#which. uh. yeah there u go

[b4kuch1n]

red lion wizard !

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[buwkahuiwka]

somehing stupid. idk.

[biblically-accurate-dca]

@vanweek2024 day 4 - food

peep the vanny

[inamagicalhallucination]

i dont think bsd is poorly written at all

[theclearblue]

I'm gonna get into a brawl with my mother one day don't be surprised when I get on the news

[orcelito]

I admit I still kind of am in survival mode from yesterday. Like I was the "this is fine" dog with a metaphorical house on fire around me. And By God I sure fuckin managed it. In that last hour, as time crept up and I started panicking a bit, I just kept muttering to myself about how "it's fine, I'll be fine. I'm so Fucking good at finishing things." And ykno what? I Did It!!!

But now I still feel that feeling of impending doom. Like there is something I need to do Right Now and if I don't I am going to be Severely Fucked. Trying to get myself to relax some bc while there *is* stuff I need to do today, it's nowhere near as pressing or as monumental a task as yesterday's thing. And no one can go at full throttle all of the time!!!! Gotta chill out for a bit. Watch some anime. Build some Legos. You know.

[reel-fear]

Honestly, every single time the whole 'poppy playtime is a bendy rip-off' stuff ever shows up I find it all extremely unconvincing and silly.

For one thing, rip-off usually is meant to imply that it's a cheap lazy copy of a better more polished thing, and uh. Sorry but even from chapter 1? Poppy Playtime is a better game than Bendy, it has a simple but understandable story, the game manages to be thrilling, creepy, and very intense at times... I mean that Huggy chase in the vents ALONE puts it way above Batim for me.

I mean BATDR had the most slow stupid chase I've ever seen [and every other encounter with the ink demon is text telling u he's there and then a timer goes down and u get jumpscared] and batim's chases were either silly or just not nearly as theatric or terrifying as that.

When making the vent sequence I mean not only is it absolutely horrifying to realize how fast Huggy is in there but also it's so theatric and cool? The fact that you round a corner after thinking you escaped only to see a terrifying animation of that thing crawling toward you is awesome! I wish Bendy had stuff like that!

And all the stuff it shares with Bendy are generic things Bendy ripped from other horror games/media anyways. I'm not saying Poppy Playtime isn't inspired by Bendy I for sure think it is but Bendy is such a generic story that somehow fails to do tropes 100 other horror games have done any comparison only makes Poppy Playtime look better.

"It has employees being sacrificed for their company" That is not a concept Bendy invented, literally look at any of the sci-fi horror series Bendy is very inspired by. This is literally a twist in the original Alien.

"It has a scary woman forcing you to do tasks for her" Once again, not a concept Bendy invented, a scary mysterious person forcing you to do fetch-quests is a concept found in tons of horror media. And at least Poppy Playtime gave you a chase with her and let you defeat her, look at poor malice. She's barely on screen for more than 10 minutes before she gets stabbed.

"It has a cult worshipping the monster" This is something tons of horror games and media have done too. I mean In The Tall Grass has a guy who worships a giant magical rock in the middle of a grass maze, Bioshock [which Bendy has only been taking more and more direct inspiration from while failing to grab any of the compelling parts] also had a lot of themes of religion and cult-ish behavior, almost every horror media franchise has at one point done a cult thing.

Bendy couldn't even come up with a reason Sammy worships the ink demon, the best motivation we've ever gotten is just that 'he's crazzyyyy the ink made him insaneeee'. Who is the cheap rip-off here?

At least Poppy Playtime gave their cultist a motive for worshipping the monster + a proper boss fight that feels intense and looks awesome! Bendy didn't even let you kill Malice [she got stabbed in front of you and then just collapsed on the floor how thrilling] meanwhile you get to kill three of the villains in Poppy Playtime and the gameplay and action in those scenes have only gotten better as the game went on.

I mean Sammy walks into a room and goes "AAA SCARY I'M BEING MURDERED" then later shows up and for NO REASON sees a normal human man and assumes it's the ink demon before once again someone else kills him for you. In Poppy Playtime you defeat Catnap as he floods the world with this horrible nightmare-inducing gas that intensifies the color palette and his design. Fight off versions of him that are illusions that you need your flare gun for, then watch in a wonderful animation as he mistakes the monster for his savior before getting killed by it, in a brutal way I might add, which game are we accusing of being cheap, lazy garbage again?

