#words are so hard rn

[blcssom]

somehow got covid aGAIN so…. bear w/ me friends :’ )

[potato-lord-but-not]

nothing quite like confessing your feelings in the middle of a makeout session WAHOO

[rocketbirdie]

growing up didn't fix me, so...

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[kkoct-ik]

IT'S FINISHED! I'VE FINISHED IT!

for the past few months i've been putting together a guide for writers looking to make OCs who suffer from DID, since i have a personal investment in good representation and an absurd amount of autism. and today it is FINISHED!!

it's gone up on my neocities, but i really wanted to post about it too.

here's the link

please check it out / bookmark it / share it if you're interested! if just one person finds this useful and makes art from it all my hours of hyperfixation will be worth. ok. love you

[flowerakatsuka]

" just know that i'm always here for you, okay? "

i'm finally finishing up my s2 rewatch and getting to the 24th episode awoke a beast in me. so i wanted to make a fake screenshot based on some of their lore that takes place during that episode. i think they'd end up having a heart-to-heart moment since kuroba went through similar struggles after their grandfather's own hospitalization...

also have a bonus doodle bc i need to even out the balance between serious & goofy with these two.

[someiicecube]

I had this post sitting in my drafts for a while and I was suddenly reminded of it haha. 

Anyway, we all know this line from the main character synopsis, right? 

Only humans?

Is this purposeful on the writer's part to specifically mention the curse can only affect humans? Or are humans the only creatures mentioned because that's all the main character has had the chance to... curse with their touch?

Can the curse affect monsters?

Currently, we can't know one way or the other. 

Even if we did touch Leander, bare hand and all, it's Leander. The main character is under the impression that, because he's such a strong and powerful mage recommended to us by the mysterious doctor Kuras himself, it's just something he can do apparently—  although, we as the players know that's not all there is to it... just what is it? Is it part of his supposed monsterous-ness? Does he really know a spell that can protect against our curse? What's Leander's Jungle Juice really made out of? We can't tell yet...

Chosing Leander in this context is such a strategical plot point because he cannot answer our initial question. Is Leander not affected because he cast his little protection spell? Or is Leander not affected because he is/has become a monster?

However, we still can assume that the main character doesn't have full knowledge on what they are capable of with their curse— ya' know, probably being mostly surrounded by humans and such. So, the idea of touching even a monster is probably not a theory anyone wants to test (unless you're a mage, then please do it on some random monster and not the LIs for funzies... unless you want to).

Could this be a seed the writers are planting? Maybe, maybe not. But leaving the question unaswered (by Leander), again, makes the player and main character cautious by nature.

But what if they did slip up?

What if they slipped up and it happened on accident? 

Your bare fist colliding into Ais' chest, skin-on-skin but still a solid blow. Your hand desperately reaching out for Kuras' own, just wanting to feel his warmth once more only for a moment. Your palm sweeping against Vere's shoulder, pushing him away, your skin brushing along the thin translucent fabric. Or your fingers digging into Mhin's wrist as their dagger hovers right above you, their pulse hard against your uncovered touch.

It's startling. It's something you didn't mean to do. Fear grips you immediately; dread rises as your stomach falls. You are as quick to let go of them as your eyes are to look them in the eye and...

Nothing.

While, it wouldn't come as a shock to either Vere or Ais. Kuras, who the main character wouldn't know is an angel at this point, and Mhin are another eyebrow raiser for sure. It didn't affect them, when you know it should. If it doesn't affect them... that would only make the MC raise many more questions about Leander in turn. Ah, what a dramatic way to reveal the fact that the person you fancy is a monster.

Other notes and thoughts:

While, yes, an interesting idea to think about. I'm torn between wanting the monsters to be immune and 'fuck it, this curse affects everyone, even your pet rock ain't safe'. I can't help but feel this idea also lowers the stakes of the MC's curse... if done wrong.

Let's say this, the curse doesn't have an effect on monsters, right? But for each monsterous LI there will be a catch. Say, Vere, for example; a monster who lusts for power beyond him... having a human like yourself with such a deadly curse, well, who's to say it wouldn't give him a few ideas on how to use you it. What? You're still planning on finding a cure? Oh no, but you have him now, don't you? Why need a cure when you have him, your curse, and your soon-to-be mindless worshippers at your feet?

(Won't lie writing some of Vere's points made me think of Leander, but that's manipulation for you)

Or think Kuras, a doctor, an angel who passed through the shroud to watch over humanity. How would Kuras feel if the person he's grown so close to decides their curse isn't worth getting rid of now that you have him— can't you see the danger in yourself anymore?

Or try with, like some previous theories once said for us touching Leander: it doesn't affect him now... but eventually he will devolve into madness like the rest of everyone. But don't just apply that to Leander, now think of everyone else. Imagine finally finding someone you can touch without consequences. It's something that gets your blood rushing and heart pounting with a feeling your haven't felt in a while! However... the more and more you do so, you've noticed they've changed. They're more irritated, they've been having more headaches than normal, and their once beautiful smile twists into something dreadfully familiar. Congratulations, you've made your beloved mad with love! Here's the bad ending! Yipee!

