#why the hell did I write this

[jamespotterswandonthecouch]

ok but imagine regulus and james meeting for the first time, both alone, in a train at 11pm, and it’s snowing outside. at first they don’t meet, they are sitting in different compartments, they are in the 80s so no phones, imagine the old cozy trains, etc. James gets bored and starts wandering, probably thinking he's alone since all the compartments are empty, when he stumbles into Regulus. He startes chatting with him, even tho Reg seems quite grumbled at the beginning, and James is sooo oblivious to this, he just goes on chatting. Regulus finally shuts him up, telling he wants to go to sleep, when the train comes to a sudden stop. After some time passes, they go to the driver, and find out that there's been some problem and they can't go on. So here they are, at a random train station and it's 1am now. Regulus wants to go on alone at first, wait for the next train there, except the next train ain't coming anytime soon, and it's a really shady area, there are some people looking at them. James notices this and is very, very hesitant to leave this beautiful stranger alone, so decides to stick around and convince Reg to stay together and wait together. They decide to search for nearby hotels, and finally find a quite shady looking place, but oh well, it's so fucking cold so they couldn't care less. They enter, and even tho it's literally 2am the receptionist welcomes them warmly, mistakingly addressing Regulus and "his quite handsome boyfriend" as a couple. Regulus blushes at this, trying to correct her, and being completely ignored by the lady, who turns to take out the register to write their names, while James just turns to Reg with a lopsided grin, saying "did you see that? she called me handsome". They finally get a room, and guess what? There's only one fucking bed. James, not wanting to discomfort regulus, offers to sleep on the floor, even tho it's fucking freezing, but reg feels way to guilty, and hey, he's never been one to say no to sleeping in a bed with a beautiful man (even if said beautiful man is a total stranger) so he tells James that they can sleep on the same bed. They are supposed to fall asleep, but neither of them can, so they start talking about everything and nothing. Regulus starts finally talking a bit about himself, opening up a bit, telling james how he was trying to escape from his abusive family, how his older brother had left a long time ago and he hadn't been able to follow. How he had regretted his decision so much, and was now heading at his brother's house, hoping not to be turned away. James tries to comfort him, and tells his way less tragic side of the story. He had to be out of his town for work, and was now going back in time for Christmas. He'd be spending Christmas with his bestfriends and his family. Suddenly James falls silent, noticing the small distance between them, and hesitantly moves a bit forward. Regulus' eyes fall onto James' lips, and he too moves forward. Their lips meet, sending a jolt down their spine. They start kissing passionately, only to be interrupted by a knock on the door. That's their cue to starts getting ready to catch the next train, so they awkardly get out of bed, without saying a word. They reach the train, and spend the rest of the ride in different compartments. James wants to go to Regulus, ask him more about himself, ask him tomeet again, outside of here, but he's hesitant to do so, because what if Regulus hates him after last night? Regulus on the other side thinks he's messed up, that James didn't like the kiss at all and was now trying to avoid him. When they come to their destination, they get off the train, and James hopes to find a glimpse of Reg, anything, just to ask him a way to meet him again, but is quite dissapointed when he finds noone that resembles him. He waits for a bit, but when the station starts to clear out, he takes is as a cue to leave, wondering if he'd ever meet that beautiful stranger again.

[electrofolk]

A genderqueer reading of Coffee Prince

I wanted to examine why I keep coming back to a show I first watched 12 years ago and why it seemed to mean so much to me. I think it's because I saw in this show an extremely raw portrayal of the struggles I have felt as a genderqueer person, which is wild for a Korean show from 2007. While I rewatched, it was so clear to me that Eun Chan is genderqueer and many of her struggles are not only about her relationship with the love interest, but her relationship with her own gender.

A brief synopsis: Eun Chan is mistaken for a man, and ends up going along with it and getting a job under these pretenses in coffee shop. She ends up falling in love with her boss, Han Gyul, who still thinks she is a man. Han Gyul is also falling in love, but really struggles with the fact that this would make him gay. He eventually decides he is willing to face homophobia to be with Eun Chan. She then decides to reveal to him the truth, but it is Eun Chan’s struggle with having to confess this which feels so familiar and painful to a genderqueer person.

Eun chan has forgotten shes in a lie, she is not in disguise like other gender bending shows, she is just being herself, wearing what she wants to wear, acting how she wants to act It is others who place her in a binary, and assume she is a man. She says right out, “I'm not a guy nor a girl", and she is terrified of what that means.

So when Han Gyul says “Whether you’re a man or an alien, I don’t care anymore”, how can she not run with that? All she is feeling in that moment is relief, you can see it in the way she hugs him.

She does feel like an alien, that much is clear from how she describes herself, and the soundtrack brilliantly confirms this – “I feel like an alien, not part of the human race...it should be such a simple thing” (Alien, by Arco). This song plays when both of them are in the car together, it could refer to Han Gyul, coming to terms with being attracted to who he thinks is a man, or to Eun Chan, who feels she exists outside of the binary.

When Han Gyul finally asks her if she really is a woman, she is reluctant to answer. Some might interpret this hesitation as fear of his anger, but it could also be that she doesn’t want to admit to and be punished for something she doesn’t even feel to be true. He has to ask multiple times because she doesn’t answer, and finally she only slightly nods her head, looking sad and scared.

