#what happened is i'd make one and then it would turn out to be just an anthro character and not me at all

[satoruxx]

THE SPACE BETWEEN COMFORT AND CHAOS.

✧ PAIRING: wolf!toji fushiguro x f!reader | 6.8k words

✧ SUMMARY: wolfhybrid!toji, hybrid au, grumpy x sunshine, animalistic behavior, pining, jealous toji, more blood as a metaphor for love, we getting a little suggestive with this one, nothing too smutty but toji does have a few questionable thoughts, he's lowkey tweaking out

✧ RHEYA'S NOTE: i'll be so honest i had the first half of this chapter written since like september but i got stuck with the second half. unfortunately i hit a wall with this series but now i'm back on track!! updates will probably still be slower just bc this semester is looking rough and i'm graduating but !! i have a lot planned for wolf toji dw :33 as always i'd recommend reading the previous parts before this one !!

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you have a date tonight.

even though you've said it's just a casual get together, toji knows it's a date. he can smell the giddiness rolling off of you as you bounce around your apartment trying to get ready, his eyes following your every move.

"so how long will you be out for this date?" he questions, trying to keep his voice even and casual as he leans against the doorframe of your bedroom. you're standing in front of your mirror, fixing your hair with a critical eye, and embarrassingly enough, toji can't look away.

"it's not a date," you stress with a quiet laugh, eyes sparkling with amusement. "and i should be back around eleven hopefully."

well at least you plan to come home.

(to him.)

toji lets his head rest against the wall, pursing his lips to bite back the snarkiness he wants to express. "well what am i supposed to do while you're gone?"

"i don't know, whatever you want." you grin at him through the mirror, teasing. "do wolf hybrids howl at the mailman?"

he snorts in return, crossing his bulky arms over his chest with a wry smirk. "'m not a dog."

"sure you aren't." you turn around to face him fully, gesturing to yourself with a tilt of your head. "this look okay?"

he bites back a sigh. toji isn't great with words, but he would love to tell you that you're quite literally the most attractive human he's ever met. his jade eyes travel over your figure, ignoring the instinctual rise of jealousy that is swimming in his gut because some other asshole gets to see you like this—all dolled up and pretty like you've dropped from the heavens.

which, to toji, you have. a guardian angel sent just for him.

"looks great," he mutters, nodding once at your ensemble. though he's sure you could make even the ugliest clothing look like perfection. you beam at him, grabbing your coat before bounding over to him.

"thanks toji!" you say his name with an absurd amount of sweetness, reaching up to poke your finger into his cheek. he rolls his eyes, making a show of playfully snapping his canines at your hand. a peal of laughter rips from your throat as you retract, and his ears flick at the sound, pleased. he has the strongest urge to squeeze you into his very being—all consuming.

toji follows you to the door, watching you pick up the house keys and slipping on your shoes as you ramble to him. "there's meat in the fridge and some leftover rice if you want it. oh and i bought those juices you said you liked—"

a fucking angel.

"—so make sure you eat well, okay?" you look at him imploringly, and toji inhales sharply. god he wants to wrap you up tight and keep you with him for the rest of eternity. but instead he's stuck like this, watching you go out to meet some other man while he aimlessly prowls your empty apartment. it's bad enough that the whole space reminds him of you—your scent heavy and sweet around him. but being stuck in your house without you there? that's another struggle all together.

toji didn't even mean for this to happen. god knows he's had enough of trusting humans for a lifetime, because all they can be are cruel and selfish and greedy.

so when you and him came face to face in that alleyway, all he wanted to do was scare you off and keep to himself—the only person he knows he can rely on. but of course, you are as stubborn as you are sweet. maybe that's why toji feels the strange need to always have you in his sight, to always feel you near him.

you're too good for this world, and he would rather gut himself than let anyone touch you.

so that incessant thumping against his ribcage and the swooping in his stomach that only happens when you look at him? that's just protective instinct—a way to repay you for taking pity on an animal like him.

it has nothing to do with feelings. he definitely does not crack a wry smile when you both share a meal. he definitely does not feel a surge of affection when he realizes that you've gone out of your way for him again. he definitely does not allow his tail to wag back and forth when you're excited or happy around him. he definitely does not mask his satisfaction behind a grumpy scowl when you reach up and scratch behind his pointed ears.

definitely not.

besides, toji needs to pull himself together. because if he cares about you even a little bit, he'll keep his distance. he doesn't want to be known as the animal who came and ruined your life.

he's sure you've told all of your friends and coworkers about him—the wolf hybrid you've allowed into your home. he supposes he should be grateful that you haven't been treating him the way most humans do—like a pet. no you've given him more freedom than he knows what to do with, and he's sure that your brain isn't even wired to see him in any other way than as an equal.

like he said, you're too fucking sweet for this world.

but toji knows that everyone around you probably sees him the way hybrids are supposed to be seen, and that's why nobody sees him as a threat. but toji can't deny the insane desire to be viewed as a threat. as a competitor—one that would gladly run in the race for your affection.

(but that's delusional. he knows that people would talk, would frown as you pass by. because you've crossed a line that society deems as dirty—wrong. he isn't worried about what people would say about him. no he doesn't give a shit about that. but the idea of anyone badmouthing you makes his stomach churn and anger spike.

so no. he could never do that to you. he cannot ruin you like that. to turn himself into the scum that took advantage of a poor little human.)

