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deadsetobsessions · 10 months ago

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Listen, I know it’s not my usual thing, but I just re-read Dark Matter by mysterycyclone (iconic, so good, incredible, I’ve reread this at least ten times) and this newer work, Help Me, I Don’t Feel Like Myself Anymore by Astra_Nova_Kat (it’s off to a really good and fleshed out, very long start- it’s like 20k for the first chapter omg).

I just. Love?? Them??? They’re both, urg, so good. The writing style, the way the story moves, the natural progression of plot and their usage of tropes are so well done that rarely does it feel awkward. Amazing. Anyways, they inspired me to put my two cents into the proverbial offering hat and while this might not ever be a realized fanfic, here it is? This will have multiple parts.

Uh, I’m basing Peter’s personality off of the really tired millennial energy Tobey Maguire gives, the awkward but well meaning disaster vibes of Andrew Garfield, and the sassy acrobatic chaos gremlin of Tom Holland. All kind of mushed together with the hyper competence and maturity of both the PS4 spidey and pretty much most spider people. He’s 22, or something but that doesn’t really matter?? Background doesn’t really matter because I’m basically making my own spider-verse. Spider… past? Eh. New Peter!

Spider in Gotham AU- Pt.1

[Pt.2]

——

Spider-Man swung through the skyscrapers of his city, enjoying the winds and sounds of New York as he kept a sharp eye out for crime.

He remembered doing this without any of the fancy tech his suit had now, when he was dressed in less protective clothing. God, 100% cotton while crime fighting? The spandex was better but god ugly.

His spider-sense blared. Spider-man quickly shot a web to the top of the building, going towards the danger instead of away from it.

He goes in feet first, years of knocking common thugs to legitimate gods to the ground making short work of the people on the roof top. He flips out of the way, dodging a blast of crackling green energy.

“Heyyyy, common robbers! What’s up with shiny lasers, huh? Breaking and entering not doing enough for ya?”

Spider-Man dodges a couple more shots, flipping again to knee a guy in the face, gently. The man goes down in one shot.

“Stay still, you motherfucker!”

“Does that actually work for you guys?? Like I’m down to get killed but, man, I’m not gonna stay still to get downed by some two bit thugs?” Spider-Man kept his words light and mocking, webbing up a laser gun and yanking it out of the woman’s hands. He punches her in the face and knocks her out, using the laser gun like a mildly bulky baton.

“Eat shit, Spider-bitch!”

“Ouch! Oh no, my feelings! You’ve hurt them!” Spider-Man shoots a web at the lady who’d shouted and yanked, before smacking her straight down to the concrete of the rooftop. His hearing picked up two people coming up the stairway and Spider-Man tossed two web bombs, the metal mechanism attached itself to the wall, waiting for their unknowing victims.

Spider-Man ducked and weaved, downing goons as they piled on him while shooting bullets, lasers, and just charging at him with a bat or a crowbar. After eight years of pretty much this exact thing, Spider-Man had gotten the science of breaking up goon dog piles without hurting them too much to an exact measurement. He quipped at them until they got annoyed, which made them sloppy. Spider-Man sighed as another guy came at him with a crow bar and a gun that he was pretty sure was still stuck on safety. He crouched, kicking out their legs and dodging a swipe of a bat where his ribs would have been and webbed the guy to the floor. Yeah, he’ll wrap this up and end patrol. Maybe he still had Mac n’ Cheese at home, or he could stop by Angelo’s for a sub?

Huh. His options for dinner was limited.

“Take this!”

Even without the forewarning of his spidey-sense, Spider-Man would have ducked out of the way regardless.

“Shouting your sneak attacks isn’t actually all that sneaky, you know!” Spider-Man kept his voice cheery and mocking.

“Get him!”

God, why were there so many people trying to break into an insurance company? This definitely doesn’t smell like a regular B&E. With the shit he’s seen in New York, if it smells like a plot, acts like a plot, then it’s probably a villain with a tragic backstory with big, annoying plans.

Great.

Oh, speak of the devil!

“Spider-Man.” His senses blared.

He couldn’t move out of the way fast enough, not without risking the life of the goon he was currently fighting, so Spider-Man took the blast the punched the breath out of his lungs. The wide eyes of the goon made up for some of the pain.

“Ugh!” Spider-Man slammed into an HVAC, denting the metal. His suit, made special polymer blend from Wakanda that he saved for months to get, absorbed some of the shock. Shit, he hoped it didn’t tear. It would be a bitch and a half to dip into the back up stock he had in his hammer space.