Later, he begs her to say its not true, that she isn’t a woman. Again, she cant answer to confirm or deny, all she can say is “I’m sorry”, and she breaks down. He is so angry at her for being something she doesn’t even feel herself to be. He said he’d love her if she was a man or alien, but he doesn’t want her to be a woman. The one thing she never felt like she was she’s now being punished for.

When Han Gyul finally comes around and says he’s actually glad she’s a girl, her face says it all.

There are many more hints that she doesn’t feel that she conforms to femininity. She said right from the beginning, that he would never like “someone like me”, showing she had a preexisting view of herself before she ever got involved in this whole thing.

You can see she has internalized this failure to conform, saying its her fault for looking the way she does. She is not shocked when his grandmother called her a thing, She has become used to being treated poorly as she has not conformed her whole life. But Han Gyul gets angry having to grapple for this first time with non-conformity.

Although Han Gyul has a lot of issues, he does have to get some credit for eventually coming out of the woman-man binary thinking he fell into earlier. He realizes she was born this way, and when he shops for a ring for her, he tells the shopkeeper “she is not feminine” and buys her a simple band.

One final thing I’ll mention is the music choice, again. The song that keeps returning at different points is a beautifully sad song with the lyrics “And now I’ve travelled across the ocean, with the same shoes, just longer hair”. At the end she does come back from overseas with longer hair, making her seem more feminine. But she remains the same, and you have to hope Han Gyul realizes she is still the same person, existing outside of a binary, and he is at peace with that.

[mrcarriertheii]

Boutta use a semicolon; incorrectly

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[fallenclan]

shits gettin REAL!!!! who is pumped. i know i am. enjoy the random ass starclan cat cameos that I crammed in here <3

finished this update JUST in time, but next week I'm gonna be even more busy so I guess we'll see!

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[reallilystuff]

that sounded kinda gay

ref below cut

[starburstminibot]

Ok, seeing the post about the playlist, you mentioned how Breakdown only gets his act together after finding out that Bee was carrying

So it got me thinking (and this has actually been in my mind since i first came across the au tbh), but how was it while Bee was like, carrying?? There's the fact that, at first, many of the bots probably don't like Breakdown too since, well, he was not the best bf let's be honest.

Idk, I'm just curious to how things were before Breakcheck came to see the world

(Im going out of town for a week and cant draw so im just answering this with a straight up fanfiction-esk paragraph I’m so sorry wish I could be artistic for you anon)

Long story short: the Autobots are very forgiving but they can also be petty motherfuckers.

I mean they welcomed Megatron among their ranks and treat him (for the most part) as an equal and sometimes even a friend. Of course, Megatron earned that trust after years and years of repentance.

I imagine Breakdown is going through a similar arc. He’s never really been THAT loyal to the Decepticon cause. He just… kinda ended up there and didn’t care enough to do anything about it. He views Autobots as these goody, righteous people that he doesn’t feel like he belongs with. So really… what’s left besides Decepticons (considering yourself a neutral at one point was pretty much a death wish. A faction was the only way to acquire any sort of Energon or medical attention. Something Optimus tried hard to avoid, but the reality was safety in numbers.) the only kinship Breakdown ever felt was with the Stunticons… and they’ve been scattered to who knows where… if they’re even still alive.

Except he did have one friend. A friend he’s somehow managed to keep despite being on opposite sides of the war. He tried to convince Bee to join the Decepticons a few times but it was never with genuine intent. Bee was too good for the Cons; Breakdown knew that. He asked to get a rile out of him more than anything. Of course Bee would retort with his own argument of why BD should defect. He was serious about it… but Breakdown knew his place. He’d already done too much…

Now the war is over. And the leader of his faction doesn’t even believe in the cause anymore. Now, Breakdown’s never been a fan of Megatron anyways, but he sure as hell is pissed off when he abandons them to go be buddies with the Autobots. Maybe Breakdown is a little jealous (Of course, he’d never admit it) That Megatron, possibly the cruelest and most unforgiving of them all, is allowed to be redeemed.

He feels betrayed. All the Decepticons do really… He feels like he was led down a path that would only end in self destruction and at the last moment, the one who was paving the way jumped ship, leaving them all to suffer the consequences alone.

He never even wanted this.

But it’s way too late now. He dug this grave and he’s going to see to it that he’s buried in it. But despite the betrayal, and most of the Decepticons now stabbing each other in the back, trying to claim whatever power they can while holding on to this flimsy cause they can barely call a functioning faction, he still has Bee… who is maybe more than just a friend at this point but that’s a lot of feelings Breakdown isn’t ready to unpack.

And he still runs every time it feels a little too good to be true. Still proclaims his loyalty to the Decepticons because he’s too stubborn to admit he’s on a sinking ship. And he still keeps his distance because he refuses to take Bumblebee down with him when it finally goes under.

And maybe they’ve got a fling going… and maybe the autobots start to catch on. It doesn’t matter though, Breakdown doesn’t stick around long enough to see their sneers.

Until… he finds out Bee’s carrying that is… because damn he may not be the best bot in the galaxy but he’s not a complete deadbeat.

