so by the time Obi-Wan finds the Old Guard, he's broken from the Order completely, has buried his saber, has broken his training bond, has cut his braid. I think he shaves his head entirely to let it grow out at the same rate, because the padawan cut is *Eliot Spencer voice* Very Distinctive. he paints his armour white for, yes, his men, his vod'e, but also for cin vhetin. he can't be the man he was before, nor the teen he was before, neither are who Mandalore needs, and as long as he can stay true to his morals and upbringing, he will be what Mandalore needs him to be.

okay now onto the Manda vs. the Ka'ra vs. the Force. the Force is a scientific concept of an energy connecting absolutely everything in the universe, and the Jedi have a religious view on the scientific concept. for both purposes, the Force just is. I really like the idea of other non-Jedi ideas just being different aspects of the Force, different religions and cultures based on the same scientific concepts. for Mandalorians, their "aspect" of the Force is the Manda, the collective souls of every Mando'ade that's ever marched on. just what it means to be Mando'ade has varied greatly through history, and is varied between different groups even now, but none of that changes what the Manda is, which is an aspect of the Force only Mando'ade can touch. sort of like their beliefs of it being separate from the Force have made it so?

now I haven't really talked about this before, but from the beginning of me writing Mandalorian related things, i've separated Ka'ra from ka'ra, which was a little bit me misremembering there was another term for "stars", and then it became it's own thing. kar, meaning "star", with it's plural kar'e or kare, to me, means physical stars, the way we'd call our sun a star. ka'ra, uncapitalised, is the more poetic and/or spiritual "stars", the way we might say something is "written in the stars", which actually aligns with how jate'kara is spelled; for my writing, i've used this form for Mandalorian Force-sensitives being Star-touched ka'ra-touched. Ka'ra, capitalised, is that "ruling council of fallen kings", the Mandalorian myth and it, the way I've always interpreted it, is a separate part of the Manda made up of specifically the souls of every Mand'alor already marched on. So, Tor Vizsla could have joined the Manda after death, but not the Ka'ra; make sense? all that ka'ra vs Ka'ra worldbuilding was done very early in my writing for star wars, and has since expanded to include the idea of the Manda as something separate, and I would now actually consider Manda-touched over Star-touched to describe Force sensitive Mando'ade, because that's really what I think Mandalorians would consider causes their supernatural powers: ancestors rather than the stars.

so what does that mean for this fic? the Manda is directly influenced by all those that consider themselves Mandalorian, Force-sensitive or not. it is, however, not affected by New Mandalorians, unless they worship the Manda in some facsimile, and I think many, many, many do not, not the way they were raised to. this worship looks different for every clan and every individual, and I've always interpreted it as more of a broad spiritual practice across the whole culture rather than a religion, per se, the way a real-world broader culture might pray at shrines at New Years even if individuals themselves or their family aren't religious. this is what I'm referencing when I say the Will of the People: the alive Mando'ade and their choices and emotions affecting and influencing the Manda, the collective amalgamation of every passed-on Mando'ade, and it's when these two are in tandem that they "pick" a Mand'alor. HOWEVER, such a pick is also up to the Ka'ra, the Mand'alor'e that have all marched on; to one day enter the Ka'ra themselves, a Mand'alor must be "picked" by both the People/the Manda, and the Ka'ra. Tor would be "picked" by a significant part of the People and the Manda, and so would Jaster have been, but (according to me, myself, and i, obviously), only Jaster had been chosen by the Ka'ra. Pre is "Mand'alor" only in name, only in a tenuous loyalty existing in House Vizsla and Death Watch, not even by the Manda; just simple human (et al) loyalty. Jango had a weaker "pick" from the Manda than Jaster did, but was picked by the Ka'ra, meaning if he did not declare himself dar'manda (even just internally; I don't think he's ever said it out loud), he would have joined the Ka'ra after death; if he ever reconnects with himself as a Mandalorian, I like to think he'd have that chance again. Canon Jango, though, who went on to make the clones? Absolutely not.

what does this all mean for Obi-Wan? he'd spent weeks inadvertently drumming up support in the people and therefore the Manda, and maybe most haven't really looked at him and thought "sure I'd follow him as Mand'alor", but they have looked at him and thought "that one has mandokar, that one wants what's best for Mandalore, that one is touched by destiny". I dunno, man, like. Obi-Wan is their hope before he is their leader. That will make all the difference when he does end up uniting them. His searching out Jango had made Jango finally confront that he feels dar'manda, until then he hadn't really lost the Ka'ra's support, but that severs that connection. and now the Ka'ra are without a Mand'alor, but look at that, there's a mandokar'la little idiot right there, already strong in the Manda, already rallying hope and purpose, already so invested in the nurturing and the future of Mandalore, how could the Ka'ra not choose him?

