#which is rare?? and I appreciate so much??

[azrielarcherondefenseattorney]

Something that is so often overlooked about Azriels very overlooked personality is how perfectly suited it is to spying. Hes not just doing a job, its like he was made for it and i don’t just mean hes quiet and reserved. I mean he truly loves the quiet and peace, the waiting game. You see the juxtaposition between him and Cassian when they are spying together in ACOSF chapter 68, Cassian is the raring to go and fight, needs banter and to keep busy(nesta being in danger definitely didn’t help lol). Azriel is the opposite.

Cassian rolled his eyes, “I stopped spying because it bored me to death. I don’t know how you put up with this all the time.”

“It suits me.” Azriel.

You see it translate to who he chooses to spend time with when he has the few instances to do so in the books. Whether hes training feyre or sitting with elain, its one on one, easy, laid back, quiet, and hes a lot more open with perfect dry humor. No loud obnoxious bantering for him. Which he gets a lot of from his family as we see with his headaches 😂 hence the need for headache powder.

Hes the kind of person whos so quiet and in the background he gets overlooked in a crowd. He needs another spy, someone who pays attention to little things someone who is observant and quiet, to truly see HIM.

I relate to that so much.

Azriel appreciation week Day 1 @azrielappreciationweek

[raven-at-the-writing-desk]

Hopefully this doesn't come off as snarky, but I find it genuinely hilarious that every "big-name" Leona fan that I've seen seems to like him against their will lol. I've always had Leona as my favorite, so it's fun to see the journey other people go through to liking/appreciating him!

Look 💦 I can’t speak for other L*ona likers (regardless of size, honestly; I'm a firm believer that one's level of internet fame isn't a factor in the devotion for a character) but for me—to quote Scar—“my words are a matter of pride.” And by confessing to (ick 🤢) LIKING LION… it’s throwing all that pride out of a window. It seriously does feel like these feelings exist against my will.

I have a summary of my story to explain my relationship with the lion lore 💀 I call it a summary, but it’s still kind of long— It's below the cut for those who are interested!

To begin with, the promotional materials didn’t sell me on him. Everything about how he initially presents—from his arrogance to his “tough/bad boy” design (seriously, that biker-cowboy combo of his dorm uniform is SO ugly and shows way too much skin for my liking…)—was so unappealing to me. He seemed exactly like the kind of character and tropes I tend to dislike. The only “good” thing I saw in him was his face (which, ironically, is what Vil says about him) and maybe his UM chant particularly the line where he demands you kneel before him. Then comes along book 2, which is easily the weakest of the main story and does a HUGE disservice to him, making L*ona seem a lot stupider than he actually is. At that point, I had basically written his entire character off. I claimed to all my Twst friends that there was nothing that would ever make me like him.

Around 2022, I decided to get involved in a round of EBG (Epic Bias Game) which is basically like a test of your will?? You’re supposed to compete with your friends to see who can go for the longest without talking about or acknowledging their oshi (which includes not being able to react to fan works of them). As part of EBG, each participant was randomly assigned a “new oshi” to replace the usual one AND GUESS WHAT, I GOT HANDED L*ONA BY THE WHEEL OF FATE 💀

One of my friends (who knew I hardcore hated him at the time) assured me that this would get me to change my mind. They even went out of their way to write a little story explaining how my OC was forced to spend more time with L*ona, which led me into writing interactions between them to build more of the lore. I managed to outlast the friend in EBG, but didn’t win the entire game. I came out of it not really feeling super different about L*ona, but I think forcing myself to write about him extensively helped me gain a little more perspective on his character. I still didn’t like him, but I at least appreciated his presence in the cast a little more.

