#which probably means its only $2 more but still. but still .

[bonefall]

"How big should a Clan territory be?"

For the dozens of people who have asked this over the last couple of years!

This question comes in a lot of forms; "How big are the Clan territories?" "How much space does one Clan need?" "How much land should I give my Clans to exist in?" The answer is a bit complicated, and depends on the type of land, what you're going for exactly, the setting, so on.

But, broadly, there's TWO particular factors at play here; How anthropomorphic you're portraying your warriors, and how productive the land is.

Factor 1: The Anthro Scale

I'm starting with this one because it could you the simpler answer. The Erins write Clan cats like humans in cat bodies, with massive social units and communal living. Realistic feral cats don't act like Clan cats. They are only semi-social, due to domestication.

See, a Clan cat will "share" territory between all of its members, and some Clans have canonically hit populations of over 50 individuals. Real feral colonies consist of "overlapping circles" of somewhere between 2 - 15 cats, most of them related females.

This is relevant because, even in densely populated areas with as much food as they can eat, truly feral colonies will have about 2 cats per 5 acres, capping out at about 15 members. Queens will hang out together and raise their kittens communally, but they will hunt and patrol in their own "circle." These boundaries are violently enforced against outside cats, especially if it's too crowded.

(Toms have circles 5x as big as a queen's, overlapping several territories. They're also considerably less social.)

So, if you wanted to incorporate some cat behavior into your Clan's mindset about how big their territory should be, while still being willing to sacrifice a bit of "realism" for groups over 15-ish members, simply take Clan population and multiply it by 2.5 acres.

30 cats = 75 acres. That's a little under 57 football fields, if you're American, or 50 football fields, if you're European.

Extra reading: How realistic cat territories work. Contains the numbers I'm referencing.

It's also very important to know; feral cat density is completely tied to food availability, the big numbers numbers are for cats whose needs are met. Cats are solitary hunters, and when they feel like they have to work for their food, they become VERY territorial. The density of cats in rural areas can be as low as 1 molly per 15 acres, even lower for toms, and they will leave if hunting is not easy.

THIS IS WHY YOU SHOULD NOT FEED FERAL CATS. Please GOD they are SO invasive, please do not give colonies food, they still hunt when they're full so you just end up concentrating a ton of predators in one place. They are not warriors with a law against disrespecting food, they are just kitty cats with silly kitty instincts

I have a suspicion that most of the people who are asking the question aren't really looking for a "realistic cat" answer, though. We LOVE our big cat Clans with their complicated politics around here. You're probably wondering how much land you need to feed your population!

Factor 2: Land Productivity

The exact amount of space is going to vary a lot, because it's more about productivity of the land to sustain a prey population than it is raw size. Remember what we learned back in Warrior Bites: Dietary Needs; a 30-cat Clan will need approximately 3 pounds of meat (10,500 calories) per day, which is about 2 rabbits, or 105 mice.

Here's some visual examples of what I mean. This one (1) acre homestead...

Has 20 patches of high-value crops, plus an orchard, AND livestock pens. This territory alone could attract enough crows, mice, rats, rabbits, and sparrows to feed all those cats daily. That's not even counting the humans themselves, who may be friendly enough to the colony to toss them kibble occasionally.

(this is why cats domesticated themselves. Even without the free food from the humans, farms are extremely productive hunting grounds.)

Meanwhile, the Edmonton Mall, which is a whopping five (5) acres...

Would be utterly barren. Best food you're going to get out of this wasteland is the leftovers humans toss out, and maybe the rats and pigeons that scavenge as well. It's 5x the space, and yet, infinitely harder to feed the same amount of cats.

So, the most helpful bit of advice I'm gonna give you is this; DON'T ask yourself "how big should this territory be?" You're starting with the wrong question. Start with a real location, and think about how you'd find 3 pounds of meat a day in that area.