Really, in the end it's all a balancing act, the stake were there and you don't want to take them away before the climax. If you do, place something else in its steed— something to raise them even further than what was initially thought possible.

[silverskye13]

Helsknight showing up bloody at Welsknight’s base please I need suffering 🙏

There was something to be said about the stupid things he was willing to do in the name of self preservation. Damn his fears, and the unfairness of the universe, and the uncertainty of living [and dying] and everything else. The unknown had always been his greatest weakness, his greatest betrayer. Pity it was also one of the few inescapable things about living in general.

To say Helsknight stepped into Hermitcraft would be a terrible injustice of what stepping normally, let alone gracefully, looked like. What he actually did was stagger and drag himself into Hermitcraft on unsteady and shaking limbs. There were holes in him. He hadn't really taken inventory of them yet. Admitting he had a wound [or several] was enough. The minute he admitted the wounds were bad, in certain terms his mind could comprehend, was the minute shock would steal his senses. He was on Hermitcraft for the specific reason of dodging death, and it seemed to him shock, on any level, meant dying. If he wanted to die and roll the dice of respawn, he would have died in hels, in the alley he'd been jumped in, where he could at least take comfort in familiar cobblestones and the knowledge he'd dragged all his attackers down with him. But he didn't want to die, so he was here.

It was dark. He was inside a building. He was bleeding. Wels was nearby. Those were the only things he needed to know for certain. Helsknight looked around, trying to ignore the sluggish tilt his vision offered when he moved too quickly. The double vision of trying to parse memories of a place that weren't his battled with his wounded animal double vision and together they made him feel nauseous, more so than his wounding already did. Helsknight balled a fist against his sternum, like he could hold himself together that way, and concentrated very hard on walking and nothing else.

Helsknight didn't like being this close to Wels. Not while he was this injured. He could feel the awareness of his other half like a spider on his skin. There was a reflex-like urge to shout and try to shake it off, the instinct-like certainty that if it rested on him long enough it would find a reason to bite him. And he knew, in the way only experience could teach, that if he could feel Wels, Wels could feel him. Helsknight had the sensation of walking a tightrope: his body insisted speed was the only thing that could save him, while his mind insisted he must stay unnoticed. He must balance necessity with making his thoughts and emotions small, and it was hard work to do when he was losing blood.

Helsknight blinked slowly, tiredly. He picked a direction and walked, a hand pressed to the wall, keeping himself upright. Wels's potion room was nearby, a borrowed half-memory informed him, he just had to get there. He searched his drifting thoughts for a poem to repeat in his head, to keep fear and uncertainty from rising. His heartbeat was quickening, a symptom of something; panic, or fear, or blood loss, or all three combined. He was fixing one of those things. He needed to carefully manage the other two, before Wels felt them. The only poem he could think of was in Middle English, and mostly gibberish to him, which told him it came from Wels's memories somewhere.

Why have ye no routhe on my child?

Have routhe on me ful of mourning;

Tak doun o rode my derworth child,

Or prik me o rode with my derling!

[Rhyming child with child was a lazy, but this was written back when one could convincingly spell "down" as "doun" so he supposed he shouldn't be overly critical. The real trick was figuring out if "derling" was supposed to mean "darling", or some other archaic word lost to time. He could only figure out so much from context clues. "Mourning" apparently transcended centuries, and that seemed fitting. Everyone knew mourning, in some form or another.]

An ache opened up beneath his clenched fist, or it had always been there, and his body was only just now reinforcing the fact that it was important. It felt like the mother of all cramps in his muscles, and he stubbornly pretended that's what it was. He needed more potassium in his diet or something, and the gods would forgive him the smear he left on the wall when he leaned on it, waiting on the intensity of his pain to ebb. The doorway he was walking towards seemed close, but also very, very far. Closing distance with it was going a lot slower than he thought it would, and it was only one short hallway. He was glad he'd decided to do this, instead of his other half-considered option of attempting to walk across hels to the Colosseum. He wouldn't have made it.

Dread pooled in his stomach. Dread, and other more physical things, like blood, probably, but he pretended the dread bit was more important. He could feel Wels pricking on his skin again, an insistent spider twitching at a breath on his web. Helsknight breathed out the steadiest breath he could manage.

More pine ne may me ben y-don

Than lete me live in sorwe and shame;

As love me bindëth to my sone,

So let us deyen bothe y-same.

[Sorwe. What medieval idiot thought "sorrow" was spelled like "sorwe"? Maybe it had something to do with inflection. Poetry was half words, half rhythm. Maybe "sorwe" was supposed to indicate they wanted the reader to pronounce "sorrow" as a single syllable, so it sounded more like "sore". That's also probably why "bothe y-same" was sitting there like word vomit. They meant "both the same", but wanted it read without a pause between the first two words. It was really the method for the madness that mattered with poetry.]

Helsknight blinked. He was in the potion room. He couldn't fully remember the walk down the hallway, but that didn't matter. What mattered was there should be health potions in here somewhere, his salvation. Relief edged his vision in stars, and he once again felt Wels's attention cant in his direction, confused and curious. Wels didn't associate feelings of relief with Helsknight. It wasn't an emotion they felt in each other's presence, and it was far too strong to be muffled by the distance to hels.

[He knows I'm here.]

Helsknight opened a chest and rifled through it. His vision was protesting. Stars and tilting that would turn to spinning soon made a clutter of his eyes. It got hard to distinguish the colors of the stoppered bottles. He picked up one that felt overly warm to his cold and shaking fingers. He was pretty sure it was a health potion. It felt too hot, but he reminded himself he was cold from losing blood, so it should feel hot. Hesitantly removed his fist from where it was balled in front of his sternum, and let his eyes unfocus when he grasped the bottle's stopper. His hands were so unsteady, it took a couple tries just to grab it, and when he pulled on the cork, his fingers slipped off weakly. He tried again, eyes closed with concentration, pouring every ounce of his strength into the act of pulling a stopper out of a bottle, only for his hand to slip right off again.

Frustrated, nearing desperate, he looked down at himself for a clean place to wipe his hand on his tunic. It was a mistake. He knew it as soon as he did it. His eyes were inexorably drawn from the fabric to the poke-holes in it, to the wine-dark stain that flowed down his front and still dripped tak-tak-tak slow and inexorable onto the floor. It was a woeful amount of blood. He was honestly surprised he wasn't dead yet. Chalk it up to fortitude, and ignorance, and size. He had more blood to lose than some people did.

Helsknight's world suddenly gave an awful twist, vertigo and the crescendoing, cramping agony of his wounds, only staved off by how his now shattered ignorance, kicking him off his feet just as surely as a horse could. He slumped against the wall, and then to the floor, and the awful jarring of it hurt him worse. Half a dozen other wounds on him aired their grievances, and the big one near his sternum pushed blood onto his fist when he clutched it. Helsknight sat pinned, unable to breathe for many long seconds, feeling a bit like he'd been struck by lightning. The pain was blinding and numbing and overwhelming all at once.

Why-- have no-- have ye no-- something something...

[Words. Breathe. Think of words.]

[Gods... But it hurts......]

Why have ye no routhe on my child?

Have routhe on me ful of mourning;

[And what the hels did "routhe" mean, anyway? He knew the word "route". He knew the name "Ruth". Neither of them fit, unless his bloodless brain was missing something. There was a chance "routhe" was supposed to be read like "bothe", as a double word slurred together, but that still left "routhe the" which made less sense in context than "routhe" did.]

Right. He was supposed to be doing something other than bleeding to death on the floor. Helsknight blinked, looked down at his hand and realized the health potion he'd grabbed was gone. He must have dropped it when he slumped over. Looking around, he spotted it just to the side of his left boot, unbroken, thankfully, but it might as well be a lifetime away for all the good it did him. Helsknight knew without a shadow of a doubt he couldn't reach it. The idea of tensing his muscles and dragging himself forward to reach was exhausting, and he hurt so much he knew the movement would feel like tearing himself in half, and there were just some things a mind couldn't power through. Helsknight laughed dismally and let his head fall onto his chest. Both motions were white hot agonies, but all his pains were starting to blur together into a smear of overwhelming sensation that took thought away. It occurred to him he was breathing too fast, like he'd run too far too fast, and his fluttering heartbeat agreed.

[... It hurts...]

[Gods and saints it hurts.]

[I'm dying.]

A feeling he could only describe as doom fell on his shoulders, a cold grasp of fear that wrapped stony hands around his heart and squeezed. He'd heard of this. Never felt it himself. The utter sureness that if he didn't do something now, he would die. All the unconscious bits in his body in charge of keeping him working all unanimously agreeing they needed divine intervention, preferably right now, before they started shutting down. It wasn't something he often had occasion to feel, though he had heard people tell of it after particularly grizzly matches and bloody tournaments. Death was normally too quick in the Colosseum, or else he'd won his match, and even if he was falling to pieces there was a health potion too close to hand to let him dwell on his harms. This was so terribly different. Death stalked toward him unhurried and unbothered, waiting on him to finish drowning in blood. He might panic, if he wasn't already so cold and scared.

"Ah. This makes some sense, anyway."

Helsknight, who had stopped seeing the world in front of himself without really closing his eyes, refocused his vision on the open doorway. Wels stood there, an angel of death in azure and silver, his sword in his hand. His eyes were the ruthless blue of hels freezing over and lifeless corpses, and Helsknight thought there was no one else in the world he would rather not watch him die. But the universe hated him, so here Wels was, just as surely as if he was fated.

"I didn't think all that fear could possibly be for me."

Helsknight tried to reply, but all he managed was a dying-animal noise that strangled itself out when he tried to breathe a little steadier. He tried again, and this time managed a very weak, but vaguely defiant, "Fuck off."

