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#History#american history#truth bombs#facts#white Lies#whitewashing#whitewashed history#white supremacy#racism#social justice#equality#end hate#anti-racism#racial equality#stop racism#no to hate#dismantle racism
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This is an excellent commentary by Henry Louis Gates Jr. The link above is a gift link, so anyone can read the entire column, even if they don’t subscribe to The New York Times.
Gates argues convincingly that what far right politicians like Ron DeSantis are doing in trying to control the history that is taught in schools is very similar to what was done by the United Daughters of the Confederacy in their promotion of schools teaching the “Lost Cause” and a rewritten whitewashed history.
Gates also argues that there has always been rigorous debate within the Black community about many “ideological and theoretical framework[s]” regarding the Black experience in America. He believes these differences are discussed in African American Studies courses and raise important debates for the students who take those classes.
The one important thing Gates left out of this essay was that in the 1920s the KKK also promoted only teaching a history that praised the founders, much like the “patriotic” civics/history DeSantis and other GOP politicians are also pushing.
Below are some highlights from the column [all emphasis added]:
Lurking behind the concerns of Ron DeSantis, the governor of Florida, over the content of a proposed high school course in African American studies, is a long and complex series of debates about the role of slavery and race in American classrooms.
“We believe in teaching kids facts and how to think, but we don’t believe they should have an agenda imposed on them,” Governor DeSantis said. He also decried what he called “indoctrination.” [...] Even if we give the governor the benefit of the doubt about the motivations behind his recent statements about the content of the original version of the College Board’s A.P. curriculum in African American studies, his intervention falls squarely in line with a long tradition of bitter, politically suspect battles over the interpretation of three seminal periods in the history of American racial relations: the Civil War; the 12 years following the war, known as Reconstruction; and Reconstruction’s brutal rollback, characterized by its adherents as the former Confederacy’s “Redemption,” which saw the imposition of Jim Crow segregation, the reimposition of white supremacy and their justification through a masterfully executed propaganda effort.
Undertaken by apologists for the former Confederacy with an energy and alacrity that was astonishing in its vehemence and reach, in an era defined by print culture, politicians and amateur historians joined forces to police the historical profession. The so-called Lost Cause movement was, in effect, a take-no-prisoners social media war. And no single group or person was more pivotal to “the dissemination of the truths of Confederate history, earnestly and fully and officially,” than the historian general of the United Daughters of the Confederacy, Mildred Lewis Rutherford, of Athens, Ga. Rutherford was a descendant of a long line of slave owners.... Rutherford served as the principal of the Lucy Cobb Institute (a school for girls in Athens) and vice president of the Stone Mountain Memorial project, the former Confederacy’s version of Mount Rushmore.
As the historian David Blight notes, “Rutherford gave new meaning to the term ‘die-hard.’” Indeed, she “considered the Confederacy ‘acquitted as blameless’ at the bar of history, and sought its vindication with a political fervor that would rival the ministry of propaganda in any twentieth-century dictatorship.” And she felt that the crimes of Reconstruction “made the Ku Klux Klan a necessity.” As I pointed out in a PBS documentary on the rise and fall of Reconstruction, Rutherford intuitively understood the direct connection between history lessons taught in the classroom and the Lost Cause racial order being imposed outside it, and she sought to cement that relationship with zeal and efficacy. She understood that what is inscribed on the blackboard translates directly to social practices unfolding on the street.
[See more under the cut.]
“Realizing that the textbooks in history and literature which the children of the South are now studying, and even the ones from which many of their parents studied before them,” she wrote in ��A Measuring Rod to Test Text Books, and Reference Books in Schools, Colleges and Libraries,” “are in many respects unjust to the South and her institutions, and that a far greater injustice and danger is threatening the South today from the late histories which are being published, guilty not only of misrepresentations but of gross omissions, refusing to give the South credit for what she has accomplished, … I have prepared, as it were, a testing or measuring rod.” And Rutherford used that measuring rod to wage a systematic campaign to redefine the Civil War not as our nation’s war to end the evils of slavery, but as “the War Between the States,” since as she wrote elsewhere, “the negroes of the South were never called slaves.” And they were “well-fed, well-clothed and well-housed.”