It will be a LOT easier to think about the logistics in those terms, and this will lead you to the waaay more productive (and fun) worldbuilding questions. Such as;

"Where would the good hunting spots be?"

"What kinds of animals would they be eating? What sorts of beasts can threaten them, here?"

"How many of these animals would my 30 cat Clan need to hunt a day to equal about 3 pounds?"

"Where would these animals be getting THEIR food?"

"Is there enough habitat in the area for the prey to breed and nest? If not, is there more land beyond the territory that the prey is coming from?"

"Where would infrastructure like dens, walls, and dirtplaces go? What would these be made of?"

"Are there any neat spots for the cats to casually hang out on?"

"What would make for a super cool arena for my climactic narrative boss fights?"

"Does this area have unique stage hazards that my cats would have to learn to deal with?"

"Which sorts of plants and herbs would they encounter?"

If your Clan is tool-using, like BB!Clans are, then you can ask even more advanced questions. Like, where you'd find kindle for fire, what objects you can use as crafting materials, and what might make for unique trade goods.

Think about other things related to your Clan's biome-- in a tundra or desert, there will be less for prey to eat, so the territory will be large to cope with the low density. If there's a major body of water, they might have a constant supply of aquatic prey from upstream. Hunting grounds might change based on the seasons.

Also remember not to underestimate how fast small animals breed, and how many of them there can be in one area. Even using low estimates, 1 female mouse has 6 pups, 7 x 6 = 42, 42 x 6 = 252, 252 x 6 = 1,452. It takes only 4 months for mouse population growth to get exponentially ridiculous.

Finally, remember that prey can vary. A well run Clan would be able to generally understand when they've been overhunting one particular species, and start shifting gears to lift the "pressure" off that population.

(In my cultural expansions series, this management task is assigned to one of the new roles-- the Head of Hunting.)

[risestarkiss]

A comment from @a-simple-gremlin regarding my post:

"The Correct Episode Order for Rise of the Teenage Mutant Ninja Turtles"

(shared with permission)

○○○○

That is a good question!

And I'm happy to explain why the episodes are in this order. 😁💜

Short answer:

It all comes down to "Production Codes"

(The important takeaway from this excerpt is that the code acts as a specifier as to when that episode was created relative to the other episodes in the series.)

My Explanation:

In my GOOGLE DOC, (or GLD, as I'll refer to it from now on) I've listed two sets of production codes for each half-episode.

Why? And where did these codes come from?

Well, they came from NICKELODEON and (I theorize) Flying Bark. 😌

NICKELODEON (as seen here) is where I sourced the "Prod. Code" column from in the GLD.

Nick has one Prod. Code associated with each full episode. Note that I said, full episode. Full episodes are the 22 minute blocks that were received by the streaming platforms (Netflix, Paramount Plus) from Nick.

Meaning that each 22 minute block equals 2 actual episodes of Rise, yet they only receive a single code. ie. Origami Tsunami/Donnie's Gifts only received ONE code from NICKELODEON even though they were produced as two separate episodes.

Hmm, that system is fine for casual streaming, but when you care about the actual episode order, NICKELODEON's codes create errors in chronology!

So, that is where the second set of codes and the next company comes into play...

Flying Bark (FB) is the production company behind the Rise of the TMNT and its movie as they're the ones that created the animations!

And, although it's pure speculation on my part since production information for Rise is scarce...based on what I did find, I've made a few deductions:

1) Since Flying Bark is where Nick received the Rise episodes from, FB wouldn't have used Nick's released "Prod. Codes" for animating as that just wouldn't make any sense... (one code for two episodes, remember?)

2) While browsing the TMNT Wiki, I noticed that each episode has a completely different code listed that are not NICKELODEON's production codes.

These new codes, referred to as "Season Codes," are unique to every single 11-minute episode, further confirming that these production codes probably didn't originate from Nick!

3) When chronicling these "Season Codes," I noticed that they order the episodes in such a way that suddenly eliminate all of the glaring plot issues!

ie. Suddenly, Minotaur Maze comes WAY before The Fast and the Furriest. etc. etc. etc.

