#why would you present it that way

[dabeth-is-dead]

Oh God, Reyes is telling everyone about numerology and its giving me the exact same cringe feeling as Mulder's opening testimony in Tooms

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[poorly-drawn-mdzs]

This was home.

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[vaguely-concerned]

how much have the crows actually been sanitized outside of the very narrow view you get of them both in place and in time in veilguard, and how much is caterina deliberately putting her most presentable and pr friendly foot forward because she needs HELP with both the grandson and the antaam situations and is already playing from a weakened overwhelmed position. is she going to show off all the dirty laundry the crows undeniably have in front of the people she's courting for an alliance? is rook going to be looking a gift crow in the beak too closely when help is offered, go digging through that laundry basket on their own initiative on principle, knowing what you might find further down in it isn't pretty and might still be sharp, while the world is burning? is it entirely coincidental that the people caterina picks to interact with you most is teia -- the youngest, most charismatic and notably most weirdly idealistic of the talons -- and viago -- who is perhaps none of these things naturally but is dependable and logical and sharp and also down so cataclysmically bad for teia that when she runs in shouting 'TEIA YES!!! >:D' he sighs with longsuffering resignation and goes '...viago also yes. I suppose. under duress, let the record note' and follows.

surely parts of how each house functions would be left largely up to the individual talons, right? as long as they produce crows capable of doing the job and keeping up with the competition, I doubt the first talon micromanages how they get there (...for good or ill. lots of dead fledglings buried under that laissez faire policy, probably). they're very far away from a monolithic structure, they're constantly competing merchant houses/families striving to gain the upper hand held in check by little except 'if enough of the other houses shake hands and gang up on us for pushing our luck we're fucked, so don't push it too far'. like I believe lucanis says at one point, even calling them an organization is stretching the definition to a breaking point in some ways lol this is fully herding cats territory. all this to say that in this game we spend most of our time in teia's house. andarateia cantori, of the firm genuine conviction recognized as mildly unhinged by all the other talons that the crows truly are her family, who loves them with her whole unstoppable foolhardy thinks-she-will-die-young-and-live-eternally-in-song-and-story heart for it. teia, who won't leave the cantori diamond even to go home to sleep because she doesn't want the fledglings to have to see the place empty. do I think the way teia cantori would run her house is indicative of the average experience of being trained as and living as a crow? no. obviously. why are people seeming to assume that so immediately? sometimes I do wonder if I'm going insane.

between that and the antaam situation -- which turns the romanticized image antiva already is eager to reach for with the crows (the same way european literary tradition through the ages sure LOVES a knight, no matter what knights were actually like when you had one kicking around in real life) into an effective and recognizable symbol of resistance from an outside force (at least these awful little guys are home grown in a way we're kind of proud of despite it all and also they are deeply inescapably cool)... perhaps indeed a symbol of resistance and freedom that momentarily covers for a multitude of sins. I don't think we need to draw definitive conclusions about what the crows are like universially, historically or in different contexts from what we see in veilguard. sort of like the british in the pop cultural understanding being 'the good guys' when we think about WW2, and the sheer ludicrousness of that characterization of the british empire seen in any other context or angle lmao. I DO think there are some genuine writerly '*handwaves established ugliness aside aggressively* just uuuuuh don't worry about it! not important right now! you can feel at least ok hanging out with the cool theater kids but with murder they're like. comparatively chill in this context it's fine and they're fun' going on too. and you know what. they are fun. invenci is unfortunately objectively right, but the crows are sooo much more fun. and in fiction land that trumps all. absolutely baffling writing choice when you read through to the political/ideological conclusion that's reached from it of course (sort of accidentally? I think???), but would it really be a bioware game without a few of those. it's how you know you're home (derogatory and affectionate)

in short there are writing problems by god are there real problems here. obviously. and it'd take smarter and more knowledgeable people than me to properly untangle all of that. glorifying organized crime is a time honoured tradition in fiction that perhaps... shouldn't be quite so much and is uh risky, you're always playing with fire there. but I frankly don't think the 'de-edgeifying' for lack of a better term is that much of an inescapable one or that it erases what we knew of the crows before, we're just getting the angle on them in one very specific time and place in history and with specific individuals involved setting the tone. eight little talons killing off most of the established leadership beforehand so it's mostly only teia and viago who get to keep their full power base (even caterina and the dellamortes takes some losses in the apparent death of lucanis before the start of the game) probably figures into that somewhere too lol

[horrorshow]

i love when people point out the 'family is hell' theme in spn and then go like 'do not romanticise this!!! this post is not for you' as if spn itself didn’t end up with the family is hell brothers being soulmates happily meeting up in heaven after 15 seasons of dark romance tropes thrown upon them.

no one romanticizes 'family is hell' more than supernatural itself.

[stagefoureddiediaz]

23 years!! So Eddie hasn’t been to confession since he was around 10?!

Well if that isn’t interesting!!! That feels so pointed because that is a very young age to stop going to confession - unless you’ve started to realise you’re different - that the church as been teaching you the things you’re feeling and realising about yourself are not ok according to their teachings and beliefs and the best and easiest way to avoid religious wrath, not look at yourself too closely and bury your feelings is to just stop going to confession (assuming he was still going to church with his parents as I can’t imagine they’d not have him go to church every Sunday at 10!)

[pinkfey]

remember how in dao there were always like multiple flirty options u could just spring on ur love interest and it wasn't something that was brushed past it would stop a conversation dead in its tracks to have a cute secondary flirty offshoot with small variations dependent on the flirty option u initially chose with a unique course correction to get back on topic after...... yeah.

[fictionadventurer]

What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?

A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.

But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.

There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.

Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.

[sundial-bee-scribbles]

i dont usually post stuff like this but the circumstances are rly funny so i will.

my brother got me the ryoji plush for my bday and got me makoto/minato as an xmas present. however it hadn't arrived yet on xmas and lo and behold it eventually arrived on DEC 31ST. 😭

funniest possible date for it to arrive on. anyways i got silly with them

[gideonisms]

I love arranging it's like YES YES THE OBJECTS ARE IN LOCATIONS

[magistralucis]

pronouncing the necron 'sz': personal rating list*

broke: /s/ only ('seras')

woke: /z/ only ('zeras')

provoke: /s/ and /z/ pronounced separately ('s-ze-ras')

bespoke: /ʂ/ or /ʃ/ ('scheras')

invoke: tensed fricative /s͈/ ('sseras')

misspoke: /s/ but evil ('ßeras')

(* Further notes in tags.)

[000marie198]

The fact that each of Zuko's little sisters, canon and fanon, are not only powerful benders but also total chaotic gremlins who fear no one

Azula is among the most powerful firebenders, is a master of psychological manipulation and wouldn't hesitate bitch

Toph invented metal bending, is a walking lie detector, cackles in joy at chaos, would wipe out an army singlehandedly for funsies

Kiyi melted a thick metal door down with zero training and she's like 5 or 6!

The world isn't ready for Zuko's three gremlin sisters teaming up. Zuko himself isn't ready for his three gremlin sisters teaming up

[ndostairlyrium]

Another day, another "why the hero of ferelden isn't in charge instead of this prick?" a 50 pages essay written by me

[oldmanyaoi-jpeg]

i haven't played this game, don't plan to, and am not part of the fandom, but from the secondhand fandom poisoning i'm getting it just seems like everyone is doing this i guess

[celtrist]

Why does Vassago already have merch, we haven't even met him yet