#you can call it ship art I don’t mind

[al8estos]

Just realized I didn’t post this one here yet…

anyways based on personal gameplay experience as an engie (I have no clue why he asked for a dispenser on a ledge near spawn but I panicked and I built it)

[mulansaucey]

Drunk Words, Sober Thoughts.

Azriel x Reader

Prompt: Rita has a new supply of Moonshine and gives a jar to the IC. This creates a blacked out drunk Azriel.

Warnings: alcohol use, flirting, suggestive, mentions of sex, drunken behavior. Let me know if I left anything out.

Note: Literally sitting in bed when I had this idea. This is just for fun and I hope you enjoy!

Music playing in the halls of Rita’s surrounds the Inner Circle as well as laughter. Shot glasses banging against their table, squeals of joy from seeing the glasses of those pretty cocktails that Feyre and Mor like so much, and the beautiful smile that graces my mates face. Tonight is for fun and bonding.

Azriel has been on a month long mission just returning to me a few days ago where we cooped up in our cozy home, enjoying the song of our mating bond before returning to society. When he’s gone, there’s a hole in my chest. Color, music, art becomes void. Life is not as exciting without him by my side. Even after decades of being married and mated the bond is still alive and thriving as if it was still the night he took a bite out of that meal I made him to accept him as my mate.

I’m an accomplished fae. I’ve strategized wars, wrote countless books on the plant life of Prythian that has helped healers cultivate new medicines, and have helped the Inner Circle for almost two centuries now. When he’s away, I keep myself occupied and have my job to thank for that but that aching feeling doesn’t go away.

That’s the strength of a mating bond, it brings males to their knees. It brought Azriel to his. Our souls submitting to one another and refusing to settle for anything less than each other.

“What’s so interesting, love?” Azriel teases as I can’t my eyes off him. Those hazel eyes trail over me, even in the haze of faelights it feels like he can see every inch of me. He bites his lip as if he’s recalling just a few hours ago when he was biting the meat of my thighs. I know I am. Heat rises in my cheeks as he laughs and leans down to the leg of my chair and pulls me closer to him. The bond between thrums with satisfaction that our beings are even closer now. His hand finds the back of my neck and he caresses.

“You, my heart. I can’t seem to take my eyes off of you.” I tease him back.

The shots making my mind looser and my flirty tendencies arise. I’m a horny drunk when it comes to this male. Who wouldn’t?

Azriel raises his brows and smirks. He leans down to press a sweet kiss then pulls back.

“You are lovely in this dress. I can’t wait to rip it off you tonight.” He says as he presses sweet kisses along my cheek and jaw.

“Azriel you better not! It’s embarrassing having to keep going to the tailor because you have no self control.”

“Self control? We’ll see how much self control I have later, you’ll begging for me I promise you that.” He laughs.

Suddenly a heavy presence can be felt behind us. I don’t even have to turn to know it’s Cassian.

He slaps the back of Azriel’s chair and loudly yells, “Stop the heavy petting and come to the bar, Rita just got a new drink called ‘Moonshine’ it’s apparently a lot stronger than any wine or whiskey.”

Cassian doesn’t wait for an answer and picks me up while yelling over his shoulder, “If you want her, Az you gotta come get her!” We leave a trail of giggles as my grumpy mate follows.

Azriel trusts his brother and knows Cassian just missed him and wants to have fun. It’s why he doesn’t cut off his hands for touching my body.

Cassian drops me on a bar stool and leans over to drop a sloppy kiss to Nesta’s cheek as she bats him. From the corner of my eye though I can see her pulling him back to her to give him a proper kiss. I’m happy for my friends as they had a very tumultuous start to their mate ship. As I’m trying not to be nosy in my friends business Azriel comes to stand behind me, strategically blocking me from any other males or females view. Azriel is selfish when it comes to me. I can’t blame him, he’s waited centuries for me. And I him.

Rita walks up to us with a jar of clear liquid. It looks innocent, like water, but knowing her that liquid will make you regret ever being born. But that’s the appeal to Rita. She knows how to have fun and has quality supply.

“Alright ladies and gentlebats this is Moonshine. It’s technically whiskey but its process makes the alcohol stronger and you drunker quicker. I will give you a shot, on the house, if you like it I’ll sell a jar to you. This stuff is no joke and illegal in some courts. More recently our High Lord and Lady gave me the okay to produce it.” Rita winks to Feyre and Rhys.

We all look over them and Rhys shrugs, “Feyre wanted to try it, I couldn’t say no.”

We all laugh at the lack of ability our friend has to say no to his wife. I see Feyre eye the glass with excitement.

“Feyre you do the honors of first shot!” I yell out as she takes the glass and downs it in one gulp.

She freezes and we wait on bated breath. Her eye twitches and she gives a full body shiver. We break in laughter at her funny reaction as she immediately takes her fruity cocktail from Rhys, who was mid sip, and takes a few gulps.

Feyre’s face twist in disgust as she tells us, “That’ll definitely get you fucked up, I feel like I’ve grown chest hair.”

Laughter fills our area again. Rhys presses a kiss against Feyre’s head as he reaches for his own shot glass. Each of us besides Amren and Varian, who are currently in Summer, reach for our own. I clank my shot glass against Azriel’s and down my shot. I immediately regret this decision as pure alcohol burns my throat. It’s worse than the tonics Madja gives us. At least we get some what rewarded for that. I put my glass down and look over at my mate. His free hand softly rubbing my upper back, he downs the shot and smack his lips.

“It’s definitely strong but I don’t mind it.” Azriel says to the group.

I pout at him and say, “Of course it doesn’t bother you, Shadowsinger.” He rolls his eyes and moves his hand from the back of my neck to the front. Slowly moving my head back so far I have no choice but to look at him and only him.

“It’s Shadowsinger now is it?” He smirks down at me. Before I can reply peanuts that Rita supplies generously across her bar are being pelted at us. Azriel loosens his hold on me as we both turn to our family.

“You two are like bunnies, I feel like I need to spray you two with a bottle of water.” Nesta says.

I gasp and laugh out, “Like you have any room to talk! The House of Wind is contaminated with you and Cassian’s fluids.” All I get is more peanuts being thrown at me. The two of us dissolve into giggles as I throw them back at her. Cassian and Azriel having to take it away.

Cassian then turns his attention to Rita watching us in amusement.

“We’ll take a jar please, you always know how to make me feel good.” He winks at her. Rita rolls her eyes and passes him the jar.

“I’m charging you extra for that little stunt.” She says back to him.

“Oh c’mon that was a compliment! You’ve got the best stuff in the city.” He argues as Nesta shushes him. Nesta opted out of drinking, instead preferring to smoke mirthroot.

We all go back to our designated booth empty shit glasses in tow. We decide to play truth or drink. Azriel being the secretive person he is rather take the shot then tell the truth. I have a feeling he just wants to indulge the rare drink. I don’t blame him, he works hard for his court and he’s allowed to drop his inhibitions. Ever since we’ve gotten together I’ve taught him about self care and allowing one self to enjoy the moment. The centuries of training and spy work are still instilled in him, something even I can’t take away. But with the love of his mate and family he’s allowed himself to be happy.

I didn’t like the moonshine so I stuck to my cocktails then water, as I had a feeling someone needed to be more sober than the others. Azriel takes his eighth shot when he freezes. I still, looking around to see if anything was amiss. When I look back at him I see him smiling.

“You are a rare jewel.” He says so casually. Looking at me like I’m the only person in the world. He reaches over to brush my hair out of my eyes when instead he pokes me. This clumsy move tells me, he’s drunk. He giggles as I jump back slightly from a literal finger poking my eye.

“I’m so sorry love. Wow your skin is so soft.” Azriel starts touching my face in fascination. He then pulls me into his strong embrace. The awkward is angle but he just sighs constantly. Happy to be holding me. He starts petting my hair as if I’m a cute kitten.

The confused yet amused looks across the table have me pulling back from my mates embrace when he loudly says, “Noooooo, don’t leave me. I was so comfortable.”

I can hear and see Rhys and Cass laughing and clutching each other. Azriel RARELY gets drunk. I feel bad, maybe I should’ve limited how much he could drink since it’s not his usual stuff. Azriel has a fairly high tolerance for his usual whiskey or beer. Eight shots of his regular choice of drink would be nothing but him drinking moonshine has him reacting differently. I feel a little guilty but Azriel has carried me home and taken care of me plenty of times. Tonight I promise myself to return the favor.

“I know my heart, but I need a glass of water and so do you. I’ll be right back, I promise.” I caress his face and he looks at me with so much love I almost don’t want to go even if it’s a few minutes.

“Okay, hurry back. Take a shadow.” He says with a pout. A shadow always sticks with me regardless of his command or not. I shove my love down our bond for his thoughtfulness. Azriel gives me a goofy grin and pushes his love down to me.

“I need a drink, c’mon. Lover boy will be just fine.” Feyre says as she drags me away from my mate.

His eyes trailing after me until Cass and Rhys grab his shoulders to get his attention. Knowing my mate is in safe hands has me turning to Feyre. We talk a little about her art studio and Nyx. She confesses to having a bit of Mom guilt when she goes out. The alcohol making her a bit weepy from missing her son. I distract her by dragging her to the dance floor, after checking to make sure Azriel was still with the boys and has a glass of water.

After a few songs Mor and Nesta join us. I still keep an eye on my mate, making sure he’s okay and having fun. The next time I turn my eyes to him he’s gone. Panic fills my chest as I look around the bar for him. When I look up to the second floor I see him and his brother attempting to climb the rail. At that moment I decide it’s time to go home. I grab the girls and haul their asses the second floor before any of our mates cracks their skull open. The boys had way more moonshine than we did.

We successfully get them away from the railing, I grab Azriel’s face and he gently shoves me off of him. I frown at him, water lining my eyes at his rejection towards me. I go to ask him what’s wrong but before I do he tells me, “I am a mated male! You can not touch me.”

He sways a little grabbing onto Rhys for support. Rhys is already getting yelled at by his High Lady but she stops to turn to Azriel in amusement.

“What did he just say?” Feyre says to me. I stay silent for a moment realizing the situation. I slightly smile at my mates loyalty even though it is me who is touching him. I tell Feyre to grab Rhys and I can handle Azriel.

“Azriel, my heart. It’s me, I’m your mate.” I tell him gently helping him find his balance.

“I don’t want to go home with you. I want my mate. She will take care of me. I don’t need you.” As he’s still struggling to walk. I ignore him and help him down the stairs all the while he’s protesting insisting he has a wife and mate waiting for him at home. I roll my eyes fondly. Knowing it’s going to a rough walk home. He insists that I only touch his arm.

“I am a gentleman and my wife would be mad I let you walk home alone but I am not sharing a bed with you. She is only one I share my bed with. I love her.” He says to me, total seriousness.

I take a look at him noting his shirt is wrinkled from Cassian constantly grabbing onto him, his hair is wild, and his walk is staggered. I make a mental note to never let him drink Moonshine again. He trips slightly making me grab onto his back and front. He looks at me weirdly and takes my hands off his body.