I posed the question previously whether or not Mando'ade can tell who has been chosen to be Mand'alor, and I think I've ironed out what that'll mean for this fic. non-Force sensitive Mando'ade will have this sense when near their Mand'alor, a subconscious and inherent trust in them, and indeed, some will be disturbed by this and fight it. that's alright, that's their right. Some never clock this extra sense, some are aware of it always, some just chalk it up to "gut feelings" and the like. The more spiritual or religious Mandos maybe put a little more stock in this feelings, I think especially goran'e and other spiritual leaders, but the fact that the Manda can technically pick more than one person at a time (like Tor and Jaster, and then Jango), this extra sense isn't a perfect indicator of a properly chosen Manda'lor.

now. what about Force sensitive Mando'ade? Well, the Manda is an aspect of the Force, and is in fact how said Force sensitive Mando'ade connect to the Force, by going through the Manda, first. their relationship with sensitivity is inherently different from others in the galaxy, at least those that connect to it directly. they are the ones that can sense or see if someone is chosen by the Ka'ra, depending on their sensitivity. Some see the ghostly line of previous Mand'alor'e stretched out behind them (like the Avatar cycle lmao), some see a wavering crown of stars around their head, some just sense there is a duplicity (/neutral) to their Force presence that doesn't exist in anyone else. how common is Force sensitivity in Mandalorian space? not fuckin very. Jaster had three in his entire faction of aprox. 2 million (fanon number), at least that were aware they were sensitive. Jango only had a few more, and only because he had gained a couple hundred thousand more followers before Galidraan. so i'll make the nearly-arbitrary number that Force sensitive Mandos are 1 in 1,000,000, across the entire sector. by some calculations, in the whole galaxy at around the time of the Clone Wars the number of Force sensitives is 1 in 5,000,000 but these calculations do not generally include societies and species with a near or 100% chance of Force sensitivity, because we simply don't have the data for it. does this all make Mandos slightly more likely to be Force sensitive than others, by my own numbers? sorta. which i'm making an issue of underreporting, based on Mandalore not being a part of the Republic, and also contention with the Jedi and Sith; they don't consider those Manda-touched to be Force sensitive, and with the way I've built this, they aren't exactly wrong.

for the purposes of this story, there are maybe eight Manda-touched Mando'ade in the Mandalore system at this time, and all but one are goran'e. that single non-armorer is part of the Old Guard. I have the roster for the Old Guard decided, so I'm debating whether the Manda-touched one is Cort Davin (a journeyman protector), or one of the women. Instinct wants Vhonte Tervho, but I have plans for her to be related to the goran Obi-Wan got his armour done by, who I wanted to be one of the seven Force sensitive armorers, soooo. lmao how fucked would it be if Isabet Reau is the Force sensitive one? I like the angst of that, since I definitely do not plan on redeeming her, but I kind of want the only Old Guard that can sense Obi-Wan is Chosen by the Ka'ra to be really quiet and accepting of it, while everyone else is arguing. hmmm I have an unnamed Wren as part of the Guard, that I haven't fleshed anything out for yet; perhaps them?

okay I think I've solidified what it makes a Mandalorian, at least for the function of this fic. it is tied to the Resol'nare, and following it, which does allow those who had Chosen Tor Vizsla as their Mand'alor to technically still be following the Resol'nare, and are therefore not dar'manda. at least not for that. but part of the reason the Resol'nare is even able to determine who has a Mandalorian soul, is because they believe it does. Those alive and those dead influence the functionality and reality of the Manda, which also allows for those pre-Resol'nare to still exist in the Manda. What causes someone to become dar'manda, if they are technically following the Resol'nare?

maybe it's reductive, or over-simplified, or maybe even too broad, but it makes sense to me and allows for many many different types of people to still fail, and this is obviously not the only way to become dar'manda, but one thing that will always strip someone of their Mando soul? treatment of children. caring for children. not harming children. this allows many of Death Watch to still maintain their Mando souls, but still be fucked up awful people in other ways. It allows even True Mandalorians to have lost their souls and not realised it because they otherwise adhered to the Resol'nare, because they'd chosen to interpret "defending oneself and family" and "raising your children as Mandalorians" to not include other peoeple's children. Or maybe they were abusive in the belief they were caring for their children. This would also make every single one of the Cuy'val Dar dar'manda, which I think is a fascinating concept.

to answer your question directly, no, one cannot look at someone and know they're dar'manda, even the Force/Manda sensitive ones. one will only know in death, whether or not they have a place in the Manda.

