#yes he lives rent free in my head

[moony-bird]

oh girl you KNOW the brain rot is bad bad when you’re the only one making fanart of this shmuck

[sad-leon]

So some of y'all need to go touch some grass and learn that brotherly affection can include forhead and cheek kisses without it being gross

I like to imagine Leo is very affectionate, but when his brothers show him affection, he freezes up. Especially after the invasion, he fucking cries when his brothers show him affection wihtout him needing to "earn it" or anything like that

[starmocha]

Holding hands... It does help with dopamine production. It can also be relaxing. Thank you for being my stress relief.

[ruanbaijie]

哎。我现在就能回答你。我愿意。

THE SPIREALM 致命游戏 (2024) 1.39 adapted from the danmei novel Kaleidoscope of Death 死亡万花筒 by Xi Zi Xu 西子绪

[ricksanchezbignaturals]

rick baby if you're not going to hell nobody is

[summertimemusician]

Linktober 2024, Day 1, Mirror (Self)

Alright here we go again.

Technically a sneak peak of a bigger thing to come in the future that I'm repurposing, and the result of my final playthrough and readthrough before EoW dropped being Four Swords Adventures and that made me sad about Shadow Link again.

Note that this is for the Four Swords Adventures iteration of Shadow Link that might evolve into an LU Shadow, not Dark Link in either LOZ or LU, I have other plans for him.

This one shot was brought to you by Scars by The Crane Wives, Ribs by The Crane Wives, Ruin by The Amazing Devil and Two Minutes by The Amazing Devil because the author's playlist decided to be incredibly cheeky when they blacked out to write this like an ancient seers being cursed with visions and then called mad and hearing they've been put up for execution.

As always the nature of the relationship can be romantic or platonic, mostly due to the author's time constraints and further plans.

Anyway enjoy the reading!

It was cold.

The sort of cold after a wildfire, when everything's turned back to ash, the sort that left burned your vision white after the flames licked through your veins and left an ache in your bones. He shuddered, coughed black onto the stone floor, shaking with a muffled whimper.

It never got any easier, being dragged from the Dark World and into the Realm of Light, the goddesses' world itself revolting against an intruder, wanting the wound torn asunder into their oh so precious realm cauterized. To purge the intrusion and smite it where it stands.

Too bad for them (and for him), his master didn't particularly care about what the world wanted. Didn't particularly care that he hadn't grow accustomed to the pain or the cold, he had to stand up. There was work to be done.

(Shadow gritted his teeth, willed himself not to think about the prophecy of a golden haired princess- because whether he liked it or not, it was prophecy. As those with divinity running through their veins are wont to spill from their throats so carelessly- of violet eyes and a smile a third moonlight and hands holding a hammer.

It always hurt more, after one of the heroes liberated one of the maidens, or the jewels, the pain lingering for days afterwards and carving a home in his metaphorical bones. But just this once he'd take the cold bite of the Four Swords over the pain in the hole in his chest that Vio's betrayal had left, something that felt so much worse than every other time before.

Just this once he wished that maybe, just maybe, the hurt would be too much to bear, that he wouldn't wake up again-

Why? Why does it hurt so much but he's still here? He already knew the Light was uncompromising and unforgiving, but he thought them at least above curses.)

His ears twitched as soft, almost silent footsteps came up to his side. Someone crouching by his fallen form, setting a cautious hand over his own that Shadow couldn't help but draw away from with a hiss, blinking as his eyes adjusted to the world again, to your face, carefully blank as you guided him to lean against your side, a silver choker with a crimson gem winked mockingly at him, the shade closing his eyes and going boneless against your side.

Shadow was so, so tired.

He heard you quietly sigh, plucking his cap from his head and running your fingers through dark amethyst, smoke and mist made hair. "I told you so."

"Shut up." He grumbled, nuzzling further into the crook of your neck. One clawed hand curling against your free wrist, digging into the skin. Absentmindedly noting there were new scratches just above the metal.

It was routine by now, the warmth of your existence against his own a welcome balm, not quite of the Realm of Light where it's unpleasant, not too close to the Dark World where he felt like melting back into the embrace of the darkness, only to howl in agony at being dragged out.

Memories not quite his own bled into his mind all the time. How you'd shape ice into flowers for the princess in winter with nary a though, of blinking and from one second to the next you'd have whatever sword he had hostage if you though it was time for a break with a smile brighter than the sun.

His master had changed that though. It took months for you to stop trying to claw the collar out and to stop trying to fight Vaati.

(Funny how holding a mage's dragon as a bargaining chip is just as effective as kidnapping a ruler.)

Your gaze flicked to the polished obsidian of the Dark Mirror, to the gold, ornate frame. "The offer is still open, you know. Let me take the suffering from you."

