#why are they so mean over theories

[fantasticgothicpeachsludge]

Fnaf fans on Twitter are truly the worst

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[bungobble-my-balls]

WAIT SIGMA WAS ONLY A PAGE IN ATSUSHI'S STORY

BECAUSE ATSUSHI IS A BOOKMARK AND THE BOOKMARK MOVES AS THE STORY GOES ON

BUT SIGMA WAS BORN FROM A PAGE, AND ONCE THE BOOKMARK PASSES A PAGE IT DOESN'T GO BACK

THEY MET ONCE FOR A SINGLE CHAPTER, A BRIEF IMPORTANT INTERACTION, AND THEN DIDN'T SEE EACHOTHER AGAIN (FOR NEARLY FIVE YEARS IN OUR TIME NOW). ATSUSHI CONTINUED WITH THE STORY BUT SIGMA STAYED WHERE HE WAS (DEALING WITH DOA AND FYODOR BALONY)

SIGMATSU ANGST SYMBOLISM?? IN MY BUNGOU STRAY DOGS??!!??

[trans-leek-cookie]

i don't follow dungeon Meshi discussions closely and also haven't seen much in depth analysis of the marginalization of halflings specifically but I feel like the Infantilization aspect is focused on without acknowledging the ways they are often also Dehumanized (little weird considering the usage of "human" in the context of the story but I think it fits well enough). Like they are considered unskilled and immature due to their appearance + shorter relative lifespans, but also they are considered shady, used as literal bait (for sirens and succubi), and fucking disappeared when they come into contact with dangerous artifacts. Like both are significantly negative, but one is a bit more Obviously Violent in a way that I feel like is under discussed.

[tyrantchimera]

So, uh.... anyone gonna talk about the fact that the tree of knowledge is A) the only tree in the garden of Eden depicted as being red (which is associated with evil in this intro story) and B) the only tree with very visible ROOTS?!?

Like, the roots of all evil? Literally??

No? Just me? Ah well.

[unweavinglies]

I’d like to ask a question about Kokichi’s character in Chapter 4, specifically with him seeing the “Truth of the outside world.” Yes, it was a big shift in his character to suddenly want killing, but I’m not entirely convinced that it was because of him losing his mind from seeing the outside world. I think at least some of it was a facade to make others think of him as a bad guy/the mastermind; to make his Chapter 5 character more believable so his plan would work. What do you think?

Well, I'm not here to convince you one way or another.

My theories and personal interpretations are just that--personal interpretations and theories. The narrative is web of interpretations and I only hold a single thread of it.

To me, personally, I think Kokichi's behavioral shift is far too drastic, going from "I'm going to beat this killing game" to "I'm going to become a blackened and kill someone", to plotting with Gonta to mercy kill the whole class. I think this jump has only one true source--the madness of seeing the end of the world you and your fellow classmates have been killing each other over.

I know it's a difficult feeling to imagine--but that's probably why you think differently than me. I cannot fathom what it's like to see the end of the world--and how I personally would react to that, aside from pure devastation. I don't think any human being can truly comprehend what "the end of the world" would look or feel like--which is why the concept often appears in horror plots and the sort. I don't think our brains can truly comprehend becoming an endangered species, the world we knew to be suddenly inhabitable, to be on the brink of death and demise and know that everything you once loved has already left you behind.

So I ask you this as my answer: Do you really think that any human being on this earth could handle the end of the world?

My answer to my own question is: No. I don't think any human could mentally handle seeing what Kokichi saw--and that's why I don't think his "I am the Mastermind" plot is the cause of his personality shift during chapter 4.

It just doesn't make sense to me.

I'm sorry if this comes off as curt or rude--but the amount of asks I've gotten specifically about Chapter 4, and about my Mercy Kill Theory, with the sentiment of "Oh your theory must be incorrect, somehow", is far too grating on me. Never the mind asks that go and try to find loop holes to prove the theory wrong, but I digress--that is neither here nor there.