So with all of these points, I concluded that the "Season Codes" must come from production, specifically a production in which the episode order mattered because they were the ones creating them in order! →→→ FLYING BARK!

So, with that discovery, ordering the episodes became way more straight forward:

✨Follow the "Season Codes" and you'll have your order!✨

Of course, there are still a few minor hiccups, but I addressed all of those with the asterisk (*) in the Google Doc.

So yeah, there's my reasoning!

And with that, I truly believe that this list is the ACTUAL EPISODE ORDER! 😁

Though, if anyone still has any questions, I'll be happy to address them! ☺️💜

○○○○

𝕄𝕐 𝕐𝕆𝕌𝕋𝕌𝔹𝔼 | 𝕊𝔼ℕ𝔻 𝕄𝔼 𝔸 ℍ𝕆𝕋 ℂ𝕆ℂ𝕆𝔸 | 🎵 𝕄𝕐 𝕄𝕌𝕊𝕀ℂ 🎵

[glngrbred]

Ok, Reblog To wrap up this one, Thanks for the feedback, I apreciate it. If something I say is a based on feedback, it'll have 2** next to it. This is also a super long post, so TLDR, yall R right! and I don't disagree with you, but I am still changing counterspells for my game. Also if you only want some important informationa bout my game and exactly why some changes needed to be made, at the very end I talk about some important things specifically and only relevent when talking about MY GAME IM MAKING. the rest is a more broad look. First some clarifications,

I initially wanted to talk about My descision to remove counterspells from my card game, and the Way I did that was by talking about some issues with counterspells in MTG. Unfortunately I did not effectively convey that, which is MY B. **(thank you @ouraois). Right now, I have a descision to make about countermagic in my game, and the issues with them in magic are what I want to avoid for the design of my game

I was ranting about counterspells, because I wanted to talk about why I've decided to limit their function in my card game. I sort of rage-baited, and said things like "force all control decks" which is obviously false, the best deck, lantern control, is not about counterspells whatsoever.

I also said that counterspells are "bad design", but I don't really mean that.** Counterspells both "fix" and enable a design issue. The issue is uninteractive win-cons, and also combo decks. single cards that often straight up win the game should simply not be made, but they are really cool, and fun for whoever's using them so "just counter it" becomes the design solution. thats actually a problem in MTG, since not every color has access to removal on the stack. counterspells and uninteractive wincons become beat 'em or join 'em. (for slow formats, big costly win the game things dont work as well if agro is good)

But what else are you supposed to do when designing high-cost cards? (i actually have a fix for that in my game but its weird, so i'll get to that at the very end, it also explains some of the reasons why i CAN't have mtg style counterspells in my game specifically, even if i wanted to)

the same is true to a lesser extent with combos, which is why Legends of Runtera avoids combos. I don't think I'll be able to avoid combos, and I don't think I'll be able to patch out a combo, I'm a single person with no coding experience and some cardboard...

In either case, its sort of like an auriboros, where counterspells fix the issue of cards ending the game unsatasfyingly, but then counterspells are unsatasfying. Power creep makes creatures who are made to "interact" with hard-to-compete-with removal spells, and then those counterspells become more important to slow down those big guys. And since typical removal can't deal with those uninteractive win cons, Counters become necessary (kill spells vs counters triangle) ** (thank you @almaignismare) I could probably explain this better. Design space is freed by counterspells existing, but what is made available in the new design space isnt necissarily healthy for the game.

