#what is even my tag structure again?

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[absolutely-not-my-main-blog]

Everyone says they love a devastatingly painfully slow burn romance until I, It’s Always Sunny in Philadelphia—

[tiffanybluesclues]

Every week someone makes a post about how annoying it is that Dick Grayson fans don't acknowledge his flaws, and every week someone replies with an explanation that the flaws OP listed are entirely fanon and inconsistent with canon as it actually happened and at this point I have to assume that none of those explanations are ever going to stick because clearly some people just want the fanon to be true.

Anyway, I'm just putting this here for me to edit and add relevant-to-the-topic links later so I'll have them nicely at hand to read and sooth my frustrations when it gets real bad out there. (Echo chambers are good when we use them to drown out character mischaracterizing fanon.)

[stephantom]

I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?

There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).

Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).

Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.

There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.

There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.

And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.

They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.

What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.

Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.

Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).

I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”

[itspileofgoodthings]

I was teaching Ophelia’s death scene this week and one of my classes spontaneously giggled when she died (because they are 16 years old and emotionally immature) and I said, in a shocked voice, “it is NOT funny” and they all insisted that it was and so I let it go but then the next day I showed them some Ophelia art, made them think about how sinister it was that her death happens offstage but is still described in such detail for the viewer, which tells us she was WATCHED but not HELPED as she died, and then played a clip from Branagh’s Hamlet of Kate Winslet singing a mourning song for her father and when I tell you how satisfying it was to hear a total and complete hush fall over the room

[toytulini]

if you draw enough monster ocs, when you go back to drawing a human character, it feels like "sameface syndrome" everytime, by virtue of their face being. human.

[gnomeniche]

having very very vague thoughts about dhmis and the family as the site of violence

[the-eclectic-wonderer]

Soo about the translation for Se Telefonando you mentioned in your author's note... is it too much to ask? 👀 (and am I setting myself up for more heartbreak by sending you this?)

kdskdhk ok I'll be honest. I was waiting for someone to ask because I've actually written a full-blown literary analysis for Se Telefonando and I have to share it here. My friend, I hope you don't mind if I use your ask to share my essay :')

Let's do this: I'll write my own translation down here, and I'll add my many, many notes (both on the translation itself, and on how it relates to the fic) under a cut. You can decide for yourself if it's heartbreaking or not :)

Ready?

Here's my translation:

The wonder of the night, opened wide over the sea,

Caught us unawares while we were still strangers, you and I

Then, in the dark, your hands suddenly on mine:

It’s grown too quickly, this, our own little love

If I could tell you goodbye just by calling, I’d call you

If I was certain you wouldn’t suffer seeing me again, I’d see you again

If I could tell you to stop while looking you in the eyes, I’d look at you

But I can’t explain to you that our newborn love is already over (x2)

Notes under the cut:

Alright, just a bit of context first. Se Telefonando was written in 1966 by De Chiara and Costanzo, two notable Italian pop music and TV personalities, and arranged by the world-famous composer Ennio Morricone. It was written specifically to be sung by Mina, a legend of Italian pop music with a unique voice (who, in fact, gives a wonderful interpretation of the song!). So: big names for the lyrics, big name for the melody, big name for the singer. And it shows!

Let's take it from the top.

Lo stupore della notte spalancata sul mar

The word stupore evokes in Italian the same feeling that wonder evokes in English: something that can be child-like, a special kind of surprise that leaves you speechless. This feeling is caused by the coming of the night, spalancata [= opened wide] over the sea: the word spalancata is used when doors are opened completely and (often) suddenly. So, all in all: the night opens without warning, like a portal to another world, over the sea, and surprises the two lovers (we'll meet them in the next verse, don't worry). Quite the start, huh?

Ci sorprese che eravamo sconosciuti, io e te

The verb ci sorprese (whose subject is the aforementioned night) could be literally translated as surprised us; I preferred a caught us unawares to convey, once again, the feeling of unexpectedness and wonder that overcomes the pair. The romance the singer shares with her lover happened quickly and unexpectedly; so much so that they were still sconosciuti, strangers, when they fell in love. I love the juxtaposition in the second half of the verse, here: the singer says they were surprised by their feelings when they were still strangers, but then immediately adds io e te, that is you and I, which communicates a strong familiarity to me -- yes, we were strangers, but we were also you and I. So familiar and intimate I don't even have to use any other words: we're the only people in our whole world.

A short note on the fic: the idea of the Girls being surprised by their bond is actually canon (Dorothy says it out loud in the finale: the Girls' friendship is a gift she never expected at that point in her life). I liked the parallel with this verse -- the Girls learned to know each other (ie became you and I rather than strangers) through the lens of their quick and deep friendship, and I've always loved that. (In the particular universe of the fic they didn't properly analyze what their actual feelings were, but we'll get to that in a moment.)

Poi, nel buio, le tue mani d'improvviso sulle mie

I love the intimacy in this verse. The theme of surprise is still there (d'improvviso = suddenly), but the real gem is the figure of the lover's hands on the singer's to indicate physical intimacy. Using the hands as a shortcut to suggest a physical relation (as part of their love) makes it delicate and romantic, while still clearly conveying the intimacy of the act. It doesn't even say they hold hands, or intertwine fingers: a very simple your hands on mine is all that's necessary.

Note also that this happens nel buio [= in the dark]: here's the full uncovering of the metaphor that carried us through the first two verses, ie the night (or, more in general, the darkness) as a placeholder for the feelings that caught the pair by surprise.

È cresciuto troppo in fretta questo nostro amor

There's the first crack in the picture. We've lived in dream land until here: the coming of the night, the softness, the intimacy, the sweet (almost lullaby-like) music... but here comes the reckoning: the love between our two characters è cresciuto troppo in fretta, has grown too quickly. Before we move on to examine the consequences of this hurry in the chorus, there's one small moment of tenderness left: questo nostro amore, literally this, our love. The literal translation doesn't convey just how soft and intimate the phrasing sounds in Italian: it's a love that's specifically ours, to be cherished, to be protected, to be nurtured (to be grown -- albeit too quickly). Hence the inclusion of own and little in my translation -- it felt like the right way to evoke similar feelings in English.

