#which reminds me that i should

[shandzii]

You mentioned story boarding class, how did that go?

Went pretty well :0 made a short thing with Mari for the final project

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[godbirdart]

i've been so used to the online space where if you like a series or fictional character that someone else hates they will openly berate you and cut you out of their life and tell you to Go Die so when i got into a thing that a friend really didn't like and their only reaction was "i do not like it" and left it at that with no over the top reaction or lecture on Why The Thing They Don't Like Is Bad, honestly i felt like i met god

[fadelsburger]

Sorry. You're not mad at me, are you? Why would I? I already knew that. What? Of course I knew. You only pretended to like it to get close to me, but you're not into it. You're more into pop rock music.

THE HEART KILLERS (2024-2025) เขาจ้างให้ผมจีบนักฆ่า dir. Jojo Tichakorn Phukhaotong

[communistkenobi]

The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 

[lucabyte]

i burned the bridges thoroughly but still everyone's trusting me again and i should be relieved but it happened so suddenly (and i know in my heart i haven't earned this, but everyone acts like my concern isn't a problem like nothing is wrong with my very involvement)

but i know how the song ends (x)

[sakasakiii]

started off as me redrawing some of my initial mairon designs and ended up going on an rpg tangent 😭 i really wish i could have done the portraits in a pixel art style to better fit the aesthetic but my canvas wasnt the right size!!! i ended up changing annatar completely (im still contemplating how much i prefer this one compared to his old one however...!) and adjusting post-numenor sauron a bit when compared to their old 2022 sketches! im probably gonna do more redraws in the months to come cause of all the stuff i wanna change when i look back to some of my old designs haha 😳

bonus: void delusions (nebula background designed by Freepik)

i like to think each 'form' sauron takes eventually has different mannerisms and likes/dislikes the longer he stays in them without shapeshifting into something else, but one thing they all have in common is being predisposed to nagging melkor ���

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[archangeldyke-all]

sevika in relathionship so pretty so fluff

an maybe hard sex.... and if your comfortable chasekink you know

ty for the requests!! i hope u enjoy :)

men and minors dni

first! fluffy sev relationship hcs!

i think she'd be guarded at first

she's completely obsessed with u, and it would freak her out.

so at first, she'd keep you at a distance, scared of how soft you make her feel.

she'd limit you guys to one or two dates a week. (even though she wants to spend every waking moment with you.)

she wouldn't spend the night, wouldn't invite you to her place. (she's scared she might have a heart attack if she sees you comfortable and domestic in her own home.)

but after a while, she realizes you aren't going anywhere. she doesn't have to keep you away, because you want to be with her just as much as she wants to be with you.

once she works this out (like 2/3 months in) it's a complete flip.

like overnight, sevika goes from being a bit distant and closed off to a complete romantic sap.

she's always touching you, whether it's hanging off you as you do chores around the house, or sliding a hand in your back pocket while shopping together.

she spends almost every night with you. moves you into her apartment as soon as you let her.

she's always doing thoughtful little favors for you, without you even having to ask.

like she overhears a conversation you're having with a friend and you mention how you're craving food from a specific restaurant.so she goes out to get take out from that place for dinner that night.

if you're in the shower, she'll throw your towels in the dryer for you so they're toasty warm when you get out.

she's always buying you things, or building you things, or bringing home cool things to show you. (totally the type of gf to give you cool rocks.)

as far as sevika chasing u/ hard sex, here's a little something i cooked up for u... (ft. amab sevika... or she's just strapped with the breeding strap 24/7... it's up to u)

singed, silco, and sevika are constantly experimenting with different variations of shimmer for various desired effects. most of the time, it's singed and silco watching rats react to drops of the drug. but when they're satisfied with their trials and ready to test it on a larger subject, they'll call in sevika for help.

so one day, as sevika's leaving for work, she tells you that she'll be working late, to not worry if you don't see her for a while. you pout and ask her what'll be keeping her, she tells you her and 'the boys' were testing out some new variants. she kisses your pout away and promises to take you out for dinner over the weekend.