And when it hits him… that he’s going to be a sire… well maybe… he start’s sticking around to see the sneers. He hears the mumbles of disapproval. And boyyy does it make him so angry at first. How dare these holier-than-thou bots. They don’t know him or what he’s had to do to survive. How many comrades he’s lost thanks to them. They don’t know what Bee means to him. They don’t know just how much he loves Bumblebee. How he would lay down his spark for him in a klick.

Then Breakdown questions… Does Bee even know that?

From then on… Breakdown realizes, preserving his ego isn’t worth this. He has a chance now. A real honest chance. To do better… to have the life he actually wants… with the one bot who hasn’t ever given up on him.

He wants it so bad.

So he puts up with the comments and the obvious distrust. Because he’s willing to put in the work it takes to earn it. He’s going to prove how much he wants this. He’s going to prove how much he cares. He’s going to prove he is capable of doing better… and maybe along the way he’ll learn… he’s deserving of better too…

Breakdown is lucky Bumblebee has always been a little spoiled because it didn’t take too much convincing for the autobots to give him a shot. To attempt to accept him into their ranks.

He thought Optimus would be the worst of it. The one who practically raised the bot Breakdown knocked up. And for a while it is. Optimus lectures him every chance he gets. Any small hiccup, any little mistake. He doesn’t go easy on breakdown. Optimus at least pretends to be polite about it, or at least professional.He doesn’t yell, or make unnecessary insults. His words are always very honest (which makes them that much harder to hear) but Breakdown will take it… he’ll sit through it, no matter how hard he has to bite his tongue against saying something he’ll regret. He knows how thin the ice is. But he’ll do it for Bee.

The others are a little more brutal… Elita especially so… they are more sharp with their words (and sometimes their blasters) letting him know just what they think of him.

But no… the worst of all… is Megatron. Because Megatron is probably the only bot in the whole faction who looks at him and empathizes. Breakdown doesn’t want empathy. Especially not from the damn bot who betrayed him. Megatron doesn’t give lectures, he doesn’t verbally or physically abuse him when he steps out of line. He barely even raises his voice. And it pisses Breakdown off more than anything. Sometimes he slips up in front of Megatron just to push his boundaries, just to see if he can break this peaceful facade the ex-brutal-dictator seems to be taking. He’s witnessed the warlord beat bots into scrap for far less… and yet… Megatron won’t. Megatron seems to be attempting to guide Breakdown, to offer a new start to their relationship, and Primus Breakdown wants nothing to do with it. He’d rather be lectured and assigned extra training.

And it takes a long while… longer than Bee’s carrying term, and a little while into Breakcheck’s sparklinghood for the Autobots to really start to come around to him. Optimus’ lectures seem to have a bit of fondness to them. And perhaps Breakdown listens a bit more earnestly and takes to heart some of the genuine advice the Prime gives him. And maybe the sparring with Elita has turned less from a one-sided fight and into an enjoyable workout. And MAYBE… he doesn’t intentionally push Megatron as much, and has come to a realization of his own that his Megatron… is nothing like the one who betrayed him… and perhaps there is more in common between them than he’d like to admit.

And when people look at him now, he’s not just the Con Bumblebee has been sneaking around with. He’s a Sire… and a devoted Conjux…

And maybe this is what he’s always wanted. And he can be deserving of it too.

[shoot-i-messed-up]

Was always worried about the angst of unrequited love, had never realized the sheer amount of comedic potential that it has.

Imagine one-sided Superbat where Clark is fully aware that Bruce has a crush on him but is being his repressed self about it, and Clark is just like, “I’m not gonna touch that :) you’re going to figure that out for yourself, buddy, and in the meantime, I’m just going to have a good time and be best friends with you as you inevitably pull yourself together enough to either fall out of love or to confess :) and I’ll just let you down gently because I care about you :)” but he absolutely 100% is using it to his advantage in the meantime. His puppy dog eyes had never been so effective before. He’s gotten out of Monitor Duty three times in the past month.

[thelostgirl21]

So, you are telling me that Jaskier used to wear outfits the color of the sea in Season 1...

That he constantly complains about his feet hurting, or struggling with keeping his footing while having to wear boots (is the problem his actual boots or a lack of early practice in life?!)...

That he got all excited at the thought that Geralt might catch him a fish to eat...

That a huge part of his identity and the pride he takes in himself is tied to his singing voice and abilities...

That his songs have been described as having the power to sing a king off his clothes...

That helping his best friend in the whole wide world bathe after rubbing soothing chamomile onto his lovely bottom is typical friendship behavior to him...

That he vulnerably asked for Geralt to get away for a while with him, and head to the (west?) coast, in the hopes that he might be able to prove himself a worthy [travel] companion (works whether you interpret the interest as romantic or queerplatonic).

And then he basically implied that (returning home with Geralt?) might be what would please him most.

That the very first thing he did after Geralt returned to him and got him out of his cell in Season 2, is take off his top and jump into the freaking nearest body of water!

That he's hypersensitive to the way people on land start stinking after a while (including himself), and will openly suggest they should bathe (or downright bathe them himself)!

That he talks with animals...

That you had him fall in love with a human prince in Season 3...

... then had him sing a song about a human prince that falls in love with a siren to Ciri right before you had him go meet with said prince, share his first kiss with him, and make love to him in a woodshed!