In magic, players expect both counterspells and things you have to counterspell. but in my game, there is not that expectation yet, I think that there is a more healthy space focused around damage, protection, and card disadvantage that I could create for my game, which would not necessitate counterspells.

before I talk about that tho, I want to finish talking about MTG with a little note. Counterspells are the only way blue has effective card removal, the other removal-like options that designers have attemptes with blue are bounce and stun counters. Both of these are not effectively removing a card, and as such are kind of just card disadvantage. Because of this, the only real way for a blue deck to have removal is to counter stuff ** (thank you @gcu-sovereign) But colors not having good access to removal isnt immidiately bad. black has a hard time with artifacts and enchantments, but fucks with creatures, white is great at alot removal but struggles with interaction, red has a hard time with straight up removing cards, green struggles with creatures, and blue doesn't really have a card type struggle, but it struggles with interacting with the board state. Blue just has to counter stuff, or it won't be able to remove things.

So what's the point? If I included countermagic as it is in MTG, it would not work with my game's ecosystem. The 2 mana counterspell that just straight up removes a card is overpowered for a game where interaction is normally based on doing the oposite of an effect to minimize the downside. At the moment, my game only exists as sets of precons, and in every one of them, the removal of cards is either A. expensive in order to be perfectly effective, like a 5 mana kill spell for any target. B. Able to be easily interacted with, like a 1 mana recuring ping that can only recur if something died (any buff on it's target neuters it) C. Technically temporary, bounce is actually really fun, since it slows down the victem without removing their plan. Or D. Sets up a little side quest that removes the effect. I have an effect called "root" which makes something kinda just die until whatever is rooting it is removed.

Counterspells don't easily fit into any category if they are MTG style. They cannot be expensive, or they would only be for late game. (or they would slow you down alot, not just your opponent) They cannot be easily interacted with, since there's a very limited variety of ways they can be prevented, You can actually make them temporary, but you have to change some rules to make it work (i'll get to that) Or you could make them set up a sidequest? like, you could reasonably have the countered card attach to a creature, and then when that creature dies the card goes back to its owner, This also enables some creative deckbuilding.

For my game, I've made counterspells either be temporary, by sending the card to "exile"the outlands", which cards can recur themselves from if enough cards enter the outlands, or counterspells just get rid of resources but not the card (an effect that just gets rid of the card would just be discard). Or finaly, the counter sets up a sidequest.

I also want to avoid limiting counterspells to one color, specifically as the engine of a control deck. When counterspells have limited effects, or are designed to specifically counter one meta game plan, they are a beutiful thing. I love "counter target ability" or whatever that one card does (I forgot its name.)

To avoid going too in depth, I do have colored mana as a core system of my game, I have 4 colors and a neutral. But I'm trying to avoid limiting gameplans to certain colors, I'm moreso limiting the color pie to different mechanics between each color. So hopefully all of the modes of operation will be available to each color, but the means will be very thematic. I also have a different wincon compared to MTG, which is a work in progress but enables this also.

The final thing I wanted to talk about was mana. Typically, a 10 cost card would have to justify spending 10 mana by getting you realy close to wining the game on its own, or somehow making it virtually impossible for you to lose. likeomnicience doesn't win on its own, but once its there you're golden.

This is the very last thing.

In my game, I started the design by making a cute little mana system that uses these physical tokens to permenently track mana, so you can just hold on to recources as long as you want, its like if spell mana from Legends of runeterra was extended to be the whole mana system. Because of this, high cost spells can be cast much earlier by sacrificing you early game plays in favour of savign up for a big thing. Becausse of this, you can budget your resources to play a big thing that enables a super stong game plan, without winning, without putting yourself behind, so long as the big card makes up for the 1, 2, 3, and 4 cost you didn't play in its place.

you might beable to notice that countermagic, and holding up interaction inherently break this system, since not spending your man is no longer a downside..... THIS is actually like the main, important, design restraint that forces me to look at counterspells very critically, but it doesn't make sense as an explanation of the issue on its own

Counterspells are a toxic game mechanic that manopolize interaction slots and force all control decks to play very similarly.