The goons left standing quickly rushed him and held him down to face the new boss.

“You’ve been getting on my nerves, Spider.”

“Yeah,” Spider-Man coughed out, letting the two goons think they could hold him down on his knees as he recovered his breath. “I have that effect on people.”

“But you could be an asset, if you’d join me?”

“Uh, I don’t join or sign things without knowing what I’m joining or signing, my guy. My lawyer said so.”

The villain paused, helmeted head cocking to the side.

“You have a lawyer?”

“Yeah. Kind of? He does pro-bono work for the helpless cases. You know, like, a well meaning, crime fighting vigilante?”

“…Does he do cases against insurance companies?”

“Oh man, you too? Dude, this place sucks,” Spider-Man sighed.

“You’ve had trouble too? Then you must see why I’m doing this!”

This was a bit weird, but if there’s anything that brings people together, it’d be corrupt insurance companies. He’s almost tempted to let them break in, just to be extra petty.

“Nah, my neighbor? Sweet old lady. They’re screwing her out of her entire place. I totally get it, man. Hey, if you need a referral, you can tell my lawyer that Spider sent you. He’s real good.”

“How good?” The goons release him and Spider-Man stood up, stretching his limbs.

“Like, Dare Devil good.”

“You know Matt Murdock??”

“Sure do.”

“He… he’ll take on our cases?”

“Dang, all of you?”

“Yes. We can pool enough money to pay him for one or two.”

“Nah, I’m pretty sure he’ll take you guys on for free. But it wouldn’t hurt if you all went to meet him, just so he can decide which one of you has a higher chance to win in court?”

“We will. Uh.” The villain paused sheepishly. Well, not a villain, more like an unfortunately angry and poor decision making citizen. “Sorry about… you know, the blast.”

“It’s cool. I mean,” Spider-Man gestured to the rooftop, the bodies of unconscious people kind of laying around where he knocked them down. “You guys might wanna check on them, yeah? I’ll let you go for now, but if you commit a B&E again, I’ll leave you webbed up for GCPD to find.”

“Got it. Sorry.”

Feeling good about himself, and plotting corporate espionage, Spider-Man went to help pry some people from his webs.

And of course, because Parker Luck kicks in only when Spider-Man felt like life was looking up for himself, Spider-Man’s senses blared once more as he knelt down to pull at some webbing.

“Oh, shit!” He heard, right before a cold blast of something slammed right into his head, knocking him out.

And Spider-Man

——

Larry looked at the the empty space where Spider-Man, the guy who took a hit from his boss’ blaster so he wouldn’t get hurt, used to be.

He twisted.

“Boss, what the fuck?!”

“Shit! That was accident!” Boss pulled herself up from the concrete, where she just ate dirt.

“Where did he go?”

“I don’t know, Larry! That was the experimental warped mode! Crap!” His boss scrambled with the controls, desperately trying to see if the magic gun her magician friend had handed her years ago had a reverse button. It didn’t.

“Why would you bring a test weapon into the field?!”

“I gave you all of my other ones!” She threw up her hands. “Fuck, I feel so bad.”

Larry paled. “Dude, Dare Devil’s gonna kill us.”

“He doesn’t kill!” His boss hesitated. “I think.”

Larry pointed to the empty space. “Yeah? He might start with us. Spidey was a cool guy and you just disappeared him!”

“I know!”

Larry buried his head into his hands and tried not to hate himself for the entire situation.

——

Spider-man woke up, laid flat on the grimy ground of an alleyway.

“Ugh. Just my luck.” He kept his eyes closed for just a beat longer to allow himself time before having to pull his shit together. Why was his voice high? And a bit squeaky? He pulled himself together.

“Okay.” He whispered to himself, before sitting up and taking stock of the situation.

First thing that hit him was that it stunk to high heavens. Gagging, Spider-Man looked to the right and- yeah, that’ll do it. He stood up on wobbly legs to try to move away from the overflowing dumpster.

That’s when the second, more important and decidedly more troublesome, observation hit him.

He’s short. Shorter. And his suit was hanging off of him.

He could tell he still had his normal by now physiology, with the speeding heartbeat and the feeling of super strength. But he’s shorter. With a mounting sense of equal parts dread and resignation, he pulled at the hidden seam by his nape, relying on his both his enhanced senses and spidey-sense to tell if anyone was nearby or looking at him. He pulled the Spider-Man suit off, blankly folding it neatly as he stared dumbly at his hands. They’re small too. Shit. He stumbled to a nearby mud puddle and stared down, seeing his younger face in the contaminated water. Double shit.