"Rude," Wels said chastisingly. A glow of something like smug satisfaction prickled Helsknight's skin. The feeling came from Wels. "Especially given I'm the only person who can save you."

Helsknight chuckled, and then stopped when his body seized painfully around the motion. "We both know you don't want to save me."

"No," Wels admitted. "But I don't want to do a lot of unpleasant things I agree to do anyway."

"How... charitable."

"It is a virtue."

"Sure."

Wels didn't move. Well, he did move, but only to sheath his sword. He crossed his arms and leaned against the door frame, the image of patience, as though they had all the time in the world.

[Hungry spider. Waiting on a web for something to struggle.]

"If you're waiting on me to beg," Helsknight informed him through staggering breaths, "I won't."

"Too prideful?"

Helsknight searched himself momentarily for pride, and came up short. Pride would've dictated he die in the alley, instead of here where Wels could lord it over him. This was something different than pride.

"No."

"Then why not?" Wels asked, raising an eyebrow. "It's easy. Just say, 'Welsknight, please give me a health potion'. Or if you're feeling monosyllabic, just 'please' will work."

Helsknight managed a smirk. "Why not help me out of the kindness of your heart?"

"I don't have any kindness for people like you."

[People like you. What a loaded phrase.]

Have ye no routhe on my child?

There was an entire philosophical debate that could happen in the phrase 'people like you' that Helsknight had neither the time or the energy to bother with. Besides, it was all words Wels knew. Wels pretended to be a chivalric knight. Chivalric knights helped the weak. Chivalric knights saved the defenseless. Helsknight, for all the grievances of his existence, was both right now. Then again, the chivalric knights were also supposed to make war against their enemies mercilessly, so he supposed Wels would be in his rights, as a chivalric knight, to walk away and let him die slowly and painfully on the ground.

As if sensing his thoughts, and likely because he could actually sense his thoughts a bit, Wels said, "You are always going on about how I need to be a better knight. There's something ironic here. No matter what I decide, I think you'll owe me an apology regardless."

The feeling of doom, of bone-deep, agonizing dying mantled over Helsknight again and Wels stopped existing to him. His sense of urgency, of desperation to live clawed its way up his throat. He tried to move his arm, his leg. He got his fingers to twitch. He tried to lean forward, to drag himself with willpower alone towards that stupid potion just out of reach. The potion he wasn't even strong enough to open. His vision collapsed in quickly, and he only knew he'd cried out because he was breathless. But he hadn't moved, besides managing to lull his head forward onto his chest again. Cold fear crawled around in his empty guts, a relentless, caged animal that refused to stop squirming.

[I'm dying.]

[Breathe.]

[I'm dying.]

A shadow fell over him, a presence freighted with hate, and deserving, and dissonant guilt. Wels had come forward, only to stop short when Helsknight's terror swept over him like a wave, and he stood baffled by it, and guilty for it. The fool knight probably thought Helsknight was scared of him. If only. Helsknight thought he would prefer that. At least then he could manage to die gracefully. Wels's fortitude bricked itself up against him then, a bitter soul trying to will itself to be cold and cruel, and Helsknight was thankful for it. It staved off his fear, if only a little.

"What did you do to bring this on, anyway?" Wels asked breathlessly, trying to recover his resolve. Looking for a reason to hate him.

"I was... walking home."

"That's it?" He sounded so skeptical, it was almost funny.

"I committed the terrible sin..." Helsknight laughed out a breath, "... of being fearless when I should have been cautious."

"Hubris."

"Habit."

"Yeah right."

"If I got stabbed like this every day, I wouldn't have come crawling here."

Wels glowered, parsing this statement for truth. Helsknight might have mustered some hate in him for it, if he wasn't so scared. His vision had taken on a permanent blur, and he was getting cold. He hadn't gone numb yet, which was something he found profoundly cruel. He wanted to be numb. To stop hurting. To stop fearing.

[Breathe.]

Why have ye no routhe on my child?

Have routhe on me ful of mourning;

Tak doun o rode my derworth child,

Or prik me o rode with my derling!

[Derworth... "Dearworth", probably. Beloved. So "derling" was probably "dearling", which turned into "darling". Middle English was strange. Just slightly to the left of normal. He didn't think "tak" was a word anymore, except where it existed as pieces of words. "Tak" to "take", to take hold, maintain, maybe. "Tak" to "tack" like a nail. "Prik" also, like "pricking" flesh, like a point digging.]

"Hold down the road, my dearworth child," Helsknight muttered. "Or pick me a road with my darling."

"What?"

"Stupid poem."

"How much blood have you lost?"

Helsknight laughed, and his whole body flinched, and for a moment he couldn't breathe because his pain was so alive and electric it almost stopped being pain. The concern from Wels was laughable. He wished Wels would make up his mind about whether or not he cared. Then he could get on with dying, and the terror would stop, and the universe would take him or it wouldn't, and if it didn't, he would respawn and sleep for a week. He felt Wels's hand on his wrist, which was its own kind of hilarious.