AND THEN TWST HAD TO COME AND BASH ME OVER THE HEAD WITH L*ONA CONTENT… All the little vignettes and voice lines where other characters would talk about what a good leader he is (*glares at Epel, Jack, Ruggie, Savanaclaw mobs, etc.*), when he sarcastically claims to be a “delicate prince” or a “lost child”, those moments where he sasses others, times when he’s able to use his charisma and/or intelligence to pull ahead, rare instances when he whips out his royal manners, him respecting women… But I think the turning point for me had to have been book 6 OTL GOOD LORD, BOOK 6 FUCKED ME UP 😭 Him using his UM in a creative way to turn falling glass shards into harmless sand? And strategically turning himself in?? Willingly ceding control of the dorm to Ruggie??? Telling everyone about Styx’s lore???? AND THE BEEF HE HAD WITH JAMIL BUT STILL GIVING HIM WISDOM AND ADVICE… Sometimes I still tear up thinking about how L*ona says “You’re not like me,” to Jamil 😔 implying that part of the reason why L*ona guides others is because he has hope in their futures but not his own… (I’m still salty that EN messed up this line by changing it to “I’m not like you,” which makes him come off as way more arrogant 💦) Anyway, I blame book 6 for being the tipping point in my downward spiral 🌀 IT GOT WORSE IN BOOK 7 WHEN HE STARTED SHOWING HE'S MOTIVATED TO ACTUALLY GRADUATE AND TAKES ON AN INTERNSHIP THAT COULD BENEFIT HIS COUNTRY... Special shoutout to the Club Wear card for being especially hot-- I did my best to hold out against the steady drip of content that called attention to his… positive traits… (Not that I’m saying he doesn’t have any; I mean this in that whenever his strengths as a character are brought up, they really get to me as someone who loves intelligent, mature/responsible types and “big brother” figures OTL) BUT IT'S SO HARD WHEN TWST KEEPS PULLING STUFF LIKE THAT???

Then in 2024 came the stupid Lost in the Book with Nightmare Before Christmas event 💀 which finally introduced us to L*ona in full formal attire (MY WEAKNESS) and gave him the opportunity to be in the role of the "hero" and leader... and those Nightmare Suit vignettes 😭 Leona thinking about what it actually means to be "king"... Ugh, it was another strong showing of his character. I'm pretty sure it was this event that started the snowball of my friends (lovingly) bullying me about him and calling me a tsundere about it. Weirdly enough, a BUNCH of things started happening irl to push L*ona at me too. For example, my pet (who usually actively avoids or attacks Twst stuff) was actually eager to pose for a picture with a L*ona standee. In a group fan merch order, I had asked for the bonus Grim sticker but the artist (who had no idea about my complicated thoughts on L*ona) said they were out of the Grim sticker but they had L*ona stickers they could include instead. Most recently, I had just finished this last-minute artwork of Miss Raven eating pocky by herself to celebrate Pocky Day (11/11). Typically the fan art you'd see on this day would involve two characters playing the "Pocky Game" (in which the players try to eat a stick of pocky from either end; usually it's framed as romantic since meeting in the middle results in a kiss). However, I had chosen to do a solo Miss Raven art because I thought this suited her "I want to be taken seriously!" personality better. Well, guess what? I GOT A PACKAGE DELIVERY NOTIFICATION FOR THE TWST MERCH ORDER... WITH L*ONA IN IT 💀 Almost like he heard there was food meant for sharing and he came to claim it for himself... Like I literally did NOT choose for these things to happen to me, THEY HAPPENED ON THEIR OWN. I DON'T BELIEVE IN PREORDAINED EVENTS BUT THE UNIVERSE SURE IS WORKING IN STRANGE WAYS.

So now that the tables have turned, it’s really embarrassing. Everything is coming back to bite me in the butt… It truly feels like L*ona plotted this all along and was on the prowl, patiently waiting for me to get worn down before he pounces and delivers the final blow to my ego OTL Like, it's gotten to the point where many of my long-time friends in the Twst community are now joking that "It's over" for J word... ONE OF THEM EVEN TOLD ME IT FEELS LIKE I'M GETTING DIVORCED AND L*ONA IS THEIR NEW STEPDAD, HOW AM I SUPPSOED TO FEEL ABOUT HTHAT ??????????? ? ? ????? ? ??? ? ?? ?? ? ???? ?

But by the far the worst, the WORST part about everything here is that if L*ona were fully sentient, he would be so smug about recent developments 😡 It makes me SO mad thinking about how he'd look down on me with that hot smug rage-inducing smirk of his and make fun of me for eating my words so badly.

