#yes I will be drawing and posting more art of the characters I’m just judging all my art dw about it

[costofeverythingaskblog]

In this weeks update, Chapter Six, Midoriya gets a tattoo to officially mark him as a member of the Yakuza. I have drawn how I imagine it in my head, though I’m absolutely horrible with drawing animals so it is not at all as good as it could be! - Azalea

[ryuichirou]

Reply

Replies! About ships, about past drawings, about Vil, Neige and Rook, and about Jamil (AzuJami, KaliJami), about some random hcs. And one about AzuIde Marriage AU!

I also wanted to note that we have some asks related to the way I draw things, and I feel like it requires a tutorial, so it’ll probably take some time until I reply… sorry.

Anonymous asked:

🫙 + 👻 + 🏹

( ͡° ͜ʖ ͡°)

sdfihsduh THE SECRET CODE… 😭 so confusing yet so meaningful!! Long live Rook’s special jar

Anonymous asked:

I have seen you draw Greenviolet before but have you tried Redwer?? (Redmond x Bluewer)

We like these two, but not as much as we love Greenviolet; so even though I have nothing against the idea of drawing them together, I haven’t done it, and I don’t know when I’m going to.

I’ve mentioned it just the other day: we’re not in Kuroshitsuji mood right now, and while it could change very suddenly and I might feel the urge to draw our faves from there out of nowhere, the chances of us drawing Redwer are kind of low…

But when we revisit the manga (idk when), I’ll most likely sketch them together at least once – it’s a shame that I haven’t drawn them as a pair even once.

Anonymous asked:

Day 1 of asking you to draw Edgar Redmond x Lawrence Bluewer

I’m going to stop you right there, Anon, I’m sorry, although I understand your feelings. Please don’t ask: I don’t take free requests, and the more you ask, the less likely I am to draw them.

Anonymous asked:

Lol, Silver looks so done with Lilia in your Touhou art

Heheh he’s just a little sleepy 😌 As always.

Anonymous asked:

The bit about the sextant reminds me of ed, edd, n eddy’s big picture show

(referring to the cursing hcs post)

Yes! It’s kind of a sneaky reference, Anon, I’m glad you got it! lol

The fact that it’s a quote from a kids’ show… EEnE is special.

Anonymous asked:

Wait, if it follows the story and it was the boar's heart and not Neige's, that's kinda heartbreaking if you don't pay attention to how messed up it is.

I can imagine Vil being both outraged and saddened if/when he finds out it's not Neige's. (if it follows the original storyline)

(related to this Vil drawing)

Yeah, he might even snap and decide to get rid of Neige himself! Nothing could be trusted to his trusted hunter, it seems >:C

But if we’re going with rkvl angle, it is also easy to picture Rook protecting not only Neige but Vil’s soul that way: of course Vil isn’t the one doing the killing, but it’s his decision; and wouldn’t Vil start to regret this decision after going past the point of no return?

The answer is no, Snow White needs to die, that bitch >:c

Sigh… sometimes betrayal is beautiful~

blackbutlerfandomnerddomain asked:

So I heavily love the headcanon/idea of Neige being all sweet and innocent but then when he's alone he's more "mature" than what the public assume, and VERY vulgar about his admiration/maybe crush on Vil. The dwarfs are the only one who know his actual personality and accepts him. What are your thoughts if Vil saw Neige's side when they're alone?

I think Vil would be shocked because Neige must be an amazing actor to pull something like that off – Vil is a good judge of character, and if he didn’t clock him being a fake person, he is genuinely impressive. But Vil would also feel kind of pleased at first, because of course no one is that much of a saint and a good person, and it feels good that the bitch you hate is actually vulgar and unlikeable (subjective and caused by Vil’s own bias lol). But even then, after that first “heh” emotion ends, Vil will likely feel disappointed… I guess he really wanted Neige to really be that good and that innocent deep inside.

But then he’ll learn that Neige is super horny and outspoken about what he would do to Vil’s body, and start avoiding him like a plague lol It will create weird tension between them, that’s for sure. It’s not like Vil can reveal Neige’s secret to anyone either, because he would also get attention like that…

Anonymous asked:

I notice you said that Idia wasn’t really in love with Azul. If so, why did he marry him?

Anon! I’m sorry but I’ll use your ask to note that there is another asks related to this AU, but I can’t post the reply just yet because it requires some context (a comic that we haven’t posted yet). I thank both you and that Anon for your patience and your interest in this AU <3

To answer your question! In terms of benefits, it’s true that Azul has more to gain from their marriage than Idia (Idia is aware of that), but Azul actually makes Idia’s life easier in a lot of ways! He keeps Idia’s human interactions to a minimum and does all the talking for him, he is his representative in every affair that would require Idia to actually go out and communicate with others. Azul organises anything that needs to be organised, he basically does all the thinking for Idia. This is pretty much how Azul pitched this whole thing to Idia: imagine if you didn’t have to think about anything other than doing your thing? Imagine if no one bothered you? Of course, Idia still has stuff to do as the future director of S.T.Y.X., but being with Azul is… comfortable. It’s like Azul always makes sure that Idia’s environment is perfectly conditioned for him.

But in a lot of ways, I think both of them have some feelings for each other. For whatever its worth, Azul gives Idia some comfort. Aside from Ortho, he is probably the closest person to Idia, at least in terms of understanding how each other’s brains work. He knows Azul, he knows his flaws and knows where it is and isn’t safe to trust him. Idia wouldn’t open up completely (Azul wouldn’t either), but hey, if he has to pick someone to spend the rest of his life with while slowly getting tired of each other and starting to feel resentful (funny how Idia views marriage considering his parents seem to love each other), he would rather allow Azul to sign up for that role than someone else. He wouldn’t get any better option than Azul anyway.

Underneath all that rational reasoning could hide the fact that Idia genuinely likes Azul, but doesn’t want to fall in love with him.

Anonymous asked:

Jamil being into powerplay porn feels so right! I sometimes wonder if he would enjoy acting like a brat, if he ever found someone he actually likes and feels comfortable with. I can't really see current Jamil doing it, since he seems like the kind of guy who thinks love and trust are for kids. Even if he suddenly went insane and admitted this, his most likely partners would be awful as "tamers".

Azul wouldn't need to have the details explained to him, but he might take the punishment too far a bit too quickly at the first act of disobedience. Also he is physically unable to turn off the smugness (at least with Jamil), even when he's supposed to act stern. At that point it becomes more like humiliation than "disciplining". Jamil can work with that too, it's just not quite what he's looking for.

Meanwhile Kalim wouldn't even understand (You want to be scolded???). It wouldn't even be entirely Kalim's fault, I think Jamil is worse at explaining things to him, and gets embarassed a lot faster than normal. To his credit, Kalim would figure it out on his own eventually (Oh, so it's like acting in a play!), but he still wouldn't be able to put it in practice. Time to ask the Film Research Club for acting tips!

Anyway essay over, but do you guys have these kind of headcanons where you're like "I could see this character being into this, but only in specific circumstances"?

Oh Jamil would make such a wonderful brat, if only he was comfortable enough doing that and had people around him who could handle him lol Both Azul and Kalim are simply horrible!

I agree that Azul would unintentionally turn disciplining into humiliation, and he would always go too far. He prides himself on his self-control, and he is very good at it usually, but it’s Jamil we’re talking about. Azul is just a man… Ironically, I can picture these two having a fling during which they kind of start arguing/aggressively bickering/flirting/fighting, which always leads to them having sex somehow. It’s very raw and unusual for both of them, and Jamil wouldn’t be comfortable admitting that he likes putting up a fight and being unapologetically rude just to get overpowered by Azul. It’s steamy, and it tickles the bratty bone, but like you said, this isn’t exactly that, and Azul’s face is way too punchable for it to be the perfect deal for Jamil.

Film Research club would be SUCH A GOOD HELP for Kalim! It also made me remember how Rook helped him to work on his wolf roar for Halloween, and Kalim ended up being quite good at it. It’s not impossible for him to learn! But it is difficult because scolding Jamil and punishing him feels so weird to poor Kalim :(

As for headcanons, it’s a bit difficult to tell, because there are a lot of characters, and there are a lot of kinks that they may or may not be kind of into but just a little bit. But answering in yes/no manner, yeah that happens a lot! I think you can see it while reading our hc posts about specific kinks. I think I do the “he wouldn’t be into it BUT” thing a lot lol

Anonymous asked:

Real question: Who would do the dick in a box present prank? Who would do it completely nude? And who would open it?

My first instinct is to say Ace, but unfortunately I think even he would think that it’s kind of immature lol Floyd wouldn’t though! Well sometimes he would, but I could still picture him thinking that this is a hilarious idea and do it completely nude because he misunderstood the assignment a little bit.

Riddle would still open it… I don’t know what he expected.

Lilia could also do it, but neither Silver nor Malleus would want to open it because they know exactly what they’re going to see. Maybe Silver will do it not to upset Lilia…

Idia would also open it, but because he would feel like he’s being held at gunpoint lol Open the box, Idia 🔫

[ribellenm]

hello your art is GORGEOUS i have your post notifications turned on bc i love it so much i need every piece imprinted in my brain holy shit

that being said im kinda curious what your thoughts are on male byleth!! since u obviously seem to have a clear preference for f!byleth, im wondering if thats just a personal preference or if you have a stronger reason?? im not judging btw, sorry if this sounds wrong, english isnt my first language :')) im just curious to know what you think of him

First of all, thank you for enjoying my arts, and no worries, my English is not good either🥹

As for my preference, yes I do have a clear preference:) not that I have any problem with m!byleth, which I really don’t, but bc I REALLY LOVE lady Byleth🥹 it’s actually more like a kinda love at first sight thing. It was at my first play through, when the game asked me to select character’s gender, and she just raised her head with those big round eyes flashed open, that’s when I fell in love❤️ not to mention I love her Japanese VA as well.

And😂 I love and love drawing ppl with big tits😂😂… Of course I’m 100% addicted to Felileth and clearly neither Felix nor M!byleth have them so😂😂😂

[linklethehistorian]

You know, being around Tumblr for like…5 years now, I’ve seen a lot of silly, goofy posts from fandom peeps making jokes and memes about themselves having to pretend to be ‘normal’ about a certain topic or thing they’re passionate about when around their friends, or wishing that someone else cared about their fics or OCs or whatever-else-have-you as much as they do themselves, so that they’d have a reason to share their trivia and go all out on the subject without being labeled as ‘cringe’, and like…yeah, they’re kinda funny, and don’t get me wrong, they’re definitely relatable to an extent, but…most of all, I just find them sad.

I know there are a lot of people — especially when making posts aimed towards fic writers — that’ll be like, “just do it for yourself!”, or “write/draw/create like no one’s watching!”, and that is genuinely good advice; I’m glad that it’s out there, because it is a very important step in being able to enjoy your hobby and/or your passion.

…But at the same time, something I never hear being said that I think really should is: while yeah, you should be able to create for yourself like no one is watching — in the sense that you should try to tune out the naysayers and just do what you love above all else — you should also allow yourself to be free enough to create like everyone is watching, in a good way.

Yes, realistically speaking, most people in the world right now probably don’t care that much about that super niche fic you wrote, or that OC you made, or whatever else it is you created or saw that you’re so excited about, but…so what? Who cares if not that many people have noticed it and given it the attention it deserves in your eyes? Why are you letting that stop you?

Go out there and make that ‘official blog’ dedicated to that creation you love, build that music playlist of perfect vibes for your OC or your favorite character, create hundreds of drawings and drabbles and fics and edits and posts and whatever else that you so want to do, talk like the whole world is listening with bated breath for your next statement about an update or interesting tidbit about that thing you made!

What is anyone going to do about it? Call you cringe? Send you hateful messages or make nasty comments? Delete them. Block them. Cut them off. They’re just a bunch of losers who have never learned a better way of coping with their own personal misery and unhappiness besides trying to drain the joy out of other people’s lives. And if you’re afraid your friends would do that to you — guess what? They’re not really your friends. There is a time and place for everything, sure, and there are going to be some people who enjoy doing different things with you more than others, but if you genuinely can’t just be yourself and have fun around the people you love without fear of being judged over something fictional or otherwise harmless, then you’re not in a very healthy situation.

And I’ll tell you something else, too.

When I started writing my most beloved fic of all, I had no idea that it would ever possibly get more than maybe one reader at best — if that — because of how extremely specific and niche the plot and the main pairing (and even the secondary pairing) was. I thought that it would at best sit on AO3 in silence forever and at worst receive massive backlash from a certain part of its primary fandom.