NOW what does this mean for New Mandalorians?? well, by technicality and the way I've set the Manda up, one can interpret the Resol'nare in ways that could align with New Mandos. Perhaps they interpret "armour" as more than specifically "beskar'gam", maybe they wear armourweave or other protective fabrics. Maybe they interpret "defending one's family" as putting down arms instead of raising them, in order to create a peaceful future for their children. I think there are plenty of New Mandos that technically tick off all the boxes, and believe in themselves and their fellows so much that the Manda is like "yeah sure why not, we'll make that count". I think some tenants are more easily... bent, like swearing to the duchy in place of the Mand'alor, but I think an easy one New Mandos miss, is "speak Mando'a." I think many New Mandos were all too quick to switch to Basic for everything except religious and spiritual ceremonies, and I think those already in the Manda would find that very hard to forgive. I actually get into this a little in Dha Kar'ta very soon, but for this fic, i'll have Satine not outright outlawing Mando'a, but it is socially heavily discouraged. you're not allowed to speak it in the palace unless in aforementioned ceremonies, you cannot fill out paperwork in anything but Basic, you're not allowed to use Mando'a titles (including Mand'alor), you're not allowed to teach it to your children. no outright like. punishments for speaking it in public, but if your kids are caught, there are repercussions, including investigation into how else you're raising your kids, and if you're found to be doing anything else, they can take your kids from you. not every New Mando agrees with this, of course, and go about adhering to the Resol'nare as best they can in secret, but so many do give up the language by convincing themselves it's not as important as the other tenants and, well, the duchy hasn't steered them all wrong yet, has it?

okay so on the subject of what the outside galaxy is seeing. I like the headcanon/trope/idea of like. the one thing all factions of Mandalorians agreeing on is fuck everyone else. oh, the New Mandos will emulate the Core and the Republic, but they aren't the Republic nor want to be, and this animosity extends to keeping as many internal Mandlorian issues just that: internal. no faction can keep news from leaving the system or the sector, obviously, but there also isn't a lot of interest in Mandalorian news? "oh look all the Mandos are fighting again", except that's been the standard for like. actual thousands of years. I like when fic have people outside the sector not evening knowing there are different factions, so I'll be doing that here, too, and I like the idea of non-Republic sectors having their own holonets, separate from the Republic one. so like, if Obi-Wan happens to go a little viral during his mad dash to Keldabe, that would be on the Mandalorian holonet, not the Republic one, so even if Obi-Wan was visibly still a Jedi (and he wasn't), actual news of him wouldn't reach the Mid and Inner Rims until like. possible years after it happens.

could this maybe be expedited by Sith machinations? absolutely, though I'm not sure I want to go that route, since I don't think the Sith are overmuch interested in Mandalore at this point, at least not in any hands-on capacity. I'm unclear on whether them funding Death Watch is fanon or not, but it is a headcanon I subscribe to, and I think they'd have stopped funding DW after Galidraan, to cause worse infighting and prevent DW from gaining enough power to actually restart their imperial conquering days. Palpatine has been senator for about ten years by this point, but has very little political power overall, and Demask would be looking basically anywhere but Mandalore at this point in time, both of them having written it off until they actively need something from the sector. if anyone had clocked Obi-Wan as a Jedi, this all would have gone very differently, news would have spread much further and quicker and I think undoubtedly would have reached Palpatine, but since I have Obi-Wan just... cutting ties to anything Jedi, news of him remains in-sector. is this perhaps unrealistic? maybe, but I kind of want to focus on Mandalore and not worry about galactic-wide politics for once, lmao, actually very much like Obi-Wan is doing. however, he will clock a lack of Sith interference and thinks That's Very Weird.

haven't decided how he finds Palpatine out yet, but I think it'll have to do with his Manda senses being different than his Force ones, maybe the Ka'ra even gives him a few tips or gifts to sense Sith since they've allied and fought with them so much in the past. regardless, that'll be after he's become Mand'alor and united the clans.

now to actual plot progression! Obi-Wan meets up with the Old Guard, they don't know what to make of him other than "he's kriffing weird. and young. and creepy. and probably Manda-touched." whatever other verd is Manda-touched will see him blessed by the Ka'ra, which causes them to look inwards more closely and realise they trust Obi-Wan inexplicably, which means they're blessed by the Manda and the Will of the People, too. they wonder if Obi-Wan has noticed, if any of the other Old Guard have noticed. they are one of a few that notice Obi-Wan sneaking back out while everyone is arguing.