Se telefonando io potessi dirti addio, ti chiamerei Se io rivedendoti fossi certa che non soffri, ti rivedrei Se guardandoti negli occhi sapessi dirti basta, ti guarderei

Ah, the chorus! Finally. The first line here is the title of the fic, and what inspired it in the first place: the idea of someone not being able to call because they can't bear actually saying goodbye to their lover was just too delicious not to explore -- and since the theme was phone calls, it made sense to only tell the story through said phone calls (and it made for a fun challenge, too!).

The repeated if/then structure in this chorus is amazing. The stakes are increased after every line: the first verb, se telefonando, is almost impersonal (it means if just by calling generally, not if by calling you specifically), and yet it's already juxtaposed with potessi dirti addio, ie I could tell you goodbye (and addio is a proper, forever goodbye, not just a see you later!). Then we have rivedendoti [= seeing you again] in the second verse, and guardandoti negli occhi [= looking you in the eyes]; progressively more and more intimate actions. This is the desperate plea of a woman who knows she has to part from her lover (although we don't know why; the reasons are never explained) and begs him to see on his own that their relationship is over, because she doesn't have the strength to tell him personally. She longs to see him (as testified by the growing intimacy in the actions she describes) but at the same time she can't even call him on the phone, because she knows she'll capitulate if she does; she knows she has to tell him, but she also knows she's not able to bear it.

Note that this is also underlined by the music: the theme becomes much more dramatic than it was during the first stanza, the three verses are sung in crescendo (Mina was a powerhouse of a singer!), and the melody is transposed higher and higher at each verse. One really gets the sense of urgency and helplessness in the singer's plea: she needs to say all these things, she must say goodbye to her lover and their encompassing, surprising love, but she can't.

You can see why I was so inspired to use this for the Girls, can't you? :)

Ma non so spiegarti che il nostro amore appena nato è già finito

And finally -- the last line, and the moment of peak tension. The chorus has upped the ante with every line, bringing us closer and closer to the precipice, and now we're on the cusp: the music resolves, and we fall down. The song until this point was still suspended, in a way; we could feel the desperation in the singer's voice, we knew what was hiding behind all those hypotheticals, but it's only now that the truth is out in the open: I can't explain to you that our newborn love is already over. Game, set, match.

First of all: non so spiegarti literally means I don't know how to explain to you -- but that sounds almost whiny in English (to me, at least). What the lyrics are trying to convey here is a feeling of helplessness: the singer has no words to explain to her lover that their story is over (hence why she can't even call him on the phone).

And then the kicker: our newborn love is already over. The image of a newborn love fits the motif of child-like wonder and love growing we already encountered in the stanza: it's a sort of juxtaposition between the innocence of feeling (love, in this specific case, that makes one feel open and light again) and the cruelty of real life (that forces the lovers apart). This same juxtaposition is found in the music as well: I've already mentioned that the melody is almost lullaby-like in the stanza, it becomes much more dramatic in the chorus, and the song ends with a trailing tail of la-la-la that would not be too out of place in a children's playground (which, to me, only serves to further drive home the divide).

The idea of a newborn love is not exactly what I was going for in the fic, but it's still closely aligned: I figure in this universe the Girls were just about to have their oh moment when Dorothy got her chance to run away and left them all heartbroken. Sophia even comments on it in her voicemail message: she thought they were days away from it. You know that common sapphic experience of being very, very close to one of your friends, and then she starts dating someone else, and you feel heartbroken even though you two were never really in a relationship (and maybe you never even realize you had feelings for her until a decade later)? That's the vibe I was going for: being almost there but never saying anything explicit, so that when it all crumbles down, it falls spectacularly. Not a newborn love, but an almost-born love, in a way. An almost-born love that is over before it had a chance to begin.

And that's it, I think! My lit teacher would be proud of me. It's been a while since I had the chance to analyze anything in *this* much depth and I had a wonderful time. Hope you enjoyed reading this far -- and I'm always open to questions, if you have any!

[angorwhosebabyisthis]

trying to find diplomatic but firm ways to articulate 'hey man this is really fucked up, please reconsider' about wan/derhome--or whether to make a post about it at all--because its creators seem like the types to approach it in good faith, but i have no idea how it would go over or if they'd even see it at all. but i finally decided to take a look at it after getting it in a charity bundle last year, and as a disabled mentally ill trauma survivor god that was incredibly hurtful and upsetting, holy shit. days later i'm still not super okay over it, let alone that it won awards and is considered a masterpiece in the medium

[shikai-the-storyteller]

Watched all of Rubius’ r/place videos while pounding a bottle of wine I’ve been trying to get rid of for ages and MAN. MANNNN. I really love Rubius. r/place was such an incredible experience, and watching his videos reminded me of just how hype and fun the r/place phenomenon was

[orcelito]

I always find it kind of funny what some other ppl consider "slow burn". Like I've been reading a fic that the writer repeatedly said was slow burn, but some 40k words in and they've had their first kiss...

I'm not complaining, but that just doesn't feel like that slow of a burn to me lmao. But Then Again, this is coming from the person who writes some of the slowest of burns... not the slowest, mind you, but like. In discacc, I'm pretty sure their first kiss happened around... what, 400k words in? Something like that. And they hadn't even officially Met (in person) until like some 70k words in.

And Then there's ITNL. Currently 74k words, and Wolfwood hasn't even officially entered the story yet.