He’s starting to loose his composure. He’d gone through a lot of bizarre things over the last eight years. But getting accidentally Detective Conan’ed by a person he just helped was a new low.

The black under layer of his suit, a slash proof and fire resistant polymer Peter had designed himself in MIT’s lab, was in a similar state.

With one hand, Peter Parker numbly rolled up his sleeves and pant hems. Great. Okay. Now what?

Ah. Shoes. He did not want to walk around in his too-big Spider-Man boots. He looked around. Well, there’s the laces of what looked to be like a pair of dumpster shoes. “Yeah, no.”

Shit. Does he still have access to his hammer space?

Peter reached into his pocket, and tried to reach for a pair of normal sneakers. His shoulder slumped as he produced a pair. Fuck yes. He still has access! And shoes! They’re ones he took off of a power line for a well off kid who didn’t want it anymore. He was going to donate them to F. E. A. S. T. but he’s thanking the stars he procrastinated a bit on swinging by the center. He put them on. They’re a bit big, but it’s better than the giant-in-comparison ones he normally wears. You know, as an adult.

He hesitated with his mask. He should at least figure out where he is. He hoped it was still in the states. His mask blinked, the HUD in his lenses informing him that it was trying to find a connection. “That’s weird.” He paused, grimacing at the sound of his voice. But it is weird, because he had his mask automatically connected to the world wide satellites Tony Stark had sent circling the globe for citizens without internet access as a back up option. So either he was somewhere even the Stark Satellites couldn’t reach or…

Peter swallowed, his mask pinging as it found a connection to piggy back on. He clicked his tongue twice to activate the voice controls.

“Connect to the local maps. Where am I?”

His masked followed the order. [Gotham. New Jersey.]

Peter stared at the words, gut churning.

Good news, he was still in the States. Bad news? He’s shrunk, in a totally different state, and possibly in a different world because he’s not connected to the Stark Satellites he knew operated in New Jersey.

Peter Parker tilted his head back and allowed himself one verbal, panic level six and up, curse word.

“Fuck.”

He took off his mask and leaned against a slightly cleaner part of the wall before hyperventilating.

——

Half an hour later, Peter smacked himself on the cheeks and pulled himself together.

“You’re Spider-Man,” he hissed to himself. “Have a mental breakdown somewhere warm, you dumbass.”

Peter Parker was a champion, world class expert at compartmentalization.

He slipped his mask back on, and pulled up his “So You’re Stuck in an Alternate Universe” list he had made with Ned so many years ago when they were high school kids and going through comic books to make contingencies because Peter was a little idiot vigilante hero.

“I didn’t think I’d actually ever need this kind of thing.” Peter muttered. He slipped his black back up gloves on to connect to his mask’s display in order to type.

“Okay,” he glanced at the side by side screens in his lenses. “Money.”

Five things.

1) The emergency cash he’d stashed on him thankfull matched the pictures of cash he’d found on this world’s internet. Yay!

2) He had $1000 tucked away. Not yay. Not if this might be a long term stay before he got back to his own dimension. Not if he wanted a place to sleep.

3) Luckily, thanks to his earlier search of where the hell he was, Peter figured out that due to the high crime rates- “Dang, that’s worse than New York on New Year’s Eve,” he had marveled- Gotham was dirt cheap and that that meant 1k dollars could actually last him a while and he could afford a room for a month on $250. A whole ass apartment for $550. Peter seriously considered staying in this universe just for the rent prices. So what if there’s rampant crimes? He’d deal with it if the rent was that cheap.

4) Problem? He’s fucking tiny. Who would rent to a person that looked like child? Not anyone upstanding, that’s for sure. He’s more likely to get mugged. Counterpoint: he’s in a city where apparently shady people are all around. Also? He doesn’t have an identity.

5) If the fact that he couldn’t connect to the Stark Satellites didn’t convince him he was either in another universe or an alternate dimension, the visual graphics of the websites he visited would. It was like looking at Windows in the early way before Stark Co. bought them out and improved the design. Nauseating.

Okay, so, money’s not too urgent of an issue. Next on Ned’s list: Places of Interest.

Namely, libraries, homeless shelters, crime hotspots, and the like.

