still argue like my mother !!!
and suppress stuff like my dad !!!!!
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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I'm sorry but James Vowles criticising how Red Bull has treated their drivers in the past, only to go and then treat Logan far worse while pulling the exact same shit Red Bull did, ie the exact behaviour he criticised and called them out for, is so freaking infuriating like the sheer hypocrisy -
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I love your take on Crowley!
I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?
I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.
thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.
that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...
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gojo would kill your work husband. but if he were the work husband, that's a different story
REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you
but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact.
he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared.
he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date
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Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡
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Day 4
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The you have any headcanon about Perrine and The Croon?
Perrine has an affinity for skulls because of The Croon, and they’re mainly the reason why she likes to collect them
The Croon refers to her as “calf”
Perrine sometimes catches glimpses of a tall figure out of her window at night, standing among the distant trees, hidden by just enough shadow to make her wonder if she’s just seeing things
The Croon gifts her skulls, bones, and small dead animals
When people say The Croon is evil, she’s the first to jump to its defense
However, Perrine does have a healthy dose of fear for The Croon
She doesn’t know why this is
But there’s always a level of wariness she feels towards it
There was this one night…
It was cold. The wind was blowing. Branches brushing against the cottage were like clawing fingers on the walls, desperate to get inside.
Perrine woke up.
Or maybe she had never fallen asleep in the first place.
She couldn’t remember.
It didn’t matter.
She got up from her bed.
All around her, the moonlight bleeding in through her window pooled ghoulishly into the empty black eyes of her animal skulls.
It felt like they were all watching her.
At first, she had gotten up to get a glass of water. Her mouth was dry, and the space behind her eyes was uncomfortably warm. But at the same time, she was covered in goosebumps.
But then, she found herself drawn outside.
Grass crunched under bare feet.
She didn’t even flinch from the cold.
Like she was in some kind of trance, she found herself delving into the woods.
And then, she saw it.
The towering beast of feathers and bone. It stood among the trees, nearly obscured by darkness.
The Croon.
She was scared.
She wasn’t sure why she was scared. She based her whole image around this beast, after all. She wore the moose mask because of it.
And yet…she trembled.
And then, she spoke.
“What’s the point of you?”
She asked it without thinking. It was a question that had been brewing in her head for ages.
“I mean…you embody and represent chaos…”
The Croon tilted their head for a moment, as if considering the question. The quiet night air was tense.
“Chaos…is beautiful and destructive. It’s everywhere, and it’s all-consuming. It doesn’t need any apparent purpose. It merely is. It destroys and makes and changes…over and over again. That is what I represent. Change is necessary. Everything must die, and from the destruction, something new is born. After a wildfire, flowers will bloom from the ashes.”
“But people like the flowers. Not the fire.”
“Perhaps. But they need the fire. They need the chaos and the change. Even if it destroys them. There is no new life without death, and there is no death without chaos.”
“But, you still destroy things. Why can’t you have something new without destruction? Why change?”
“Destruction..is just part of the cycle. It’s a part of change. There is beauty in decay. Death and destruction can be…art. The changing of the seasons, the wilting of flowers, the withering fall leaves… Even the most positive change is destruction for something else. Destruction and chaos are required for rebirth, for evolution. Because of change, everything is different, and everything is unique. There are no two things that are exactly the same, down to the last detail.”
“My friend, Cole, lost their parents in a horrible way. Is that supposed to be beautiful? Or necessary?”
“…Perhaps not. Not all destruction is beautiful or necessary. But not all death is cruel or senseless either. After all…without death, would you appreciate life at all? When an animal dies, and it decomposes, the earth gains the nutrients it gives to grow new flowers and new grass. New life. Even a death as horrible and cruel as that can still give new life to the plants and earth around it. It is the same with humans. A death, even a cruel and horrible one, can lead to new life for the remaining family or loved ones…or to the end of a destructive, hurtful cycle.”
“Cole has suffered since their parents’ death. There was no hurtful cycle to break! It’s not fair!”
“Death isn’t fair.”
Its voice had dropped to a low, almost guttural growl that shook her to the bones. But its empty eye sockets still held an eerie sense of calm.
“Life…isn’t fair. People die. Families are torn apart, homes and villages are destroyed. It’s the nature of the world. It’s a necessary evil.”
“…I don’t want to be a necessary evil.”
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it’s pretty horrifying to know that however this genocide ends, the united states government- my government, will take no accountability for it’s war crimes, the global destabilization, the cultural impact of casually assisting in the murder of hundreds of thousands of innocent people. the media outlets will pretend they were non bias and still have journalistic integrity as if they told the truth to the core population. history textbooks will be published with fake reasons this ‘war’ began and how america was somehow heroic in involvement. politicians will use their involvement as a stepping stone to even more power. it literally turns my fucking stomach thinking about the future because i know what the past has been. indigenous people being removed from their lands, brutally murdered and/or tortured for one reason only. greed. however it ends, we cannot just forget and move on. palestinians deserve our fucking support. ‘to the victor goes the spoils’ how about no. how about we take this as the turning point in history that it is and stop pretending things will magically get better if we avert our eyes from the subject. barbaric acts of senseless murder should be met with extreme vocal condemnation by those who are left standing to talk about it. there is no world in which this is justified. however it ends— do not forget that this has set a precedent for governments to begin globally murdering indigenous people en masse and get away with it. the past will always be the future until we decide to change it.