... only to show a clip from "Sirens of the Deep" revealing that the Netflix version of Jaskier is from

Bremervoord

a.k.a. The vassal state of Cidaris and one of the places that goes the furthest west into the sea on the Continent!

Bremervoord, with an economy running primarily on pearls fishing.

Bremervoord, the place where the story of Jaskier's Season 3 song, "A Little Sacrifice" takes place...

A place where a prince (though I think it's a duke in the actual short story) meets a siren, falls in love with her, and willingly leaves his human life behind to follow her at sea.*

*according to the song, at least! And I'm not sure it ends well for the prince of the song, because that part about him sinking to darkest night sounds a bit ominous if you ask me... The book's short story has a different conclusion.

You're basically telling me that Jaskier comes from a place on the coast that goes far into the sea to the west, a place where merpeople and humans occasionally interact, and that he didn't really feel like talking about where he's from, because he felt like the only way for him to ever be able to "become himself" was to leave his home behind...

... AND YOU EXPECT ME NOT TO LATCH ONTO THAT POPULAR MERMAN!JASKIER THEORY?!

OR INSTINCTIVELY START DEVELOPING A BUNCH OF HEADCANONS ABOUT IT?

For example :

What if Jaskier keeps repeating that "he's just a bard" not because he's actually dismissing how good, influential, or powerful he is...

... but because he chose to give up his tail to permanently become a human, and he doesn't like to be reminded that he doesn't quite "fully belong" with humanity, because there's something a bit different and "unique" about his singing.

What if, growing up as a merboy, he'd kept feeling like he was born in the wrong body and with the wrong species given his brethren's attitude about singing as an artform.

What if when merpeople sing, they typically rely on pure melodies without lyrics, and argue that only humans and other species of the land - with their inferior vocal capabilities - must rely on something as primitive as words and lyrics to inspire emotions and make ideas take root into other people's minds.

What if they do have a singing speech pattern, but when it comes to artistic expression, the songs are purely melodic.

But Jaskier, after listening to some of the folk songs that the local bards enjoy singing by the fire at the beach, often accompanied by a lute or other instruments, fell in love with the way the words of those songs flow and sound.

Perhaps he revealed himself to Essi then, and that, instead of being scared of him, she agreed to show him how to play the lute, speak her language, and sing the way humans do.

And when he did fully grasp the beauty and the power of using verbal poetry into songs, he knew he could never look back.

What if Essi was the first person to ever really see him for who he was and treat him as family, hence why he loves her like a little sister.

Maybe "the Lettenhoves" are basically a group of merpeople with no actual blood relation, that lost their own families and were rejected by them when they chose to make the full transition from merperson to human.

By pretending to be blood relatives, they've managed, however, to realistically pass as a large human noble family, acquire a bunch of lands and estates over the years that is passed to each new generation that wants them, and each new member is given a certain amount of money when they become one of the Lettenhoves to begin their new life on land!

They aren't extremely close, because they each have their own lives and personal ventures (very few go into singing careers), but they are still people that understand what being a human born at sea feels like, and that will be there to offer each other help and support if need be!

And so, Jaskier was able to go study at the University of Oxenfurt and learn as much of the human world and its arts as he could!

But, while his voice remains a bit more powerful and influential than most humans that were born on land, that influence comes with a "curse"...

Most people that instinctively fall under the charm of his melodies (note: Jaskier can use his voice to make an audience more susceptible to anger and annoyance when he sings, too. An especially useful skill to have when you're relying on food being thrown at you to eat... Hence why Geralt's lack of emotional response to his singing when they met was so intriguing!) will typically only care about how they make them feel, rather than how Jaskier himself was feeling when he wrote his songs.

Geralt, Yennefer and Ciri are all immune to his siren charms - and dwarves appear to be more resistant as well - but, while his songs inspire people, and hearing him sing them "live" with his actual voice tends to make people become instantly infatuated with him (or immediately hate him, should Jaskier wish to repel rather than attract them)...

... they rarely ever see him or seemingly attempt to connect with him on an intimate, emotional level, like they would with another human being.

And so, every time Jaskier is reminded of how much influence he appears to have over how people see the world when he uses his voice, Jaskier's tendency to remind them that he's "just a bard" is because he wishes people would connect with his humanity, too, rather than what he can do.

Regardless of him being able to pass as someone that was born on land and started his life in a fully human body, he knows that his voice will always carry some remnant of his siren abilities.

And that this difference appears to be preventing him from emotionally and physically connecting with other human beings that weren't born at sea like him, the way he wishes he could.

And so, that's why he was initially hesitant to sing for Radovid, and he kept insisting that he wasn't in a "singing mood" that day.

Because he knew that, the moment Radovid heard his singing voice, he might stop listening to him and trying to connect.

But there was something in the way Radovid insisted - while asking for Jaskier to pick his favorite song and showing a sincere curiosity about listening to what pleased him most - that made Jaskier ultimately choose to risk it.

And, while Radovid was obviously affected by the sound of his voice (to the point where he felt the need to pretend his speechlessness was caused by drunkenness), it was also very clear that he'd been listening.