they also have the problem of being much easier to use than targeted discard and ""stax"" (the broadest possible term, and only 'harder' to an extent :/). I think the only times you should be able to effectively counter an effect on the stack/being played are to counter a literal spell, like instants and sorceries, since the only ways to have "spell removal" are hand interaction, which is obviously only ok when limited, and counterspells. I straight up think that no creature or artifact/enchantment counterspells should exist in a healthy card game, because those other mechanics should be inherently interactable-enough to not necessitate counterspells, and the shear dominance of counterspells as the vehicle of control decks in MTG is evidence enough that they aren't good for a game.

also the reason I care is because I'm making a card game, and effects like counterspells are something you have to choose to have at some point, since they MANOPOLIZE DESIGN SPACE >:()

if you want to see an example of counterspells used well, play the game "unstable unicorns" which is entirely Balanced around counterspells, exclusively. but even then, you have to entirely balance the game around counterspells, exclusively

Also this isn't to say "counterspells bad :(" they have a place, and that place is in games who have not balanced the power of "instantly accessible" effects (so that counterspells aren't necessary). like yeah, craterhoof behemoth and Ghalta often can't be interacted with outside of counterspells, cuz once they ETB you win the game

that is bad design and necessitates the creation, use, and frustration of counterspells. Also, designers only want to make cards like "that" if they can say "just counter it" its just an unhealthy system that necessitates itself existing the moment you let counterspells be anything more than the most simple and direct "spell removal" effects.

thats all

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[skitskatdacat63]

Please save me, I'm reading a reddit thread about Seb vs Max(bcs Tost said he thought Seb would win out), and none of these people know how good Seb was in his prime

[broke-on-books]

No way that just happened

[raskies456]

GRE today…..

[emdotcom]

Tbh, can't believe I'm cutting ties with Fnaf before Batim.

[hearts401]

okay posting these on their own actually

[carcarrot]

another new good job listing....... do i go for it

[thevalleyoftriumph]

im beginning to think that i am mentally ill and the internet makes my mental illness Worse

[lucalicatteart]

Poll adventure (paventure? lol) Day 6: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

The winning option of yesterday's poll was that the adventurer should ask the Innkeeper about the suspicious egg he got from the Well Creature….

-

After finishing his food scraps, he awkwardly creeps back over to the main counter, pulling up a stool and just hoping the Innkeeper will eventually make eye contact with him... She finally looks to the side whilst cleaning a glass, his chance to blurt out whatever he can.

"SO!- uh,, I um... I found something weird, or uh.. I didn't find it actually, I guess, I..... s-someone, or something.. gave it to me, as maybe..? a reward, or.. oh, well i-it doesn't matter why.. but UH, but so, I was just wondering, d-do you think you might know anything about it? about like, uh... stuff? Objects.. perhaps.....?"

She stares with equal parts amusement and concern, crossing her arms and letting out a soft chuckle, "Well, I've seen quite a variety of things while working here, so - Yeah, I could try to help you identify an item, if that's what you're asking."

"G-good. Okay. Well.. It's, uh..... this." He's barely even placed the little wooden egg box up on the counter before she's already slamming the lid shut and reaching over to force it back into his bag. Suddenly serious, her eyes dart around the room, scanning to ensure no-one else happened to notice.

"Don't EVER let anyone see you with that, okay??". Abrupt tone shift making him even more nervous, he just stares blankly, muttering a few gibberish noises whilst nodding at her in confirmation.

"I mean, I'm not absolutely certain," her voice lowers as she speaks, "but to me it looks exactly like a Caiploras egg. Those animals have been nearly extinct for at least a hundred years. Only tiny groups of them still exist here and there, and even those eventually get wiped out as soon as they're discovered. Kings and nobles used to hunt them, especially for the eggs, 'cause of all the theories - unique magical properties, uses in enchanting, shit like that.. I don't really know, I'm not that experienced with magic.... But.."

She pauses for a few seconds to stare him down (this does not soothe his anxiety at all), examining intently, as if to determine whether he's actually trustworthy before continuing..