"yeah yeah," he waves you off, clearing his throat. he doesn't like that his brain goes to these thoughts so often these days. "get out of here now."

you stick your tongue out again, reaching for the door. "it's my house thank you very much!"

the wind is biting as it hits toji's skin, and it serves as a cruel wake up call to his reality. that there is no circumstances where you'd be going out to meet him in a situation like this. where he is the one on the receiving end of your sweet love and adoration. he approaches to lock the door behind you, lips slanted. just as you're stepping out, you reach a hand up. he stiffens as your fingers gently scratch behind his pointed ears, so very gently. a pleasant chill climbs up his spine, tickles his very nerve endings.

(he thinks he could die peacefully just laying his head in your lap and letting your fingers gently scratch at his ears.)

toji doesn't remember when you started feeling so comfortable touching him. he can't remember the moment he started feeling comfortable touching you. but if he racks his brain far back enough he can remember that strange sense of longing he started feeling when looking at you. can remember the instances where he'd push your face away when you got too close, heat crawling up his neck.

he holds back a shiver, steeling his expression into his normal unamused stare. yet he feels like his affection for you might be obvious if you looked too deeply into his eyes. you retract your hand with a grin, unperturbed by his moodiness. "i'll be back soon."

"you better…" he mumbles quietly. before he can stop himself, he's reaching up and placing his palm on your head, just like he did all those weeks ago. sure enough he can see the slivers of embarrassment creep into your expression, the subtle dip of your lashes and quirk of your lips. he had quickly realized how truly addicting this expression was to him—almost drug-like. he had chased after it shamelessly since then.

you give him a look, a semi pursed smile, and then leave him. he watches you until you disappear down the street, and he feels his mood sour further. he doesn't like how much influence your presence has on him. when he shuts the door behind him and is only met with the silence of your empty apartment, he starts to feel restless.

toji is no idiot. he knows that he is gradually beginning to care for you. he knows that he has already melted far more than he should've. but you're sneaky, managing to worm your way into the coldest corners and crevices and light a fire there.

but he hates that. he hates that he has even allowed his brain the luxury to think of you in that way. a rational mind has always been something he has been able to brag about, but somehow he finds that it fails him when you're around.

it takes about twenty minutes in your empty apartment for toji to feel like he's going stir crazy. he's not unaccustomed to you being away—but the idea that you're out with someone else just makes him feel irritated. he sighs, grabbing a jacket and slipping on his shoes. he picks up his set of keys from the bowl by the door before heading out into the cold. he doesn't really know where he's going, but he knows that he can't sit in your apartment for the next couple hours.

(not in this space that constantly reminds him of you. the space that is heavy with the scent that clings to your body and invades his senses late at night. drives him up the wall with restless need and longing in his muscles that he has not felt in a long time.)

the streets are brightly lit, and toji pulls his hood over his head before shoving his hands into his pockets. keeps his eyes on the ground because there is still that sting of paranoia that his past will come back to haunt him. honestly he would've been fine living with only himself to rely on. but the universe must have truly been praying on his downfall, because here he is—the oh so terrifying and feared wolf of the underground, being worried about something as silly as a damn crush.

he'd figured that this brief wave of attraction he felt towards you would disappear easily. in fact, all he planned on doing was taking advantage of your blatant kindness and open mindset towards hybrids. eat your food and gain some strength before moving on to the next city and becoming nothing more than a stranger who once dipped into your life. but no, you and your stupid smile had practically invited him in, open arms and generous comfort that made him feel sick to his stomach for even considering taking advantage of you.

that's the most frustrating part—your dumb sweetness makes it impossible for him to hurt you.

even now, when he feels this unreasonable sense of betrayal at the thought of you being out with some other man, he doesn't have it in him to be angry at you. of course toji isn't stupid. he isn't delusional enough to believe that he has any right to be angry about such a thing. you're perfection embodied in human form—he'd be an idiot to think that nobody else in the world would look at you the way he does. and he knows that they'd probably be better suited for you.

(what, as a washed up bitter old wolf hybrid, does he have to offer you?)

so yes, he's trying to convince himself that this is good enough. being able to share your space and take up a corner in your life. to hear your thoughts and hear his name fall from your lips.

his feet carry him forward without having a destination in mind. he briefly thinks that maybe he'll go to that one little restaurant where you often get takeout and bring some back for you. he's sure you'll eat on the date, but he's thinking about doing it anyway. a gruff smirk worms its way onto his face when he thinks about how you'll chide him for being buying food even though there were leftovers at home. you're so easy for him to read and that makes him ridiculously happy.

"toji?"

he freezes, brow twitching. bile instinctually rises in his throat, and he feels his hackles rising. his ears stiffen, claws lengthen, and he feels as though the hair on his body has stood on edge. it takes every bit of willpower to not bolt down the street, right back to your apartment. instead he can only stiffly turn around, teeth gritted as he comes face to face with his grandfather.

the old man's eyes are narrowed, but otherwise he shows no emotion. "so this is where you've been."

toji purses his lips, mind spinning with a thousand different ways to get out of this situation. he's screwed, royally. "i've been all over."

"it's been months. don't you think your little vacation is up now?"

"fuck off," toji snarls. his anger spikes so fast even he finds it a little unreasonable.

naobito lets out a boisterous laugh—grating and sharp. "how can i turn a blind eye when my damn investment is running around in the streets?"