Not only was his gaze very sharp and his eyes clear and bright while Jaskier was singing - seemingly attempting to analyse every note and word - but, for once, the things Radovid was complimenting him about weren't related to his ability to make people feel and experience things...

For once, what Radovid was claiming made Jaskier so special wasn't the beauty or power of his voice, or how catchy the melodies of the songs he'd sang to him were.

It wasn't even about how Jaskier's lyrics had made him feel.

He'd told Jaskier that what made him so special was his ability to see people for who they really are rather than who they pretend to be.

He'd essentially told him that his ability to truly comprehend those around him was his gift - that he had a unique ability to connect with them at the core... the very thing Jaskier had always felt that he was lacking.

And when Jaskier pushed him for more, all Radovid told him was that he didn't know yet, but was determined to figure it out.

"You connect strongly with others and my desire is to understand and connect with you."

That is what Radovid had taken away from who he was, even after having heard him sing, and Jaskier couldn't help but feel like he'd found a kindred spirit in that human.

Someone stuck in a world and a birth family that simply couldn't understand and accept him as he was - constantly hiding parts of himself to survive.

Radovid had then agreed to help him with the whole situation with Rience - despite the fact that Jaskier hadn't used any song to attempt to suggest he should, just genuinely asked for his help.

And - if that hadn't been enough - that prince had gone one step even further by asking him if Geralt knew how lucky he was to have him, after Jaskier had been singing about his self-worth issues when it came to relationships and his fear of never being good enough - or human enough - for a fellow human (or mutated human) partner.

He'd been listening to him.

He might have been born on land, and he might not have been immune to Jaskier's siren abilities, but Radovid still hadn't lost sight of who he was, nor been tempted to start obsessing about owning him or treating him like a prized possession.

And so, Jaskier tentatively begins to allow himself to hope...

Until Radovid does something truly unexpected that none of his prior human, elven or dwarven suitors or lovers had ever done before...

Learn his song.

Sirens are typically immune to the power that another siren's voices carry... until they fall in love.

One of the ways to know if a fellow merperson is alterously or romantically drawn to you is to sing back one of their own melodies to them, and see how they will respond.

Should they feel that instinctive, near irresistible pull towards the melody, and vice versa, then the two sirens will often start trying to discover and explore different ways they can learn to harmonize and use their voices to complement each other's, and create new shared melodies that will resound through the sea.

And, for the very first time in his life, Jaskier finally understands how people feel when they listen to him sing.

Despite the fact that the "siren's melody" being sung back to him is a human song he wrote, with human lyrics, accompanied by human instruments...

Despite the fact that Radovid himself is most definitely not a siren but very much human - fumbling a bit with Jaskier's lute, visibly nervous, too shy to allow his voice to rise above a whisper...

To Jaskier, it's the most beautifully mesmerizing "siren's melody" he's ever heard in his existence! It's filled with warmth, love, understanding, a promise of unconditional acceptance and safety...

It's absolutely intoxicating, he can barely breathe, feels like he's on the very edge of losing his sanity, and it takes all the power he has to avoid launching himself right at him!

And if a human can make him feel this way singing back to him a song filled with poetry and lyrics - rather than a classic, traditional siren's melody - then maybe there's never been anything wrong with Jaskier or the way he's always preferred to sing!

His people made him feel unwanted, but the sea never did! It probably would have been welcoming to a lute-playing merman singing like a bard, if his people hadn't been such close-minded arses!

Jaskier feels at home on land and has never once regretted his choice, but maybe he still has a right to also be a child of the sea, regardless of him having ultimately chosen a pair of legs over his fins!

And maybe Radovid would love to see parts of his old home some day - even if they can only access the surface of it, rather than go explore everything hidden in the water's depths (unless Yennefer has a spell that would allow Radovid to breathe under water as he does. Because Jaskier would never trust a sea witch with Radovid's life!).

And if Jaskier himself can be mesmerized by Radovid's song and feel like he would let that man lead him anywhere and do whatever he wants with him, without any desire to own and control him; maybe he'd simply been trying to connect with the wrong people.

Radovid is the first person he's ever met that seems to be able to connect with both the human and the siren part of him. And when Jaskier offers to help him work on his lute playing and singing, what he's truly saying is that he wants them to learn to harmonize their voices together and create their own melodies...

It's an intimate need Jaskier still has, and he's finally found himself a mate that appears to fully get him, and be able to fulfil those needs.

Of course, then the whole mess with Cirilla happens, and for a moment there Jaskier loses faith that any of it was ever real!

Who was he kidding!? The Redanian Intelligence kept insisting that they knew everything about everyone! Maybe they'd figured out Jaskier used to be a merman, done their research, noticed that Jaskier "fancied" the prince, and instructed him to surprise him and trick him into lowering his defenses, by courting him the way a fellow merman would!

He really should have known!

But then, when he finds Radovid alone, lost, and hiding, he realizes that Radovid had never meant to trick or hurt him.

Radovid had just been genuinely afraid, and trying to deal with the threat of a looming war as best he could by seeking Ciri's help.

And now, the war he'd attempted preventing from happening had begun, he'd clearly internalized Jaskier's earlier blame, and that spoon of a man was sufficiently bonded to him by now that he might just allow himself to be captured and killed if he doesn't do something about it!

