#what the overall message in them are

[worstloki]

Israelis singing together: we’re coming with our guns to kill those Amaleks, they have no water and electricity, those rats will not survive when we leave our homes to go to war, we want all those Blacks and Arabs dead (electric solo, disco lights)

Palestinians singing together: oh my homeland how you suffer, one day the bloodshed on your soil will stop, one day we will return to our home village, Palestine will be free again (sitting together in a space lit by phone lights)

[arospecsyourblockdudes]

i love shen jiu BECAUSE of the child abuse he does. get on my level 💪

[uncanny-tranny]

Something I think ought to be more readily-available and encouraged is simply... taking parental classes. I wish it were more common for people to realize just how hard - and important - parenting is, and indeed, that we all could use help with taking care of young folk. It's really alarming that popular opinion is still that parental classes are only for the "fuck-up" parents, or the parents who utterly failed. It should be seen as a good thing to take parental classes - especially on your own volition. It should be seen as imperative for one to take them, it should be a free, accurate, and scheduled occurrence so that people of any background are able to attend.

[a-really-bad-decision]

The fallout show isn’t NOT anticapitalist, but it’s anticapitalist in that way that a lot of recent media goes for, where it makes vague gestures towards ideas like ‘There Is Wealth Inequality, Perhaps’, or ‘maybe a few dozen people having more money than god Isn’t A Good Thing, Actually’. But ultimately it kinda just tiptoes around commenting on anything systemic by offloading the blame onto its shadowy cabal of the ultra-rich, and turning the wastelander underclass into a constant running joke that the audience is expected to laugh along at. Which like. Fine. That’s honestly more than I was expecting I guess. But bad-appling fallout feels like missing the point extra hard, given how much it absolves the US of its role in everything, up to and including literal nuclear armageddon

[todayisafridaynight]

Religiously i think about one of my twitter mutuals pointing out how aoki's design is subtly asymmetrical while ichiban is more symmetrical

when i think of it, masato's design is fairly symmetrical as well isnt it.....

[bybdolan]

wish i could be angry without feeling bad

[dreamly]

i agree with a lot of music fans and journalists/critics/artists that “lockdown”/“pandemic”/“quarantine” albums usually aren’t great and also don’t do very well, but i do think there is one truly incredible (at least in quality i haven’t looked at numbers and tbh i don’t really care) and maybe not the most obvious exception (well maybe it is obvious but i don’t see this album talked about a lot since like the month it came out and i don’t think i’ve seen it talked about in the conversations about art inspired by covid-19/lockdowns). anyway can we play a little game where you guys guess what album it is (this might help me find more good music or at least music you think i’d like as well as be [hopefully] fun!)

[phantom-of-the-501st]

Thoughts on Season 2 As Of Eps 1-9

Spoilers for TBB Season 2

So I just saw a video on TikTok that I thought was interesting and I just want to share some of my thoughts on it. The creator said that as of right now, they are struggling to understand what the point on TBB Season 2 is and what the main story thread is supposed to be. And I found this interesting because I have a fairly good idea of what I think the overall message they're trying to show is. But I'm not going to critise the creator because I think I might also have an idea of where the confusion is coming from.

In TBB S2, there seems to be 2 distinct narrative threads running through, which while linking to each other at points, can definitely be seen as two separate storylines. One is how the Batch is trying to find their place in a post-Republic world while looking after a child. The other is the rise of the Empire and the clone rebellion.

And while they definitely tie into each other, I can see why they feel like two separate narratives and that's where I think the confusion over what the show is actually about is coming from.

I'm not going to say that this is a bad thing necessarily. I personally like seeing both stories but I'm not necessarily going to go after people if they personally don't enjoy that. For some people they'd rather have the Batch storyline in one season and the rebellion storyline in another. At the end of the day, it's just an opinion. But I do just want to give my thoughts on why I think this works for me.

Really, I think one of the best ways to understand the season is to look at Hunter and Echo. They each represent one storyline: Hunter wanting to choose a more peaceful life for Omega and Echo wanting to do more to fight against the Empire.

And I think those two really show what this show is touching on: what do the clones do in a post-Republic world?

I think the easiest thing to do is to touch on how each episode ties into the main plot, so I'm going to do that.

Eps 1+2: While feeling like the typical Bad Batch "mission goes wrong" style of episodes, these two set up the two sides of the story. Hunter wants the money so that they can go into hiding while Echo wants the money so that they can fight the Empire and help other people. It's setting up the idea that the clones, while literally being copies of the same person, have different ideas of where they want to go. On top of that, you have Tech beginning to understand more about life outside of war.

Ep 3: You have Crosshair trying to prove that he has a place in the Empire, while Cody believes that the best thing to do is to leave. Cody doesn't want to live the life of a soldier if it means working for the Empire, while Crosshair struggles with the idea of his life being anything other than that.

Ep 4: This episode lets the Batch see that there's more to the world outside of the army. Giving Tech a chance to experience something outside of being a soldier opens up the idea of him realising that maybe he doesn't want to carry on fighting.

Ep 5: A deeper look into what it's like for a child to be living in this world. We have Hunter very clearly trying to come to terms with what the best life for Omega is and how they're going to have to change their lives to accommodate that.

Ep 6: Another look into how the Empire is affecting the galaxy and what the clones' place is in all of that. Omega can't be a child in a world like this, so do the Batch give up their lives as soldiers? Or do they carry on fighting for the greater cause like when they helped the Wookies?

