#when do you use commas in English

[jawntwojawn]

Manfred was always fascinated by jewelry, not a surprise considering how many Emmrich haves. These little pieces of gold intrigue him, some are memories, others are honors and a fair few are just pretty.

So when he meets Rook who uses even more jewelry than Emmrich he is enchanted by the shine.

Lord of Fortune shows their skill through gold, which is not only the ability to get it, it’s also to keep it was what Rook said.

Davrin commented something about peacocks but didn’t have the same impact as Rook's words.

So one day Rook suggests taking Manfred on a nice trip to Rivani. Maybe the skeleton can’t feel the sea breeze but sure he can listen to it and the power of the waves.

Emmrich accepts happy to spend time with his protege and his dearest. They spend a lovely time on the beach, Rook speaks about the city and how people welcome him even as a wanted slave. And obviously about some good adventures because he knows how to entertain his public.

Then when they are going back to the lighthouse Emmrich gets distracted by Rowan. So Manfred is free to investigate The Hall of Valor, people look at him with some surprise but no one says anything.

Not with Rook behind him at least.

A shopkeeper calls them, that he has a good stash for today but Rook only answers that his pockets are empty. Still, Manfred took his time to look through the things curious about what is common in Rivain.

Then he notices a little brooch of a skull with emeralds for eyes, just like him.

The shopkeeper looks at Rook and asks him if this is another of his children.

Rook doesn't answer but takes one of his rings and puts it on the table.

When the shopkeeper negated with his head Rook put another.

Then they leave with the brooch. Rook mumbles something about a scammer.

It's not until they are in the lighthouse that Manfred understands why Rook took his rings and he is not very happy about it.

Rook rings are memories of his adventures, when he shows them he tells about dangerous expeditions and mysterious dungeons. And now they are gone.

Manfred tries to explain his frustration to Rook and he answers with a simple It's just gold and doesn't have more value than another piece.

Rook explains that he has some sentimental pieces like a simple band that his kids gave him a long time ago.

And if Emmrich someday decides to give him a ring he is gonna be very protective of it and is gonna use it every day but for other things is not that important. Gold is pretty and makes him feel nice, but it's not irreplaceable.

Later on, Manfred gifts him the brooch and Rook promises to take good care of it.

Emmrich questions the idea of Rook paying for his gift but he assures him that it's not the first time.

[direcrowleythirst]

looking at the paragraph I wrote that has one period and like 18 commas. it's so over for me isn't it

[tea-of-destiny]

category 5 "realized my set class analysis is wrong and now i can't make this post-tonal variation say something noteworthy relative to the theme" event

[amplexadversary]

Nor is foreshadowing, parallelism, character-building, or demonstrative worldbuilding.

And a disaster for the discussion of non-anime TV shows in fandom.

"Cool-down episodes" aren't filler.

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

[aebinspa]

dopamine

PAIRING: giselle x y/n reader

GENRES: suggestive, angst, reader hates giselle and they end up doing a project for school together lmao, meangirl!giselle, reader and giselle are a menace to society, jimin (aespa) and juyeon (tbz) are in a study group together and they are incredibly optimistic, mentions of sex, kiss, swearing.

WORD COUNT: 2.5k

AUTHOR'S NOTE: english is not my first language! so i’m practicing my writing hoping it can get better and better. AND stream giselle's dopamine it's so good <3

Nothing could have prepared you for the worst news of your life: you, aware that you love loneliness and hate forced contact with others, were assigned to group work with Aeri Uchinaga, famous for not contributing to any group work and for being always in the middle of too many, too many men.

After leaving a resigned sigh you approach your best friend Jimin to tell her about the unfortunate fate that struck you. "Among all and I say among all those that could happen to me, HER" "You’re tragic even if she has a bad reputation. Perhaps a woman like you who does nothing but read, read, and read will surrender and become incredibly willing!" "Funny Jimin. Who did you get?" "Juyeon and they also say that besides being incredibly beautiful he is also incredibly gifted" whispers Jimin, thinking that this could save her from the embarrassment of such a statement. "Enough, I’ve heard enough. I’m going home."

On the way back, angry and sad, you noticed a really nice coffee in which you would have wanted to stop but the change that you had in your wallet would not be enough even for half a sandwich. The puff you pulled out scared a stray cat that was stealing a piece of bread from the ground. Why does everything feel so strange to me?

The next day, as you arrived in class, you noticed Juyeon’s huge body very close to your best friend’s; you came up to check if Jimin was all right only to see that her face had a loving expression. "Good morning guys" you are starting, trying to forget what you just saw. "Hi, Jimin told me a few things about you. How nice to meet you" The two-door wardrobe that took the name of Juyeon squeezed you in a strong embrace that leaves you breathless. Men are really scary. "Hey Y/N, Giselle was looking for you earlier." "Who?" "That’s how us boys call her!" "You… guys?" "Giselle is part of my group, at least once we all go out together!" Juyeon’s enthusiasm was overwhelming but not enough to influence you. "Ah, she's going out with you."

"Y/N" What a hateful voice, not changed by a comma. You didn’t sunbathe at first; you wanted to see how much the little princess could have withstood without a bit of attention. Juyeon - this time with the help of Jimin - thought about involving her. "You might as well look me in the eye when I talk to you." "Go fuck yourself, Giselle. You sound like the 'ass-kicking' girl”. It didn’t take even half a second for you both to turn in the opposite direction. Jimin and Juyeon, moved by the situation, tried to calm things down. “How about you girls come to my house? Jimin and I have to do our project but there’s no problem if you come too. The table is big, the fridge is full and the more the merrier!” Juyeon shouted enthusiastically.

The idea of ​​being alone in an empty room with Giselle terrified you so it didn’t seem like a bad idea to accept without too many problems; the other seemed to agree too.

“Perfect! Then let’s all go to Juyeon’s this Friday afternoon!” Oh Jimin, you could have avoided this.

Unfortunately for you and Giselle, Friday arrives in the blink of an eye. Juyeon’s imposing house stood in front of you and Jimin. “Not only is he handsome and gifted, but he also has a huge house. What more can I ask for?” “You could say a little prayer for me, for example” “Giselle won’t be able to tear your hair out if Juyeon and I are there with you” Jimin smiled at you as if to reassure you. “Good thing you always see the positive side…” you replied, already tired at the idea of having to enter that house.

When you entered, Giselle was already sitting on the wicker chair in the lush garden that was attached to the house. “Girls, here you are. Jimin can you help me bring some snacks out?” Jimin didn't have to be told a second time and rushed to help the boy after sending you a flying wink. You approached Giselle and sat in the chair opposite her, to maintain some distance. It was the first time you had seen her like this. The dark hair that she always combined with clothes of the same shade was this time combined with a long white dress that made her almost ethereal; the glasses made her face prettier than the one she had always adorned only with heavy black makeup which yes suited her well but a lighter shade made it stand out even more. Maybe you found yourself staring at her too much because when your eyes met you saw a smirk of victory on the girl’s face.

“Are you admiring what you’ll never have?” “And what is this thing I’ll never have? Dignity?” “The chance to brag about how beautiful you are” “Oh, the princess of everyone’s bed spoke” “I don’t have sex with men” Giselle replied somewhat upset. “Oh, so all the things they say about you are false?” “My group of friends is made up of all gay men and one straight man” Concern for Jimin filled you for a moment and you stopped the conversation in progress. “Juyeon's not gay, right?” “As if your eyes can't see how he's hitting on your best friend, you dumbass.” "Here's all the snacks!" Your darkened and frowning faces turned abruptly towards the two newlyweds and then shouted "Shut up!" Jimin resignedly rolled her eyes.

The first half hour you and Giselle spent arguing over the theme of the PowerPoint presentation. “This is an old lady color” “This is a funeral color though Y/N!” "You love funeral colors!"

The next two hours were spent looking for information on the same topics which later turned out to be identical; cause for further argument. When Juyeon and Jimin finished their work, you were still in the first part of the project. Your best friend and the guy disappeared somewhere after two minutes; when you received a message from Jimin you found out that the two had gone to stock up on chips.