"well you shoulda kept a better eye on me, huh old man?" toji snarls. he feels more threatened than ever before. his body is overwhelmed with a thousand different emotions. the horror of being caught and maybe being thrown back underground. the disgust at seeing the man he hates most in the world.

the pure unadulterated fear that consumes him when he thinks that he might never see you again.

he won't do it. he'll die before being dragged away once more.

"oh you're so entertaining toji." naobito pulls out his phone, the light from the screen illuminating his face in a way that makes him look strangely terrifying. "enough games. you've had your fun."

toji's lunging before he even realizes it, the growl that tears through his throat sounding almost feral. his right hand snakes around naobito's throat, and it takes all his willpower to not crush the man's windpipe between his fingers. his other hand is ready to strike, claws sharp and glinting in the moonlight. the old man's eyes go wide for a second, but then they narrow, and despite the difficulty, his lips stretch into an oily smile.

"you won't do it…" he chokes out, strained and painful. toji's palm tightens further, eliciting a wheeze from the old man. "you know what they'll do to you."

toji honestly doesn't care. in his mind, being put down wouldn't be the worst thing in the world if it means killing this bastard once and for all. but then he has a thought, and it all comes crashing down.

you.

he thinks of you and your sweet smile and welcoming arms and everything suddenly stops. because by chance if this fucker finds out about you, everything is over. toji's mind races. thoughts of his grandfather's men coming after him and finding you instead, punishing you for taking in the animal that so clearly didn't belong to you. ice floods his veins—chilling and jarring.

his grip loosens, and then he's backing away slowly. the goosebumps on his arms are almost painful, and he can feel his pulse thudding against his jugular as naobito stands and straightens his clothes. the old man clears his throat. "you can run all you want. you know they'll find you."

"i'll take that risk." toji wants to go. never in his life has he felt so inclined to run. he takes another step back, and naobito raises his phone again.

"do it," toji grits out, flashing his lengthened claws. the old man's eyes catch the movement, and even though his expression remains neutral, toji can smell the hesitation spiking as he stills. "i dare you."

"you even touch me and they'll lock you up for good," naobito spits. "maybe even put you down."

"well that's fine with me as long as i've ripped you to shreds." toji licks his teeth, eyes narrowed. "shame that brat naoya isn't here with you. i would've broken his neck too."

naobito lets out a mirthless laugh, but he doesn't make any more advancements. toji takes another step back, snarling. his grandfather crosses his arms, tilting his head with an amused smile. "you do all this drama, but you know you'll go back there on your own."

toji barks out a laugh, though it is strained with anger. "oh yeah? how come?"

naobito's smile becomes chilling as his voice drops. "because it's in you, toji. you're nothing but a rabid animal, and you'll crave blood soon enough."

toji's skin prickles. nausea churns his guts, and all he can manage to spit out is a growled "fuck you," before he's turning around and running. thankfully, the darkness of the night acts like a blanket—covers up his footsteps until he's sure he's far enough. for once he thanks the heavens for his animalistic traits; the speed with which his feet carry him is almost superhuman. he wonders if his damn grandfather is calling all the people he knows, sending them after him. but another part wonders if naobito is so psychotic that he would wait for toji to come crawling back.

both options are ridiculously plausible.

toji stops and thinks that maybe he shouldn't go back to your house. he could be leading his past right to your doorstep. but then he realizes there is no other place in the world where he is more safe, and then he's speeding up again. when he reaches your apartment, he hides in the shadows for ten minutes waiting to see if he's being followed. when he deems it safe, he quietly unlocks your door and slips inside.

the apartment is just as he left it, and toji finally releases a shaky breath. his heartbeat feels erratic, and he didn't even realize that he'd been biting his lip so hard, only now tasting the metallic flavor of his own blood.

(he ignores how easily his tense muscles seem to relax when your scent invades his senses once more.)

toji flops onto the couch unceremoniously, rubbing at his brow bones. what are the odds that he'd run into his damn grandfather in the streets and still be a free man? toji always figured that if he ever saw the old bastard again, he'd find himself either dead or back underground. after all, naobito zenin has always cared so deeply about his number one investment.

now the only thing on toji's mind is the fact that he might be putting you in danger. you and the sweet life you've so carefully built. the life that you shared with him so willingly—open arms and all. what right did he have to bring threats to that comfort and stability? you've been so good to him, and what has he done to repay that except constantly put you in tough situations?

he thinks that maybe meeting him in that alley was the worst thing that could've happened to you.

there is a dull throbbing that has settled between his brows, and toji puts his face in his palms, exhaling heavily. he wishes that you were here. wishes that you would open the front door and chatter away to your heart's content. wishes that you'd easily forget that fool who's taking you out tonight and look toji's way instead. wishes that you'd sit next to him on the couch and let the warmth of your arm bleed into his skin.

