#why would he say that first of all

[ghostbeam]

Hiiiiiiii

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[puppppppppy]

act 4 :(

@chipper-smol and i came to a realization

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[claraoswalds]

#mrs flood who are you: time lord edition

[sholmeser]

anyone else losing it kinda

[dykedvonte]

Its really interesting that Jimmy’s chair is the one tilted away from the screen in this shot:

It’s indicative of how his and Jimmy’s dynamic was. He’s not staring ahead at the screen, he’s not paying attention to what they are doing. Curly is the only one looking forward. Jimmy quite literally couldn’t see the responsibility Curly had or was doing. Jimmy likely slacked off and avoided most of his duties. I mean the one time we know he pilots the Tulpar he steers it wrong and loses the team 4000 credits. Even in the positions they held objectively, Curly was always taking responsibility for Jimmy. Not to mention the “We can fix this” and only one chair at attention. Jimmy never had intentions to fix anything, throughout the game, throughout his entire relationship with Curly. Curly always fixed it? Why would it be any different here?

If he even took the slightest bit of responsibility, he would’ve stayed in the cockpit to see his plan through. In the end Curly did what Jimmy always expected him to do for him and took responsibility. Did what he always did and took responsibility at the wrong time…

[lokh]

also i think if roleswap laios and canon laios met theyd immediately start fighting.

[mintjeru]

technically this is for the requester but it's also for anyone who's having a hard time-- you've worked hard, good job today 💜 "alhaitham and kaveh hugging but kaveh is comforting alhaitham" for @/zarzaryyy. thank you for your donation to @hkvthm-action!!

open for better quality | no reposts

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[ruporas]

special operatives (silly interaction beneath read more)

[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]

[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[psychologicalwarclaire]

Wu trained Morro at the same time that Garmadon was training with Chen which MEANS that Misako was around to see what the pressure of wanting and training to be the Green Ninja could lead to.

So later when she had Lloyd and KNEW that he would be the legendary Green Ninja, do you think she thought of the child Wu had once trained? The kid who became so obsessed with proving himself that he put himself in danger time and time again? The little boy who ran off into the night and never came back?

After seeing that, is it any wonder why she didn't want to leave her son-- the actual Green Ninja-- to be trained by Wu at such a young age?

Maybe a boarding school for bad boys would never make him want to be a hero. Maybe it would keep him safe from the destructive power of destiny. Maybe Darkley's was the only way to save her beloved son, Lloyd Garmadon, from himself.

Maybe Misako remembered Morro. And maybe, just maybe, she knew it would be best if her son never turned into someone like that.

[dysfunctionalcreature]

obviously all the characters in Interview With The Vampire have such tragic pasts, and they each have so many good lines of dialogue that beautifully capture that trauma, but the one I just keep coming back to is Armand saying, voice shaking, "No one has painted me in over 400 years". It's the sadness and resentment in his voice, the implications of it, partly he just misses Marius I'm sure, but I really think that it's more than that, Armand is so deeply insecure, I can't help but think that maybe he doesn't consider himself worthy to be painted, he says "No one has painted me in over 400 years" and I can't help but hear "It has been 400 years since I was worth painting"

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[3l91]

while they’re apart iwaizumi is definitely the type who tries to date other people to get over his life ruining long term crush on his childhood friend but ends up aggravating his dates by mentioning oikawa every five seconds without thinking

“oh yeah my friend likes to order that.”

“me and that idiot oikawa used to ride bikes every now and then.”

“oikawa actually recommended us this spot-“

etc etc etc even when he’s trying not to think about him

and when a date does go well afterwards he can’t help but think about how much fun it would’ve been to do whatever it was with oikawa

all of his dates clock his crush on his childhood friend and politely turn him down on a second date offer and he’s never beaten up over it and tries to ignore the reason why he isn’t upset in the slightest

and then he texts oikawa while lying on his stomach and kicking his feet .. and because oikawa isn’t in the room with him he’s able to crack a smile when he’s teased about fumbling another date

and both of them know that they’re quietly relieved the other hasn’t run into the love of their lives yet because they want to remain the closest person to one another for just a bit longer