“So you hate me?” You never expected to see such a piercing look on Giselle’s face. “No, I find you annoying and everything they say around you about you seems to confirm it” “I already told you this is all fucking fake” The black-haired girl ran a hand through her hair and turned her gaze elsewhere. “People love to say everything that comes to their mind. I'm a lesbian, men don't interest me. After I refused to have sex with a guy I was paired up with for a group project, he went around telling people that I'm a terrible partner and that well… slutshaming and other not-so-nice things about me."

The silence that followed immediately afterward was extremely embarrassing for both of them. “I said a bunch of bullshit, I'm sorry. I always imagined you through gossip, even though I know that Jimin doesn’t think of you as a slacker and that Juyeon is your best friend” “Y/N” Giselle tried to butt in. “Listen Aeri, I’ll make it up to you. I don’t like you but I have to admit that despite the various arguments you’re a real looker and what you say sometimes makes me laugh so all in all, you’re not bad” Giselle laughed. “Oh my god, are these supposed to be an apology?” "My apologies" “You should make them better. No nice man would pursue such a lunatic." “I'm not interested in men. They're just accessories to me.”

Giselle only stopped laughing when you said that. “But the two boyfriends you had last year?” Without asking how she knew, you continued with your speech. “A Cover to keep my parents from realizing I’m a lesbian. Same old story. They were nice accessories at least”

The tension between the two of you was growing more and more. Giselle slowly approached you, first placing a hand on the floor where you were lying and then bringing a leg forward. “How long has it been since you kissed a woman, Y/N?” You gulped down. “How long has it been since you kissed a woman, Aeri?” Giselle was a millimeter from your lips, hand on your thigh, and hand next to yours. If only it hadn't been for the scream that Juyeon pulled open the door, something would have happened, Giselle quickly moved away and muttered “What an idiot he is” as if the house didn't belong to him to begin with.

“We’re back! Is everything okay or did you get into a fight?” A restrained, fake laugh came out of your mouth and so did the words that came out of it. “We were one step away from having ourselves by the hair” You couldn't describe the look Giselle gave you.

The next day at school, you noticed that Giselle’s desk was empty. Worried, even though you didn’t want to admit it, you asked Juyeon for the girl’s number. Juyeon couldn’t help but smile as you saved the number on your phone. You immediately texted Giselle, asking why she hadn’t come to school and threatening to break into her house through the window if she didn’t answer. To your surprise, Giselle responded a few minutes later with a raised middle finger emoji; to which you of course responded with another middle finger. The next message made you lose your mind. “Bitch, I'm waiting for you at my house. Don't break my door, please”.

As you walked towards Giselle's house, you wondered where this interest in such an annoying person had come from. Interest was a big word, but yesterday you were the one who almost threw yourself into the arms of a girl you felt like you had hated for a lifetime.

When you arrived in front of Giselle's house, you knocked so loudly that the one who looked out the window was the neighbor and not the interested girl. "Holy God, what a mess you make!" Giselle in pajamas and slippers opened the door and made you smile. “Cute pajamas” “Go shit”

You went up the stairs and arrived in the girl's room. The room, to your surprise, was pink wherever you turned to look at it. “Hello Kitty puked on it?” “Perhaps you mean My Melody” “Even the canopy bed, princess” Giselle lay down on the bed and waited for you to do the same. “Shall we finish the work?” “I’m in”

Compared to the day before, things seemed to be going better. It wasn’t just the arguments that kept the exchange of information going but also the moments where you both dedicated time to listening to each other’s opinions.

“Done! And fuck it all!” “Hopefully we get a good grade” "God Y/N who cares! It's already a miracle to have managed to finish something like this." You nodded to let the other person understand that for once you agreed on everything. You printed out the sheets with the part that each of you had to do for the presentation and then threw yourselves on the bed again, tired of everything.

“Do you find school that fun?” Giselle was the first to speak. “No, simply when I don't know what to do I start reading, reading, reading. At least that’s what Jimin says” “I can’t stand it.” “Maybe you can't stand the people who are there” “Yes, but I hate everything about that place. The desks, the air that makes me uglier, the men, the homework, and group studies" You thought a few more seconds before answering her and, taking a deep breath, you turned towards her. "I can make you change your mind" “You can try but I don't know how well it works” “There's me and Jimin in the class. Then we can study together and everything will seem fun!” “See… You like school” Giselle's face darkened. “I enjoy being with Jimin. There's also Juyeon! And well… I'm here." Giselle turned away and didn't speak to you anymore.

A day went by and Giselle never replied to your messages. That morning you were supposed to present the group project. Not only had she stopped responding to the messages you were sending her under the desk, but she was also late for the presentation. A terrible thought passes through your mind. Did she stay home? She knows that the teacher gives a failing grade when something like that happens.

Jimin and Juyeon brilliantly finished their presentation and the applause, luckily for you since you were supposed to present later, lasted for two minutes. “Y/N and Giselle are next. However, I see that one of the two is missing. I will have to give you a good-” The classroom door suddenly burst open and all the eyes of your classmates and yours moved from the teacher to the figure of Giselle, who noisily began with a “Teacher, Y/N and I are ready to present!” A small smile appeared on your face.

Fortunately, the presentation given by you and Giselle surprised the class and the teacher who seemed to have very low expectations. During the break, you grabbed Giselle by the arm and led her to a secluded space. It was she who spoke first. "Excuse" “Don't be sorry, strangely everything went well” A silly bit of tongue from Giselle made you grin. “It went better than expected, yes.” You nodded. That silence that now characterized your relationship was starting to be too heavy to bear. Giselle came close to your face. “Teach me what having fun at school means, you little bitch,” she began while doing nothing but staring at your lips. "I know a better way to have fun." It was your hand that brought your bodies together and united them. Within seconds, Giselle approached your lips and began to kiss you without fear of being seen. Your tongues and legs intertwined as the kiss became more wet and passionate. You were the first to break away from the kiss, leaving you breathless. “We're going a little too fast” “We're just reversing the lessons a little bit. I kissed you first so you can teach me all that bullshit about how great school is." “And what happens after I teach you everything you need to know about school?” The bell announced the end of the break. “Well, after that I can see if I trust you and if we can go further.” "So kiss, school, sex, and only if these three work can we be together?" A loud laugh escaped your lips and Giselle without answering began to head towards your classroom.

“You know Y/N, maybe my plan could work” “There’s never been a plan that I couldn’t make work” The look you exchanged sealed a long and lasting agreement between the two of you.

[fishyfishyfishtimes]

Yessir! Here's two I made today (no explanations though, hush hush)

Look at that. Are these not the most beautiful things in the world? So clear, so clean, so perfect. Data in front of your eyes!!! I admit I have a heavy preference for boxplots — who can blame me, they show everything — but eventually I will make line graphs for certain things too. With standard error added of course !!! Really looking forward to making those, but right now I'm really happy with these graphs I made, in Excel no less! (The online version is a little complicated)

I LOVE STATISTICAL ANALYSIS 😍😍😍😍😍😍😍😍😍😍😍 (I am fully serious fully genuine) (I get to do all the statistical analysis for my trout experiment) (I was worried about the work but this is once again fun as hell) (I get to make cool pictures and compare averages and medians and see if the difference in averages are statistically significant) (this is what I was put on this earth for) (I never want to stop)

[rad-batson]

The Batkids and The Arts (Feral Edition)

They’re all musical theatre nerds. Every single one of them. Bruce, Alfred, Dick, Cass, Jason, Steph, Tim, Duke, Damian. They go see Broadway shows together then don’t stop talking about it for like a week. It is the one bonding activity they will never pass up.

Jason and Steph once entered a ballroom dancing competition and won after some pompous rich kids insulted their moves during a gala. Since then, they’ve entered a competition every month or so just for fun. (And for the prize money :P)

Tim is an avid believer that Culinary Art is one of The Arts. (Can he cook? Absolutely not. It was Bernard that convinced him, but he stands by it.)

Duke talks through every single movie he watches. He always promises to be quiet at the beginning, but then he gets too excited and whispers commentary to the people around him. This habit has since bled into the entire family. They are no longer welcome at the local AMC.

Every single one of them is pretentious about something.

Dick is pretentious about any and all performance arts featured at the circus. Once, someone made a joke about going to “Clown School” and Dick screamed at them about how not even their pinky would have the privilege of being admitted into clown school.

Jason is pretentious about classic literature. They can no longer tell if his jokes and references to Shakespeare and Jane Austen are correct or if he’s just fucking with them.

