#with standards and shit

[thatweirdtranny]

there’s a very insidious form of racism in the western left when people act like fascists in nonwhite or nonwestern countries shouldn’t be held to the same standard y’all hold fascists in the US and europe

fascist theocratic regime supporters are just as bad in the middle east or elsewhere as they are in the west and you not wanting to call that shit out is just that type of racism where you think nonwhite people can do no wrong, it’s infantilizing and gross

[fraternum-momentum]

CW/TW: assault, implied dubcon, hierophilia.

In one panel a character is called 'my child'. 'My child' is only used as a term of endearment because one of the characters (Luciana) is older and is in a higher position, but all the characters in this are adults. Just letting everyone know before anyone says anything.

[artist-rat]

I feel your breath upon my neck / a soft caress as cold as death

[bussyplease]

Y'ALL I WATCHED THE WHOLE OLYMPIC OPENING CEREMONY AND OMFG IT WAS LIIIIT

There was every boat in existence. The best of french classical music with Ravel, Debussy, Saint-Saëns, Satie, and more. Céline Dion who hadn't sung in public in 4 whole years. Drag queens. All sorts of dancers. A video of a throuple. The contrast between Aya Nakamura and the military choir. They mixed up the names of Turkey and Tunisia on the screen announcements. The olympic flame on a hot air balloon. Statues emerging on the Seine. People doing biking tricks, skateboard and breakdance dressed as mimes, while floating on the water. The president almost didn't talk. Diversity and inclusion were central values of the show. The weather sucked, everything was SO WET. There was not one, not two, but three wet pianos involved.

But the real shit? The real PEAK of the whole show?? The image of the century??

PHILIPPE KATERINE COSPLAYING AS A NAKED SMURF IN A PLATE OF FRUIT, SINGING ABOUT HIS NAKED ASS, SAYING FUCK GUNS AND FUCK THE RICH, MOTHERFUCKERS

THAT'S MY FRANCE

[heterorealism]

[adobe-outdesign]

love how the nurse in Paldea is your standard friendly "oh let me heal your darling Pokemon for you!" type while the nurse in Kitakami looks like she'll heal your Pokemon and for an extra 500 yen she'll toss in a pack of cigarettes

[hoefortoes1]

I hate it when people say skin whitening treatments and fake tanning are "two sides of the same coin." The South-Asian obsession with fair skin is rooted in British colonialism. The urge to get skin whitening treatments comes from a place of self-loathing and an inferiority complex. Meanwhile, people who get fake tans just want to feel exotic.

[3liza]

i mean the truth is that we do not need and should not have all this stupid plastic clutter in or houses. no one should be producing or selling this shit. everyone make your own merchandise and charge a living hourly wage to sell it 🤷 sorry to be so simplistic about this but it's one of the results of the lack of class unity specifically in the means of production-owning creative class, who is not mentioned or dealt with by the core Marxist texts as far as I know (i asked about this earlier on here, did marx ever address in his analysis people like, for example, a professional photographer who owns a camera ans prints his own dagguereotypes? or a portrait painter or idk, independent milliner or seamstress? these people all own the means of production and do not employ anyone, and the answer from better educated people than I was that no, Marx didn't mention them), I'm not well read on this at all, there is just a big void where leftist analysis of what modern economists call "the creative class"

I'm getting off topic. my point is make your own keychains in your kitchen. it's actually not hard. you can even mass produce (on a small scale) little plastic crap if you want, with resin and a UV lamp, or a 3d printer, or a laser cutter and acrylic sheets (or just use balsa wood damn, at least its biodegradable and less tacky).

all this stuff is available to little creators AND there are hundreds of people who already own these machines who will take work for you and produce your designs. you just have to actually find them and know them and email them. that's what I mean about the class unity issue with creatives. we have no large scale union, we have no large scale class consciousness, and we're all sending our orders for little plastic crap to sweatshops instead of emailing a guy with a laser cutter in his garage and saying "hey Keith can I get uhhhhhhhhhhh 50 laser cut keychains of this twerking Diggler design I made, like how much would that cost" and he's like sure here's the work and materials cost and tbh it's always always less than i think it's going to be. you just have to do some basic arithmetic and then order shipping, and I hate order fulfillment with my life but you can actually pay or barter with someone to do that for you too. learn to delegate and then factor that into your unit cost. this is basic shit every commercial creator needs to know. they should teach you this in art school but they dont