And I’m not gonna lie; it has received a few nasty comments over the years — but you know what it has mostly received? Love. Love, and appreciation, and support, and all of the things that in the beginning I never would’ve thought was possible.

I made an official blog for my fic, and it actually has a few dedicated followers that aren’t all just my close friends. I have playlists for it, I’ve made art, animatics, development notes on each chapter, I celebrate milestones with actual polls and events! I talk like people are listening, even when I’m not always really sure that they are, just for the fun of it, and you know…I’m happy.

And personally, I think that kind of obvious love and joy and dedication for what you do sells itself more than any type of attempt to appeal to the so-called ‘critics’ ever could.

Do what you love like others already love it just as much as you, and the rest will eventually fall into place.

[beanies-in-the-clouds]

✩ Pinned post ✩

Hi! Beanie here! I’m an 19-year-old autistic artist and writer who dreams too big and refuses to grow up.

Name: Beanie / Charlie

Pronouns: they/them

Tags

I promise I’ll figure out how to link these someday

“Beanie’s art tag” - my (frankly mediocre) art

“Series/character notes” - helpful posts I’ve reblogged and wish to reference later

“Tag games” - …tag games. Self-explanatory lol

“Beanie’s oc tag” - anything related to my ocs! I’ll probably make a side blog for them at some point for more professional content of them

“Beanie rambles” - my incoherent blocks of text I’m inclined to post every once in awhile

“Beanie’s shitpost tag” - basically everything else

“Making my special interests everyone’s problem” - exactly what it sounds like. Mostly reblogs of fandom content.

I should make a writing tag, but until then… here’s my Ao3 :)

I like…

Rise of the Teenage Mutant Ninja Turtles

Super Mario

Studio Ghibli

Animal Crossing

Avatar: The Last Airbender (and LoK)

Lord Of The Rings

Gravity Falls

Amphibia

My ocs :D (please ask me about my characters I love them to bits)

In my free time, I like to…

Write

Read

Draw

Play video games

Listen to music

Scroll on social media (I try not to, but…)

Mess of Quotes:

(Under the cut because there is quite a sizable mess of them)

“That’s it, laughter! It’s the key to everything!” - “Sad” by Bo Burnham

“All that’s left is you and an infinite void… kinda makes you wanna play saxophone, huh?” - Lumalee, The Super Mario Bros. Movie

“Show me a creature who does not enjoy a breath of fresh air, and I will show you a stinky fish, yes?” - Saharah, Animal Crossing: New Leaf

“Your classmates will roast marshmallows over your failure.” - My literature teacher

“Well someone put the rust in rustic charm.” - Leonardo, Rise of the Teenage Mutant Ninja Turtles (Episode: “One Man’s Junk”)

“If the world is flooded, it will be easy for the duck.” - Miranda, Animal Crossing: New Leaf

“Society is a harsh judge of mediocre-looking snowpeeps.” - Snowboy, Animal Crossing: New Leaf

“I put the ‘I’ in ‘I want to go home.’” - some random girl I eavesdropped on during our concert rehearsal

“You can’t overthink if your heart stops!” - “Brain Implosion Energy Drink” by Flanger Moose

“Don’t be basic, be slaysic” - a drawing on the whiteboard of a Boba tea shop I went to

“It was a fucking horse!” - On Earth We’re Briefly Gorgeous by Ocean Vuong

“My inhaler just tried to play the piano.” - my friend Emma

“It’s all very heterosexual.” - my mom (about some movie I don’t remember the name of)

“Playing Minecraft but with explosions.” - a classmate playing the piano during band

“Food fight, but we throw it all at the bird!” - a classmate

“Are planes in drag?” - my mom

“A Care Bear took a dump in my mouth” - my mom reading some post

“I ain’t a goblin, y’know?” - Resetti, Animal Crossing: Wild World

“Ancient plants turn me into a veritable hootbox!” - Blathers, Animal Crossing: Wild World

“Autocorrect just made me break up with you.” - unknown

“He’s a different genre of man.” - my wonderful boyfriend, Jack (talking about Link)

“That no matter who you are or what you love or where you stand, it was always Coca-Cola in the end.” - On Earth We’re Briefly Gorgeous by Ocean Vuong

“Gentlemen, if you need me, I will be living in this cabinet.” - Donatello, Rise of the Teenage Mutant Ninja Turtles (Episode: “Sidekick Ahoy!”)

“And today’s doofus of town award goes to… your face!” - Pecan, Animal Crossing: Wild World

“Start the music, start the tears.” - my assistant band director (referencing the UP montage)

“Crocodiles don’t got dentists or nothin’…” - Resetti, Animal Crossing: New Leaf

“The tsunami is the final in your class.” - my friend Avery

“Stop eating the plan!” - Leonardo, Rise of the Teenage Mutant Ninja Turtles (Episode: “Origami Tsunami”)

“So many good things, and that was not part of it.” - my band teacher

“Everyone’s a feminist until there is a spider around.” - “5 Years” by Bo Burnham

“A guy petting a buffalo… that’s worth something, right?” - some funky economy video I had to watch for class

“Like a god, but much better dressed.” - Sopica, Happy Street

“Heck no, do I look like a caterpillar to you?” - Kiriko, The Boy and the Heron

“Inhale deeply. Exhale slowly. Enjoy the smell of a dirty sock.” - this

“I wasn’t sure they knew what a week was.” - Raphael, Rise of the Teenage Mutant Ninja Turtles (Episode: “Pizza Pit”)

“Hard to be nervous when you’re a cowboy.” - my wonderful boyfriend, Jack

“Not as clumsy or random as a brick, an elegant weapon for a more civilized age.” - Darthy, Happy Street

“And all God’s people said… oh no.” - my pastor

“And while people say it’s easy to steal candy from a baby, it’s also probably pretty easy to just take the baby.” - this video (timestamp 0:45)

“You’re not gonna like it when you’re 40 years old and look like a baseball glove!” - my literature teacher

“Chicago is the Miami of Canada.” - my uncle Bill

“Doesn’t matter if it’s environmentally safe if there is no environment!” - my wonderful boyfriend, Jack

“The recesses of my brain are an enigma (I don’t think before I speak)” - also my wonderful boyfriend, Jack

“It’s been so bad for the past few days and I want to sue. Idk who I’m suing, but I’m gonna sue someone.” - my amazing best friend, Kariko

“Have you seen my lost money?” - Raphael, Rise of the Teenage Mutant Ninja Turtles (Episode: “Mascot Melee”)

[fablestarlet]

Very important, DO comment on what i should do!

So you all know me as the Naegiri artist and stuff, but i’m also more than just the “naegiri artist” because i draw other character than Naegi and Kyoko. i havn’t been pn Tumblr much and when i am its mostly because i’m trying to look up fan art. from my teenage years i have been evolving from hyperactivating in different fandom and brainrot. Pokemon -> Ninjago -> Danganronpa -> Genshin -> and now Honaki Star rail, like every years i get into a fandom, than see a certai media that i wil brainrot for less than a month, and much later i get into another big fandom for the nect year and the pipeline continues. 

This does not go to stay that i’ll stop loving Naegiri, its been a big comfort ship with many dynamics that i personally love and want to take advice from when writing about romance in my own characters, but after years i’ve been jumping and diving into different fandoms and different brainrots of characters, ships, and lore wise included. i have different art with naegiri and i do want to post them but when i look at my accounts, its just strictly naegiri and putting something other than naegiri, or Danagnronpa, would feel a bit akward (No not saying that my account is bad but says that if i were to post something from another media it would feel a bit akward with those who arn’t aware or those who see and follow will see the account that i have become.) 

i don’t wants to make strict changes to this account but at the same time i want to show other stuff than just DR, i really do hate being in a cycle like that but i have to remind myself to not let a bunch of internet karen tell and control how i want my account to be. i care for each and everyone one of my respecting and understanding followers, which is why i get worried if i have show or tell that i’m changing quite a lot.

so i came up with this. i can either make a whole new account that isn’t just Danganronpa but other media, or i could stay in this account and make lots of changes to my account, yes i’m still going to post Naegiri art but i also want to share other arts and characters that i did and i don’t want to be afraid of share them and being judged. as much as i do like my account being centered around Naegiri, i also hate to admit the fact that this can’t last forever, even if i enter into my adulthood and leave the nest.

So what will will be, Two new accounts or one account change?

[xzymy]

Help

First of all, AI isn’t even art, my dear, and it never should be. As Astra already pointed out, you’re literally whitewashing a brown character.

Another thing, most of your “art” features characters nearly naked. I get that they’re adults, but like, really???? Is that what you want to use AI for? And also, you judge other people’s art like it’s trash, but know that they work WAY harder than you do. All you do is type in the characters’ traits and let some lazy AI do your dirty work. I’ve never had the guts to use AI to make a drawing for me and then post it, claiming it’s my own work. The only time I ever tried it was when art AI first came out (and it didn’t even give any results).

I only use AI to summarize some of my work so I can present it if I can’t memorize everything. I also use it to translate my posts because I’m afraid of messing up some words in English or ask it how to abbreviate something, but that’s it. I would never claim it as my own art or work. Am I aware of what I’m doing? Yes. Do I regret not knowing more English? YES.

And by the way, if you live under a rock, there’s this site called “Picrew,” where you have a base of an animal, human, or whatever, and using the items the Picrew creator put in, you can create characters. And you know what’s funny? NONE of them used AI to create the drawings. NONE.

I’ll give you an example of a character I made on Picrew for an RPG I played with my friends. Of course, I made changes to make her look how I wanted, but did I use AI and then claim it was my own work? NO.

“But I’m an adult!” What kind of adult throws a tantrum like a 6-year-old???? I think even 6-year-olds have more sense. If you know you’re wrong and are AWARE OF WHAT YOU DID, then it’s simple: just apologize, correct your mistakes, and move on. Don’t be a parrot and start saying everyone else is wrong. You blocked people who were trying to help you and correct your mistakes, and now they’re the arrogant and ignorant ones? Or are you the one who doesn’t understand and thinks you’re always right? Let’s wake up, shall we???

“Where’s the shading, the nose, the forehead? blah blah blah” People have their own art style; some try their best, and others evolve their drawings over time. I’ve been through all those phases, I know what it’s like, but judging someone’s art, when it’s not yours, and they didn’t ask for your opinion, is just disrespectful.

If you don’t have time to draw, then do something else! Write something, comment, or share facts about the game using screenshots from the game itself!

I really hope you have the decency to stop calling it “your drawings of CC characters in your anime style.”

As Anitta says: “É muito importante estudar, nunca deixe isso de lado. É isso, um beijo da Anitta.”

istg actually i think my fandom sometimes has shitty or sucky art style like you can't even draw ears or nose or like a hand

cuz like wtf why are you adding only pupils or something like that, idk but i think she blocked me but bffr like why is the nose so small? Can't it be more realistic? The head is too big, she should just used picrew or ai instead

and you blocked me? for what? using ai? ai is much better than your shitty art bitch

the shading is bad though also i remember that i like her post and her pfp is like yellow character or something.

SOMEONE GONNA CALL OUT OR BLOCKING HER BRO AND LIKE BE MATURE FOR ONCE STOP DRAWING THOSE SHITTY CHILDREN ART STYLE AND USED AI OR SOMETHING ELSE TO DRAW INSTEAD IT'S REALLY BAD /SRS.

[postitonasketchbook]

Idk if this question has been ask but what type of reqs do you want us to send? and are other people’s ocs cool with you or just fandom related requests only?

Hello! Thank you for your question,

Personally, I would love to get stuff like:

• Doodle requests (ex: A froggy tea party, a hat made out of pasta, etc.)

• I loooove the “incorrect quotes” format for fandom stuff. I’m just such a sucker for funny stuff.

I should be posting a fandoms list soon and linking it to my info post!

• you may also ask me about random stuff and I’ll respond in my little anon-face persona a la character ask blog.

And honestly if you have an idea for a request, send it over!! worst case scenario is it won’t get done. (I don’t really get angry at people for sending stuff I don’t want to do, it just won’t get done lol and that’s it. I won’t judge)

REGARDING OCS:

Short answer is: yeah you can send OC stuff!

Long answer: Yes OCs are fine! It helps me out a lot if you guys tell me a little bit about them or give me something to work off in terms of personality or what they might do. I like posing characters and also exploring facial expressions of all kinds. (I WILL do angsty shit lol) Expression memes help, pose memes help, recreating memes as well.