"Trying to figure out how many heartbeats I have left?" Helsknight asked.

It would be nice to know. If Wels figured it out, he hoped he would share the information. Then Helsknight could keep count.

"Your heart's too fast."

"That happens."

Wels stood up and paced, all nervous energy, back and forth across the room.

"You don't deserve my help," Wels told him scathingly, angry for how conflicted he felt. "You don't. You've been nothing but cruel ever since we met."

More pine ne may me ben y-don

Than lete me live in sorwe and shame;

["Pine", like pining. Or pain. More pain? Punishment maybe. "Don" to done. Something like: More pain to me could not be done than to let me live in sorrow and shame.]

Helsknight decided whoever wrote this poem had never been stabbed. He'd felt both sorrow and shame, and neither of them packed quite this amount of punch, in his opinion.

"It probably goes against my tenets anyway," Wels continued, still pacing. "And yours too. Aren't you the one who follows some crazy death god?"

"... Saint... of Blood and Steel."

"He probably thinks dying in a puddle on my floor is glorious."

"... they."

As love me bindëth to my sone,

So let us deyen bothe y-same.

[Maybe he was just getting better at this, or maybe this part was just easy. "As love I'm bound to my son, so let us die, both the same." It didn't flow very neatly when it was simpler. Maybe Middle English wasn't that stupid.]

"I can't help but think you did this on purpose to... I don't know. Test me somehow. Prove you're better. Weak again, Welsknight! For helping your enemy when you should have let him die, or speed him along. Don't you know knights are supposed to be cruel?"

Helsknight tried to call up his own tenets, or Wels's tenets, or anything to do with knights and their duties. He got a little lost on his way, his thoughts meandering and dying, and gasping back to life again when they remembered they were supposed to be searching for something. Something he was scared of. Dying. A wave of fear crashing over him that made Wels flinch, and bid Helsknight keep breathing, because any agony was worth not confronting that one, great, crippling unknown.

"What would you do in my place?" Wels asked him suddenly. "Answer me that, perfect knight. What would you do if the person you hated most showed up one day bleeding on your floor?"

That... was an excellent question. Helsknight searched briefly for the answer, and found it wasn't very hard to find.

"I would help."

"You're lying," Wels said guardedly.

"I... can't lie."

"Then you're dodging the truth. What would you do?"

"I would heal you if I could. Or I would kill you if I couldn't." With strength he didn't know he even still had, Helsknight leaned his head back against the wall. It was easier to breathe that way. To talk.

"Why?"

"No creature is deserving of dishonor or pain."

"That's not a tenet."

"It's not a chivalric tenet." Helsknight shrugged one shoulder weakly. "Chivalry states you can hang my guts from the ceiling if I'm your enemy."

"It does not."

"It might as well."

Wels didn't seem to have a ready reply for that.

"What is routhe?"

Wels blinked down at him, guarded and confused. "Routhe?"

"Routhe." Helsknight repeated, as though it were helpful. "Middle English."

"As in?"

"Poetry."

"Use it in a sentence."

"Why have ye no routhe on my child?"

"Ruth." Wels said, a bit too quickly, like he'd known what Helsknight was asking and was trying to avoid the answer. "We don't use it as ruth anymore. It shows up in rue, like regret, or sorrow. And... ruthless."

"Merciless."

"Yes."

Why have you no mercy on my child?

"Why are you asking about Middle English while you're bleeding to death on my floor?"

Helsknight let out a breath. It hurt, but everything did. "Stupid poem."

"Can I hear it?"

"I'm busy bleeding to death on your floor."

"Tell me and I'll heal you."

There it was again, asking for an excuse. That was Wels's real cowardice, his failing as a knight. He was scared of making decisions. Scared of dealing with the consequences of his actions. Paralyzed by indecision. He wanted to hate Helsknight because it was justified. He wanted to watch him suffer, because hatred allows suffering. He didn't want to label himself cruel, nor be accused of weakness, or softheartedness, if he showed mercy. And he didn't want to pick up his sword and kill, if it meant killing someone defenseless. He wanted Helsknight to give him a reason to act, so he could blame it on him later if it turned out wrong. Given it would likely be Helsknight rubbing his nose in it later if it was wrong, he couldn't really blame him for that.

Helsknight closed his eyes and counted his heartbeats, and pretended he wasn't scared.

"Do what you will."

An hour long minute ticked by. Helsknight felt the time moving like it was physical, like he was falling through it and he couldn't catch himself, and he was nearing his limits. He thought the only thing stopping him from begging for it all to stop was the crushing weight of his fatigue, the exponential strength it took to take his next breath, and that stupid poem, skipping in a circle in his head. It kept his thoughts away from his fear, from bearing the weight of the unknown that came next. It was still there, a nameless, formless anxiety that formed the undercurrent of his thoughts. But he didn't have to think about it when he was busy being annoyed about a poem stuck in his head.