Cass gets pretentious about martial arts being a performance art. She is also pretentious about ballet being a martial art. She could kill a man in fifth position without losing her balance, and that’s a fucking fact.

Stephanie is very good at acting pretentious about the arts. She absorbs everything she’s learned from the rest of the bat family’s interests then pretends to be pretentious about it to mock them while sneaking in just enough correct information so no one can call her out on it. (Her true interest is graphic design.)

Tim has no professional experience with photography, but he will be pretentious about it like he knows everything. (Bruce: Tim, why is there a filter on this evidence photo you took? Tim: I thought it looked nicer that way. Really makes the blood splatter pop.)

Duke isn’t exactly pretentious about writing, but he will lay down his life for the Oxford comma. (Bruce didn’t use it until Duke called the punctuation in his mission reports “insulting.” He now uses it.)

Damian is pretentious about studio art. If he ever hears his family or friends say, “I don’t get it,” at an art museum, he will make them look at it for five minutes as he explains in painstaking detail what’s so revolutionary about it.

The kids decided to take an improv class together once for their undercover work while Bruce and Alfred were out of town. It was so fun that they still play improv games when they’re bored.

Cass is secretly a metalhead.

Whenever one of the younger kids needs to write an English paper, they will just walk up to Jason, riddle off a dumb opinion about the book or poem they had to read, and record whatever Jason ends up lecturing them about. The most recent incident resulted in an award-winning paper about how the theory that William Shakespeare never wrote his own work is deeply rooted in classism.

Damian always has paint under his nails. It just never comes out.

Dick has personally taught everyone in the family how to do The Perfect Backflip. They all get a little ceremony once they’ve mastered it. There is cake.

Whenever Cass is standing around with nothing to do, she’ll practice her foot positions for ballet. The others always notice and follow her lead.

Jason: dramatically recites a poem in the living room Steph: starts beatboxing

Steph is always the first to find typos or continuity errors in a book, play, or movie. She doesn’t intend to; it’s just second nature to her. (She is now Duke’s official proofreader.)

Duke: So how’d you like the movie? Damian: I really loved the mise-en-scène, especially during the breakfast scene and that one shot near the end with the warehouse doors. Duke: *nods thoughtfully* Everyone Else Leaving the Theater: wtf is a meez on sen?

When Duke is finished writing something and wants to share it with his family, he’ll give it to Jason and Cass first.

Jason and Duke have frequent passionate arguments discussions about who is the best poet. Never bring up Dickinson, Poe, Shakespeare, Hughes, Plath, Wilde, Kipling, Sappho, or Angelou in their vicinity unless you want to start it up again.

Damian is surprisingly good at acting. Too good.

Dick knows your music taste before you do. He has a carefully curated playlist for every single family member, every possible combination of family members, and every possible mood at the ready.

They can and will correct anyone who mistakes Gothic architecture for Victorian or Gothic Revival and vice versa. (It’s really a Gotham thing.)

Tim: How dare you call The Grand Budapest Hotel the best prison break movie when it’s clearly The Shawshank Redemption! Jason: Well, as someone who’s BEEN TO PRISON, I think I should know! Dick: It’s clearly Chicken Run! You’re all just Chicken-ist. Duke: But what about Midnight Express?! That one’s so good! Steph: Has anyone mentioned Toy Story 3 yet? No? Damian, watching from the sidelines: I liked Escape from Alcatraz. Cass: Same.

There are several art pieces in the manor that have been positioned directly over top of bullet holes and other suspicious damages.

Damian and Duke made an animated short film once for the Gotham Film Festival. Dick and Cass were their models for the concept art. Tim did historical research. Jason helped Duke edit the storyboard, and Steph was the continuity supervisor. It was about a British super spy working for MI6 that saved the world in the late 70’s. It was titled Agent A.

[olderthannetfic]

A pet peeve of mine, as many others, is when the dialogues format is a fucking horrible mess. But my first language is not english, so I can get over the comma being out the quotation marks instead of in, for example. But also, as many americans, I also do not like the „“. However, I can get over it too because that's just a cultural difference, being the German way of writing it. (Though I think other languages also do that, but don't remember the list.)

Now. Cultural difference is one thing. Using whatever the fuck you want because (general) you can not even phantom the idea of searching the correct punctuation mark is another thing.

My language used em dashes. And sometimes people just use everything but em dashes. I have seen people using the hyphen, the minus sign, and even the underscore. The damn underscore. I want to cry when I see the underscore in what is supposed to be dialogues.

--

[borzoilover69]

Jake Writing Guide : 2024 Colourised!

Ok well, this isn't the prime year 2014 but I really wanted to make a concise and easy to consume guide for how to write Jake accurately since he can be quite the fussy tosspot if you dont know where to start. [ WARNING ITS A BIT LONG I INCLUDE JAKE DIALOGUE TO HELP WITH UNDERSTANDING WHAT IM SAYING. ] First off: drop the commas, and the apostrophes. He uses largely run-on sentences and has a sort of rambly sense of words. He does however use "these" every now and then and just as it strikes him tends to *Drag out the ole roleplayisms.* when it suits the situation.

Jake doesn't really tend to use old-timey slang but he does have rather antiquated ways of speaking, with a pension for more articulated language. He only REALLY breaks out the old timey words when particularly impressed or exasperated for emphasis. Usually, these words are british slang.

Note how he goes on a ramble that is slightly self-centred. He also spins stories similiar to how Dirk does, but without the ice-cold deal. Tossing in his own spin with his own words.

This one is just really fucking funny.

When hes particularly exasperated he leans into it MORE. Just really spreads it on thick. Like if he continues to say funny words you'll forget everything else and be distracted by his whimsy.

Jake is FAR more socially aware than people give him credit for but prefers to avoid tricky subjects hes not too comfortable with until he feels suitably ready for it, prefers battles he knows he can win so to speak. He also tends to think hes overthinking it and backtrack into ignorance. He overcomplicates things same as dirk does but rather than doing Dirks "yup thats a me problem. Im going to quietly stress about it now!", jake brushes it under the rug and tries not to think about it like a college student trying not to think about their outstanding academic paper and the promise of "Yeah, I'll do it later" (doesn't)

Note his more genuine understanding of why Dirk functions the way he does, well aware of the pros AND cons of having something like a combat machine hunting him.

His awareness of Janes crush and reluctance to deal with it:

Subsequent backtracking and denial of said premonitions, brushing it under the rug. Again, stating his reluctance to get into it because it's a situation he's not wellversed. Jake doesn't like being put into unpredictable situations, he prefers the easy road that won't inconvenience him much.

Also his desire to be seen as seemingly perfect and not have to dwell on others intents. Now this is something I don't see touched on as MUCH on writing guides for Jake English (then again the majority were made in 2014 so who can blame them.) But when Jake touches on what he views as MORE TABOO feelings aka ones which compromise the go-getter Adventurer image that arent BRAVE and GUSTO and GUNS, such as weakness, hesitation, he tends to pose back to the asking party as a question and reconsider his thought process. Like: Do YOU think its ok for me to feel this way? Why do you think that? Could you imagine me thinking something like that? He cares a LOT about his image and whats acceptable for him to be and to mask his difficulty in some social situations.

He doesn't like acknowledging that which might be sort of difficult for him to come to terms with, with the ye olde character trait of repression that him and John share, believing if he keeps his feelings buttoned up, they don't need to feel embarassed (aka: avoidance)

Hes also a fair bit more snarkier than fanon gives him hooks for. His subconscious takes the form of his best friend, but its commented as being “like hal, in terms of snarks”. Jake can also be the snarky customer to Dirk AND Hal, and Caliborn too. He's a gentleman to ladies (TO A DEGREE) but with guys he's not afraid to be more cutting with it. I am begging you on your hands and knees to drop the woobified jake english and make him slightly snarky and a bit offputting and weird. Jake grew up in the middle of a jungle and burned his grandmother.

Also he seems to be slightly aware of outside forces, note him calling attention to the fact he knows things he shouldn't canonically even be able to know.

Because Jake IS a little freak. He thinks corpse puppetry is funny. He punches what he thinks is fish hitler while ranting about movies. Hes funny as fuck. Hello.