We're in for the long haul, y'all :]

[floral-hex]

It’s been a rough couple of weeks. Anxiety run amok. Tried to distract myself by playing through Super Mario Bros, but I’ll be honest, that was stressing me out pretty bad trying to get through some of those levels. Unrelated but coincidentally (tangentially?), after an intense bit of playing, my anxiety flared up majorly. Heart racing, skin painfully prickled, lungs failing me. Oh well. That’s what drugs are for. So instead I started Death Stranding, which my little brother gifted me for Christmas a couple of years back but I just never got around to committing to. Much better choice. It feels like the perfect distraction for me right now. Frankly, I’m lonely. I feel cut off from the world. I’m scared and anxious and I have no idea what the future holds for me, but it feels bleak. So it’s nice to pop into this little world where you’re trying to make connections and explore the world, even if it is just a video game. It’s giving me something positive to focus on right now.

I just thought I’d make a text post. Mention a game I like. Just folded some laundry, I’m on my 3rd bowl of cereal right now, and I’ll do some dishes when I’m done. Trying to keep on moving forward. More bullshit in the tags.

[vampire-core]

[id: the first image is a reply by @.demilypyro that reads: That doesnt sound very cis

the second image is a reply by @.homosexualmorelikehomiesexual that reads: respectfully adding to this in agreement with op: i think its true that no, it DOESNT sound very cis, but thats bc according to the very same gender system that sucks so much, anyone who disagrees or complains about it is Other, and i think thats......part of the exact problem op is talking abt..? so yeh idk. speaking as a trans person myself- op youre valid youre right and you should say it i support you go cis boy go

#this is what i call cis+ #youre cis but youve seen the void. the truth. and then you pulled back and went Ok Got It. Keeping My Gender Though #which i think is just as respectable. like amen #consciously opting into your assigned gender when you know you don’t actually have to..... #thats cis plus. cis prime. cis upgraded. you feel? /end]

I’m a cis man sure but i also wanna opt out of the gender binary. None of that shit is my fault or my responsibility and i don’t want any part of it

[unproduciblesmackdown]

payoff of being embedded in a unit of authoritarianism since birth is sure then being able to go like "wow this is just like dynamics & phenomena i experienced up close & personal, repeatedly, in many contexts & configurations in my first two decades of life" plus also beyond that in abuse culture world & the noncoincidence that even interactions beyond the confines of the home(tm) reinforced / did not contradict the hierarchy & concomitant abuse within....but then like hey yeah also the Larger Units of hierarchy & abuse / authoritarianism (ft. their logics & practices necessary for continuously & continually shoring up that hierarchy) can also make it like hey yeah the Two Parent abusive nuclear family more like the Two Party [the US is also a one party state but in typical american extravagance they have two] where right wingness is defined by the degree of directly embracing white supremacy & "left wing" is "anything else" hence like wow The Left is always infighting (everyone with any ideas besides "umm christofascist white ethnostate?" so like yeah there are many other ideas) vs The Right's admirable cohesion (simply re: the white supremacy idea which also necessarily embraces all other Out Group / Nonperson paradigms & practices b/c that's what all already has been necessary for shoring up the [when has the US been a nongenocidal non white supremacist non oligarchy])

like obviously individual experiences & contexts vary but like narrowing in on [the Family as immediate relations ideally cordoned off into nuclear households] ft. [Parental Authority the top priority of which is preserving that authority, ideally patriarchal, an abusive mother e.g.? hey, that ought to be the father] times it's like, think people tend to struggle re: having the "nicer" / "safer" parent who was also shitted on as well but also at the end of the day would always side with the "meaner" "more dangerous" parent, even in whatever terms most sympathetic to the abused parties, with the underlying logic that we're always just going to have to deal with them so some secret strategic mitigation is the best that can be done, perhaps the equivalent of being sent a ":(" after an Onslaught Of Expressed / Enforced Authority(tm) event....the tendency to see the best in any lack of actual intervention / protection on the assumption That Could Never Happen Anyway & forever At Least that the one parent isn't as bad as the other [the Not That Bad / Could've Been Worse infocation, like free bingo square in manifestations of minimization if not outright abuse denial] & all the sympathy for, you know, being human & doing their best(tm) &c which sure might all be true but the abused parties (oft children, more vulnerable than adults, by virtue of being children i.e. considered legal property of some specific adults & theoretical property of any adults in general (the paternal logic in any "protect [xyz]" like maintain one group's supposed ownership / control over [xyz] "for their sake" then? great) & also generally smaller & newer at being alive in this world) but who are liable to not extend that sympathy to themselves (or certainly not be extended that sympathy....when is "they're doing their best / they're only human / they mean well or whatever / they love you, they're family" successfully deployed the Thwart an abusive parent like it is to tell an abused child to not be too resentful of this situation, when is it actually deployed toward the abusive parent at all really. & again in the lack of boundary between the authoritarianism within many individual family households & that of the state they exist in (here re: the US) like that naturally one encounters the logic of abuse expressed just as "common knowledge" & the Assumptions of other people, e.g. the rejection of a parent having zero access to a child, the reinforcement of automatic apologia deployed for whatever a parent could possibly do, argued for "family", yet not deployed the same way to automatically defend anything thee child(tm) could do, thinking emoji lol....see: like the non boundary between [the Patriarchal home/family(tm)] & capitalism when uh oh capitalism the system of continuously maximizing exploitation Needs various forms of labor to be unpaid, uh oh another lack of boundary when white supremacy is used to also shore up the patriarchy that shores up the white supremacy, e.g. that even if in some "inferior" class it's treated as More Important that at least you're not that And black, the theoretical ideal/normal white man is a person while a white woman is a woman while a black woman is black, white women could have any legal property via chattel slavery which needed white women's participation to help enforce, the specter of sexual violence all coming from nonwhite & especially black men & it's up to the genteel white man to Protect Women (see prev, implicitly white or you'd have to specify otherwise)