I just find this argument to be people who Really Really need to find a reason to hate Poppy Playtime which I think is silly. The devs being weird, shady people is already enough reason to dislike the game, you don't need to invent reasons why secretly every part of the game is malicious or bad. But esp when I see Bendy fans saying they don't support Poppy Playtime or dislike it bc of its devs or even saying its cringe ummmm.

I have bad news about the fact Bendy's devs are worse and it took not one, but TWO over an hour long videos to cover it all. Plus the Bendy games are just the worse games in every aspect, if I could sell my batim copy for a copy of Poppy Playtime I wouldn't hesitate at all.

Saying this as a bendy fan, we have no right to be super judgy towards Poppy Playtime. If Poppy Playtime is embarrassing cringe, Bendy is too and is way more embarrassing of an interest. We shouldn't spread misinformation just because we all want to hate Poppy Playtime, you can dislike Poppy Playtime without making up a bunch of nonsense to justify it.

Honestly seeing people just blatantly be unfairly mean to Poppy Playtime only makes its critics look worse and makes it hard to take any backlash to the games seriously. Because surprise surprise if you spread misinformation to make a point people will quickly stop listening to Anything you have to say bc they won't trust you're telling the truth anymore.

[unproduciblesmackdown]

maybe i already expressed specifically this amidst a thicket of tags but speaking of the Unexpected & Dynamic all throughout bsol's finale of a [hey all the characters are in the same place] beautiful stretch of vivacity, it's great that like. i mean one figures you're not gonna get [villain immediately kills hero] & you're right b/c that would be a surprise & slightly humorously so but too unrewarding in all other ways to be worth it as the end of a whole entire story & arcs here....but then the ways that banana has this like totally Self Imposed arc about wanting to be able to do whatever it takes to help the musician in return / in general, self imposed b/c the musician himself is like no you're good you're perfect my special little guy i will die without, & we're not exactly subject to any other characters' input like um btw banana you & your Failure to be as heroically bold & brave as to do whatever it takes, as the musician does, except when he feels he can't at some points including if he doesn't have banana with him on this journey, but not b/c he asks anything more of him but to be there with him on this journey....

that is to say, i say as i go "wait what was the specific thing i was gonna talk about in this specific post," that like it's a surprise banana might die of his own self imposed doing whatever it takes, but one of the Least surprising surprises perhaps, like ah yes the funny little guy devoted sidekick? what else would such a guy be For, even if the musician doesn't feel that way, see also: me taking 990 words to say it's fun how at the beginning we could think banana is misguided about the musician encouraging him with his heart words not his mouth words to dance, but then we would be proven wrong when the musician is like cough argh augh i Need banana & i will be encouraging him to dance with my heart And mouth words....but so that yeah even as it may be like Nooo & have stakes & suspense it could still be like ah well yeah that'd be what banana is for, alas, & That is the surprising & not "this was a total success for our heroes" downside to this finale. but it isn't, & banana getting miraculously saved himself as he nonmiraculously protects the musician b/c he wanted to do that himself too

just bringing all that back up to say i was thinking again about like "you wouldn't expect a private little moment following banana but you get one" and "and it's so earnest all throughout & with the more wrenching shift amidst the still perfectly [funny little guy] material & it Does make me cry" and then i was like :( and if he Had died i would have to cry about that too like nooo not banana for would-be dispensibility of the funny little devoted sidekick guy after it was like nooo banana :( (also held hostage in the evil marriage normativity larping but again also all the more "successfully" so b/c his guntoting spouse doesn't actually care about the mutual genuine affection you're also Supposed to have with this) & nooo banana :( (singing his beautiful sweet earnest prayer in this relatively brief song bookended with relative levity (relalelalevity) but still earnest b/c it's all earnest b/c where do you think we are) like yeah basically like i weep at that little moment with him Expressing the depth of his feeling about wanting to do this for the musician despite the musician being like huh wha of course i don't ask that it's nbd, if it paired with "& he does Resolve this by dying about it later" like noooooooooo. tambourine miracles (again thinking of a real tambourine with a disclaimer waiving liability for acts of god associated with? channeled through? that tambourine. sure)

wrapping up a post even less sure if i said anything novel or clearly enough what i wanted to say b/c i went on a journey like maybe it's about something else now, but i don't think so, i think it was just me like wah if banana died i'd be all the more like Oof Augh about his little solo packing its punch of perfect earnest real depth of feeling b/c Everyone's presumed to have that, and they do, and it shows, funny little nonprotagonists or no(s)