(he doesn't mind hearing you talk. your voice has a lovely timbre to it, not too harsh and not too grating. he thinks that the waves of your laugh would soothe the pain in his head very quickly.

he doesn't like that there's someone else. he knows it has nothing to do with you—after all you deserve someone who treats you well. someone who can lay the world at your feet even before you ask. and he understands that he is not that person and will never be that person so long as ears sprout atop his head and his teeth are elongated and sharp.

he is irked by the craving for warmth he has developed. he wonders why he doesn't miss his solitude. instead the empty space feels awfully full when you're around—not suffocating, just full. he thinks he wouldn't mind sharing that space with you for a long time.)

toji's fingers twitch in irritation, and he flops back, draping across your couch. his eyes conjure up floating patterns against your ceiling, and he cannot blink them away no matter how hard he tries. it is a struggle to dispel these thoughts—the oh so valiant fighter losing a battle as simple as this. it's almost laughable.

there is a sour taste in toji's mouth because he knows what this is. that damn feeling that everyone raves about. the one people are willing to do anything for. a blessing, a curse. able to make life worth living and yet wars were fought over it.

something he never deserved.

if he had common sense, he'd leave well enough alone. it's bad enough that he feels indebted to you, but bringing any other feelings into whatever arrangement you both seemed to have feels almost self-destructive. especially because he'd be the last person on earth to have a chance anyway.

he does not know why that conclusion feels so damn prickly.

toji sits up straight, eyes burning holes into the armrest of your couch. then he reaches over, grabs the tv remote, and turns the tv on to some random show. then hits the volume button more times than he probably should. he can't help it—the silence in your apartment is deafening.

another less than graceful flop back into the heat of your couch. heavy eyes bore into the ceiling once more. if he strains hard enough, toji can imagine your reactions to the dialogues coming from the tv. his lips pull up to the side, wry and somewhat wistful.

he's pushing his luck. you should really send someone to get rid of him. he's gotten too full of himself, thinking that he knows you so well.

toji thinks that if he focuses hard enough, he can find remnants of you in the couch's fibers. sweet shampoo, detergent, faint traces of curry, and the hints of your natural scent that pushes through all the artificial ones.

toji's eyes go unfocused the more attention he pays to that scent. invading his senses and pulling fatigue away from the sinews of his muscles like it's easy. behind his eyelids, his mind is able to conjure up an image of you—and he's honestly surprised at how detailed it is.

you've managed to fully consume him now.

(all that talk of sinking his claws into you when he hadn't even realized you'd gotten to him first.

soft, untouched fingers gently curling around beating muscle and tissue. sweet caresses of blood-filled chambers, honey slipping through the valves. addictive, drug-like. a shot of adrenaline.

one squeeze of your fingers and he'd bleed all over the place.)

toji inhales sharply. before he's even fully awake, scents are invading his nose. the bus, sweet shampoo, olive oil, pungent cologne.

he finds you. his shoulders relax. the door clicks open, your unique footsteps quietly pressing against the hardwood. toji suddenly feels all too weary, throwing a heavy arm across his face because he's still trying to remember what he was dreaming about—grasping at straws.

"you asleep?" your voice is quiet, probably out of consideration in case he really was sleeping. his ears flick at the sounds of your coat being pulled off.

"no," he responds—groggy. he doesn't make an effort to move, staring at the same ceiling he fell asleep looking at. your smile is etched behind his eyelids.

"good," you chirp. he hears the drop of your keys into the bowl. your footsteps get louder. "i brought food back."

a noncommittal grunt in return, and your laugh is almost breathless. your face makes its way into his line of sight. half smile almost wry, you bend over the back of the couch and study his expression.

the spark in your eye is lively, almost vivacious. it sends adrenaline through toji's veins almost instantaneously. he can't see the ceiling anymore, your face obscuring it perfectly. he watches your hair fall with the weight of gravity, studies it like it's a necessity.

beautiful, he wants to say. but he doesn't know how to articulate that word aloud. so it remains hidden in the backlogs of his brain that never see the light of day.

"did you already eat?" you ask, and he shakes his head no. he doesn't mention his failed attempt at going to bring you takeout. screw his damn grandfather.

he sits up straight, and you walk around the couch and take a seat next to him. "how come? you aren't hungry?"

"not really," he mutters, shutting his eyes. that throbbing between his brows has returned. when he glances at you from the corner of his eye, you're giving him a look that is comically skeptical.

"you're not?" your voice goes dramatically worried, and you lean over and press a palm to his forehead like it's the end of the world. "toji not being hungry? what, are you sick?"

he snorts out a sound that sounds suspiciously like a laugh, reaching up to tug at your wrist with an exasperated roll of his eyes. "don't be ridiculous. you're so dramatic."

you grin, watching him stand up and pop his joints with a groan. toji glances at you for a split second. the hair on the back of his neck stands, a chill running down his spine. he feels like someone is chasing him, getting closer and closer with outreached claws. claws that would crush you almost easily—like paper. he swallows, glancing over his shoulder to peek out your window.

darkness is all he's greeted with.

toji sighs heavily, massaging his temples. he realizes that you're still staring at him, so he forces a vaguely disinterested expression—so carefully neutral. "changed my mind. i'm starving now. where's the food?"

a beat of silence passes, and he turns to look at you expectantly.

balancing on your knees, you peer at him from over the back of the couch, a cautious look in your eye. "you okay?"

he bristles. he hates that you can take him apart like that. that you can see the irritation settling in the crinkle of his brows. that it somehow feels so easy for you to see right through him.

he briefly considers spilling his guts to you then and there, but then that one image flashes behind his eyes once more. the image of bulky soldiers holding heavy guns in your face, and the words die on his tongue. "'m fine."

you raise a brow, eyes raking over his expression. he can tell you don't believe him at all, but he doesn't want to discuss this any further. he's decided that he won't take such risks—not with you anyway.

you look less than pleased as you watch him stand up and walk into the kitchen, effectively cutting the conversation short. but you don't say anything, choosing to just attach yourself to his shadow and follow him. your hesitant expression makes him feel a little guilty, but he brushes it off.

toji is suddenly struck with the realization that you've been with someone else tonight. his mood dips slightly, but he tries not to be too obvious about it. "how was the date?"

he is surprised at the way your expression seems to sour. you cross your arms, huffing as you lean against the counter. "not great," you pause, before glaring at him. "and i told you it wasn't a date!"