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reminder that the malec age gap does excist and does HEAVILY impact their relationship
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Trying to decide if I want Avery as a medical doctor or a university professor in my Sea and Sky AU… I’m honestly leaning teacher, but, um. Both have their. Charms. ////
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seriously wondering why WW1 was never brought up at all throughout the show in regards to edwin and the life he was living before hell. I mean fuck we get a WW1 ghost in the FIRST EPISODE but edwin doesn’t say a single thing about his familiarity with the soldier’s garments and circumstances. you’d think that would come in handy in some way, or at least be an interesting thing to reference to emphasize edwin’s age (for lack of a better word) considering this was all during the expository section of the first episode.
1916 is directly in the middle of the Great War, and depending on how long edwin had been 16 by the time he died, he would’ve been somewhere between 1-2 years off from being conscripted and sent off to the trenches– ie; really not far, so it inevitably would be a huge weight on his mind at the time. since it was the middle of the war, he would’ve known decently well the horrors being faced out there– the mustard gas, the widespread illness, the shellshock– from newspapers and such, and I have to think that he’d feel like there was a clock ticking, counting down the days until he’d be sent to his inevitable death (considering he’s not the most athletic and physically resilient boy to say the least). and if he was exempted from conscription? it could very well be for “mental illness” and/or “moral indecency” if he didn’t hide his “effeminate” behavior well enough. all-around, it’d have to be an incredibly stressful time period for more reasons than just being bullied, alienated, and repressed at school– and yet we never hear about the elephant in the room. will they do something with it later? will it play into his family background in some way? for gods sake I need to KNOW
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hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?
GREETINGS CAM <3333 THAT ART WAS SO CUTE
Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.
I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:
Where does Elinore / Zitka - the animal - appear in comics?
Did Dick ever have a stuffed elephant toy in comics?
Where does Elinore / Zitka appear in comics?
We're gonna go in chronological order!
Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:
Aww. Such a cute elephant!
Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!
Here's the part where Elinore remembers Dick:
SUCH a cute elephant. I love her.
(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)
Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:
Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.
Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.
Here's Dick with the newly-christened Zitka in Titans 16:
Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:
... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.
Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.
For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.
Did Dick ever have a stuffed elephant toy in comics?
In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.
Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.
Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?
tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later
Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!
The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.
(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)
Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.
By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.
So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)
Post-Crisis: stuffed animals, yes or no?
tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do
Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.
(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)
The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.
Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."
But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.
Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)
Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!
(Technically I don't know if Bruce ever joined the mob but you know he would.)
Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.
Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?
tl;dr it's in WFA! Probably not anywhere else, but it could be.
Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.
So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.
And look, here we are:
Aww.
Whew - that's everything I could find!
Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3
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a lot of people have already said similar things, but i'm just gonna throw my own two cents in the mix as well. the fact that fnv gives you more freedom than fo4 is already so glaringly obvious in the set-up for your character. for many reasons. but one of the really annoying ones - for me - is the job the main character has. sounds trivial, i know, but starting a new fo4 playthrough just to be met with nate's soldier ramble or seeing nora's laywer certificates (whatever those were, i have a bad memory lmao) already kinda spoils the fun to me. i've seen people do great things with those concepts, but i feel like in the game they just fall flat. being a lawyer has the implications of going to a good college, being rich, having higher social status. being a soldier. well. *insert military propaganda here*. the picket fences, the forced nuclear family. it's such a rigid starting point that i have to imagine most of it away to play a character that is interesting to me. courier six on the other hand - well, they're a courier. that doesn't have many implications. i feel like it's such an easy start into a game. it's a job they could've picked up recently, a while back, or practially forever ago (lets ignore old world blues for a second there, i think this point still counts). you don't have to study to be a courier, no special social class is assigned to it. it seems a part of your character you can reliably choose to give as much or as little importance as you want or need to. of course, courier six has picked that job up in the wasteland, not before the war like the sole survivor has, but i still feel like nora and nate have too many ImplicationsTM attached to them for rpg main characters, jobs incluced
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Happy One Year Anniversary to Boy King AU!!!! 🎉
Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh
Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece.
Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:
First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!
Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-
So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb.
The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!
It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly.
Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!
Happy anniversary to this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.
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realized a drawing i'm doing rn is almost identically posed to one i did 8.5 years ago of a different oc, except the old drawing was instantly tainted by one of the players featured messaging me asking if i could take it down because their abusive, possessive rp partner saw it and got jealous of them "roleplaying behind their back" and i said "nah" and it became a whole Thing that i should have walked away from at that exact moment but didn't and the 6 months that followed contained some of the most truly condensed batshit i have ever witnessed in an rp community already well-known for its batshittery.
... anyway i love my friends. so happy to accidentally redeem the pose.
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