“What was that you said about hating my guts, herbivore? … Hah, it's written all over your face--you're terrible at hiding your true feelings. You can just give in, you know. Tell me how much you worship me. How much you want me. You'll give in eventually one way or another--so why not make this easier for the both of us and save us the time of playing the wait game? I don't bite, promise." (<- a liar)

(Disclaimer: NOT MY MERCH; this is a L*ona Liker friend’s picture that they’re letting me use as a reaction image 😅)

THIS IS FR MY OVERBLOT ORIGIN STORY…

[anim-ttrpgs]

@zudz @vixensdungeon

i want to highlight and express how much i appreciate this sentiment. Y'all and everyone who has been following this blog for any length of time already knows it, but there is a real.. disrespect for TTRPGs as an artform in the so-called TTRPG fanbase, the idea that the rules, which are what make up a TTRPG, are just annoying byproducts that are best ignored and that every TTRPG is just sort of a setting skin for doing whatever the hell you want, and this sentiment comprises most "advice" for both players and game masters alike from popular personalities and influencers in the hobby space.

So I really really appreciate seeing a conversation that goes "maybe this rule in this TTRPG isn't automatically the be-all-end-all for how to handle this particular concept in a TTRPG" but then both of you also agreeing that, because it's what the game says and is based around, it should be taken as the default course of action when playing this particular game.

TTRPGs are a flexible artform, there's never going to be a rule for every situation, and even in well written TTRPGs, there may be rare situations which arise over the course of normal play wherein the rules result in something that doesn't make sense, but that is of course one of the reasons we have game masters. I am rambling and kinda lost the point a but what what I'm saying is it's very nice, especially when it's about my own TTRPG, to see two people agree that the rules being presented were probably written with actual intent to give the best experience, so they shouldn't be bulldozed over just because some guy did something cool one time in another game that didn't have those rules.

Exerpt from Eureka: Investigative Urban Fantasy. (with art by @theblackwarden )

[bananafrog26]

Hey geologists I need a bit of help with my worldbuilding.

So I'm adding dwarves to my setting but not your typical short stubby fleshy dudes. But rather short stubby rocky dudes. There are three types of dwarves upper crust, mid crust, and lower crust. They grow at different levels in the earth's crust and are made out of different rocks depending on what's available at that level. Like if they're closer to the surface they're made out of rocks and gems and such that naturally grow at that level.

Small issue though I have no idea what grows- forms? At those different levels farther or closer to the surface and I also don't know in what amounts. What's rare and what's common? I imagine diamonds don't grow in the same place as amethyst.

If you guys could help me out it would be much appreciated!

P.s. I did try googling it first but I couldn't find anything.

P.p.s. a visual representation like a rock map or something would be nice but is not required.

P.p.p.s. please don't be mean to me I'm not an expert on rocks I don't know exactly what to search for which is why I'm asking for help.

[connorsjorts]

cyberlife putting magnets in connors feet is canon to me now. i left the fandom some time ago, now im back, so i can enjoy all the fanworks that came out while my brainrot was dormant. but im so shocked at how widespread the notion that hankcon is problematic now is. it was the main ship a couple of years ago? and now the main tag is flooded with negativity. and idk if my claims hold any water, but i feel like the dynamics that were quite commonly used for hank x connor now are used for reed900? when did this fandom decide that two characters which 1) appear rarely and only to be an asshole and 2) doesn't even have any lines are a better ship than those two bastards who are literally insane about each other? (none of their interactions are normal, but its so in character for both of them, i love it) anyway, i hope you didnt have to experience any of said negativity and are doing well, cause i loved your fanfics <3

Honestly I forget that Connor’s magnet feet aren’t canon—how that clumsy-ass android who botched a barrel-roll into a first story window managed to keep his feet planted on a moving train is the biggest plot hole in all of DBH.

Welcome back to the fandom! Sometimes I wish I had been here from the very beginning, because even when I showed up in 2020 it was like this. I remember wandering into the ship tag, naive and desperate for conktent, and finding nothing but “hankcon shippers are perverts” and literal comparisons between a thirty year old man and a six year old boy 🥲 I pretty much avoided tumblr entirely because of it and stayed exclusively on twitter the first couple years! (RIP.) I feel like tumblr has actually gotten better since then? That said, in the four years I’ve been here I’ve somehow managed to avoid any direct hate, probably partially through luck and partially because I’m not afraid to use the block button. It’s never personal, it’s just that I am here for one thing and one thing only and that is old man yaoi. I would also advise staying off of ig and tiktok for fandom content because good god, people are MEAN over there.