Of the more than 25 books and pamphlets that Rutherford published, none was more important than “A Measuring Rod.” Published in 1920, her user-friendly pamphlet was meant to be the index “by which every textbook on history and literature in Southern schools should be tested by those desiring the truth.” The pamphlet was designed to make it easy for “all authorities charged with the selection of textbooks for colleges, schools and all scholastic institutions to measure all books offered for adoption by this ‘Measuring Rod,’ and adopt none which do not accord full justice to the South.” What’s more, her campaign was retroactive. As the historian Donald Yacovone tells us in his recent book, “Teaching White Supremacy,” Rutherford insisted that librarians “should scrawl ‘unjust to the South’ on the title pages” of any “unacceptable” books “already in their collections.”
On a page headed ominously by the word “Warning,” Rutherford provides a handy list of what a teacher or a librarian should “reject” or “not reject.”
“Reject a book that speaks of the Constitution other than a compact between Sovereign States.”
“Reject a textbook that does not give the principles for which the South fought in 1861, and does not clearly outline the interferences with the rights guaranteed to the South by the Constitution, and which caused secession.”
“Reject a book that calls the Confederate soldier a traitor or rebel, and the war a rebellion.”
“Reject a book that says the South fought to hold her slaves.”
“Reject a book that speaks of the slaveholder of the South as cruel and unjust to his slaves.”
And my absolute favorite, “Reject a textbook that glorified Abraham Lincoln and vilifies Jefferson Davis, unless,” she adds graciously, “a truthful cause can be found for such glorification and vilification before 1865.”
And what of slavery? “This was an education that taught the negro self-control, obedience and perseverance — yes, taught him to realize his weaknesses and how to grow stronger for the battle of life,” Rutherford writes in 1923 in “The South Must Have Her Rightful Place.” “The institution of slavery as it was in the South, far from degrading the negro, was fast elevating him above his nature and race.” For Rutherford, who lectured wearing antebellum hoop gowns, the war over the interpretation of the meaning of the recent past was all about establishing the racial order of the present: “The truth must be told, and you must read it, and be ready to answer it.” Unless this is done, “in a few years there will be no South about which to write history.”
In other words, Rutherford’s common core was the Lost Cause. And it will come as no surprise that this vigorous propaganda effort was accompanied by the construction of many of the Confederate monuments that have dotted the Southern landscape since.
While it’s safe to assume that most contemporary historians of the Civil War and Reconstruction are of similar minds about Rutherford and the Lost Cause, it’s also true that one of the most fascinating aspects of African American studies is the rich history of debate over issues like this, and especially over what it has meant — and continues to mean — to be “Black” in a nation with such a long and troubled history of human slavery at the core of its economic system for two-and-a-half centuries.
Heated debates within the Black community, beginning as early as the first decades of the 19th century, have ranged from what names “the race” should publicly call itself (William Whipper vs. James McCune Smith) and whether or not enslaved men and women should rise in arms against their masters (Henry Highland Garnet vs. Frederick Douglass). Economic development vs. political rights? (Booker T. Washington vs. W.E.B. Du Bois). Should Black people return to Africa? (Marcus Garvey vs. W.E.B. Du Bois). Should we admit publicly the pivotal role of African elites in enslaving our ancestors? (Ali Mazrui vs. Wole Soyinka).
Add to these repeated arguments over sexism, socialism and capitalism, reparations, antisemitism and homophobia. It is often surprising to students to learn that there has never been one way to “be Black” among Black Americans, nor have Black politicians, activists and scholars ever spoken with one voice or embraced one ideological or theoretical framework. Black America, that “nation in a nation,” as the Black abolitionist Martin R. Delany put it, has always been as varied and diverse as the complexions of the people who have identified, or been identified, as its members. [...] As a consultant to the College Board as it developed its A.P. course in African American studies, I suggested the inclusion of a “pro and con” debate unit at the end of its curriculum because of the inherent scholarly importance of many of the contemporary hot-button issues that conservative politicians have been seeking to censor, but also as a way to help students understand the relation between the information they find in their textbooks and efforts by politicians to say what should and what should not be taught in the classroom.