don't give me crap about "I can't afford a laser cutter" either because I just told you to email Keith. and all these machines get sold secondhand when a manufacturer or hobbyist needs to upgrade. i got a color laser printer perfect for making zines and wheatpastes and shipping labels from a retired lesbian on capital hill for $75 and it was still full of ink. my friend gave me her 20 year old canon dslr because she just didn't need it and didn't want to bother selling it. it works fine because I spent the time finding the right drivers and shit for my computer. and card readers exist. Craigslist. Facebook marketplace. nextdoor sales section. eBay. everyone always forgets eBay. eBay lets you save searches and will email you when it finds a guy selling his vinyl plotter in your city with local pickup. I'm serious

[rocketbirdie]

Weird thing that bothered me about Rebirth and I want to hear other people's thoughts.

Um... Why did they gentrify Gongaga? I can't be the only one who feels cheated by the chummy suburban development vibe in Rebirth.

OG Gongaga is an isolated village deep in a jungle. It's possible to completely miss the first chance to visit, because it's practically unheard of. All the young folks fled to the big city. A reactor blew up and killed most of the inhabitants, leaving the town in a state of decay. The houses are falling apart, the people are desperate, it's derelict and miserable.

An understated theme in the OG is how life is difficult without modern technology. Avalanche sets out to destroy these reactors without considering the consequences for their own futures, thinking "well it won't be easy but i'm sure it'll be fine." Gongaga is the story's way of showing you just how fine everything is going to be— despite being in a lush rainforest, long since violently cut off from Shinra's influence, these people still suffer immensely.

I wanted to see it in hd so bad honestly. The splintered rotting wood, the furskin rugs, the dirty brick walls. The unspoken yet unignorable trauma. The mournful purple twilight that quietly hangs over the whole village. I wanted to see the survivors' spiteful determination to make things work without mako.

Instead we got a squeaky clean Crisis Core rendition of Gongaga, with its down-to-earth upbeat stardew valley soundtrack and generic hard workin' country folk. The houses are like... twice the size i expected them to be. Neat and tidy, no holes in the roofs, no dishevelled interiors. No sign of struggle. Everybody is content at worst.

The reactor may as well have never exploded. Nobody talks about it. We hear some bullshit about Shinra trying to "make amends" or compensate people for the damages, and that's about it. Apparently everybody's just fine with this, because all of the original version's resentment and grief is gone.

Don't even get me started on the barker stationed at the town entrance. "Come experience nature's bounty!" Man... why are we treating it like a goddamn hippy tourist attraction. OG Gongaga would have had someone knock this kid's teeth out.

Idk I'm just sad. The melancholy is what made Gongaga so memorable despite its bump-in-the-road identity. I wish we could have gotten that instead of one big callback to CC.

[housecow]

felt myself jiggle in not only my thighs, but my calves. wtf!!!! i need more of that

[theonewhowails]

Golden Fleece

[o--milo--o]

take the stage, roll the dice. what could go wrong? [ @gravitysketches @z3r0luvsu ]

[potatobugz]

after finishing the whole show i get it now. i understand

[crustaceousfaggot]

Gary Russel has got to be one of the strangest contributors to Doctor Who. Guy who has had a substantial impact on the canon of the show, while also never writing or directing a single episode. He gave us one of the worst Big Finish audios ever written, but he also gave us fucking Zagreus. He allegedly shut down the Canon Fiveainley Novel Pitch with a "death glare", but also wrote the book that's basically considered the Academy Era Thoschei Bible at this point. What a guy

[tiredyke]

every time queer discourse surges on this site everyone is so quick to jump to “it was actually the evil lesbians who divided us” because y’all heard the term “political lesbian” and never bothered to figure out what that meant

[elizakai]

One thing I really want to see explored more when it comes to Nightmare’s character is the fact that he doesn’t lie.

Nightmare “never lies, only hides the truth.”

Nightmare being manipulative, twisting people’s words and disguising meanings is much more interesting than him simply lying to someone’s face and giggling about it later…

The amount of intentionality and intellect that goes into twisting the truth is, in my opinion, infinitely more intimidating.