[byanyan]

please don't use he/him to refer to byan, thank u

[toestalucia]

guy whos gonna feel like a fraud whenever they end up supporting someone to move on

[astrxealis]

me rn having the biggest hots for leon kennedy and astarion sorry LMFAOOO <3

[bluejaybytes]

like idk their personality what they look like their motives/views? I'm just curious lol

So, first things first. Shockingly, I've actually posted... basically all of my recent art! I normally RARELY post my art on Tumblr, but I've bene in a sharing mood as of late and have been posting things only a few hours after I finish them, so there's honestly... not much new I can post since the only thing that hasn't been posted is a WIP that I'm already planning on posting when it's done (And it is Not in a state I'm ready to post it lol). THAT SAID! I'm gonna talk about Scarlet because she's got art I haven't posted here before <3 Everything's below the cut, because I anticipate this being... very long and rambly. Whoops lol <3

(Note: I put this in a word counter after writing it. It's over 2.3k words. Apologies for being unable to write in anything shorter than an essay)

Normally I don't post anything that's not completely finished, and while the "main" drawing of her is finished in the sense I'm not going back to add to it further, it hasn't been properly colored or lined, it's just cleaned up sketches, so I haven't posted it before. It's a good few months old and it shows, but it's honestly fine lol. The icon is from earlier this week however, I just typically don't post the icons on their own, since I've made a ton of them and also showed them off in the relationship web I posted last week (Which honestly I will probably post again once a few more OCs have their icons made and added properly)

Scarlet's from the Octarian domes, specifically one that hosts a decently large amount of residential areas, and has two younger sisters, Crimson and Ruby. Scarlet's around ~24, Crimson's ~21, and Ruby's ~17, and they're all quite close growing up, with Scarlet very much embracing her role as the oldest of the bunch and always sticking by them. In fact, it's her desire to be close with her sisters that essentially ends what was a promising career as a weapons engineer for her early. Weapons engineering is a very prestigious role, and Scarlet's both incredibly interested in it and also genuinely very good at it, but due to how highly it's regarded, it also means she'd be unable to be around her sisters anymore, as she'd be too busy with training and working in other domes and with other engineers, so she ends up leaving weapons engineering behind, and instead just trains as a regular soldier.

Even with her staying in a more average position, she's still very talented, and she fairly quickly ascends through the ranks and ends up as an Elite and assigned her own squad to lead, stationed out in the outskirts of the dome she grew up in. Despite her rank as an Elite however, she keeps the traditional red coloration that's typically only for lower ranked soldiers, both as it's a shared family color, and her squad all respect her enough that she doesn't feel she needs to conform very strictly to the hierarchy for colors to have them recognize her as in charge.

Through her own request, Crimson, who's just a regular soldier, is part of her squad, and while their job is considered very important, as they guard the exits between the domes and the surface, it's still... very boring. There's really nothing around, and most of their days are just... patrolling, finding nothing, going back to camp. It's a very soulsucking job for her in all honesty, a lot of the glamor that draws people in to the military life is just... nonexistent. It's miserable and she's achieving nothing. She stays where she is, she wants to be there with Crimson, and she gets to stay, while not really... in contact with Ruby, as there's no cell service all the way out where they are, but close enough to Ruby that if there was some family emergency, she'd be able to get home quickly to be there with her. At this point, she's just counting the days until she's able to quit, or at the very least, take an extended break to go back home and feel like a person again.