anyway that is to get around to pointing to the Two Parent System wherein so shockingly the results are the same as the One Parent System re: abuse maintaining The Family (properly, i.e. unquestionable & certainly undeniable parental access to children, & "ideally" ofc again the patriarchal Father as ultimate authority w/ownership over the Mother, who in turn is theoretically honored for that motherhood (at least you own your children, insofar as it doesn't contradict w/what the father wants to do with his superior claim to ownership) & then finally all the obviously shittiness from being in that position in a patriarchy is in turn dumped on The Children who are ungrateful & owe the mother everything Because of what the broader society & immediate personal expressions of that abuse have done to her. see also ofc that two adults likely don't have the resources to raise a child in time or money or energy, maybe there's only one but also even an extended family's worth of adults aren't enough, is it enough when a child is sent to school for some other adults to be in charge most of the day, or even if someone is hired to look after them beyond that, all this ofc with the assumed premise that a child is always limited to the various Domains of The Adults In Charge, & from there i segue into how naturally being in gay baby jail unless & until adults are no longer recognized as Legally In Charge Of You (the grand like 5 minutes it's relatively been since the ideal timeline of a woman's life wasn't being legal property of her father until asap passed along to legal property of her husband. still considered ideal ofc but like with "maybe you can have a bank account" now & "maybe you can become 29 before you're in Old Maid danger" Maybe, i said, Maybe....anyway that obviously adults(tm) being divided up (atomised. spritz) into Households isn't even supposed to be enough to live on their own, re: necessitating Marriage, much less uh oh having kids who are stuck with their parents who are stuck with them, but then all the obvious actual problems & abuses inflicted on Adults to have to have their family households & exploited jobs are dumped on the children who Must appreciate & be loyal to the parents (i.e. never Deny Access) while yknow kids have Fake Problems they're whining about, the one Real Problem of having to pay a bill gets the payoff of leverage to tell your children to shut the fuck up or perhaps the more vulnerable spouse

hm didn't segue right into "so shoutout to like The Ratchet Effect diagrams lol, the "Two" Party System where its supposed left wing Blocks Movement To The Left, right wing Moves Everything To The Right" but even that is like, mm, conferring a passivity to what democrats do in the continual movement to the right (won an election? lost an election? the lesson either way is The Right Is Right; exact same logic as in "winning or losing" "the war on crime" like the collection & analysis of whatever statistics show the trend of some "crime" is increasing in frequency or magnitude? show that it's decreasing? the lesson either way is Cops Need More Power) like the institutional effort of democrats to push a candidate nobody wants through primaries (did we even do that this time around. oh great that the assumed candidate even graciously agreed to not force themself as The Candidate, & now like 5 min left with the Next In Line candidate dumped on everyone now with the lesson for the left(tm) to shut up already lol) & then it's up to Grassroots Voters. it's up to Unity & well we all Need to listen to the white supremacists, points were made, in the "elections" with voting as limited as possible & with the electoral college & supreme court as Safeguards against democracy & here's the senate, eternally thus, & again the conclusions will always manage to be moving To The Right, paraphrasing from twitter like democrats are about to be or already at the point of "in the name of unity we will no longer be running against republicans; it's too divisive :(" which yknow is already The Statements of all of yesterday from various like "i'm the republican official white supremacy agree-er now" after also the entire campaign of "no, I'm the fascist" where like wow shocking that the appeal to the fascists didn't win a) the fascists who will ofc want the even more overt fascism, why wouldn't they or b) the people who want antifascism actually, and do not want fascism; who could have foreseen? & it's always the fault of being Too Antifascist for the actions of the fascists or the Diplomatic Comprimises the other party makes with the fascists &/or their Failure to thwart them....the Nicer, Safer party in power is surely doing their best & at least they're not the Meaner, More Dangerous one but at the end of the day they'll always side with that party over america(tm) & those bearing the brunt of the actions of State Power can be told to keep their chin up or else to stop acting out b/c how do you expect that state power to respond, cmon, you bring it upon yourself, & you Have to work with them & understand all their feelings & your role in resolving those feelings by being lesser inferior property, you do Have to understand, b/c in the end this is All About Family, surely Good & Necessary, whoops i mean in the end this is All About America

anyway yeah i'm like damn my "nicer" (also shitty) father who was also the even more sexist & racist (& certainly no Less ableist, queerphobic) parent was basically the democratic party of the Two Parent System of Family Government lol. b/c we Need to perpetuate this Family, no other logics much less actions are acceptable....& people struggling with the Parent / Adults in their life like that who were the "safe" & "protective" ones who markedly failed to protect & minimized the harm afterwards but also in general, never to confront the reality of the situation, or do damage control like "aw some points were made at all :( ah i see you have Feelings about this :( hmm yes the Parental Power is gonna have to make some changes" & then as soon as possible (assuming reeling in the party who was deviating too much) these changes(tm) are already compromised or diminished if done at all, & then oops things incrementally might be right back to how they always were, no guarantees it won't be Worse b/c the Power is even more insecure / aware of weaknesses, & the only way this is thwarted is if the Wayward Parties can actually leverage new boundaries / less vulnerability, not b/c the supposedly sympathetic parties, who never came through where it counts & likely would also become overt antagonizers / wielders of whatever power within the Family hierarchy / turn on the more vulnerable parties to Get Them In Line, actually came through. movement Away (more disruptive to the maintenance of The Family, The State) is blocked, incrementally only ever moving everything back, & then Further....& despite this being what the power structures are, & do, the Disruptive parties liable to be scapegoated lol, can't believe the scapegoat child is ruining everything for everyone, this Family would totally improve & start being everything it could be otherwise & we ignore who actually has the power & is actually enforcing the hierarchy harming everyone to point to that scapegoat; can't believe thee left is destroying america (republican voice) can't believe the left is destroying america (democrat voice) So You See? The Undeniable Consensus. just like how i believe it was my fault my family unit was Like That & i had those experiences, according to the vast majority of Input from that family & even others who, knowing nothing, would say how Lucky i was to be relatively close to home, or just of course that oh well parents love their children & mean well & try their best. just like how i believe that being treated like i've been generally as a neurononconforming person, i.e. hated & the interpersonal abuse & bullying & ostracization & [attention possibilities: ignored, responded to but negatively, interacted with to get something from] & actually rewarding interactions or just actions being liable to get Deluxe authority responses as disruptive(tm) & ofc disobedient(tm) like hell fuckin yeah lol. just as i don't think that other people who have similar experiences or ones i don't have, i.e. assessed race being automatically seen as wrong / inferior, being isolated & undermined from all around? well gotta be their fault then, cmon lol....Abuse is actually normative, not extraordinary, in every Arena of interactions, & so are the logics / apologia / assumptions