And then, Jaskier himself might end up symbolically 'washing ashore' somewhere and letting himself die of heartbreak, for fuck's sake!

Because merpeople are dramatic as fuck and they feel the loss of friends and family in a way that's devastatingly sharp. Being rejected by a queerplatonic or romantic partner - or having them die on them - is the worst type of injury one could inflict upon them!

When he'd sung about having also survived, no thanks to Geralt, he'd fully meant it! That loss had nearly killed him!

If he wants to survive this, he needs to figure out a way to keep Radovid safe, and then make sure that Geralt and the rest of his family are safe also, because he doesn't know how he'd manage to continue to live in this world if the war ends up taking everything from him in a way where all hope would be lost of ever getting any of them back!

[quadrantadvisor]

Multiverse, Reverse Robins au, 2,514 words

-

Jason (Red Hood)

The imposters are good, Jason will give them that.

They need to work on their looks, unfortunately, because each one of them is a little off. Their Nightwing is too bulky, and his costume isn't made with Dick's flexibility in mind. Besides that, he's got an undercut that doesn't match the shaggy way Dick has his hair now, and his blue is too dark. And the swords. Those are different.

Their little Robin looks more like Dick, actually, Dick as he was before Jason's time, with his happy grin and his bright yellow cape. He doesn't match Damian's style at all, and Jason wonders if their intel was out of date. He tucks away his anger (the way he's used to doing, now) at these bastards roping some little kid into whatever con they're trying to pull. They can help the kid after they subdue him, and he stops trying to flip-kick people in the face.

The Red Robin outfit isn't bad, but the guy playing him is way too tall to be Tim. He doesn't use a bo staff, either, clearly preferring the armory of sharp little implements he keeps tucked away in his utility belt, including a wicked looking combat knife.

Which brings Jason to the current pain in his ass, the idiot trying to pass himself off as the Red Hood.

Yeah, they'd split off into pairs to fight. First off, for practicality's sake. Less risk of friendly fire if the only guy you're trying to punch is the one who isn't you. And secondly, it's just what you do, isn't it? Somebody gives you a set up like this, you go along with the poetic justice. No bat is immune to drama.

Jason is regretting that a bit, now. Fake Hood had taken him for a ride, leading him, he now realizes, far away from the warehouse where Nightwing and Robin had initially called in the disturbance. This other guy isn't the powerhouse that Jason is, but that doesn’t matter if Jason can't ever get in a hit. His movements are precise, deadly, and familiar in a way that makes Jason suspect League training. Jason is keeping up, but barely, and that's with the advantage of his guns. The other guy hasn't touched his, still gleaming red in his holsters, and Jason has a sneaking suspicion that they aren't filled with rubber bullets.

They're at a bit of a stalemate, standing on opposite sides of a dark rooftop, and Jason's trying to catch his breath but he can't relax, not when his gaze is locked onto his opponent, waiting for the minute twitch of muscle that will indicate his next move. He's wondering if he could get a shot off, wondering where to aim, when his comm crackles to life.

“Stand down!” Tim snaps in his ear. “Hood, Wing, the alternates aren't currently a threat. Deescalate however you can, and get back to the warehouse. We can explain this whole mess there.”

“Really?” Nightwing asks. He goes on to say something else, something about his doppleganger being incredibly threatening, thank you very much, but Jason stops listening, because there's something going on across the roof.

A mechanically distorted voice says, “What? No, I'd be able to tell. This guy isn't-” The imposter(?) cuts off suddenly, presumably listening to a response.

And then he… giggles.

“That isn't funny, Red,” he says, in contrast to the little peals of laughter making him subtly shake. “You- you get how fucked up that would be, don't you?”

Jason can't figure out what to do. Tim's intel is almost always good, but he can't get himself to stand down, not when, for some reason, that laughter is setting his teeth on fucking edge.

(He knows the reason. He'd know that cadence anywhere, he hears it in his fucking nightmares, but it isnt possible. He's in Arkham, right now, because Batman won't kill him and Jason isn't allowed to kill him and that uncomfortable truce is what got him his family back. Jason would know if he'd broken out, they wouldn't have kept that from him. They wouldn't.)

“Oh shit,” Tim says, and it makes Jason wonder how he knows, “Hood, is your alternate having some kind of fit right now?”

The sound escalates, from breathy little giggles to screeching laughter, and even with the hood's distortion, it's unmistakable.

It's the Joker's laugh.

It's the Joker.

And isn't this exactly some shit that Joker would pull, making a mockery of Jason's family, a twisted parody that fucks with his head? Tim's lying, he's trying to get Jason out of this situation, and Jason gets why, he does, but obviously the rest of them can't (won't) protect him from this, so if he has to take fate into his own hands, he will.

The green is creeping up, but Jason doesn't let it haze over his vision because he has to be in his right mind while he does this, not for them, for himself. As he stalks across the roof, he empties the clip from one of his guns and pulls out the live rounds, loads them into place.

He thinks Tim is calling for him, maybe the others, too, but the chatter over the comm is getting further away the closer he gets to his target. He should be smart, should take the shot, but maybe he's got more pit in his head than he wants to admit, because Joker, still laughing, pulls a knife, and Jason steps into his range to disarm him.