Since this blog is very new rn requests are a little scarce atm and I’m more than happy to interact and indulge you guys ♡

I might expedite fandom stuff over OCs because I’m slightly scared of people complaining that I didn’t do their OCs justice or maybe they expected something more (becase the level of detail and complexity of any piece of mine is heavily reliant on my mood and energy, sometimes my art won’t be as good, and that makes me a little self conscious.) And also because I personally find fandom more interesting, more hobby-like and less like commission work (which I also do btw!) Because, ultimately, this blog is so I can enjoy drawing outside of work again.

Regardless of my insecurities and stuff lol I just want to have fun with art and interact with people :3

- Love, J.

[jjorbles]

(Repost) The real reason for Warner/DC’s “no jokes” policy

Note: This article was originally posted September 4th, 2014 on the Agony Booth, which I used to write for. Since that site is sadly no longer with us, I’m reposting my old articles here.

First, I might as well get this out of the way, since I still get confused comments about this: Yes, I like Man of Steel significantly less than I did when I wrote my initial review last year. Honestly, I don’t think I ever truly liked it. I just so very badly wanted to. I clung to the elements that worked and told myself those niggling doubts in the back of my head didn’t matter. I wanted so much to like Man of Steel, had myself so on edge, torn between excitement and dread, and so turned around that in my zeal to be a “professional” critic and judge whether or not the film was “objectively” good, I managed to overlook the most important factor of all while watching it:

I wasn’t having fun.

After all, if you’re not having fun watching a damn superhero movie, what’s the point? Sure, comics can have different goals than pulp entertainment. They can be dramatic, or dark and depressing, or spiritual, or psychedelic, or whatever the imagination can conceive, just like any art form. But this isn’t Watchmen. This isn’t The Invisibles or Maus. This is Superman. Ground zero for the comic book superhero. And if you’re not having fun watching Superman, why are you watching to begin with?

And that was ultimately what killed Man of Steel for me. Not it being a bad movie (though it was very much that, failing to do a good job of being what it wanted to be, much less what I wanted it to be), but rather utterly joyless and morose. Even more so than the Dark Knight trilogy, Man of Steel was completely devoid of levity. And after so much anticipation, and so much promise, this was completely soul-crushing for me. Superman means something to me, and always has. This is a character I draw hope and inspiration from, a character who’s helped get me through my darkest days. And to see him drained of all that optimism and joy… I honestly think it broke something in me.

Ever since, I’ve been a more cynical person when it comes to movies. I find it much harder to get excited for anything movie-related anymore. Every time a new movie is announced that sounds like something I might like, I react with suspicion or apathy. The world of cinema post-Man of Steel just seems like a far bleaker place to me.

That may sound melodramatic, and it probably is. But as if to assure me I’m justified in feeling this way, along comes rumors that Warner Brothers has instituted an already infamous “no jokes policy” for all future DC movies.

Everybody together now…

(EDIT: I cannot find or remember what image was originally posted here as a follow up to that line)

I honestly can barely find the words right now. I feel crushed by the very idea of what lies ahead. I’m still feeling drained from Man of Steel, and the thought that there are more movies coming just like it, each just as depressing as the last… I just want it to stop. I don’t want to live in a world where this is what Superman is now. Where this is what Wonder Woman, what the whole Justice League is. I’d rather never see them onscreen again than have to sit through another movie like Man of Steel.

But I’ll try to compose myself long enough to say something of substance about this. Which is difficult, because as it is, it actually doesn’t seem to tell us all that much. For instance, exactly how literal a mandate is this? Are they actually saying that no kind of humor at all will be permitted in their films? Is any line of dialogue that resembles a joke to be purged from the scripts? Are actors to be forbidden from smiling during their performances? Likely not. After all, even Man of Steel had one or two jokes… I think. Let’s see, there was the bit where he smashes that guy’s truck, I guess. That was sort of a joke. Then there was the bit where that girl said Superman was hot. I think that was meant to be funny… for some reason. And I think Superman smiled once while flying… or maybe that was just a grimace. Ooh, that bit about his “S” we all remember from the trailer! That was a joke, right? Or was that just awkward setup? I really can’t remember; I was busy having my inner child stomped into submission at the time.

But regardless, surely they don’t mean literally no jokes at all. That would be ludicrous. Almost no movie in the history of cinema can claim to be completely devoid of any kind of humor. Hell, even The Act of Killing had humor in it, and that was the most depressing movie of last year (which I’ll remind you is a year that also gave us 12 Years a Slave and Fruitvale Station).

But even if Warners isn’t being completely literal, what do they think actively discouraging humor will accomplish? Who is this meant to appeal to, exactly? Robots? Vulcans? Oscar the Grouch? Is there a single demographic anywhere in the world that does not like humor at all in their movies? Are there actually people who walk into a film saying, “This movie better not make me laugh, not once”?

It’s weird, because from an outsider’s perspective, it feels like Warner Brothers, a company that’s been making films since 1923, has somehow forgotten how movies work. Humor is one of the basic tools of not just movies, but all forms of storytelling. It provides levity, which in turn provides relief from conflict and tension. Without it, the narrative becomes oppressively dull. Drama and tragedy don’t work when there’s no lighter counterpoint to balance them out. Sadness and anger have no meaning when they’re your character’s default state of being. And absolute stone-faced seriousness at all times makes characters cold and impenetrable, which in turn makes it very difficult for audiences to feel engaged.

Why? Why do this? What is to be gained, exactly? Is there some sort of fear that allowing Batman to ever again crack a smile is to risk another Batman & Robin, from which they must forever run in the opposite direction? Why mandate such dour and joyless tones for superhero movies? Why craft a Superman who spreads mass destruction instead of hope? Who sulks and broods instead of comforts and inspires? Who lives in a world of the worst possible tragedies that somehow have no consequences at all? Why does WB want to ban fun?

And then it hit me: Because Superman is Donald Rumsfeld now.

It came to me while reading about some of the plot details of Batman V. Superman: Dawn of Justice, specifically in regards to how Superman’s mass-murdering punch up will be viewed by the general public. What do we know? Apparently, they’ve built a statue of Superman. So it would seem the people of Metropolis aren’t terribly upset that he leveled their city and killed most of them. We even know that a crippled Jimmy Olsen may enter the story as a victim of Superman’s rampage, whose role is apparently to be totally cool with his horrific injuries. We’re told he still loves Superman, despite the fact that he, you know, maimed him for life. Because he saved the world, it’s all good.

And suddenly it all becomes clear. This is Christopher Nolan’s right-wing politics working their way into Superman the way they worked their way into Batman. This is turning Superman into a metaphor for U.S. actions in Iraq, by having him destroy an entire city full of innocents to kill one guy, and trying to make us feel like it was completely justified. It doesn’t matter who gets hurt along the way, as long as we get the bad guy. This is basically the misguided U.S. fantasy of the rest of the world loving us for what we’ve done in the Middle East. The filmmakers even give Superman a whole arc about rejecting and then violently destroying the remnants of his alien heritage, and then they throw in that “I’m as American as it gets” scene just to solidify him as America personified.

Regardless of your personal politics, we should all be able to agree on one thing: Superman should never say “It was for the greater good.” The whole point of Superman is he never has to say “It was for the greater good.” He’s so powerful that he always finds a way to save everyone. That’s the fantasy of Superman: The idea of someone who can fix everything, someone who’s incorruptible and can make everything okay.

Superman is not a character for a “post-9/11 world”, where everything has to be dark and morally ambiguous, with of lots of political undertones. That’s why Man of Steel didn’t work, why Dawn of Justice won’t work, and why this “no jokes” policy is a bad idea. They’re trying to force Superman into a mold that wasn’t made for him. And in order for him to fit into it, he has to be stripped of everything that makes him Superman: Hope, optimism… and fun.

[pink-octopede64]

gonna ramble more about my oc egg under the cut because oh boy it is long (i mean it seriously i go completely off)

i guess to talk more about eggy boy: i love him a lot and whenever i post him in mainly discord servers that i feel comfortable enough showing him, others seem to love him too and of course makes me very happy. but i have a bunch of insecurities surrounding him and it’s all related to judgement.

now, it is very embarrassing for me to admit and i am literally using all of my courage just trying to type it out but i am sorta into tickling but only strictly the sfw side. i love thinking about my favorite characters laughing and the playful bonds either romantic or platonic/familial but if i see things like bondage, torture, or anything nsfw/weird, i immediately become very uncomfortable. and i do want to draw sfw tickle art (i have before albeit won’t post for reasons later) but not only i suck at anatomy but i know trying to look up references will give me weird shit.

when i made egg back in may of 2019, he was literally just a one off character. the only reason he existed because on sony sketch, you could do collabs and one of the main one was dares or erase the covered boxes to reveal something. and one was tickle themed and as a weird joke, i done it and got 2 dares: draw my crush tickling me and make a tickle monster. i bailed at the first one especially since i didn’t have a crush anyway but i did the 2nd dare and that is how egg came to be!

fast forward to 2020 and egg was barely used outside from 2 occasional ref sheets. i made a fanart tag on sketchers united (sony sketch got shut down later in 2019) and strangely, egg did got some fanart despite the lack of use. someone even asked me if egg and benet the teddy bear were friends and even tho it was the crossover i initially thought i didn’t need, i said yes and they made the fanart. i did quickly grew fond of the idea so that is pretty much how eggy, benet, and eventually seren became the main trio they are now.

TL:DR for this section: egg was originally a one off joke character that eventually became my main oc because people loved him

back on track, outside from some friends who know me in 2 friend servers and followers on sketchers united, i never told anyone else on instagram and some discord servers that egg is a tickle monster as i would always refer him as simply a monster oc and never brought up anything tickling related in the slightest (although i think the feathers should be an open sign but idk what they think). not only i would already be embarrassed by the mere topic of tickling alone regardless of situations but i am so afraid of what they would think if they found out about him being a tickle monster. they would probably automatically assume that i’m one of those weird people and judge me harshly forever.

the same can apply to tickling in general. there is a god damn reason why that (unless i suddenly gain a heavy amount of courage,) i don’t post the art i’ve mentioned earlier and that is embarrassment and fear of judgement from friends and mutuals. i even considered making a dedicated sfw tickling blog with a whole new identity but my art style is recognizable enough that at least one person might immediately know who i am and things would be awkward FAST!

yeahhhhh i deeply love egg and others i know love him too but it will take a VERY LONG TIME to get over all of my insecurities and paranoia surrounding him 

[nightcolorz]

Random Gotham Rogues Headcanons

(In honor of all the wonderful people who wanted more after my last post, yes I see y’all)

*Jonathan has a huge sweet tooth, the poor bastard didn’t try sugar until he was like 12 and eats candy like it’s his last meal.

*He’ll forget he needs food to live for way too long and eat a gallon of ice cream or some shit that’ll give any sensible man heart palpitations and just be like “😐👍”.

*Selina tells the newer rogues she was raised by cats to freak them out, Jervis still believes her. (Tbf, Selina does walk around with a cat tail on hissing at people and purring on their laps, I don’t blame him).

*Edward has a tiktok account that he made to fule his own ego, he’s a fragile little shit, literally all of his hate comments have video responses (as you can imagine, Edward gets A LOT of hate comments).

*One time a teenager called Edward “submissive and breedable” and he was too baffled to make a clap back.

*The Rogues have a surprising amount of stans. Ivy’s fan base consists mostly of lowly simps, Joker gets stopped on the street daily by greasy redditors and zealous scene kids.

*No one likes Joker, he thinks it’s because he’s “Batman’s favorite” (it’s not).

*For a while Joker has been insistent that he fucked Bruce Wayne once at one of his many parties, no one believes him except for Harvey (begrudgingly).

*He says it’s “Perfectly in character for Bruce” as much as he may hate it.

*Selina denies everything.

*Oswald and Jonathan share solidarity as “the weird bird people”. At first Oswald was a little put off that Jonathan only held knowledge of crows but soon got over that when he realized that now he had an excuse to infodump on someone who might actually be interested.

*Every time Jonathan visits Oswald’s aviary to pick up Nightmare and Craw Oswald jumps at the opportunity to talk about his numerous birds in excess, Jonathan’s a surprisingly good listener.

*Despite Edward and Joker’s long term rivalry Edward has remained relatively civil when faced with Joker’s constant egging on. That is until one iconic day in Arkham Asylum when Edward beat the absolute, ever loving shit out of Joker in the cafeteria. To this day no one knows what exactly got him to snap, not even Joker.

*Harley keeps a scrapbook about all her misadventures + friendships as a rogue, she has a habit of taking pictures of the others at the most inappropriate times (during a heist, while being beaten to a crisp by Batman, ex).