Why shouldn’t students be introduced to these debates? Any good class in Black studies seeks to explore the widest range of thought voiced by Black and white thinkers on race and racism over the long course of our ancestors’ fight for their rights in this country. In fact, in my experience, teaching our field through these debates is a rich and nuanced pedagogical strategy, affording our students ways to create empathy across differences of opinion, to understand “diversity within difference,” and to reflect on complex topics from more than one angle. It forces them to critique stereotypes and canards about who “we are” as a people and what it means to be “authentically Black.” I am not sure which of these ideas has landed one of my own essays on the list of pieces the state of Florida found objectionable, but there it is.
[emphasis added]
There is much more in this essay that is worth reading. As I said before, the gift link above will allow you to read the entire essay. I encourage you to do so.
[edited]
#henry louis gates jr#black history month#ron desantis#ap african american studies#united daughters of the confederacy#kkk#whitewashed history#white nationalist indoctrination#us education#gop#the new york times
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I really need white Americans to understand that just because they all “played together as kids” does not mean that racism was not alive and well in your little precious hometown ffs
#idk why but this shit outrages me so damn much#black spiritualist#hoodoo tumblr#black spiritualism#hoodoo#african american spirituality#african american culture#black spirituality#black tarot readers#rootwork tumblr#white supremacy#racism#slavery#whitewashed history
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GOP politicians across several states have all introduced bills that plan to ban Critical Race Theory from being taught in schools and universities. These bills are coded in a way that completely strawmans CRT and makes it difficult to teach American history without whitewashing it. In this video I discuss how this anti-CRT wave may become another “red scare”. ~~ FOLLOW ME: Twitter: @Philosynoir Twitch: @Philosynoir Instagram: @Philosynoir
DONO: https://www.buymeacoffee.com/Philosynoir
#Eyeball Zone#Philosynoir#CRT#CRITICAL RACE THEORY#GOP#BILL#WHITEWASHED HISTORY#RED SCARE#CIVIL RIGHTS#RANTING MINORITY#1619 project#ben shapiro#schools#joe rogan#podcast#prageru#curriculum#summary#afro pessimism and the end of redemption#debate#frank wilderson#saidiya hartman#social death#unclear word#afrofuturism#wilderson#black lives matter#but them man don't#song#dax
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no, actually
i went to high school in Canada and then studied history in undergrad
and what they didn’t teach us in high school could fill several volumes and then some
things we didn’t learn about:
the violence of colonization. Indigenous resistance to colonization. how the Indigenous people who made the treaties (broken by the colonizers) viewed the treaty process
we didn’t cover the concentration camps that Japanese canadians were put in during WW2 in any kind of depth. we were just told that Japanese canadians were “relocated during th war”
we never discussed that millions of dollars worth of properties were stolen from Japanese canadians during ww2 and resold at a cheap price to white Canadians to fund the war effort
we never covered the Kanehsatà:ke Resistance. never discussed the mass culling of Bison at the hands of settlers that was performed in order to force plains Indigenous people onto reserves
never discussed that almost all of the province I live in is untreatied because a settler Premier declared that we would seize the land by force because he refused to negotiate with the Indigenous nations of this region
we never learned about the destruction of Hogan’s Alley (a major Black neighborhood in the closest major city) and the ways in which white realtors and landlords destroyed local Black community & organizing spaces
we never learned about the HIV/ AIDS crisis and how canada handled it
we also learned a lot of history that venerated the Canadian military and was specifically engineered to instil civic pride
we were also fed a bunch of anti-communist propaganda too. so that was cool, i guess.
studying history at the university level history really disenchanted me with the pedagogy of history in canadian schools—it totally opened my eyes to just how racist, whitewashed, and propaganda-filled those classes were
the textbooks we used in high school weren’t worth the paper they were printed on. they were propaganda-riddled garbage
and it’s exhausting to see people defend this sort of pedagogy—which is generally the only kind of history education available at the secondary level in English speaking countries
I paid attention in high school. and I paid attention in uni. and the disparity between what I learned at the secondary vs post secondary level was staggering
there was a lot my history teacher never told me, actually
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This is what misinformation + selective outrage + indifference looks like
Me: Gotdammit
#politics#palestine#israel#tara strong#jamie lee curtis#justin bieber#gaza#hollywood#whitewashing history#misinformation#disinformation#selective outrage#🇵🇸
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I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.