Vhonte Tervho is another. She's at this lil summit to represent clan Tervho, tho isn't the clan head, because her ba'vodu, a Manda-touched goran, had sensed she needed to be at the summit. said ba'vodu is of course the armorer who reforged Obi-Wan's armour (need to find a name for them hmm), who had told their clan they were to cease fighting until their new Mand'alor called on them. Vhonte sees Obi-Wan, realises at the same time as everyone that he's the Kih'Manda, the Mand'ika that the entire system had been gossiping about for weeks, and she thinks of what her ba'vodu said. she looks inwards, like they had taught her to, and finds, yes, she trusts Obi-Wan, just like she used to trust Jango. And, well, her Mand'alor is obviously leaving to go do something, and she isn't going to let him go it alone.

the Manda-touched verd doesn't go with them, wanting to see what comes of this, but they already know Obi-wan is Ka'ra Chosen. they will come when he calls.

[valentronic]

SAVE AS I SAVE! JUDGE AS I JUDGE!

Saw X? Never heard of her can I interest you in fanart that is somehow simultaneously for Saw IV and Saw VI? How I managed to forget about my all time favorite murder man I have no idea

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[localcryptidsteg]

If you don’t know exactly how to frustrate your edgy monkey husband to tears, are you really even married?

I adore the implication that he cant read, its just so good

[skippingthroughfields]

one thing that's missing from these convos about amc not submitting assad zaman for a golden globes nom that makes it 10x more malicious on amc's part is that a nomination isn't just like oh... ~simple appreciation for an actor's performance. even if there's no win, it results in a profile boost for these actors & them being able to command a higher salary when it comes to future projects. it's something that gets notice on their CV. these studios and networks love being able to market their shit with things like "starring golden globe nominee john doe" or "emmy winner jane doe." the emmys are more prestigious than the golden globes which are more prestigious than the critics choice awards (the one they submitted him for with two other actors lol). actors get nominated and have the opportunity to get attention from social media posts, article mentions, attending the red carpet, having their name announced and a little clip of their acting shown. that's not nothing! attention from possible new fans, publications, execs, peers, producers, directors, fashion houses & other industries which could lead to $$$ and sponsorships. I won't make any presumptions about the cast's finances but I do know amc is probably not paying them their worth, least of all the bangladeshi muslim who barely had any major roles in tv/film prior to the show.

there are fees and costs associated with submitting for awards consideration and FYC ads. the network basically took a look at assad's brown skin and name and said they don't think he's worth the money over the white actor who had less screentime and narrative importance (to the season ig) which is absolutely crazy lmao. it shouldn't be controversial to say that and you can't not discuss this without bringing up sam's name. this has nothing to do with whether he "deserved" to be submitted (and even if I said he doesn't deserve it over assad who's gonna beat my ass?). this white man isn't being persecuted by conversations about blatant racism. but I'd expect nothing less from this fanbase x.

[anotherhumaninthisworld]

Historians having takes on frev women that make me go 😐 compilation

Sexually frustrated in her marriage to a pompous civil servant much older than herself, [Madame Roland] may have found Danton’s celebrated masculinity rather uncomfortable. Danton (1978) by Norman Hampson, page 77.

The Robespierres sent their sister to Arras because that was their hometown, the family home, where they had relatives, uncles, aunts and friends, like Buissart who they didn’t cease to remain in correspondence with, even in the middle of the Terror. There, among them, Charlotte would not be alone; she would find advice, rest, the peace necessary to heal her nervousness and animosity. Away from Mme Ricard, who she hated, away from Mme Duplay, who she detested, she would enjoy auspicious calmness. It is Le Bon that the Robespierres will charge with escorting their sister to this neccessary and soothing exile. […] If there is a damning piece in Charlotte Robespierre's case, it is this one (her interrogation, held July 31 1794). She seems to be caught in the act of accusing this Maximilien whom she rehabilitates in her Memoirs. She is therefore indeed a hypocrite, unworthy of the great name she bears, and which she dishonors the very day after the holocaust of 10 Thermidor. Charlotte Robespierre et Guffroy (1910) in Annales Révolutionnaires, volume 3 (1910) page 322, and Charlotte Robespierre et ses mémoires (1909) page 93-94, both by Hector Fleishmann.