*One time Harley asked Batman to pose for a picture to put in her scrapbook, he obliged to everyone’s surprise.

*Edward is wholly insistent that he doesn’t belong in Arkham, and is convinced he’s completely sane. He’s weirdly obsessed with the fact that Oswald is sane “as well” and will make unprompted snide remarks like: “Blackgate sounds terrific, unfortunately I’ve been misplaced among MORONS, it’s a shame that the system is too incompetent to properly judge my un-categorizable psyche.”

*Oswald usually responds with a simple “🙂👍” or “ok” to avoid conflict, disagreeing with Edward could be catastrophic.

*Art therapy is an occupational hazard for all the Arkham staff. (Seriously, who thought giving super villains an outlet to express themselves was a good idea).

*Edward can’t draw so he spends his time harshly criticizing the other rogues art, that’s caused more than a few fights. The one time Edward’s ever actually done art in art therapy was when he drew a green triangle and explained in complex detail how he colored it to perfection.

*Jonathan is no longer allowed to share his art with the group before having it reviewed by a staff member after emotionally scarring a few patients. He’s one of the few rogues who presents his art every time, just to see the disturbed looks on the others faces when he explains whatever twisted art piece he came up with this time.

*Jervis is probably the most dedicated artist of the bunch, he‘s not allowed to make himself any hats (for obvious reasons) but he’s still a very skilled seamstress and has a very interesting art style (Jervis tries not to draw anything explicitly linked to Alice in Wonderland in fear of getting repercussions, as rogues often do when they engage with their ‘personas’).

*Harvey isn’t very technically skilled in drawing, but Harv usually spices their art up enough to make it interesting. Their drawings are always two themed, as expected. One time Edward criticized a painting of theirs for being “too unrealistic” and Harv had to manually restrain himself from kicking Edward in the teeth.

*Victor can’t draw either, but he writes pretty good poetry. His writing is excessively melodramatic and flowery, and his themes even more so. Half of the presentation period is spent listening to Victor muse about the meaning of life or some shit, his poems are VERY long.

*Waylon and Ivy are the obligatory pretentious painters, both have a fondness for flowers (for very separate reasons). The two will often compare their paintings and wax poetics about the beauty of nature or some bullshit before never speaking again. That’s one of the positives of Art therapy, it brings rogues together who would otherwise not grant each other a passing glance.

*Group therapy is just as (if not more) atrocious than Art therapy.

*The only one who ever talks is Joker (and sometimes Harley, but way less).

*Joker is the embodiment of an irl troll, he does a much better job at getting responses from the other rogues in therapy than the therapists ever could (usually hostile responses but still).

*Occasionally a new and bright eyed therapist will try and coax childhood memories out of the rogues, it never ends well (usually with the rogue or the therapist in hysterics).

*The majority of the Arkham staff are either terribly unqualified or terrible period.

*Music Meister lived with Edward for a short while after escaping Arkham together but he was promptly kicked out because he wouldn’t stop singing.

*Selina and Ivy had a huge argument once because Selina’s cats nibbled on Ivy’s plants.

Okay this post is all ready super long so I’m gonna end it here, as I said last time I can always make more if you guys like these (I’m not running out of headcanons anytime soon!)

[rantrambles]

Ever get so upset you make a Tumblr account to vent?

I haven’t even listened to The Penumbra Podcast yet but it’s on my list because it’s insanely popular and the cosplays I’ve seen are hot as hell (A+ to all the cosplayers I’ve seen you’ve done great work). Now, with the recent news surrounding the podcast, I’ll wait till it’s done if I ever do get into it. I’m Asian and part of the LGBT community but I’m not nonbinary so I can’t say much about the trans represention in the art but I wanted to add my two cents on the matter as a person of color and someone examining the situation from the outside. Also, before I get deeply into it, I’m not the only person of color with opinions on this matter so if people have their own frustrations and criticism with the racism in The Penumbra Podcast and/or the new artist they hired, definitely listen to them too. These are my own personal opinions, and I’m sure other people will disagree and that’s fine. We’re all going to have different views on this so bear that in mind. Also, feel free to correct me or add anything if I’ve missed some information. Here’s a great breakdown of the whole situation for those that don’t know what happened. Finally, I was very hesitant to post this, but I felt it was important because I make a statement at the end on how race should be presented in a podcast format so if you are interested in making a podcast and want to have a diverse range of characters, please skip to the end to read those thoughts.

I’ll start off by saying, I’m not even that upset with the new artist that The Penumbra Podcast hired. I know that statement alone is controversial but I don't personally know them, and I’m not going to judge who they are as a person by a few pieces of art they’ve made. They are the least of the problems that I have here. Since the announcement and the backlash, I’ve been scrolling through the artist’s Instagram account and I can tell why people find the designs offensive, but I’m also comparing the designs to the artist’s other work, and I honestly believe that’s just their style. They’ve exaggerated the features of just about every character they’ve made, regardless of race or gender. From what I’ve seen the sharp angles and overly round curves in the anatomy that make some of the character’s features more jarring are how they prefer to draw. I’m sure they’re capable of drawing more realistic proportions but for the most part they’re art aims to call attention, be bold, and create distinguished features. Not inherently a bad thing on its own.

And yeah I’d understand the issue if this were a scenario where the artist heard how these characters acted in the podcast and thought “hey, obviously this character is a black woman because they are super strong and therefore must have big muscles, no other woman could look like that” or “hey, this character has to be Asian because they act super seductive sometimes better draw them as such.” But from my understanding the race was already decided by previous official artists and a general description of the characters were already generated by the audience, similar to how The Magnus Archives leaned towards drawing scrawny Jon with black, greying hair and dark skin. The new artists couldn’t really change those features even if those features aren’t described in canon because a depiction that strayed too far from popular fandom interpretation would make the character’s unrecognizable to the fanbase. 

I think the reason this became such a big issue for most people is because the new Penumbra artist used their exaggerated art style when making these characters and people of color and nonbinary folks already see themselves drawn as these exaggerated caricatures all the time (with those images being used to further discriminate against them). I’m sure the artist didn’t mean for their art to be offensive, but that of course doesn’t change how it was received. 

According to some, the poses and expressions the artists chose did not fully represent the characters entirely and only served to further perpetuate harmful stereotypes, and I’ll have to take their word for it because I still haven’t listened to the podcast so I have no idea how the characters act. But again much of the criticism is based on the one line-up and doing a deeper dive into the artist’s work I managed to find artwork that was much less offensive. Here some art where Vespa is depicted in a non-violent pose and one where Vespa is in a threatening pose but not an overly violent one. Here is Peter drawn in a non-seductive pose. Hopefully, the artist truly does keep the criticisms in mind as they work on the new official art. I’m just not the type of person that wants to get the pitchforks out and cause this particular person to lose a job they seemed really excited about over their old character line-up, especially when that person is also part of a marginalized group.

Again, that’s just my opinion on that particular artist. Those who are offended by their art are still valid in how they feel, and the artist should absolutely take their criticism to heart to better how they represent the characters.

What I’m more upset about is that I think The Penumbra Podcast should never have released official art for their characters in the first place and that’s their mistake that they refuse to own up about. They have made it clear that the story was never meant to portray characters of colors, a fact emphasized by the fact they hired mostly white actors from the start. They only started releasing art of the characters to get a profit. And the thing is they know what they did was wrong. All I had to do was search Penumbra Podcast racism and there is a note on their website saying that they archived some old official art.

“We have discontinued all Penumbra merchandise that uses the original character designs, and in the meantime, any profits on the sales of that merchandise will go to the For The Gworls project. We also realize that the depiction of these characters as POC, while not appropriate for us to use in our marketing and merchandise, has nonetheless become personally meaningful to many POC listeners. For that reason, and because we do not wish to distance ourselves from our mistake, we are keeping these images on our website for archival purposes. Though we do want to make it clear that many of the main/featured voice actors are white and that we did not write the characters to represent any specific POC experience, you are, as always, free to imagine these characters in any way that you like.”

I went to their shop and they still sell posters and pins with the character’s faces on them, but they are donating it to a good cause so hopefully that stays the same. However, I still find it a little uncomfortable that they are still selling character merch and have plans to continue selling character merch. They have no right to dissuade the fans that already found representation in the characters, but they also have no right to profit off the representation that was built, regardless if they made the story. 

Let’s compare this to another piece of popular media. I love Avatar the Last Airbender and, I liked the ATLA voice actors just fine but there should have been more people of color doing voice acting behind the screen too. The voice actors for that show were mainly white too, however, the creators knew that they would be making poc characters. That’s what makes the difference. Did they still choose to go with mostly white voice actors? Yes. Could they have done better and pay more people of color? Also yes. But I’m not as furious at them because they did their research on the cultures they were basing the ATLA world off of and intentionally gave us a show where Asians could see characters that looked like them represented on the screen. The Penumbra Podcast did not do any of that. Again, they openly admitted that it was never their intention to make the character’s people of color when they made the podcast so that goes to show no research was made to properly represent specific cultures. The color of the character’s skin in their official designs therefore became more of aesthetic choice rather than representation, and it wasn’t even their aesthetic choice to begin with!

Race isn’t a color you can just throw onto the character because you feel like it. So I want this to be a lesson to anyone that wants to make a podcast: if you want to include poc characters please do some research into the cultures you plan to represent the way you would with any other form of media. Just because the audience can’t see the characters and just because it’s harder to smoothly introduce the character’s appearance doesn’t mean you’re allowed to be lazy on how you present the characters. Do research before you start writing the first episode and take the time to hire poc actors. Hiring poc actors is actually the least that can be done to show representation. Also, since the audience cannot visually see the race of the characters on a podcast and it can’t typically be described the way you would in a book, you’ll have to be creative. It’s not my job to say how, but my suggestions would be, before the fans come up with their own image of the character, you need to establish race in the first few episodes or release character profiles on a website so that the fans know you canonically intended the characters to be of a certain race even if you aren’t able to mention it in the actual podcast. If you are unwilling to do any of these then the best route is to avoid stating race at all and allow the audience to build their own representation into your form of media. However, once this happens, you are not allowed to profit off popular fan interpretations. You lose all rights to create official art or images of the characters. You cannot use “we have a diverse cast of characters” when you market your story. It doesn’t matter whether you created the content or not, you did not create the representation for those minority groups.

It’s one thing for fans to build their own inclusivity into a form of art like a podcast, but it’s another thing for the creators who never worked to make the representation happen to take advantage of the representation that the listeners built for themselves. Thank you for attending my TedTalk.

[amendments]

Pro vs Anti-shipping opinions from someone who is Neutral...and will get canceled on both sides anyway

It’s fair and 100% ok to deem ships that are problematic, “problematic”, and be uncomfortable with them...and maybe even try to discourage people from shipping them, but you absolutely do not have the right to act like an authoritarian little sh!t and dictate what people can and can’t do. Block and move on.

Proshippers can effectively draw/write/create whatever they want. This is the internet and no matter how much you whine and complain, the internet isn’t going to adopt a pro-censorship stance. However, if you create content for an obviously disgusting pair, you’re going to get criticism, and people are going to find you creepy. You will be judged, even if you’re using your ship as a coping mechanism. No one is free from it.

Criticism, suggestions, and expression of discomfort are NOT BULLYING. If someone doesn’t like your ship, too bad. However, if you’re blatantly telling someone to kay why ess, hurt themselves, giving them some type of violent threat, or are doxxing them, you’re a disgusting person and no better than the people who commit said actions you’re against.

If you’re a proshipper and bullying kids, you’re also apart of the problem. Be the bigger person and block/report.

No, not all proshippers are creeps, some are just people who are anti-censorship, sick of PC culture and ship said ships out of spite, and/or don’t actually like anything bad themselves.

No, not all antis are annoying harassers, stalkers, or minors, some are people who are genuinely concerned about the questionable work you put out or may expose to minors/victims. Also, the lack of restrictions of minors in NSFW spaces is...sus -_-

Yes, there are predators in proship spaces, but there are also predators in antiship spaces, and literally everywhere else on the internet. This isn’t a ship problem, it’s a fandom problem.

Antis who claim that neutral people are just as bad as proshippers, actually push us away. You aren’t making us want to side with you. In fact, you’re doing the opposite. Most people who are neutral/position-less are actually people who really don’t care. Why? Because ships and fandoms don’t engulf our lives, and we actually have more important things to worry about than bullsh!t that strangers online are fighting about.