Peter snorted when he came across an opinions article talking about how Park Row became Crime Alley. And then he frowned, because that story was not painting this place to be even remotely nice. Then again, considering the crime rates and the various Rogues this place seemed to have in spades, that wasn’t much of a surprise. Peter marks the place in his new mental map of Gotham as a potential area he could either disappear to or get a new identity at. He then marked the libraries, Gotham City Public Library and its many branches all funded by generous donations from a Bruce Wayne, the Martha Wayne foundations’ shelters and charities, two supermarkets near the library, and a coffee shop he thought looked warm and cozy from the shitty pictures they have uploaded online. He needed coffee, dammit, and he needed it hours ago. Alas, he probably wouldn’t get to go to one until he secured his finances.

Well, it’s not like he doesn’t have practice being poor.

3) Which brings him up to Ned’s next, surprisingly reasonable for a teenager hoped up on a mountain load of sugar, point. Level of Tech.

Peter hid next to the dumpster, melding in with the shadows, as he continued his research.

Tech here was… well, he probably wouldn’t have to worry. The thought of not having a Starkphone, even his older model, was painful considering the new versions of these WaynePhones were really… behind. Peter doesn’t remember the last time he had buttons on his phone or let alone a touch screen that didn’t use facial tracking and biometrics or even have a holographic display mode.

“Ugh. Okay. Not the end of the world, Parker.” Peter muttered.

Now… People of Interest.

This was underlined three times with Ned’s red pens, with extensive subcategories.

Subcategory A? Villains, because “what if they put out a warning for a known villain and you get your butt kicked because you didn’t know about them, Peter? Wouldn’t that be embarrassing?”

He had replied, half focused on the list and the other on savoring the Millennium Falcon Lego set May had saved up for months to get him for his birthday, “I feel like if I was getting my butt kicked by a villain, I’d probably have better things to worry about than my utter humiliation, Ned.”

“True that,” Ned had snicked and jotted it down anyways.

And… well, Gotham had a lot of villains. The Joker (ew, that’s a crusty man in crustier face paint. This guy could learn so much from the cool mimes busking in Central Park. Like, how to do face paint. Or how not to be a massive murderous jerk. There’s Clayface, Two-Face, a bald guy in “Metropolis” (a name Peter couldn’t help but snort at because a city named city? That’s like na’an bread being bread bread. Or chai tea being tea tea) named Lex Luthor, and Scarecrow. He tabbed all of them and marked them for further perusal at a later date. From experience, he knew villains with a prominent M.O. and themes usually did more damage. Case in point: Rhino, and the million dollars of property damage the guy did everytime he escaped the Raft. Peter was seriously considering petitioning for the Raft to be placed further out just so he could have more warning the next time some assholes decided to free the prisoners and helped them escape.

He narrowed his eyes at the screen, his mask’s lenses following the movement. He’ll have to pick up a gas mask. Apparently bio-weapons are just a regular thing here and he really didn’t want to get dosed with this “fear toxin.” It’d be dangerous for everyone involved. Maybe if he gets his hands on a sample, he could build up tolerance and see how his immune system and metabolic rates affected the normal progression of the toxin. Ah, off topic. He’s gotta focus.

Subcategory B: Local celebrities.

“Why would I need to know local celebrities?” He’d asked.

“If someone came up to you and asked “Who’s Tony Stark?”, wouldn’t you clock that as super weird? You gotta blend in, Peter. Plus, you gotta keep up with the pop culture, dude. It’s important.”

“You just want alternate universe memes,” Peter grinned.

“That too. If you ever go to an alternate universe and come back, you’d better bring me a truckload of memes or I’ll never forgive you.”

Yeah. So. Wayne? Super important. Like Tony Stark levels of important. He found threads about them and the local vigilantes and their charity works. Peter’s brain instantly catalogued the info, all but memorizing the deluge of pictures he found of Bruce Wayne and his kids. Maybe the man had an adoption problem? Conspiracy threads and memes popped up alongside his research. He tabbed one on secret societies, because as Spiderman, he had fought a disturbing amount of secret societies that, on hindsight, had been theorized about on threads he’s read on his free time. Somehow, somewhere, somewhen, a conspiracy theorist could be right. Peter’s not about to dismiss that. He also saved like thirty different memes to send to Ned when he got back. If he got back.

Peter smacked that thought away. He’ll get back to his city or die trying.

Subcategory C, underlined and starred: Other Superheroes and Vigilantes.