Elisabeth, as she was popularly called, was barely past her twelfth birthday, younger even by three years than Barere’s own mother when she was given in marriage. On the following day the guests assembled again in the little church of Saint-Martin at midnight to attend the wedding ceremony of the handsome charmer and the bewildered child. Dressed in white, clasping in her arms a yellow, satin-clad  doll that Bertrand had given her — so runs the tradition — she marched timidly to the altar, looking more like a maiden making her first communion than a woman celebrating a binding sacrament. Perhaps the  doll, if doll there was, filled her eye, but certainly she could not fail to note how handsome her husband was. Bertrand Barere; a reluctant terrorist (1962) by Leo Gershoy, page 32.

The young nun who bore the name of Hébert did not hide her fate. She did not wish to prolong a life stifled from her childhood in the cloister, branded in the world by the name she bore, fighting between horror and love for the memory of her husband, unhappy everywhere. Histoire des Girondins (1848) by Alphonse de Lamartine, volume 8, page 60.

Lucile in prison showed more calmness than Camille. Before the tribunal, she seemed to possess neither fear nor hope, she denied having taken an active role in the prison conspiracy. What did it matter to her the answer they were trying to extract from her? They said they wanted her guilty? Very well! She would be condemned and join Camille. This was what she said again when she was told that she would suffer the same fate as her husband: ”Oh, what joy, in a few hours I’m going to see Camille again!” Camille et Lucile Desmoulins: un couple dans la tourmente (1986) by Jean Paul Bertaud, page 293.

What did it matter to Lucile whether she was accused or defended? She had no longer any pretext for living in this world. She was one of those heroines of conjugal love who are more wife than mother. Besides, Horace lived, and Camille was dead. It was of the absent only that she thought. As for the child, would not Madame Duplessis act a mother's part to him? The grandmother would watch over the orphan. If Lucile had lived, she could have done nothing but weep over the cradle, thinking of Camille. Camille Desmoulins and his wife; passages from the history of the Dantonists founded upon new and hitherto unpublished documents (1876) by Jules Claretie.

Having been widowed at the age of 23 [sic] years, Élisabeth Duplay remarried a few years later to the adjutant general Le Bas, brother of her first husband, and kept the name which was her glory. She lived with dignity, and all those who have known her, still beautiful under her crown of white hair, have testified to the greatness of her sentiments and austerity of her character. She died at an old age, always loyal to the memory of the great dead she had loved and whose memory she, all the way to her final day, didn’t cease to honor and cherish. As for the lady of Thermidor, Thérézia Cabarrus, ex-marquise of Fontenay, citoyenne Tallien, then princess of Chimay, one knows the story of her three marriages, without counting the interludes. She had, as one knows, three husbands living at the same time. Now compare these two existances, these two women, and tell me which one merits more the respect and the sympathy of good men. Histoire de Robespierre et du coup d’état du 9 thermidor (1865) by Louis Ernest Hamel, volume 3, page 402.

Fel free to comment which one was your favorite! 😀

[fuumiku]

Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization

The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.

If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:

Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.

Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like: "She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay???? "Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.

It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.

Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue. But yes, yes, they’re both flat asses to me, thanks.

[emile-hides]

I cannot believe no one’s gifed POV Ramattra tilting your chin up with his staff yet. Must I do everything around here.

[little-pondhead]

[inspired roughly by this post. My brain snails started going nuts so I thought it'd be easier to post this separately :)]

…

It was a lovely day in Gotham. Well, as lovely as it could be. The sun was up, peeking through the overhead cloud cover and making the buildings gleam in the rare sunlight. The air was fresher than usual, and faucets ran clear of strange and unusual toxins.

Somewhere in the Upper East Side, in a little neighborhood tucked away from the rest of the city, marched around the new boss of the area. She was a young girl, just barely in high school. But despite it being the middle of a work day, she wandered around her chosen streets, content to do whatever she wanted. Above her, a pair of siblings watched on and discussed the unique situation.

"So let me get this straight: that fourteen-year-old goth girl is a crime boss?"

Mia smiled at Leon, her older brother, and his dumbfounded expression as they rested on her balcony. "She's fifteen, actually. Her birthday just passed. We all got together and threw a block party for her!"

"You know how insane that sounds, right?" Leon turned to her, a bit miffed that she dared to say those words to his face. "She's a kid. Why do you all listen to her?"