[puhpandas]

ideal ggy reveal for me right now is some sort of game whatever format theyd use (for example sb vs hw is very different storytelling) about vanny killing dr rabbit and it leads up to the beginning of sb at the end

[atlas7seo]

FNAF lore really be like there's this pizza place (or several and also a bunker and a house and amusement attractions) where 5 kids went missing and now possess animatronic mascot suits, the chicken one is Susie and she was first (rattles on for half an hour about Susie), there are the other 4 I guess, and there's a golden bear with one spirit? two spirits? who knows man? definitely not the creator, now let's just throw random shit at the wall and see what sticks (I mean who doesn't want sentient goo, time traveling ball pits, and BALLOON BOY), and then the creators just like f off and be like "Have fun figuring out what's going on theorists cause we also don't know,"

[kareofbears]

watching two dozen interviews of wes ball talk about how he made the maze runner movies is genuinely such a pleasure to watch. it's so so clear that he deeply loves the content of the maze runner books while still understanding that they're fucking insane and makes next to no sense. the vision he has for the movies are unparalleled, the way he slims down the books while still upping the character moments is so impressive!! he was able to capture the heart of the series while still making it really accessible to a general audience. it has a clear trilogy feel to it, which a lot of trilogies do NOT have. and the best part is the cast LOVES him, you can tell just by the way they describe and poke fun of wes that this project would NOT work without him. also the way the cast NEVER talks about dashner is so fucking good. they're like 'omg there's wes, the genius, doing a one man show haha so silly, ily wes' and then it hard cuts to someone being like 'james is on set a lot.'

[laniemae]

Dunno what happened here

[givemewallywestorgivemedeath]

Hi, im researching for a fic im writing, and i want to ask if you know whats up with Jai's messed up connection to the speedforce? and also how the fuck do they use the speedforce to get super strength? how does going fast translate into being strong? Do you know what issues to read to learn more about this? like why do Jai (& Jesse?) have super strength, how did they do this? Why did they do this?

So Jesse's strength is a very quick and easy answer so I'll address that first before jumping into Jai's whole thing.

Jesse's mom is Liberty Belle, a hero with super strength. Jesse inherited her father's speed and her mother's super strength. She's just... I don't want to say that she's better at being a speedster but high key she is. Jesse only figured out her super strength recently and it's still pretty touch and go. She used to only have the speed and then that fizzled out and she only had the strength for a bit and then it switched back to just speed again. She seems to have both powers now though and she seems to know how to use them both so fingers crossed 🤞

Jai is a whole different ballgame.

So Irey and Jai were born as fraternal twins. There were two things wrong when they were born.

A) Only Irey was born with a speedforce connection. Jai technically wasn't born with powers at all. Irey had wrapped her speedforce connection around Jai to share her powers but it was significantly damaging to both of them.

and

B) Their shared speedforce connection was tainted with Black Flash energy. (Negative Speedforce)

So let's talk about the Negative Speedforce energy. This is the stuff that turns speedsters into Black Flashes. This is what permanently killed Johnny Quick. One touch of this stuff will obliterate a speedster entirely. It's one of the only ways to permanently kill a speedster because it corrupts their speedforce energy in a way that cannot be undone. So there isn't anything left to bring back.

And this stuff was creeping through the twin's shared connection like a virus. That's what caused their fatal aging disease. Their speedforce connection was so out of wack and their bodies didn't know how to fight off this energy and their metabolisms went into overdrive. Aged them both to 100 within six months. Thankfully Wally figured it out and was able to absorb the Negative Speedforce energy. This cured the twins and deaging them down to five ish (but caused some serious problems for Wally).

Okay so back to point A. Their shared speedforce connection. Irey was sharing her powers with Jai subconsciously and that's why she couldn't run. She didn't have enough energy to. She could only vibrate through stuff. Jai also didn't have enough energy to run but he had other serious issues because he wasn't a speedster like Irey. His body wasn't built to handle that much energy.