“I don’t know youuuu. My body is reserved for my wife, I am fine with walking on my own.” His words are sloppy and he trips again. Laughing at him I ignore his protests and guide him to our shared home. The walk is a struggle as he keeps tripping yet insisting I keep my hands off him. I shove my love down the bond hoping he’ll recognize me that way. I feel more assured that even if I wasn’t with him and he was drunk he’d always come home to me. I hear him sigh with content and he lazily slaps his chest.

“This here, in my heart, she’s calling to me. I need to go home to her. I can feel her. I want to go home.” He pouts.

“Okay big guy, I’m gonna get you home to her. I’m sure she misses you.” I say, playing along. If I play along I’m hoping it’ll make him more amiable.

“She does! I can feel her even when I’m miles and miles away. I miss her too. Sometimes when I’m in the same room as her, I miss her. I just want her all to my self.” He confesses, I notice he’s started to slowly relax letting me guide him home. The thought of seeing me being his motivator. My heart is fluttering seeing him like this. Azriel is usually so smooth and calculated. His words to me sound like poetry, like a crafted song made just for me to hear. Now he’s confessing his love to, how he perceives, a stranger. Apart of me knows that he must know it’s me. Even if it’s deep down. But I can’t help but feel so special to him.

I finally spot our home, the sight of our porch makes me let an out a sound of relief.

Azriel looks to what I see and goes, “How do you know where I live? I don’t remember telling you. I wouldn’t have told you! I told you that I don’t want to go home with you.” He pushes himself away from me stumbling to our small gate. He struggled to unlock and me being exhausted from helping a 6’5 Illryian male slap his hands away and move to open it. He rubs his hand where I slapped and looks at me with a pout.

“Oh you’re okay! Stop being a baby and come inside please.” I tell him, laughing lightly at him. He moves to walk past me but turns before I can even take a step on the porch.

“This is as far as you can go. My wife will not be disrespected by having another female in our home.” He says with a serious face. The message isn’t as threatening since he’s still swaying and eyes glossed over. I smile at him and make a move to walk around him but he pushes his arms out, clumsily I might add, and repeats what he just said. I hold my arms up in surrender to this ridiculous statement.

“Azriel, my heart. I am your wife, you are mated to me. And I want to be in our bed and snuggle. Don’t you?” I ask giving him my best puppy dog eye. I don’t even know if it’ll work if the liquor made him forget who I was entirely. He goes to reply when he bends over to his side and pukes. I rush to his side and rub his back. He stand up again and leans against a pillar on our porch. His face smushed against it I can faintly hear.

“I want my mate…I’m not going home with you.” I roll eyes, trying not to get upset with him because it isn’t his fault and I know I’m not a doll to be around when I’m drunk. I walk towards our door, it unlocks automatically due to the ward Azriel insisted on placing. I try to gently push him inside. His wings knocking over a vase I was gifted from a past High Lord of Summer, I grimace as the antique lays broken on the floor. He looks around for what made the loud sound and he gasps loudly as if I was the one broken on the floor.

“My wife is going to kill me! Fuck, fuck, shit. Oh my gods I need to go to summer now! I need to go before she notices it’s broken.” He says making a move for the door. I immediately put a stop to that and drag him to our bedroom. I think he’s exhausted himself and flops down on the bed. Not making any moves. I start unlacing his boot and once I’ve got them off I go for his pants.

He slaps my hands away and goes, “I can undress myself. You have no right to touch me there! Go home before my wife finds you, she’ll kill you. My mate is verrrry possessive of me. She won’t like youuuu.” He sings at me.

He starts giggling and taking off his pants and shirt while moving to grab my pillow and holds onto it like it’s the answer of all his prayers.

“I miss her so much. I’m in bed but she isn’t here. It smells like her, I never want to smell anything again. Only her.” I make a face at him, I didn’t see how that makes sense but he’s drunk so I don’t question it. I make sure he has a glass of water and is tucked into bed before I make my move to join him. As soon as I start to move the cover he jolts back up, still clutching my pillow.

“Thank you for taking me home but I insist you take the couch. I will never share a bed with another female. I will not have our marriage bed tainted by a stranger.” He says eyeing me like I’m the King of Hybern resurrected.

“Enough, sweetheart. Tonight has been really funny and sweet but I want to sleep. Don’t you want to cuddle?” I say, I glance at the clock noting the late hour. He doesn’t make a move and stays silent. Giving me the answer I needed.

“As I stated you can take the couch as thank you but you have to leave before my WIFE comes home.” Azriel states, emphasizing the wife part as if I’m the drunken one.

“Okay I give up, I’m sleeping on the couch. Goodnight my love.” I say stealing a quick kiss from him that leaves him stuttering and blushing.

“Y-you just kissed me! That’s so rude, that’s-“ I close the door cutting off his rant. I go down the hall for our closet where we keep the extra blankets and pillows. I settle in our large and comfy couch that Azriel insisted on getting when we moved in. I’m now thankful he insisted. I start laughing recalling the night. Tonight was stressful but has shown me how loved I am. I have a male who’s loyal and kind. Even when he thought I was a stranger he wanted to walk me home so I wasn’t alone. I’m thankful to call him mine. I’m thankful to be his. I drift off to sleep with a soft smile, excited to tease him to no end in the morning for this stunt he pulled tonight.

��—

Sunlight enters my home, the warmth of it caressing my cheek. I nuzzle closer to the warmth when I realize it’s Azriel’s hand. He’s sitting on the floor, his hair is a mess and he’s laying his head down close to mine. His eyes look groggy and I can tell he didn’t have a good sleep.

“Where were you last night? I couldn’t sleep without you.” He whispers gently, as if the sound of his own voice made his head ache.

I start laughing loudly, Azriel flinching back and rubbing his head. I start laughing so hard I start crying. My mate looks at me unamused.

“I’m sorry my love. But you literally kicked me out of our bed and made me sleep here. You insisted.” I tell him, laughter seeping through my words.

His mouth drops down in shock. He’s still rubbing his head and I feel bad so I start massaging his scalp the way I know he likes. I gets himself up off the floor and into my awaiting arms. Azriel secretly loves being the small spoon so I baby him and rub down his back and up into his scalp. The mating bond compelling me to make sure he’s okay and loved.

I start recalling the night for him. Apparently after that eighth shot he completely blacked out. He doesn’t remember a single thing from last night past that point. He grumbles and hides his face in my neck. His words coming out muffled.

“I’m so sorry. I hate not being in control like that. I’m sorry for treating you like that.” He says while pressing kisses on my neck and he squeezes me even tighter.

“It’s okay, you’ve taken care of me plenty of times when I’m drunk. I’m glad you were having fun and it was really sweet of you to defend my honor and our bond even if it was me. I love you so much for it.” I tell him making sure his eyes were on me. I cradled his face, caressing the scars and stubble that reside there. He leans down to give me soft kiss once, twice, three times before he nuzzles his nose against mine.

Azriel may be hard to read, stoic, and cold to everyone else but here, in the privacy and intimacy of our home he’s lovable and soft. A privilege to be able to see this of side. The decades of trust and memories helping him become a more loving person.

“How are you feeling though?” I ask him, he groans and lays his head down.

“I feel like absolute death. Actually death would be more merciful than what I’m feeling now.” My mate, the dramatic. I go to move to make him some tea and a light meal for his tummy but he just holds me tighter.

“Just stay for a little longer, I finally feel better now that I’m with you.”

Who am I to resist and say no? So I settle in and relishbeing with my mate and husband. Enjoying a quiet morning after such a loud night.

[shadamyheadcanons]

For me, Shadow and Amy's dynamic is basically two different types of touch starved in a person

((If any of the gifs on this post aren’t loading for you on mobile--like they aren’t for me--you can download them or check the sources listed. As for desktop, they play just fine, but they won’t line up next to each other like they do on mobile. Tumblr is a comedy of errors.))

Yes! Absolutely. I’ve seen tons of fans say Shadow is prickly and would respond badly to hugs, but canon says otherwise. This is a bad reaction:

[Sonic 06]

Whenever I feel like being sad, I wonder if Bad-Future-06 Silver has ever been hugged.

This is a bad reaction:

[Sonic Unleashed, gif source.]

And I shouldn’t have to say this, but...yeah. These are very bad reactions:

[Sonic X]

[Sonic Generations]

Yikes. I feel bad for both of them.

But this?

[Sonic Adventure 2, gif source.]

This is Shadow’s only canonical hug in the games, and aside from jumping slightly from being snuck up on, he seems to like it just fine.

Just look at that smile! He’s happy. He finds it endearing.

It was a hug from a complete stranger meant for someone else, but he still drank it in--and, given that he’d effectively just lost Maria, he really did need it. It’s the combination of Amy’s gentleness AND her speech that changed his mind. After all, if someone as sweet as her sees something in the humans, maybe they’re not so bad.

My buddy who runs @shadowxamyweek recently reblogged a post about this hug, and their tags sum it up perfectly:

[ID: A screenshot of tags on a post. The tags read:

#official art #4kids #shadow the hedgehog #amy rose #YEAH 😭 #listen I read nothing that has happened with them in SA2 as shippy - and i ship them #THIS HUG? THR SPEECH ON THE ARK? #those are two lonely kids #those are two left behind kids #those are two kids so desperate for affection #for two vastly different reasons #Amy loves with her whole chest and will never stop doing so- no matter what happens #and Shadow does too- that is key to remember- Shadow loves... so fucking much... that it hurts #you are RIGHT op when you say this is probably the first time someone has been gentle with him in a long long time #he doesn't even run away #in the game- when Amy flees- he takes a step after her- a moment's hesitation- a 'wait' #this kid NEEDED a hug #and i firmly believe part of the reason Shadow listens to Amy in the end is BECAUSE she is the only person who showed him gentleness #softness and kindness and affection #if only for a moment #fjdodhdofjgor THIS is what i mean when i say 'be gentle- be kind' #it MATTERS #it FUCKING MATTERS

End ID]

Shadow doesn’t hate hugs inherently; it’s just that no one hugs him in the first place...

...aside from one person.

Amy’s easily the most affectionate character in the cast. It’s cute at first glance, but there’s a common thread to every instance that puts a damper on it.

She’s always, ALWAYS the initiator.

She puts more into each hug than anyone else does.

She’s always the last to pull away.

The most reciprocated Amy hug I know of in canon is this one:

[IDW Sonic issue #22]

Which is absolutely adorable...but Amy still initiated. Because it’s always her job. Even the characters who like affection don’t need it the way she does...with one exception.

And this tiny detail just killed me. The little, “wait, come back 😟”

It’s the only time I know of when someone has actually stepped after her like this. In a game where everyone left Amy behind, he wanted to follow her. Mister so-called-prickly didn’t want the hug to end.

Because he’s the only one who needs it as much as she does.

He wants to be held as much as she wants to hold someone else, and no one else is warm and sincere enough for it. Compare these instances:

[IDW issue #6]

Sonic thinks Shadow is wrong about something, so he grabs Shadow’s arm to stop him, and Shadow aggressively wrenches it away and leaves.

[Archie Sonic Universe #23]

But when Amy thinks Shadow is wrong about something and grabs his arm to stop him, he gently removes her hand and thinks about what she has to say.

Even when he doesn’t want to be touched, he makes the distinction between “don’t touch me” and “not right now, please.” These are from two different continuities, of course, but I think the point stands. Amy’s special. He’s gentler with her than he is with other people, and that’s consistent across all canons.