No, not saying anything or having a position on a topic is not inherently condoning it, it’s just not involving yourself in the problem. -_- It’s hard to really speak about something that’s not on your radar.

No, literally nobody in real life cares, or will care, about this debate. Most people (surprise, surprise) don’t really care about fandoms in general. (Amazing I know). Frankly, I’ve seen people on both sides that are waaaay to invested in this discourse and need to go outside. If you are super passionate about literal internet discourse, go to the park and touch grass.

Antis who are minors, I can genuinely tell you, that no, bosses in the real world really don’t care about what their employees do as hobbies outside of work. If you actually tried to contact employers about NSFW art (of fictional characters) that an employee drew on their own free time, unless you give them actual evidence of them acting inappropriately towards real people, they will ignore you. It is only a concern if that person has actually expressed illegal behavior which could put actual people in danger. (BDSM art of All Might and Deku isn’t going to get someone fired).

Antis, yeah, people will find problematic ships gross, if you tell someone about them. But, unless they are actively involved in internet fandom culture, which the vast majority of people aren’t, they’ll completely forget about it 5 mins later.

Proshippers, no, people in real life don’t care about what you ship in your private life, but if you make your whole identity about your ship, or proshipping, people will think you’re a creep. You’re chronically online. Get a hobby outside of internet discourse.

I will unfollow problematic people, and people who have caused harm, but if you tag me because I’m following a proshipper, simply because they are a proshipper, and have not actually been a perve to real children, I’m not unfollowing them. And if you pester me about it, I will unfollow, block, and report YOU. Who I follow is my business, and I will not tolerate being harassed over Twitter drama. Buzz off.

I will also not unfollow someone who identifies as an anti, or simply criticized your ship if you do not give me evidence of them actually harassing people. I am allowed to have an opinion and engage with people who have similar disapproving opinions. Who I choose to interact with is my business alone.

I’m not un-tweeting a tweet just because a self proclaimed “proshipper” or “anti” tweeted it. Good art is good art, and good takes are good takes.

Some of you overuse the word “p£do” in references to ships. I don’t care how you view it, a ship between an adult and a minor that has a 2-3 year age gap is not p€dop1llic. This age gap is completely common among teenagers in real life, and you’re honestly sheltered if you think that’s automatically predatory. A 16 year old dating an 18 year old is a LOT less worse than a 20 year old dating a 30 year old, and the latter isn’t any less predatory or weird just because they’re both adults.

No, ships between two adults with a very large age gap, are technically not p€doph1llic, either. They may be predatory in nature, and you may perceive them as wrong and gross, but if it ain’t already illegal in real life, then it definitely ain’t on paper.

It doesn’t matter if she’s 1000 years old, we all know what the underlying intention of that character design is, buddy.

Speaking of underlying intentions, there’s a lot of unspoken racism and xenophobia rampant in anti-spaces...like more so than in pro-ship spaces. Racism is everywhere in fandoms, but white, western antishippers are...a particular breed...oozing with arrogance and ethnocentrism.

Thanks for reading my rambling novel if you made it to the end, this is just a venting post. I hate discourse.

[sineala]

Tony Stark and Arthuriana

Coming to you by special request, a very long post about 616 Tony's interest in Arthuriana, with a focus on all of Tony's run-ins with Morgan le Fay!

I feel like I should disclaim the extent of my knowledge here, which is that I still haven't managed to read anywhere near every issue of Iron Man -- at least, not yet, anyway -- so I'm just going by the things I know I've read, and Morgan le Fay's Marvel wiki entry is frustratingly under-cited, so it's very possible I've missed something relevant, but I'm pretty sure I've got the big stuff down. My other disclaimer here is that I'm not as big an Arthurian nerd as Tony is, which is to say that most of my familiarity comes from modern retellings -- T. H. White's The Once and Future King, Marion Zimmer Bradley's The Mists of Avalon, Mary Stewart's The Crystal Cave, Rosemary Sutcliff's Sword at Sunset -- and not so much the usual classic sources on the Matter of Britain, though I've read bits and pieces of them.

(This is because I wanted to read versions of them that were as close to the original as possible but so far have not ended up finishing any of them because, well, that's hard. So I've never read the Mabinogion because I do not know Welsh. I've got the Norton Critical Edition of Malory's Le Morte d'Arthur, which is probably the best student edition if you're looking for something without modernized spellings, as I was. I've also got -- well, okay, it's my wife's but I'm borrowing it -- a relatively recent Boydell & Brewer edition (ed. Reeve, tr. Wright) of Geoffrey of Monmouth's Historia Regum Britanniae (History of the Kings of Britain), which is, you guessed it, in Latin with a facing English translation. I haven't gotten very far in it because, in case you didn't know this about Latin texts, the beginning is pretty much always the hardest, so I gave up and read some Plautus adaptations instead. Anyway, if for some reason you too want to read Geoffrey of Monmouth in the original Latin I'd recommend that one, but I can't recommend any particular English translations because I've never read one by itself. I bet you didn't think you'd be getting Latin prose recommendations in this post. I mean, maybe you did; it is me, after all.)

Okay. Right. King Arthur. Here we go.

We've got:

Flashbacks to Tony's childhood in late Iron Man volume 1

A brief discussion of Morgan's origin story and Avengers #187

Iron Man vol 1 #149-150: Doomquest

What If vol 1 #33: What if Iron Man was trapped in the time of King Arthur?

Iron Man vol 1 #249-250: Recurring Knightmare

Iron Man: Legacy of Doom #1-4

Avengers vol 3 #1-4: The Morgan Conquest

Civil War: The Confession

Mighty Avengers vol 1 #9-11: Time Is On No One's Side

In terms of universe-internal chronology, we know from Iron Man #287, from 1992, that Tony has been a fan of King Arthur since childhood. This is an issue of a fandom-favorite arc which features Tony having a lot of childhood flashbacks, including the famous "Stark men are made of iron" line (in #286) that for some reason MCU fandom decided it loved; I mean, seriously, I've seen that quoted in way more MCU fic than 616 fic. But slightly later, in #287, we get an entire page devoted to Tony's love of King Arthur.

The narration reads: "Over the next few years, I learned as my father intended. Discipline of body. Strength of character. But in what free time I was allowed, I worked my way through the school's library. At thirteen, I discovered Mallory [sic], who showed me a whole new world. A world of dedication to a cause greater than oneself. Of chivalry and honor. And the fantastic deeds -- of armored heroes."

The art shows Tony as a child sitting under a tree, reading a book labeled Mort D'Arthur by Mallory [sic] -- no, don't ask me why nobody at Marvel checked how to spell either the name of the book or its author -- and daydreaming of King Arthur, the Sword in the Stone, knights, et cetera. Just in case you somehow missed the extremely blatant hint that we are meant to understand that Tony's knight obsession heavily influenced him becoming Iron Man as an adult, we see one of his armors mixed in with all the drawings of knights. So, yes, canonically Tony is Iron Man at least partly because he's a giant King Arthur nerd, which I think is so very sweet. I love him. He's such a dork!

(This issue is currently in print in the Iron Man Epic Collection War Machine, should you need your own copy.)

This isn't actually the only reference to Tony as a King Arthur fanboy in this era of canon, either; a little later, in IM #298, we see that one of Tony's passwords is actually "Mallory." (Yeah, no, they still couldn't spell. But it's cute.)

But in terms of actual publication order, this is definitely not the first time we have seen in canon that Tony is into Arthuriana, as I'm sure you all know. I would assume, in fact, that giving Tony a childhood interest in Arthuriana is because Doomquest is one of the most beloved Iron Man story arcs of all time, and that all started at least a decade before IM #287 here was published.

The villain of Doomquest -- the one who isn't Doctor Doom, at least -- is Morgan le Fay. Yes, that Morgan le Fay. Yes, Arthur's evil half-sister Morgan le Fay. Yes, all of this King Arthur stuff is canonically real history on Earth-616. Morgan's first appearance in Marvel, per the wiki, was in Black Knight #1 (1955), which I have not read, and judging by the summary I feel like this is probably just supposed to be a straight-up comic retelling of Arthurian legends for kids; I don't think Marvel really had the whole Marvel Universe in mind as a concept in 1955, so I'm not sure this was meant to connect to anything else. I feel like this is another one of those instances of Marvel discovering that they can write comics about characters in the public domain for free -- like, I'm pretty sure that's how we also ended up with, like, Norse, Greek, and Roman mythology wedged into 616.

As far as I can tell from the wiki, the first time Morgan tangled with the Avengers (or indeed the larger 616 universe) in any way actually predated Doomquest -- it was in an early arc in Spider-Woman (#2-6) and then Avengers #187, which came out in 1979, actually right when Demon in a Bottle was happening over in Iron Man comics. If you read #187, Iron Man is not in it because he's off the team due to his drinking problem and also his accidentally murdering the Carnelian ambassador problem. So Wonder Man's filling in instead. This issue is part of Michelinie's rather sporadic Avengers run, which makes sense, I guess, considering where we see Morgan next.

Anyway, Avengers #187 is the classic issue where Wanda is possessed by Chthon, but what you may not remember from Chthon's backstory (I sure didn't!) is that he was summoned by Morgan le Fay because she was the first person who tried to wield the Darkhold to summon him. As you can imagine, this did not work out especially well for her and her followers and they had to seal Chthon away in Wundagore Mountain, which was where Wanda found him. (The Spider-Woman stuff is only slightly earlier and also appears to be about Morgan and the Darkhold; the Darkhold is not one of the areas of 616 canon I am especially conversant with, alas. It's on my to-read list.)

Doomquest, as you probably know, was a classic Iron Man two-parter in Layton & Michelinie's first Iron Man run that set up Tony and Doom as rivals; Doomquest itself was IM #149-150, in 1981, and then in their second IM run they came back and did a sequel in 1989, Recurring Knightmare (IM #249-250), and then the much later four-part sequel to that was the 2008 miniseries Iron Man: Legacy of Doom, which was also by Layton & Michelinie but generally does not seem to be as popular as the first two parts. They've all been reprinted, if you're looking for copies; I have a Doomquest hardcover that collects the first four issues and then a separate Legacy of Doom hardcover. Currently in the Iron Man Epic Collection line there's a volume called Doom, which confusingly only collects the 249-250 part of the storyline (as well as surrounding issues), because for some reason the first Layton & Michelinie run isn't in Epics yet but the second one is. So the beginning of Doomquest isn't currently in print, as far as I can tell. I'm sure you can find it anyway.

So what's Doomquest about? Okay, so you remember how Doctor Doom's mother's soul is stuck in hell for all eternity? Well, Doom's obviously interested in getting her back, and the strategy he has embarked on is to try to team up with other powerful magicians who can help him out, and he thinks Morgan le Fay would be a good choice, for, uh, his quest. Doom's quest. A Doomquest, if you will. (If you've ever read Doctor Strange & Doctor Doom: Triumph & Torment, you're familiar with the part where he later ends up waylaying Strange for this and they go to hell together. And if you haven't read Triumph & Torment, you really should, because it's amazing.)

So Doom is off to his time machine to go team up with Morgan le Fay and Tony thinks Doom is up to something -- Doom has been stealing components for his time machine from a lot of people, including Tony -- and he follows him and it turns out one of Doom's lackeys has a grudge and wants to trap Doom in the past forever, and Tony gets caught up in it. Now they're both in Camelot. Surprise! #149 is actually all setup; they don't get to Camelot until #150.

IM #150 begins with Doom and Tony thrown back into the past; there's a fandom-famous splash page of them locked in combat, only to realize that they have found themselves in Camelot.

They are then discovered by knights; Doom would very much like to attack them, but Tony, who naturally would be happy to LARP Camelot forever, persuades him to play nice. Also Doom thinks Iron Man is only Tony's bodyguard so he keeps referring to him as "lackey," much to Tony's annoyance. Somehow everyone thinks they're sorcerers. Can't imagine why. The knights take them to meet King Arthur himself, and Tony has clearly had his introduction all ready to go, as he introduces himself in a timeline-appropriate manner, says he's here to apprehend Doom, and demonstrates his "magic" by levitating Arthur's throne. Doom's response is essentially "I'm the king of Latveria," which is, y'know, also valid. So they're guests at Camelot for the night while Arthur figures out what to do with them.

We then have a page devoted to Tony alone in his room, musing sadly about how alien he feels, how he doesn't know if he'll ever get home, how he could never fit in here without his beloved technology. Then a Sexy Lady shows up to keep him company for the night, and he decides maybe it's not all bad. Thanks, Marvel. I guess they can't all be winners.

