#would a depressed person do THAT?

[vomittedsoap]

I know that John Irving canonically is just a very normal--if not almost curmudgeony and cruel guy... but I can't help but depict him as a fun-loving whimsical dude. Literally Windy by The Association in human form. The physical embodiment of banana Laffy Taffy. He would sing to little blue birds like Snow White if you just let him.

[deathricedrawn]

i'm ready to try

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[cecoeur]

How do you sleep at night? No one to hide behind Betrayed every alibi you had You had every chance to make amends instead you got drunk on bitterness And you still claim that you're innocent, it's sad

[eilarae]

Stardew Valley Discourse: A Summary

shane: i have depression

person: aww poor sweetie im so sorry ily im always here for u

shane: *exhibits symptoms of depression*

the same person: ew there's no excuse for that

[carouselunique]

Cinch had three charges in her care once, Celestia entrusted her with the day-to-day care of Prince Blueblood, the new Princess Cadence and her student Sunset Shimmer - running a kingdom is difficult enough alone without three young ponies to look after - so when Celestia is absent (often) that means Cinch was in charge of these three ponies. And while the matron of the castle was always rigid about rules and wanted her three charges to uphold her reputation and to build their own budding reputations high, she cared about them very much. You'd have to, spending your time with the same three young ponies for so long, guiding and teaching them to be their best...

By the time Ditzy came into the picture, Cinch was down to two charges. She refused to fail them the way she failed...

Well, with one down, there were two left and she cared so much she wouldn't let anyone ruin them, especially not themselves. Surely they would come to realize Cinch was only helping.

[ryssbelle]

Some of y’all portray John Dory as so old and yeah he is older and you can do whatever you want forever as an artist or writer but he is 30 years old and yall draw him like his pushing 50

Mans got one foot in the grave and the others going in the second he his 36

Bonus:

[torchstelechos]

I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.

Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.

SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.

However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.

His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.

[squeakadeeks]

theres been a few times now where ive seen someone very clearly plagiarize either a design, idea, or even rip tutorial sections verbatim to claim as their own from my work, but the issue is i simply dont have the time or energy to fight it so i cant do much, so whenever i see a new instance of it my soul is crushed for 0.2 seconds before reforming and i look verbatim like this paul rudd bit:

[lunarharp]

kitchen of witch hat vibes

[yellowocaballero]

Omg hi Ms. Yellow Caballero big fan of your work <3 For real though, I'm really excited that your sharing the Weekenders, it was a joy to read and I'm bongocat-ing now that others also get the privilege to read it as well.

Referencing your tags, would you please elaborate of ableism in fandom and, like you said, how fandom treats characters with unpalatable disabilities?

Hi Ms. Bud Lite I'm a big fan of you <3

TL;DR A fear of writing characters of highly marginalized identities shields you from criticism and discomfort, but it's actively stigmatizing to people of these identities and as a writer you really need to get over yourself and write The Icky People.

I guess I'll come out swinging on this one and say that fandom doesn't like severe mental illness. (As a note, when I say severe mental illness (SMI) I mean illnesses such as psychotic disorders, bipolar disorder, substance use disorders, personality disorders, etc)

Obviously, nobody likes people w/SMI. It's just insanely egregious in fandom to me, since fanfic writers absolutely love writing characters or HC characters with depression, anxiety, or a specific variety of PTSD That Isn't Scary. People actively reject any character HCs for a SMI. When people write a character with SMI, they nicely downplay it, ignore it, substitute it for a disorder they like better, or rewrite it. It's completely untolerated, in both headcanons and in fanfiction, and every time I bring it up I always get the most interesting reasons why somebody couldn't possibly acknowledge a character's SMI in their writing. I've heard all of these:

"I don't know enough about the disorder to write it accurately." Do research.

"I'm not X, so I can't really depict it." You probably aren't a cis white man, but you depict those guys just fine.

"It feels insulting to the character." There is no shame in having a SMI.

"I can't understand what it's like, so it's better to be cautious and avoid giving characters stigmatized identities." There are LOTS of experiences that you'll never understand because you've never had them - you just don't want to write anything you're uncomfortable with. People with SMI make you uncomfortable, and you don't want to write anything that makes you feel uncomfortable, or think of a comfort character in an uncomfortable way. SMIs are marginalized differently than solely depression/anxiety/The Nice PTSD, and by refusing to write them you're actively contributing to the stigma.