"should be interesting." she says, pulling her cloak over her head. "singed says the rats were goin' fuckin' crazy." you gulp.

"just be careful, sev." you plea, straightening her cloak out for her and tucking her hair behind her ears. she rolls her eyes. "don't roll your eyes. i want you back in one piece."

she leans into kiss you one final time. "don't worry baby. i'll see you tomorrow."

you wake up the next morning alone and cold. you curse your girlfriend for abandoning you, but go about your day without much concern.

when you get home that afternoon and sevika's still not back. you start to worry. when night falls and she's still not home, you throw on your coat and shoes and march down to the last drop.

you start getting more and more freaked the closer you get to the last drop. it's a friday night, and the usual crowd that would be lining the street to get in is nowhere to be seen. the neon eye isn't lit, and when you get to the front door, there's no lights on inside.

you try the handle.

nothing.

you knock.

nothing.

you're about five seconds away from breaking the glass when you hear the sound of the back door swinging open. sprinting around the building, you find silco and all his employees flooding out into the alley. all except sevika. silco freezes at the sight of you.

somewhere behind him, singed mumbles. "good, she's here."

terror seizes you.

"what did you do to her?" you demand.

"now, don't work yourself up into a tizzy, dear--" silco is cut off by a loud crash coming from inside the bar.

"there goes the barricade." ran mumbles. a few goons start to scatter, backing away from the bar then breaking out into sprints when more crashing begins. silco puts a hand on your shoulder, and singed begins to ramble behind him, nervously.

"sevika had an... unexpected reaction to the shimmer." silco slowly starts walking you backwards as singed continues to talk. glass shatters behind you. "it seems we may have accidentally triggered her, ahem..."

"her more primal instincts--" silco cuts in

"--yes! her primal instincts-- a little too intensely..."

"what does that mean?" you ask. silco laughs nervously.

"it's easier for you to just see for yourself." he says, guiding you through the doorway and into the back of the last drop. you snap around when you hear sevika's pained groan echo throughout the empty bar.

"where is she?" you demand. silco doesn't answer. you turn around to face him, but he's gone, and the back door is slamming in your face. "hey!" you say, pushing on the door. "what the fuck?" the door doesn't budge, and you can make out the shape of a dumpster being pushed in front of the exit through the frosted glass.

you blink in shock. what the fuck was happening?

you were quickly distracted by another whimper echoing through the halls. you took off into the bar, searching for sevika. "sev?" you call out. "sevika?" you made your way onto the dance floor, eyes scouring the trashed bar for your girlfriend. "sevika!"

a gasp sounds from behind the bar. you run over. "go away!" sevika growls. you ignore her, rounding the bar and crouching beside her where she's laying on the ground in the fetal position.

"it's me, baby, i'm here. what happened?" you ask, quickly putting your hands on her back, trying to turn her over.

"you need to get the fuck out of here, right now." sevika spits out. her voice is deep and raspy, and her shirt is soaked in sweat, the skin beneath it on fire. she seems... bigger somehow. like the shimmer added another ten pounds of muscle on top of her already chiseled body.

"what's going on baby?" you ask, tears running down your cheeks, pressing a kiss to her head. "tell me how i can help."

in the blink of an eye, sevika's flipping over and slamming you onto the ground, her mechanical hand encircling your throat and squeezing, cutting off your oxygen in a flash. you gasp, clawing at her copper hand. above you, sevika snarls, her spit drips down onto your face, her eyes glowing purple.

