#who's to say they didn't

[adversary-to-inamorato]

TW: Suggestive Warning

Given that the song Romeo and Cinderella is not exactly SFW

I've posted this on my main and my Twitter but I figured I'd post it here as well.

I just drew this because it's self indulgent aidnjwjfjef back in December I was already working on "I Can't Be Perfect" but needed something to heal because my writing made me mentally unstable myself—

Can you tell I love vocaloid? I really like Project Sekai to a degree-

My partner said I "Yassified" SMG4, and to that I apologize aaaaaaa

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[symphonyofsilence]

Let the poor man rest.

[roninkairi]

You can only reblog this today.*

*PLEASE READ THE TAGS

[sparrowlucero]

The greatest injustice ever faced is that I almost certainly started the still thriving "clown husbandry" tag on here, but any discussion about it (from a know your meme page to a youtube video with 500k views) says it's a joke of "unknown origin" or credited to this post, likely bouncing off of mine (which was actively circulating at the time with like 30k notes):

This is a tragedy for many reasons, most of all because it wasn't just an offhand joke but actually a direct response to some of the funniest online hate I ever got:

They're erasing the truest history of tumblr: its desperate need to seethe and argue over every obvious joke with more than 10 notes.

anyways here is the canonical pet clown. according to me

[charlietheepicwriter7]

The Joker was apprehended, sitting on the ground as Batman guarded him, but the kid--"Bruce Wayne's newest ward, how tragic! Hehehe!"--was nowhere to be found. Nightwing and Red Hood desperate searched the warehouse until a shuffling noise grabbed their attention.

A kid, black haired just like the kid in the Joker's broadcast, crawling out of a pile of boxes. "Is it over?" the boy asked quietly.

Nightwing guided him to the only exit, unfortunately walking past the boy's own kidnapper. "Yeah, kid. It's over. Come on-"

Like a shot, the boy rushed the Joker and kicked him right in the balls.

The Joker wheezed like a dying squeaky toy. Red Hood froze. Nightwing immediately snatched the boy up by the armpits, but all that did was give the boy the height to attack again, punting Joker in the jaw. The clown went down and cracked his head on the floor. He did not get back up.

There was a moment of silence before Red Hood roared with laughter, his helmet distorting the sound.

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[quantumshade]

there's an interesting thing rtd said from the commentary about the "real mom" line:

i get not liking the line but like. it's an intentional mistake and an intentional character choice, and something we'll return to in the future, and that seems like important context to have when talking about the episode.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[azulhood]

Danny was tired, like 'I feel it in my bones and soul' tired. And he didn't want sleep at home because there's only so many nights, he could spend lying awake making sure his heart was beating in case his parents checked on him.

Currently he was flying aimlessly not really taking in his surroundings, but he could neither sleep while flying or fly forever. Normally he'd sleep over at Sam or Tucker's, but the Mansons had made it clear that he wasn't welcome at their house anymore and Tucker was grounded. Both would sneak him in if he asked, but he didn't want them to get in trouble for him. Which leads him to decide between his two choices, sleeping in a graveyard, or sleeping in a forest.

The graveyard was a little crowded with all the ghosts that called it home but he could probably find a quiet spot to sleep. The forest had a great view of the stars but was filled with traps from both his parents and the GIW after tracking his ecto-signature. Both options weren't appealing, but he wasn't about to chance sleeping on the roof of his house again. There were too many ghost detecting guns attached to it now. Danny sighed, graveyard it was, at least the ecto from all the shades/ghosts would hide him well enough. Decision made, now all he had to do was make his way over there. But first, where the heck was he? Danny looked around at the unfamiliar grey sky and gargoyles littered around and realized he had no clue where he was. He must have flown too far away from Amity without noticing...Again. It was really becoming a bad habit. Danny stared down at the city's inhabitants that were going home or heading to nightshifts or whatever and dreaded the long flight back to his town. And maybe it was ghost instinct, or maybe it was just his exhaustion. But his brain suggested 'What if I just possess someone?' And to him that seemed like a perfectly logical train of thought. He wouldn't control their body or anything, just sleep in their skin...That did not make it sound better at all. Before he could think twice, someone left a general store, arms filled with stuff and somehow projecting an aura of safety. The two thoughts of 'They look comfy' and 'screw it' clashed together in his head as he made the very stupid decision of performing a swan drive right into the someone. "WHAT THE-" "Don't worry, I'll be gone by morning I just need to sleep" Danny cut off the persons freakout-he should really get their name at some point- he would have explained more but the sleep gods had already done their job. This left one very confused, scared, and freaked out Batkid.

[poorly-drawn-mdzs]

I know those eyes.

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[sandflakedraws]

re : how each brother reacts learning that they can't go back

you'll have to pry the "all the Brozone Bros knew what happened at the tree" headcanon outta my cold, dead dead dead hands.

[vm-haunts]

Wayward Twin

A large part of being Robin, besides the physical crime fighting, is dealing with secrets.

Both in unearthing them, and in keeping them.

Tim would say he's good at both of it, very good at it. After all, finding and keeping Batman's secret is how he ended up being a vigilante... among other reasons.

Speaking of 'other reasons', Tim thinks with mild hysteria, as he stared at the carbon copy of one Jason Todd. Are Todd children cursed to die early?

...

Let's backtrack a bit.