Doom is using his evening much more productively; he compels one of the servants to tell him where Morgan's castle is, because he's still interested in having that team-up. Then he jets off. Literally. He has a jetpack.

The next morning Arthur's like "one of you is still here and one of you has punched a hole through the castle wall and flown off to join Morgan so I guess I know which of you is more trustworthy." He then explains to Tony who Morgan is, because Tony professes ignorance, because clearly we had not yet retconned in Tony's love of Arthuriana. Tony offers to go fight Doom and Morgan with Arthur; meanwhile, Morgan and Doom have teamed up and Morgan has offered to help get Doom's mother out of hell if he commands her undead armies against Arthur because for Reasons she can't command them herself anymore. So that's a thing that happens.

So, yes, it's Tony and Arthur versus Doom and Morgan. Fight fight fight!

Tony tries Doom first but then decides to hunt Morgan down, and in the ensuing fight we get what I think is Tony's first ever "I hate magic," a complaint that we all know he still makes even to this day.

Anyway, Tony freezes a dragon with Freon (mmm, technology) and Morgan gets upset and disappears, so the battle comes to an end, and of course Doom is extremely mad at Tony because he blames Tony for Morgan not sticking around to save Doom's mom, because I guess Doom trusted her to keep her word? Weird. (Like I said, for the next chapter of Doom saving his mother, go read Triumph & Torment.)

Doom says if he and Tony work together, the components in both of their armors can send them both home. So Tony has to trust Doom. Which he does, because he really has no other choice. They build a time machine and Tony makes Doom agree to a 24-hour truce when they get back, so they can both get home. So it all works out okay, and they end up in the present, and Doom tells him, ominously, that they will meet again. Okay, then. That concludes the original Doomquest. It's fun! You can see why fandom likes it.

So that's all well and good, but you might have noticed that Tony's ability to get home hinged on Doom actually being trustworthy. And Doom was. But what if Doom hadn't been? What if he'd just stranded Tony in Camelot forever As you may have surmised from the form of that question, that is in fact a question Marvel asked themselves, because, yes, there's a What If about this! What If v1 #33 is "What if Iron Man was trapped in the time of King Arthur?"

The divergence point from canon, as you can probably guess, is the very end of Doomquest. Instead of Doom bringing Tony home, he deceives him and leaves him in Camelot. And since Tony cannibalized a lot of the tech from his armor to make the time machine, he doesn't have a way to go home.

This is not a story where Tony comes up with a way to go home after all. He really doesn't get to go home. But instead of drowning his sorrows in mead -- because, remember, Demon in a Bottle has already happened and Tony is sober now -- he decides he might as well just play the hand he's dealt. So with what's left of his armor, he defeats some enemies that Morgan rounds up to send against Camelot. And for his services, he's knighted. He is now Sir Anthony.

Tony acknowledges that he is both living the dream and would also like very, very much to go home.

He does end up having some fun in Camelot; it's not all miserable. But he obviously doesn't want to be there.

So if you're at all familiar with King Arthur, you know how this goes, right? Arthur fights Mordred and Mordred kills him. And that does happen in this version. Except Tony is right there, and with his dying words, Arthur asks Tony to rule Camelot... and Tony agrees.

So, yes, Tony Stark becomes king of the Britons after Arthur's death and he never goes home again. The end. Man, I love What Ifs.

Heading back to main 616 continuity, there is still more of this arc to go. The original Doomquest was only two issues, yes, but it was popular enough that Layton & Michelinie did a sequel a hundred issues later, in their second run of Iron Man, and that's Iron Man #249-250, Recurring Knightmare. (In the intervening issues were Denny O'Neil's IM run, specifically the second drinking arc (#160-200), and then Layton & Michelinie came back and most famously gave us Armor Wars (#225-232). I would have to say that Armor Wars is definitely the standout fandom-favorite arc of their second IM run; for their first one, I think a lot of people would have a hard time choosing between Doomquest and Demon.) But anyway, yes. Recurring Knightmare.

Recurring Knightmare is... well, the best way I can describe it is "a trip." It is definitely a sequel to Doomquest, and it is also definitely not a sequel you  would ever have expected to see for Doomquest.

Much like #149, #249 is pretty much just setup. Fun setup, but the big action is in the next issue. We open with Doom in Latveria, on his throne, pondering which of his servants he should have disintegrated. Anyway, he's just hanging out there when a mysterious object appears. In California, Tony is suited up and entertaining the crowd at a mall opening when the same object also appears! He takes it to his lab. Please note that this is after the Kathy Dare incident, so Tony is still recovering and is walking with a cane. Doom sees on the news that Iron Man has found the same object, which cannot be carbon-dated, and he shows up at Tony's house. He criticizes Tony's taste in art.

Anyway, Doom basically orders Tony to work with him. Tony refuses, and then Doom sends some robots to attempt to steal Tony's version of the object because he thinks if he has them both he will be powerful. Doom manages to steal it, and when he puts the pieces together, both he and Tony disappear.

So where do they go, you might ask? Camelot?

Not exactly. The future! There is a great callback to the Doomquest splash page.

It turns out they are in London in 2093. Merlin brought them there. Tony still hates magic. And in the future, King Arthur is still there, except he is now a child, because he has been reborn. But he does remember Tony from Doomquest, at which point Tony kneels. Doom, of course, is not impressed. He asks why they have been brought to the future.

The answer is that things are going wrong in the future. If you do not personally remember United States politics in the 1980s, I need you to google the words "Strategic Defense Initiative" right now. I'll wait.

Back with me? Okay, so this is a future where Reagan's Star Wars program actually happened the way he wanted it to, and the satellites are still hanging around the Earth in the future and messing everything up, and Arthur and Merlin need Tony and Doom's help to stop them. Doom once again flies away with his jetpack, of course.

Tony is game to help, but he's not in an armor that can stay in space for long. This is when Merlin takes him and Arthur to the mall and Tony manages to get everything to upgrade his armor at Radio Shack. You see what I meant about this issue being weird.

Tony is out in space trying to disarm the SDI platform, which is where he runs into his future descendant, Andros Stark, who is in armor you will probably recognize from Iron Man 2020. He is referred to as "the resurrected spawn of Iron Man 2020" so I assume he's actually directly related to Arno rather than a direct descendant of Tony; Wiki confirms that Arno is his grandfather. This is all from way before Arno was contemporaneous with Tony in canon. Anyway, he's fighting Tony.

Oh, by the way, Future Doom exists. Future Doom would like to rule this future Earth and for some reason Andros would like to help him. Meanwhile, Present Doom finds out from Merlin that he can't leave except by magic and he can't leave without Tony, so he is reluctantly on Tony's side.

They need help from the Lady of the Lake, except the lake has been paved over and is now a parking lot. Merlin makes the lake come back and then of course they get Excalibur. Arthur is a kid, so he can't wield a longsword; Doom assumes he's going to take it because he is basically a king, and he's pretty grumpy when the sword picks Tony. Tony then uses Excalibur to destroy the space lasers, and I bet that is a sentence you never thought you would read. It's pretty cool. Tony concludes that magic has its good points. Tony stops Andros and Doom stops, uh, himself, and the world is saved and they get to go home. Also, Doom finds out Tony is Iron Man, but when Merlin sends them back he conveniently erases their memories, so neither of them remember anything about this and Tony's secret is still safe. And that's the sequel to Doomquest.

And if you think that's weird, wait until you see Legacy of Doom.

Iron Man: Legacy of Doom is a four-issue miniseries from 2008, also by Layton and Michelinie. Even though it's from 2008, it's set during a much more classic time in Iron Man, continuing on from where we left off in this Doomquest saga. We start with a framing story in 2008. Tony, who has Extremis now, is busy scrapping some of his older armors and reviewing his logs when he suddenly remembers that there was a whole thing with Doom that happened that he seems to have forgotten about until right now. So the whole thing is narrated by Tony in flashback.

Tony's in space fixing a satellite when a hologram of Doom shows up and summons him to Latveria. It's not really clear why Doom needs Tony's help in particular here, but Doom tells Tony that he's discovered that Mephisto would like to bring about the end of the world, which Doom finds, and I quote, "presumptive." So Doom has his Time Cube, and with it he takes Tony to hell.

(Yes, I promise this is relevant to Doomquest. There will be some Arthuriana shortly.)

Doom brings Tony to Mephisto, and it turns out it's a setup! Doom trades Tony for an item he wants from Mephisto, leaves, and Tony's going to be trapped in hell forever! Oh no! (I mean, he's not. But it's quite a cliffhanger.)

At the beginning of issue #2, we find out what the Arthurian connection is, which is that we learned that after the events of Doomquest, Morgan had been granted sanctuary by Mephisto in exchange for a shard of Excalibur that she had somehow stolen. Doom still wants Morgan's help with some magic -- he doesn't mention what it is here, but he says he needs someone of Pendragon blood, and that'd be her -- so he traded Tony to Mephisto in exchange for, I'm guessing, Morgan and the Excalibur shard.

I have probably mentioned this elsewhere, but Legacy of Doom #2 is one of my favorite issues of Iron Man ever, solely because of the next scene. We return to Tony in hell. Howard Stark is also in hell, and he is now a demon, and Tony has to fight him. Mephisto brings popcorn and watches. This is the one time in canon when Tony actually confronts his father, and okay, yes, it's a fistfight in hell and Howard is a demon, but that's comics for you. Howard spends several pages insulting Tony -- specifically insulting his masculinity, but that's a whole other essay -- until he finally insults Maria too, and that's when Tony fights back, because his mother taught him to be good. Honestly if you're a Tony fan I'd recommend this issue just for that scene.

Anyway, we go back to the Doom and Morgan plot, and Morgan casts the spell Doom wanted, which was fusing the Excalibur shard with Doom's armor. Then Doom sends her back to Camelot rather than hell, because he's still mad that she never helped him get his mom out of hell like she said she would.

Tony freezes Howard with Freon -- yes, the same trick he pulled on the dragon back in Doomquest -- and tells him, "You're no father of mine." It is immensely satisfying.

(I had been going to mention that I thought it was a shame that neither canon nor fandom seems to have really engaged with this confrontation, and I know canon never believes in narrative closure but fandom sure does -- and then, anyway, it occurred to me that since the framing story of Tony remembering this is set when Tony has Extremis, there's a very good chance that he no longer remembers remembering it. Goddammit, Marvel.)

(If I got to retcon one canon thing about Tony, I think "the entirety of World's Most Wanted" is up there. I mean, okay, a lot of things are up there, but WMW is definitely on the shortlist.)

Okay. Tony has now engineered his way out of hell, and he's back with Doom in Latveria. Doom has Excalibur. Doom would very much like to fight him. While wielding Excalibur. You get the sense that this is going to be bad. Another cliffhanger!

Legacy of Doom #3 opens with Tony destroying Doom's lab to buy time and running away from Doom and Excalibur. I should probably mention that Doom still doesn't know Tony is Iron Man (anymore), so he thinks he is dealing only with Iron Man, Tony Stark's lackey. Meanwhile, some scientists at SI think there's something weird going on with space. Meanwhile meanwhile, Tony is in a forest taking a breather when a mysterious old man walks up to him.

It's Merlin! Surprise! Merlin wants Tony's help to stop Doom from doing whatever he's doing with Excalibur. The sword makes you invincible and the scabbard makes you invulnerable, so Merlin sends Tony to Scotland on a fetch quest for the scabbard. Doom has now magically sent the sword in search of the scabbard, so the sword flies away to meet it and Doom follows. Turns out the thing that's wrong with space is a thing that's going to hit Earth at the exact place Tony and Doom are. What a coincidence! So Tony and Doom get trapped in a stone circle and fight some stone warriors and then Tony ends up with the scabbard. And by "ends up with," I mean it fuses to his armor. Next issue!

Legacy of Doom #4 is when things really, really get weird. A giant demon made of eyes (???) appears, and this demon is apparently what Doom had been preparing to fight (because it's mad that Doom stole one of its spellbooks), and now he can't, because the sword and the scabbard aren't together. Thanks, Shellhead.

That's when Merlin shows up and says all is not lost. They can defeat the demon... if they put the sword into the scabbard.

"But I'm the scabbard now!" Tony says, uncomprehending.

"Yes," Merlin says. "You are."

Then Tony gets it.

So, yes, Doom has to, um, penetrate Tony. With Excalibur. I love comics. I love comics so much.

So that's a thing that happens.

And then Tony flies off and, I guess, resolves to never, ever think about any of this again.