As for reed900, the ship doesn’t really do much for me personally, but one thing that I really love about it is that it’s basically fanfiction of fanfiction. Like, fans basically created that ship and even their characters out of next to nothing, and made something so compelling that it’s now the fandom’s most popular ship on ao3! That is so cool! As someone who doesn’t care about the DBH canon like, at all, and is way more into the fans’ creations and creativity, I have a deep appreciation for reed900 shippers even if I don’t subscribe to their newsletter. 

I do agree that it’s very similar to the hankcon dynamic, which, who can blame them? It’s a great dynamic. And I don’t begrudge anyone for not wanting to ship Hank and Connor. But when it comes to people who ship reed900 but actively hate hankcon, those who call hankcon disgusting and cry about having to see it while never seeming to take any actual steps to avoid it? I dunno, I smell ageism in their hearts, and to them I say—old people are hot, and it’s not our fault if you have bad taste in men 😌

Thank you so much for your kind words about my fics 💖

[carlzy-berryz]

Neo 3 ^^

Ref sheet done, lol. This took forever ahhh!! Ik it's not the neatest, but it gets the job done XD.

I'll go into more detail under the cut.. (lore)

Everleigh used to live in Inkpolis Plaza but her family had to move to the Splatlands a couple years back, to take care of her grandma. Her life kinda changed from then XD. The treatment for her grandma was expensive and turf war just wasn't cutting it anymore... so her parents suggested Salmon Run (Everleigh had no idea what this was at the time) but she agreed, nonetheless, after all if it pays well it can't be that bad, right?

Well this is where she developed weird "attachment issues" to the salmonids, she thought they were cute (especially smallfry), and wondered why so many people wanted to take their eggs, they didn't deserve that... So she started slacking off, not getting quota on purpose, giving eggs to snatchers, not reviving teammates ect... nobody ever suspected her though..

How she met Waffle..

One day at the end of a shift, Everleigh noticed an injured Smallfry near the shore, struggling to move, she went to help him but she could hear the helicopter about to leave, so she put him in her bag and scrambled back. She looked after him for weeks and weeks, feeding him, giving him a place to sleep, going on morning runs all to get his strength back! It wasnt easy though, as she had to hide him from everbody, she even took him to work (while bribing him with food as a reward, lol) he just stayed in her bag the whole time!

Eventually he was back to his bubbly self and fully recovered which meant Everleigh had to return him to the sea... She had always intended this, but she had grown far too attached to him, she couldn't stomach the thought of a co-worker killing him.. so she decided to keep him and named him Waffle!

The day she became an agent...

As usual she was on her way to work with Waffle, she was about to walk up the stairs when she heard a voice, it was coming from a manhole, she looked over and a strange old man was signaling her to walk over, he disappeared down the manhole and they follow him...

*I'll spare you the whole story mode Alterna plot you already know what happens XD*

After defeating Mr Grizz she knew for a fact she couldn't work for him anymore. She told her parents that she wanted to quit but they wouldn't let her, they said it was too much money to give up, then they started guilt tripping her saying things like "you really don't want to help your grandma..?" This made her feel terrible and she reluctantly continued working for a few more weeks... until she just couldn't take it anymore, she stomped into grizzco, slammed her things on the desk and shouted "I quit!" and she never set foot in there again. She traded the gold scales she'd earned over the years to a random octoling for money, (she sure wouldn't need those anymore) and managed to pay for her grandma's treatments! She now lives with her grandma and Waffle in a small apartment and works full time as an agent, getting paid now by the captain! She rarely speaks to her parents and will leave the apartment when they visit.

Side effects of becoming an agent..

.She doesn't have much time to do things anymore as she's always busy doing missions

.Her hair now looks a little fluffy, this is due to all the fuzzy ooze she fell in..

.She kinda developed ptsd from fighting her way through the missions.

.Feels like she can't meet Waffle's needs and doesn't want to overwork him.

These are just a few things, but she can't say she regrets anything, after all, it was her release from everything. She made new friends, defeated Grizz, participates in turf and anarchy again (with the other agents) and best of all she's happier now, that's what really matters!

That's about it really, sorry for the long story, 😭 I just wanted to get it out there since she didn't have much character development before, so if you made it here,thank you so much for reading the whole thing, I appreciate you!! ^^ I apologise if it didn't really make sense...

