#which means: mother.

[kiivg]

.Rook.

[hippydippydruid]

Imagine being a child, and your whole family dies, and it’s just you and your dad. And he starts locking himself in his office, claiming he has work to do, so you sit and you wait and you grieve. And then one day your mother is there like nothing ever happened, making breakfast and cleaning the house and homeschooling you just like she used to. And your dad is acting like this is completely normal. And this works for a while, but then this twisted version of your mom stops just cooking breakfast and cleaning the house and begins trying to have hobbies. And suddenly your mother is gone again and there is a new mom in the kitchen the next morning. And you realize that you will never get the closure of fully losing your mother, but you will also never get the satisfaction of having her back. And soon your mother, who used to adore you, is pampering these two new children that behave so well and aren’t sad and angry like the poor little .5. And you watch as every new version of your dead mother begins to view you with more and more disdain as you look into the lifeless eyes of a woman who used to sing you songs before bed every night, and you know there is no one who will ever believe you. Imagine being Timmy Trout.

[drenched-in-sunlight]

should Age of Duskborn come to pass,

promise me you’ll be my Mother once more.

[adastreia-12]

poseidon’s relationship with percy is something that is so personal to me. love so flawed and complicated, so wary and tentative. your father is here. he’s always been here. he’s not sure what to make of you but he is proud of you. you’re not sure what to make of him either. you’re sally jackson’s son, but you have your father’s eyes. you are the sea as much as he is. trust him. trust yourself. breathe. the sea does not like to be restrained.

[doctorsiren]

I’ve been thinking about Miles as Serizawa quite a bit 😁

[glassofice]

The world's greatest actor || Og Cale animatic

After 155 frame later I present to you my tribute to the original occupant of cale henituse body

Do I gonna make something like this again in near future? Well who knows

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[chayatorns]

THE HEART KILLERS (2024-2025) เขาจ้างให้ผมจีบนักฆ่า dir. Jojo Tichakorn Phukhaotong

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[itscherryterry-again]

yea

[mrmeepsmadmind]

i love when ppl draw bumblebee like the happy little creachure he is but also i love when people draw bumblebee like he's had 500 beers in the last 1 hour and still the pain won't even ebb

[spacesheeeeeep]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[missescalientee]

Finally revealing one of my other blorbos, Niccolo Sonata! A mixed genre troll who poses as a Pop Idol up until world tour

He's a complicated bag, he's half rock half classical, his mother kind of low-key hates him, and his dad does care but is kind of paralyzed with various anxieties that comes with the fact that Niccolo is half classical (worried about his constitution and his wings) and things related to his mother (she doesn't want Niccolo to become like his dad and puts a lot of restrictions on him)

Both of his parents don't really know what to do with him, and he doesn't know what to do with himself.

He has a lot of internalized hatred towards himself and the two sides of his musical families, plus he is a secret third genre (symphonic rock) which he doesn't fully understand. He got picked on a bit in Volcano Rock City, they're a lot rougher than he's used to so he just kind of took it, which is why he looks so roughed up in one pic and the other he says they hate him in VRC

Again he's really complicated even tho he doesn't look it, if you have questions about him lmk

[lintwriting]

thinking about Binghe being a washerwoman's son, as I do. There's the cuckoo's jade aspect to it—

But also I think it would be fascinating to explore the viscerality of it. Binghe is a laundress's son. He views love through the lens of this mundane, working woman.

And so, love must smell of her bath beans or detergent, and her water-wrinkled hands must look like they're lined with love, like what I'd imagine a palmreader would see taking his hand.

his love is inextricably tied to laundry, so there's a beauty to him doing laundry for Shen Qingqiu.

For him, it's willing work, lowering himself for someone else. For how unfilial he would be if he saw mundane work as shameful!

And when Shen Qingqiu wears his freshly laundered clothes, that's Binghe's love threading the air, like a tether. like a leash. like a lifeline.

he keeps his master's hands unlined, like his mother did for him.

[ourwhisperingtorment]

I swear everyone is going crazy because of the milk theory.

Gihun doesn’t drink milk— OMG HE’S ILNAM’S SON.

Inho doesn’t drink milk— OMG HE’S ILNAM’S SON.

I swear if they show Junho not drinking milk either in s3, the entire world would go insane.

All because of a fucking milk 😂