"you need to get the fuck out of here before i tear. you. apart." she growls. her teeth seem sharper. you shudder beneath her, struggling against her hold.

suddenly, sevika throws her body off yours, writhing in pain. you scramble to your feet, gasping for air, backing away from her. as soon as you get breath back in your lungs, you dash for the double doors in the front of the bar. behind you, you hear sevika snarl.

you flick the bolt on the doors and push, but the door doesn't budge. you can hear a chain and padlock clanging against each other with every shove you give the door.

you're going to kill silco if sevika doesn't kill you first.

turning around, you see sevika standing behind the bar, eyeing you like prey. her nostrils are flared, her eyes are dead set on you, teeth bared like she's going to rip your throat out. you damn near piss yourself.

you take off for the stairs, cursing when you hear sevika's footsteps take off after you. scrambling upstairs, you duck into silco's office, grabbing a chair and throwing it at the windowed wall behind his desk. a panel shatters, just barely big enough for you to fit through, and just as you're about to leap down to the street fifteen feet below you, a heavy hand lands on your nape, pulling you off your feet then hurling you toward the ground.

you land with a grunt, and then sevika lands on top of you.

"sevika!" you say, punching at her chest, trying to push her off you. "let me go!"

"i told you to get out of here and you didn't fuckin' listen." she growls above you. in all your flailing, you manage to claw sevika across her face. three lines of blood bubble up across her cheek. sevika stares down at you in shock and you stare up at her in fear. then, she laughs.

"you're cute when you're scared, honey." she says. the violent glint in her eye shifts to something you recognize a little more, and then she's flipping you, pinning you to the ground with a hand on your head, tearing your pants off with the other.

"sevika!" you gasp, scandalized. she doesn't hear you, shredding the fabric covering your ass until it's free. she smacks it, laughing at the way you squirm. "what the fuck are you doing!?"

"tried to kill everyone else. shoulda known i wouldn't wanna kill you, sweetheart." she growls. you shiver beneath her. "silco's smart, sending you in here."

"what the fuck are you talking-- oh!" suddenly, your panties are torn off your hips. "sevika!" you gasp.

above you, sevika rearranges herself. she pushes at your hips until your ass is up in the air, and you whimper. you gasp when you feel the sole of her rubber boot press down against your head, taking her hand's place. you struggle against her, and she smacks your ass, pressing her foot down against your head harder.

with two hands on your hips, she starts grinding her clothed buldge against your cunt. you whimper.

"sev-sevika what--"

"you're soaked." she snarls. "fuck, you're such a whore. choked you out and you're creamin' your panties." her voice is a mixture of disgust and admiration. your shaking like a leaf beneath her. "'m gonna put a fuckin' baby in you now." she growls. you gasp.

her hand leaves your hip for half a second to shove her waistband down, and then all at once, she's gripping your hip again, spitting on your fluttering asshole, shoving her cock inside you to the hilt.

you gasp at the stinging stretch in your cunt, tears welling up in your eyes. sevika has no mercy, not giving you a moment to adjust before she starts pounding into you.

"i'd fuckin' live in this cunt if i could." she grunts as she smacks your ass. you whine. "feels so good."

"sev!" you screech. "slow down!"

she doesn't slow down, instead she spits in her hand and reaches around you to start rubbing your clit. "that better baby?" she asks. you gasp. "yeah, that's better." she answers for you, rutting her hips against your ass.

the tip of her dick is nudging your cervix, and pleasure quickly starts taking over the pain. she fills you so fucking well, like her cock was made for you, like your cunt was made for her. she grunts behind you. "yeah babe?" she asks. oh shit, you must've been talking out loud. you nod as best as you can beneath her boot.

"yeah." you moan.

"you want my cum?" she asks again. you shudder.

"yes!" you screech. she chuckles.

"you first. milk it outta me." she grunts. your eyes roll to the back of your head, your cunt clenching hard around her. she whimpers, her hold on you tightening. "cum on my cock baby." she grunts, smacking your ass. that's all it takes for you to fall apart beneath her.

your legs shake as you cum, and sevika growls, her foot lifting off your head and settling behind you to get better leverage as she fucks her cock as deep as it can go inside you. She gives her hips three more thrusts before she's groans, her hot cum filling you up, and dripping down your thighs.

the two of you collapse simultaneously. she's crushing you with her weight but it's a comforting crush, and you sigh happily. sevika kisses your head.