Wels moved. He stooped to pick up the potion Helsknight had dropped and unstoppered it deftly. He was surprisingly gentle as he helped him drink, aware that every movement could cause pain. Helsknight could feel Wels's caution in the air like wings, like a bird hovering before it lands. The first potion wasn't enough to heal him completely, so he got a second from his chests and helped him with that as well, one hand hovering over Helsknight's wounds, waiting on the skin to knit back together. Helsknight got to his feet, shaky, and feeling like he'd been wrung dry of all vitality. There was no pain to speak of, but he was thirsty, and hungry, and exhausted.

"You should rest before you go anywhere," Wels said, words of pragmatic care that sounded stilted coming from him. "I can get you some water."

"I'll be fine," Helsknight told him, allowing himself some hesitant pride now that the smothering pain was gone. Even exhausted, he could think so much more clearly now -- think at all, really. And he thought the longer he stayed here, the higher the chance Wels would come to regret his decision to heal him. They were not made to like each other. They didn't even respect each other as enemies. And Helsknight knew if they fought now, he would lose, and he might lose very badly, if Wels decided to leave him to bleed out again. It was something Wels had never done before, but if he could convince himself Helsknight deserved it, he would.

"Do what you will, then," Wels said, bitterness creeping into his tone. He probably thought he was being coy and ironic. Helsknight mostly thought it was annoying.

"The poem isn't mine," Helsknight said. "It's one you've read before. Middle English. Why have ye no routhe on my child. I don't know the title. It might just be the first line. I think it's a lament."

"... I see."

"Next time you find yourself bleeding out on someone's floor," Helsknight snorted, "Pick something stupid like that. It makes things... manageable."

"Right... manageable."

Helsknight gave a helpless sort of shrug, as though what he'd just said were perfectly normal.

Wels mustered an enviable facsimile of concern when he said, "I've never felt terror like that before."

Helsknight felt his already parched mouth somehow go drier. The sympathy he felt rolling off of Welsknight was sickening. Literally. He could feel himself becoming nauseous.

"What are you so scared of?"

Shame, red hot and searing, clawed at the inside of Helsknight's ribs. He wished so badly he could hide it. Distract himself from it. At least turn it into anger. But he was tired, and he didn't know how to bring his emotions back to heel, and Welsknight was already giving him an open, piteous look like maybe they'd stumbled onto something significant. He could feel hope there, like maybe there was a reason they hated each other like they did, and if Wels could figure out where that fear came from, they could find common ground -- or at least the leverage Wels needed to make Helsknight relent.

"I don't need your pity, white knight," Helsknight snarled. "Go sate your savior complex somewhere else."

Wels scowled. A cold wall of loathing, resigned and inevitable, closed itself around anything else he could possibly feel.

[As it should be.]

Hours later, home and safe, Helsknight cracked open his journal and wrote:

Why have you no mercy on my child?

Have mercy on me, so full of mourning;

Take down the road my dearworth child,

O give me a road with my darling!

More pain to me could not be done

Than to let me live in sorrow and shame

As with love I am bound to my son,

So let us die then, both the same.

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[yoichichi]

DONT KNOW WHY IM FEELING SAPPY BUT IF YOU SEE THIS I LOVE YOU!! ​CONNECTIONS WITH PEOPLE ARE IMPORTANT NO MATTER HOW SMALL!!

[zuzu-romeave]

im so normal about riz gukgak looking back at moments where he felt there was unfairness and what he sees is himself back in middle school, lonely and friendless, desperate for connection, but he also sees himself now, so desperate to hold onto the friends he has made that he’s pushed them to do things they didn’t want to do just so he could stay with them.

[juniper-clan]

So wait… I’m still flipping confused.Why does Heronstar make Shiningeagle deputy after she just got her Warrior name at 14 moons late? Can u explain this to me. CUZ LIKE WHAT? (Not being mean or anything also would like a pic of shiningeagle plz

Heronstar lacks knowledge of most clan stuff, dynamics, etc. I’m aware that it’s not kosher for Shy to be deputy. I don’t think Slick gives enough of a fuck to correct her. Amber doesn’t know any better.

There have been asks before on why Heronstar doesn’t follow traditional warrior code, and I need to find it and link it below so it’s easier to explain. If anyone wants to explain what they think in the comments they’re free to.

EDIT: Ask about that subject

[feroluce]

how do u imagine natasha + sampo’s relationship?

I. Feel a little bad for leaving this in my inbox as long as I did, especially since I said in this post I could write a whole essay on them. But then when I tried to actually answer this, I realized ah shit, I can't really articulate what I think of them at all OTL

(so have a bajillion words of meta analysis of them instead fklajklasjf)

Just! Sampo is very mysterious figure, and we know so little of his background and his motivations! So it's really difficult to get a solid read on some of his relationships with other characters. Regardless, I do think that Natasha is perhaps the one he's closest with, and that she is the one person who knows him the most intimately in all of Belobog.

And a lot of it IS hard to pin down because of Sampo's slippery nature, but also because it's like. If you look at just Natasha's dialogues about Sampo, it doesn't really look like much. It only becomes more meaningful when compared to how everyone else talks about him.