We head back to the framing story, in which Tony, now having remembered all of this, flies to Britain, buys the land the lake is on, and paves it over, presumably so it will be there for Merlin to bring back in Iron Man #250. The end.

Whew.

Okay, yeah, I know I didn't have to summarize the whole thing, but Legacy of Doom here really is one of my favorite Iron Man miniseries. And I just want to share the love. Please read it. It's great.

But the Arthuriana fun doesn't end there! In fact, now we get an Arthurian-themed arc that actually isn't in Iron Man comics. It's in Avengers! Iron Man is involved, though.

(There is also apparently a Morgan arc in Avengers #240. I actually haven't read it. It seems to be yet another Spider-Woman arc. I get the impression that this isn't really Arthuriana other than having Morgan in it fighting Jess, though, so it doesn't seem quite as relevant. Morgan also apparently has some appearances in FF, Journey into Mystery, and Marvel Team-Up, but those seem like more of just basic villainy. Also, probably not involving Tony.)

Kurt Busiek's 1998 Avengers run, volume 3, is in large part the kind of Avengers run that is a nostalgic love letter to older comics. Heroes are heroes and villains are villains and good triumphs over evil. The Avengers all live in the mansion and are BFFs. I love it. It does assume that you are already a fan of the Avengers, because it starts out by summoning pretty much everyone who has ever been an Avenger and is available to the mansion, and that is... a lot of people. Thirty-nine, by my count. Also, when the entire team is magically whisked away, we are treated to the following narration, as Steve disappears: "And Captain America's last thought, as the world goes white around him, and he with it -- is that Iron Man would hate this."

The narration doesn't tell you why Iron Man would hate this, or how Captain America would know that Iron Man hates this. This is not explained later on. But if you have read comics -- or if you have read the above summary of Doomquest -- you know that Tony is absolutely, one hundred percent, thinking, "I hate magic." And Steve knows it.

The reference is not relevant to the plot; if you don't get it, you'll be fine. But that's what I mean when I say this is a nostalgia run. There are definitely Easter eggs for people who have read a bunch of comics. Busiek does this a whole lot in his work -- there's a reason you can buy an annotated edition of Marvels -- and, yeah, it happens here too. Just know that there will be references you're not getting, if you're new to comics.

Anyway. So Busiek's run actually starts out with an Arthurian arc, #1-4, "The Morgan Conquest." The name is a dead giveaway. Yes, Morgan le Fay is back. Again. For once, Doom is not involved.

The Avengers are all back from their sojourn on Counter-Earth after fighting Onslaught -- don't worry about it -- and mysterious things are happening. There are a lot of monster attacks. So pretty much everyone who has ever been an Avenger is summoned to the mansion, at which point we learn from Thor about some mystical artifacts that are being stolen. (They are the Norn Stones and also the Twilight Sword. That sounds like something from a Zelda game, doesn't it?) The Avengers go to try to stop this, end up in Tintagel, and then they run into Mordred. He wants to capture Wanda, presumably for Magic Reasons. Morgan le Fay casts a spell on all of them, reshaping reality. Yes, all of them. Surprise!

So now all the Avengers are living in a medieval castle and/or town; Morgan is their queen, and thanks to the power of mind-control they are all basically living in Ye Olden Times. The Avengers are all some variety of knight, except for Wanda, who is chained up in the dungeon so Morgan can steal her magic and use it to fuel all this reality-warping.

Wanda calls for help, and that snaps Steve (Yeoman America!) out of the mind control (or altered reality or whatever you want to call it) pretty fast, because Steve's always been very good at resisting mind control, and then Steve promptly goes and snaps Clint out of it, because I guess Steve is also good at inspiring people to snap out of mind control. "Oh, man!" Clint says. "Not another alternate reality! Not again!" (I assume he's referring to Counter-Earth? Maybe?)

So Steve and Clint go around reassembling the Avengers and orienting them as to reality. They get Jan and Monica easily, but then Steve insists on trying to get Tony because, I guess, he likes Tony and would really like to hang around Tony, who is half-naked and asleep in his bedroom, and certainly I am reading nothing whatsoever into this. Clint tells Steve it's not going to work. Tony has historically been fairly susceptible to mind control; it was only pretty recently at this point that he'd been doing Kang's bidding in The Crossing. But the more serious impediment is that this is Tony Stark and he would obviously like to LARP being a knight forever and ever. Tony, therefore, does not believe Steve, and throws him and Clint out of his bedroom and into the barracks.

"Iron Man's a good guy, normally," Clint says. "But he's waaay too into his whole nobleman/lord of the manor trip. That spell musta hit him right where he lives!"

Clint speaks the truth, clearly.

Anyway, they go around and manage to make pretty much every Avenger in the room other than Tony snap out, and attempt to rebel against Morgan while Tony is stil fighting them because he is Still A Knight. There's a lot of punching, because some of the Avengers still aren't free; they weren't ones Steve found.

The day is saved when Wanda manages to channel Wonder Man and break free. This gives the Avengers a fighting chance against Morgan and the Avengers are all lending Wanda their power when Tony finally snaps out of it and is on the side of good. 

Then they take Morgan down, go home, and attempt to figure out which of these thirty-nine people should be on the active Avengers team. Hooray.

But that's not the end of Morgan le Fay showing up to screw around with Tony's life! There's more to come! Not much, but there is one that I know of, and at least one more memorable reference. 

(I haven't read all her appearances or anything, but one of them definitely involves Tony; I can't swear that he doesn't appear in any of the other books Morgan shows up in, but it'd be a cameo for him, because I only know of one more arc that she's in in a book that Tony stars in.)

In a few more years, we have now entered the part of Marvel Comics history where Brian Michael Bendis writes all the Avengers books at the same time for, like, seven years running. It was sure A Time. There were a lot of word bubbles.

And the thing about Bendis is, Bendis looooooves Doomquest. If you're familiar with the very end of his tenure at Marvel where he made Doom be Iron Man after Tony got knocked into a coma in Civil War II, you have probably figured out already that he likes Doom. But he also likes Doomquest, specifically.

I mean, if nothing else, the giant splash page in The Confession where Maleev redrew the climactic Doomquest fight while Bendis had Tony talk about how deeply meaningful to his understanding of the world this all was -- and how it allowed him to predict Civil War -- was probably a big clue, right?

As far as I am aware, Morgan le Fay makes exactly one more appearance in Tony's life. And that's in Mighty Avengers vol 1 #9-11. Only one of those issues is named, so I'm going to assume the arc is named after it: Time Is On No One's Side.

You remember Mighty Avengers, right? The deal with the Avengers books at the time was that after Bendis exploded the mansion and made the team disband in Avengers Disassembled, the main Avengers book was no longer called just Avengers. Instead, the main Avengers book was New Avengers, and that was the only Avengers book. Then Civil War happened, Steve got killed, and New Avengers became the book about what was left of the SHRA resistance (i.e., Steve's side) after the war. So about halfway through New Avengers, Mighty Avengers starts up, and Mighty Avengers is about an extremely fucked-up and grief-stricken Tony Stark trying to run the official government-sanctioned Avengers team, with Carol's help. This is the comic with the arc where Tony turned into naked girl Ultron. You remember.

So, anyway, there's this Mighty Avengers arc where Doom is Up To Something (there are symbiotes and a satellite involved) and somehow Tony and the Avengers end up in Latveria, punching Doom. Also, by the way, Doom is visiting Morgan in the past because he likes her. The Avengers attacking his castle made him have to come back to the present, so he's kind of cranky. And he fights Tony, and in the course of the fight, his time platform explodes and sends Doom and Tony and also the Sentry to... the past.

This is one of those times where you should definitely look up the comics if possible because the way the past is visually indicated here is that it's colored with halftone dots the way you would expect old comics to be colored, although they have modern shading and color palettes. It's very charmingly retro.

So the three of them are stuck in New York in the past, and naturally they would like to leave. There's one person in this time who has a time machine and it is, of course, Reed Richards. Doom and Tony have a lot of banter in this arc; I think it's entertaining.

Sentry has to be the one to break them all into the Baxter Building because of that power he has where no one will remember him. So they do that, travel forward in time, and end up in Latveria in the present again except Doom is gone and also things are currently exploding where they are.

Doom, of course, has made a side trip to visit Morgan again and he asks her to help him build an army, because I guess this is what their relationship is like. So the rest of the Avengers are captured by what look to me like Mindless Ones and are in a cave in magic bondage, because comics. Jess comments that at least they aren't naked, because she too is remembering that memorable New Avengers trip to the Savage Land. Doom threatens Carol in some creepy sexist ways and eventually it turns out that Tony and the Sentry are fine and everyone kicks Doom's ass. Business as usual.

And the last page of the arc is Morgan alone, wondering where Doom is. So technically Morgan and Tony don't come face to face here, but I think she counts as being at least partially responsible for ruining Tony's day here. And then Secret Invasion happens and Tony has a very, very bad day.

There are a few more Morgan appearances after this, but, as I said, I don't think any of them involve Tony. She shows up in Dark Avengers, apparently, which was one of the post-Civil War Avengers titles I didn't read, and I know that recently, on the X-Men side of things, she's been in Tini Howard's Excalibur one, which I have only read a little of. No Tony there. Just a lot of Morgan and Betsy Braddock and Brian Braddock and the Otherworld.

If you are interested in Morgan's other appearances, you might like this Marvel listicle that is Morgan le Fay's six most malicious acts. I pulled some of the Darkhold backstory from their discussion, but it's not really focused on Morgan and Tony.

So there you have it! That's everything I know about Tony's love for King Arthur and every run-in I know about that he's had with Morgan le Fay! One of two terrible people in Tony's life named Morgan! Actually, I don't think we've seen Morgan Stark in a while. I wonder if he's alive. There should be a Morgan & Morgan team-up. I should probably stop typing and post this.

The tl;dr point is that you should all read Doomquest and its sequels, especially Legacy of Doom. They're great!

[true-blue-megamind]

FAN THEORY SUPPOSITION SUNDAY: The Warden

SPOILER WARNING!  It’s still a thing, and, if you haven’t yet, you still need to watch Megamind.  (If you have seen it already, however, you need to see it again.  Because it’s awesome.)

Yes, yes, the post is three days late this time.  Real life has to take priority and such. So sue me.  (Don’t really do that.  LOL!)

For that same reason—or more accurately because this week has exhausted me—I will attempt to make this post shorter than usual.  We’ll see how that goes.  My money is on “not well.”  LOL.

Anyway, today we’re going to look at a subject that often divides the Megamind fandom: the Warden and his relationship with Megamind. There are several fan theories—I mean, suppositions—surrounding this, but I’m going to be focusing on a few of the main ones.

The first of these is that the Warden was actually a father figure to Megamind when he was young, allowing him to be raised in jail not out of cruelty or disinterest, but because it was the only way to keep him safe from shadowy government agencies that otherwise would have performed all sorts of experiments on the blue alien.  This both accounts for why a child would be allowed to grow up in what is clearly a high-security prison for dangerous adult criminals—something that, admittedly, needs some sort of explanation—and fits with widely accepted sci-fi and comic book tropes. (From Area 51 to mysterious “Men in Black” type organizations, fiction is full of government agencies created to study extraterrestrial life and technology.)  Some even go so far as to suggest that the Warden may have tried to adopt Megamind officially, but was blocked from doing so by these same entities. On top of this, such an idea also offers room to re-imagine the Warden as a much more interesting, complex, and sympathetic character.  Indeed, there has been some excellent fan fiction written about this pseudo-parental relationship.

Art: Fathers And Sons Day by tabbydragon

There is some evidence to support this.  The first is that, although the Warden behaves harshly toward Megamind in the “jail-break” scene near the beginning of the film, Megamind himself seems to be trying to engage in a playful exchange: pranking the older man, wishing him a good morning, and even teasing him.  While some say that this is simply Megamind’s personality as well as his determination to always appear indominable, others suggest that, perhaps, the blue man is trying to recapture a lost amiability between himself and the prison Warden.  It is possible that, when he was younger and less villainous, Megamind might have exchanged friendly jokes and greetings with the man in charge of the jail he called home.  It has even been suggested that the Warden is so hard on the blue man at the beginning of the film not because he hates Megamind, but because Megamind’s life choices have hurt and alienated his father figure. This idea finds some support in the facts that, when Megamind leaves jail to confront Titan, the Warden wished him good luck, and at the end of the movie, that same man seems genuinely happy as he watches the television broadcast of his one-time prisoner being named Defender of Metro City.  Finally, there is some evidence from the comics which, although not truly considered canon, as I’ve mentioned before, do offer some material for fan theories.  In the “episode” entitled Bad Minion! Bad! Megamind runs into the Warden in a bar, and the latter offers the former advice.  There is certainly a somewhat fatherly feel to the scene.

The second theory is exactly the opposite: that the Warden either did not care for or outright disliked the former supervillain.  Unfortunately, as fun as the Warden/Father Figure concept is, this second, darker idea has far stronger evidence to support it in the film itself.  (Try not to hate me, everyone.)  These clues range from the obvious to the subtle, but there are quite a few of them to be found.

During the first scene in which we see Warden interact with Megamind, he doesn’t behave like an angry, disappointed father—at least not a good one.  He isn’t merely surly toward Megamind; he is absolutely nasty. The Warden verbally condemns the alien, telling him that he’ll “always be a villain,” and essentially steals what he believes is a gift for the blue man, even taunting him by saying: “I think I’ll keep it!”  This hardly seems like the actions of someone who once felt any sort of affection for the extraterrestrial.  That same portion of the movie holds another clue as well: the screens monitoring Megamind’s brain activity.  Indeed, in original concept art for the film, the system appears both more invasive and more nightmarish.  It seems that, far from protecting Megamind, the Warden may have actually allowed him to be experimented upon.

Next, there is the newspaper article at the beginning of the title sequence, which bears the headline “Hometown Boy Makes Bad.” It’s hard to see what the paper says, of course, even if you bother to really notice it, but luckily for us Liz (Demishock) wrote a wonderfully thorough blog post which, among other things, provides a transcript of the “news story.”  In it, the Warden is quoted as referring to young Megamind as a born villain as well as abnormal.  

You don't know this kid. I've watched the little criminal since he was in diapers. This kid is just a bad seed. I've got experienced, hardened criminals in here who are afraid of him - I mean, have you seen the size of his head?…  It's not like he's a normal kid… I mean, have you gotten a good look at his gigantic blue head? I don't know where you come from, but where I come it's just not right.

Granted, there seems to be some truth to what the Warden is saying, as the article also mentions that Megamind, who can hardly have been more than seven years old at the time, has basically been put into solitary confinement for the safety of other prisoners following an unnamed incident, adding that the other inmates “refused to point fingers for fear of retaliation.”  (This fits with the fan theory that young Megamind would have had to both fight and develop a fearsome reputation in order to protect himself. You can read more about that in the post How Strong is Megamind?) However, the Warden seems to dwell a lot on the fact that Megamind looks alien, and he displays an obvious dislike for the young boy.

Finally, there is evidence hidden in the school scene, although it’s easy to miss. In an amazing two-part video series, Megamind: A City of Deception. YouTuber The Theorizer illustrates several hidden clues about Megamind’s early life and how it it led him to embrace villainy.  (I will very likely write another post going into more detail about that at a later date.)  One thing that The Theorizer discovered is a seemingly innocuous detail in the background during the popcorn scene.  Take a moment to examine the images below.  Look closely at the blackboard and you’ll see a paper cut out of a school bus.  Look even more closely at that and you’ll find something odd: the bus is full of crayon-drawn children except for one figure: an adult male, riding in the back of the bus, who looks suspiciously like the Warden as he appears at the beginning of the film. 

In a movie where so much attention is given to small things—I mean, seriously, the animation team actually went through the trouble to write a news story for a paper that was on the screen less than ten seconds—this cannot possibly be a coincidence.  (You can learn more about the artists’ amazing dedication to detail in my post What’s Hidden in the Animation?)  Although it is vaguely possible that Megamind, painfully aware of how much his appearance was despised, chose to draw the Warden’s face instead of his own, most fans believe there is a darker reason for this oddity.  

Think about it: the Li’l Gifted School for Li’l Gifted Kids is built close by a jail with a strangely similar name: Metro City Prison for the Criminally Gifted.   It’s clearly a small academy, yet the only two known aliens in the city—who, by the way, have extremely different social backgrounds—both just happen to attend there.  And now the prison warden appears to be somehow involved with the elementary school?  It’s bizarre.  Add to this the fact that the young alien adopted by a privileged family—a boy who possessed super-strength and laser vision—seemed inclined to be a bully, (as is made obvious by the kickball scene,) and a disturbing fan theory emerges.  Adults realized that Wayne Smith, the child who would eventually become Metro Man, might prove dangerous if left unchecked, and came up with a plan to turn him into a hero instead.  Wayne was showered with praise, conditioning him to seek public approval, but a superhero needs a nemesis.  The strange-looking, unwanted blue boy who’d already been labeled a criminal would have seemed like the obvious choice.  If this is true, then Megamind was purposefully, albeit covertly, groomed to become a supervillain from a young age, and the Warden played a major role in doing that.

So there you have it.  Two competing fan theories concerning the Warden’s connection with Megamind.  Both have some evidence supporting them, and there are fans who are firmly dedicated to one or the other.  Which is true?  Did the Warden care for Megamind like a son but distance himself when the boy turned to villainy?  Or did he judge and despise Megamind but come around to liking him when he finally realized what sort of person the blue man was deep down?  The fact is that those questions can be argued for hours on end.  No matter which of these suppositions you prefer, however, the mere fact that even a minor supporting character is complex enough to offer room for this debate speaks to the impressive amount of work and devotion that went into creating this amazing animated film.

[vkelleyart]

Thoughts on fandom: inclusion and engagement.

(Art credit to the kindhearted @penpanoply​!)

There’s been some stuff floating around on Tumblr about strife in the CO/WS fandom, and though I haven’t been explicitly named-dropped on anything public, my DMs have been... active. lol Rather than rehash what’s been said already, I just want to impart a little wisdom and perspective in the hopes it may soothe frayed feelings and offer a way ahead for cultivating a respectful community. As someone who has been an active participant in online fandoms since the mid-’90s, which was the advent of online fandom content creation (shout out to my fellow X-Philes!), and who has also spent a chunk of her professional life managing social media for the federal government and for activist groups, I can promise you it’s all gonna be okay.

Here’s some context for why strife happens and what we can do to create a more inclusive and communicative fandom environment. 

1) It sounds cliché, but fandoms go through growing pains. 

In the case of the Simon Snow fandom, what was once a small and cozy space untouched by cataclysmic events (such as the release of *gasp* a sequel) has grown exponentially in a relatively short amount of time following the release of Wayward Son. Newcomers are eager to find a home in this space at the same time as folks who’ve been here a while may be consciously or unconsciously wary about widening their circle, and It’s important to remember that this is not necessarily an expression of bad behavior on either side but just human psychology doing its thing. 

The byproduct, however, is that tension and stress builds over time from the lack of meaningful communication across the divide, which subsequently fuels misunderstandings. Ironically, the interfaces we use to communicate don’t help with this because any existing communication about the tension happens in tiny vacuums until a trigger goes off and bad feelings go public. 

Way Ahead: These moments of destabilization are opportunities to see where we can be more self aware about how we engage with fandom and the kind of community we want to be. Can you promote, support, or befriend someone trying to gain a foothold? If yes, please do! Each person must reach their own decision about what they can do within the confines of their available energy, health, and time, but a little self awareness goes a long way as long as you’re honest with yourself and others if applicable about what you can contribute. Anyone who judges you for it isn’t worth the strife.

2) In a fandom comprised of vulnerable/marginalized people, it’s more accurate to say that cliques are “bubbles of trust.”

This one's important. Just by nature of the source material, the CO/WS fandom includes fans with a wide array of backgrounds and experiences, especially when it comes to those who identify with the characters’ queerness, mental illness, and/or trauma. I really believe––based on individual conversations/group chats––that the difficult lived experiences that so many of our fandom peers have endured has produced one of the most open, aware, and accepting fandoms I’ve had the pleasure of participating in. Our vulnerability is, in a real way, our strength.

That said, a community of survivors also has the side effect of cultivating small circles of engagement that I call “bubbles of trust.” When you’re a survivor of abuse, marginalization, mental illness, fill-in-the-blank, it’s often quite hard to risk casting a wide net and expanding your circle to include new faces––which can subsequently be internalized by equally sensitive and vulnerable newcomers as rejection, judgement, or inadequacy.

Way Ahead: First of all, there may indeed be gatekeeping and exclusion going on. But before internalizing someone’s cagey behavior as gatekeeping or purposely exclusionary, ask yourself if you have all the information. Many people are private (I include myself in this assessment) because life has regrettably taught them to be this way, and so they may insulate themselves to a small group of people who have earned their trust. Some people might also triggered by certain content (case in point: smut triggers my anxiety) so they don’t engage with it. Others might have something in their pasts that define how they handle certain subjects (for example, a person of color should not be tone policed for getting angry when confronted with a racialized microagression, however accidental it was). You just don’t know what you don’t know. 

The solution here is to regularly check your privilege and ask questions in a private space if you sense you’re being treated unfairly by someone. If you go public with your grievances in hopes of mobilizing the mob, you may accidentally find yourself stepping into the role of the aggressor instead of the victim.

3) Social Media is not built to help you get engagement. It’s built to help itself make money off of you.

Repeat after me: Hits/likes are not a measurable indicator of talent or worth. There are ridiculously talented folks on Tumblr and elsewhere who, for whatever reason, haven’t had their viral moment, and it’s not their fault. Loads of factors come into play where things like likes, reblogs, and comments are concerned, among them being posting frequency, subject matter, the time of day, the day of the week, the week of the month, the month of the year, the current administration, the stock exchange, the concentration of middle class users, who just won the Superbowl, a madman trying to steal an election and undermine the democratic process, a PANDEMIC, do you get where I’m going with this?? lol

At the end of the day, my humble successes have been helped along by good luck, good timing, high profile signal boosters, and an absurd amount of work. (This is why I try to signal boost new work whenever I get a chance over at @vkelleyshares.) 

So while you cannot control Tumblr’s interface, trends at large, or your fellow users, here’s what you can do to ensure you give your work the best possible chance of exposure.

Have an image ready to go with your post. Tumblr is a visual platform (no matter what it says about being good for text). Not good with images? Set up a Canva.com account and get access to free graphic software with a gazillion templates to create whatever attractive image you want to attach to your post.

Keep the outward facing text brief and easy on the eyes. Too long and eyes will glaze over. Put excess text behind a “read more.”

You may think you’re being cute when you do this, but don’t put yourself down in your posts. (Don’t put yourself down in general, of course.) Doing so acts as engagement repellant. If you don’t believe in your work, no one else will.

Related: Be your best cheerleader. Confidence is a magnet, and if you don’t have it, go ahead and fake it until you start to convince yourself you are worth the buzz. So promote yourself! You have gifts that only you can impart. Use that knowledge to fuel everything you do from your art/fiction writing to your outreach with other content creators, and by golly, if someone’s done it already, acknowledge that contribution and then tell the world that this is YOUR unique take on it.

Treat your fellow fandom creators as human beings, not art/fiction/content boosting machines. I cannot count how many times I’ve had folks slide into my DMs with offers of friendship only to disappear once they realize I’m not available to draw a picture for their fic. It hurts because it’s manipulative and it makes me want to hole up and not signal boost anyone. Creators who truly support each other will not give off a transactional vibe. I want to help you reach more people, but not if that’s all I’m good for in your eyes. 

The long and short of it: Lead with compassion, do your best with the opportunities at  your disposal, and remember that fandom belongs to everyone in it. ❤️

What saves a fandom made of sensitive and vulnerable souls from imploding when it goes through growing pains is radical compassion from those who can offer it. Begin with the assumption that your fellow fandomers are not trying to harm you, and wade into the water knowing that your insight into the lives of your peers is limited by default and you may need to temper your words or actions accordingly. If you’re a content creator, save compassion for yourself as well, as there are indeed challenges to gaining an audience, and lack of engagement does not mean you lack talent or skill. Be your best advocate, and if you have the bandwidth to lift up a fellow creator and make a new friend, please, go ahead do it! 

And finally, fandom belongs to everyone, and no one has a monopoly on characters, tropes, or themes. Create and consume what you love (with respect for your more vulnerable peers), and bask in the variety, my friends!

That’s all I’ve got in my head at the moment, although I’m sure there’s more I’m forgetting. Thanks so much to @penpanoply for letting me use her art for this and to everyone else, hang in there and try not to judge each other too harshly. These are unprecedented times, and most of us are doing our best in circumstances that are pushing us to our limits. 

As always, if you have questions or want to sound off on anything, shoot me a message or an ask, or ping me on Discord. It might take me a second to respond (thanks, Covid) but I’ll get to it! Love, love, and more love to all.