The strike is fast, but compared to the careful movements of before, he's practically telegraphing his actions. Jason sidesteps, and if the blade knicks him when he twists Joker's arm, he doesn't feel it. He's got the clown in a hold, now, and forces him to his knees with the gun against his temple.

If the hood is anything like his own, the bullet won't do it, not even at point blank range. Jason would like to get it off him, would like to see the life leave his eyes, but he doesn't have to. Jason moves the barrel beneath his chin, right where the armor ends. The pit rages inside of him, says this is too easy, says to make him suffer. Jason pushes it down. This is the compromise he'll make, this is what he'll do to try to maintain both his humanity and his peace of mind. The bullet will ricochet off the hood from the inside, will tear through Joker's brain at least twice, and he'll never come back from that, and Jason will finally be free.

It'll be easy.

This is too easy.

“Nothing to fucking say?” Jason growls, jostling the clown in his grip, because there's always some joke, some shitty twist.

The Joker just laughs.

“Unhand him this instant!” someone snaps, and Jason's finger twitches but somehow the trigger stays still. And now what's he supposed to do, because of course fucking Nightwing- but wait, that isn't- but it is, he's right there- it's both of them, two Nightwings. Fucking fantastic. Twice the guilt trip.

“Come on, Jay,” the Nightwing who's actually Dick pleads, and hey, what the fuck, codenames? In front of the fucking Joker, Dick? “Let him go, we can explain everything.”

“I'm not doing this again!” rips itself from Jason's throat, and he'll think later about just how wrecked he sounds. “I'm not just standing here and letting him go, Wing, not when one bullet can put a stop to all this, not when I can end him.”

“Jason,” Dick says, slow with forced calm, “that's not the Joker.”

“Don't you fucking lie to me!” Jason seethes.

His hand is wrenched to the side, the barrel facing open air, and before he can make a move the unfortunately familiar feeling of a high voltage shock courses through him.

By the time he's stopped seizing, Dick is at his back, supporting him with his own body and with arms under his pits and around his chest in a weird reverse hug. Technically, Jason's hands are free, but they're empty, the gun skidded to somewhere else across the roof.

Dick is murmuring into his ear, “Sorry, Little Wing, I'm so sorry,” and, “You're okay, you're okay, you're okay,” mantras meant to soothe his brother as much as himself. Jason wants to be angry, wants to snap at him to let go and fucking cut it out, but he's feeling strangely disoriented. He only has enough brainspace to pay attention to one thing, and that's the scene playing out in front of him.

Dick had clearly hauled them back a few steps, but Jason is still uncomfortably close to the bastard version of Nightwing (who, Jason realizes in hindsight, had tazed him while he'd been distracted by his brother, not cool) and the laughing maniac he should've killed. Nightwing is holding onto Joker's shoulders, his hands bouncing as the gasping, shrieking laughter continues.

“I'm going to remove your helmet now,” Nightwing says. He has a slight accent that Jason knows he's heard before, and his tone is professional, almost clipped. And yet, somehow, Jason can tell that this is a gentled version of the man's voice, the sharpest edges sanded away. His hands move from Joker's shoulders to the back of his head, carefully inputting whatever sequence allows for safe removal of the hood. Jason hears a hydraulic hiss when some sort of catch releases, and as Nightwing starts pulling the red metal up and away Jason can't help holding his breath.

At first, he sees what he expected to see. It's the Joker's expression, after all, his laughing face pulled into a rictus grin.

But the grin isn't right, somehow. The man is pale, but his face is unpainted, and the smile stretches wide, too wide, wider than even the Joker ever managed, and after a moment Jason recognizes the red, raised scar tissue on either side of his mouth for what it is.

Then, Jason takes in the actual features of the person in front of him. Dark hair, pale blue eyes, the cheeks, the jaw, the nose.

It doesn't make any fucking sense.

The Red Hood, collapsed on his knees in front of him, scarred face bare with no hood or domino to protect him as he struggles under the weight of his own laughter, is Tim Drake.

He's crying.

Jason is suddenly glad that Dick's holding him, because he's certain that he'd be on the ground, otherwise. Then, he realizes that he can't breathe.

Jason knows, logically, that his hood has sensors and filters that keep him safer than he could ever be without it. It is only every once in a while, when something stupid happens, that he regrets that he, a man with claustrophobia, decided to stick his head into a metal bucket.

Dick can probably tell that he's hyperventilating, and doesn't fight him as Jason gets his hands on the back of his neck and pulls off his hood.

Jason gasps in polluted Gotham air, and Tim's eyes snap onto him. Nightwing says, “I'm administering the emergency dose of your medication,” and then stalls, like he's waiting for a response, but all Tim does is laugh and stare. Jason stares back. He can't look away.

Nightwing retrieves a small tubular device, almost like an epipen, and presses it against Tim's leg. That shouldn't work. Tim's wearing body armor, same as the rest of them, and there's no way a needle could pierce it, but Jason looks as Nightwing draws the device away and there's a small raised circle of hard plastic on Tim's thigh that the head of the device fits into perfectly, like it was designed for that purpose. An injection spot, built into Tim's clothing, specifically for whatever drugs fake Nightwing just pumped into him.