"...My brother is. He's a mage, and a scholar, and he specializes in stuff like this, all these rare animals and whatnot. He'll hate me just sending a complete stranger over there, but.. I think you should go see him. He'd definitely be able to identify it- hell, he'd probably even pay you for it, if it really is what I think it is. And, he'd know how to take care of it properly, raise it well, not just cut it up for fucking potions or whatever...", she scoffs bitterly.

Grasping at a nearby napkin to fan himself with, he shifts sweatily in his seat, "W-wh... but,.. How would I do that?"

"What do you mean? Do what?"

"F-find, him.. IHhh... I just.. I don't, know the area well.. is all, I uh...."

"I'll give you directions, obviously.. Are you okay? Do you like... need some water? You look-"

"NHnnnou, I'M FINE! I just, haha.. uh... Maybe, am.. not very good at....uh.. this.." He gestures around himself nonspecifically.

With a brief confused glance, she pours a cup of water anyway, then casually plucks a small notebook from her pocket to begin scribbling messily. "Well, look, I'll give you the information, and if you feel up to it, you can go. I really think you should, but, eh... your choice, y'know."

As he fights his shaky hands to maintain control of the water glass, she lays out the paper on the table, pointing at parts of her sketch. "He's over in Fargahel, which should be a few days travel from here. See? The roads kind of go like this, but it's mostly a straight path. Look for the ruins of an abandoned castle. He's holed himself up in there, the underground part, repurposed into some sort of 'sanctuary' for rehabilitating injured birds or whatever the hell he's up to now. He probably won't attack you or anything, but I signed a little note on the back of this so he knows I sent you.. just in case."

Neatly folding up the map, she slides it towards him as she leans closer to intensely meet his eyes. "Just remember, no matter what you do, do NOT let anyone know you have that egg. There are plenty of folks out here still hunting for them. You don't want someone recognizing it and coming after you. Especially with how, uh...", it feels like she might mention he doesn't seem he'd be very good at combat, but she simply lets the sentence trail off, shrugging with a smile and politely patting his hand as he takes the paper.

"Just get some sleep, yeah? Think about it. And talk to me in the morning if you have any more questions."

He slumps over to lean on the counter, resting for a moment after she walks back to the other end of the room, just trying to wrap his head around all the new information.. He only took the egg because it looked pretty! He just wanted it to hatch into a cool chicken or something! Why does it have to actually be some big stinky scary secret rare item?... With a heavy sigh, he resolves to never again trust mysterious creatures that pop out of abandoned wells....

Eventually trudging up to his room for the night, he flops onto the lumpy mattress that seems to just be hay stuffed into dusty old potato sacks. As he rustles around waiting to fall asleep, he considers all of his options... What should he do with the egg?

[rigels-nigels]

Girl help I've acquired possibly yet another expensive hobby

[phagodyke]

its actually nuts how missing a single vaccination has shaped my entire fucking life. like not only would I not be deaf if I had gotten it on time but I probs wouldn't have adhd either 🫣

[caffeinatedopossum]

The workout I've been managing to do the last three times takes me about 20 minutes and I'm honestly really happy that I can complete that because that's a lot for me.

I think my next goal is going to be to do that workout twice a day so I'll get a total of 40 minutes everyday which brings me infinitely closer to my 1 hour a day goal :D

I'll still have to see how it effects my body though because even with the amount of trial and error I've already been going through for years to find out what exercises I can and can't do with my ehlers danlos, it's still really unclear to me what's hurting me and what's helping

[credulouscanidae]

me: spends the better part of 2 years slowly being online and talking to people less and less, not responding to messages, not organising any irl get togethers or cancelling last minute cuz i cant handle it

me: *feels isolated, depressed, like a failure, feels unloved, feels guilty and nostalgic for the old days, feels ive grown distant from all my loved ones, and have bad cyclic thinking about how maybe this is all for the better and i cant fucking handle seeing anyone and going out is a big fucking effort

me: