#yes she counts

[clown-cult]

Ppl who relentlessly draw/write/HC/in any way portray canonically fat characters as skinny despite being extremely attracted to them give me this vibe

Like omg just admit you like a fat character and you’re attracted to that fat character. It is not a moral failing to find a person who’s not skinny attractive.

I promise you that fatphobia is a much bigger and uglier issue to tackle within yourself than seeing someone who’s fat as desirable.

[the-crooked-library]

i think i've mentioned it before in passing but it still fucks me up how Orlok is a physical manifestation of every "wrong and sinful" desire that Ellen tries to repress, as well as the panic that is associated with them.

the first sexual urges of her puberty (he claims her "ever-eternally"). the desire to dominate her husband (he dominates Thomas at the castle, demanding the subservience she never could). her queerness (he drinks from Anna, long and deep, and destroys Harding's family). the desperate longing for companionship, regardless of how dark and abnormal she believes herself to be (he answers her call from miles away, crosses an ocean for her, wants her, wants her, wants her - but she cannot imagine being wanted without repercussions, and so he brings the plague with him, a punishment for the sin of receiving what she craves).

Ellen is a mess of crushing guilt. she only ever sees ugliness in herself and i think it's so compelling to see her being desired above all else - not despite, but because of that ugliness, y'know?..

[tuttle-did-it]

You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[emmcarstairs]

I keep thinking about that moment in the final scene of Nosferatu when Orlok stops drinking from Ellen and looks up at the light. In a last effort to distract him, she asks for more. And he obliges her. HE obliges HER in the face of his death coming in through the window.

[melonsharks]

love changes everything! it feels like every little moment in your life is huge!

[apollognese]

Back shot👍👍

[thatshadowgastwhore]

You can make an argument that any big three kid is the oldest, except for Jason.

Like, biologically, Percy has aged the most, he’s physically 17, which is more than any of the rest of them has reached

Thalia has mentally aged/matured the most, even if she stopped biologically aging at 15 years and 364 days, and should chronologically be in her 20s but spent some time as a tree where she aged slower.

Chronologically, Hazel was born the longest time from the present day, but she also died, and was in the underworld for decades before being resurrected, so that time didn’t really count for her, and she’s physically like 14.

Nico has been alive for the most time, but for 70 years he was in a place where he couldn’t physically age. He’s like…15 now and is aging normally, but has been alive since world war 2.

And then there’s Jason. Who had no wacky time shenanigans and died and didn’t come back. (Yet) honestly, an outlier who should not have been counted

[a2remedy]

Ride or Die and Beyond

Jason Todd, at 15, panicked and tired, didn't know what to make of the situation he was in.

Jason Todd, at 13, was oblivious to his best friend, who was, by all means, just as much of a medical professional as Leslie. That totally wasn't concerning.

Oblivious to how he'd always have a copy of Pride and Prejudice on hand whenever Jason was feeling stressed. Oblivious to dancing shadows and tricks of the light that lead him to hidden clues at crime scenes. But he was aware of the promise to be each other's ride or die when they had to beat up older Gotham Academy students that tried bashing them for not being from rich families.

Jason Todd, at 15, was aware that changed when it was his turn to tend to his friend who got a high fever. He had Alfred rush them to Leslie's and stuck by his side because he knew his friend was afraid of hospitals and needles. He held his friend's hand tight and squeezed to remind him that he was there.

They made jokes about how they couldn't avoid each other even in death. That's when it becomes Ride or Die and Beyond. Then he died. Screaming for his friend and for his dad. Jason Todd, at 15, has never failed to grasp that he couldn't get rid of his friend even if he wanted to. It was fucking annoying... and endearing.

----

Danny Fen Nightingale, at 15, never thought he'd be fighting back an assassin lady with a shovel in front of his best friend's grave. He's been feeling off for months. His grief over his friend felt... wrong? Something was happening. No, something was bound to happen. He couldn't explain it until a green sticky note told him to take a little walk down memory lane within Gotham. He dug up some flowers he was growing and stopped by a tool shop to get a bigger shovel to get the flowers closer to his best friend. As close as they could. But someone beat him there. Someone new? No, he knew this feeling. The unknown, the feeling that someone was watching whenever he visited. He failed to crack her upside the head for attending without flowers. But he felt the shift, somethi- time, time decided to set things right. ---- Talia was caught between a sense of shock and pride that the friend of her beloved's ward nearly got the jump on her. She wouldn't deny that it was within her expectation, though. The boy's steps were so light, she would've been hit if he wielded with less drag, something lighter. With the way the boy dodged and weave from her blows, she was ecstatic to see a dagger in his hands. Is this how the boy felt when he slipped out of here mentioning a 2 for one deal? It was only after her beloved's ward crawled out of his grave that the boy let his guard down so slightly while blocking her off from him. The boy lasted without her training. She was sure he had training of some kind, and yet his form was lax. So nimble, so adaptable.