As a result Jai had some weird stuff going on. Jai's main power was to hyper accelerate the growth of his muscles. This would give him temporary super strength. I say 'super strength' but realistically Jai on par with extreme weight lifters. He wasn't Superman levels of strong. But, again, Jai's body couldn't handle this so everytime he used his power he had about five minutes until he passed out. Then someone would have to feed him or he'd go into shock.

He also had some other strange things. Like his DNA mutating and devolving when he got stressed. Basically his DNA went 'back in time' and Jai shape shifted a bit. This wasn't something he could control and it was very very very bad.

Irey eventually took her half of the speedforce connection back, which cemented her connection and stopped them both from having seizures. Jai was not happy about no longer having powers. Even less happy about Irey being a child prodigy speedster. Although Irey shared her powers with Jai in emergencies (which gave them both superspeed because Irey had a stronger connection and more skill as she grew older), they couldn't do this without Jai being in extreme pain. Also his seizures coming back.

Now we need to talk about the speedforce surge. The speedforce surge is this insane amount of wild speedforce energy that has to go somewhere or it'll explode the world. It's an overload of energy. To explain the scale of this thing, it caused the mass extinction event that wiped out the dinosaurs.

Wally tracked this dangerous surge down before it destroyed reality and he absorbed it until he could figure out what to do with it.

And...

Well he gave it to Jai.

Jai's speedforce connection is the surge. Jai operates on this untamable wild speedforce energy. So Jai now has A LOT of energy to work with but it doesn't really work the same way typical speedforce energy does. That's why he can't run. (yet at least. can't run yet)

Instead, the surge energy ramps up Jai's friction barrier, healing factor and his metabolism. That doesn't sound like much but hoLY FUCK it's op.

Every speedster has a friction barrier that they generate when they run. It stops their skin from melting off when they reach top speeds, the wind from tearing their bodies apart, bugs from hitting them with the force of bullets, their bones from shattering every time they take a step, ect, ect. Their friction barriers can only do so much (they act as a cushion, they don't make them invulnerable. They won't stop a bullet for example) and they only really work when the speedster is actively running.

Jai put all of his goddamn energy into his friction barrier. The child is literally invulnerable. I'm not even joking. And it's constant too, it doesn't switch off.

Jai's metabolism and his healing factor are why he has super strength. Simply put, Jai has a lot of energy. A LOT. And what doesn't go to his friction barrier, goes to his cells. His healing factor is also amped up and would take care of any muscle tears, fatigue, lactic acid build up, dead cells, ect almost instantaneously. What I'm saying here is that Jai's body is in perfect condition always and he has an unlimited amount of energy for his muscles to use.

Jai has super strength because he doesn't have limits. Jai turned Minecraft from Survival Mode to Creative Mode. He can extend any amount of force without any negative consequences on his body. He uses his strength to do his Thunder clap move which is canonically, at 8 years old, stronger than a Kryptonian's Thunder clap. It's confirmed that Jai is still figuring out how to channel the surge energy correctly, so he's not there yet, but one day he will be stronger than the Kryptonians.

Which is insane.

Honestly Wally is the embodiment of 'I will do anything for my children' because Jai was sad about not having powers so Wally gave him a dangerously unstable energy source (that's killed millions of people) that has the equivalent energy of two stars colliding. AT EIGHT. Wally gave a CHILD this unlimited unchecked power!!

Anyway, father of the goddamn year. I love that man. He would truly do anything for his children and now I'm pretty sure his son can't die so 10/10 decision.