Eps 7+8: You have more and more clones questioning the Empire and having to choose whether or not they are willing to put their lives at risk. While the Batch are willing to help Rex, they don't feel like they can take the big step of fully partaking in the Rebellion. But then you have Echo who doesn't want to give up the fight, who, while not wanting anything bad to happen to his brothers or Omega, doesn't want to say goodbye to his life as a soldier if it means having to stop helping people.

Ep 9: This episode is a deeper look into how the difference in the clones' decisions are affecting them. Did the Batch make the right choice in choosing to work with Cid? Should they have gone with Echo? Or was choosing to protect Omega the right choice? Should they give up the fight? Should they throw themselves further into it? Where do they go from here? What is their place in the galaxy? What is their job?

While the idea of the Batch wanting to live their own lives protecting Omega and the idea of the clones beginning to rise up as a collective and fight back may feel like two different storylines, they are both integral to each other.

This season let's us see what is happening to the clones in a post-Republic galaxy: what their choices are, what their purpose is, what they want their future to be. We're all watching the story of the clones but we're just looking at it from multiple sides.

If people don't connect with the show, then that's fine. I can understand why it may be difficult to understand what this season is trying to say and why some people feel that the episodes seem a little disjointed. But I do think that when you break it down, there is a greater narrative there. You sometimes just need to do a little digging to see it.

[bibleofficial]

saw a starfish on the beach today & was absolutely ENAMOURED - literally 3 of us were just squatting over this tide pool watching him move

[orcelito]

Passion, eh?

[devildairymilkfairy]

.

[clanoffelidae]

Acknowledging the literary value of a work and the message behind it doesn’t mean I have to enjoy it. Catch-22 is a great commentary on war and the both absurd yet bitterly human nature of it while also commenting on both the horrendously negative and transcendently positive capabilities of humanity. I still think it’s boring as shit tho.

[slowlyfoggydestiny]

Soo it happen again huh

[lettersiarrange]

Since I just checked my ask box for the first time in a hot minute:

Just a note that tumblr doesn't tell me when I have new asks or messages and I rarely check my notifications. Helpful corrections of misinformation/any messages in good faith are appreciated (though it's possible I won't see them until weeks later, sorry), but if something I reblog angers you enough you feel the need to get hostile in my askbox on anon, I reccomend the unfollow button.

I'm also not comfortable posting asks asking for any sort of donations/directing people to your blog for donation purposes, sorry :// I just don't have time to vet asks like that

[agendratum]

finished death's game finally, cool drama, cool ending, totally just cried my eyes out

but is no one else worried about the fact that by the end he's *again* living in a world with a fucking dangerous capitalism-powered all-controlling serial killer?

that he is very much aware of

i would be worried about that

[mightaswelljxmp]

hm ok so interestingly, bdubs’s courthouse is built on an odd number of blocks. note the roof of the facade coming to a point, but more importantly, the nine pillars….

you don’t use an odd number of pillars. like ever.

let me get this out of the way first: i get why you’d build with odd numbers in minecraft. i usually do it myself, to not run into problems like double doors or two-wide pointed roofs or frustrating spacing/symmetry between decorative elements. however. to not even out the design of something so unequivocally done in every other example of columns and pillars…. fascinating implications…

every other example guys. every other building with columns like this has an even number of them.

doing so sets the line of symmetry at an invisible point between two pillars, an even number on each side. but an odd total number of pillars makes the central pillar itself the line of symmetry. this does a couple things.

one, it upends the sense of community and equality. which i know sounds crazy, but really, a group of columns are all put there to hold up a structure. there’s no focus on one because they are all are working as supports.

symbolically, at least when first used in ancient greece, pillars represented people. and it makes sense for courthouses, especially, to want to show an even, fair, equal number of people on each side. no focus on any one, no inherent bias right off the bat just looking at it.

with an odd number of pillars, though, one will always be placed front and center.

and THEN. and then you walk in the courtroom itself (also odd-numbered blocks) and you are immediately opposite the judge, bdubs, located exactly centrally. and true, courtrooms are often set up like this anyway. but bdubs ups the ante and reaffirms that no, focus is on him by staging it all as a daytime court show, boom mic just over his head, cameras pointed in, spotlights on him.

literally by design, it was not built for justice. it’s built for show, for entertainment. and just look at the credits to know exactly what sort of message you’re supposed to be getting from this show.

the biblical story he used, with king solomon. it’s about king solomon. isn’t really about the trial itself, or the babies, or the women. it’s about showing (off) how wise and just he is. that’s the point. hm. interesting.

now, getting to the second point that etho also picked up on: it feels like a prison.

it’s not just the color palette. when your eyes naturally draw to the center point, you aren’t seeing an open space. instead of feeling like an arch or gateway or otherwise some kind of opening, the pillar there makes it feel closed off. the overall effect is that of prison bars. not pillars lining the entrance to a place of order or a temple. bars of a cage, a cell.

imagine the lincoln memorial were set up with 11 or 13 pillars. he’d look so much more trapped in there.

having a central pillar blocks the entrance. it’s not welcoming. you have to go around it; it’s immediately inconveniencing you. and when you go to leave, it’s there blocking you again.

this courthouse was not designed and built to be fair, nor accomodating, nor equitable, on any terms. even if unintentional, i wouldn’t call it so much coincidental as i would… subconscious.

after all, y’know. form follows function.