anyway lol re: like yeah people struggling with the like betrayal of the "nooo i'm on your side, i sympathize, i'm the one who's nicer & you Need so that things aren't even worse" party, not even One Big Novel betrayal, but rather that that's what's Been done the whole time & doesn't stop. that supposedly if you have Any sympathy for that party you have to be like aw :( keep doing your thing (necessarily reining everyone in) or if you have Any sympathy for the people who also want things to improve but blame & take it out on the more disruptive parties (more disruptive to an abusive family e.g., btw. & not like i see Cohesion as necessarily some Good rather than neutral? when i'm autistic / my existence is supposedly antithetical to this? or when i'm able to look at a zillion hypothetical or actual situations & recognize how "cohesion" isn't the best goal / a destructive one / a vague concept anyways like cohesion Between Whom? on what basis? recognized & pursued how? why? up next: same as vague shit like "family" or "community" &c) then it's like yep gotta be Responsible for their feelings too if you're at all sympathetic & capitulate, The Only Possible Action, vs the idea of those in power actually making things shit stopping, much less being stopped / having to stop in the various ways that can happen....one way being "oh no, adult children who choose to be no-contact with parents" which is seen as A Tragedy, & sign of a Deteriorating Society, take me back. ah jeez oh no, look at the divorce raaates....Oh No, twentysomething women aren't pursuing marriage enoughhhh....again the undetectably identical echo when people peak vaguely talk about "conflicts" that thwart "community" or whatever, ugh nobody will date anymore, commit anymore, be friends anymore, hang out as coworkers anymore, talk to me if i want to talk to them anymore, &ccccc....

the real tl;dr is like wait ""two party"" (one party) US electoral system, just like ""two parent"" maintenance of thee family lol. ratchet effect raise your hand if you've only ever experienced Movement Away from the abusive family blocked, forever incrementally ratcheted back in to the desires & pursuits of those most in power / top of the hierarchy / thus of course most invested in the abuse, that's what the power & hierarchy is made of, sustained by, perpetuates....sorry doing our best :( sorry that's just all that's realistic, no other choice Really. cmon. kind of Your Fault if you don't agree to that & whoops now Everything is the fault of whoever doesn't agree & cooperate enough :( now look what you've done & brought upon yourself :( & we'll just forget the eruption of violence suppression happened & will happen again & be the overhanging threat all in the meantime

[dorkacademia]

i am probably my neighbors' Naked Neighbor... whatever it takes to live titties + pussy out

[halfvalid]

through the night

ABOUT

| 18+ | smut | explicit |

characters: live action!roronoa zoro | fem!reader

pairing: live action!roronoa zoro x fem!reader

word count: 4.2k

description: zoro comes to the reader's room during the night. sex ensues.

tags: smut, female reader, oral (receiving), fingering, vaginal sex, creampie, kissing (a lot of it), soft zoro, first time together, confessions (kinda), fluff, no use of "y/n", banter, pwp (lowkey).

author's note: consent is sexy and so is zoro

i have up to now only watched 2 episodes of OPLA and have never consumed any other type of one piece media. expect him to be ooc. also it's my first smut fic help

It was nighttime on the Going Merry, and the dull kiss of the setting horizon drifted lazily through the single window in your room. You were lying on your bed, leaning against the headboard as you flipped through a book you’d picked up the last time the ship had been docked. It wasn’t too interesting, but it was something to pass the time with, so you stifled a yawn and flipped to the next page.

There was a knock at your door, and you glanced up, watching as the shoddy metal hinges slowly creaked open. Zoro was standing in the doorway, his broad frame blocking out nearly all the light coming in from the hall. He was still dressed in his daywear, which reminded you that you needed to change—the loose shirt and trousers you wore were, although clean, nothing near sleepwear.

“Zoro?” you asked, watching as he started into the room. You clicked your tongue before he could step another foot inside, though— “If you’re going to come in, take your shoes off.”

Zoro scoffed but obeyed, pausing by the mouth of the room to slide his heavy boots off. He tread lightly to where you lay, climbing up to sit on the edge of the bed beside you. “What’s up?”

“Can’t sleep,” Zoro answered. You moved aside to allow him some more room, centering yourself on the bed. Zoro didn’t move, though.

You raised your eyebrows. “That’s possible?”

He looked unimpressed, propping his arms under his head and leaning back so his head was splayed against your thighs. His three matching earrings glinted in the light. “Luffy and Nami are being loud. Your room’s the farthest away.”

“Your elbow is digging into my gut,” you said, turning back towards your book. Zoro rolled his eyes, but readjusted his position, pulling his arms down to instead lay folded atop his stomach. “Are you just going to nap there?”

Zoro shrugged, and you had to stifle a giggle, the sensation vaguely ticklish. He’d never been a man of many words, so you lowered your book again and went back to reading. The light in the room was dim, though; after a few minutes, the glow from the light at your bedside no longer sufficed, and you were too tired to strain your eyes to squint at the page. You could, of course, just turn on the cabin lights—but Zoro was asleep by now, and you hadn’t even liked the book that much anyway.

You set it on your nightstand, gazing down at the slumbering man in your lap. Despite the glare he so often sported, Zoro looked near-angelic in his sleep, his face all smooth planes and straight lines. Those dark eyes of his were hidden like this, black lashes splayed across his cheeks as shadows emphasized the hollows of his bone structure.