Yeah, Peter’s excited about this one too. After Matt stopped being Dare Devil (but did he actually ever stop?) and Wade dipping in and out of NY, Peter’s gotten lonely as Spider-Man. He missed training with them. Of course, the fantastic four were still operating, but he doesn’t actually interact with them or the Avengers at all. Miles hasn’t been cleared (by his mom) to go out as Spiderman with near as many hours as Peter cleared a night. Peter stood behind that because he remembered how horrible it was to work as Spiderman and try to balance school on top of it. Also, he was terrified of Mrs. Morales and would never endanger her son more than he already does. He did wave to Black Widow from a rooftop once, spider to spider, and that was pretty much the coolest moment of his life.

So. Uh. The amount of vigilantes and heroes in this world? Amazing. In Gotham? There’s like, a whole team of them.

Batman, Nightwing (who, Username: Draken Draken had theorized, was the first iteration of Batman’s sidekick Robin), Red Hood, Black Canary, Huntress, Red Robin, Spoiler, the “day vigilante” Signal, the current Robin, and whispers of a “Black Bat.”

And their unfortunate “No Meta” rule with the singular exception of Signal. Peter figured their term of Meta was essentially the same thing as his world’s mutants. He’s not sure which term he liked more. Eh, he’ll worry about that later.

And there’s a Justice League! Which, to Peter, is just a bigger Avengers. There’s aliens on this world too. Superman. Martian Manhunter.

Peter grinned from his place crouched next to the dumpster. Yeah, this is awesome. He quickly memorized everything he could find, cross referencing posts and picking out the nuggets of truth or at least popular truth from the posts he viewed. Like, Red Hood operated in Crime Alley and was a crime boss with morals. Cool.

He’ll go down the spiral later. He mentally thanked Ned who was the best guy in the chair a teenage vigilante could ask for. He should really text his friend when he got back.

For now, he’ll head to the library and see if he could use their computers. He might need a card though… Peter quickly pulled up the search engine and found an Internet cafe. Ah, 24 hour internet cafes, the savior of his college days. There first, and then library, Peter decided. He memorized the instructions and pulled his mask off, tucking it away in the hammer space.

He walked out the alley and turned left, only to double take at his reflection in a shop window that was partially boarded up. Holy shit, he’s a baby. He’s like. 10!

Oh my god.

Peter twitched, tearing himself away from the window before the shop owner decided he was less curious and more potential mugger before promptly remembering that he looked less of a threat than ever. Mixed feelings.

Peter hurried his way to the internet cafe, paying the guy at the front a little extra so he’d ignore the obvious minor without a guardian thing Peter hasn’t gotten used to. Ugh. That was going to be annoying. He only paid for two hours and pulled up as many listings for a room as possible. By the end of it, he came out with $1 worth of fliers printed out and having funneled some billionaire’s offshore accounts into a new bank account he’d made by hacking into the bank servers. Does he feel bad about stealing? Yeah. But Peter’s a vigilante. He’s done worse than nabbing a monthly sum of a couple of hundreds from Lex Luthor’s off shore accounts. He’s not gonna get caught, and considering the guy’s rants on meta humans, Peter’s not feeling particularly guilty about it. He’ll do something good later to make up for it. Once he gets his footholds and can prepare his way back, he’ll even return to the rest of the money. Probably.

Peter left the cafe with his sheaf of flyers, stopping by an informational stand with free tourist maps and plucked one quickly from its plastic holder. He’ll pick something up from the food vendors on his way to the apartments. Peter began walking, taking in the sights of the gargoyles and-

“Nope!” He caught the wrist of a pickpocket. It’s a kid and he immediately felt bad.

“Lemme go. I ain’t done nothing to ya, ya Yorker tourist.”

“Okay,” Peter shrugged. “Don’t get caught the next time?”

The kid gaped at him. “Shi’, you must be really good at it. I’ve never been caught before.”

Peter wisely refrained from telling the kid it was due to his spidey-sense. He let go of the kid’s wrist and let a bit more of his accent out. “Why’d you need money anyways?”

“Food, duh.”

“Dude, I’m starving. Tell you what. You show me the best sub shop nearby and I’ll pay for your food. Deal?”

The kid stared at him, wide eyed. “You’re fuckin’ nuts. Why’re you being nice?”

“I’m hungry? Do we have a deal, kid?”

“… Fuck it. Fine. And don’t call me kid, shrimp. You’re like what, eight?”

Oh. Yeah. Peter’s a kid now. He shrugged.

“I’m older than you. I’m twelve.”

Peter blinked, frowning at how thin the kid’s wrists were.

“I’m Peter!”

“… Frank.”