"No." He scowled, leaning back to glare into your eyes, a hint of fangs poking out from a maw struggling to keep the shape of a human jaw, "You helped him. Helped them." Shadow spat, there is that hurt again.

You shrugged, a movement that's just slightly awkward as you flinch, "That I did." You confirmed simply, it almost made Shadow see red as he leaned away, knocking your hand from his head in the process, but if there's anything him and the heroes shared, was a lack of a desire to hurt you. It was a little grating to be honest, "Vio even offered to take me with him, to be honest."

"Then why didn't you leave?" He demanded.

Why did you stick around?

Your eyes shuttered, a hint of conflict in your pursed lips. Before you found your words, they come out softly, "You wouldn't believe me if I told you why. You'll just have to find out yourself."

You tug your wrist from his grasp, and Shadow lets you go.

(Stubbornly pushing down on memories and emotions that arearen'tarenotanymore quite his.)

You stand and turn away, pushing the curtains away from your sight, you turn your tired eyes to Shadow with an emotion he can't put a name to. "Just keep it in mind that there's more than one way to end this. Nothing is truly inevitable."

Shadow watches you go. 'There's nothing that can be done. He tells himself, hand hesitating above the Dark Mirror, briefly, it curls into a fist. The hero's original self stares back at him.

'… Does he really believe that?'

He shakes his head, and focuses on willing the Dark Mirror to show him his counterpart.

His chest still hurts.

[maalidoesart]

ye baiyi my beloved

[cat-with-a-keyboard]

shoutout to anderson for being cheeky at the interviewer

[crystal-jack-asripines]

WHAT

(Throwback to Forever calling BBH a “sexy little guy” 😭)

[fountainpenguin]

Shout out to the 'fic writers who go for realism vibes with the Hermitcraft Season 9 rebellion plot and do not change the name Soup Group to something "more serious"; I fall for the vibes and get sucker-punched EVERY TIME and can't stop laughing

[moongothic]

Hey so also have Sir Crocodile brainrot and have recently reread Impel Down. This is probably nothing at all but it made me question the artistic choice made. Like we dont see Crocodiles full face until Luffy recognizes him. Before that tho he joins in on Jinbei & Ace's convo about Whitebeard and is shown to (non-)react to Boa Hancocks visit. But we only get his face in shadows or see the hook. Which. Why. Oda we know what he looks like and who the guy with the stitches on his face and the hook is. WHY OBSCURE HIM.

My friend, this is what we call a "cocktease"

Okay jokes aside, yes it was an artistic choise. More specifically, a storytelling technique Oda masterfully used to build up hype and excitement to Crocodile's eventual reveal and re-introduction into the story.

So thanks to Ms Goldenweek's cover story (which ran back during Water 7/Enies Lobby) we already knew Crocodile along with Daz, Bon-chan and Galdino had all been sent to Impel Down, when we also learned about Impel Down, Marineford and the Gates of Justice (+ the giant whirlpool between the three locations) to some extent. ((Now of course, if you were an anime-only then you would've had no idea about the former BW members being in Impel Down. And even if you had read the manga you still would've had to actually pay attention to the cover story and its lore, and not forgotten all about it))

So even before Luffy decides he's going to head to Impel Down to save Ace, we know Crocodile's going to be somewhere down there. The second Luffy arrives there, we are immidiately reminded of the fact when Domino mentions Crocodile taking the traditional "bath" new inmates take at the entrance. And as we descend deeper and deeper into Impel Down, with those cuts to what's happening down at Level 6 every now and then, as well as with the Baroque Works Countdown, Oda time and time again keeps on reminding of us of Crocodile's looming presence in the background. This is all absolutely deliberate. Crocodile was arguably the most iconic (maybe not most popular but iconic) One Piece villian at the time, if given an opportunity of course the readers wanted to see him again. But just letting us see him right away would be anti-climactic, and distracting from what's actually important (Ace, and Luffy getting to him as fast as possible). So keeping him hidden could serve multiple purposes:

For one, Crocodile doesn't get to steal the spotlight from the other characters (at least not too early). We can focus on Luffy, Ace, all the new Impel Down characters and the other returning characters in peace, while Crocodile waits for his turn. Another thing is that Crocodile's presence being downplayed gives off the impression that perhaps him being there isn't that important to the story. Thus, him teaming up with Luffy to break out isn't such an obvious twist (and so when that happens, it's ever more hype as a result)

But indeed, the most important part is that by teasing us constantly through out Impel Down, Oda creates hype. He makes us the readers excited if/when we might get to see the bastard, even if it was just a quick little cameo. So when Luffy finally reaches Level 6 and we finally do get that reveal, everyone loses their fucking marbles over the HISASHIBURI DANA MUGIWARA when we finally get to see The Motherfucker Himself. (And indeed, then getting to see him fight alongside Luffy is cool as fucking hell, completely unexpected and absolutely delightful)

But there's also another thing building up to Crocodile's reveal does. Compare his original introduction to the re-introduction

Compare Crocodile at the height of his power and influence, to the absolute rock bottom he has hit. No longer happily laughing while looking down on people (literally), he's filthy, he has given up on life, with sunken eyes and a hollow look on his face, only moved by a thirst for petty revenge (/an opportunity to go out with a bang). He doesn't even get the whole page for his grand reveal anymore, he's been shuffled to the side so the plot can progress on the same page.