Here's a close up of Waffle as a reward XP

🫶

[dkettchen]

I have officially finished my adventure time (partially-re-)watch, so now I shall finally commence catching up on the like 80+ eps of one piece I'm behind as my new (old) idle show 👌

[likeabxrdinflight]

...I should be editing my dissertation but now I'm thinking about how both Azula and Katara are perhaps the most "adultified" of the atla characters and...hmm. Interesting.

[spinjitsuburst]

ramble about ur favs i wanna hear abt ur thoughts -zaptrap

HAN’S INFODUMPING ABOUT JAY... START!!!!

so like sgdkdhdkdhd I say Jay and Lloyd are my “favorites” but honestly it’s so hard to pick favorites out of this skittles squad like I love EVERY character for a variety of different reasons. I was going to also infodump about Lloyd but then I started talking about Prime Empire and then this post got. Long. So. it's just Jay I may infodump about Lloyd another day especially since I'm very Conduit Brained Rn but yea yea!

this is long so i'm putting most of it under the cut so y'all don't kill me for making a huge long post

I considered putting Zane and Sora on here as well since I’d also consider them my “favs” but like this is already gonna be. A lot of. Infodumping (also i typed THIS part before I even started and decided not to yell about Lloyd because this already got long enough). Maybe I’ll make a separate post for those two hmm hmm much to consider but for now MY (technically) FAVORITE NINJAGO CHARACTER: JAY WALKER

THE SPARKPLUG WHO INVADED MY BRAIN LIKE A PARASITE

so hey his name is a pun this makes me laugh ridiculously hard every time I remember he is named. After a misdemeanor HSKSHDKFH

Jay is such an interesting case of a character for me because I started out the show not liking him. Which is. Stares at my entire account I think my feelings have changed somewhat

Jay starts out as an asshole I don’t think anyone can disagree with me there (although honestly they’re all assholes in early ninjago they bullied a ten year old and left him dangling several feet off the ground) but over the course of the show you can see him start developing into a much more interesting character. He goes from being so insecure he's faking everything about himself to someone who knows who he is and is so genuine about it

now yea we could argue about whether his character was too uwu-ified post-season 10 but this is the FUN HAN POST SO WE'RE NOT GONNA TALK ABOUT THAT the point is you can SEE the growth that Jay has gone through and I am going to show you that growth through what I call

✨ The Skybound to Prime Empire Effect ✨

I AM SO PASSIONATE ABOUT THE IDEA THAT PRIME EMPIRE WAS WRITTEN TO BE A DIRECT PARALLEL OF SKYBOUND AND WAS CENTERED ON SHOWING HOW THE NINJA ESPECIALLY JAY HAVE GROWN THROUGHOUT THE SEASON

when season 12 rolls around we are at the point in Jay's development where he is CONFIDENT in who he is. He's a fun-loving jokester with the power of lightning and the drive to help people whenever he can. He uses jokes and humor to help alleviate tension and get people through whatever's happening. And when on his own what does he do?

BECOME AN ENTERTAINER BABEY

i like to think jay's club in prime empire was a safe haven for anyone stuck in the game who figured out hey. we Can't Leave and felt freaked about it. Also Jay would generally try and spread the word that hey something ISN'T RIGHT HERE which would lead people to want to stay with him

(totally plugging my friend's fic but this kind of thing is explored in would you like to enter prime empire by @finn-m-corvex y'all should check it out cool cool)

also the prime empire shorts which i watched all of in the midst of typing this video cuz i love them go watch them please please please jay was publically fighting the red visors which I imagine may have raised some red flags for some players

THIS SOMEHOW TURNED INTO PRIME EMPIRE INFODUMPING LMAO ANYWAYS Jay's confident! He becomes an entertainer because it's who he knows he is! And it's something that will get people hyped and having fun, which is very in-character for Jay to do! He uses those kinds of things to mask the Bad Things going on and get people remembering what's good

I've talked about this sort of thing before but that's Jay's whole philosophy as early as season 9! Which is a DIRECT contrast to how he views it in season 6, as Nadakhan puts it scarily accurately

"You make jokes to mask the fact that you're afraid"

