#where did they find this angel....

[sefynarose]

thinking of the boys and honestly?? just imagine since they traversed time and space for mc they have to be a little unhinged right? imagine the lifetimes that passed them by where they may have missed mc, weren’t able to find her or get to her in time before she dies in that timeline. the constant agony of searching forever for someone who is fleeting just like the sands of time. growing older and decaying only to be reborn again in a constant cycle. and never in the same place or at the same time. constantly having to travel the world to try and find her again. and the few lucky times mc is near enough for them to establish themselves in her life before they lose her again. but the time they get to spend with her is never enough and is so fleeting before they’re back to wandering the world looking for her soul again

[scattered-winter]

life is hard but it's harder when you're a fucking idiot.

[beastsovrevelation]

My Good Omens fanfictions are kicking off. Or, should I say, Lady Crowley is. In one of the stories, she was supposed to end up with Hastur. No, she decided she wants to be with Michael.

I guess, I'll need to come up with a seperate F!Crowley x Hastur storyline, because I'm not letting go of that ship.

F!Crowley x Michael... I like the sound of that. I really do.

Has happened to all of us, hasn't it? Your superior in the military waltzes in, and seduces the love of your life. Not to mention, that's his pregnant girlfriend, and when he finds out, it's too late.

Whatever, Calla Crowley can still end up an astronomy-obsessed, equestrian pastel goth, if General of the Heavenly Host is her stepmother.

I must say... In one story she's with Satan, in the other she'll be with Michael... Lady Crowley, honey, you keep pulling the Olympians. Good for you.

P.S. - I don't know how accurately to Good Omens I'll portray Michael, since I haven't seen season 2, and it doesn't matter. I have a very particular way I like to see the figure. Honestly, if she isn't the General, and the leader of angels in Good Omens, it's a crime. Because, if she is, why haven't I seen her in armour/uniform in any of the screencaps?.. Either way, her version I intend to paint is amazing.

[angelfrogs]

I don’t like barem but objectively that was really funny for him to do

[shallowrambles]

So I've been thinking. It's funny how enjoying meta is somewhat embedded with trust.

Like, if you're "friends" and have followed a person for a long time, you have more a sense of their values, and it's easier to read their difficult meta because you trust more that they're being charitable/nuanced.

If you don't know them, it's harder to trust that they're not funneling difficult topics into rationalization of liking/supporting gross shit.

[rearranging-deck-chairs]

the bonus scenes in the featurettes of series 6 are so precious to me and the way 11 can be kind to his companions i think is very often what i subconsciously model my scenes of the doctor being kind on

hes is so intuitive. he has so much tact. and he always has exactly the right reassuring thing to say that you'd want to hear from someone who has lived for centuries and seen most of the universe

it's also why i dont buy the socially awkward thing at all. yes their inclinations and tendencies vary between regenerations, and theres slow change over the course of the decades, but i think mainly what varies is how they present themselves. same software, different casing. 12 is meaner but not fundamentally different than the one that came before him. neither is 13. what changes is the choices they make. 13 cant or wont engage with her companions the way 11 does with his because losing them hurt so much (and not just 11&his obvs like im not saying 13 is the result of 11, 13 is the result of 12, but 12 is the result of 11 and theyre a russian doll you get it)

also with 11 i think it goes nicely with those scenes where he gets mad at his companions, where they disappoint him or he feels betrayed. his emotions go deep. he loves deeply. and hes not afraid to

[beanmaster-pika]

Ragnvindr bros angst is fun but it’s also very important to remember that these absolute dorks still hang out with each other despite the Everything. I’m oversimplifying here but it’s like fighting with your sibling but then texting them a meme twenty minutes later but ramped up to 11 and more emotionally fraught.

[portmantaur]

do y’all remember when Buffy like cut her hand or something and then held Dawn’s hand and was like “your blood and my blood” as a way to basically say “no matter what you’re the sister I choose” because I remember that every day of my life

[garroth-core]

i was rewatching aphmau and i noticed in the description of mystreet s6 ep 10 the description says "i tried to save everyone i could… but at the end of the day they all perished. i was left alone… what world would I continue to live in? what world could I give? i tried my best… and maybe, that’s all i could do." and its implied to be mcd!aphmau speaking. and like. what. girl what do you mean "they all perished"??? what happened in mcd??? girl come back here i need answers!!!!!!!!