Side note: how often does Amy get to feel special like that? I actually really like that Sonic doesn’t place others in a hierarchy of importance, and I wouldn’t change that about him even if I could...

[IDW issue #2]

...but Amy does play favorites. I want her to feel like she’s someone else’s favorite, too. I want her to have someone who puts her first and likes her best. I think Shadow’s more than capable of that. I believe he craves clinginess like hers deep down, even if he hasn’t consciously figured that out yet.

I have an entire tag for these two being affectionate. My favorite is probably this one.

Of course, there may be those who say I’m reading too much into one (1) hug. And you know what? Maybe they’re right! We need a bigger sample size. Sega, make more characters hug Shadow, please. Let Rouge comfort him after he confides in her about something. Have Omega give him an awkward metal embrace because he read on the internet that organic beings like that kind of thing. Make Shadow himself pull Silver into a hug when he’s breaking down crying from the stress of always having to be a hero. Show Tails accidentally grab onto him out of fear when they’re trapped in a lightning storm, and when he gets embarrassed and pulls away, have Shadow hold him for the rest of the storm and admit he’s not fond of bright lights, either.

[Sonic Boom]

That scene where Shadow and Amy rescue Cream and Cheese from Cryptic Castle? That easily could’ve turned into a cute group hug.

[Shadow the Hedgehog (2005)]

And I have seen some absolutely adorable fanart where he holds Cream’s hand while he and Amy lead her through Cryptic Castle to make sure she doesn’t get lost 🥺

Have Knuckles give him an empathetic bro-pat on the shoulder when he finds out Shadow’s the last one of his race, too.

[Archie Sonic Universe #89]

Have Sonic try to hug him, and then when Shadow inevitably pushes him away and says he doesn’t do hugs, have Amy arrive and latch onto Shadow instead while he tries to stutter out an excuse as to why she’s allowed to and Sonic isn’t.

The most affection Shadow has in recent history is stuff like this...

[Sonic Prime season 2 episode 1]

...where Sonic tries to hug him and Shadow immediately pushes him away, knocks him over, and tries to punch him in the face. Kind of says it all. Amy stands out as the only one with a good track record here.

[IDW issue #36]

Especially when you have him look at her like this when someone else is on the receiving end of that affection.

So in the absence of further evidence, I have no choice but to interpret this in the most Shadamy way possible. Your move, Sega.

[fortheloveofpiggy]

TW this is a rant about proship and comship! Tags will have more in-depth trigger warnings

Edit: OMG PROSHIPPERS STOP MAKING THIS POST ABOUT DEFENDING IF SHIPPING CHILD X ADULT OR INCEST IS OKAY OR NOT THE POST IS ABOUT THE LABLE I DONT WANT TO ARGUE WITH YALL ABOUT THAT ANYMORE.

This is my one post where all people on all sides of the proship debate can interact. Including proshippers. If that makes you uncomfortable then don’t interact. I hate echo chambers and I want to hear all sides.

Also sorry for cross tagging just want the opinions from all sides

Actual post:

I hate the terms proship, neutral ship, and antiship. They’re all extremes and I hate them. From what I understand the meanings are

Proship: support all ships no matter what even if they’re comships

Neutral ship: doesn’t have an opinion at all

Antiship: is anti any comship which is outrageous

If y’all don’t know comship just means complex ship or they enjoy more morally grey or imperfect ships. This can include things like human X different intelligent species (like aliens, furries, monsters) which most rational people don’t think is bad. But this can also mean kid X adult, family x family, or victim X abuser

I actually don’t identify as pro, neu, or anti because I think some comships are good and healthy. I think morally grey ships are important in media when done correctly. Especially since a lot of relationships are rocky and not always healthy and it’s good to show that in media. My own ocs personally aren’t in a perfectly healthy relationship because of their own issues. But this should be done respectfully and with care. Abuse shouldn’t be romanticized but people can be romantic outside of the abuse going on just like in real life relationships

But in a pedophilic fan fiction or art or an incest fanfic or art there is no such thing as a loving part of it. The relationship in itself is abuse because a minor being with a child is abuse and family members being together is abuse. It’s not healthy for anyone involved to romanticize relationships like that and frankly can effect reality no matter how you spin it because it’s representing something as normal to kids.

Right now a lot of neutrals, antis, and probably a lot of pro shippers are agreeing but that’s where my point really starts

The term “proship” and “anti ship” are too vague. If you say you’re proship you sound like you defend media where children are harmed. I understand the meaning is being proshipping and minding your business but that’s still what you look like and frankly that’s what the term does. If you’re pro everything then that means you’re pro the harmful stuff too

And the term “antiship” suggest that you’re anti shipping in general or anti any complex ship which is also unhealthy for us all because morally grey topics need brought up. Antis also are very very commonly okay with harassment when it comes to proshippers

And neutral ship is basically just saying you don’t have a opinion at all which is harmful because you’re suggesting you’re okay with the harm done on both sides. And I understand some people who are neutral ship agree with me and don’t just not care but I feel like majority is the former not the latter (based on what I’ve seen)

Also disclaimer if you’re neutral because of mental health or because you have better things to deal with that’s valid but identifying as neutral ship does put you in it and i instead suggest staying out of it entirely

So idk maybe we should make a term for the middle. I had a few ideas maybe something like middleship or intentship (intentship meaning enjoying or allowing all ships as long as the intentions are good and are not to romanticize trauma or abuse)

Idk everyone can share their opinions but if I see another proshipper say fiction doesn’t effect reality I’m gonna scream and if I see another anti shipper call all morally grey ships bad as if they done killed their grandma I’ll go insane

[ayyy-pee]

Discord 18+ - Twitter - Kofi

Pairing: Nanami Kento x Female Reader

Summary: Following his mothers passing, Nanami inherits his family's rundown bakery. With the bakery on its last leg, Nanami reluctantly takes on the task of trying to save what his family has worked to keep for decades, but he can't do it alone.

Genre: Bakery/Coffee Shop AU

Warnings: Workaholic meanie Nanami, employee x boss relationship, but also enemies to lovers, death, grief/mourning, profanity, jealousy, fluff, angst, Nanami owns a bakery, parental loss, Nanami is bad at feelings, I don’t know if I’ll do smut for this one but sexual tension, mutual pining, Nanami is sort of an asshole here

Art by: Ilameys + (Unknown artist (right pic). I'd love to credit the artist so if you know who it is, please let me know!)

Chapter 1 - Inheritance

A/N: There's some Danish in fic that I hope I'm using correctly! (If not let me know) Nanami calls his mother "Mor" in this fic, which is Danish for Mom (according to Google lmao)

“Are you okay with this arrangement?” a stocky, bald man ahead asks. In the harsh fluorescent lighting of the office, the beads of sweat forming on his head are apparent. He reaches up and swipes his hand across where his hairline probably resided at some point in time, but is now long gone. He clears his throat, repeating the question.

“Um-” he glances around at the other men at the table, dressed in bland, ugly suits. A bunch of blank faces that’ll be forgotten once this is over. The man behind taps his shoulder.

“Mr. Nanami?” He speaks.

Nanami’s brows raise as he’s brought back to the present and he looks around to find the men surrounding the table staring at him. He looks back to the bald man next to him. “I’m sorry. What was that?”

The bald man wipes his forehead again and Nanami hopes whatever paperwork and pen he is about to offer him is passed with his other hand. He resists shuddering in disgust.

“I was saying your mother has left her bakery to you in her will and testament with the wish that you continue to keep it open.”

Right. Nanami remembers now. His mother is dead - the only family he can remember having now leaving him alone in this world. He figured this would happen eventually. She was elderly and in declining health. He was truly surprised she lived as long as she did. To top it off, she wants him to keep the piece of shit bakery that’s been passed down generations in business.

Nanami didn’t get to see his mother often. He worked as a corporate executive so he didn’t have much time to allocate to visiting her and being forced into the kitchen with her. Instead, he opted to call her often and visited when he had the time. 

The sensation of his bottom lip trembling pulls Nanami from his thoughts.

“I don’t want it.” He confirms, voice as even as he can manage.

The bald man glances around nervously before looking back at Nanami. “Mr. Nanami, I understand this must be a lot to take in and quite difficult for you. However, this bakery has been in your family for generations. Your grandfather left it to your mother when he passed and now your mother to you. Are you sure you don’t want to–”

“It’s a sinking ship”, Nanami cuts him off. “I’ve seen the books a few times. I know it’s bleeding money and has been for some time. What do you suppose I do with that?”

The man shrugs, not that Nanami truly expected him to have an answer. Nanami pinches the bring of his nose, his brows stitching together in irritation. He really doesn’t want to deal with this. It’s annoying and an inconvenience. He wants to coast by in his cushy corporate executive job until retirement, making loads of money and not worrying about the crippling debt brought on by selling baked dough in some sad, rundown family owned establishment.

His mind drifts back to the very last time he was at the bakery, remembering his mother kneading the dough between her shaky, liver spotted fingers. When the aches became too much for her, she asked Nanami to give her a hand. He always complied if only to keep himself busy for the moment.

“When will you settle down? Work won’t be there forever”, she would ask as she took a seat on her stool next to the confectionery ovens. The massive machines loomed over her thin frame and Nanami wondered how she did this everyday. He wished she would close up shop and live the rest of her days resting. He had offered many times to support her, each time being met with a hard “no”.

“I don’t have time to date anyone. Besides, they’d just end up leaving me anyway. I’m too busy to make time for anyone else.”

His mother hummed in acknowledgement. “Yes, but you have to make time for them, Kento. A relationship is about compromise after all.”

“I don’t want to have to compromise. That’s the point of me not dating anyone right now”. His mother was always pushing for him to find someone. Asking for him to bring someone home to meet her before she met her demise - her words. She was always so dramatic, often prompting Nanami to roll his eyes in amusement.

Nanami molded the dough into an oval shape, grabbing the bread lame from the side of the table and quickly slicing leaf cut patterns into the dough - both his and his mother’s favorite. Carefully, he placed the dough onto a baking pan before gently shooing away his mother from her stool to slide the pan into the oven and turn it on.

“Kento, money comes and goes. You won’t have forever to live your life the way you see fit. And I want to see you get married before I’m dead and gone!” His mother sighed dramatically as she took Nanami’s large hard in both her smaller ones. “In all seriousness, sweet boy. I want to see you happy, living your life to the fullest.”

Nanami smiled softly down at his mother. He gently folded her up in an embrace. “My life is full as long as you’re here, Mor .”

His mother smacked him playfully in the chest. “Don’t try to butter me up with speaking Danish”, she scolded, though her voice held no anger. “Kento, take a break. Life will pass you by before you know it and you don’t want to look back at your life to realize you wasted it sitting in an office rotting under those awful lights.” She squinted her eyes to drive her point home. Nanami rolled his eyes playfully, looking down at his watch.

“I have to go back to work. I’ll call you later this week.” He bent low to place a kiss to his mother’s cheek before heading out through the front of the store.

The quiver in his lip returned and he let out a shaky breath to steady himself as the bald, sweaty man next to him slid over what looked to be a contract.

“If you’re sure, Mr. Nanami, we will have the bank take possession of the property. I’ll just need your signature here.” He extended his hand to give Nanami a pen and he fought the curl of disgust threatening to form on his lip when he noticed he held it with the same sweat-slathered hand he’d been using to wipe his head this entire meeting.