"yeah right," he snorts, dropping your leftovers into his plate and throwing it into the microwave. the droning hum echoes in his ears as he turns to you and crosses his arms. "why was it not great?"

"well i don't know," you shrug, lips slanting. you hop up onto the counter, settling in like you're about to drop the next great american novel. "he just…wasn't how he normally is at all?"

the microwave beeps, and toji turns away to pull the plate out. he thinks that he can taste blood on his tongue, but he clears his throat and keeps his voice even. "it was one of your coworkers right?"

"yeah, but like…" you suck on your teeth, searching for words. "he was so self-centered!"

toji is grateful his back is turned to you, because the way he's grinning would seem really strange given the circumstances. the satisfaction that is thrumming through his veins is almost ridiculous.

"i mean at work he was always polite and stuff so i figured he'd be nice to hang out with—" you roll your eyes at your own naivety. "but no. as soon as i sat down he started going on and on about himself and i just sat there. i barely got to say a word about myself at all."

"sounds like he really likes the sound of his own voice." toji finally looks at you, and despite feeling relieved that the date didn't work out, the miserable look on your face makes him feel a tad guilty. the wolf sighs heavily, walking over to you with the plate full of food. "here, eat."

your expression goes blank, giving him a look that basically translates to 'are you serious?'.

"i brought the food back for you!" you protest. toji rolls his eyes harshly.

"if this date was as bad as you're making it sound, i bet you were too icked out to eat."

a laugh escapes your throat, and you shrug in a way that seems to be acquiescent. the wolf approaches you, a half smirk on his face that looks comfortingly familiar, and when he is right in front of you, you watch him stab his fork into the food before raising it to your lips.

it is all too natural—the way he offers and the way you immediately take.

your lips part and close around the fork. toji's eyes zero in on the movement almost instantaneously. he is embarrassed that he didn't think twice about the so obviously domestic action, but he can't backtrack now. so all he can do is watch your mouth as you savor the taste and chew, his own throat feeling oddly parched.

he hadn't realized just how intimate the gesture was.

even now he feels like he's invading your space. you're close enough that he can count your lashes and see the flecks of light in your eyes. he wants to know what you're thinking—if your brain is going haywire the way his is. but all he can do is peer into the windows to your soul and search for any hints.

he is not perceptive enough to find anything. all he knows is that you're looking at him with stars in your eyes and that same honey like sweetness dripping from your smile. his ears flick restlessly, and swallows with a bit of difficulty.

"thanks," you mumble after you've finished chewing, looking at him with deliberation. "you eat the rest."

"you sure?" he asks, not understanding why his own voice is coming out just as quiet. you nod wordlessly, giving him a grateful smile, and his tail unknowingly begins its steady back and forth movement. your tongue peeks out to wet your lips, almost nervously, and toji's eyes greedily trace the path again. there's an almost bashful tinge to your expression, and toji is reminded of the way you reacted the first time he told you he trusted you.

(warmth bleeding from your skin. eyes moving away from his gaze. licking at your lips. flustered.)

something in his soul had practically sung when he saw that expression. just like it's doing now.

toji is suddenly struck with the thought of how easy it would be to kiss you right now. you're so damn close, another step forward and he could capture your lips easily. a sharp inhale, claws twitch around the plate. his brain dives further into those thoughts almost instantly, and he curses himself for it.

(forget sinking his teeth into you. forget digging through bone and flesh to find the beating muscle in your chest. all of that pales in comparison to actually getting a taste. to have you at his mercy the way you've had him for all these months—a deliciously sweet vengeance. he wonders what your lips would taste like, what they would feel like under the drag of his tongue. quiet little gasps pressed against his greedy mouth, soft flesh against the scar cutting over his lips.

if he strains hard enough he can hear the ragged pants filling the space between you two. his mind is frustratingly skilled enough to conjure up images of your naked skin and what it would feel like under his hands.

he swears he'd be so damn careful. just to make sure his claws don't damage you in a way that only an animal can damage a human.

but he knows he can do it. with reverent fingers that are skillful enough to take you apart and make you sing. and oh how you would sing—he'd make sure of it. sweet sighs and moans and a whisper of his name in a way that only you can say. he'd map out every inch of your heated skin until he had each detail memorized, seared into his very being.

that's what loyalty means after all. giving you every single piece of himself and gratefully taking what you offer him in return.)

the wolf has to blink away the haze in his eyes, turning away while clearing his throat. he busies his hands with shoving food down his gullet, but his mind is still racing.

(he is too ashamed to admit that similar thoughts have kept him up before.)

when he tries to take a steadying breath, he picks up the change in the air. the various scents floating around the room mix together, and yet his nose is strong enough to pick yours out. there's a strange difference to it, a spike of adrenaline and something else that makes his mouth water.