He let Frank lead the way. Stranger danger doesn’t apply to him, he’s a grown ass man. In the body of a ten year old him, but still. A couple of minutes, four sandwiches and a load of chips later, Frank was watching wide eyed as he demolished three four dollar subs.

“Holy shit. Where are you packing that away? You’re a stick!”

Peter took a big bite of the sandwich as an answer. Frank looked down at his meal.

“Uh. Hey.”

Peter made a muffled noise of question, mouth stuffed full of steak and cheese.

“Sorry about. Uh. Trynna nick from ya.”

Peter chewed faster.

Frank continued, looking like he hated himself. “I wouldn’t… normally steal from shrimps like you but I was desperate and… really hungry, so. My bad.”

Peter finished chewing. “All good, dude. Eat your sandwich.”

Peter had the sudden urge to adopt Frank. Unlike Wayne, he’s not a billionaire, so he smacked that urge down. He could use a friend though. Now… how to be friends with a literal child!

“If you feel that bad about it, you could… be my friend?”

Peter took in the wide eyed gaze from the twelve year old in front of him. Abort! Abort! That was too direct!

“You’re fucking weird. But… okay.”

“That was easy.”

Frank scowled, kicking Peter’s shin.

“Ow!”

“Whatever, shrimp.”

Peter scowled. On his baby face, it came out as a pout.

Do not start beef with a twelve year old, Peter. You’re a grown ass adult.

“Hey, you know I’m new here, right?”

“Duh.” Frank took a bite of his food.

“Can you tell me which one of these are legit?” Peter handed Frank the flyers. He took them, an odd look passing his face.

“You’re looking for a place?”

“Yeah? Why?”

Frank stared at him. Looked back down. He instantly got rid of four listings out of the ten. “These are too close to the Alley. They’re probably traffickers.”

Peter hummed in agreement. Frank paused.

“You’re just gonna trust me on that?”

“Yeah? I can tell when people are lying.” Well, his spidey sense could, when he cared enough about the subject.

“What the fuck.” Frank shoved the rest the papers at him and guiltily munched on his food. “Are Yorkers all just like you?”

“Dunno? Probably not.”

“… Whatever. The rest of the places should work. They probably won’t ask questions.” Frank flapped a hand at Peter’s new situation. Yeah, the shortness was getting to him too.

Peter nodded. Obviously, they were the more expensive places, but considering the new found resources he’d… acquired during his time at the cafe, it doesn’t really matter.

“Cool! Wanna go see it with me?”

Frank immediately took on a suspicious glare. “Why?”

“I dunno? You don’t have to if you don’t want to. I just thought since you know your way around…”

“Ugh. Fine. But if there’s anything shady, I’m fucking dipping out.”

“Okay!” Peter grinned for the first time the couple of hours he’d been trapped in this new world.

——

They’d found an apartment with a landlord that got a weird, sad face when she was talking to them about the apartment. After like, an hour of walking around and Peter’s spidey sense screaming at him not to even go near the places Frank had left in the pile of maybe’s.

“We walked all the way here. Ya not even gonna go in?”

“The vibes are off. It’s a no.”

And because Peter’s a genius idiot with no self preservation, he’d marked the places to investigate later.

Frank had blinked at him, mildly offended and nonplussed. After a while of spluttering, he just gave up. Eventually, they got here.

“I don’t normally rent to kids,” the landlord lady said. Peter immediately liked her. “But I’ll make an exception if you’ve got the cash.”

“I’d like to see the unit first, please” Peter said. He’s not stupid, and Gotham’s renting scene is both easier and harder than New York.

They toured it. Peter? He’d seen worse. He’d lived worse. Also, it had two bedroom and was $620. Yeah, Peter was really considering just staying here full time and commuting to his New York when he wanted to be a vigilante.

“I’ll take it, ma’am.” The landlord and Frank both snorted, sharing a Gothamite look.

“It’s Georgie, to you, brat. You just need the first month’s rent, since I’ll wave the deposit for you shrimps. Utilities included. Your friend stayin’?”

“No-” Frank had started.

“Yep!” Peter beamed, interrupting his new friend.

“What?” Frank turned, gaping again at this weird little kid who had enough money to rent a place and then invited a whole ass street kid he just met to live with him. “Are you stupid?! What if I rob you? Huh? I don’t need charity!”

Peter slowly looked around the empty unit.

“Uh.”

“No, that’s not the point!” Frank pointed a finger at Peter. “That’s how you get yourself killed!”

