In defense of late-canon x files (including the revivals)
I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.
Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)
That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"
When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!
The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:
and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)
So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.
So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.
Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)
Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.
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Arlecchino's whole deal is unbelievable
Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".
*Kills Clervie and "Mother"*
Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.
*Is in jail for a while and becomes a Harbinger*
Arlecchino: Huh I wonder why I am-
Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-
Arlecchino: Ok.
Pierro: ...You're just cool with that?
Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.
*Runs the orphanage/spy recruitment initiative*
Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????
Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.
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clawed my way through (some of) the epilogues and hs^2 again for dirkjake crumbs and i think there is a Genuine place for ultimate jake to fit into canon (or at the very least, lord jake english) since meat timeline jake never actually shows up visually in hs^2 and his final appearance in that timeline (minus a phone call or something w/ roxy? or was it kanaya fuck) is giving ult. dirk his spaceship and then proclaiming his undying love while desperately trying to get dirk to let him join him, to which dirk responds that he’ll “never let [jake] break [his] heart again” (ch39). agony.
two interesting things about the end of his arc in meat actually: for one thing, it’s kinda implied that along with giving dirk a spaceship, he also gave dave/karkat/roxy/kanaya/etc a spaceship to chase after him, so he’s at least taken some action to try to stop him. again though, we never see him after that point so like. the idea that he could just hope himself into becoming an ultimate self in the background is actually kind of a possibility?? like while the others try to chase dirk down, jake is figuring out how to brute force himself into ascension as a backup plan. second thing, dirk is very snarky in the narration about the fact that this dramatic goodbye he’s giving jake is the last time he’ll ever get to see him (jake see dirk, i mean) but ult. dirk also seems to lack power against alt. calliope when they fight over the narrative so jake ascending would actually pose a serious threat and might be able to override that, assuming dirk’s power over the narrative extends that far in the first place (thinking about that post talking about how narration is also a reflection of characters’ thoughts…)
candy timeline jake is also pretty interesting since he very notably starts being advised by BGD to be a kind of spy on the inside against jane’s. whole thing in that timeline. i actually completely cannot remember what jane does in the meat timeline, i think also some presidency bullshit, right?? that’s what the davekat thing was about??? but anyway BGD sounds pretty normal in all his dialogue, or normal for BGD at least, and is aware of both the game over timeline and ult. dirk’s bullshit enough to make fun of it so. idk maybe i’m just misunderstanding how ultimate selves work, but the fact that BGD wasn’t really “integrated” into ult. dirk feels significant to me, especially considering the fact that we can see caliborn/LE’s influence on ult. dirk so much (his narration in ch39 gives AR too, frankly, like the epilogues are obvs way more openly horny than hs proper but AR was always kinda like that too, especially about jake). hs^2 also ends super abruptly with some lore shit i skimmed half heartedly between calliope, roxy, and john again talking about his initial decision between candy and meat. that whole conversation pretty deliberately frames the decision between meat and candy as being parallel to terezi’s coin flip about whether or not to kill vriska, and roxycallie even tell john straight up that he needs to get vriska again to fix the story, perhaps assuming that’ll work again since it did when he was retconning the timeline? but imo, though maybe i’m biased cause i didn’t really review what vriska does post-canon again, it seems more fitting to me that jake would be the one to fix the bullshit timelines, considering 1. dirk is the one going bananas out of his fucking mind w/ control of the narrative, 2. thematically, pumpkins are the most logical, healthy alternative to meat and candy, fitting since caliborn explicitly aligns dirk and jake’s color scheme with them in the smut-drawing conversation and since (in the same breath) he establishes that he hates them and prefers meat/candy. but that’s getting into sherlock secret final episode levels of conspiracy, and i’m not sure i’m ready for that one
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