He really was beautiful, an ever-comforting presence within the Straw Hats that your eyes had always strayed to. There was a certain kind of fondness you held for him that none of the other crew members could quite compare to, although if you voiced those thoughts Luffy would probably end up giving you a lighthearted scolding. You could already imagine the teasing from the other members of the crew—Usopp and Sanji particularly—making fun of your little crush, which is why you kept your lips firmly sealed. A secret was a secret, and this was yours to keep.

You finally tore your eyes away, focusing instead on getting out of the position you’d gotten stuck in. Somewhere in the back of your mind you liked the idea of Zoro sleeping in your lap, but the clothes you wore were getting increasingly uncomfortable. You carefully slipped out from under him, cradling his head so as to support him as you gently lowered him to the mattress. Thankfully, he didn’t rouse, and you slipped to the other side of the room to open up your wardrobe, satisfied knowing you weren’t disturbing him.

You made deft work, first brushing through your hair and rinsing your face with some clean water before focusing your attention on changing your clothes. You removed your trousers, instead donning a pair of shorts. You were halfway through peeling off your blouse to replace it with a softer, silk one, when Zoro coughed from behind you.

You froze, daring to glance behind you whilst still topless. Zoro had awoken, eyes having lost all trace of sleep as he slowly sat up, staring at your figure across the room. He coughed again as soon as your eyes met, dropping his gaze. “Sorry,” he said very carefully, voice hoarse and grating.

“No, it’s okay,” you managed out, but you were still frozen. Your thoughts were on the dark look that’d been in his eyes the split-second before he’d looked away—surprised but sharp, cutting like just his gaze could pierce through your soul. Gooseflesh had prickled up along your arms.

“I’ll just… go,” Zoro muttered, already having gotten up as he started shuffling towards the door. You jolted into action, nearly dropping the shirt still in your hands as you turned towards him.

“No, you can—” your words softened, seeing his gaze flicker rapidly around your figure before finally landing on some spot by your cheek. “You can stay.” You paused, hoping your words weren’t too direct. “If you want.”

“You should put your shirt on,” Zoro said, almost choking on his words, like they were too big to fit in his mouth.

Your gaze dropped down before a steady blush started climbing up the sides of your face. “Right,” you started, but it was like you’d lost control of your hands. The shirt still hung limply from your grip.

“Or you could…” Zoro paused, lips parted as he sucked in a soft breath. Carefully, he moved back towards your bed, the only sound in the room a soft thump as he sat back on it. “Not.”

You swallowed. You could barely feel the lax of grip as your fingers released the shirt, letting it fall to the floor in one pathetic heap. You took a tentative step towards Zoro, and then another, until you were right in front of him. The soft night breeze through the window caused chills to erupt down your spine. Or maybe that was Zoro’s expression—nearly studious in his attentivity, eyes grazing across your chest and torso like he was taking in information for a new, particularly high-paying bounty.

“Zoro,” you started. He finally glanced up at your face, and you shuddered, biting down hard on your tongue. “I, um—hi.”

“Hey,” he said carefully, like he was testing the word on his tongue. Your gaze flickered down to his lips. He seemed to notice, but he didn’t say anything; rather, he raised one of his hands, pressing it against your side until his fingers tightened against your waist, a present, ever-pulsing rush of warmth. “I think my chest is bigger than yours.”

You flushed, a quick rush of crimson gracing your cheeks as you turned away. Zoro’s grip on your waist tightened, and a low laugh escaped the bottom of his throat. “That was mean,” you whined. Zoro’s other hand came up to your face, fingers pressing against the underside of your chin. He carefully angled your face down, so you couldn’t look anywhere but straight at him.

“It worked to calm you down, though,” he said easily. You were about to protest against the fact that you had been calm in the first place, but then Zoro was kissing you.

Zoro was a lot less aggressive than you’d originally expected, but as you sunk deeper into the kiss, it started to make sense. Zoro was all clean lines when he fought, practiced and perfect—no space for sloppy lines or scribbles. The way he kissed was similar; he applied pressure, but not too much pressure, and his thumb traced firm circles into the skin of your waist.

He angled your head with the hand firmly propped against your jaw, so you didn’t have to do a lot of the work—just press against his lips and move against the gentle rhythm he’d set. His teeth scraped carefully against your lower lip, and he tugged, letting a soft gasp out from your throat.

Zoro took the opportunity to pry your lips apart with his tongue, the fingers splayed against your chin coaxing your jaw open until he could slide his tongue against yours. You let out a soft whimper, hands scrambling to his shoulders and running along the muscles of his back. Of course you’d known he was well-built, but the firmness of his body forced another squeak out of you—one he was more than willing to swallow up.

Eventually, Zoro’s hand dropped from your jaw, skimming along your body line before coming to rest on the underside of one of your breasts. You gasped as he started to massage the skin with his thumb, accidentally biting down on his lower lip in the process. He groaned, the sound low as his rhythm sped up, the hand cupping your waist dropping down to your hip.

And then he was hoisting you up and onto his lap. “Oh my God,” you muttered, causing him to break away, eyes glinting with amusement.

“What?”

A heady rush had blossomed along your cheeks again. “Nothing. You.” Somewhere in the back of your head, you wondered how strong Zoro had to be to lift you off the ground so easily with only one arm—granted, it hadn’t been that far of a lift, but still. “Kiss me again.”

Zoro laughed but obeyed, his hand still working at your breast as the other dropped to your thigh. Your fingers interlaced with his short hair, tangling within the moss-green locks as his tongue ran along the ivories of your teeth. His teeth scraped against your lip as he moved away, lips instead following the line of your jaw and moving down to your neck.

You dropped your arm from his hair, hand pressing flat against his upper back. Zoro’s muscles flexed as he chased down your throat, and you sighed as he pressed gentle kisses along the line of your vein.

“Been—wanting to do this for a while,” Zoro panted between kisses, placing a final one kiss at the junction of your collarbone before glancing tentatively back up at you. You met his mouth in another kiss, a smile you hadn’t felt rising bright along your cheekbones.