"you okay?" she asks.

"yeah." you say dreamily. she chuckles.

"'m sorry."

"not your fault." you mumble. "thanks for not killing me." she chuckles above you.

"hmm." she hums, nuzzling into the nape of your neck.

she's asleep in a moment, her breaths evening out and tickling your ear. with sevika laying on top of you, you don't have many other options beside falling asleep beneath her.

the next morning you're both woken up by silco standing in the doorway of his office with his back turned to you, clearing his throat. "i'll give you two privacy to... clean up and go home... i just wanted to make sure you survived the night." he says.

"silco!" you call before he can shuffle away. "you need to find a new human test subject." you say. he nods.

"yes, i agree. i'm already making arrangements to make that change." he says.

"good." you say. then, "and leave a few of those shimmer samples on the bar for us."

sevika muffles her laugh in your neck as the two of you watch silco's shoulders shoot up, his ears turning bright red.

[benevolenterrancy]

Congrats, now all I'm going to be able to think about all day long is Chifeng-zun being stunned into silence by the sight of Meng Yao's braids, the same as if he had never left. His hand reaches out and clenches in mid-air, while Jin Guangyao stands shell-shocked and panicking, or blissfully oblivious to how Nie Mingjue's world is tilting on its axis. He could be mad, the rage that almost let him call the Unclean Realm home making Hensheng thrum: because what right does Nie Mingjue have to want him now, when he finally has a place he belongs? And why does want to quit it all for him?

Anyway, now you can share in my brain worms~

In that moment, something was communicated

unfortunately, neither knew exactly what it was

[lovethytendytenderly]

Hopeless Fountain Kingdom: The Prologue by Halsey // Romeo & Juliet: The Prologue (Shakespeare) // HFK x Hockey

Two households, both alike in dignity

(In fair Pennsylvania, where we lay our scene),

From ancient grudge break to new mutiny,

Where civil blood makes civil hands unclean.

From forth the fatal loins of these two foes

A pair of star-cross'd lovers take the ice;

Whose misadventured piteous overthrows

Do with their death bury their cities' strife.

The fearful passage of their death-mark'd love

And the continuance of their cities' rage

Which, but their captain’s end, nought could remove,

Is now the two hours' traffic of our stage;

The which, if you with patient ears attend,

What here shall miss, our toil shall strive to mend.

Links: Shakespeare x

Crosby: x x x x x x x

Giroux: x x x x x x x

[inktho]

wind down doodle

[stripeinouterspace]

i think abi and haley would like wicked... alt + ref under the cut ^_^

[somegrumpynerd]

I really do like your Dadmare AU

It gives me comfort & I'm a huge fan of the Dadmare concept ❤️

Eeeeeee thank you!! <3

I'm glad to hear it brings somebody comfort, if there's two things I want my art to be in this fandom it's silly and soft so I'm happy it's working so far :D And yeah, I know a lot of people aren't into it cause it's super fanon and ooc but I'm just a huge sucker for criminal found family, so I'll keep on clocking in for my shift at the dadmare factory o7

Also I wanted to do a couple of dadmare doodles for you since this ask made me happy and uh, one of them kinda got away from me I don't know if you can tell

^A picture Dream captions: My brother and the son he "doesn't have"

[accio-victuuri]

oh this is nice…

some people have noticed what seems to be a countdown.

last year, XZ posted a vlog on July 11, and it was exactly 26 days until August 5, which represented WYB’s 26th birthday. this year, XZ started posting vlogs on July 10, and it was exactly 27 days until August 5. is he celebrating WYB’s 27th birthday?

what if he is 👀

now i’m scared how long these vacation vlogs will continue cause we are getting closer and closer to 8/5. and more than that, what clues we can see as the day approaches.

source