Nanami’s eyes roamed across the room. The faces of men he’d likely never see again surrounded him, just like every other day in this godforsaken boardroom. All dressed in some variation of the same ordinary suit and tie, talking amongst themselves about who knows what. And the lights, the fucking fluorescent lights threatening to trigger the same migraine Nanami found himself having everyday.

Life will pass you by before you know it and you don’t want to look back at your life to realize you wasted it sitting in an office rotting under those awful lights.

Nanami squinted just as his mother did that day, a wry chuckle escaping him. Fuck it. What did he have to lose?

“Actually–” he begins.

- - - - - - - -

Nanami is standing in the front of the bakery he now owns. It’s been about two weeks since he inherited this gaping wound bleeding out money every second it’s standing. He’s quit his corporate job, his peers whispering that his loss must have triggered a mental breakdown. They were almost right. The moment he signed the legal documents to take over the bakery, he felt free - as though the weight of the corporate world had been lifted from his shoulders. Now, as he entered the bakery and flipped on the lights, watching as a piece of ceiling tile tumbled to the lobby floor he felt his impending breakdown sneaking closer.

This place was a mess. He couldn’t blame his mother. She wasn’t able to handle the upkeep on her own and honestly, Nanami should have come around more to help out. Now, he was literally paying the price. It was no wonder the place was struggling when it was open. The furniture was worn, the decor was outdated and not in a trendy way. He understood wanting to keep the family memory alive, but the bakery was feeling more like a moldy old hole in the wall and not as welcoming as his mother believed it to be.

Repairs would be needed as soon as possible if he wanted to have a reopening for this place next month. He also needed to renovate the space and hire a baker who knew how the hell to run this place because he had no intention of doing it himself. No way. He fully intended on staffing this place up and collecting money from behind the scenes - the perfect retirement plan.

Nanami spent the day scheduling repairmen and interviews for the Head Baker position all within the next week. If he could find someone knowledgeable and adept, he could breathe easy knowing he would never have to be here unless absolutely necessary. 

After scheduling the last interview, he leaned back in his chair and rubbed his hands over his face. This sucked. He was putting in way too much effort already and it did not seem worth it. Only time would tell.

- - - - - - - -

The first interview was easy enough. A young girl who seemed exhausted but eager. She had prior bakery experience, but the way the bags hung under her eyes made Nanami uncomfortable. It was as though she had something clinging to her and if he were totally honest, it gave him the creeps. At the end of the interview, he wished her well, advised her to try to get some rest and maybe see a medium about whatever strange aura was following her.

The second interview was an odd man with tattoos all over his body that looked something akin to stitches. He was young and lively, but it was apparent the moment he entered the bakery that he lacked basic hygiene skills. His long, gray (how old was this kid?) hair hung messily around his shoulders and the stench…Nanami could not describe the stench. If he absolutely had to describe it - like gun to the head, forced to recall the smell - he'd compare it to something along the lines of a sewer rat dipped in rotten eggs and left in the sun to bake. There was also the awful vibe Nanami got from him. He had a feeling if he hired this guy, Nanami would come in one day to find the entire bakery empty, the only thing left behind being hand soap since this man definitely didn’t wash his hands after using the bathroom, or shower, or brush his teeth or–

The third interview was annoying, but by far the best. Nanami sat at a table in the lobby as his eyes skimmed over the resume in his hands. A previous position as a Head Baker already, excellent. This resume even included custom recipes and pictures of their creations which he could not deny looked delicious. Nanami had to admit he was already impressed.

The door to the bakery opened and Nanami stood. Your eyes roamed around the lobby until you spotted him. You offered him a wide, friendly smile, holding your hand out to him as you approached. He asked your name, to which you confirmed and he shook your hand. Professional already. He liked it.

You both took a seat across from each other as Nanami went over the interview questions he had prepared. The usual - tell me about yourself? Tell me a time when…How would you handle…

Your answers were professional with enough of your personality shining through to let Nanami know you were a likable enough person. Nanami especially enjoyed the way your eyes lit up when you went over how you came to write your recipes. Clearly you were passionate about baking, something his mother would have appreciated. As you explained to him how you once created a cake made of broccoli for a child’s birthday party that had not a single crumb left by the end of the night, Nanami couldn’t help but think how much his mother really would have liked you. He shook the thought away as he watched you take in the bakery again. He suddenly felt ashamed of its condition.

“I apologize. This place is an absolute dump, but I’ll be renovating soon enough and will be sure you have top of the line equipment should you get the position.” He muttered, rubbing his temple to ease the migraine that had been slowly creeping up on him since his last interview.

You shot him a look of confusion, tilting your head to the side. “What do you mean a dump? This place is gorgeous !” You beamed. “I mean, look around. There’s so much character in this building. You can tell whoever ran the place loved it. It looks like it really met its purpose.” You ran your hand across the worn wood of the table and sighed wistfully.

Nanami scoffed. “It appears outside of baking, you have questionable taste.”

“How can you look at this place and see a dump?” You questioned, genuinely curious.

“Because I grew up in this bakery and it didn’t used to be a dump and now it very obviously is.” Nanami said easily.

Your grin faded into a scowl. “Mr. Nanami, with all due respect, you seem to be looking only for flaws here.”

You stood from the table and pointed behind the front counter to the kitchen in the back. “Do you mind?” Nanami shook his head, sighing as he stood with you and followed you to the back. 

Your head whipped around as you entered the kitchen, taking in the worn down appliances, pans, tools and other materials. You didn’t touch anything, only a small smile gracing your features as you observed everything.

“I love bakeries like this personally. I love to be in a space that feels like lots of love and care was put into the end product. Anyone can throw flour into a pot with some eggs and sugar, but what makes one bakery different or better than the next?”

You watched Nanami intensely, not speaking. Oh. Was he the one being interviewed now?

“How much money they make.” He answered confidently. You snorted.

“Loud and wrong”, you stated. “It’s love , Mr. Nanami.”

He rolled his eyes and you burst into laughter. Nanami was now slowly becoming convinced you were a crazy person.

“I’m joking…to an extent. But if you put in the time, the effort and the care into your baking you’ll gain so much more than you ever thought possible. The fancy furniture and stupid bright lights won’t make a difference if you just slap whatever dry, shitty bread onto a plate and sell it.”

Nanami stared blankly.

“What’s your favorite memory here, Mr. Nanami?” you asked suddenly. 

“Irrelevant to this interview”, he replied instead. You scowled.

“Come onnnnn, indulge me”, you pleaded.

“No.”

You folded your arms across your chest stubbornly. “Will you always be this difficult if we work together?”

Nanami’s brows shot up in surprise. “Excuse me?”

“Will you always be this difficult if we work together?” You repeat, a little more slowly this time.

“I am not difficult”, he lied. He knew he was being difficult at this moment, probably sounding like a child arguing back. He could have just answered your damn prying questions but…he didn’t want to. Okay, yes he was being childish. Regardless, he continued.

“Why should I give you this job?”

You pulled your bottom lip between your teeth, chewing on it absentmindedly while you thought about your answer. “Because I love baking. I love baking more than I love breathing and I could work a boring office job like anyone else, but I know I’d hate myself for it. This place needs a little help and I want to be here to make it into whatever you need it to be.”

Hating yourself for working an office job, huh? Nanami could relate. He was in this position mere weeks ago. You were sort of annoying always trying to see the bright side - rainbows and butterflies and shit - but maybe he could look past that. He did need a baker after all and his only other interviews were not exactly what he was looking for. But, he needed to establish some ground rules first.

“If you accept this position, I will be your boss and you will respect me. Please don’t misinterpret this relationship. I am not interested in establishing a friendship. I simply need you to run this kitchen and make sure your desserts are up to par.”

You stood up straight, your demeanor shifting to strictly business. “Noted.”

Nanami sighed, feeling relieved that he was able to establish who the boss was around here before things got out of control. He squared his shoulders, looking at you from across the kitchen.

“Now, I am formally offering you the position of Head Baker. Do you accept it?”

“Absolutely”, you said with no hesitation before continuing. “But if you’re standing in my kitchen, I demand respect too”, you spoke up. “My desserts will never not be up to par, Mr. Nanami but please don’t misinterpret this relationship either. When you step into my kitchen, I am in charge here.”

You moved across the kitchen and held your hand out to Nanami, who shook it quietly as he assessed you. You were passionate, spoke your mind, demanded respect but you were also annoyingly way too positive. It would be an adjustment for Nanami to work with someone like you. He was used to the drab routine of office work and the bland personalities that came along with it. This entire process was going to be an adjustment for him.

Nanami walked you out of the bakery, giving you a start date of next Monday to go over recipes for a soft reopening. He watched you go, a small skip in your step and for the first time since losing his mother, his lips curled up into a tiny smile.

[augiewrites]

"secret admirer" - dead poets society (part 5)

summary: y/n receives a curious invitation from meeks and has a surprise encounter with neil and todd

pairing: anonymous!dead poet x gender neutral reader

word count: 1.2k

previous | next

It was finally Friday, and Y/N was looking forward to spending the weekend recovering from a week of non-stop exams, cramming, and a nonexistent sleep schedule. The morning’s classes had been a drag so far, and they were looking forward to the reprieve of Keating’s class. Knowing they'd be in close proximity to their admirer aside, Keating’s class gave them an opportunity to activate another part of their brain—one concerned less with grades and formulas.

No, this part was more concerned with matters of feeling. Matters of love, art, expression—everything crucial to finding true meaning in life.

Meaning.

Something that Y/N’s life—and the students of Welton’s lives—was severely lacking.

Y/N shoved the existential crisis to the back of their mind, shooting Todd a smile as he occupied the desk at the front of the class.

Their desk compartment was empty aside from their textbook and notes. Y/N felt their heart drop. It had been empty for days.

Did I make a mistake leaving that poem?

Y/N did their best to not look disappointed. The only thing more embarrassing than their poet’s lack of response was the thought of him observing their discontent.

Keating’s class didn't give them much reprieve that day.

_________________________________________ 

Against their better judgment, Y/N found themselves in the library during common hour. In all truth, Y/N just wanted to go back to their dorm and bang their head against the wall until they fell asleep. Alas, the expectation of a 4.0 GPA was looming over their head.

Thankfully, Meeks was the only other person to show up. Y/N didn't think they had the strength to deal with Dalton.

“So are you just going to keep side eyeing me, or do you have something to say?” Y/N set down their pencil and turned to face Meeks.

“Y/N, you've sighed three times within the last minute,” Meeks quipped, "seems like you're the one with something to say."

“But I'm right, though. You have something you want to say."

“I'll share with the class if you will.”

The two stared at each other for a moment—Meeks' expression much lighter compared to Y/N’s frustrated features.

Y/N gave in first.

“I’m tired, Meeks."

“Of?..."

“Everything.”

“You’re going to have to give me a little more here, Y/N.”

“…”

"I'm waiting."

“My GPA dropped to a 3.7," Y/N’s gaze was fixed to the table, “my parents are not happy. I feel like all I ever do is try, but it's not enough, and it never will be. My social life is practically nonexistent, I don't remember the last time I had fun, and I can feel my spirit dying. Some days it feels like I'm dying."

“You’re more than your grades, Y/N. You have to know that."