[dutybcrne]

I love the idea of both Kaeya and Diluc being like. Constantly freaking ppl out back in their knight days bc they’d climb fucken anywhere and everywhere unprompted, no matter how dangerous or impossible it seemed

[anyarlly]

watched mi nismo andjeli 2 AND OMG THE NOSTALGIA FUCKING HIT ME,, the set design is so immaculate i was trasported back to "flipping trough the channels as a 6yr old while my mom is playing solitare on the computer"

[hauntingblue]

Kaido lore?!

[ineffablefool]

This connection is supposed to be symmetrical.

[m4niackkyun]

Hi. (Announcement in the tags)

[freebooter4ever]

Are the lines on your drawings stylistic choices or are they measurement/guiding lines? Either way, they are cool, but just wondered. I dont understand drawing at all, might as well be a magic spell to me. I was looking at the pencil (?) sketch of Malkin with the cheesecutter hat on.

i, uh, definitely did not google 'cheesecutter hat' until after i saved out these images. :/ sorry about that. if you'd like the other one broken down, i can do that too lol. my reading comprehension when im tired is kinda lazy i just saw 'cheese' and imediately thought 'omelette'. SO here's the 1) initial sketch, 2) 'clean' sketch, and 3) final lines for the omelette boy drawing instead:

also i have had a cumulative of about 9 ish hrs of sleep total for the past two days so keep that in mind for if this explanation makes no sense, its not my fault. :( anyway! the way i draw definitely has changed over the years but currently im really trying to focus on the line i "see" rather than the one that is actually "there". i've been applying this to my writing for years (story vs happening truth) and you know it never occurred to me that i could do it in my drawings too till like...a few years ago. in general these lines seem to form the planes of the subject. if you google 'stanford bunny' you can find an easy example of a 3D surface turned into triangles. I do this too - see things in relative triangle proportions, except i've been doing it long before i knew how computers worked. i cant begin to tell you how long d*sney and cartooning's obsession with round building blocks of anatomical structure fucked with my brain until i finally decided i could cast that teaching aside completely.

ANYWAY sorry off subject again. so we have these sketchy under lines, and usually as im trying to find the proportions and form of the subject these lines end up being where the light/shadow hits. here i saved out the 1) 'flat colors', 2) the 'light', and 3) the 'shadow' parts on their own (i lightened the background for the 'shadow' so its easier to see):

the light is like four or five 'overlay' layers of pale yellow/orange. you can see how each of these layers follow one of those sketchy lines i did initially. and the same with the shadow but instead its a dark red color set to 'multiply' for each layer. and when you combine everything together you get:

some bullshit :). anyway you know that anniversary edition of beauty and the beast that featured the version previewed to nyc audiences in 1990 with the glen ke*ne sketchy keyframe animation of the beast's transformation? i watched that - must have been sometime after i graduated college - and i felt robbed that THAT version was never presented as a final piece. the 'unclean' drawings had so much more life and movement and intensity to them. tldr i like the messy lines, i hate 'inking' with a passion (HATE. IT.), and when i finally allowed myself to stop giving a fuck drawing became way more interesting. but my art is shit and i will never be glen k*ane so i dont really feel like the best advocate for this "style". alas. there was this one artist on tumblr who i fucking loved whose sketches were SPECTACULAR but the asshole racists in the m*c*ha*nz*o fandom bullied her off tumblr and ive never been able to find her art anywhere else since. she was also very negative about her 'unclean' sketches and it made me so sad. there was also this other artist whose sketches were awe inspiring but all she drew was p*rn and well...we all know what happened on tumblr in december 2018.

also i 100% stole the lighting scheme from The Bear which is currently one of the most gorgeous shows on television right now in my opinion

im really really sorry if this makes no sense, if im feeling motivated maybe i'll try again when my brain is fully functioning but with the actual 'cheesecutter hat' doodle ^_^

[stuck-in-the-ghost-zone]

i have such an intense hatred for cinemasins-esque commentary on movies. where is your whimsy. where is your suspension of disbelief. do you hate fun.