#yeah sure this can go in his tag

[lululeighsworld]

Lorah: Lilac Knight's Love

Artist: @littledashdraws

Wanted to share this commission by Dash, who so lovingly illustrated my vision for Gunter's first wife!! Although Lorah's lived in my head since 2017, this is the first time I've had her drawn. Because I'm so thrilled over this art, I put together a little introduction for her!! you can read more about her below~

Residence: Duet Mountains Occupation: Farmer •❀• Bedside Nurse •❀• Homemaker Birthday: July 11 Gender: Female Relatives: Gunter (Husband) Katerina (Daughter)* Personality: Shy •❀• Bubbly •❀• Optimistic Hobbies: Crafting •❀• Gardening •❀• Baking Age: 21 (when she first meets Gunter) •❀• 36 (at death)

A Nohrian commoner whose known the kingdom's southern mountain range and neighbouring valleys her entire life, Lorah was a recognizable resident of her town even though she kept to herself. Learning the basics of herbal remedies from a young age, she would split her time between tending to the fields and easing the woes of the sick. In adulthood, she would chance upon meeting a Nohrian Great Knight during her town's annual spring festival. The couple's engagement, after seven years of courting, had become one of the most highly anticipated moments amongst the townsfolk.

*NOT the Nohrian Queen. I named their kid before I realized what Xander's mom's name was and by that point I was already ATTACHED (tell me Caterpillar is not the cutest nickname). So now the reason they share a name is lore relevant (which is a part of this fic!).

divider by saradika

[kagooleo]

johto’s champion and chronicler for the deity of the ilex shrine, it’s lyra!🌿

this one took me a while due to trying out different techniques (studying a Lot of art nouveau) and making a couple changes to her outfit (the details help), but I’d like to think she’s learned a lot in her journey and wanted to reflect her experience more in her champion fit

her specialty would be in fairy types and her meganium’s divergent evolution is grass/fairy 🧚🪷

and a bonus w/ the johto gang after the photoshoot!

[iwritenarrativesandstuff]

Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.

So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.

All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.

But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.

He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.

But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.

He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.

So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.

[wickmitz]

— THE ELECTRIC-FEVER REMEDY.

[kaiserouo]

i found another big armored angel and you know what that means

i love his design. also oneshot btw im not getting into another decade old game.

[dynamitekansai]

THE USOS REUNITE WWE SMACKDOWN (OCTOBER 25, 2024)

[dovalore]

evbo meets a little friend!

alright you already know the drill, time for a yap session

his eyes are just rectangles (oblongs?) here since i wanted to incorporate that specific aspect of evbo's skin into the design. it also kinda serves to make him look more... animalistic? he's a bird, so i really like this look for him

the song i listened to while designing him was to the sky

another inspiration i had for this design was meteion since she's probably one of my favourite designs in ffxiv

he's somewhat based off a conure/hummingbird! their colours are similar at least and hummingbirds have incredible control over their flight so yeah, that's him

but if you asked me to pick between those two for like, an actual bird form, he'd be a hummingbird. again, because they're super agile but this is what i imagine what he sounds like when he snores

related to that: all of his colours were made warmer on purpose, really colourful birds usually come from tropical regions so this was a way to reflect that a little bit

no boots, just netherite scales on his legs and hands (claw? talons?) because i thought it would be cool. so these things can't be taken off, they're part of his body

the knee pads can though, those pop on and off like magnets

he can't actually fly, but he can glide and it helps with adjusting the trajectory of his jumps and it negates the need for water bucket clutches if he times his wingbeats right (so i guess this makes it closer to an elytra? it might be interesting if he figured out how to use fireworks)

instead of having tail feathers coming off his body, i thought it would be a cooler visual to have his headband become his tail. so... that's' another thing he can't take off his body now!

the things he can take off are his hoodie and pants

pants are worn as usual, but the hoodie has a giant hole in the back for him to slip into so he doesn't have to pull things over his wings

speaking of his tail feathers, they're based off peacock feathers since he's kind of a show of lmao, the 'eyes' on them are a nod to him being the parkour god since i did something similar for acg's design with his head wing, evbo's markings are pretty much just that. markings, so he can't see through them or anything

not visible because it's being covered up, his chest is fluffy! i just think it would be cute and i'll take literally any excuse to add more fluff to a character because it brings me that much joy

also this is the first iteration i had of bird evbo's design, look at this little guy

the green highlights were cool here, but they kinda just ended up blending in with the rest of his hoodie/body so i decided not to do that

i made him fuzzier in the full piece too because i can

his ears were changed to be wings since these ones were too similar to my previous evbo design

headband tail feathers have been part of the vision since the start, but these ones here were pretty much just slapped on without too much thought about what they actually look like

now i don't usually share unfinished work on its own but these two have been sitting in my drafts for weeks now so... here's another little guy!

can you tell that i really enjoy making designs of him?

anyway, since summit evbo's still a draft at this point, i won't say much about him since he'll have his own post eventually

but i do want to say that i consider him and bird evbo as a duo of sorts since they're kinda opposites in terms of design

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[gojooooo]

man i love open endings. the fact that thanks to yuuji there might indeed be the next time sukuna talks about in case some idiot decides to eat a finger again. and we need fics where yuuji is that idiot

[tricoufamily]

visiting the hometown

(want everyone to know this edit came to me in a dream and i changed the lore just to do it)

[lunarharp]

"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.