However, with all of THAT out of the way, lets focus on some of the more ABRASIVE parts of his personality. While Jake is funnily charming with his old lingo and tendency to ramble, he has issues! One HUGE one is reluctance to fully FACE things he doesnt feel he has a full grasp on. He DOESNT like going out of his comfort zone, he DOESNT like talking about his emotions to people he really cares about or thinks has fallen for his manic dreamboat pixie persona, He's well aware people fall for it. He works hard to make sure people DO. But it sort of restricts him to that persona, he can't grow from it as long as he holds onto the idea that this persona hes chasing is the only way he can BE without being vulnerable.

Jake can be OVERBEARING, and not just that, painfully unaware when he's up his own ass! This critic he gives to Dirk applies to himself! The reason why he doesn't like brainghost dirk is because GOD forbid the man self-reflect juuust a little and find something that upsets him. Nope! Not going to deal with it. Just as quickly as he is to switch the thought that everyone loves him, he is just as likely to switch to think that everyone doesnt.

Anyways, I think thats all I have to say, Jakes words speak a LOT about his character, and I genuinely love him a lot. He has some words i think about a lot and hes genuinely such an awesome guy. I'll let a few choice pieces of dialogue from Jake himself close this out for me.

This was one of the last conversations we see with him. And I still think about his words a lot.

I'll probably edit this when I get the energy. But I think i covered most of it. Happy writing!

[literaryvein-reblogs]

Writing Notes: Punctuation Marks

In speaking, we use pauses and the pitch of the voice to make what we say clear. Punctuation plays a similar role in writing, making it easier to read.

Punctuation consists of both rules and conventions. There are rules of punctuation that have to be followed; but there are also punctuation conventions that give writers greater choice.

The standard English punctuation is as follows: period/full stop, comma, apostrophe, quotation, question, exclamation, brackets, braces, parenthesis, dash, hyphen, ellipsis, colon, semicolon.

. PERIOD/FULL STOP

Use a period/full stop to mark the end of a sentence:

We went to France last summer.

We were really surprised that it was so easy to travel on the motorways.

In addition to closing sentences, we also use full stops in initials for personal names:

G. W. Dwyer

David A. Johnston, Accountant

Full stops are also used after abbreviations, although this practice is becoming less common:

Arr. (arrival)

etc. (etcetera)

Dr. (doctor)

, COMMA

We use commas to separate a list of similar words or phrases:

It’s important to write in clear, simple, accurate words.

We do not normally use a comma before and at the end of a list of single words:

They travelled through Bulgaria, Slovakia, the Czech Republic and Poland.

American English does use a comma in lists before and:

We took bread, cheese, and fruit with us.

Note: the Oxford comma, also known as a serial comma, is placed immediately before the conjunction—usually “and,”. “or,” or “nor”—in a series of three or more terms.

We use commas to separate words or phrases that mark where the voice would pause slightly:

I can’t tell you now. However, all will be revealed tomorrow at midday.

We had, in fact, lost all of our money.

James, our guide, will accompany you on the boat across to the island.

' APOSTROPHE

Apostrophes are used to mark possession and to mark contractions. They are also used to denote a quotation mark in material that is already being quoted.

It was James’ car that the drunk driver hit.

“James said, ‘If you come any closer I’ll call the police.’”

'...' or "..." QUOTATION MARKS

Quotation marks in English are ‘…’ or “…”. In direct speech, we enclose what is said within a pair of single or double quotation marks, although single quotation marks are becoming more common.

Lydia said, “Is this my prom dress?”

Quotation marks are used to inform a reader either of something that was spoken or something that is being directly copied from another work. Quotes should also be placed around a word if it is used in a specific context or otherwise bears special attention. In informal applications, quotations can also be used to denote something that is ironic.

? QUESTION MARK

Use question marks to make clear that what is said is a question. When we use a question mark, we do not use a period/full stop:

Why do they make so many mistakes?

! EXCLAMATION POINT/MARK

Use an exclamation point/mark after a command or other expression that expresses strong feeling or deserves special emphasis:

For the last time, stop distracting me!

Fire! Fire!

We use exclamation points/marks to indicate an exclamative clause or expression in informal writing. When we want to emphasise something in informal writing, we sometimes use more than one exclamation point/mark:

Listen!!

Use exclamation points sparingly. Overuse dilutes their impact.

( ) [ ] { } PARENTHESIS, BRACKET, BRACES

Parentheses note non-essential information that could be skipped without altering the meaning of a sentence. Brackets are most commonly employed in academic writing within a quotation where the writer is omitting or explaining something. In either case, the writer places a bracket within the quote [explains or places an ellipsis and] closes the bracket to continue the quote. Braces are used quite rarely and are employed to essentially make a list within a list.

Cora (the woman who lives down the street from Jane) works as a paralegal.

Professor Brown claims, “She [the novel’s central character] is an example of a strong African-American woman.”

Before I go on vacation I need to pack my bags {clothes, toiletries and shoes}, unplug the TV, and close all of the windows.

more on: ( ) PARENTHESES

Use parentheses to enclose information that is helpful or informative but not essential:

When you get to that big farmhouse (three miles from I-270), turn left.

If parentheses enclose a question or exclamation, keep the question mark or exclamation point inside the parentheses:

Shema received Omar’s text (when did he get an iPhone 6s?) and replied yesterday.

However, capitalize or include periods only if the parenthetical sentence is not enclosed within another complete sentence:

I told my partner (we had been married only five days) that I missed her desperately.

I told my partner that I missed her desperately. (We had been married only five days.)

more on: [ ] BRACKETS

Use brackets to add an explanation or comment to a direct quote:

Berta wondered aloud, “Why did it [Joker] end that way?”

“This poem [“We Real Cool”] made Brooks famous,” explained Professor Choi.

Use brackets to enclose text that is already in parentheses:

According to this chart (Temperature Extremes [Fig. 4]), we've had a record-setting winter.

Put the Latin word “sic” in brackets to indicate that a mistake in a word or phrase appeared in the original source:

Their fundraising letter began, “Dear Fiends [sic].”

— DASH

Dashes are generally not in common use but denote a tangent within a thought. There are two kinds of dashes, an “en” dash and an “em” dash.

En dashes essentially are the same glyph as hyphens but fill a different purpose. Em dashes are longer, an easy way to remember is that an en dash is the length of an “n” and an Em dash is the length of an “m”.

I think that my dog is a genius — but doesn’t everybody think their pet is?

Dashes are able to substitute for commas and semicolons in the right situation. They can replace commas to note non-essential information or semicolon to note an example. Despite, and because of this versatility dashes should not be frequently employed in your writing.

The multitude of applications make dashes easy to overuse taking away from, rather than adding to clarity in your writing.

Note: Dashes can either connect to the surrounding words or be separated by a space, it is an issue of style, be sure to ask your professors if they have a preference.

more on: — EM DASH

Formed by two hyphens, dashes mark an abrupt break in a sentence. Less formal than either parentheses or commas, a dash—highlighting whatever is set apart—also creates a dramatic pause.

Use a dash (instead of parentheses) when a parenthetic expression is lengthy, contains commas, or deserves special emphasis:

My grandmother's house—the apartment in the city, not the clapboard cottage on the beach—has been sold.

Daynel told me—and don’t breathe a word of this to anyone—that he was fired Wednesday.

Use a dash to emphasize or to set off a single word, an appositive, or a summary:

There’s one way in which to succeed—hard work.

I cannot believe what she puts on her hamburger—sauerkraut.

They graduated, married, and divorced—all this change in just six months.

Use a dash to show an abrupt change in thought:

You are NOT dragging me to that movie—oh, what the heck, start the car.

Use a dash to mark an interruption or pause in dialogue:

“Would—would you mind terribly?”

- HYPHEN

Hyphenate multiple words acting as a single adjective before a noun:

state-of-the-art design

greenish-blue eyes

Hyphenate compound numbers:

twenty-eight

ninety-three

Hyphenate certain prefixes and suffixes:

all-school assembly

self-esteem

Hyphenate words to avoid ambiguity:

Since Sylvia auctioned all my records, I’ll have to re-collect them.

Hyphenate some compound words to avoid awkward double or triple letters:

anti-inflammatory

cross-stitch

Use a dictionary to check standard usage of hyphenated words, e.g., whistle blower, whistleblower, or whistle-blower.

Never use a hyphen between an adverb ending in “ly” and the adjective it modifies.