(i was gonna grab a screenshot for that like i did with the hunted scene but netflix has bloCKED THE ABILITY TO TAKE SCREENSHOTS THE WAY I USED TO and i don't have them already and i'm too lazy to grab them from elsewhere so alas trust me he says it)

making jokes to hide your fear and using humor to remind yourself of what's good and coping with the bad are two VERY different outlooks on it

so I think this outlook is what drives him to make this glamrock persona in the first place - this is a bad situation, one he's in with other civilians, and what better way to keep him and themself safe until the others get there than throwing a big performance at a safe place!

also it's just so gender okay I want to look like Superstar Rockin' Jay so badly

it's also interesting to see his outlook on his parents change over time! In season six he finds out Ed and Edna aren't his birth parents and feels upset about it, not understanding why his birth parents would've abandoned him. In season twelve, that outlook changing is EXACTLY why Jay's able to get through to Unagami

"I was abandoned by my parents, too!... I never understood why, and I never had the chance to even ask. But I always hoped there was a good reason. What if there's a reason?"

(again curse you netflix i wanted SCREENSHOTS whatever whatever)

It's this scene that gets Unagami to calm down long enough for Milton Dyer to get there, and presumably is what stops him from just. Flattening him and Jay like a pancake.

to piggyback off of this i absolutely adore how Unagami and Jay consider each other adopted brothers in that one book I still haven't read and I hope he's in Dragons Rising at some point Unagami is my favorite "villain" (no longer a villain) in the whole show he deserves more screentime

like this is where i found out about this and it's plagued my mind ever since. i need to read. this book just for them

SO YEA OKAY Prime Empire is "Who is Jay as a Person Post-Skybound" to me also it opens up so many fascinating things about Jay. I rest my case

so backpedaling a little bit. JAY CARES SO MUCH ABOUT HIS PARENTS GUYS IT'S SO SOFT AND I'M sobs

like yea the first episode with Ed and Edna in it has Jay avoiding them like the plague but this gets explained very easily when you remember he was bullied for his home life before he became a ninja. It makes a lot more sense why he wouldn't want them around his new friends, assuming they'd react the same way. Also how was he supposed to know literally all the rest of the groups parents were either dead, presumed dead, or had a toxic relationship with their kid lmao

(Cole calling his mom kills me. Cole's mom is dead. I know they probably just didn't think that far ahead when writing the dialogue but it's so funny mans pretended to call his dead mom to get on Jay for not appreciating his parents iconic behavior)

anyways literally every episode Ed and Edna are central to (except like the one in skybound) Jay stops at nothing to protect his parents and it means the absolute world to me he's so much like them!! They raised an inventive little nerd and he will stop at nothing to make sure they're safe and it's. It's SO IMPORTANT TO ME OKAY

ALSO this is an excuse to clip my favorite piece of dialogue possibly in the entire show. Except Netflix won't let me now. So you just get the text dialogue

Jay's just fallen from the sky with a messed up eye and is incredibly distraught that all his friends are captured. And his dad just. The woRLD IS FALLING APART AND HE'S EATIN' SOUP-

Ed i love you

anyways

anways anyways this just turned into me rambling about prime empire and then Ed and Edna and a lot of disjointed other stuff but thank you for this opportunity i was going to also ramble about lloyd but i put this post in a word count and

yea i think that's enough for a tumblr post anyways! If anyone wants any like. More logically thought out and direct thoughts about characters feel free to send me asks this was fun thank u @zaptrap for this opportunity to scream about jay

[fumifooms]

You’re the resident chilchuck expert, so I was wondering about it there’s any canon evidence that he did smoke or drink alcohol when the kids were younger. I always thought it was something he picked up due to the strain of long jobs, when the kids were already older, but you seem to think differently and I was wondering if there was anything in canon that made you think that way!

Now that you mention it I guess it’s true there’s no evidence he did. Smoking we literally only know he does at all because of one post-canon panel where he has a pipe, so no, maybe this stick-looking thing in the panel below too though, I’m not familiar with medieval blunts eh. We’ve only gotten one panel of him and his daughters interacting when he was younger so that’s not too insightful on that end, and every time we see him young and freckled it’s in a job context so again not really where we’d expect him to be drinking. The earliest proof (/heavy implication since we don’t see inside his cup I guess) is 3 years before canon when Laios hired him, where he’s at a bar, classily placed in front of all the bottles ✨

Yes alcohol is almost certainly a way through which he copes especially with stress, so if we go with the theory he started around when work got stressful, well… Chilchuck started working as a dungeon diver ~10 years ago so when he was ~19, making Mei, Fler and Puck ~6 and ~4 respectively, so from that draw the ‘stressful enough to start drinking’ line wherever. We don’t know what he did before that with any certainty, and it could be he did odd jobs, lived off mostly mutual aid and community work, or just focused on only raising the girls. Half-foots tend to be poor and I see a lot of that in Chilchuck specifically so I don’t think he could have afforded to not have some paying work though.