Immediately, there's a difference. He doesn't stop laughing, or smiling that horrible fucking smile, but the manic tension is gone. He doesn't look like he'll shatter at a touch anymore, too brittle to be handled. The curve of his spine gentles, muscles no longer pulling it to the point of snapping. Jason watches as slowly, oh so slowly, Tim gets quieter, leans more into Nightwing's hold on him, starts gasping more than laughing.

Dick is talking behind him, into his comm, it sounds like. If it's important, someone will get his attention.

Finally, Tim breaks eye contact. “T- tell him,” he says to Nightwing, struggling between gasps and giggles, “tell him what you, gave me. Jay doesn't, he doesn't like, needles.”

The strange Nightwing turns his head, and Jason gets the impression of a sharp, searching gaze behind his domino. He's nothing like Dick, not at all, but something niggles the back of Jason's mind, some sense of familiarity regardless. He tosses something, and Jason automatically reaches up to catch it.

It's the empty tube of medication, which does seem a lot like an epipen, up close. “It's a combination,” the man says. “The antidote for Joker venom, an antipsychotic, and a mild sedative.”

“What the fuck?” Jason hears from his own mouth as he looks down at the innocuous little tube.

“It's only used in emergencies,” Nightwing adds, and does not clarify any further.

Jason doesn't know what to say to that. He shakes himself out of Dick's hold and grabs an evidence bag out of his jacket. He watches Nightwing, to see if he'll object, but he doesn't. Jason slips the medicine tube inside the bag and tucks it away.

“There you are!” Dick says in a bright tone, one meant to cover his anxiety and relief.

Jason turns, and finds that their roof has gotten a little crowded. All four Robins have arrived, his brothers mingled in with their copies, copies who don't quite match in ways that are now sticking in his brain. Tim, Jason's Tim, is standing right there, pressing his mask against his face like he'd broken the seal on the adhesive, and it isn't sticking quite right. Other than that, he's normal. He's fine.

The Robin, the one in the classic colors who Jason had thought looked a bit like Dick (oh God, could that be-?) gives a little whistle. “Trust Red Hood to cause drama!” he says in a bright tone that is too too familiar (fuck, fuck he is). “Must be a universal constant.” He grins, cheeky, looking past Jason.

Jason isn't processing fast enough to be offended for his own sake, but he turns and checks on Tim, other Tim, the Tim who apparently also has a claim to the Red Hood name. Tim is propped up on Nightwing's shoulder, looking drowsy and relaxed. He's looking back at Robin, and his lips are pressed tightly closed, but he's smiling, and it reaches his eyes.

Alright, then. This is probably fine.

Jason snorts, to get the kid's attention, and rolls his eyes. “Comes with the job description,” he snarks.

The kid lights up. Jason feels distinctly weird, having that smile directed at him, but it's not… bad.

Yeah. This is fine.

-

I'm planning to add a reblog with more information on this au/fic idea, so if you're interested, watch this space.

[underqualified-human]

Reasons they fear ? Yuu

Various reasons the dorm leaders have to be afraid of ? Yuu

All:

Once a month exactly they have a vivid dream of being killed by Yuu, and when they wake up there are bruises around the places they were in the dream

Grimm: He lives with them. Also was there when Yuu got genuinely angry.

Riddle:

Is always able to identify where Che'nya is. Sometimes they'll just look at the air and start talking, and then there's Che'nya.

Leona:

In part it's also what makes them interesting to him. How they speak of their siblings scares him sometimes. Other times it makes him envious.

They'll speak of their older siblings with their voice full of fondness, they'll speak of their brother's passing with their eyes glazing over and yet in the same breath, they'll speak about arguments where they wished death upon each other like they were jokes told at a comedy club.

They'll point out scars and barely be able to get a word out over frantic giggles as they recount the 'practical joke' their sister played on them.

They scare him because they make him reflect.

Azul:

During the anemone incident, they walked past the tweels, grabbed him by the neck and said: "Desperate people are dangerous people, one feels little about taking a life when all he has to lose is his own." And then walked away.

Kalim + Jamil:

When they were alone, Yuu looked at them both and said: "This is the closest either of you has been to death, and I intend to keep it that way." And now has regular sleepovers at Scarabia.

Vil:

They drank poison and had no reaction or side effects. Also made blueberry pie but substituted the blueberries for Deadly Nightshade. They genuinely thought that was a normal thing to do.

Idia:

He went to Ramshackle once [1] for a date videogame night and they said something about their 'mothers-sisters-daughters-fathers-other child'.

Idia: You mean your half-cousin?

Yuu: Yeah but she doesn't like me calling her that in front of people. So she told me about this one time her half brother the eight-legged horse-

Idia: Wait back up, what's your cousin's name?

Yuu: Hel, so anyway-

Malleus:

He just straight up doesn't, he's the crown prince of the Briar Valley, if anything he finds their odd traits endearing.

"What will you do if I die before you?"

[blueskittlesart]

BYE I JUST REMEMBERED I DID ROLESWAP COMICS

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[battertv]

absolutely adore how well re4 remake handled ashley graham. she went from this really flat character that is honestly really annoying at times and couldn't defend herself AT ALL to a character full of personality who can't fully defend herself but she TRIES & she's absolutely lovely. fuck yeah. need more remasters like this.

[the-kingshound]

Why is coding so difficult I don't want to do this