. . . ELLIPSIS

Use three spaced periods (ellipsis) to indicate the omission of one or more words in a direct quote. Beginning a quotation with an ellipsis is unnecessary. End a quotation with an ellipsis only if words have been omitted from the end of the final quoted sentence:

“Now, as a nation . . . we were founded on the idea that everybody should have an equal opportunity to succeed.”

“brilliant . . . an amazingly insightful film”

If the ellipsis represents the omission of a complete sentence or more, use four periods instead of three:

“Change will not come if we wait for some other person. . . . We are the change that we seek.”

: COLON

Use a colon to introduce ideas or a series of details that explain the preceding independent clause. A colon may call attention to an appositive, example, list, or a quotation:

Only one thing was important to her: the truth.

The reasons for divorce are many: money, infidelity, children, or boredom.

The sense of unity with nature is vividly shown in Zen Buddhist poetry: “An old pine tree preaches wisdom.”

Use a colon when required by convention:

Biblical references: Genesis 1:1

Business letter salutations: Dear Professor Devall:

Certain titles and subtitles: Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution

Periodical Volume and Number: Harper’s 203:16

Periodical Volume and Page Number: Harper’s 203:98–101

Time: 12:15 a.m. to 12:30 a.m.

; SEMI-COLON

We use semi-colons instead of full stops to separate two main clauses. In such cases, the clauses are related in meaning but are separated grammatically:

Spanish is spoken throughout South America; in Brazil the main language is Portuguese.

/ SLASH

The slash indicates contrasting terms or paired items:

Durand took Advanced Astrophysics on a pass/fail basis.

Although the player/manager committed eight errors in three innings, he still wouldn't take himself out of the game.

When quoting a poem, use a slash to indicate the end of a line, adding a space before and after the slash:

“The best lack all conviction, while the worst / Are full of passionate intensity.”

Sources and other related articles: 1 2 3 4 5

[ozzgin]

for the comments, im not out here trying to send hate, sorry if i sounded like that 😓 (you don't have to reply to this tho ozz, hope you dont feel pressured)

anyways, its about ur dialogue tags. i noticed that you do the comma outside the quotations.

noticed it like this - "gyatt", she purred.

"gyatt," she purred. - would be the corret way

this is really minor but its a bit distracting :-( i totally understand if its ur style tho

Anon, I was genuinely prepared to be handed some hundred-page essay about my lexical constipation and deplorable expressiveness. I had even practiced my response to your cold analysis, "I am but a charlatan of the streets and no proper author, cease your logical demands at once!"😭

Anyways, I know exactly what you're talking about. At some point I tried to make an active effort to fix the issue you mentioned, but here's the trouble: I was taught British English in school, and in British English, the location of the comma depends on context. Additionally, when writing dialogue in Romanian (my native language), we use a dash to signal it. No quotes.

"That's all," he told me.

-That's all, he told me.

In the latter case, that comma signals the end of direct speech, and so, to me, it only makes sense that I keep it out of the "official dialogue". It's a bad habit I've formed from combining both languages, I suppose. Microsoft Word doesn't consider it an error, either, hence it often goes unnoticed.

So yeah, you can consider it my sinful indulgence. I know it's there, I know it's often wrong, but it just tickles me differently. Will I ever engage in professional writing, I shall fix my delinquency.

[geluckgk]

Here is the promised best-of of the Pomme/Antoine portal stream ! It's my first time doing a best-of, so I did my best to keep it understandable while cutting unnecessary stuff. Red subtitles are for Pomme's sign.

Some slang and translation comment under the cut because I'm a bit of a language nerd :D

Pomme uses a lot of slang on her signs. The most common thing she does is using verlan. Verlan is when you inverse a word, but I keep the same meaning.

For example, she says, "c'est tipar" for "let's go." But "tipar" is not a french word, it's just "parti" switched over, but the word keeps the meaning of parti -> to go.

Obviously hard to translate, but Pomme also just writes things wrong for the funsies. I don't mean just grammar mistakes, I mean just plain wrong : "comment on fait" becomes "comment kon fait" because it's sounds funnier, no other reason. I wrote "how do we do" for my trad because I think it also sound silly but understandable.

She also does something we do in spoken French when two or three words kinda squish together to become one : "tu as vu" (literally "have you seen") becomes "tavu". In this context, to keep the feeling, I translated it to " ya know" because it has the same vibe for me

Antoine is way easier to translate in general, he has an easy French. Only thing hard thing to translate is that he uses a lot of French meme/reference and often punctuate his phrases with "là" , "bah", wich says a lot about the tone and intention of the sentence but sadly translate to nothing in context

And one last dumb thing : COMMAS. In comparison to written French, they are so many (too many one may even say) commas in English. I had to basically cut almost half of the sentence with a bunch of commas to make it understandable.

[grandmother-goblin]

Dialogue Punctuation Cheat Sheet

This is just a friendly little guide on how to use punctuation in dialogue since (at least for me) this isn’t something that I was taught in school and had to learn on my own. That being said, I am not an expert! I don’t have an English degree or anything like that! I’m just an avid reader and writer and wanted to share what I have learned in a concise format.

A lot of this information is from “How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript” by James Scott Bell, “The Best Punctuation Book, Period” by June Casagrande, and “The Blue Book of Grammar and Punctuation” by Jane Straus, Lester Kaufman, and Tom Stern. If you’re able to get these books, I highly recommend them!

(Also, yes I used Disney quotes for most of my examples lol)

---

Rule 1: Dialogue punctuation includes the following:

Period

Comma

Question mark

Exclamation point

Em-dash

Ellipsis

All dialogue will include some sort of punctuation before the closing quotation. 

---

Rule 2: Punctuation goes inside the quotes.

Correct

“Do you want to build a snowman?” Anna asked.

Correct

“You can’t marry a man you just met,” Elsa said.

Incorrect

“Do you want to build a snowman”? Anna asked.

---

Rule 3: Don’t capitalize a pronoun used for dialogue attribution.

Correct

“I was hiding under your porch because I love you,” he said.

Incorrect

“I was hiding under your porch because I love you,” He said.

---

Rule 4: Capitalize for action beats.

Correct

“A llama? He’s supposed to be dead!” She slammed her fist on the table.

Incorrect 

“A llama? He’s supposed to be dead!” she slammed her fist on the table.

---

Rule 5: Use a comma when introducing a quotation, such as when dialogue attribution comes at the beginning. The first word of the dialogue is capitalized.

Correct

Scar leaned forward and said, “Run away, Simba.”

Incorrect

Scar leaned forward and said. “Run away, Simba.”

Incorrect

Scar leaned forward and said, “run away, Simba.”

---

Rule 6: Use single quotation marks for quotations within quotations. Punctuation goes inside both quotations (I’ve heard this can vary depending on country).

Correct

“My father said, ‘Everything the light touches is our kingdom.’”

Incorrect 

“My father said, ‘Everything the light touches is our kingdom’.”

---

Rule 7: If there are two or more sentences, the speaker attribution should be put before or after the first complete phrase.

Correct

Grandmother said, “Great. She brings home a sword. If you ask me, she should’ve brought home a man.”

Correct

“Great,” Grandmother said. “She brings home a sword. If you ask me, she should’ve brought home a man.”

Incorrect

“Great. She brings home a sword. If you ask me, she should’ve brought home a man,” Grandmother said.

(Note: This is a rule I break all the time, but I thought I would include it in this list anyway! Usually when the first sentence or two are very, very, short and go together, but they still need that “breath” of a dialogue tag in between. But it’s a good thing to be aware of!) 

---

Rule 8: Use commas to interrupt a complete sentence with a dialogue attribution. Don’t capitalize the next word after the comma. 

Correct

“Aren’t you,” Hercules said, “a damsel in distress?”

Incorrect

“Aren’t you,” Hercules said, “A damsel in distress?”

---

Rule 9: Use ellipses to illustrate a character trailing off, showing hesitation, or a pause.

“Aren’t you… a damsel in distress?”

---

Rule 10: Em-dashes can be used for interruptions, indicating simultaneous actions that do not cause an interruption, or a change in thought/tone. Don’t use dialogue attribution after an em-dash.

Another Person Interrupts

Correct

“He would never do anything to hurt me. He—”

Hades threw up his hands. “He’s a guy!”

Correct

Meg said, “He would never do anything to hurt me. He—”

Hades threw up his hands. “He’s a guy!”