(he thinks he knows exactly what that something is. he'd been able to pick these changes out his whole life. all animals could.)

this is ridiculous. he isn't some hormonal pup that lacks self-control. he'd crawled through hell and back and made it out just fine. your stupid sweetness should not be a weakness—not to him anyway. and no amount of vague daydreaming and unrealistic pining would change that.

his pointed ears twitch as he hears you hop off the counter. you stretch out the stiffness in your neck and sigh. "well anyways, i'm ready for this day to be over. i gotta figure out what to do about him."

toji stiffens, tail going rigid as he turns to face you again. his expression is steely. "what do you mean?"

"it's crazy but he asked me on a second date."

you roll your neck again, and his eyes zero in on your skin.

(if only you knew. a bare canvas. so readily available for his teeth to sink into. vulnerable, yielding, devoted. he'd let you sink your teeth into his neck too. only you. no one else.)

"what a fucking fool," toji scoffs, crossing his bulky arms. he leans back, feeling the sharpness of the counter digging into his tailbone. he looks at you expectantly. "you're not going, are you?"

"nah," you shake your head, smiling mirthlessly. your fingers come up to push your hair away from your face, and toji's finger twitch in tandem. "the whole thing was weird. i'm good ending it here."

"mmh good," toji replies casually. your head snaps up, and you look at him with an intensely interested expression.

"good?" you repeat, with a little scrunch of your face that looks awfully curious.

toji blinks at you blankly, mind stuttering for a second.

(he didn't realize how that would sound. how truthfully honest it was.)

instead he just gives you a glance before nodding. he reaches for a glass and starts filling it with water unceremoniously. "yeah, it's good that you're not going."

"okay…" you trail off, confused. he thinks he can hear obscure smile in your voice.

"i mean he sounds stupid from what you were yapping about." the wolf continues indifferently. his fangs scrape against his bottom lip, and the urge to bite down for his own foolishness is extremely strong. "and ugly."

"ugly?" you ask in surprise, and he looks up to meet your gaze. at your confused expression, he shrugs gruffly.

"yeah. ugly." he doubles down. he doesn't know why you're looking at him like that—like he's just acted completely out of character. it's making his palms sweat and he hates it.

you scoff out a laugh, strangely amused and almost disbelieving. "you've never even seen him."

(a flash of burning heat. a roil of the guts—churning and churning. shades of ugly green.)

toji wonders why you're even defending this fool, irritation flickering in his stomach. now he just feels stubborn—unrelenting. "he just sounded ugly."

you gape at him, though you're smiling while you do it. almost like you're saying 'wow, i can't believe you said that'.

he rolls his jade eyes, downs the water in a gulp, and sets the glass down with more force that he intended. "why? you gonna go out with him again?"

"no…no i'm not going," you answer, a finality in your voice. your gaze searches his face for answers, and he keeps his expression neutral with great difficulty. your eyes are wide and a little surprised, and there's an odd look of satisfaction in them. bewilderment, too. like something has just fallen into place—settled.

a beat of silence passes.

the whole moment feels suffocating, but in a painfully good way. for some reason, toji can feel sweat dripping down his shoulder blades and soaking through his shirt. he glances at you again, and when he sees that same expression, something in his chest does an exhilarated flip. he purses his lips, and then clears his throat. "well i'm tired as fuck. i'm going to bed."

"right," you say, and toji doesn't know if he's imagining it, but you sound a little breathless. he gives you a final look, and when you look back at him, it feels more intense than any other contact the two of you have had. your smile gets a little wider, eyes going frustratingly soft, as you tilt your head.

(so that's what it feels like to be on the receiving end of your sweet attention. honey eyes and sugary smiles. saliva drips from his fangs.)

"get some sleep," he says throatily. his fangs feel like they're elongating, claws feel extra sharp. his tail has resumed its side to side motion. and that fire in his gut has come back tenfold, searing and all consuming.

you nod, teeth sinking into the flesh of your lips. "i will."

you look like you want to say something more, but then your eyes go a little more softer, and when you look at him, he realizes he would willingly lay the entire universe at your feet. "goodnight toji."

all he can manage is a soft grunt and a subtle nod of his head, before turning on his heels and heading for his room. he can feel your stare on his back, and it sends pleasant chills up his spine.

your words echo in his ears.

(no…no i'm not going.)

when he's in the sanctuary of his room, he catches sight of the satisfied grin on his face in the mirror. a little smug, a little delighted, a little surprised.

the same grin that was plastered across your face as you stood in that kitchen.

(so fucking pleased.)

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[tourmelion]

I'd think one of them would be named Elijah, like Ellie takes a strong liking to one, claims them and dubs them that, Eli for short

I feel like as clones keep wracking up they get different temperaments for seeing the situation