[groovylittleclown]

Wowie!! Look at that!! Mack made the Elite Trine in Pony Town!!

They have cutiemark things too!! Starscream has a star, Skywarp has a cloud, and Thundercracker has a lightning bolt!!

I also made them little holiday costumes and a second Screamer where he has a crown!

I'm really really proud of them!! I've been hanging out around the gravity falls section as Skywarp because my friends like to go as Bill and Ford!!!

Also the campsite as Starscream when all the bubbles get to be a bit too much.

If you find me, say hi!! I'd love to be friends!!!

[happistar]

"Father said that this world isn't for me // I tried to pray for a new reality"

---

HELLO I just had to draw @zalliafawn's guys over at @pitiful-sermon-ask and @pitiful-host!! LOVE whatever the hell is going on with those two. <3

[fusionsprunt]

Hunter what the FUCK-

.

[littlestar-center]

Existing is hard. Here’s some old art for these trying times

Clover is made by @homelesstransroachguy

[redrobin-detective]

Iruma-kun, the Six Fingers and Humanity

I have been mulling over this idea for days as I devoured the Iruma-kun anime then manga and am still struggling to articulate it. The best I can boil down to is the whole goal of the Six Fingers and the return to origins is, unbeknownst to them, a desire to become more human.

I can understand, in a way, their frustration. Demons used to be merciless killers, where the strong surpassed the weak and magic, aggression and power won the day. Now we see they have idol concerts and theme parks and silly games to help demons safely purge their “wickedness” which is, in reality just another part of their nature. The majority of modern day demons deny a large part of themselves. The whole idea of a wicked cycle is endlessly fascinating to me, like this species has compartmentalized themselves so much that their pent up darker impulses periodically spring out and require them to be handled gently or hidden away. I can see how this practice is insulting and incredibly restrictive of what a demon is.

Now, right from the start, Iruma has stood out in the demon world for a few reasons. First and most obviously, he lacks any practical or cultural knowledge of demonic society. We see Iruma ignorantly stride past social norms and boundaries he didn’t even know existed. If it weren’t for his upbeat, people pleasing attitude he’d be written off as a delinquent but instead he helps foster an environment of change in a bunch of slackers and misguided students. And change is a radical concept in a society that hasn’t replaced the demon king in centuries since the old one disappeared. The effect of Iruma’s very presence, his enthusiasm and attitude and cooperative abilities can be seen so strongly on the Misfit class that its no wonder he’s become such a stand out student.

So I had heard of Irumean when I first started the series and had high expectations of him being a full on bastard. And he simply wasn’t. He was arrogant, reckless, rude at the worst but even those around him commented that his innate, unnatural kindness was still there. I argue because Irumean was never a true wicked cycle. It was Ali-san’s attempt to induce a demonic ritual onto him. But humans aren’t like demons, Iruma is a good, kind, patient boy due to his trauma and strength of character. At any point he could lash out in the most horrific fashion and leave everyone stunned because he is not bound such such strict rules of personality and conduct. His humanity is as much a strength as it is a weakness.

So according to recent chapters, Iruma has traces of Delkira’s energy. My first thought was that it was emanating from Ali-san, which is a distinct possibility but why was the ring attracted to Iruma in the first place? My next theory is that Delkira had some connection to humans as well. Either he’s a hafling or a demonized human or spent a significant amount of time in the human world. Either way, this human perspective is what made him so powerful, such an irreplaceable leader that his throne has remained empty for so long. One could even argue that the energy that the Six Fingers identify as ‘Delkira’ is actually just ‘human’ since the King’s energy is familiar while a human’s is not.

My whole round about point I’m doing a very poor job of explaining essentially boils down to, demons want to return to their origins to have more control over their baser instincts. Instincts and free will that humans, such as Iruma, possess naturally. But while Iruma has the capability for great evil, unrestrained by a set cycle, he also has such an overflowing well of love in him. Delkira, what little we’ve seen of him comes across as brash, fickle and cruel. You may note those are human traits as well. But Iruma also leads with kindness, dedication and teamwork. He will make a marvelous King because the humanity he brings to the table will help all of demonkind.

I do believe as the manga progresses we will see Iruma’s humanity become a  game changer in the battle against the Six Fingers. How he sees the world (both human and demon), how he interacts and inspires others, how he fights. Reaching a point where not only does Iruma stand up for himself but he is forced to cause harm (and by consequence addressing his people pleasing trauma) and behave in a manner not seen by demons outside of their wicked cycle. When he does, years down the road, become King, I believe he will address the concerns of factions like the Six Fingers. Demons are not meant to be fully contained but cannot be allowed to run rampant. With his feet in both worlds, I believe he will be able to balance both opposing views and ‘heal’ the underworld as the prophecy states. Not just from the instability of the Six Fingers but from this bizarre evolutionary cycle demons have fallen into over the centuries.