Incorrect

“He would never do anything to hurt me. He—” Meg said.

Hades threw up his hands. “He’s a guy!”

Self Interruption

“I—” Hercules reached into his pocket and pulled out a small doll. “I’m an action figure!"

Simultaneous Action

“I am surrounded” — Scar dragged his paw over his face — “by idiots.” 

Change In Thought/Tone

“It’s not that you’re awkward. I’m awkward. You’re gorgeous — wait, what?”

---

Other Notes (these might just be my personal preferences, feel free to ignore)

Don’t use semi-colons in dialogue. Use a period instead.

Use exclamation points sparingly. Extremely sparingly. Maybe once per 10k words or even less.

After using an ellipsis, saying “he/she trailed off” is redundant. Just skip to the next action. The ellipsis already implies someone trailed off.

New speaker (or character action that serves as a response) = New paragraph.

“Said” should be your most commonly used dialogue tag. Any dialogue tag other than “said” or “asked” will stick out to the reader, and should be used sparingly.

If there is anything I missed, got wrong, or should add, PLEASE KINDLY LET ME KNOW! Again, I don’t have an English degree, I’m not a professional, and I’m actually a bit of a pea-brain, but these are the general rules that I know of and follow in my writing.

[pastryleclerc]

je vais t'aimer

requested: yes/no

pairing: charles leclerc x fem!reader (one shot)

warnings: slow burn smut (the act itself is about two pages long, it's also my first!!), my bad english (and possibly bad writing), language, established bf/gf relationship, some fluff of charles and the reader making music together and being domestic towards the end, lots of text in between the lyrics - please imagine yourself singing in one go, reader is described to have brunette hair and blue eyes, mentions of death and dying, oral (fem and male receiving), p in v, unprotected sex (wrap it before you tap it, kids!) but reader is said to be on the pill, cock warming if you squint, also slight breeding kink towards the end, please comment if you find anything else and i'll add it to the list

word count: 4.846 words (with lyrics), 4.352 words (without lyrics)

a/n: hello guys 🥰 finally it's here - my first fic! i truly can't believe that i wrote an almost seven page long one shot but here we are. 🤩 the inspiration for the fic was "je vais t'aimer" by louane from the movie "la famille bélier" (the original was sung by michel sardou) - go and give the song a listen if you can :) i've proofread the text but i'm sure there will be a few mistakes, especially when it comes to grammar and commas, since english is not my first language. also, i feel like the ending is a bit rushed. 😅 feel free to let me know what you think as feedback and constructive criticism is always welcome 🙏 if you can find the symbolism used in this, i'll give you a cookie 🍪 in addition to that there's a hint to one of my favorite shows - leave a comment if you know what it is 😉 (italics = lyrics, brackets = translations) - here we go, i hope you enjoy this :) | *"Tonnerre de Dieu" is an idiom meaning something like "Bloody hell!"

🔎 directions | 🔎 masterlist

The cool summer breeze coming through the window – which was left open after last night’s activities – softly grazed her skin. The warm sunrays that rested upon her eyelids awakened her slowly. It was an early Sunday morning in the Monégasque summer – almost too early for her liking – so she blinked a few times but ultimately decided to close her eyes again, hoping to get a few more hours of sleep. Trying to escape the rising sun she turned towards where she thought her lover would be laying, hoping to snuggle up to him while enjoying the last day of their free weekend. But when she reached out her warm, delicate hands, all she could feel were empty sheets that had started to become cold already, indicating that her boyfriend had been out of their shared bed for a while now. So much for staying in bed.

Slowly Y/N sat up, letting out a yawn while stretching her arms above her head. By doing so, her own sheets slipped down her body, uncovering her very naked breasts. She sighed to herself, memories of the previous night came flashing back shortly, making her miss the brunette boy even more. Her heart yearned for him, thinking about the love and intimacy they shared. So the young woman made it her mission to find her other half. She swung her legs over the edge of their shared bed – her warm feet meeting the cold floor – and walked into her adjacent closet, fishing a fresh pair of panties out of the drawer. Forgoing putting on any more clothes, she went back into the bedroom and picked up the shirt her boyfriend wore yesterday and slipped it on. She tried to open the door as silent as possible, already hearing the faint sounds of a piano, and went to the top step of the staircase. From there the young woman could see her boyfriends bare back as he played the keys with his delicate fingers. Y/N noticed how the muscles of his back, moved with the rhythm he created, absolutely mesmerizing her. She couldn’t believe how such a beautiful man was truly hers and decided to watch him a little longer before making her way downstairs with the softest steps she could possibly muster as to not make him aware of her presence.

Charles Leclerc was up early. He didn’t understand why, as it was his weekend off and he had stayed up late the night before – he should be exhausted. Looking to his left, he saw his girlfriend and smiled at her sleeping form. His heart tugged at it’s strings at how filled it was with love for Y/N. His mind remembering the events of the night before. The look in her eyes gave her own love for him away, as he deeply stared into them while making sweet love to her. Their foreheads stuck together as they exchaged words of affection, some more dirty than others. For a second the young racing driver thought about waking the woman beside him up to take care of his now throbbing member but ultimately decided to not disturb her peaceful slumber. The brunette leaned over and gave his girlfriend a soft kiss on the forehead before he slowly, as careful as possible, sat up in bed and let out a yawn. He started to look for his boxers that should have been left somewhere in the room. When the Monégasque had found them he stood up and tip toed to the piece of clothing, which was laying by the bed post, and put it on. Before Charles left the room, he turned around once more and took one last look at the sleeping woman in their shared bed – half smiling at the sight – and made his way downstairs to work on his music.

Long arms snaked around his torso and a kiss was pressed to his neck. „Good morning, mon amour,“ his girlfriend whispered sweetly in his ear. If he didn’t know what music sounded like, he’d probably say this might have been it – the angelic voice of the woman he loved. Charles body automatically leaned back in her arms and he rested his head on her shoulder. „Morning, mon cœur.“ he smirked at her, squinting his eyes while he looked at her. She kissed his stubbly cheek, her left arm moved to lay over his exposed chest: „Why are you awake already? I’ve missed you.“ The older man shook his head slightly and he was able to smell his girlfriends hair: „Couldn’t sleep anymore I guess.“ Y/N hummed in response. „So you decided to leave me all alone and replaced me with your piano?“ She mumbled in her lovers neck and left a hickey. Charles hissed. „You found me after all, didn’t you? How about you join me?“ He slid to the left and patted the now free space on the bench. The woman behind him grinned and wrapped her fragile fingers around his firm chin, turning his head to look up at her. Their eyes met, completely enamoured with one another. Slowly both started to lean in until their lips finally touched for their first official good morning kiss on this early Sunday morning. The drivers hand moved to lay on her neck, deepening the kiss as both of them let out a sigh. He took it as his opportunity to slip his tongue between his girlfriends parted lips, making out with her some more, until she pushed him back slightly by his chin. „I thought you had asked if I wanted to join you?“ Y/N smirked at Charles and got the biggest smile out in response, showing off his beautiful teeth. „That I did!“ His opposite giggled and gave him on last kiss on the cheek.

She moved away from him and sat on the bench to his right hand side. Turning his head to look at her, he asked her: „Would you like to sing for me?“, knowing she had the most beautiful singing voice in the world (but don’t tell George he said that, he’d fight him for his life trying to defend Lewis). Her head now turned to look at him too: „I’d love that. Can I make a wish.“ Charles heart skipped a beat at her question and he stared at her as if she hung the moon, the sun and all of his stars. „You don’t even have to ask, you know I’d fulfill you all your wishes without a second thought.“ The young womans eyes got teary hearing those words from her lover of two years, knowing he loved her as much as she loved him. „Je vais t’aimer, mon beau.“ Her boyfriends wrinkled as his lips spread out into a smile: „Toi aussi, ma belle.“ „No, idiot, the song from ‚La famille Bélier‘.“ She laughed loudly, infecting the other Monégasque with it’s brightness and who soon joined her, shaking his head. „I knew that of course.“ Smirking, Y/N rolled her eyes, knowing full well he didn’t. Charles eyed her from the side and cleared his throat while cracking his knuckles, before his warm fingers touched the cold piano tiles again to form the opening notes oft he 1976 tune.

