#when did any of this happen?????

[helpimstuckposting]

I need a fic where all of King Steves mannerisms are just misunderstandings, like he can’t remember names because of his concussions so he comes off as rude, he gets headaches a lot so he squints and people constantly think he’s glaring at them, he can’t hear very well so people think he’s ignoring them, he’s aloof so people think he doesn’t like them much but he just doesn’t know how to be energetic because his father bullied it out of him

[pineapple-frenzy]

Book 2 au: sparring sessions and short hair katara

They like to have sparring sessions in order to keep their bending skills sharp. They allow themselves to go all out and not hold back at all cause they know if anyone got hurt, Katara could just heal them

But anyways, wouldn't it be kinda funny if Zuko accidentally burned Katara's hair tho? Aofkqldkkajfjd

The "I think we can save the hairloops" line is from @linnoya-writes thank you for that!! :>>

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[puppyeared]

Um so. I remembered The Incident while I was hanging out with Odile

[stonebutchery]

it's kind of baffling to me that entire sub-groups of queer folks endured a decade of being singled out and targeted for being asexual, aromantic, bisexual, pansexual, nonbinary, polyamorous, etc. and i have yet to see any substantial apologies from people who were directly responsible for causing genuine harm. i find it completely bizarre that there are so many people who want to sweep their past contributions to widespread lateral aggression toward specific queer groups under the rug like it didn't happen so they can wash their hands of it... there are people who are irreversibly traumatized because of this. there are people who took their lives because of it.

i'm wording the post like despite the fact that exclusionism targeting these groups (and more) continues to persist partly because it was a really frighteningly common trend to harass people just because they were ace, aro, bi, pan, nonbinary, poly, etc... and it's crazy to me that many of the people who were affected by this massive multi-pronged public online bullying campaign against the 'unacceptable types of queers' are the ones still receiving messages like "my url got put on an aphobe blocklist in 2016 because apparently a post i made making fun of asexuals got some teenage asexuals harassed and i still distrust asexuals to this day because of that" ...are you fucking kidding me?

we will never achieve any kind of unity as a queer community while we are insisting upon ignoring the hurt that lateral aggression has caused, and acting like the burden lies on the shoulders of the people who were harmed to forgive the people who harmed them and 'just move on', many of whom are not sorry for what they did! or they don't consider what they did to be wrong! how is that not deeply disturbing and troubling to more of you?

03/06/2024 edit: i’m putting a complete moratorium on this post because i am really sick and tired of having my point not only completely misconstrued and distorted entirely but also weaponized against transfems (particularly in replies i have decided to delete about how “ugh yes, exclusionism, and now transfems are bullying transmascs”) i find that really sickening and i’m demanding that it stop, and i can make it stop by turning off reblogs. so i have.

my objective in writing this post was never to request an apology from people who have been laterally-aggressive exclusionists in the past. i don’t think we’ll ever get more than a handful of apologies from those people, anyway. my point was that it was pretty terrifying to witness and experience a lot of lateral aggression that transferred from the real, in-person world to the deeply online spaces back into the real, in-person world in a really fucked up feedback loop and being a young queer person during this time and having that shape me, snd shape the experiences of my queer friends who have been traumatized by it.

however, it is absolutely unacceptable to me that the issue of transmisogyny is so blatantly overlooked by our entire community. for decades, transfems have experienced oppression and exclusion from transmisogyny-exempt women and queers. their exclusion from political queer liberation movements has caused many of the major schisms within our community we are still having arguments about to this day. if you want collective queer liberation, you must uplift transfems. there is no other option. you don’t get to write off all transfems just because one person who happened to be transfem was mean to you online or something.

i have answered and responded to way too many conspiracy-brained transmisogynist reactionaries to allow this post to keep fucking snowballing with people writing paragraphs in the tags about “transmisandry” or “transandrophobia.” please get your heads out of your asses.

this absolutely is the transmisogyny website, as always, and the place where all basic textual comprehension skills go to die, apparently.

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[math-memes]

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[my-fall-from-grace]

ok yknow what i’m gonna say it

no matter how “bad” logan has been or how “little” he deserves this 2nd year or how he’s a “pay driver” or whatever else y’all always say

he doesn’t deserve this. any of this

since the very first moment he stepped in a f1 car, he’s been treated as a joke. first it was the wtf is a kilometre jokes then rah rah eagles and now logan in the wall / fork found in kitchen / deuxmoi memes. every weekend, the commentators compare him to his teammate, ignoring the difference in experience and the way they aren’t even driving the same car and that logan was literally running last years specs multiple times. they compare him to oscar, who has driven multiple times f1 cars during test runs and is in a mclaren and the situations are not even remotely similar, ignoring that logan was promoted early, that he didn’t have much opportunity to drive f1 cars even for testing, that he was literally tossed into the deep end without any help and told to survive.

the only time they were even remotely kind to him was when they gave his car to alex. which thanks for the support or whatever but that is so backhanded i don’t even have the words to describe it.

i think we’re all coming to the terms with the reality that this will be his last year in f1. and i don’t think that’s fair for so many reasons. you promote him early, you give him a shit car, you talk bad about him in the media and you don’t promote him (lap of legends hello?) and you openly court other drivers for his seat. you disrespect him and allow others to disrespect him and that’s not right.

formula 1 is the dream for so many people. imagine achieving your dream, even if it’s in a joke of a team, even if it’s too early. but then you become the joke of a joke, you become the american, which is a bad thing. the outsider, the one who doesn’t belong. they make fun of you each weekend. they ask every day when you’ll be replaced.

(and yeah i agree. he does need to improve to have any hope of keeping his seat, f1 is brutal and it’s never been kind, and i’m not being naive and thinking oh it’s his dream and so he deserves it despite it all. i’m not saying that. what i am saying is that is a human being, just like nicholas latifi was, and some of you are too comfortable being cruel.)

speaking of being the american. they make fun of you as though that will punish the fia for putting 3 us races on the calendar. as though that will punish all the american fans who came to f1 through drive to survive. as though that will keep f1 pure and european and whatever the fuck else - they do the same to yuki and zhou and checo and lewis and even if logan’s situation is not even remotely similar to what they’ve experienced, there’s a bias to f1 that cannot be ignored.

but that’s not the point i’m trying to make. not today

this was your dream. this was your dream. and you were never allowed to enjoy it because you became the punchline of a joke the minute you accepted the seat. it was always going to end like this. you knew that.

so yeah. congrats to logan for achieving his dream of driving in f1! it’s unfortunate that he was never allowed to live it.

[trauma-bot]

sin eater

[mikkeneko]

....now considering whether I want to write a 'Find the shapeshifters' fic for SVSSS too

[kurthummeldeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[blueskittlesart]

what are your thoughts on the king in eow? he's so shocking good at being a king. and being a dad. and he's nice?? i'm so unused to the king of hyrule being any of those things

it was genuinely jarring at first i kept waiting for him to be like "actually fuck you zelda i dont believe you go to your room" but im SO happy that at least one zelda gets to have a happy healthy relationship with her father. exceptionally rare king hyrule W

[thebrainrotsreal]

EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.

[astrhae]

...maybe it's all part of a great big ineffable plan