#personal#delete later#no patrick. “black washing” is not as harmful as white washing.#come on guys get it together#seeing people in my reblogs talk about “reverse racism” and double standards is genuinely hypocrisy#say it with me: white washing is intrinsically tied to a historical and systematic erasure of poc figures literature and history.#it is an inherently destructive act that deplatforms underrepresented faces and voices#in favor of a light-skinned aesthetic hegemony#redesigning characters as poc is an act of dismantling symbols of whiteness in fiction in favor of diversification and reclamation#(note that i am talking about individual acts by individual artists as was the topic of this discourse. not on an industry-scale)#redesigning characters as poc is not tied to hundreds of years of systemic racism and abuse and power dynamics. that is a fact.#you are not replacing an underrepresented person with an oft-represented person. it is the opposite#if you feel threatened or upset or uncomfortable about this then sorry but you are not aware of how much more worse it is for poc#if representation is unequal then these acts cannot be equivalent. you can't point to an imbalanced scale and say they weigh the same#if you recognize that bipoc people are minorities then you should recognize that these two things are not the same#while i agree that “black washing” can lead to color-blind casting and writing the behavior here is on an individual level#a black artist drawing their favorite anime character as black because they feel a shared solidarity is not a threat to you#i mean. most anime characters are east asian and i as an east asian person certainly don't feel threatened or erased. neither should you.#there's much to be said about the politics of blackwashing (i don't even know if that's the right word for it)#but point standing. whitewashing is an inherently more destructive act. both through its history of maintaining power dynamics#and the simple fact that it's taking away from groups of people who have less to begin with#if you feel upset or uncomfortable about a fictional white character being redesigned as poc by an artist on twitter#i sincerely hope you're able to explore these feelings and find avenues to empathizing with poc who have had their figures#(both real and fictional) erased; buried; and replaced by white figures for hundreds of years#i sincerely hope you can understand the difference in motivations and connotations behind whitewashing and blackwashing#classic bixels “i'm not talking about this chat. i'm not” (puts my media studies major to use in the tags and talks the fuck outta it)
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#slavery#ron desantis#jason aldean#education#politics#florida#racism deniers#whitewashing history#crt#critical race theory#dei
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exactly. asian families will never forget. my father has told me what the japanese did to my great-grandmother and what she witnessed. they killed, raped, beheaded, lynched, desecrated infants’ bodies, set up an internment camps, shot down local shipping boats so people would starve (she would buy sacks of rice that divers hauled in from the bottom of the bay and thoroughly rinsed it of seawater bc it was the only food available and rice is our staple food). my great-grandma lived to her 80s and kept her routine like it was still wartime. she cooked dinner in the afternoon at 3pm bc during the war, if any light shown, they’d get shot at or bombed. dinnertime was 7pm at the earliest and it was always cold.
sharing this meme again:
Criminal, op turned off reblogs
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guys do you know how absolutely cracked the british!Grace siblings dynamic is... punk british Thalia who is so anti establishment bc look at the fucking monarchy and the british empire.... BLACK JASON GRACE, SON OF THE KING OF GODS, GRAPPLING WITH THE HISTORY OF THE ROMAN EMPIRE, THE BRITISH EMPIRE, AND THE EMPIRE OF THE UNITED STATES OF AMERICA. the implications... and yet they're just kids who want to fit in... the family story, yall, fucking ouch.
#black jason grace whose father was worshipped in the roman empire; and yet greek&roman history has been whitewashed to oblivion#black jason grace whose father is a king but who is acutely aware of how the mortal kings of these empires treated his ancestors#black jason grace who is haunted by how empires perpetuate themselves by manipulating citizens like himself#his intimate understanding of how new rome repeats the mistakes of the past will haunt me forever#but his hope in knowing that the roman empire had fallen once and the british and US american empires will lose strength one day...#I think thalia planted a seed or two there also. I love them#thalia grace#jason grace#tamara smart#pjo#percy jackson and the olympians#heroes of olympus
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I wonder if the mural of Vander already existed and someone else painted Jinx into it after she became so well regarded?