À faire pâlir tous les Marquis de Sade (To make all the Marquis de Sade pale)

À faire rougir les putains de la rade (To make the whores blush in the harbor)

À faire crier grâce à tous les échos (To be shouted through all the echoes)

À faire trembler les murs de Jéricho (To shake the walls of Jericho)

Je vais t′aimer (I will love you)

Y/N tried not to look at Charles while singing the all too familiar song but she couldn’t help it. He was just so gorgeous. The way his fingers moved across the tiles amazed her, watching his forearms flex while doing so. A simple yet so effective move, which – in a dangerous mix with the obscene lyrics coming out of her mouth - went straight down to her core.

À faire flamber des enfers dans tes yeux (To make hell blaze in your eyes)

À faire jurer tous les tonnerres de Dieu (To make all the thunders of God swear*)

À faire dresser tes seins et tous les Saints (To have your breasts and all the saints raise)

À faire prier et supplier nos mains, je vais t'aimer (To make us pray and beg our hands I will love you)

His cheeks reddened hearing her sing those lewd words which were meant to be for him only at this very moment. Her hand touched his biceps, moving up and down, and it sent cold shivers down his back straight to his dick. He loved sharing such intimate moments with her, just the two of them – sometimes they watched a movie, other times, like today, they made some music together – but as soon as her long fingers moved across his naked skin, he always knew he was gone for and there was only one way this would end. And she knew it too.

Je vais t′aimer comme on ne t'a jamais aimée (I’m going to love you like you’ve never been before)

Je vais t'aimer plus loin que tes rêves ont imaginé (I’m going to love you further than your dreams have imagined)

Je vais t′aimer, je vais t′aimer (I’m going to love you, I’m going to love you)

Je vais t'aimer comme personne n′a osé t'aimer (I will love you like no one has dared to love you)

Je vais t′aimer comme j'aurai tellement aimé être aimé (I will love you as I would have loved to be loved)

Je vais t′aimer, je vais t'aimer (I’m going to love you, I’m going to love you)

The young woman put her head on her boyfriends shoulder while singing, as she moved the hand – which was wrapped around his biceps – to the veins on his forearm and finally landing on his right thigh. Slowly she caressed the exposed skin, making the bulge in his underwear grow. The air between the two lovers became thicker with sexual tension second by second. Charles just really wanted to hear her sweet voice sing but now he was about to hear even better sounds coming out of her mouth and her teasing showed just how close she was to giving him herself all over again. And he loved every bit of it.

À faire vieillir, à faire blanchir la nuit (To age, to whiten the night)

À faire brûler la lumière jusqu'au jour (Burning the light until the day)

À la passion et jusqu′à la folie (To passion and to the point of madness)

Je vais t′aimer, je vais t'aimer d′amour (I will love you, I will love you with love)

À faire cerner, à faire fermer nos yeux (To be identified, to close our eyes)

À faire souffrir, à faire mourir nos corps (To make us suffer, to kill our bodies)

À faire voler nos âmes aux septièmes cieux (To make our bodies fly into seventh heaven)

À se croire morts et faire l'amour encore, je vais t′aimer (To think you’re dead and make love again, I’m going to love you)

The words sung perfectly described the love they shared for one another. They were each other light in the darkness of this world, especially Y/N for Charles. She was his anchor and saving grace whenever he had a bad race and she was there for him through it all – the ups and downs of racing ever since they had been kids, the deaths of his father and Jules, the travelling, the distance, the winning, the losing and everything in between. Everytime they had sex it felt like the very first time. And everytime they finished it felt like they had died and gone to heaven. He was excited to feel this way again and he knew she felt the same way. Their passion for one another almost exceeding the point of madness where they couldn’t go long without seeing, touching and talking to each other and not turning crazy about it. Charles and Y/N burned for each other- their love a blazing flame that never seemed to die – they were the bane of each others existence and the objects of all their desires and wildest dreams. For the last chorus the young woman let all of those feelings out and every word was meant only for her Monégasque lovers ears – the one man she ever wanted to spend her forever and beyond with.

Je vais t'aimer comme on ne t′a jamais aimée (I’m going to love you like you’ve never been loved)

Je vais t'aimer plus loin que tes rêves ont imaginé (I’m going to love you further than your dreams have imagined)

Je vais t'aimer, je vais t′aimer (I’m going to love you, I’m going to love you)

Je vais t′aimer comme personne n'a osé t′aimer (I will love you like no one has dared to love you)

Je vais t'aimer comme j′aurai tellement aimé être aimé (I will love you as I would have loved to be loved)

Je vais t'aimer, je vais t′aimer (I’m going to love you, I’m going to love you)

Charles fingers lingered on the piano, finishing the final note. They stayed silent for a little longer, letting the past few minutes catch up to them, the only sound being heard were their breaths that were in sync with each other – mirroring the rapid beating of their hearts. The woman moved her right hand from her boyfriends thigh and placed it upon his chest. „I love you, mon amour, thank you for letting me share this moment with you,“ she whispered in his ear and left a kiss right below it. The racing driver next to her turned slightly and put his hand on her cheek, his thumb caressing the warm skin. „Anytime again, ma belle.“ His dimples showed due to the soft smile that made it’s way to his face. And also his girlfriend couldn’t help but reach out for him, letting her hand linger on the side of his neck. The two of them knew what was about to happen, so Charles put his arm around Y/Ns waist, pulling her even closer (if that was possible) and their lips radiated towards each other, as if they were two magnets, finally reuniting in a breathtaking kiss.

When they broke apart, Y/N took the initiative and took her sweet time kissing down his body, leaving a few hickeys on the way – from his cheek, to his neck and his abs, until she ended up on her knees in front of the piano, facing Charles‘ crotch. Looking down on his girlfriend, he moaned her name: „Touches moi, s’il te plaît…“ Smirking at that, Y/N let her hands glid up his thigh. „Of course, baby boy, let me take care of you.“ Slowly she caressed his bulge while maintaining eye contact before dropping her head to leave some more kisses on his thighs. Then she moved her hand into his shorts and boxers to free his semi-hard dick. Charles shuddered when her cold fingers touched his warm dick and he bit his lip to keep in the moan he so badly wanted to let out. „Don’t hold back, baby, I wanna hear you. Show me how good I can make you feel.“ The girl encouraged him while stroking his hardening length. „Mon dieu…“, Charles whispered under his breath and threw his head back. At that she smirked and stuck out her tongue in order to lick a long stripe up the underside of her boyfriends dick, sucking on his tip where she left another kiss. The brunette driver locked eyes with his girlfriend who just swallowed his precum and continued to watch her as her mouth wrapped around his length again and went further and further to take him in fully. „Oh.“ His moan spurred her on and she started bobbing her head up and down, as her hand went to massage his balls. Charles so desperately wanted to keep focused on the woman in front of him but he ultimately lost control and fisted his hand in her hair, in order to form a makeshift ponytail and started pushing her head down on his dick harder. „Chérie - I’m gonna…“ His breathy voice got cut off by a groan he couldn’t hold back. As if his girlfriend could sense it, she had moaned on his dick and stroked his thick thighs, silently telling him to come in her mouth. A few seconds later Y/N heard Charles let out an especially loud moan and felt his sweet cum shoot down her throat. The young woman released his dick from her luscious lips with a loud „popp“ and opened her mouth to show Charles that she had swallowed it all. With hazy eyes he smirked down at his girlfriend and wrapped his hand around her chin, his thumb lightly stroking her cheek. „Good girl.“ He leaned down to leave a kiss on her forehead, then helped her stand on her two feet again. „Let me return the favor, amour.“