[zecoritheweirdone]

first art post of the new year!!! granted, i don't share my art here that much anyway, but– shhh.

hehehehhhooo,, here's something i've been working on for 'bout a month,, albeit not consecutively– took a few,, very very long breaks in between working on this,, but i managed to finish it in the end! am i satisfied with it? .......ehhhh? not completely, but if this took any longer, it might not have seen the light of day, so like. ¯\_(ツ)_/¯.

anyway,, made a little poster for my favorite fic, tommyinnit's services for villains, vigilantes, and various other vagabonds, by @scorpionoesit!!! it's really really good,,, and i've always wanted to make more art for it,, so i decided– poster! at least,, that's what it's mean to resemble,,, dkdmkdmdkd.

i will freely admit,, i'm... not the biggest fan of the fan-made logo i tried to design for it,, feels a bit boring, and could definitely have used a bit more pizazz, something to make feel more like the fic itself(what does that mean? you figure that out),,,, but– again, steam was running low,, dkdnksjs. graphic design is my passion. i do also have other complaints, but i'm afraid i already punched my one-use self-critique card,, oh well,,, dkdnkxjdkd.

regardless,, even with the flaws only i can really see,, this still turned out pretty okay!! hope you enjoy it, mx. scorpio and mx. alibi!!! and i hope everyone else has a wonderful new year!!!!

[ineed-to-sleep]

I think driving school could try being a little more interesting tbh. Hiring a clown or something to teach theory lessons idk. Make an effort break a leg guys

[cowardlychimera]

*raises hand* Me, me, me! I want the elaboration :3

omg hiii!!

okay first off, my memory sucks so if I get any details wrong please do correct me </3

anyway. Omori killing headspace Basil in the Sunny/true route. first I'd like to bring up how in the Omori/neutral route, when Sunny saves headspace Basil, he has to fight Stranger instead, mirroring the fight with the real Basil in the true route. to continue the game he has to force Stranger to give up, and as a result leave the real Basil to suffer on his own, and kill himself.

in the true route, Omori kills headspace Basil instead, giving Sunny the chance to save the real Basil. he doesn't let him have the option to save headspace Basil, and I think it's because he's challenging Sunny to actually take action for once.

Sunny giving up is a very big theme in the game. he gives up in the lake incident, letting someone else save him instead. he gives up and throws his violin down the stairs instead of speaking up. he gives up and lets Basil deal with Mari's body. he gives up and lets Omori take over. he gives up on reality, choosing his dream world instead.

it's safe to say Omori expects him to give up when faced with the option to save the real Basil. after all, Sunny's been faced with the truth multiple times, and gave up each time too. even Mewo asks if Sunny's waiting for something to happen (instead of taking action and taking the first step: leaving the house).

if he managed to build up the courage to open the door for Kel, surely he can build up the courage to open Basil's door and face him. Omori wants to see if he'll give up. he's challenging him to save the real Basil instead.

and when he does? Omori himself challenges Sunny to a fight instead. maybe he still doesn't think Sunny's capable of making things right. he doesn't think he's capable of accepting and telling the truth. he still expects him to give up. so he challenges him one more time.

I remember Misty pointing out Omori's expression in his final phase and how it looks a bit different compared to before. Misty brought up some pretty good and interesting possibilities, but if his expression did really change, and it's not just the distortion, I think he's actually surprised.

because he's expecting Sunny to give up. but he's not. he's still fighting. he's still standing. he's not giving up. after all these years, he's making a choice for himself. he's always let others make choices for him, always let others save him. but this time Sunny's fighting for himself. for his friends, for Mari, for the truth. he made the choice to try to make things right again when he opened Basil's door. Omori is testing if he really wants to go through with that, forcing him to face every horrible thing he can throw at him.

but he doesn't expect him to actually stand strong. but he is. Omori can't die, can't be defeated. but Sunny's still fighting anyway. Sunny gets back up and plays. plays the song he couldn't before. he does what he had given up on years ago.

and so Omori realizes Sunny isn't going to give up this time. so he steps aside and gives Sunny one last chance to carry on with his choice. he lets him choose between two leaps of faith: one from the roof, and one from Basil's hospital room. Sunny gets to choose which door he opens. and in the true ending?

Sunny chooses the real Basil over the imaginary one. Sunny opens Basil's door.

[waitineedaname]

for some reason the intro to phonology and syntax classes for grad students are also the advanced phonology and syntax classes for undergrads, which means the professors are spouting off dense syntactical theory to undergrads who have already taken the intro class with them, meanwhile there's six of us grad students sitting to the side staring at each other like this