Alright, so then why do I think he did drink when the girls were younger?

I give a more complete rundown of the info we do have on his alcoholism & his family with panels and references + all the speculation I make from it here. But the most targeted and objective answer I can give is:

Of course there’s just very very little we know of Chilchuck’s life with his family, and I think that’s by design too. I think the details being up in the air is to allow more nuance of the topic, like, will trying to reconcile go well, is their relationship salvageable? We don’t know, because we don’t know. So the message of giving hope a chance even if it’s a long shot, that things could truly go either way, is more relevant, impactful and meta in that way. How long was he usually away for work travels into dungeons here and there? How did he act with them? All we can really do is "it’s likely that", it’s a game of which way we think it’s more implied. There’s no right and wrong answer, it’s all Marcille-like larping the events out.

My main reason for thinking he did is that his father died from overdrinking and Chilchuck is very aware of that. He mentions his death casually in the extra about their stance in alcohol and in his Adventurer’s Bible profile, etc. He acts towards the alcohol presumably the same way his father did: with abandon, uncaring for the health effects, probably happily too considering Chil says "dying doing something you love is a good way to go". Very nonchalant. So you see what I’m saying here right, wether he started early or late, his view of alcoholism is very influenced by what he saw of his father growing up, it’s something he’s always been aware of and saw in a mostly positive light, something that was inherited you could say. It’s something that was normalized to him from a young age. Regardless or where it goes from there I do think this part is pretty inarguable. If he views it positively and we know that in the present alcohol is his favorite food that he loveees, why would he have held out on it? Personally that all makes me think he started drinking very young, especially since I don’t think they limited alcohol to age as much as modern standards (and I mean, teen drinking is obviously still a thing). And here you could argue, maybe his father only started being more alcoholic later when Chilchuck moved out, or something! And to that there’s nothing I can say except I think that’s a strained theory, and that Chil might even have largely cut contact with his family after moving out (since he and siblings are listed as almost strangers and he doesn’t seem to have much emotional attachment to his parents, but also we know he rents out his place to "a relative"), but it’s true we have no evidence. "I’ve picked up the same unhealthy substance abuse as my father haha! No big deal right haha" repeated several times to me just reeks of intergenerational trauma, & the alcoholism gene as they call it. Like effortless sliding into drinking as if it’s second nature, it’s natural after all, it’s normal after all, it just makes sense, it makes you feel good and that’s what matters.

BUT from my interpretation then we have a whole other layer: Alcohol is of course not all bad always. I think he’s always liked alcohol and drank it on occasion and it brought him joy etc etc, but I think here the implication in the question is, how much effect did his drinking have on the family relations and how early? And that isn’t so much about when him drinking started but when the alcoholism started. Addiction is defined by a habitual need, that has negative effects from filling that need (physical, psychological, social, etc) and negative effects from withdrawal. If Chilchuck drinks to cope and he can’t not cope without it, that’s addiction, if it affects his relationships, if it’s a need he has, it’s addiction. Addiction can be very insidious or look very casual, and how much people around the person are affected by it is case by case. Cheerful drunks can be sooo annoying and uncomfortable though let me tell you. Drunks are drunks. And this sounds harsh, but even if people around them don’t mind drunks it’ll still have some effects here and there, living with one can be such a challenge, ily drunks good luck with everything much like Chilchuck you deserve good things 🫡　