The first one knows he was sent to replace Damian, and then gets swiped, and so is a lot more adiment about taking his place, the second another clone shows up the first one is upset he's been replaced and the second one is just kinda, confused, why would they bother with another, and just feels kinda weird having so many, would they keep going if he ever made a mistake, how many are flitting around, and why did this clone decide to stay, by the third capture the new clone just guesses this is how it is, the other clones seemed to be chill, I guess this is just happening now, by the fourth time ra tells them the other 3 went missing before reaching Damian and so is super frustrated and pissed off that they're disobeying, and the 5th doesn't get directly caught, 4th one kicks up a massive fuss and the Danny's have their hands full with him so the clones with some consultation from jazz follow the 5th and plays mind games with him, pretending to be villains, or just generally being silly with him and turning him around whenever he gets close to the manor(courtesy of dan after he stepped out cause he was getting a bit too worked with the 4th, and so 5th just goes around, explores, has his little adventures and gains an adventurous free spirit, ending up as a low level vigilante, like he'll see someone get mugged and he'd stop it, and after a while he's introduced to the fam once 4th settles down, and for the 6th that comes shortly after, the 5th is determined to change his mind and show him a better way, after seeing 5 perfect clones all chilling and hearing 5th talk about better options he becomes doubtful and hears 5th out, reforming and melting into the family, and becoming the most affectionate of the group, 7th has been given every weapon under the sun to track down and eliminate whatever keeps eliminating the other clones, he's incredibly jumpy and paranoid cause 6 other clones have been swallowed up by whatever this organization is, his nerves spike at the slightest things sometimes, and then Danny finds him while walking with sam and Tucker, and Tucker notices how jittery and stressed the poor guy is so asks to buy him some tea, and it stresses him out cause what if it's the gang, he can't fight him, it may be a normal man and draw attention to himself, he can't run, that's not honourable, and he needs to eliminate the gang when he sees it cause it'll be a threat until he does, and so after a long time of looking like he's about to cry he accepts and the teas fine and they just seem nice, and definitely not able to best him if they do fight him, the gang show him cool stuff and calm him down, and he carries on, slower than the previous clones from how alert he is, and Tucker and his friends keep meeting and chatting and he quite likes him, he clears his mind, makes him less freaked out, and he eventually asks him to come over to a public restaurant to meet some family his age in town, and it was free food so he agreed, he ends up face to face with every clone, and just bursts out laughing in relief, cause they've all been hanging out this whole time, and so he joins the frey, as the affectionate but stressy one, kinda like a mix between Tim and tweek, and with the 8th one he's been tasked with just going to the manner but they put a tracker on him, he meets the gang, they fight, they talk, and through the 7th he finds out that he was basically sent to die so Ra could find out what was talking his clones, ending up vengeful he, teaming with 7th, who's under tuckers wing, starts plotting to sabotage Ra, 8th takes after dan a lot so they talk, he also has a complex about being expendable and uncared for, is super close to 6th

For the first clone his names hektor

Second one is Liam, the most patient, chill, level headed and inquisitive of the bunch

Third is Eli, cause he takes after Ellie in his 'i guess this is happening' attitude, along with hid chill, fun, silly and chaos vibes

4th is Ricky, the thrashiest of the bunch, someone just called him that one time after a scuffle and it stuck, he hates it for how informal it is, (it's secretly growing on him)

5th calls himself Waylon for finding his way in life and for the journey he went on and his adventurous travel

6th is named sunny cause he's incredibly beloved by the fam, and all the Danny's yell, SON, before running over to him and loving on him, he often goes the extra mile to be sweet to his family, everyone adores him

7ths name is Isaac, he read the Bible and resonated a ton with Issac from the Bible story

8th wanted to be called inego Montoya after watching the movie, but found that stealing his name would be living in his shadow, so payed homage by calling himself Diego

Prompt 219

Ellie would like it to be known that she didn’t do this on purpose. But what was she supposed to do when she found another clone? Not grab him before he could be brainwashed for evil? He’s a baby! Okay not literally, but as the older clone, she declares him baby! 

Hey Danny, do you want a son? She found him in a whale! Yeah? Sweet, new tiny stabby brother!

[drdemonprince]

Can u talk about the process of replacing your desire for unhealthy relationship dynamics that were sexually exciting with desire for explicitly negotiated kinky sex? or do I just need to wait for the essay lol

It's not actually in the piece but now that you mention it, it could make for a really strong narrative turning point.

It started by me cheating on my abusive partner with kinky people! I realized at some point during a two-year relationship in graduate school that was extremely toxic that I was so addicted to my partner because I was getting off on the control he exerted over my body and life. I wanted to get away from him, but I felt utterly dependent on how he made me feel, and he was already cheating on me...so I hopped onto OK Cupid and started flirting with some people.

It made me feel good, it made me feel like I could live on without him and build a new life for myself. I had a few fairly vanilla hookups with people at first, and it didn't do much for me, but one of those casual partners became a lifelong friend. Then a sexy, bombastic stand-up comedian who was just coming up in the local scene slid into my inbox, allured by the fact I described myself as shy. He was pushy and hyperconfident, which I liked. And when he asked me what kinks turned me on in bed, the truth came spilling out: Dom-sub.

(I wish I'd had the gall to tell him hypnosis, which had been a lifelong fetish of mine. This guy would prove to be fascinated by rare and niche kinks, but I was too ashamed of my hypnosis thing to tell anyone at that point).

The stand up comedian started domming me after that. He'd make me pay for his cab, throw me over a chair, finger me, and fuck me in the ass hard while biting my back and leaving massive welts. The sex was incredible. But he was also an egotistical 21-year-old with an active heroin addiction (he swore up and down to me that the drug 'wasn't a big deal'), and he started fucking me without a condom without my consent, which was traumatic and to this day is the reason I rarely receive anal sex. Ultimately he became controlling and jealous of my other (abusive) primary partner, and he left me, and then died of a heroin overdose after sending me a few more stray messages recounting good old times.

It was a mess. But I learned a lot about myself through this encounter, and practiced articulating what I wanted for the very first time. I was mistreated, but I also had incredibly hot sex that I still revisit in my mind's eye. I know for a fact that this stand-up comedian reviewed our own chat messages shortly before he died, and that he remembered those times fondly too. I feel bad that he died so young, and was so lost and confused, and I wish that he could have survived long enough to get better and make amends.