“I know that, Meeks. They don't,” Y/N let out a bitter laugh, “they ship me off to this prison, don't let me come home for breaks, and they call me maybe twice a semester if I'm lucky. They see my grades more than they ever see me."

Meeks was silent for a beat as Y/N cradled their head in their hands.

“Tomorrow night. Meet me outside the East wing at 10PM.”

“Meeks, what are you—“

“Just trust me. If you care about your spirit, anyway."

“Fine,” Y/N began packing their bag and stood up, nodding absentmindedly, "yeah, okay."

Because everything was cosmically determined to go wrong, Y/N crashed into Charlie as they rounded the corner out of the library. Their armload of textbooks crashed to the floor.

“Don’t you know to look both ways before crossing the street?" Charlie joked as he knelt to pick up Y/N’s books.

Y/N kept their head down as they gathered the mess of note paper that exploded out of their trig book.

“I mean, really, Y/N. If you want to feel me up you don't need to be so aggressive about it—“

Charlie’s sly smile melted into concern when he noticed the tears in Y/N’s eyes.

"Hey, are you okay, Y/N?” Charlie passed the books to Y/N and placed a gentle hand on their upper am.

Y/N gave the boy a tight lipped smile and stepped away from his touch.

“I'm fine, Dalton," Y/N was already moving down the hall.

“Y/N—“

“If you're looking for Meeks, he's still in there."

Y/N disappeared around the corner, leaving Charlie staring at the space they just occupied.

_________________________________________

Y/N wasn’t one for skipping class, but it was the last period of the day and Y/N thought their head would explode if they didn’t get away from everyone as soon as possible.

They triple checked that the hallway was empty before rushing into the storage room filled with students’ empty luggage.

But the room wasn’t unoccupied like they expected.

Neil Perry and Todd Anderson were in the middle of the room, locked in a gentle embrace.

They jumped apart when they heard Y/N’s soft sound of surprise, and the trio looked at each other in shock for a beat.

“We were just—” Neil took a step away from Todd before the other boy cut him off, surprising everyone, seemingly including himself.

“We’re together.”

They all stared at each other for another moment before Neil stepped forward again.

“You can’t tell anyone, Y/N.”

“I won’t,” Y/N blinked, suddenly coming alive again, “I would never.”

Relief washed over the two boys. Todd was more red than Y/N thought was humanly possible.

“Okay, I’m just gonna,” Y/N took a step back and jerked a thumb over their shoulder at the door, “go…”

They turned quickly to leave.

“Y/N.” Neil’s hand enclosed their wrist as they reached for the doorknob.

They looked up into Neil’s soft gaze, a faint smile on his face, “thank you.”

“Of course,” they returned the smile and waved to Todd as they slipped out the door, rushing to their dorm to avoid being caught for truancy.

_________________________________________

Y/N had been laying in bed for all of fifteen minutes before they heard the familiar sound of paper sliding under the door.

They were out of bed and rushing to open the door before they could think twice. Truancy be damned.

The empty hallway mocked Y/N.

Frustrated tears welled in their eyes as they slammed the door and grabbed the envelope off the floor before ripping it open.

Beloved Y/N,

In your eyes, a storm silently brews, Emotional tempest, tears it strews. I stand close, a silent observer, Love entangled in your pain, a fervent preserver.

Your hurt, a whisper in the quiet air, A shared burden, a weight to bear. In the shadows, love stands strong, A balm for wounds, a solace lifelong.

In the heart's tempest, emotions entwine, Love persists, a steadfast lifeline. I may not heal all that pains your soul, But together, in love, we find a way to be whole.

x, Yours.

Y/N let the tears flow freely as they sunk down onto the bed.

