and like, despite the deliciously shippable couples it has, Twinkling Watermelon is not a romcom, it’s a fantasy coming-of-age. the theme is family, the main relationship is between Eun Gyeol and his father and while their respective romantic storylines are crucial, they’re not central.
which is nice, on the one hand, because it offers a slightly different (and beautiful) kind of story, but then because instead of being [main couple] > [second couple] it’s [son and dad] > [son’s gf and mom], it ends up letting down Eun Yoo and Cheong-ah a bit and leaving their resolutions a bit rushed / open ended (you know, like how in other shows you’ll see the second couple standing together at the main characters’ wedding but no actual, solid resolution).
so the final scene of the show is primarily a bonding moment and a resolution for Yichan and Eun Gyeol, and you don’t get much of Cheongchan and a very quick last-moment wrapping up of Euneun (and like. what happened to our girls in the years in between?? we need answers!)
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I find it fascinating to trace the development of Jekyll and Lisa's relationship through the various versions of the musical. On the surface, not much changes; Lisa (or Emma, depending on the version) Carew, fiancée of Henry Jekyll, watches helplessly as he dives deeper into his obsession with his experiments, only discovering the true reason for his isolation when it is too late. Whether we look at the Lisa of the early demo recordings, the Emma of the Broadway productions, or any version in between, her role and her fate remains largely unchanged.
Even so, her relationship with Jekyll, specifically its portrayal in their song(s), underwent arguably the most rewrites of the entire show. While (very early drafts of) some songs, such as "Alive" and "Murder, Murder", appear as early as the very first demo recording in 1986 (and by 1987 Lucy's main songs make their appearances as well), Jekyll and Lisa's main duet of "Take Me As I Am" does not appear until 1994's "Gothic Musical Thriller" album, after which the song does not undergo any significant changes.
In TMAIA's place, the pair sing several different songs, including "Love Has Come of Age", a duet version of "Someone Like You", "The First Time", and several more. In the 1986 demo, half of the songs are duets between Lisa and Jekyll!
Out of all the rewrites and cut songs, why did "Take Me As I Am" manage to stick? And why was it the only true Jekyll/Lisa duet to survive revisions?
Though earlier drafts of Jekyll & Hyde devoted more attention to Lisa and Jekyll's relationship (which I, as resident Lisa fan, thoroughly enjoyed), the extra songs did very little, if anything, to progress the plot or develop the show's major motifs. Most early Jekyll/Lisa duets were generic love duets, serving no other purpose but to tell the audience that Jekyll and Lisa were, in fact, in love with each other. Most of these early duets exist mainly to serve this purpose, bogging down the story because they did nothing to address any other aspect of the story than their love and longing. The songs were, in the grand scheme of the show, redundant.
This is where "Take Me As I Am" stands out from the cut songs. While it still serves the important function of Duet To Show How Much They Love Each Other, TMAIA also speaks to the underlying motif of "known vs. unknown". The reason Lisa and Jekyll love each other, at least when we first meet them, is that they truly know, understand, and accept each other. Only when Jekyll starts hiding (pun intended) things from her does their relationship start to show cracks.
From the very beginning of the show, Jekyll's "need to know" the secrets of humanity is set forth as a driving factor of his character. It is in the pursuit of knowledge that he starts down the destructive road of the plot. His desire to know is central to who he is (and, through him, central to the show). Because "knowing" is central to Jekyll's character, Wildhorn centered his and Lisa's relationship on knowing each other. For Jekyll, Lisa is security. She is the only person that knows him, and he knows that he can depend on her to remain a constant in his life. She won't abandon him, no matter how far he dives into his experiments.
Where Lisa represents knowledge and stability, Lucy represents the unknown that Jekyll dives into as the show progresses. Lucy says herself that "no one knows who [she is]", framing her as the opposite of Lisa. Her life is foreign to Jekyll, and she is the person that inspires Jekyll to experiment on himself. Lisa is the known, but Lucy is the unknown that Jekyll desperately needs to understand.
Without "Take Me As I Am", Lisa loses the "known vs. unknown" significance that makes both her and Lucy more compelling characters. None of the earlier songs (with the possible exception of "If You Only Knew", which I desperately want more productions to include) provide that symbolism, which is why, in the end, TMAIA was the only one that could survive revisions.
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A bit late but Lucia for the ask game?
Ohoho, gladly!
Lucia, my underappreciated and beloved!)))