“But that’s why you should stay! I don’t know my way around Gotham so…”

Peter looked up at Frank, using his shortness for maximum devastation. “Please?”

Georgie leaned back on the heels of her feet, silently laughing. It’s not every day she sees a Gothamite street kid get out stubborned by an outsider, but she knows better than anyone that Gotham is weak to genuine kindness. And this Peter kid, the one that reminds her so much of her own? He’s practically filled with it.

“Yeah, kid,” she said to Frank, snickering. “Look at him. He’s gonna get mugged two steps into the Alley. Or anywhere.”

Frank flailed, but eventually, Peter handed over the money to an amused Georgie who gave them two keys in return and a move in gift of a pot pie.

“I gotta. Uh. Go get my stuff.” Frank had mumbled, dazed at whatever the hell just happened.

“Okay! I’ll see if I can go get furniture!”

“And lift them with your shrimpy arm? You wish.”

“I can use a cart.”

And really, he could, because Gotham had a lot of abandoned carts laying around. Like a concerning amount.

“Can you even reach the handle?”

“I’m not that short!”

Frank snorted, Georgie’s own chuckles following a beat after. Peter scowled at them.

“Be right back,” Frank promised, holding the key like it was treasure. He had been homeless for two and a half years now, so in his eyes, that key was as good as gold. He had somewhere warm to stay. Trying to pickpocket Peter was the best mistake he’s ever made in his short life. But he didn’t want to take advantage of that, well, no, he did want to, but he doesn’t want to take the genuine kindness for granted so he’ll see if there’s any street furniture he could haul back on his way.

“Okay!”

Georgie watched him go and turned to Peter.

“If you need stuff, there’s a thrift store and a grocery store that way.” She gave him the directions.

——

As soon as Frank and Georgie left, Peter immediately left his new place (and holy shit, he really didn’t expect things to be this easy. In New York, he had to spend at least a week checking out places because he had to figure out whether the problem that cause subtle twinges with his spider sense was worth living with. Here? It’s too obvious.) to buy supplies. He had $400. Until his new card came in, at least. He’d put his new address into that bank account addressed to a “Anthony Benjamin” before ordering a “replacement card.”

Peter ran to the thrift store, hurrying before the last traces of the sun dipped below the smog of Gotham. A frankly absurd amount of blankets, towels, pillows, clothes, packaged boxers, socks and shoes around his size went into the cart. To his chagrin, Peter couldn’t actually see much over the cart. Why the hell was he such a short ten year old? He blasted through the store, also guesstimating Frank’s sizes. He tossed in curtains, a used set of glow in the dark stars, and a lamp.

He also grabbed mismatched mugs, bowls, a bundle of cutlery, and a dented microwave he casually pretended to struggle getting onto the bottom part of the cart. It’s like lifting grapes for him, but he looks like a ten year old so…

He, guiltily, bought a mildly fancy camera in a set, with two separate lenses, even if one was cracked.

Not bad, for $150 total. Peter is going to definitely seriously consider commuting to New York. They didn’t even care when he walked out with the cart! Well, that might be because of the cashier who gave him a pitying glance.

He stopped by a general store on the way back, parking his cart in a rapidly shadowy alleyway. He swung by the new section of the store that reminded him of a Dollar Tree and got cleaning supplies, toiletries, and two pans and a pot. He grabbed some canned food and a couple of frozen meals in the back. Seasonings, ramen, general pantry staples went in. A role of paper towel. Nice. Venom would have loved this store. With half of his budget blown for essentials, Peter quickly cut his spending off and

He quickly gathered his stuff and went back to the apartment, using his strength a bit to lift the full cart up the stairs at the front doors and into the elevator. It creaked like the first time they used it to go see the apartment, but it worked. Peter set everything up in the living room, pillow and blanket wise, and put everything in its proper place. The lamp was put up, giving more light than the old bulb in the ceiling light.

All Peter wanted to do was pass out, but since his dumbass took in a child, he couldn’t sleep until this place was relatively fit for a kid to live in. He also wanted to wait for

So, that’s what he did. Taking a sponge and the cleaning supplies he’d picked up earlier, Peter tackled the living room, scrubbing away at old stains and spraying mildew. He marked trouble spots- like that splinter worthy piece of floor next to the doorway leading to the hall between the bedrooms. Then the kitchen. By the time Frank cautiously peeked his head in from the front door, Peter had already finished scrubbing the over.

“Hey.”

Peter turned, grime on his face but grinning. “Hey!” I bought some stuff!”

Frank snorted at his face before glancing around the living room, eyeing the cart parked neatly on the side.

“So you did. Didn’t get mugged, did ya?”

“Rude. No, of course not.”

Frank gave him a… frankly… unimpressed look and dumped his bag next to the pile of blankets and pillows Peter had piled onto the floor. Sue hi’, they didn’t have beds yet.

“Got somethin’ for ya,” Frank said neutrally before dragging in…

“A coffee table!” Peter bounced towards Frank, hugging him before lugging in the heavy wooden table in. “You’re the best! Where’d you find it?!”

The tension, anxiety about Peter’s reaction, in Frank’s shoulders relaxed and the kid grinned. “Alley. Some asshole just left it there for anyone to hit with their car so I took it.”

“Nice! We can eat on this!”

——

When they were getting ready for bed, Peter insisting on showers for both of them, Frank had reared up at the clothes Peter bought for him. Peter pretended like he didn’t see anything and shove a whole tube of toothpaste and a new toothbrush at him.

“Ew. Do I have to?” Frank asked, wrinkling his nose but taking the items anyways.

“Yeah.” Peter said seriously. Frank gave a moment to wonder why he was taking orders from an eight year old before shrugging. He could brush his teeth in exchange for a roof over his head, food, and clothes. It’s not even a fair trade, for Peter, anyways. Frank was enough of an alley rat to take advantage of that.

——

When Frank passed out, Peter couldn’t sleep. He’s exhausted, but he couldn’t sleep.

So he took his new camera and climbed the fire escape to the roof top.

An hour later, he met his first vigilante.

“Hey, kiddo. I’m gonna need you to back away from the edge.”

“Woah!” Peter startled, jolting slightly off of the ledge he was balanced on. He twisted around to see Red Robin, hand outstretched and panicked look in his eyes.

“Dude. Warn a guy!” Peter said, even though his spider sense warned him of an approaching person that was actively watching him.

Red Robin held his hands up. “My bad. Would you- uh, not be on that ledge?”

“Yeah, sure. My bad, bro.” Peter obligingly stood up and stepped away from the ledge. Red Robin relaxed then did a double take. Peter frowned. Is there something on his face?

“What are you doing up here, kiddo? It’s late.”

Peter decided to scope out the vigilante. “Couldn’t sleep,” he held up his camera. “I’m taking pictures.”

“Oh. That’s cool! Can I see?” Red Robin approached warily, but relaxed when Peter didn’t spook and try to take a shortcut to ground floor.

“Sure! It’s a new, well, not new but new to me, camera so I haven’t had all that time to mess with the specs but the pictures turned out pretty good-”

“Oh, woah. This one’s great. That composition? Amazing. You caught the light perfectly,” Red Robin complimented. Peter brightened, knowing a photography fan when he hears one.

“Photography buddy!” He cheered.

They talked for an hour after that, but Red Robin quickly sent him to bed once he remembered the time.

“Ah, shi- crap. It’s like 2AM. You’ve gotta go to bed.”

“Oh, yeah. Sorry if I interrupted your patrol, Mr. Red Robin!”

“No problem, kid.” Peter slipped back down the fire escape, not caring if the vigilante saw where he lived.

——

Up on the rooftop, Red Robin pressed a hand to his comm.

“Red Robin to Nightwing.”

“What’s up, Red?”

“Do you have a kid you don’t know about?” Tim said, bluntly.

“… What?”

“Oracle, can you share my cowl footage?”

“Copy. Oh, that kid…”

“Looks exactly like Wing?” Tim said, peering down at the empty fire escape. “Yeah. Talked like him too.”

“Oh my god, he’s adorable.” Oracle said. Tim agreed. That curly hair? Baby face? Adorable. A bean. “Did you get DNA?”

“Ah, shit, I knew I forgot something.”

“Do not break into his place and nab a hair,” Nightwing reprimanded, but his voice sounded distracted.

“Holy shit, you guys nerded out about camera placement and lighting for an hour?” Hood piped up.

“Get some rest, Red Robin. You’ve been working too hard,” Batman grunted through the comms. Awkward… but he’s been getting better at communicating his worry for his kids.

“Sure thing, B. Heading back to the main cave. Red Robin out.

——

Peter: lay low and get home

Also Peter: talks to a vigilante

None of them think Peter’s Nightwing’s yet. Peter will know before them… eventually. Once this world’s version of him gives up his memories to be absorbed by AU Peter.

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eyrieofsynapses · 11 months ago

Text

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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