They were certain of who wasn’t their poet, but they were in denial about who it could be.

~~~

part six

a/n: any reality where neil and todd aren't in love is a crime against nature

taglist: @vvnbxz @edb954

[sanjiismystinkybaby]

💖Introduction 💖

To my non sharing Sanji doubles..

*non shares harder* >;)💞

No, but seriously block me. Please and thank you 😭

Here is my StrawPage

💖Hello I’m Moxie. You can also refer to me as Fork. (I use the name as my self insert cause I kin her) I’m an 18 year old bisexual lady thingy. I’ve never been in a real life relationship before and probably never will be. Guess I was saving myself for Sanji the whole time. I consider myself to be… a yumejoshi, Selfshipper, fictosexual? Eh. I fit into all those terms. Anyways I’m in love with a fictional man to simplify shit.

💖My blog is 100% SFW! I don’t do NSFW! I’m too shy to post that stuff. Also I won’t be reblogging nsfw too! Minors of all ages you’re free to interact! Just don’t make any… sexual comments/jokes please and thank you. That’s my only rule! I prefer wholesome shit on my blog! 😤💞

💖Asks are open. I have a lot of lore of Sanji and my One Piece self insert. Keep in mind my One Piece self insert isn’t me irl but I do kin her. That's why I’m called Moxie.

💖Sanji is my only f/o and I’m madly in love with him. I’ve shipped with him since I was 8 with my self insert and as years passed I still did. (Obviously I had done a lot of work on my self insert over the years but shhhh) I loved him for more than half my life and I still love him too. I’ve loved him before One Piece became super popular in other countries so I consider myself a true One Piece fan and Sanji lover. Without Sanji I don’t think I’d still be alive, he saved my life, my little hero. :’D💞

💖 I’m autistic as absolute fuck and I LOVEEEEEEE giving people my love and support. I NEED to make others happy- y'all don’t realize! 😤💞

💖If you have a One Piece f/o or if you are just a casual self shipper or do oc x canon please interact with me! Seriously, it would make me so happy!!! I’d love to be your friend! And don’t worry about me not responding, I’ll fucking respond and I’ll respond amazingly too 😩💞. I’m an extrovert! I know… spooky… we don’t see these a lot online lmao.

💖My current hyper fixations are One Piece, The Golden Girls, the Sims 4, Bleach, LPS and morbidly obese animals

💖 I’m an artist, (not a really good one) and I do art trades and draw my self ship. Yes you can ask for a art trade and no I’m not picky on skill.

💖DNI: If you’re a Proshipper who supports incest or pedofillia or beastility. If you’re a Minor who self ships with Sanji or simps for Sanji and posts nsfw content about him etc (Minors themselves can interact but not ones who lust after Sanji. It’s just I’ve had some bad experiences with people calling my man a “p*do” based on some weird shit and making those jokes about him. If you do oc x canon with him and age your oc up I can maybe accept it. Just ask first) Sex workers and Only Fans people don’t interact with me, you gross me out.

💖Policy on Doubles: Doubles? Yeah you can interact. Might not support your relationship but you can interact! (Ps if I interact with you first it means I’m cool with you) If you’re comfortable with it give me a Sanji tag to block from your account if he’s not your main f/o cause sometimes I have bad days and don’t feel like sharing. Ain’t willing to share/support other Sanji relationships unless you’re willing to support my relationship as well. But yeah I’m pretty much chill with all sharers of Sanji. (Except the sharers who mistreat stinky… nah. Burn.)

💖 Sanji and Moxies self ship tag name is “Hopelessly touch starved for you” and then we also got “Moxanji” which is a fucking classic. Idk how the first one works.. I saw people use stuff like that… so I wanted to do it. Maybe it’s a tag?

#hopelesslytouchstarvedforyou

Tada~

Idfk feel free to help me XD

[vintagerpg]

Living Steel is another game, like Cyborg Commando, that looms large in my mind because of ads in Dragon Magazine. I also reflexively connect them both to Terminator for reasons I don’t quite understand. This is the 1988 hardcover; there was a 1987 box set as well.

So, this game is powered a simplified version of Leading Edge’s small arms combat system released the previous year called Phoenix Command (you saw that earlier this month, in fact!). That means it has really complex mechanics that, while they feel satisfyingly realistic, they also take oceans of table time to resolve a few seconds of action. I don’t really care about the system, though, I’m interested in the world — it’s really the only original setting created by Leading Edge and it is interesting!

So, interplanetary human empire. Oppressive, fascistic. It has silenced all dissent, but an outside invasion by aliens, the Spectrals, essentially shatters that control. That’s the backdrop. The game is set on Rhand, a tourism planet that has recently been attacked by the Spectrals. That attack involved the uses of a virus that changed the behavior of the inhabitants, but before they could complete their conquest, the alien ship crashed. Now they, and everyone else on the planet, is stranded and competing for resources. That’s a pretty interesting frame! The players take the roles of centuries old super soldiers who were awakened, King Arthur-like, from cryosleep. They must use their power armor — the titular living steel — to defeat the invaders and destroy the oppressive empire (assuming a way off Rhand can be found).

It’s a good story frame that scales nicely — the backdrop is big and epic, but the concerns are immediate: survive, scrounge, survive some more. It’s a shame it is hampered by such an intense combat system (and, like, that is all the system really is). Aside of a skirmish game, I don’t believe Living Steel saw much more support. Bummer.

Pretty excellent art throughout the book by Toni Dennis, Nadir Elfarra, Dennis Francis and Steve Huston. The Spectral climbing over the wall is definitely burned in my brain, but that level of quality is kept up throughout.

[lucybellwood]

I’ve been meaning to repost this mini-essay I wrote for Global Maritime History back in 2015 for AGES and since today's dash is full of people lamenting the burden of Boat Knowledge this seems like the right time.

ONWARD FOR TALL SHIP ART TIPS!

I often get questions from people who are concerned that their illustrated boats aren’t going to be up to snuff, and the short answer is generally: don’t sweat it. If you’ve drawn a thing that has a hull in the water and sails in the air, you’re off to a great start, and if you consult a few handy reference images, you’re bound to end up with something that looks mostly ship-like.

HOWEVER. There are a couple things that often get lost in translation which—if you pay attention to them—can make the difference between a passable tall ship and a vessel that definitely looks like you know your baggywrinkle from your bunghole. Here’s two tips to get you started.

Flags in the Wind

Generally when we think of a thing that’s going fast, we imagine a flag streaming out in the wind behind it, right? Well, when it comes to square rig sailing, things aren’t always so simple. If the wind is coming up from behind a ship—or from the side—to push it forward, the flag may be flying in a direction you wouldn’t expect! How are the yards angled to catch the wind in the sails? What’s driving the vessel forward? Sailors often look to flags for a quick indicator of wind direction—use that thought process when drawing your ships.

Keep Your Shrouds Tight!

Those rope ladder-looking things sailors are always clambering up? They’re called shrouds, and they also form a large part of the tensioning system that keeps a ship’s masts stable and upright. Stays (lines that don’t move i.e. stay put) are arranged throughout the rig to maintain even aft-to-fore pull on the masts and prevent them from keeling over. Shrouds form the lateral component of that system, so here’s an important fact: they will not be saggy. No saggy shrouds. No saggy stays. In addition to making the mast unstable, it’d be a devil to climb in heavy weather.

Note: the ratlines (the “ladder rungs” of the shroud) can have slack in them—it’s the vertical lines that should be tight.

When the crew is “tuning the rig,” they’re putting slack in all the stays and then re-tensioning them to ensure that the whole operation is as stable as possible, so unless you’ve got a bunch of idiots running your fictional vessel, keep ’em tight.

And another thing…

I see a lot of people running their shrouds down to the deck, rather than alongside the vessel. Don’t do that! I mean, okay, sometimes shrouds do attach to chain plates on-deck, but most of your classic Golden Age of Sail vessels will have them running alongside to the channels. Also: they end in deadeyes to help with the tensioning of the line and to keep things stable, so don’t forget your deadeyes!

Honestly, these are the biggest things that I see artists flub when drawing tall ships, so if you can keep them in mind, you’ll be head and shoulders above the rest!

If you’re looking to go more in-depth with your research, I would recommend…

Seeing if you can find a modern replica of the type of ship you’re after and then centering your reference search around the name of that ship. I get far more extensive results when I’m searching for “Privateer Lynx” rather than “1700s topsail schooner.” Don’t discount the many photos tourists will have taken while visiting these ships!

Nose around on model ship-building forums. There is no greater boon to the modern nautical artist than these obsessive craftspeople, who will spend hundreds of hours replicating classic ships in minute detail—often photographing the whole process so you can actually see how the rig of a vessel is put together! God bless ’em.

And that’s all I’ve got! I hope you’ve enjoyed this brief foray into accurate tall ship representation. Fair winds and following seas!

[professorcalculusstanaccount]

BLOG DIRECTORY AND ABOUT - Check Read More! 

this is a fanart blog! I’m not affiliated with Moulinsart or anything official, and I don’t make any money from this blog. It’s entirely for laughs, even when the posts aren’t funny. I try and keep the content on this blog safe for work, there will be swearing and mild injuries every now and then. Let me know if you want anything tagged.

pronouns are he/they. I’m British Chinese, and I’m an animator. I will always leave asks on for this blog, but I might not be able to reply to all of them! I will try my best to respond to as many as I can.

I know a lot of right wing weirdos use Tintin imagery to push their shitty politics so if you’re one of those people kindly fuck off! I’ve also seen people repost my art to other platforms, if you want to share my stuff outside Tumblr please ask first, wait for explicit permission and link back to my blog.

I also never post anything shipping Haddock and Tintin together romantically. I have the tag blacklisted too, I don’t mind interacting with people who ship this but I’m just not interested in interacting with the pairing as I find it super uncomfortable.

Instagram (@professorcalculusstanacc)

Animation

Comics

My Stories

French Translation of My Comics by ironiebd

Post-Canon Characters - Where Are They Now?

- Archibald Haddock

- Chang

- Tintin

- Martine Vandezande

- Zorrino

The ProfessorCalculusStanAccount Post-Canon Timeline (in chronological order):

- St Benezet’s Basement

Tintin and Chang go undercover in a Catholic boy’s college to investigate a series of student disappearances.

(X) (X) (X) (X) (X)

- The Golden Palm

Tintin goes undercover at a film festival disguised as Hollywood starlet Marlene Katz to fight off the mob.

(X) (X) 

- Call of the Songbird

On a backstage tour of the Museum of Art and History, Tintin steals an ancient Chinese whistle to return it to its place of origin after Chang laments how European museums are full of stolen artefacts.

(X) (X) (X) (X) (X) (X)

- The Beast of Loch Broom

After falling out with Tintin, Captain Haddock decides to take Chang under his wing to go monster hunting at a loch he used to visit on childhood holidays.

(X) (X) (X) (X) (X) (X) (X)

- The Gypsum Maw

Tintin is sent by his editor to interview a caver who is stuck in an unregulated cave.

(X) (X) (X) (X) (X) (X) (X)

- White Boy Goes Dancing

tintin finally goes to the club with chang

(X) (X) (X)

- The House of Glass

Calculus is the judge of an international flower show where the plant used to make Rajaijah madness juice is on display.

(X) (X) (X) (X) (X) (X) (X) (X) (X) (X)

- Tintin Takes the Tube

During the London Blitz, Tintin, Chang and Haddock go to check on Chang’s uncle in Limehouse. Haddock uncovers a Nazi plot in some London Underground service tunnels.

(X)

- Unnamed Area 51 story

Chang and Tintin have a midlife crisis and decide to break into Area 51 after a bunch of alien sightings flood the tabloids, and get into trouble with the US government.

(X)

- The Goddamn Moustache Saga

Haddock really fucking hates Tintin’s new look. Bullying ensues

(X) (X)

[signanothername]

Heyy, I was wondering what are the potential reasons why you wouldn't answer an ask (not that you have to obv there can be no reason) but are there like conditions?

Also 💕🐥🐥🐥🐥🐥

Not necessarily conditions as much as what I like to call “common sense boundaries”

But to keep everyone’s mind at ease Imma list the things that I would never answer, breaking these boundaries could either mean the ask is deleted or an immediate block

1-personal questions, such as my real name, where I live, etc

If I do not have it on my pinned post, it means I either do not want people to know, I do not care to put it, or have my own reasons for why I don’t want to put it

2- fandom discourse related asks, whether asking me for my opinion on a certain discourse, complaining to me about it, or “informing me” about it, I don’t care what kinda discourse it is, keep any and ALL discourse off this blog entirely (ship discourse, creator discourse, etc)

If I do not ask for info on ANYTHING directly, the polite thing to do is to respect that I don’t want to be involved in it, this is an ART blog for silly characters, not a discourse blog

3- asks that try to evade the above 2 boundaries by using backhanded tactics just to get info or send in discourse anyway

4- asks that are simply sent to pressure me into answering a previous ask that was sent before, something like “hey can you answer ‘X’”

If you’re unsure whether I received an ask you sent before and doubt/anxiety is settling in, then you can either send the same ask again (I don’t mind when asks are duplicated) or directly ask me whether I received it or not like “hey I sent an ask that talked about ’X’, can you confirm to me that you received it?” And I’d be happy to confirm or deny on whether I received it

And that’s it, very basic and simple isn’t it?

(And awwww thank youuuu <33333)

[kharsagii]

This weekend I sifted through hundreds of screenshots for the OJ fandom bullying report. Made a ton of progress on it, and I hope to release it soon, so that everyone can see the evidence I discuss here! 🫂❤️

One thing I noticed was that a common theme of how fandom bullies justify their hate/cyberbullying is claiming the Throzzy ship, the way I and other contemporary artists draw it (or inherently), is “unhealthy.”

This is fucked up for 2 reasons:

1- This ship isn’t canon. Thus EVERYTHING about the ship is determined by the artists. No 2 artists are the same, thus no 2 depictions of the ship are the same. There is no common “throzzy” ship- everyone has a unique take on it. Without even bothering to read/investigate the source material of each artist’s unique depiction of the ship, the bullies just flat out lie about the content, and project onto the entire ship ideas they got from creators from 10+ years ago that aren’t even active. You’ll see so many of them have “Throzzy DNI” in their bios as if we’re some kind of cohesive political party or some shit LMFAO.

2- Telling women and queers what’s “healthy” for them is wrong and controlling. So many of us are fighting against misogyny/queerphobia in our irl relationships that’s been normalized as “healthy.” Nobody else can tell you what’s healthy- only YOU can decide that.