“Me too,” you whispered, and a look of relief flashed across his face before he was ducking his head again to press more kisses along your neck. You let out a laugh—you could feel the rumble of his lips against the sound as it left your throat. Carefully, you ran your finger along his earrings, soft clinks filling the room at the action. “What was that? Did you think I didn’t?”

“Dunno,” Zoro muttered, and you laughed again before he nipped at your skin, teeth scratching in a gentle bite. At your chest, his hand squeezed your nipple, and you gasped.

“That was mean.”

“Mhm.” Zoro didn’t seem appeased, his kisses turning sloppier—open-mouthed, full of bite. He never pressed down hard enough to hurt, but your mouth was full of soft gasps and whines, and your hand had come down to clench against his bicep. God, his arms. “I don’t hear you complaining.”

You nudged him, meaning only for it to be a slight press. But Zoro let the action guide him, falling onto his back with you pressed against him, flat against the bed. He stilled, both hands dropping to your hips as he gaze lifted to drink you in.

You were certain you were a mess—blushing, lips probably swollen, bruise blossoms that would purple by morning scattered all along your neck. But the way he looked at you made it seem like you were all dolled up—like you were outfitted in a flowing gown, eyes sparkling and hair perfect instead of the mess it most undoubtedly was.

“You’re pretty,” he murmured, almost too quiet to hear. Actually, you were certain you weren’t supposed to hear it, because before you could respond, he was pulling you across him, fluidly rolling you onto your back. His forearm pressed against the mattress beside your head, caging you in. Zoro seemed to like this angle, moving down your neck to your chest with more gentle kisses.

You were content to let him take what he wanted, eyes not moving from his face as you watched his lips brush over your breast. His tongue was hot against your skin, and you sucked in a tight breath as he swirled it along your nipple. Zoro steadied you with a firm grasp, hand pressing against your side before pushing up to attend to the breast that his mouth wasn’t. You squirmed, a soft pool of warmth sitting in your lower belly as he worked. A tight knot had formed somewhere inside, and you let out a breathy gasp.

Zoro’s gaze traced lower, hand leaving your breast in favor of skidding down your figure to rest at the hand of your shorts. He paused, eyes flickering upwards to meet yours. Hastily, you nodded, and his fingers dipped below the cloth, head lowering to press another kiss by your hip bone. Your hands clenched against the bed sheets as his fingers skimmed the rim of your shorts, coaxing them down inch by inch before they finally slid down to your knees. You kicked them off insistently, and Zoro laughed, one hand coming to stroke your thigh as if to make you stop moving.

Even though you’d partly expected it, you hadn’t been ready for the soft kiss he pressed against your inner thigh. His hand hooked around the side of your panties, dragging them down as he kissed up your skin, and you took in a sharp breath that he wholly and entirely ignored. His movements became more insistent as you squirmed, open-mouth and biting, tongue darting out from between his lips to languidly swipe up your thigh. Finally he reached the junction of your thigh and core, mouth pressing a feather-light kiss that dragged an entirely shameful sound out from your throat.

Zoro pushed your panties all the way off your hips, letting them sit by your knees even as you squirmed to kick them off. “Shh,” he murmured, and you stopped, heart pounding as the sound sunk deep into your bloodstream. The tight knot in your lower belly had only grown tighter, and your breath caught in your throat as you watched Zoro, his eyes flickering all around your exposed core.

He ran a finger along the side of your slit, and you shuddered, watching as he experimentally traced it across your folds. He lowered his head to your hips, pressing a kiss onto your clit. You were barely able to suppress the buck of your hips as Zoro’s hand came to rest on your thigh, pinning you down as his other hand worked along your core.

His finger found your vagina, carefully sinking between your folds as his tongue worked languid circles around your clit. You let out a moan, voice stuttering against your throat as his finger slipped deeper inside you. It only took him a few moments to push another one in, the soft scrape of his cut fingernails eliciting sparks that drew another breathy moan out of you.

“Isn’t it a little—unfair that I’m the only one not wearing anything?” you managed out between breaths, and Zoro stopped his motions, head lifting and eyes glancing up at you from under his lashes. One of his eyebrows arched in question, and his lips were glossy with your fluids, causing your core to squeeze around his fingers. Somehow, he didn’t even seem to notice the motion.

“Oh, that’s what you want to focus on right now?” he murmured, all low and throaty. He always spoke low-pitched, vocal chords all brash and grating from the back of his throat, but his voice hummed even deeper now, although that didn’t seem humanly possible. Your muscles clenched again, and Zoro’s gaze dipped down to where his fingers were still pushed inside of you. He fluidly pressed in deeper, fingers curling inside your body before pulling out and working back in. Your retort was lost as you moaned again, the tight feeling of your gut slowly unwinding as he moved back and forth inside of you.

His mouth lowered to lick at your clit again, and you cried out, barely suppressing a scream as his fingers dug, more insistent, inside of you. He pressed one final kiss against your clit, and then sat back, eyes fixed on working at your core instead. His fingers pumped in and out, steady and fluid. Your breaths came out breathy and broken, climbing closer and closer to your climax until he finally reached the summit inside of you.

“Come,” Zoro whispered, the hand not taking care of you running reassuringly along your thigh. You came suddenly, hips stuttering from where’d they’d lifted off the mattress, a cry ripping out of your throat. Zoro slowly slipped his fingers out of you, rubbing soothing circles into your inner thigh as you ran out your climax. Your breaths evened out, becoming less deep, less frantic; Zoro watched all the while, a glossy shine over his eyes and the faintest of smiles pressed along his lips.

You tilted your gaze down to his face, catching him just as he started to move again. The fingers drenched in your fluids came up to his mouth, and he licked them clean. Your stomach dropped, somehow already turning you on despite having come just mere seconds beforehand.

“My turn,” Zoro said softly, sitting up to start unbuttoning his shirt. You hoisted yourself up, hands skimming along the sheets beside him, uncertain of whether he wanted you to touch. You glimpsed a stiff tent in his pants as he sat up, and swallowed hard, eyeing the pull with apprehension.