Mia shrugged and sipped her beer. "She does good work. Holds her own pretty well, and the kid has connections. Good ones, too. That can be the difference between life and death in Gotham."

Leon rubbed his forehead in frustration. "I just don't get it. How did she end up in this line of work? Do child labor laws even apply here?? Why aren't the Bats doing anything?"

"Don't think about it too much, dipshit." Mia crushed her now-empty beer can in her hand and tucked it into a paper garbage bag hanging off of a hook on the balcony rail. A familiar set of green arrows was printed on the side.

"And now you're recycling?!" Leon realized. "When did you start doing that, Mia??"

The woman shrugged and got up, stretching. "Probably around the time Brambles absolutely reamed out Mrs. Zalinski for littering at the park."

"Wait, who's Brambles?" Leon scrambled upright and followed his sister inside.

Mia laughed. "Brambles is our fifteen-year-old crime boss!"

...

"I can't believe you got a cool name right off the bat," Danny grumbled, flopping onto Sam's bed face-first. Sam smirked and shoved him off with her foot. Danny just squawked and let himself ragdoll to the ground.

"It's your fault for not having a better gimmick." She said to his prone body. "Besides, it could've been worse."

"I think Inviso-Bill is the worst possible nickname for anyone." Danny groaned. "But you got something cool immediately. Who even thought up 'Brambles'? That's such a unique name!"

"Well the kids call you Grim; that's pretty cool."

Danny flopped over, twisting himself much farther than any human was supposed to just so he could glare at her face. "They only call me that cause one of the is obsessed with Harry Potter." He grumbled, pouting.

Sam just rolled her eyes and went back to sorting through piles of papers scattered all across her duvet. Since moving to Gotham several months ago, Sam had taken it upon herself to turn the experience into something useful rather than just moping all the time, as she originally wanted to. That 'something useful' had landed her as the newest crime boss in Gotham, with about a third of the Upper East Side as her current territory.

So many problems had popped up in the last year, and the group had decided that taking it on alone would never work. The GIW had been trying to close Amity's borders, Danny's parents had a scientific breakthrough, tensions in the Realms were high, etc. There was a lot on their plate! Sam's solution was to create a foothold in Gotham City. She would lay the foundations for Jazz to work in Arkham and forge a safer environment for the residents of Amity Park to sneak off to if the GIW went too far. She was essentially weaving a cushion for everyone to fall back on.

Danny, using the power of duplication, was splitting his focus between foiling his parent's plans and resolving issues with his rouges to create a united front. He was the main distraction, and Sam's own heavy hitter when she needed help establishing dominance.

Tucker planned to gather intel with the help of Technus and Jazz. They were trying to gather as much evidence as possible so they'd be in the clear when the whistle blew. The GIW would crash and burn, legally speaking. They were the bugs of the operation, spreading themselves thin and hoarding information like it was candy.

Dani was their wild card, their jester. She was keeping the JLD's attention focused solely on her and all the supernatural hijinks she was stirring up. When the time was right, she'd point them in the direction needed and let them loose. After winding them up so much, the hope was that the Justice League Dark would descend upon the GIW like hellfire.

But those were their future plans. Right now, Sam was in possession of specific files from Arkham Asylum and the GCPD. She was looking for anything to give her an edge in the upcoming meeting with a few other crime bosses. Some annual thing they host to renew Goonion contracts, see who's still alive, and examine how much the territory lines have changed. Stuff like that. Red Hood was supposed to be there, and she knew she needed an ironclad defense against him and his nosy colony of Bats.

Danny untwisted himself all of a sudden, making a weird face. "Sorry, got to go." He apologized. "Vlad just showed up to my house."

Sam waved him off. "Go, I'll be fine for today. Just be on time for the meeting on Friday. And I want you, not a double."

"You got it!" Danny did finger guns at her and promptly melted into a pile of green goo. Right on her bedroom floor!

Sam sighed and got up to throw a towel over the puddle. The ectoplasm would evaporate eventually, returning to the original Danny little by little. But for now, this would keep anyone from asking about it until it was all gone.

Sometimes she really hated living in student dorms. People always felt the need to burst into her room for no reason.

Who even made dorm rooms for high schoolers in the first place??

...

Jason couldn't help but stare at the new recruit.

Well, 'new recruit' wasn't exactly accurate. 'Potential to be the most headache-inducing supervillain' was more like it. Standing at a solid 5'10" with platform boots, Brambles, the newest crime lord who had taken over half of the Upper East Side in under four months, was almost tall enough to look him in the eye straight on. Which she tried to do anyways, tilting her chin up oh-so-slightly (in that stupid way aristocrats do when they want to look down at you) and glaring at him with open hostility.