Jason Todd had a twin brother, one Danny Todd, that was given away at birth. Later, a couple under the name of J. and M. Fenton gave birth to a stillborn, and they took Danny in as theirs. Then the Fentons moved away from Gotham, and the file ends.

That is one of the things Tim had found about his predecessor when he went snooping on the bat computer. The file is incomplete, investigations dropped far before the trail runs cold, then everything is locked under heavy encryption.

Not surprising, considering all that happened after.

So, Tim knows Jason had a twin. One that probably, hopefully, lived an uneventful civilian life far away from Gotham.

Oh boy was Tim wrong.

Because when Robin and his teammates arrived at Amity Park for a team up with the local heroes team, Tim was greated with the face of his dead predecessor.

Danny Fenton, as he introduced himself, son of the local ghost hunters, and a member of Team Phantom.

Danny Fenton, who is also the local spectral hero Phantom. Not that Tim is supposed to know, but come on.

Point being, Jason's twin brother did not get to live a peaceful life, even if he grew up outside Gotham. His life is so not peaceful that he died, or otherwise created a ghost- okay who's Tim kidding, he definitely died.

Died, at the same young age of fourteen as Jason, around the same month and possibly on the same day. Tim had yet to confirm the exact date without giving away what he knows, but it's too much of a coincidence already.

Seriously, are the Todds cursed or something?

...

In the end though, this revelation changed nothing.

Robin's teammates doesn't need to know. They don't even know Tim under the mask of Robin, there's negative amount of reasons in telling them about the previous Robin.

Bruce and Dick, they don't need to know either. Jason is and always will be a sore subject, better not to dig into that old wound without some really good reason. Besides, Team Phantom is very clear from the start that they don't want to be involved with JL business unless absolutely necessary, so really it's better to let what happened in Amity stay in Amity.

Tim did, briefly, considered telling Danny. It feels wrong not to. But even ignoring the mess of secret identities spanning between them... Danny didn't know, he didn't know he had a twin. Telling him just to let him know Jason is dead feels even more wrong.

Which means in the end, it's just another secret that Tim keeps.

[cor-lapis]

Somewhere out there, Charlotte is still 1 million mora in debt and waiting for the Wriothesley Scoop

(you can find more of my quest summaries here!)

[gremlingirlsmell]

hey just so y'all know, rhetoric like this:

is anti-transfeminist dogwhistling.

the "radfems" they're talking about are transfems trying to define and use language about our own opression like "transmisogyny" and who is targeted by it.

"gender essentialism" is used to mean different things. for one it's meant to denounce tme/tma language, saying that everyone is targeted by transmisogyny the same, and depraving us of standpoint epistemology. a second meaning i often see is: it's "gender essentialism" to say "we live in a patriarchy that benefits men over women"

this tactic is used mainly to paint transfeminists as dangerous and transmasc-hating, for applying intersectionality and materialism to feminist theory. it's to shun us by calling us terfs (a hate group primarily centered against transfems) which will immediately mark us as unsafe for other transfems and trans people in general. this is done instead of calling us baeddels, because calling us medieval slurs has fallen out of fashion and has become too obviously transmisogynistic

[hyacinthsdiamonds]

A lot of you underestimate how prevalent British bias is not only in F1 but across sports generally, and even in other industries.

Max saying he has the wrong passport in the paddock is an accurate statement. Do you think he, Seb, or Michael would've been half as vilified by the British media if they had a British passport instead? Would Fernando? Do you think Yuki would get half as much shit about his radio "conduct" if he was British? Because it's the British commentators who consistently have issues with it, and say shit like it's "unbecoming" for a driver to speak that way, ignoring that 1 it's not his first language and 2 IT WAS ENGLISH PEOPLE HE LEARNT THAT LANGUAGE FROM. Sometimes people misspeak, but Yuki has always taken accountability and apologised if he has and if he caused harm. Martin Brundle did not get nearly as much backlash from the media when he misspoke and called an Asian driver a slur while commentating. He also never apologised for it.

Alex, one of the four Brits on the grid but who drives under the Thai flag, has said that the commentators only call him British born when he does well. He was completely excluded from the Silverstone publicity about the home crowd heroes, whereas George, Lewis & Lando were heralded, not only on race weekend, but for weeks leading up to it.

Alex's statement also reminded me of this Richard Harris quote, "When I'm in trouble, I'm an Irishman. When I turn in a good performance, I'm an Englishman." Genuinely, if I took a shot every time a British organisation/person claimed a talented Irish person was actually a Brit, I'd have died from alcohol poisoning years ago.

Hell, I see George wearing the poppy pin this weekend in the lead up to remembrance Sunday. Do you know the amount of shit James McClean gets every year because he refuses to wear one? And he has very valid reasons for choosing not to wear it, yet he's torn to shreds every year by not only random people on the Internet or on the streets but by commentators and the media too.

Because of how this sport became mainstream and because no one challenged Bernie Eccleston's monopoly on broadcasting rights back in the day (people were given the opportunity to buy a share of the broadcasting rights; the idiots said no), this sport has prioritised the British voice/perspective for decades. I know the other broadcasts are just as biased for their home team/drivers, but the British one is the biggest one, as it's the main broadcast for better and more often for the worst. It's the broadcast with the most reach and influence. Their bias has to be challenged eventually if this sport ever hopes to properly expand and grow. The British bias is so difficult to miss once you start noticing it.