Of course, she made quick work of the two and covered their tracks before making her escape.

Were her maternal instincts activating again? ----

She wasn't sure how to define her relationship with Danyal. The boy has finally seen the effort to correct her and Damien as pointless after months of being here. Yet, he's displayed a strength she hasn't seen in knocking down her father and dragging him through a brighter glowing Lazarus pit for "paperwork". She may not be sure of what or where her father was, but Danyal has ensured his good health with a devilish grin and that he never laid another hand on him. She was positive he was being tortured in a way the soft-hearted boy deemed fitting. But was he another son? He didn't seem opposed to the idea after her insistence to be trained and grimaced at being in a room with them for too long as he said they stink. He visits 3-4 times a week to ensure her beloved's war- Jason was good in his recovery.

She found herself agreeing with Jason less and less as the boy began turning red after they shared the night he was first back in his right mind crying and holding the other close. But Jason assures her that he's just his best friend... Maybe Danyal couldn't be her son. But he could be her son-in-law.

She wasn't against that.

She also wasn't against the glances she shared more often with Damien as two interacted. They grew closer in discussion of how Danyal fell first, but Jason was falling harder. Then there was this Roy character she's been hearing about more. She couldn't wait to take pleasure in Jason's reaction of his love interests assassinating the so-called Prince of Crime. It warmed her heart that they involved her in strategizing and cleaning up. They also seemed to be reaching a similar affection.

Now she and Damien just need to get Jason to realize he has two boyfriends. Oh, the struggle of motherhood.

[aulerean]

Catra Meowmeow Applesauce 🫶

[defiantinsect]

color/layer experiment ft. weird headcanon yippee

obligatory:

[moistvonlipwig]

what makes "doublemeat palace" such a great episode of btvs is that it's set up to make you think there's something supernaturally wrong with the eponymous fast food restaurant that drains the employees of joy and purpose but then buffy finds out that actually it's normal and that's just what working at a fast food restaurant is like

[the-crooked-library]

I don’t think it’s a coincidence that Ellen’s sex scene with Thomas is weird, unsexy, frantic, fully clothed and disturbing, while Ellen’s sex scene with Orlok, literal corpse, is slow, detailed, sensual, and they are both naked. The juxtaposition.

exaaactlyyyy!! it's about the INTIMACY

regardless of how desperate both Ellen and Thomas may be to conform to their socially acceptable marriage (they're both distinctly queercoded, Ellen wants passion, Thomas cannot give it, both of them see each other as a duty), they still do not and cannot understand each other. Ellen, who comes from a wealthy but abusive home, cannot imagine prioritizing material success over love and connection; Thomas, who self-deprecatingly refers to himself as a "pauper," cannot imagine ostracizing himself so completely from the society that very easily jeopardizes the livelihood of anyone non-conforming. There is a distinct lack of intimacy between them, only partially breached by anger and confrontation; which is, indeed, illustrated by their fully clothed, aggressive scene. It is more of an argument than sex.

Ellen's death-wedding with Orlok is entirely different - as you said, slow, sensual, reverent; it centers their closeness above all. They cling to one another, both overcome with emotion (self-professed inability to love be damned), perfect living skin against rotting flesh; the visual implication here is that there is, quite literally, nothing between them. They know each other entirely, the flaws, the beauty, and that understanding is more important than their own life or death.

One is a sex scene that is actually a fight, the other is a lovemaking disguised as murder, and I am obsessed

[professorfcknmoriarty]

Brennan "Patron Saint of Somewhat Feral Submissive Guard Dog Characters" Lee Mulligan

[pidgeony]

what genuinely drives me ever-so-slightly insane every time i see people being like "why doesn't x batfam character kill, that's so hypocritical/ selfish/ whatever reason of them" is when did we ever need a reason *not* to kill??

everyone is justified in not killing. yes, some characters (bruce and cass for example) have very clear reasons (parents died in front of him, killed a man and saw what he felt), and some are less fleshed out or seemingly don't have a reason at all, but that doesn't mean that they are like, obligated to kill (or like/ forgive characters who kill)??? is this not obvious????

they chose this. they are vigilantes held by their own standards and codes and they choose not to kill. they've seen terrible things, tragedy befalls their everyday lives and they wake up and decide: no, life is precious, no, i am going to save lives, not end them, no, i will not be judge, jury, and executioner. if that's not important and significant about the batfam (excluding jason for obv reasons) then i don't know what is.

no, you don't have to agree with their code, but please for the love of all that's holy stop acting like bruce wayne is the worst man to grace the planet because he won't murder criminals or twist tim/ dick/ cass/ anyone basically into some morally gray anti-hero because you don't like their no-kill moral code.

[arolegos]

2 sets of drawing jay walker (training myself to like him so ill gaf when DR focuses on him)