Brambles was young, way too young to be in this line of business. At the start of the annual underground crime meeting (yes, they couldn't come up with a better name), she had announced that she was fifteen, went by she/her, and would snap the dick off of anyone who looked at her funny. Most everyone laughed at her, thinking it was an empty threat. Brambles proved it wasn't by sucker-punching a younger lieutenant who tried to get handsy with her five minutes into the meeting.

When the lieutenant's boss protested and threatened a gang war, Brambles had snapped her fingers and summoned what could only be a fucking pit demon from the depths of hell to threaten the man back. The creature looked like a teenager, just like Brambles, at first. But it was...off. The longer you looked, the worse it got.

It wore a draping black cloak that covered most of its body, with the ends turning to mist when it reached the floor. It had a pale, young face and white hair. Its eyes glowed just like Brambles', except they were a toxic green that made Jason's heart skip a beat in fear. The creature was snarling, with a fucking muzzle on it to keep its sharp teeth away from wandering fingers.

With a nod from Brambles, the creature bounded forward and knocked the guy to the floor, its arm elbow-deep into the guy's chest. The dude looked terrified, and a little sick "Would you rather lose a lieutenant or your life?" She had snarled, sounding almost a bit demonic herself. The other boss had backed down without another word, writing off his subordinate as dead and gone.

Instead of killing the guy, however, Brambles simply banished her little guard dog to a corner of the warehouse to play with its new toy in peace.

"Is she allowed to do that?" Someone whispered.

"They weren't unionized, so the Goonion won't say anything." Another answered.

It was the most awkward meeting in the history of the criminal underworld. No one even died since they were all focused on the newcomer.

Jason could feel a headache forming as the meeting came to an end. Brambles was still sitting in her chair. The creature had grown bored of its toy and was leaning against her, sprawled out lazily and barely flicking an ear at the onlookers in acknowledgment. A few people were idling around her, mostly women, trying to talk some big game and get on the kid's good side. Brambles was humoring them, taking tight control of the conversation when they got too prying.

Jason sighed. He knew he'd have to go over and have a talk with the kid, even if it was just for Bruce's files. He hauled himself upwards and stalked over. "Pardon me, ladies and gents, but I'm going to borrow the kiddo here for a moment."

The creature hissed at him, tensed at his approach. Brambles kept a tight grip on the back of its muzzle, keeping it grounded. The other criminals scattered like flies. They were the only two (three?) left in the warehouse within minutes.

Bramble rose to glare at him. "What." She spat. "If you're here to convince me not to get involved with anything, I will set Grim on your ass after lighting it on fire."

The creature, Grim, growled in agreement. The sound echoed strangely like he was hearing it from underwater.

"Relax, I'm not here to do any of that." Jason raised his hands in surrender, immediately abandoning that possible line of thought. "I'm just here to talk business. You're young, and while you don't want to admit it, inexperienced."

"Stop the fancy words, Red Hood." Brambles' eyes glowed again, and she released her hold on Grim's muzzle. "If you want to make a deal, say it to my face. If you're here to dig for information, either ask me or hit the road. I prefer honesty over flower talk, so tell me what you want before I take over your area, too."

Jason bristled. His vision was tinted green as he snapped, "What the fuck is your problem, kid?! I just wanted to make sure you were safe and not being forced to do this. I was even going to offer my support and protection if it was too much! I know you aren't going to stop, but that doesn't mean I want a kid to die just because they got into something they shouldn't and they think their fancy guard dog will always be there to protect them!"

Brambles' eyes stopped glowing, and her stare softened a bit. Grim went deadly still, just floating there, staring at Jason. His heart beat like crazy in his chest. What was he saying? It was all true, but he could've been nicer about it. Dick would've found a way to be nicer.

-krrrk- "Ibis, reporting in. I think you can trust him, guys. Even if he's a Bat, his connections and experience would be useful in our plans. Ibis out." -krrrk-

Jason flinched from the sudden noise, looking around to find the source. It sounded like it had come from everywhere, even inside his own helmet. Brambles immediately switched out her hostile look for an annoyed one, tapping an earpiece he hadn't noticed before.

"Ibis, you really have to stop opening up our comm lines to the public." She snapped, but there was no real heat to it. "And I thought I told you to stop eavesdropping!"