Charles stood up and deeply stared into his girlfriends eyes while slowly taking steps forward, backing her up into the piano. „Cha…“ Y/Ns voice was desperate and she closed her eyes as he reached out his hands. She waited for his touch, which never came. He closed the lid of the piano, then returned his attention to the smaller woman, his eyes so full of lust for her. His head bent down and he feverishly kissed her which she easily returned, their tongues exploring each others mouths, as if it was the first time they made out. The racing driver put his hands on her butt and softly kneaded the skin there, before leaving a slap on her right ass cheek, making her gasp loudly. „Jump.“ He said with his signature wink. Y/N did as she was told and wrapped her legs around his torso, as he sat her on top of the piano. „You look so good in my shirt. Much better than I ever did, ma jolie.“ His girlfriend giggled and his hands glid along her curves taking them all in. Charles kneeled down until his eyes were lined up with her ankles. He left the lightest kisses up her legs, alternating between the left and right one, while moving his hands up their sides. When his eyes were on the same level as her core he pulled her crotch closer to his face by her hips. „Ahh!“ A squeal left the girls lips as Charles took her by suprise. The latter laughed slighty. „Excuse-moi, Chérie.“ All was forgotten though when he kissed her cunt through her panties before he pulled them down. The excitement rose in his chest and he licked his lips, whereas his girlfriend felt a certain anticipation, wating for him to continue. Moving his face closer to her already dripping core he left a longing kiss on her clit, as his right hand came up to assist him – one of his fingers went in between her folds collecting her juices. „So wet for me already, bébé.“ He then wrapped his lips around his own finger, tasting her. „And so sweet.“ Y/N was in a state of pure bliss already, humming approvingly. „All for you, ma vie.“ Charles nodded. „Yes, all mine.“ The Monégasque started sucking on her clit again, acting as if his life essence is made up of the sweet sounds that escaped her throat. One of his fingers finally entered her, moving in and out in a steady rhythm that coordinated with the way his tongue moved along her clit. It felt as though she was his instrument: His fingers moved delicately inside of her, playing out a tune of moans mixing with the breathy calles of her name, truly showing his artistic skills aside from the piano. Two of his fingers were inside of her now, preparing the young woman for later, as he alternated between scissoring her hole and stroking her g-spot.

As Y/N felt her orgasm approach, her hands flew to her boyfriends fluffy hair, pulling on the loose curls. „Charlie, ne t’arrête pas!“ She moaned, feeling the tight knot in her lower stomach starting to loosen up. Spurred on by the soft massaging of her hands he moaned onto her clit. That was the last note missing in their steamy melody pulling the girl over the edge as she came with a loud scream of his name, squirting her juices into his mouth. He lapped at her lower lips, trying to collect all the juices he could get, before rising from his kneeling position. Her uneven breaths started to calm down again as she noticed the state of his chin through half-lidded eyes and let out a shaky laugh. „I’m so sorry, mon Chéri.“ Charles slightly leaned over her, moving his hand to her back, as he wrapped her right leg around his waist to pick her up and get her into a standing position in between him and the piano again. „No need to be sorry, mon ange. I enjoyed every second of it.“ At the second sentence his voice lowered an octave, accentuating every word into her ear. He nibbled on her earlobe moving down her neck, leaving a small hickey there. „Should we move this to the sofa for the big climax of our wonderful duet?“ He asked into her neck, knowing the couch was closer. „Yes, please.“ She breathed out, her head still thrown to the side, letting Charles have his access to her skin.

He took her hand in his and lead her to the other part of their living room. There, she regained some control when he turned around in order to kiss her, and she put her hand on his chest instead, pushing him back into the soft pillows. Charles smirked as he was under her spell once more. He patted his thighs and his girlfriend smiled, placing herself in her favorite seat, facing him. Once more the two lovers found themselves lost in each others eyes, before slowly leaning in, their lips meeting in a loving kiss, much softer than the ones before. Y/N moved her hands along his abs once more, moving over his bare chest to his toned shoulders. His own hands found their way to her wast, moving towards the hem of her – no, his – shirt, slowly lifting it above her head and throwing it somewhere behind him. The sudden cold air made her nipples harden, sending a shiver down her back. Charles smiled up at her – taking in all of her naked glory – and licked his lips in anticipation. His right hand moved to her breast, his lips latched around the other. „Ohh, Char…“ The young woman moaned and watched him suck on her tits. The fingers of his right hand fumbled with the small bud before he went to switch sides. Wanting to feel more of him, Y/N rubbed her body along his legs. Smirking, he removed himself from her boobs. „So impatient, ma jolie.“ His girlfriend laughed. „I mean, can you blame me? Everything about you turns me on immensly. Mon dieu, je t’aime tellement.“ The heat of her bare core meeting the cold skin of his thigh – he had already forgotten that her panties still layed somewhere by his piano – reminding him about the truthfulness of her statement. „Je t’aime aussi, mon cœur.“ The two stared lovingly at each other once more before the woman moved her hands down to the waistband of her boyfriends boxers – the only article of clothing left to separate their most intimate parts – and she couldn’t stand his advantage at all. „Take them off, baby.“ He smirked and tapped his hands on his girlfriends waist to signal her that she would have to get off him first. Y/N lifted her butt so that he could pull the garment down, letting them hang by his knees.

With his underwear out of the way, the woman above him slowly sunk down on his dick, stabilizing herself by putting her hands on his shoulders. At the feeling of Charles length entering her wet hole, they both let out long moans. „Putain!“ Y/N placed one of her hands on his cheek, making him look into her eyes – then she started to move. Slowly she lifted herself off him and sunk back down. The two lovers found a steady rhythm, their bodies creating a sweet melody once more. Charles hands wandered to his girlfriends ass, leaving a slap there before he kneaded the soft skin, soothing it in the process. His love let out a yelp and started to bounce on top of him faster. Her hands now rested on his waist, as she let her head fall to his neck, making her body lean on his. The new angle made both of them feel the movements more intensly – their breathy moans and husky groans filling the already sinful aria of skin slapping on skin to it’s full extent. „Chérie…“ the driver moaned into her ear, kissing his girlfriends shoulder. „Regarde-moi.“ Y/N lifted her head look at her boyfriend, who moved on of his hands to the back of her head, pulling her closer and locking their lips in a desperate and messy kiss. As they pulled away for air, both could feel their orgasms approaching. With his hand, Charles kept the woman close to him, the sweat on their foreheads mixing. „I’m so close.“ She deeply stared into his eyes, nodding frantically. „Moi aussi, Char.“ Then he steard to trust his hips up into hers, supporting her sloppier movements. Suddenly all the different components became too much for her to handle – from his hands on her body, his dick filling her wet core, to their erratic breaths conjoining in lazy, open-mouthed kisses - her body overstimulating as it reached it’s climax. The relieving wave washed over her and she came with a loud, high-pitched scream of her boyfriends name. Her walls clenched around his dick, sending Charles over the edge too, who let out a deep growl followed by a hitched cry of her nickname. The driver still held her body close as she collapsed on top of him and he started stroking her back in order to calm her down.

It felt like minutes before either of them moved again – the Monégasque just enjoying the feeling of her naked breasts on his skin, his partner listening to the sound of his beating heart. Charles even thought about taking her again, but that’s a thing that could wait until later. Right now, all he wanted to do was staying right here with her in his arms. But his girlfriend had other plans, as she was the first to sit up again. At the feeling of Charles dick still inside her both let out a groan, before laughing. „Merde, I almost forgot about that.“ Y/Ns hands caressed his cheeks as she dipped her head to leave a short but sweet kiss on his lips before she tried to lift herself off his length. She hissed at the feeling of the cold air of the living room hitting her warm entrance and noticed the way Charles cum dripped out of her hole. „Mmh, I love seeing that.“ The man in question stood up and pulled up his boxers before he stepped closer to his still very naked girlfriend again and held her close. „Can’t wait for when you don’t take the pill anymore. Gonna fill you up all nicely until you’re pregnant with our child, mon amour.“ He whispered seductively in her ear. The woman tried hard to keep her composure at his words, but the goosebumps on her skin gave her away. She wanted to have a child with him, as much as he wanted it, but only after they had gotten married. Leaving a last kiss on his lips before going off to search the shirt she was wearing earlier, she switched the topic while looking around the room with Charles following her around. „I’m starving, how about breakfast?“ Y/N smiled softly at Charles before putting on the piece of clothing, having found it laying behind the couch. „Oh yeah, let me help!“ The driver beamed as his girlfriend passed by the piano, picking up her panties, turning around afterwards to face her boyfriend – laughing at him. „Surely, ma vie, I’ll let you cut some veggies but that’s it, idiot.“ Charles jokingly rolled his eyes. „I’ll do anything, as long as it’s with you.“ She blushed at his words, softly hitting his chest with a wink. „Sweet.“ The two of them pulled back the curtains and opened the windows on the first floor of the apartment in order to let some fresh air in, before going to the kitchen to fix their brunch.

The two lovers spent the rest of their day cuddling on the couch, watching some movies and just enjoying each others company before ordering some takeout in the evening.

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