“Do you want me to—” you tried gesturing down to his hips, but he caught your hand swiftly, pressing it against the buttons of his shirt. “What do you want?”

“Sex,” Zoro said. Nothing else. You held back the choke that dared to escape your throat, and a sheepish grin crossed his face. It was lopsided, nearly a smirk, if not for the genuine warmth glimmering at his eyes. “Sorry. That was vague.”

“It’s okay,” you assured, stifling a laugh. Your hands worked fastidiously at his buttons. It took far longer than you felt it should’ve, fingers all clumsy as you tugged them through their holes, unlooping them from where it fixed the cloth together. Soon enough, though, Zoro was stripping the last of the fabric off, tossing it carelessly across the room before pulling you into another kiss.

He was sloppier now that you’d come, more comfortable in his element—you could taste the tang of yourself on his lips, and you let out a sigh, hands moving down his figure to work at his belt. He had to stop kissing you to tug at his pants, pushing them down his legs before finally kicking them off fully.

You ducked your head to press a kiss at his navel, eyes tracing the length that jutted out from his hips. Your breath caught, gaze fixed to a pale vein running up the line of his length. “Up,” Zoro murmured, and you glanced up. Zoro pressed a long kiss to your mouth, one hand skimming around your butt to pull you up by the headboard. He ran a hand over your core, as if to ascertain you were relaxed enough for him.

“Do you have anything for it?” he murmured, lips sending chills down your back as he pressed a soft kiss at your jaw.

“I’m on the pill, yeah,” you huffed out, arms winding around his torso. Zoro hummed his response, fingers running up and down your thigh as he adjusted, hips sliding against yours to meet your core.

You sucked in a breath, but he was gentle with it, pushing in slowly, hand running along your lower back and coaxing you still. The sensation sparked tingles all over your body; up your spine, along your hips, down your legs like Zoro was electricity himself. You let out a little sigh as he pushed up to his hilt into you, hips stuttering against his as you both paused for breath. He brushed a ghost of a kiss along your lips. “Okay?” Zoro murmured.

“Perfect,” you answered, arms clutching tighter around him, fingers digging into his back. You hoped it wasn’t too sharp, but considering how big Zoro was, it was likely he barely felt the pressure—the crescents of your fingernails were probably just pinpricks to him.

Zoro started moving, then, his actions soft and fluid at first, fingers pressing reassuring circles into your waist and hips. He was nearly tender with it, motions languid and slow, like he had all the time in the world. Your breaths came out easy, soft and just barely edging towards gasps.

He started thrusting with more insistence soon, though; Zoro’s hips bucked against yours, and your grip tightened along his shoulder blades as he pushed in and out of you. Soft gasps and whines left your throat, in stark contrast to the heavy groans and grunts that barely stuttered past Zoro’s lips.

“Like that,” you said, barely able to let out words of encouragement as he hit your sweet spot, buried deep inside of you. You let out a throaty moan as he moved faster and faster, thrusts becoming harder and more aggressive. You knocked your head back, one of your hands reaching to grab Zoro’s from where it propped him up by your head. He welcomed the invitation quickly, fingers interlacing with yours, coaxing your palm open into a kiss of your hands. His thrusts worked harder than ever, and you stopped chasing the friction, letting your hips buck up against his as he shoved into you.

A low groan erupted from his throat as he hit your spot again, mouth coming down to bite into your shoulder as he suppressed the cry that tore from his mouth. You swallowed, gasping hard for breath as you felt him come inside you, your walls clenching tight around him before you also felt the familiar burst of pressure. You let out a gasping moan, mind buzzing with sparks and tingles. Vaguely, you felt Zoro’s hand against your hip, moving up and down in calming strokes.

It took a moment for you both to recover, coming down from the blissful high after long seconds ticked by. Zoro removed his mouth from your shoulder, carefully prying his jaw off from your skin. He scrutinized the marks he’d left—crescents of teeth, undoubtedly—before lowering his head again to press an apologetic kiss to the bite. You laughed in surprise.

“I can be a gentleman,” Zoro protested lightly, though his words didn’t hold much of a fight as he carefully slid out of you. He did it slowly, inch by inch, leaving a hollow sensation in his wake when he eventually parted from you. “You okay?”

“Lovely,” you answered honestly, eyes grazing up his chest before meeting his. “You?”

“I’m good,” Zoro answered, a vague smile on his lips. It was soft, tender; maybe not as big as ones you’d seen when he was laughing with the crew, but special nonetheless. He studied you for a moment, and you took the opportunity to trace his face with your eyes. His pupils were blown, slowly receding back into small dots of shadow, and his lips were kissed red, swollen over and glossy with your saliva. “Want me to draw a bath?”

“No,” you said, content just to watch him like this. “We can clean up in the morning, it’s getting late.” You hesitated, suddenly uncertain, teeth tugging at your lower lip. “Unless… you want to go?”

Zoro snorted. “No, I think I like it here,” he decided. He sat up, reaching to pull the blankets over your figure so the gooseflesh you hadn’t even noticed on your skin would subside. “Too tired to move, anyway. Might stay here forever.”

“Dramatic ass,” you mumbled, wrapping a hand around his wrist and tugging him closer to you. Zoro obeyed, sliding beside you, one arm moving to wrap around your waist. “Go to sleep, you big dummy.”

Zoro’s breath was light against the shell of your ear. “That was unwarranted.”

“Sleep,” you insisted, and Zoro huffed, reaching the arm that wasn’t around you to the nightstand. He flicked the lantern off, then turned back towards you, finally settling down. His lips pressed a soft kiss along your shoulder, and you smiled, your hand reaching down to meet where his was splayed along your belly.

“Good night,” you whispered.

“Night,” he mumbled back, the end of the word tapering off into a soft, tired breath. You could feel his chest move, up and down in a steady, soft rhythm. You buried your head into the crook of his arm, letting out a contented sigh before finally closing your eyes to drift off to sleep.

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