-krrrk- "Sorry, can't help it. I'm everywhere now! You shouldn't have given me this power." -krrrk-

Grim hissed.

-krrrk- "Don't hiss at me, young man! You were the one who suggested this!" -krrrk-

"I'm sorry, time out!" Jason made a T with his hands. The green from his vision had completely disappeared now. "What the FUCK is going on now?"

Brambles sighed, rubbing her temples. "You know what? Fine. We'll trust you. My name is Sam. Nice to meet you, Jason Todd."

Jason stepped back, immediately reaching for his gun. Grim darted forward and promptly flew through him, stealing all his weapons in one go. "I'm Danny!" Grim-Danny?-chirped in a human voice, giving him a shit-eating smile. "Sorry for the act, Mr. Hood. And sorry about the name drop, I'm the one that told them."

-krrrk- "I'm Tucker! There are more of us, but they're busy. I have literally so many questions for you, Mr. Hood." -krrrk-

"Now that introductions are over-Danny don't eat his smoke bombs, you're not gonna look like Dorathea-we'd like your help."

Jason squinted at them. "You understand this is all suspicious as fuck, right? And how did a pit demon find out who I am?"

-krrrk- "Yeah, we know. But lives are on the line here, and I think you'd really be a help!" -krrrk-

Brambles-Sam-sighed and pulled out a flash drive. "I was going to use this as leverage, but I guess it'll have to be useful in other ways." She tossed it to Jason, who numbly caught it. "Look over it if you want. If you don't, then just burn it. Do not try to plug it into the Batcomputer. Don't try to send it to the Batcomputer, either. A virus will target that specific IP address as soon as it makes contact. Any other computer is fine."

"Look it over, and we can go from there," Danny added, spinning in midair while chomping on one of Jason's knives. (His good one, too!) "And I'm not a pit demon, but I am dead. That's how I knew about you. Whatever brought you back to life gave the Realms a real headache for a while. It wasn't hard to look you up in the records."

"This is so much information. Lives are on the line? And two, three kids are dealing with it? By becoming crime bosses?"

-krrrk- "Technically, Sam's the only crime boss here. And that was kind of an accident. She was supposed to create a safe foothold in Gotham in case we needed to evacuate our town. But we all got cool nicknames out of it! And you're the only adult we've told this stuff to!" -krrrk-

"I'm what?"

"The only adult." Sam's unwavering gaze seemed to pierce his soul. "There are quite literally no other adults that can help, Red Hood. None that we trust, not really. Any adult intervention needs to be planned carefully so it doesn't backfire on us. We're trusting you here, Jason. Not only are you like us, which technically puts you in danger too, but you have power and connections to support a whole town of people the government wants to eradicate."

Jason looked at the little green flash drive in his hand. He didn't want to ask. "And this...?"

"A fruit basket," Sam said simply. "Originally, it was supposed to be blackmail. But instead, this is a present to show our goodwill and faith. To show you our skills. That drive contains information on other gangs, upcoming rogue attacks, chemical breakdowns of Joker Venom and Fear Gas, unfinished antidote formulas, etc. Tucker and his team scoured the underbelly of Gotham and gathered dirt on every single prominent figurehead. Including Bruce Wayne, should you choose to use it."

"I would never-"

"But you've thought about it." Danny cut in and scratched his neck. Jason's hands shook. "It's not a bad thing. It's just the nature of the dead. Wanting to right the wrongs left over from their time with the living. Even if you walk and breathe now, that doesn't mean desire disappears."

"The point is, we need help. Even if I'm loathe to admit it." Sam rolled her eyes, and suddenly, Jason didn't see a potential supervillain in the making. He saw a teenager trying her best, shouldering the responsibility of hundreds of people, both in Gotham and her hometown. Danny looked the same, no matter how other-worldly he was. What battles were they facing? Why weren't there any adults to turn to? What kind of lives were they leading if they immediately trusted a known crime lord with their lives upon the first meeting?

"I'll think about it." Jason finally said. Danny trilled in excitement, and some tension bled out of Sam's shoulders. "If the situation is bad enough, however, I'm calling in someone else for help."

Danny shrugged. "As long as it ain't Batman! I don't think he'll appreciate us smuggling a town of liminals into his city."

Sam poked Danny's shoulder, prompting him to look at her. "Let's go, before you break his brain with more info-dumping. Bye Red Hood!"

"Uh, yeah. Goodbye!" Jason stuttered. He watched the two kids walk towards the exit door, before shimmering out of sight before they even touched the handle.

What the fuck.