Most other characters just comment on what Sampo does, as in his observable actions that are easy to see on the surface or from a distance.

Natasha is one of the very, very few that actually speaks to Sampo's personality or philosophy. Like she not only is able to describe a certain behavior of his, but she's able to explain the why behind it.

At least part of this is probably that they spend so much time together- Hook even comments on it during her companion quest.

And tbh I don't really think it needs more proof or anything with such a flat out statement like that, but this is actually further supported by the fact that Seele is the only other character in Belobog to sorta-kinda comment on Sampo's personality; if Sampo were hanging around the clinic with Natasha all day, Seele would probably be the person he would see second-most there. Of the dialogues posted further up in this post, Hook obviously sees him all the time, but it's not always in the clinic, and besides she's still very young...she wouldn't have the same read on him an adult would. Luka avoids the clinic whenever he can because he's worried about taking up Natasha's valuable time. And the Landau siblings aren't even present in Boulder Town until after the Stellaron is quieted.

Seele, on the other hand, is extremely loyal and devoted to Natasha, and seems to worry about her a lot. She doesn't have the same reservations as Luka, and it would feel right to see her in the clinic frequently, taking orders and missions and trying to make sure Natasha doesn't run herself in the ground. So it would make sense for her to see a lot of Sampo if he's always in there, too, enough that she would have things to say about his personality, whether she likes that or not haha.

Of course we know from Sampo's lines that it's not that he's sick, he's just reporting back to Natasha. Sampo not only smuggles in supplies across the border like what most people know him for, he's also Natasha's source of intel.

Bringing back intel doesn't necessarily have to involve a lot of conversation though, especially because it would make more sense for Sampo to be turning in written reports. It decreases the chance of Natasha mishearing/misunderstanding something or having to rely on memory alone, neither of which are really things you probably want to be doing when bad intel can mean the difference between life and death in her circumstances. So I do really wonder what it is Sampo does in the clinic all day haha. Given that he's a big believer in the power of small talk bringing in big clients, it's entirely possible Sampo is just in there being chatty, happily making conversation and keeping Natasha company most of the time...which is kinda cute. He also really could just be talking shop, too, of course- Sampo does a lot of work for Natasha, and I don't think it'd be a stretch to assume she's his main client. There's probably a lot to discuss about supply quotas, incoming intel, scheduled drops, etc.

My favorite option, though, is actually based on one of Sampo's options from the main quest, where he says:

Because like! The way he says this, the way he specifies that this is his opinion, but no one seems to care what he thinks? And how he calls them stubborn in particular? It really sounds like Sampo has been trying to get Wildfire to operate in a different direction. And if you look up the exact definition of "artless," you get this

which very much fits Sampo, and how he does things. He has guile and deception down to an art form. Sampo goes on to call Wildfire "do-gooders," but then cautions the trailblazer not to underestimate them because of that- indicating that Sampo sees that type of philosophy as something naive, or at least just ineffective. Something that you would underestimate a person for.

And the person Sampo associates with the most in Wildfire, the one he's always seen with, the one who would hold the most sway to change the modus operandi of the organization is...Natasha.

So I wonder if Sampo has been trying, possibly for years now, to get Natasha to see what he thinks of as reason, and start playing dirty to survive. I wonder if that's what he spends so much time in the clinic for, is because he does care, and he wants her and the rest of them to live, and he has been trying to convince her to go with his way of doing things, but Natasha has been refusing him, refusing to compromise her morals.

Because we know from some readables and from the general Vibe, both up on the surface and down below, that things were getting pretty dire. Rivet Town has fallen. The Silvermane Guards are being whittled down and broken. The Fragmentum was right on everyone's doorstep, and I'm sure that if the Astral Express hadn't arrived- and that if Sampo hadn't set the stage so perfectly, if he hadn't played his part just so- then all of Belobog would have eventually been snuffed out. Sampo had to have known it was happening. He must have known the end was upon them.

He doesn't even have a stake in Belobog- he's not from here. He could, assumingly, call it quits and leave when shit got tough by whatever means got him there in the first place.

And I'm sure Sampo wants to save all of Belobog, but I think he's particularly endeared by Natasha. He famously phrases his view of Elation as "true happiness always entails the manifestation of the dignity of mankind." And like. Who else embodies that so much as her?

Maybe it is a little vague and up to interpretation, but I feel like Natasha is FULL of that kind of dignity. She has been doing this since before the blockade. She willingly chose to stay in the Underground where she could do the most good. She has seen so, so much death and you can see how it weighs on her; she's become bitter, and wary, and weary. She has it out for the Guards (understandable), and she openly taunts Gepard and goes right for his throat when he shows up in Boulder Town, ten years too late, trying to help with the Fragmentum.

Natasha even seems to have given up any belief she may have once had. She's completely lost faith in Qlipoth.

All of this, and yet she still chooses to be kind. She still chooses to help people. There is something immensely admirable in all of that.