How I depict Throzzy is literally what I WANT in a relationship- loving your partner for the ways they’re different, healing eachother from trauma, and having loads of nasty kinky sex.

NOBODY can know what’s healthy for you in a relationship more than you do. We’re adults, we decide it for ourselves. And it is ESPECIALLY ridiculous when it’s a fictional ship of two microbes LMFAO.

There is NO one right way to love someone- and anyone that claims YOUR ship is unhealthy needs to stop telling other adults what they should desire and how they should live their lives. Doing so is simply the newest way men/misogynists exert heteronormative forms of control over women and queers.

Queer minorities who enjoy kinks exist. Consensual and healthy age gap relationships between adults exist. Kink shaming + hating on diverse REAL relationships we project onto fictional ones, just because they don’t fit your narrow minded view of what YOU want, is frankly bullshit + sexist.

Women and queers don’t need you to tell us what WE want is wrong. We’ve taken that bullshit from men all our lives. We decide for OURSELVES.

You have a problem with it? That’s fine. Just shut the fuck up and focus on your own relationship, or lack thereof, instead of calling us groomers/pedos/racists/whatever label suits your fancy (or falsified screenshots) because you’re mad that we’re fucking confident, happy, and FLOURISHING doing something you don’t like.

And to my fellow Throzzy artists, NSFW artists, or frankly any artist from any ship that antis get a hardon from targeting- KEEP DOING YOUR THING! This fandom belongs to YOU just as much as anyone else. Your artwork belongs to YOU. Your blog, page, profile is YOURS and no one else’s.

Making art is the greatest form of self love- and no one else can tell you how to love yourself. KEEP MAKING ART!!! ❤️❤️❤️

[novasolstarr]

Hello and Welcome to NovaSolStarr’s blog!

Come in come in, take a seat!! I don’t bite here {:

Welcome to my blog! Apologies for this lengthy post but I just wanna get down a few rules and regulations here before you venture any further friend!

This is not a required read but it may provide some helpful insight to you {;

Let’s get it started

INTRODUCTION

My name is NovaSolStarr, feel free to call me Nova or Dusty!

I go by They / Them and It / It’s but feel free to also use bun / buns and fae / fier {:

I’m a digital artist and traditional doodler, you’re gonna see a mixed batch of content from me!

My fandom interests vary greatly and you’re likely to see some jarring switch ups to say the least

I do primarily Fandom and personal OC content, but you are likely to see other things!

Art Trades are 🔒Closed to the public, friends can ask but I am busy

Commissions are 🔒Closed

Art request are 🔐Tentative, see more in “Ask Rules”

‼️ACCOUNT WARNINGS‼️

I make a variety of content, though all SFW please know that I may also;

Make fairly suggestive content

Curse a lot, I mean a lot [I promise I’m not an aggressive user

Make blood and gore related content

Make some horror related content

May touch on more sensitive topics [Drugs, Abuse, Alcohol, etc.]

I usually try to censor that which needs it but sometimes I forget to properly tag things, please be aware of this!!

This is a VERY important section and I want you all to listen!!

Please be kind and respectful here

I try to keep my space drama free, and yes this will apply to real world happenings as well. I’m sorry if this disappoints anyone but I want to keep things stress free here.

So if you have drama please take it somewhere else, maybe to an account that’s more attuned for that, this is not the space and will result in a block.

Also please do not be weird towards me, I have a wife, I love my wife, @cyanide-cafe you are my silliest :3

This is a safe space for most people, although there’s exceptions, which leads me to

Let’s get things cleared up right now

IF YOU APPLY UNDER ANY OF THESE, PLEASE UNFOLLOW ME or better yet block me

I welcome most anyone regardless of ethnicity, region, religion, political views, or whatever, however I will NOT tolerate;

Bigots of any form or fashion

Transphobia, Homophobia, LGBTQA+phobia in general

Racism

Body shaming of ANY kinda

Misogyny

Zoophiles

Pedophiles

Proshippers [People who romanticizes problematic or harmful things]

If more needs to be added I will, but so long as you are not one of these people I don’t care.

I had a smaller post related to this but I’ll go ahead and squeeze it into here as well!

My ask blog is completely open for any and all!! With that though here’s some rules to keep it fun for everyone!

Do Not post anything NSFW or explicit in there, this will result in a block

Do Not be asking personal information questions or otherwise potentially harmful things

Do Not be spamming it unnecessarily, I’m fine with lots of questions in one go but if you’re spamming the same thing or generally the same thing over and over I’m not gonna be happy

Do Not put anything hateful or cruel, again this will result in a block, I don’t put up with that shit and I will not feed it

Now we have that covered, let’s talk about what IS okay and what is acceptable {:

Questions related to OCs or AUs of canon characters, I have a lot of fun with it [:

Art requests between OCs and Canon, although I might use my own design for this so be warned! This interaction could be familiar, an introduction, angsty, shipping or whatever! So long as it’s SFW I don’t mind

Art requests of canon characters! Always happy to give new characters a spin

Questions related to me or any comments you might have, do note I might not always respond to comments cause sometimes I just..dunno how to outside of “WAAH THANK YOU {: >”

And that about wraps it all up!

That’s all I have for today! Please just be kind, respectful, and over all have fun here!! I like having a space for people to enjoy and have fun with {:

[esthelle-wanders]

The Chain: Dancing Headcanons

Because this poll sparked a train of thought, and it’s such a fun concept to explore!

Fairly detailed, so more beneath the cut:

Sky was actually the hardest— but I think he’s the kind of dancer who’s good, but you don’t really notice because he’s not trying to make it beautiful. His swordsmanship is graceful, powerful, and focused, and enough carries over from that to make footwork easy for him. When he’s dancing in a group, though, it doesn’t even occur to him to apply that degree of care and attention, because he’s relaxed and just having fun. He’s game to try anything and learns steps very quickly, but his stamina has limits. Takes frequent breaks and is definitely on the sidelines for the final stretch, applauding and/or nodding off. Likely to get a little goofy when he’s with a group of friends, if somebody pulls off a silly stunt he’ll try it too. Never steps on anybody’s feet.

Time doesn’t really dance in public. We all know he can— those moves in Majora’s Mask were smooth as butter— but most of what he knows is relatively “strange,” things he learned from the Kokiri or his Goron friends or Skull Kid etc., and while he’s not shy or secretive about it, it’s not the kind of thing he wants to exhibit to a room full of strangers. He’s learned from Malon too, so he’ll dance at home or at their own festivals and gatherings, but drag him onto a random floor and he’ll play up being awkward and uncoordinated until you leave him alone.

Wind is an excellent dancer! Kinda like Sky, though, he doesn’t see it as an art form. He has an outstanding sense of rhythm and general musicality; on top of that, he picks things up almost instantly, and can improvise at the drop of a hat. Can and will dance with anyone, anywhere. However, I think he prefers the styles he’s used to from Outset and Tetra’s ship— lots of stamping, clapping, flinging one another about, and singing until it becomes a test of endurance and you collapse. The kid’s all about exuberance, pulse, and the communal aspect— he’s the one pulling people onto the floor, he likes to set the pace, and he’s usually the last one standing— but as long as the music’s good, the aesthetic of the thing is kinda irrelevant to him. (Music does matter to him, though. Screw up the rhythm and he will canonically call you out in front of everybody, RIP Legend).

Twilight doesn’t strike me as a dancer. He knows his own from Ordon, and probably a few “elite” numbers from Castle Town, but he’s only really there for the camaraderie. Gets mixed up a bit and steps on a few feet, but he’s so good-natured about it that nobody minds. Solid stamina, but he’ll drop out relatively early so he can watch and talk to people. A dedicated hype man. I think he’s also the type to get a bit wistful, lonely, and withdrawn as the night goes on, so it’s a good idea to look out for him as much as he’s looking out for everyone else.

Four’s largely an enigma, because he’s the friend at the party who sits at the table and “people watches” all night. If he’s feeling especially sentimental you could probably drag him out on the floor for one or two dances, and he’s pretty decent, but it’s just not his thing. Not that he isn’t participating— he’s collecting memories like everyone else, but he likes to observe, and trade quips with whoever’s dropped out at the moment, and think his own thoughts. You can tell he’s really paying attention, because if anybody reminisces about it later and goes “does anyone remember when —?” Four is the one who recalls exactly what happened. The decisive authority on any disputed chain of events. Rather heartwarming, and shows he really cares (but also he has so much blackmail material).

Hyrule is like the polar opposite of Sky— his footwork’s shabby and he lacks poise, but his movements are so natural and agile that he’s delightful to watch in his own careless, homegrown way. Context and setting really matter with him: he‘s self-conscious in a high-class establishment, but put him somewhere he’s comfortable and he’s the one pulling goofy stunts and teasing people. In the latter environment, he’s the type who gets swept up in the experience and starts laughing. Frequently botches the rhythm, and it takes a while for him to warm up to the locale and the crowd, but once he gets going his endurance is high and he’s there until the music stops or everyone goes home (he may or may not be an extrovert, but the boy LOVES people).

Warriors is a mixed bag— he has beautiful posture, careful footwork, and he’s exceedingly graceful, but like Hyrule, how comfortable he is depends on the setting. Unlike Hyrule, though, he’s far more confident in a formal environment, because he knows what to expect and it’s easier to keep track of people. Dance is more of a social rite for him— not one he dislikes, but not the best conductor for vulnerability or expression. This seems ironic, since he’s also very familiar with the highly informal contexts he encountered during the war— impromptu dances in the barracks or around the campfires between campaigns, along with whatever he’s picked up from moving from place to place and interacting with citizens. To him, though, this is just another facet of dance as a social tool— a way to get to know other people on their own terms and in their own way. This doesn’t mean he’s cold or detached about it; on the contrary, he genuinely values it as a way to bond with people he cares about. It does mean that he’s not very demonstrative or inventive as a dancer, and unless there’s a social reason not to, he’ll also drop out fairly early to talk to people and keep tabs on everyone. He and Twilight are sideline buddies.

Wild’s a better-then-average dancer, but he gets moody, so it really depends on the day. When he’s feeling it, he’s smooth, playful, and creative. Like Time, he knows a “strange” smorgasbord of dances (possibly more than Time knows, though arguably less odd overall), but he doesn’t mind performing them wherever he is, and he isn’t afraid to play around with strange combinations during any given set. Since bits of his knight training have stuck, I figure he’s the type who can be comfortable virtually anywhere— not because he learns the dances quickly, but because he’s probably done something similar before, even if he can’t remember. On more melancholy days, he’s circling the periphery, chatting with Twi or sitting quietly with Four. The self-designated photographer, also has lots of blackmail. The mood and atmosphere have a big impact on him— tense situations really stress him out, but if everyone’s happy, he probably is, too.

Legend is, to nobody’s surprise, the best dancer of the group. Hands down, no contest, everybody else go home. Not only does his travel experience give him the broadest collection of styles, genres, and traditions to draw from, but he possesses the complete Triforce that nobody else quite has together: poise, care, and expression. Outstanding form and balance, and confident enough to make it his own, but he’s also invested in doing it “the right way,” and rarely mixes styles. Has mastered both focus and ease— everything is deliberate, but it looks almost nonchalant. Honestly enchanting to watch. He won’t dance every number, and he spends at least half the night heckling from the sidelines, but once he’s on the floor he’s serious. So good that you won’t even notice if he gets a liiitttle bit off-beat. (Wind will, though. Wind will notice. And Legend will take offense every time. One of those things in life to be relied upon).

[ribena59p]

I've seen a lot of people try to paint Orcatstra / Maowzarts as problematic, and I believe much of it stems from misinformation or misunderstandings, often because it's being spread through word of mouth. I'm not making this post because Orcatstra asked me to—because they didn’t. No one is forcing me to write this; I'm doing it of my own free will. I really hope that #orcatstrahaters will take the time to read this carefully before dismissing it just because Orcatstra is my friend. I'm writing this to clear up the misinformation surrounding them, as I’ve seen people unfairly group them with genuinely problematic figures like Mawthe (who, by the way, draws necro art!!!).

Yes, there have been times when Orcatstra could have handled situations better (I'll try to keep my personal opinions on those situations brief), but let’s not forget—they’re 17! Some people seem to think that just because they’ll be 18 in a few months, they’re suddenly supposed to be all-knowing. Meanwhile, others are excusing or even babying older individuals like Criminalx3 and Parsnipling, both of whom, to my knowledge, are in their twenties! THEY should know better.

(Because someone asked) I bring up Parsnipling because they were called out for posting a fanfic where Dave from DSAF had animal genitalia (a cloaca). They then accused me of being the reason people sent them death threats, even though all I did was share a thread showing what they had posted. I didn’t even tell anyone to block them. Parsnipling lied to me, claiming that the tags with "cloaca" were meant as jokes. Afterward, they left Twitter (due to death threats, unfortunately) and went back to Tumblr, where they posted about how fandoms used to be spaces for "freaks." Take that as you will.

(I’m not debating the morality of referring to non-human genitalia with animal terms. Personally, I find it strange, which is why I made the thread in the first place—to draw attention to it. People are free to come to their own conclusions and decide whether to block or avoid interacting with them as they see fit.)

This post isn’t made to say you can’t..not Like orcatstra as a person..cus u can…everyone can dislike anyone for any reason just to reiterate this is just made to clear up misinfo

I exclusively use they/them pronouns for Orcatstra in this post specifically so that people don’t get confused about who I’m referring to, but please keep in mind when discussing them that they use any pronouns (besides from she).

The main points for why people deem orcatstra as problematic (that I’ve seen) are:

* Running a 15 year old off of their own tumblr blog

* Accusing a rape victim of liking and supporting rape + accusing the same person of being a groomer

* Comparing phone x Jack to slave x slave owner