Ok so with the dad thing and the "ok well maybe he’s always drunk casually but it grew worse with time around when he started working as a dungeon diver" precision made, the other bit of info we have that can inform this is that Chilchuck is on a harsh diet and that alcohol is a hunger suppressant. We know Chilchuck "used to be fine not eating for two days", that literally on screen to quench his hunger so it doesn’t keep him awake he goes to drink water, drinking is his instinct to hunger. Again alcohol is a hunger suppressant and if you want info on that the internet has a lot of research and anecdotes about it. He diets to be light enough to not trigger traps, so it’s something he’d have started after dungeon diving most likely. Between the stress and the diet, yes it’s extremely likely he started going harder on alcohol after he started working in dungeons. There’s arguments on wether two days without eating is less bad for half-foots than humans, but apart from smaller portions there’s nothing that indicates half-foots should get less than 3 meals a day. They need less food but that’s because their bodies are smaller: the need is proportional to the body, not smaller than others’ races, the % of need is similar even if the kg amount of food isn’t. There’s also a popular headcanon with support basis that half-foots run hot and have a faster heartrate and whatnot, and that points towards a faster metabolism rather than a slower one: a bigger need for eating rather than a smaller one. He has the same bmi, 18, as Mickbell, but perhaps because Chil is much taller he’s less intensely visibly underweight with ribs showing than Mick during the bath extra, it’s most apparent when he becomes tallman.

Alcohol is something so important and omnipresent in his character that I have trouble believing it’s something that was part of only a small fraction of his life. It’s his immediate go-to, his no-brainer solution to a good time, I’ve sort of always assumed especially after looking at his family that it’s something he discovered decently young. Like he just acts like someone who’s always had alcohol to fall back on and started young idk. Alcohol is one of his 5 keywords. Alcoholism is very ingrained into his world view and life, his "it doesn’t matter" stance his ‘work hard play hard’ mentality his idea that the world is harsh so you get relief where you can, so it just makes sense to me that it’s always been in his life, if not actively then at least looming.

So yes, in summary, my take: Alcohol was always something he wholly enjoyed to an unwise level, but it could have been considered casual until he started working into dungeons and his need for it on a regular basis intensified. Alcohol has always had positive association to him as far as we see, so when it started being a problem he didn’t see it as such. To quote him, "I drink anytime I get the opportunity to". Why always? Approval of father’s alcoholism. Why alcoholism at all? Diet + stress & coping mechanism & emotional stunting + relationship issues, and she decided she had enough after they went out for drinks.

Conclusion

Chilchuck having drunk from a young age makes sense to me and it’s the strongest narrative angle I see on the table, but that’s objectively a me opinion, yes! There’s no evidence, moreso there’s canon basis and supporting info, but it’s all very left up to interpretation. I’ve made my own interpretations of things from the scraps we see, like everyone else making Chilwife and daughters content. Wether you have a stance on the topic or prefer to leave it vague in your takes, it’ll be a matter of what you think makes most sense, or what you’d rather believe I suppose (which is literally fine)

There’s a lot of subjectivity in even just setting up causal links like you probably noticed during this and I was careful with my word choices, because we’re just extrapolating from what we see and unless Kui states it explicitly from a reliable mouth all we can do is have informed opinions on most things. This particular interpretation is influenced by other details I’ve come to form about my interpretation of Chilchuck too, the more psychological and emotional sides of him and the timeline and how his marriage even happened, unplanned pregnancy imo. Like I hope you see what I mean, this wasn’t supposed to be a speculation post just a quick simple answer but there’s sort of just no other and concise but complete way with the subjectivity nuance to put "maybe it could be yes because of this but maybe it could be no because of this" haha

Edit: Wait the phrasing on this… Interesting. "In recent years"— This does imply that if not just his alcohol consumption increasing then the diversity and quality of it did, so either he indeed did start drinking more (not necessarily meaning he didn’t drink before) assumedly because of his wife leaving, or he started drinking other/more different kinds of alcohol maybe due to the union he formed + his experience gave him greater salary than he had previously (and no wife and family to provide money for), a mix of both perhaps.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*

[bunnihearted]

regardless of the "learn how to be alone" dravel, being lonely actually is really bad for your mental health and can be very painful :p

[perhaps-mr-collins-has-a-cousin]

Hello praying people, I'm not doing well and would really appreciate your prayers right now <3

[sskk-manifesto]

♡

[izzy-b-hands]

Was gonna sleep in. Instead woke up randomly at 5 am and have been writing a fix it steddyhands fic since then

I work in like. six hours. I have gotten maybe four hours sleep. Today is a double shift day that'll have me working bit late into the night.

This is fine.

[curseofpower]

I just want everyone to know you don't have to be afraid to talk to me. Send me an ask. Message. whatever you want.