#that man is a mother

[chickensauras]

Repeating my dumb song :U

I like nugget thorfinn 🎵 I like calvin and hobbes🎵 I like bein lazy and doin re-draws 🎶🎶🎶 :D

Anyway heres the original

[marc--chilton]

i'm about to call this balding irish wisconsinite drummer "mommy" and no one can do anything about it bc i am Right

[transassdemon]

[My art, don't steal, tag if reposting]

[thebibliosphere]

Still not over the head of cardiology, who said she wouldn't formally diagnose me with dysautonomia because she didn't want me to think of myself as disabled.

As if good vibes and a can-do attitude can stabalize autonomic dysfunction.

[ghosted-draws]

A redraw of an old Tim piece, because this song always hits me in the TMA feels

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[rhupi]

Au where obito got a crush on the new guy (sukea) and is just a guy failure abt it.

[whathehonestfuk]

Steves absent asshole parents come home carrying a new born and he's rightfully confused as they hand it to him explaining that they're his half sibling (from one of his father's affairs that they have custody of for narrative reasons)

His parents just straight up leave telling him they'll send money for the baby expenses every month

They didn't even notice or care that the rest of the party was there hanging out and just watched Steve in real time accept single fatherhood of his baby sibling

(Eddie of course doesn't let it stay single father hood for long they've already got 7 kids together basically what's one more)

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[tonia-aaaaa]

all Eyes are on you👁

[hurtspideyparker]

Peter places an envelope on Tony's desk.

Tony looks up confused, "huh? What's that for?"

"It's for you," he points awkwardly at the plain blue envelope, held closed with a Darth Vader sticker.

"It's not my birthday kid." He snaps the protective face shield back down as he picks up his soldering iron, sparks flying as he gets back to work.

"I know that I, uh. It's from, it's for. It's yours. I gotta go, see you later Mr. Stark!" Peter hikes his backpack up tighter as he skips out of the lab.

Tony grunts in acknowledgement without looking up, eyes focused on the searing metal in front of him.

* * *

"Tony? I thought you were gonna have dinner with me after Peter left," Pepper saunters down into the workspace in a flattering pair of jeans and baby blue blouse.

"I was. I am. He left like five minutes ago," Tony waves at her without taking his eyes from the computer he's typing on.

"Happy drove him home two hours ago. Come, have a nice sit down meal with me." Pepper wraps her arms around his shoulders from behind, kissing the top of his head.

"I can have a sit down meal. I'm sitting right now, bring the carbonara down here and it'll be a proper date," Tony replies.

"Yeah, you me and your computer. How romantic. Tony, come upstairs- what's this?"

Tony glances up to see her holding a blue envelope.

"Uh, it's the kids."

Pepper flips it around, "it says To Mr. Stark From Peter on the back."

Tony just shrugs and goes back to typing on his computer.

The delicate glue of the sticker is undone under Pepper's sharp nails as she opens up the envelope and pulls something from inside.

"It's illegal to open someone else's mail y'know," Tony teases.

"Tony this- god you are such an asshole!" Pepper smacks Tony on the back of the head with the envelope.

"Ow! What the- what did I do now! I was just joking about the carbonara thing... mostly."

Tony finally meets Pepper's eyes of scorn. She tosses something in front of him with a huff.

"Tony, he even used a Darth Vader sticker. Do you know how adorably geeky and topical that is? You have got to start paying more attention to the living breathing people in front of you instead of your machines. Dinner is ready, please come upstairs."

Tony watches her leave as the clack of her heels fade away with every step. He's not sure what Darth Vader has to do with missing dinner, but he's quick to get up and start to follow.

He pauses before he makes it out the door, turning to finish the last line of code before he forgets the function. He pushes something off of his keyboard to type and press save.

Tony can't remember the last time he looked up from his work long enough to consume solid food. He's so ready to carb-load with some Italian food, turning away from the computer and blue envelope.

Tony's eyebrows furrow. Hm. Darth Vader sticker.

Tony turns back around and picks up the envelope from beside his keyboard.

This must be what the kid was yapping about earlier. Tony sticks his hand inside and finds a card, pulling it out.

"Father's Day it is," the front says in bold lettering with a picture of Yoda crudely hand-drawn with a sharpie and green highlighter. Tony flips it open, "celebrate you we must" is written in the middle of the page.

Below is a message in smaller writing; "Thank you for everything Mr. Stark, we wouldn't be here without you!" with a blob of sharpie that looks suspiciously like it's scribbled out a small heart, then signed "From Peter, Dum-E and U" each name written in their own unique handwriting.

"Friday, what day is it?"

"It is Sunday June 16th, also celebrated as Father's Day in countries such as the United States, Canada, and the UK."

Hm.

Tony stands there and stares at the card for longer than he'd ever admit before looking up at Dum-E.

"You help with this?" he asks, pointing at the card.

Dum-E chirps happily, twirling his claw around.

"Your hand writing's terrible."

* * *

Peter enters the lab slowly, an unsureness to him that's out of character.

It's Wednesday, his usual day for coming over to Tony's workshop. He hasn't heard anything from Tony since Sunday, not that he usually does. Still, the quietness has unnerved him. He's not sure what he was even expecting from his mentor; silence is probably the nicest response he could hope for after embarrassing himself like that.

"Hi Mr. Stark," he greets once he spots the older man sitting next to a complicated tangle of wires.

"Hey kid, can you go to the computer and run the command I have open for me?"

"Sure thing!" Peter says as he dumps his backpack onto the floor and jogs over.

The two get into an easy rhythm and Peter's practically forgotten why he was nervous in the first place when, "hey grab us some sodas will you," Mr. Stark asks him.

Peter walks up to the fridge in the corner of the room when he notices something new.

In the center of the silver metal lies a single piece of paper, stuck to the refrigerator with a plain magnet seemingly scrapped from some old hardware in the lab.

Tony has his Father's Day card displayed like some dorky parent whose kid got a half-decent report card, showcased on a fridge like a toddler's finger painted masterpiece.

It makes Peter so happy he can't wipe the stupid grin off his face the entire time he's grabbing sodas and delivering one to Tony.

The older hums a thanks without looking away from his project, but as Peter turns away Tony's own face contorts into a pleased smile all of his own.

The two share identical smiles all afternoon, hidden behind soda cans and computer screens.

[andromeda-after-dark]

Honestly I’ve never come across a character people want pregnant more than batman which is kinda funny to me, especially in the context of superbat, like you’d think they’d take advantage to the cop out of alien biology to make Clark the one to be the carrier but nope, this 6ft 3 brick shithouse of a fully human man is too mother coded, he grew a working uterus out of spite

[stiwfssr]

[tumblr blocked embedding of this video]

I have made a sex-free edit of the 2008 adult film To the Last Man.

The original version is more than five hours, but can be (and has been) cut down to about 45 minutes (including the credits). It's all plot and nice cinematography.

A couple of scenes I included have some of that aforementioned plot occurring alongside nudity. I censored the offending dicks and nutsacks, but left the bare asses. I think we can all handle some non-sexual ass. As a treat.

There's lots of murder, though.

[startheskelaton]

Ultra-dad

[julkie]

not to be nosy but i need to know who was that or i'll die

[emiruu-u]

This based off of the headcanon that when Cole 'activated' Lilly's statue in shintaro it shed tears at the sight of her son once again <3