It's on one of her patrols, however, that she ends up running into May. She'd gotten the command to stay alert for some teenage runaways that'd escaped police capture a few months prior, but, unbeknownst to her, May was one of them. While she'd never really known May specifically, she'd been the childhood best friend of Ruby, so Scarlet knew her from all the time that Ruby had spent with her, and all that she talked of her. She'd already been feeling miserable and disillusioned with her life as a soldier at this point, and the realization that this fugitive she'd been keeping an eye out for was a kid she personally knows, and knows wouldn't be a runaway for no reason, is just another moment of question for her.

May doesn't really recognize her at first, with it having been years since Scarlet had actually been home, but once Scarlet calls her by name, May remembers her, and pleads to not be taken back home. Scarlet, while not knowing her exact motives for running away, definitely empathizes in that moment, as someone who's tired of the miserable state they're living in, and she also just can't sit idly by watching a homeless teen beg to be given even the slightest mercy. She tells May she's not going to turn her in, and instead invites her to sit down and just talk with her. Neither have had any new company in months at this point, so she figures it'll benefit them both.

Their conversation goes well, and while May isn't willing to talk about the circumstances that've lead to her being on the run, they both are very clearly able to recognize themselves in each other. In the end, Scarlet knows she can't just let a homeless teen go hungry, and tells May to meet her out there the next day at the same time, and that she'll give her some of her rations for that day to hopefully help out a bit. May's still a little unsure, especially since she doesn't like to stay in one place for too long, as well as the fact she's still trying to find her way to the surface, but she's not really in a position where she feels she can deny a safe, reliable food source, so she agrees.

It's, of course, at their next meeting that Scarlet notices May barely picking at the food she's brought. It's at this point Scarlet realizes that May's not just one of the runaways she'd heard about, but that she's the one who's known to be traveling with a kid. May hadn't wanted to actually talk about it before, as her little sister, June, stays behind at their temporary camp for her own safety while May goes out scavenging for food and looking for a way out, but this only further pushes Scarlet into wanting to help her. She already felt like she had a moral obligation to help May before, but now knowing she's also got a kid with her means Scarlet absolutely can not and will not let them go without her help, at least as much as she can offer.

Scarlet ends up going from giving half of her own days food rations, to stealing from the food supply, as well as grabbing some spare clothes, to make sure May and June have enough to eat and take care of themselves a bit better than they were before. Ultimately, her squad can always request more supplies, but May and June aren't in a position to help themselves like she can. This, however, does not go unnoticed. Her squad notices the lessened rations, and ask her what she thinks is happening. She insists it must be a sea slug, or at least some kind of animal that got into their food supplies, it's happened before, it's fine, they can just go ask for backup, don't worry about it. For the most part, her squad accepts her dismissal of the topic. They do find it weird, but ultimately, Scarlet has never been one to do anything like this before, and the long time away from home has been weighing on everyone, so it's most likely just stress getting to her.

Crimson notices, though. She also notices Scarlet's retreat from their usual nightly chats, instead opting to go on "destress walks", or "extra patrols", excuses varying from night to night. Scarlet's dismissal of the issue, her increasing time spent away from camp, and her lessened time spent with her all eventually push Crimson into stalking her on one of her times out of camp, and watches from a distance as Scarlet actively betrays her squad and her duties as a soldier to hide, feed, and protect a fugitive runaway. Crimson absolutely loses it, jumping out from her hiding place and revealing herself to have seen everything, and tells Scarlet she needs to hand May over now. Scarlet just can't do it. She hesitates before telling Crimson she won't, not because she's hesitating in her decision, but because she's scared of admitting it. She doesn't want to live this life, where a scared, homeless teenager and her little sister are expected to instantly be arrested and turned in, where they guard the exit to somewhere they're constantly told is hostile to them, yet have spent all of this time and never seen a proper enemy soldier. She's not going to turn May in for the crime of wanting to leave. And then Crimson attacks her

Scarlet wasn't sure how Crimson was going to react, but it certainly wasn't what she was expecting, as Crimson ends up pulling out a pocket knife she'd been carrying, and fully intends to seriously harm her. Scarlet's caught entirely off guard, and the fight goes very poorly for her, especially considering Scarlet's only weapon was an Octo Shot she didn't have ready, and even if she did, she doesn't want to attack her little sister. Eventually she's able to muster the strength to attack back enough that she gets Crimson off of her, and down long enough for her to take off running. May had bolted the moment the fight broke out, and Scarlet has no idea where she ran off to, but she knows her way out of the domes, having been patrolling the outskirts for this long

It's still over a days walk to the exit before Scarlet is far enough out from her camp that she feels safe enough that she can stop, and really assess the damage Crimson did to her. She's lucky in the sense she'd been carrying some basic first aid supplies on her when everything happened, she always liked having it on her just in case one of her squadmates needed it, but it ends up being enough to prevent her from getting any of her wounds infected. However, the damage is still fairly bad, even if she's able to stop it from getting worse, with Crimson having nearly fully blinded her in one eye, as well as giving her some nasty wounds that eventually scar over. Ultimately, she's lucky she didn't lose the eye entirely, but it's still an absolutely miserable experience regardless.

From there, she makes it to the surface surprisingly easily. She knew the way out, and the exit she took wasn't too far from Inkopolis, so she's able to get there within the month. Her positioning right next to the surface meant she was already required to know some of the Inkling language, so while she's not at all fluent, she's able to get by enough that she's able to pawn off her armor, as well as practically anything that isn't directly necessary to her survival. Her armor specifically is important however, as she wants to get rid of anything that could potentially relate her to being an Octoling soldier, and while she doesn't realize that really no Inklings would think anything of it, she can't risk it. She uses the funds to get herself a place to stay for a while, and is finally able to just rest for a minute.

From there, she actually adjusts surprisingly well to everything on the surface. Her skill with weapon tech is actually in very high demand, as the need for weaponsmiths and repair workers is at an all time high, so she's able to get an apprenticeship at a repair shop in quick time, and not only does it pay well, but she loves the work. While it's not the same as what she was training to do in the military, weapons engineering, she just loves working with weaponry as a whole, and while she doesn't personally play, it's also a reassuring notion for her that she's able to pursue a lifelong passion of hers in a way that isn't actually tied to war and combat, it's all just a silly game everyones playing, there's no actual stakes

It's around two years before she ends up seeing May again, however. After the fight broke out, May ran back to her camp, grabbed June, and just... picked a direction and ran. It took another few months wandering lost before May was actually finally able to make it out, and given how big of a city Inkopolis is, she and Scarlet don't run into each other naturally for quite a long time. They both carry around a lot of guilt surrounding the situation though. Scarlet feels as if she basically just... abandoned May, who was in this desperate situation, and that she should've made more of an effort to look for her before she just left, and May feels like she's responsible for everything that happened to Scarlet. The two meet when May, going in for weapons adjustments to make sure everythings up to date for league regulations for June's first time trying out a game of Turf War, ends up at the shop Scarlet works at. The two are overjoyed to see that they've both settled remarkably well in on the surface, and that they both even made it out in the first place. It alleviates a lot of that guilt for both of them, as while they both end up feeling as though they should've handled the situation differently, this is at least proof neither party ended up worse off afterwards. They're also able to stay in touch after this, which helps them both feel a little less alone as one of only a few dozen Octolings in hiding on the surface.

Ultimately, this is where I stop being able to describe things solely from Scarlet's point of view, as when Crimson reenters the story, there's a lot of extra context that needs to be added as to why everything worked out the way it did, and somehow this has already ended up longer than the time I laid out literally the entire plot of all of my main OCs. Good lord above. I was not joking when I said this would take a long time to write and when I said I'd write a lot.

Sincerely, thank you so much for asking, I do apologize for letting this one... also get out of hand, since this is... a lot of text for anyone to read through, but I do so, so very much appreciate the chance to let myself just kinda shed the feeling of cringe for a moment and just let myself infodump about my OCs lol. Peace and love on planet earth <3

[teruthecreator]

one of those things i’ve had to reteach myself w writing is setting smaller, much more digestible goals so that i’m not constantly risking burnout

[naenaex0xx]

i managed to log back into my ibis account and I found the stuffs I used for my mitsuba theme... so I could totally go back to it :D

[girlivealwaysbean]

okay okay i guess i do kinda want kids