Oh, how the mighty have fallen.

And to some degree, this is kind of meant to be a shocking realization to the readers. That this is not the same Crocodile we remember from Alabasta, that Crocodile died when Luffy defeated him. This is just the husk that remains, a shadow of what was once there. It's a sad sight, and probably not what the readers who loved Crocodile The Villian wanted to see. It's not the epic Return of the (Evil) King they wanted. And that juxtaposition helps, because Crocodile doesn't return into the story as a villian, but as a frenemy/ally-on-thin-ice. And that idea is easier to signal to the readers in a lowkey manner when you do his re-introduction like this.

So yes, Oda refusing to show Crocodile's face until Luffy found him was 100% a deliberate artistic choise. This is fantastic storytelling

[chaos-bringer-13]

My brain just hit an old hyperfixation (is this what it's called? I hope I used the word right) and oh dear am I losing my mind now. I need to write a story I think. About this one old guy. He's unhinged. There's so much information about him and yet not enough. I want to explore his character so much. He's definitely a criminal - at least he was one - and I'm 95% sure he can do actual real magic, and he's a musician and an artist and an actor and a magician and a philosopher and a traveler and a conman and so much more and also I think he's some kind of immortal. Maybe he just has a VERY long life. It's strongly implied he was a pirate at some point of his life. He started a cult by accident several times. My conspiracy theories about him include him being a secret god.

He's also a freaking round blue raven. Someone save me from my mind.

[starryrock]

This line actually goes so hard. Does anyone have the screenshot of this with the hound of Baskerville in the background? These 19th century killers were NOT messing around.

[megaawkwardhuman]

*in the voice of one of those old ads about mesothelioma*

if you or a loved one have an adverse reaction to the words "that's his boss" you might be entitled to financial compensation

[lululeighsworld]

Lorah: Lilac Knight's Love

Artist: @littledashdraws

Wanted to share this commission by Dash, who so lovingly illustrated my vision for Gunter's first wife!! Although Lorah's lived in my head since 2017, this is the first time I've had her drawn. Because I'm so thrilled over this art, I put together a little introduction for her!! you can read more about her below~

Residence: Duet Mountains Occupation: Farmer •❀• Bedside Nurse •❀• Homemaker Birthday: July 11 Gender: Female Relatives: Gunter (Husband) Katerina (Daughter)* Personality: Shy •❀• Bubbly •❀• Optimistic Hobbies: Crafting •❀• Gardening •❀• Baking Age: 21 (when she first meets Gunter) •❀• 36 (at death)

A Nohrian commoner whose known the kingdom's southern mountain range and neighbouring valleys her entire life, Lorah was a recognizable resident of her town even though she kept to herself. Learning the basics of herbal remedies from a young age, she would split her time between tending to the fields and easing the woes of the sick. In adulthood, she would chance upon meeting a Nohrian Great Knight during her town's annual spring festival. The couple's engagement, after seven years of courting, had become one of the most highly anticipated moments amongst the townsfolk.

*NOT the Nohrian Queen. I named their kid before I realized what Xander's mom's name was and by that point I was already ATTACHED (tell me Caterpillar is not the cutest nickname). So now the reason they share a name is lore relevant (which is a part of this fic!).

divider by saradika

[risingsunresistance]

HN-000: originally dubbed "Pig Man" keeping in line with the robot master naming conventions, but when he was powered on, he said "that's dumb" and renamed himself. Techno was built to assist farming during a time where there was barely enough food to go around the entire nation of Hypixel. He's very versatile and can haul incredibly heavy tools and carts without any assistance. He can tend an entire farm by himself, charging in the sun the entire time, leaving the humans to take care of other important tasks. He was the first one built in this line since food was the main priority at the time of his construction

He was updated with combat capabilities when one of his designers went rogue. Of the bots that were upgraded, he stood out as an exceptionally skilled fighter. His main weapon of choice is his scythe. He's been seen charging forward with his tusks as well. They were designed for aesthetics, but they're sturdy enough to pierce the metal of other robots