* Blocking people for shipping things that they don’t like

I’ll be going through these one by one and explaining what happened to my knowledge.

Running a 15 year old off of their own tumblr blog

The 15-year-old in question ran a DSAF confessions account, where they posted anonymous confessions from people within the DSAF community. These confessions were typically related to DSAF topics.

I've seen people claim that Orcatstra harassed this person because their blog posted confessions about people disliking Davesport. However, that's completely inaccurate—Orcatstra doesn't, and never did, care if people dislike Davesport, so that part of the accusation is blatantly false.

(This is Orcatstras own words)

“I didn’t like harass them to the point they had to quit at most I made like 2 posts publicly and kept the rest of my disdain of a confessions account private”

“and I only disliked them 1) bc they’re a confess account which is inherently made to post and stir up drama like what. and 2) they DID post stuff that would cause drama so I was like dawg wtf”

“and then ppl from that blog started harassing ME 😭😭😭IN MY ANON ASKS 😭😭”

“Not (the 15 year old) I think but just ppl who followed the blog or were one of the “anons””

I believe some people are upset because Orcatstra was venting about the account on their private account, but I’m not really sure why... They're mad about that? Orcatstra’s private account only has about 50 followers, and most of those are people who follow with both their main and private accounts.

“I also think ppl were mad because I made a (admittedly dramatic) post talking about why I didn’t like the confessions account ,, but again from what I remember the points were just the og mod posting stuff that’s clearly gonna stir the pot YKWIM ..”

“and I only made that post because someone asked & for some reason you can’t comment pictures on tumblr which I think is quite stupid ☝️”

Accusing a rape victim of liking and supporting rape

(I do not know this persons pronouns so I will be referring to them with they/them pronouns, if they do not use these pronouns please tell me and I will edit this section to display the correct pronouns)

I believe the person being referred to is Cr1minalc1minalcr1minal, who has read and bookmarked non-con fanfics on AO3. Non-con stands for non-consensual, which is essentially the definition of rape. Orcatstra believes that if someone regularly consumes this type of content, it’s reasonable to assume they enjoy reading it. However, Orcatstra has never claimed that Criminalx3 supports rape.

“OH WAIT is it ok if i add that when i did point out the fanfic thing i genuinely was not aware at the time that guy was a victim, ..i dont rlly go on his acc bc i blocked him for my well being (i think thats the right way to use the phrase) … and i didnt/dont wanna be super creepy and stalk him. .. U CATCH MY DRIFT ..”

+ accusing the same person of being a groomer

(This is Orcatstras own words)

“So .. criminal ... I got this info from oomf so keep that in mind, but l've been told that he mains posts nsfw and encourages minors to consume nstw media and to my knowledge hangs out with one specific minor who changed ever since they became friends or something like that I NEVER! Explicitly said anyone was a groomer! ☝️ but it is very weird to see someone do that as an adult”

So they’re (minor and criminal) writing together but it’s not smut

“it’s not but like for a brief second we (orcatstra and oomf) were worried it was because. yk. that seems to mainly be what that guy makes 😓😓😓 (from what I’ve gathered)”

“And then I had to delete my replies bc I was replying on main and someone on tumblr (who does not follow (*oomfs) priv) took the links of my replies so I was like ‘erm what the freak this is kinda supposed to be a private convo’ and deleted them”

From what I understand, Orcatstra was having a conversation on their main account with someone on their private account, and they were discussing something about Criminalx3 that they believed to be true. However, it turned out not to be accurate. Unfortunately, someone on Tumblr took this conversation out of context and framed it as if Orcatstra was accusing Criminalx3 of being a groomer.

I don’t believe that Orcatstra ever made a public post stating that criminal was a groomer.

(I tried looking, but I may be wrong, feel free to correct me and I’ll edit this section)

Comparing phone x Jack to slave x slave owner

I believe this was stated in a now private youtube video where Orcatstra ranks dsaf ships, it may also be said in some tweets.

By definition, the DSAF 3 phone guys are slaves, regardless of the route. They are legally owned by Jack and work without pay. I understand that "slave" is a very strong and impactful word, which is why I'm personally hesitant to use it, but by definition, that’s what they are. You literally see Jack buying Harry in the DSAF 3 intro tapes. I've also seen people try to defend this by saying, "Well, Jack can be nice to them!"—as if that somehow erases the fact that he still owns them.

Blocking people for shipping things that they don’t like

There's nothing wrong with blocking people, even for no particular reason. It can be a little upsetting to get blocked over a post about a ship, but try not to take it personally—it’s just the internet. Unless you were doing something genuinely awful, Orcatstra probably blocked you simply because they didn’t want to see a ship they don’t like. They're just curating their online experience, which is totally normal.

And yes, people are bringing this up as an actual point against them.

I know that many people who dislike Orcatstra also dislike me for being their friend and sharing similar opinions. However, if you haven’t blocked me, please share this with others who might be misinformed.

There have been additional things added on by other people in reblogs if you would like to hear their side of the story.

I am more than happy to engage in neutral and respectful discussions, but I will not be willing to continue if you begin the conversation by being extremely rude or using offensive language. In any other case, I’m fully open to a constructive exchange of ideas, thank you.

[robinwinged]

escapism in "the boy and the heron"

Interrupting my regularly scheduled programming of Good Omens brainrot for this attempt to process the wonderful, fantastical, and distinctly discombobulating experience of watching Hayao Miyazaki’s “The Boy and the Heron.” 

Miyazaki’s films, at least to me, have never been straightforward to follow. Spirited Away, for example, is a beautiful masterpiece whose meaning is difficult to decipher on a first watch, and is only fully unveiled when you dive headfirst into research of Japan’s context and the movie’s many symbolic themes. The Boy and the Heron takes this typical Miyazaki complexity and ineffability and turns it up to eleven. There are so many elements that seem random, so many narrative arcs and characters all warring for attention (what is the tower? why are the parakeets so goddamn bloodthirsty? why is the blue heron such a creepy old man?), that combine to create a whimsical but overall also very strange landscape. 

I know that art in general does not have to have “meaning” or “a message” to be deserving of our love and attention. Art can be touching, affecting, disturbing, provoking - any number of things that would give it credit - and damn it if The Boy and the Heron isn’t all of these combined. But. 

But.

This is also a Miyazaki movie, and he has proven once and time again why he is the master of hidden meaning, and so here, in no particular order, are my half-formed rambles on what I have personally think each movie detail that I struggled to puzzle out initially is about. 

(spoilers below, so proceed with caution!)

The tower, time, and escapism 

The tower is the central mystery point of the movie - a literal mystical rock that crashed down from the heavens and later lured Mahito’s grand-grand uncle (let’s call him the Tower Master for convenience’s sake) into its depths. Within the tower is a mirage world filled with magic but no real living beings, controlled by the whims of the Tower Master and nothing else that remotely resembles logic or reality. The tower also contains a series of doors that seem to lead to different points in time, if the ending is to go by and how the 13 blocks are meant to be pieces of worlds the Tower Master has visited. So what is this strange and fantastic realm, and what role does it play in the overarching narrative? 

My hypothesis is that the Tower is a pocket free from the influence of time (think like the TVA in Loki) - a separate island running parallel to the fabric of the universe that contains portals to different points of past, present, and future. By itself, the pocket has no life or substance; it must be filled by the imagination - pure imagination, untethered to reality - of its main (human) inhabitant. This is why most of the ships are illusions rather than real objects, why the parakeets are so ridiculously odd and behave nothing like real

birds, why the fish is the size of Kiriko’s damn ship. Anything that is real, has to be brought in from the real world (see: the pelicans, Himi, and Kiriko). This is also why the parakeet king immediately topples the tower: yes, he is not the Tower Master’s descendant, but he is also not inherently a real sentient being, and an imaginary object cannot in itself sustain a further imagination. 

So why does the Tower Master choose to sequester himself in this alternate space, where he can only exist alone with his own mysterious creations? I think the Tower Master represents those of us who wish to escape from reality, to inhabit worlds which we can control, where pain doesn’t have to touch us if we don’t wish for it (whether I’m projecting reallyyyyy hard at this point does not matter ok). He is an insanely avid reader, with books literally piled in small mountains throughout his living quarters, and don’t we readers (i.e me, again) always wish for escapism? The Tower Master, then, is an example of those who would rather become entrapped in our own minds rather than deal with the world beyond us - maybe, even in a way, a little like Miyazaki himself, whose imagination is so powerful but is also extremely singular and all-consuming, anchoring him to his creative work without reprieve of retirement until his reserves run dry (not to imply that the man is a hermit or that I want him to retire, quite the opposite in fact, but parallels, no matter how shaky, can still be drawn). 

This, too, explains why the Tower Master needs Mahito to control the world for him. It is not because he’s grown old, since he cannot be affected by time in the Tower, but it is because his imagination is stagnating - he is no longer capable of finding new ways to balance the tower, he cannot sustain the fantasy any longer. In itself, this can already serve as a message from Miyazaki - we cannot hope to live only within the confines of our minds if we do not interact at all with the real world, because then at some point we will run out of material, of lived experiences to build on top of, and threaten to crumble the fragile imaginary world we have created. 

Himi and her fire powers

Himi is a strange hiccup in the system - a rare occurrence of a living person in this fantasy playland that wasn’t brought into it during Mahito’s own entrance, like Kiriko. This theory is a little bit out there, I can totally appreciate that myself, but remember that one year in which Mahiko disappeared from the real world and then came back completely unchanged? I think she chose to stay there for much longer than a year, knowing that time didn’t work the same in this pocket world and she always had the chance to return to her original timeline through the handy door-portals. I think Himi has stayed there essentially until she met Mahito - so long that she actually grew into a part of the fantasy, developing impossible pyrokinetic powers and becoming a set part of the landscape in exchange for extended youth. But this stay didn’t come without consequences. In the real world, Mahiko passes away in a fire, at a younger age than would be expected. Perhaps this, in itself, is a punishment for cheating time - the universe reclaiming the years that Himi spent in the Tower. It’s also definitely not a coincidence that Himi can control fire in the Tower, and dies by fire in the real world; a form of lethal poetic justice, if you will. Seeing Mahito was the trigger for Himi to leave, to embrace her own destiny, because she could now see and be proud of the outcomes of her life and not have regrets about missing out on the life passing her by. (This interpretation would then necessarily imply a deterministic version of life and time, so it’s probably not everyone’s cup of tea, but I think it makes sense in this version because you see doors way farther down than the present which Mahito steps into.) 

The starving pelicans 

The pelicans are another anomaly because they, too, are not figments of the Tower Master’s imagination, but instead have been brought into this fantasy world, for one reason or another, likely against their will. And this is where the Tower Master’s escape from reality cracks and burns at the foundation - he creates harm rather than good when he brings in the pelicans, because he does not account for the fact that they cannot exist without a source of food, and they then are forced to eat the Warawara to survive. The movie states that the Warawara are like baby souls, who ascend to become new lives, but I think it’s a little more metaphorical than literal rebirth. For me the Warawara are metaphorical ideas or seedlings of inspiration, the only parts of the Tower Master’s creations which aren’t fully formed, but allowed to grow by themselves and escape into the world - like passing the spark of creation to others outside the Tower. And the pelicans, involuntary prisoners of the Tower Master’s fantasy world, must prey on the Warawara before they have the chance to become real. This can be seen (if you squint real hard and do some violent spins so your vision is hella blurry) as the beginning of the end of the Tower Master’s reign - the forceful inclusion of other sentient beings inside his imagination doesn’t help him enrich his internal realm, but rather snuffs out the genuine inspiration that he could be passing onto others, creating pain where the Tower Master hoped to be spared from it. 

Mahito’s rejection of the Tower

So with this central “Tower as escapism” theory, what does Mahito’s rejection to take over for the Tower Master mean? There is a moment that was so subtly powerful in that final exchange between the two, when Mahito stops denying the truth by telling everyone that he got his scar from falling, and instead admits that self-harm was the actual cause. At the beginning of the movie, I viewed that moment of very painful self-harm as Mahito’s wish to withdraw from the challenges of life - to live in isolation away from the grief over losing his mother, the challenges of being the rich new kid in town, the overwhelming discomfort of seeing his father shack up with his aunt. His reality is agonizing for him, and the fantasy land is so beautiful in its strange way that it could become a safe haven away from his trauma. But when Mahito says “no”, he is choosing reality; he is choosing to do the hard work, to face all the hardships life can throw at him, because he feels finally strong enough to not need to use imagination as an escapist crutch. In those final moments, Mahito is choosing to live in a world that he cannot control, because no matter how tough things get, he doesn’t have to do it alone - and that’s what I think Miyazaki is telling us too. 

Of course, the movie also deals with themes of class conflict and war profiteering; grief and acceptance; continuing your ancestors’ legacies versus paving your own path, which many have already discussed and I don’t particularly have anything new to add to. Regardless, these themes are masterfully woven into the plot, as per usual, and serve to elevate the movie’s emotional impact into something heart-twisting and truly unforgettable. 

Alright, ramble over - back to fandom lurking!