This one's sadly going to be short, cause, well. There is not much we have on Lucia at all.
favourite thing about them:
I admit, I am a sucker for her overall design and style. Of course, I also cherish her bravery, kindness and duty, but. Her visual design is just. So Good. and I am weak for redheads
To add to that, I love how her DT form pioneered the 'angelic' design and vision in DMC! It suits her perfectly, and I definitely love how dmc4 and Nero's DT in dmc5 doubled down on that foundation.
Also, we don't have that much of Lucia, which is good for female characters in Capcom games, they are safer than way.
least favourite thing about them:
We don't have that much of Lucia(((
(tho I am grateful for her small inclusion in the pre-dmc5 novel, it was very welcome and I love the idea of her keeping an eye out for Dante when she can)
favourite line
I'll be honest, besides the obvious 'Dante told me...Devils never cry!" I can't even FIND more quotes from her...this is tragic
bOTP
Her and Trish! I think them interacting might be therapeutic for both - both are afraid of losing themselves to their demonic nature, however their stories are inversed, so they can complementary support each other. I also just genuinely think they could hit it off nicely, and be besties power duo.
Though I can also see their similarities driving them away from each other, cause that's the mature thing every character in this fandom usually does.
Lucia would adore Patty and vice versa)
OTP
Dante/Lucia. They could be like, so unbelievably sweet. That stuff in entirely AU though, while I could envision a way Vergil/Lady might work out post DMC5, I can't see any way of Dante/Lucia happening in canon.
Outside of canon, I think they could be tooth-rottingly sweet. It's all very optional though.
nOTP thankfully she has no relatives to be shipped with, amiright?
random headcanon
She likes wine and trying out different kinds of it. Same as Vergil, for some reason I think she'd enjoy pottery. Also drawing, I think Matier tried her best to make Lucia interested in art and drawing lessons were part of that.
unpopular opinion none
song I associate with them
Like. I know they are very different, but it cannot be just coincidence that we have Two sidesweep redheads with tan skin and accent right???
anyway, they have nothing in common besides that (...or more like we don't have any canon info on either of them to find any similarities), buuuut I do really like Mistral's battle track, and some lines certainly could ring true for Lucia as well, so yeah.
favourite picture of them
Every picture of Lucia is my favourite picture of Lucia, However. This Fanart. It is somehow even more perfect than her original design. Which I never thought was possible.
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I have said this before but me being self proclaimed number 1 Ryoma fan and that being possibly literal-bc even if this bro had fans before me I might’ve simply done the most for him by talking about him so much + being the first to write fics that are in depth studies on his trauma across canons-I gotta say if there’s one other character I rotate a lot that isn’t him it’s probably Kei. (Shocking it’s not Hayato even if I do think about him too- but it’s usually associated with Ryoma bc gays 🗿)
I’m not even exaggerating when I say Kei would be my favorite and only isn’t because she doesn’t exist in many other canons yet my brain rotates the endless possibilities of how to incorporate her. I’ve already written a fic where she’s in shin vs neo verse which worked surprisingly well but I’ve been thinking how universally she could appear in other things. (Whether it be fitting her into a idea of a possible Go team in New or just a new canon completely) I think what I’ve narrow it down to is that she could be like- in Michirus role? Like she’s the supporting female who isn’t a pilot but helps out the real occasionally which I think would align very well especially with the original manga role she has of being Hayato’s assistant. And even if Hayato isn’t grandpa mode yet he still very much is in Saotomes position at that point. Not sure if she’d Hayato’s biological kid to further parallel Saotome and Michiru given well Hayato already adopts the Go team and his wife is irrelevant LOL.
I have no idea if I’ll ever write this specific idea but I’m still- rotating it cause this is such a easy way to get around “picking between Sho or Kei as the 2nd pilot” since both of them can still exist even if one doesn’t get to pilot, idm my supporting females. (Granted there could always be like- plot line where Sho gets hurt so Kei is temporary pilot but I can’t remember if Getter ever really did this since “once your hurt your ass is basically replaced” lol)
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Heretical thoughts on Gameboy games?
It's a great way to be introduced to the Harry Potter franchise.
I was eight years old, hadn't read any of the books nor seen the movies when a relative gifted me the Game Boy as well as the game for Harry Potter and the Prisoner of Azkaban.
An incredible time was had, complete with the shock I had when the unskippable character dialogue revealed that Sirius Svaart was in fact innocent, and then the teeny tiny pixel rat turned into a not so tiny pixel man. Lupin turned into a werewolf shortly after that, and we had a boss fight.
The only thing resembling drama would be that the game was in Danish, so I learned the Danish versions of everybody's names and made something of a fool of myself because of this when I tried to talk to the cool kids about Harry Potter. "Have you read the books? Or even seen the films?" "No... game boy..."
It was a great game. I sometimes miss it.
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