#what the fuck brain can i have

[lighthouseshepard]

.

[dykepaldi]

homestuck was so perfect for autistic teenagers bc it took characters being sorted into categories and having Attributes to its absolute extreme. forget four hogwarts houses, every character has their associated colour their zodiac sign their associated animal their dream planet their god tier class and aspect their typing quirk their pesterchum handle their weapon their planet of x and y, as well as each of them having a handful of other very quantifiable Personality Traits and Interests (e.g. this one is a clown this one is angry this one likes fashion this one is just rufio from hook for some reason) and THEN they all also have their respective ancestors and dancestors(?)(plucked that word from my memory) who have all of those things as WELL

and god not to mention the fucking quadrant system

as a 13-15 year old autistic kid i didnt even need homestuck to have a plot i just happily made a big big spreadsheet of character attributes in my brain

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[frenchublog]

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[carnivalcarriondiscarded]

some misc Barn & Wally doodles from the past week or so <3 i heart them

[spearxwind]

SHUT 🤏 UP

[kenas-artstuff]

he's just wandering

[berryicet]

@flareboi you gave me a bit of inspo

[erinwantstowrite]

i think im not a fan of what dc keeps doing with jason because they keep having him, the abused, become an abuser in some way shape or form. and the classism they don't want to talk about (i am being so for real there is a genuine problem of both writers and readers who do not understand jason's background and it pissed me off so bad because it always shapes their opinion of him in the wrong way and they don't care to even try to listen). and how if they were going to have him come back they should have had delved into his identity crisis and the inherent horror of coming back but not knowing how or why or what to do about it and not knowing what you were doing while dead and having to deal with time jumping forward on you and the fact that you will never get the time back and no one will he the same as they were before you died and how isolating and lonely that would be. and they also definitely weren't prepared for the fact that jason was grieving his life and his death and his hopes for his mother and his dad who didn't get there in time and the dc writers are fucking cowards. which brings me to my next point: why do we keep listening to them about shit because they are quite literally always fighting with each other and projecting their own personal biases into characters (i.e. making them worse than they are/2 dimensional/trying to make them iredeemable so their favorite character gets to shine) and also they are all freaks of nature with a consistent problem of being God Awful People who why would we trust them with these characters. jason todd they don't get you like i do

[deoidesign]

Can you tell who my favorite character is right now...

[novaiisk]

🔆Terzo is safe in Omegas arms🔆

Everybody makes Terzo all depressed all the time so IM LETTING HIM BE HAPPY FOR ONCE ‼️‼️

[[ PRINT ]] [ part 2 ]

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[heartorbit]

just how can i protect your smile?

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[hayaku14]

KAISHIN STANS WE EATING GOOD