I think (?) I've spoken in the past about how I believe that the rigorous external and internal policing of writing people of marginalized identities is actively harmful towards efforts to increase diversity of experience and background in fiction. A lot of fanfiction writers are just terrified to write people who they can't directly relate with, because they're worried 'they'll get it wrong' and be Big Cancelled. I think this is negative enough when it prevents people from going outside of their comfort zone, but on a macro level I think this results in people refusing to write characters of marginalized identities as all. It's an insidious thought process, and it's reflected in people's unwillingness to diversity their writing or acknowledge canon diversity.

'Well, I don't understand what it's like to be Black, so I don't want to write Black people'. 'I want to project on this character, so I only want to write them with mental illnesses and identities I have'. 'If I write a marginalized character incorrectly people will yell at me, so I won't write a marginalized character who's marginalized differently than me at all'. Can you imagine writing a lesbian character with a boyfriend because 'you feel uncomfortable writing lesbian experiences'? It's blatantly homophobic. But people do that with disability and race/ethnicity ALL THE TIME.

People with SMI notice that you feel uncomfortable with them. It's obvious. They notice when a character has a SMI + anxiety, and you only write their anxiety. They notice when a character displays symptoms of a SMI in canon, but you write it out. And POC notice when the characters of color are written out. I know we all like to project on the blorbos and relate to them, and in the joys of your own head do whatever, but as a writer if you only stick to identities you're comfortable with you are actively being a worse writer. Which to me is the REAL sin lmfao.

[cryptiduni]

“white mourning.”

[lady-starkiller]

modern au fitzier is so funny like Local University Marine Biology/Naval Engineering/Naval History/Oceanography Department Biweekly Meetings plagued by the worst discourse between two middle age professors you have ever seen

[catfcng]

some more post canon Romy doodles in some cute fits~

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

[linkito]

So about that hhau Before the Horrors brainstorming you were talking about 👀 can I convince you to share some thoughts? :3 How silly were they before they got dropped into the bads?

-🎀

oh my gosh sOOO It started with me coming up with some past relationship stuff for Scar! Because ange and I have agreed that Scar has relationship experience, while Grian, pointedly, does not. (because extra drama for the situation on Hermitcraft! Grian doesn’t know if his understanding of love is skewed and wrong!) (spoilers: it’s not)

I thought it would be funny if Scar once got a guy’s number and later on got a booty call but did not...realize it was a booty call. The guy messaged him “I’m lonely...come keep me company?<3” and Scar immediately thought oh no!! he must need comfort and homemade cookies!

He’s halfway out the door when Cub tells him to have fun on his hook-up and Scar scoffs like “It’s not like that, Cub, my god!” 

... it was indeed like that.

And listen. The guy is nice enough but he sort of just expected the hot guy he met on mcci to come over and kiss him senseless and now he’s...in his kitchen. baking. and it’s very endearing but!!! oh my god.

So he calls his friend on his comm, hushed in his room like “I can’t kick him out, he’s baking!” meanwhile she’s laughing and mocking him for somehow finding a problem in a cute guy making cookies for him like hello? huge win? She jokes to give him HER number, but ultimately tells her friend to just let him down easy.

Well, unfortunately for them... vex hearing. Scar overhears the whole thing and hoooo boy is he embarrassed now. When the guy comes out of his room, Scar is already packing up, saying something came up, sorry!

But he can’t help but throw in a “...you can give your friend my number” as he leaves just to have a mic drop moment pfffff-

ANYWAY what does this have to do with Grian and Scar being idiots???

Well back in Boatem, Scar gets an incREDIBLY similar message from Grian one night: I’m lonely. Come over?

And Scar is rushing to get his shoes on when he has to stop and think: oh god is this a booty call?

Surely not. No, no, Grian and him are just friends! But like...what if it is? What if he embarrasses himself again? 

Ultimately he decides it would be even MORE embarrassing to assume it is and be wrong than it would be to show up ready to comfort again.

So he heads over. And Grian answers the door in his pajamas: a short-sleeved button up (Grian normally wears long sleeves and oh my gosh the freckles are on his arms too) and most importantly: just the shortest little pajama shorts.

Scar about short-circuits. (pun intended)

Now here’s the thing. It wasn’t a booty call. And despite his flusterment, Scar still doesn’t assume it to be! He is a perfect gentleman! He eventually invites Grian over to his place (it’s bigger and cozier) so he can make cookies! And he gives Grian his overcoat as they walk over since it’s a little chilly.

And listen. The sight of Grian all dressed down like this? with Scar’s jacket on? with Jellie curled up in his lap? sitting in his kitchen while Scar bakes and rambles about nothing and everything?

Scar is down so bad. So darn smitten.

Also they absolutely fall asleep cuddled up together on Scar’s bed. But you know. 

Toooooootally just friends.