I just feel like the portraits aren't that well integrated in theme. You have Vander's profile bordered in yellow flowers to represent friendship and joy. Then you have the more detailed painting of Jinx looming over Piltover exploding it with smoke bombs. Jinx is framed around doves while stylized into her latest attacks.
It feels like the artist(s) wanted to associate Jinx with Vander rather than the other way around because the actual subject of the Jinx's portion of the mural is Jinx violently provoking Piltover, but the nature of Jinx's portion is practically whitewashed to make it work with Vander's theme to the point Jinx is surrounded by DOVES. It might be an attempt to harmonize Jinx's persona with the ideals Vander left behind, which are the complete opposite of what Jinx is actually doing.
I think this is on purpose because Jinx is the most politically relevant member of her family now. Jinx is the one being valorized and venerated, and EVERYONE knows none of this would have been possible without Silco. Silco was the one who dedicated his resources to train Jinx and was openly anti-Piltovan to Jinx and the rest of Zaun.
I've seen some claims that Vander and Jinx are together because Vander was more beloved than Silco. But Silco never made it illegal to mourn or even celebrate Vander's memory. Silco allowed and a giant statue of Vander to be built in the middle if Zaun and he'd TALK to it.
But now Silco's dead and there are people running around in the background wearing Jinx's X and Silco's color scheme on their clothes. It feels like there's an ideological custody battle on behalf Silco and Vander through their supporters on who was Jinx's "true" father and gets the lions share of historical parental acclaim.
Tldr: The mural seems more like an effort to save face for Vander rather than bolster Jinx because Vander's actual values inexplicably lead his KNOWN favorite to becoming an enforcer. Meanwhile, everyone knows, especially Silco's supporters, that Silco's responsible for how Jinx turned out, and she's currently Zaun's favorite.
#arcane#arcane meta#jinx arcane#silco#vander arcane#i think the mural also whitewashes Vander's own history too#everyone goes on about the Hound of the Underground and he hangs cast irons still stained in blood#even foreign pirates know what he's done#vander was a violent man and in mamy ways still WAS a violent man bcuz he ran a protection racket on Zaun#he's only peaceful compared to the new guy who violently overthrew him and tried to murder all his children#and sure there were people who clearly tried to fight against Silco's regime#but it's very clear many people (not just the chembarons) benefited from Silco's leadership#and now vander supporters probably saw vi came back got excited then noticed she was running around w/ enforcers#a kiramman no less#so now they're thinking “oh god not only is vander dead but his favorite kid is an enforcer that everyone hates”#“and Silco's favorite is the one everyone loves”#time for some historical revisionism to save some face for vander in the afterlife
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genuinely don't believe they will get that far, but if they do, i hope the kotlc moviemakers don't do the thing with tam and linh's hair. and maruca's
#kotlc#sigh#there's a history of poc tending to have their hair dyed on tv because just dark/black hair is too boring for the eyes or something#can we just. not do it. it doesn't even make sense. maybe instead they poured their melted registry pendant material into----#----one of their mom's sculpture creators (she's canonically a multi-medium artist) and wrecked it. then they still get the fuck you----#----AND they also get a cool sculpture thing they can bring along with them#this is also why i hate the all-elves-have-blue-eyes thing btw. in case that wasn't clear. it's unnecessary and adds nothing#except to whitewash the poc a bit#kotlc tam#tam song#kotlc linh#linh song#kotlc maruca#maruca chebota
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Question: How did Palestinian Arabs massacre Jews living in Hebron and Safed in 1517, 1834, and 1929, if Jews didn't arrive till 1948?
Also, Hebron is located in what we now call the West Bank.
How were Jews living in Hebron centuries before they first arrived to build "illegal settlements" after 1967?
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If I wasn't getting ready for Shabbat and had the spoons for it I'd talk about how "classic" Jewish productions like 'Yentl' and 'Fiddler' deliberately present a sanitized and idealized version of Shtetl life and Jewish culture and history, when in reality living in the Shtetls was a life of poverty and constant terror and people weren't dancing around petting chickens and goats all the time and singing and actually pogroms happened all the time and children often died or were kidnapped before they reached adulthood and sometimes Jews were just outright forced to leave their villages and leave all their possessions behind and all the while in the Shtetls they were treated as the permanent underclass, underneath even the gentile serfs and had constant restrictions on their dress, their food, and their economy. This contributes to a warped view of Shtetl life even within Jewish communities, where they romanticize the "good old days" of the Shtetl before the Holocaust when in reality there were never any "good old days" because the Shtetl itself was a symbol of forced social isolation and oppression, and antisemitism always existed in Europe long before the Holocaust. And because most of the Jews who've lived in these conditions have died, new generations of Jews are growing up with a distorted narrative of their own history.
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This is the first time I've clearly seen the actual revisions a state education department (Virginia) is making to a high school elective course on African American history (which focuses on that history in Virginia) because of a GOP governor's (i.e. Glenn Youngkin's) executive order prohibiting “inherently divisive concepts” from public schools.
This is a link to an archived article, so anyone can read the entire article. Below are some charts in the article that show the recommended revisions:
It is clear from the above chart that the reviewers want any mention of systemic racism and White privilege to be eliminated from the course, even though there is clear evidence that both exist.
It is also deeply concerning that any discussion of "implicit bias and stereotypes" is banned, even though those of us in the social sciences know that implicit bias and stereotyping exist. To prevent high school students from learning about these concepts is a blatant attempt to keep them ignorant.
Again, based on the chart above, the proposed revisions have done away with any discussion of the ubiquitous nature of racism or the fact that systemic racism exists. Instead the proposed revisions focus on (presumably overt) "discriminatory practices," while ignoring the subtle ways that racism has affected the Black population over the years, including the way it affected returning WWII Black veterans.
[See more under the cut.]
Furthermore, according to the proposed revisions, the term "White supremacist" cannot even be used. I wonder how the reviewers expect teachers to be able to describe the ideology of members of the KKK?
The reviewers also apparently want to pretend the University of Virginia wasn't involved with the Eugenics movement, since they took out a reference to it. In addition, the proposed revisions wouldn't allow the Eugenics movement to be called a "pseudo science." Are teachers supposed to claim it was "science"?
The reviewers also apparently want to forbid a discussion of how Eugenics was used in Virginia "to control African Americans," which indeed it reportedly was.
Furthermore, the recommended revisions falsely assume that redlining no longer exists, and that historical redlining no longer has an impact. Although it is not as overt as it once was, redlining does still exist in various forms and the impact of older redlining practices still have negative affects on Black populations.
From what I can tell, the proposed revisions have NOTHING to do with trying to stop students from feeling "uncomfortable" in classrooms. Discomfort naturally occurs for all of us when we learn about things that go against what we previously believed. But that is how people learn and grow.
And if the GOP wanted to stop "liberal" teachers from "indoctrinating" their students into "left-wing ideas," they would simply have legislated the presentation of two sides of an argument, AS LONG AS both sides were factually-based and rational. (For instance, there is NO factual or rational argument that the Holocaust didn't happen or wasn't as destructive as it was).
But the GOP politicians want to BAN the discussion of any view of history and society, however factually and rationally based, that goes against their whitewashed ideas of how history should be presented. In other words, the GOP wants schools to indoctrinate students into a right-wing way of viewing history and society that favors Whites.
This is incredibly regressive, and reminiscent of the United Daughters of the Confederacy's attempts to ensure "The Lost Cause" mythology was taught in schools.
#virginia#african american history course#whitewashing american history#glenn youngkin#republicans#the washington post
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#happy thanksgiving#charlie brown#a charlie brown thanksgiving#thanksgiving#thanksgiving quotes#thankgiving#native representation#native history#texas#funk Texas#whitewashing#poll workers#not a poll#poll survey#poll winner#poll dancing#poll results#poll#music poll#poll time#indigenous american#holiday poll#tumblr polls#random polls#my polls#poll blog#polls#tournament poll#a poll a day#incognito polls
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