And I feel like you can see how much Sampo admires her in just how often he thinks of her, especially when someone needs help. Sampo smokebombs everyone and needs to get them somewhere safe in the Underground? He takes them to Natasha. Svarog is about to fucking kill everyone? Go get Natasha. He finds the trailblazer passed out in an alleyway? He carries them to Natasha. The trailblazer is seeing weird shit out in the Fragmentum? Recommend they go get a check up. Specifically from Natasha.

It's a little silly, but I think you can also see some of this when Sampo is being melodramatic about being caught red-handed in the museum event. He echoes a very important sentiment to Natasha and Wildfire;

And the mission where this ideology was displayed strongest was titled, "To Rot or To Burn."

(Hell, in the dream sequence of Penacony- regardless of whether that dream bubble came from Sampo or Sparkle, it had to be informed by Sampo's tales of Belobog. Sparkle has never been there herself. And the kind trashcan that immediately helps you and sets you on the right path, that tries to rally everyone together, the only one with a name so clearly and obviously taken from someone Sampo knew in Belobog? Is Shatana- an anagram of Natasha. Even from a meta perspective, they have the same VA. No other trashcan there gets that treatment. None.)

I think they have the same goals, and even hold some of the same views. Natasha's are much more obvious, but still. Sampo says this about Belobog's circumstances:

And he says this as though it should be obvious common sense. That when things are rough, you share and make sure everyone has enough. I think they both share this belief, it's just that they disagree on how to go about making things even. Natasha believes in rallying people for the cause and giving as much of herself as she can to make up for whatever people lack. Sampo believes that if some dipshit with more money than what they need falls for his bullshit and he gets to spread it around? Well hey, that sounds like a whole lot of their own fault.

Natasha is definitely aware of this, and she has no problem threatening Sampo whenever she thinks he's stepping out of line.

She keeps him on a very short leash, which like. Yeah no that's valid fjkdlsajfdklj

Even so, the way she talks about him, like... Maybe it's just me, and my rose-colored glasses, but she doesn't seem to dislike him nearly as much as she could? She kind of just. Says these things as statements about him, without any real vitriol behind them. This is just kind of how he is. She even seems to have a sense of humor about it.

And again! She has so much more to say about him than almost any other character.

I'd like to think part of her...affection? of sorts? for him is simple camaraderie. Circumstances are dire. Past, present, and future are all bleak. Things like that deepen bonds with your foxhole buddies. Sampo is dependent on Natasha for work and pay and a place to get away from the Guards. Natasha is dependent on Sampo for food and medicine and life-saving supplies. They both heavily rely on each other in this harsh environment, and they have a really nice back-and-forth that I appreciate with how they help each other out by owing favors as payment.

And the other part, I'd like to think actually IS because she knows him very well- maybe not things like his past, but she knows some of his personality and beliefs, and finds them agreeable enough. She even has the audacity to call him a poor liar at one point- Sampo! Of all people! Known by someone well enough to be caught out as a poor liar! He's either intentionally leading her on and letting her think she's caught him, or Natasha just really is that good. Neither would surprise me tbh

I think Natasha is also just uniquely prepared to understand Sampo, and is able to see his better sides without letting her judgement be clouded by his slimy manner. She's able to appreciate that his actions ARE extremely helpful, regardless of how he does them.

Even as she acknowledges that he isn't always trustworthy, she does still choose to rely on him and give him chances. She was pleasantly surprised by him here, but she still chose to trust him with this in the first place. She never treats him harshly, and she never seems to bear any kind of grudge with him.

But my favorite example of Natasha being able to understand Sampo? My favorite is this. This one little throwaway line, that didn't even involve him, wasn't even about him. I feel like Natasha is capable of knowing and understanding Sampo on a deeper level than most people can, solely because of this.

She gets it.

(As a fun bonus: In the current trashcan event, there's a simple mechanic where you get one trial character for the initial battle. Then, for the harder stage, you get that same trial character, plus a couple of extras. This is true for every Proof- except for Sampo's. In his harder stage, you use Asta, Black Swan, and Luocha. But in his initial stage, in an event all about friendship and relationships...)

[jellyshark-jester]

Literally gonna die, her stupid fucking smirk, I want my neck snapped.

She’s so fucking handsome what the fuck

[nightfal1n]

Days left until chapter 112:

19 days

[fatuismooches]

Dottore really loves to give you thigh kisses. Along with your neck, it has to be his other favorite area to tease you with his lips (and his teeth, of course.) At least, you can usually see them coming when he begins to move down to rub his cheek against your soft thigh. It's not even a sexual thing, he just finds himself enjoying nipping the sensitive area. You don't mind the marks he leaves there, because at least other people can't see them for once.

Doing something else and you have the audacity to ignore him? Thigh bites and squeezes until you get embarrassed enough to pay attention. Cuddling and you don't have any space left for some more marks on your neck? Your thighs get attacked next. Finally taking a much-needed nap on your lap? When he wakes up, he continues to take his break by marking your thigh. Telling him about your day? Gentle and lazy thigh kisses to help you destress as you pat his fluffy hair. Really good times.