After that experience (and after escaping my primary abusive relationship), I got into a very safe, vanilla relationship for many years. I was too traumatized for anything else, and the gentle, passive boyfriend that I found was very healing to be with. But eventually I did get bored with the sex, and his lack of emotional availability, and became profoundly depressed. It was around this time that I started taking Sam-E , an over-the-counter anti-depressant supplement whose side effects include increased libido and a kind of dreamy headspace. On impulse, I started searching for erotic hypnosis play websites one day.

I met several hypo-kinky partners on the site I found, a now-defunct chat site called Sleepychat that would pair hypnotists with hypno-bottoms. One of them was a truly skillful, communicative, and caring partner who built a whole complex hypnotic architecture and series of safeties and triggers in my mind. We are still friends. I had lots of play with lots of people, and started attending a hypno kink convention that just so happens to occur in the Chicago suburbs. I became gradually more comfortable acknowledging my kinks to people, and made lots of hypno-kinky audio files and stories. I had other Doms and owners, and had lots of wild sex here and there. Still, my serious, long-term vanilla relationship limited me.

I only really started searching out formally kinky relationships in earnest in 2021, after ending that vanilla relationship. I've been pretty firmly embedded within a variety of kink scenes since. My taste for hypnosis led me to regular D/s, and to leather and bondage, and to pup play and furry stuff. I've really come alive in the last handful of years. I've learned so much about myself and the many scenes, met so many people, had so much great sex and so much mid sex and been in all kinds of wonderful and toxic and off putting and funny dynamics. This aspect of my life only keeps getting better, and I'm excited for lots of new experiences this year!

damn i just about gave you a full essay right here

[gayofthefae]

"I should have explained myself because maybe then Eleven would have taken me with her, but - I don't know. I didn't know what to say."

That isn't what he said the first time.

"I should have said something. And maybe if I had said that thing, Eleven would want me there with her."

The sentiment of him being with her and knowing/ensuring she's safe is consistent. But he isn't actually repeating himself. There's no need for him to as a person and as a screenwriter, repetition should DEFINITELY be cut.

He's changing. He's brainstorming. He's starting to consider other angles of the "could have"s. The "what if"s.

He starts with "what if I'd just forced an 'I love you'". But I think he likely settles on what we can logically deduce for ourselves in that situation - "I made the right choice prioritizing with what I knew of the consequences at the time".So he changes. He changes.

He changes to "I should have explained myself".

"Explained myself" is NOT the same as "said that thing" and that is VITAL.

I should have just sucked it up and told her I loved her if it meant keeping her safe.

No, I did the best I could with the information I had

I should have told her the truth. Maybe she would have taken it better if I had just told her that I don't love her but it's my fault, not hers. Now she thinks it's hers and that I'm hiding it.

And, perfect timing, Will comes in with (in Mike's pov) "It makes sense why you didn't, though, don't beat yourself up. She was gonna get hurt either way and everything would have been a risk as to how much."

And Mike nods. And the next time we see him, he's saying

"Will she still even want me in her life if I can't give her the love she wants? All I can do now is to make sure she knows it isn't her fault, that's the selfless act I can do for her, but if I confess I don't love her, what other use am I to her? Will doing what's best for her by telling her it's not her fault, it's mine, instead of continuing to lie make me lose her?"

He says "explain". He starts with "maybe I should have changed the 'what'". Then he shifts to "maybe I should changed what she thought of the 'why'". Ironically, his question in the van once he's come to that conclusion is "how?".

The first pitch he makes is "maybe I should have told her I loved her" and Will says "don't worry, you'll have another chance", and he turns away and introspectively reacts with

aversion.

But then he says "maybe I should have just explained the real reason behind my actions instead of denying them all together" and Will says "that's a scary thing to do. It's a hard decision. You're doing your best", and he turns away and introspectively reacts with

understanding.

Honestly, being understood. And sometimes that's what you need to find understanding. He's been confused this whole time, that's been his whole thing, but he looks like he's starting to piece something together now - finally. Will put his own feelings into words for him to hear out loud so could finally get them and get them in a validated way.

Instinctively, he knew the first one was easier but wrong. He didn't want to lie to her. Both times Will said "if that's what you want to do, I believe in you", but only once did he agree. He knew it felt like the wrong choice the first time and you can see it. The second time was a new choice he was considering.

And you know what? While we're here. Telling her he loves her: aversion. Telling her the truth: understanding and drive. What happens next?

He expresses "what if when I tell her the truth, as I've decided is the right choice, she appreciates it but doesn't need me for anything else beyond that?" And Will says "she'll stay. You got this.", and he reacts with

Comfort.

He didn't know what to do. Then he did, but he was scared to do it. Then he wasn't so scared anymore.

He's thrilled to see her and forgets for a second but - much like El with Will on roller rink day - is reminded by seeing Will that now that she's actually here, it's real. He's committed to his actions and they're impending.

But he's not so scared anymore. Bravery, though, doesn't mean no nerves. He's hesitant and not happy looking when he talks to her about it first. He tries to lighten the mood - "the whole world went to shit and everything" - and he's watching her reactions like a hawk. It feels like less of a risk now enough that he can do it, but not so little that he isn't scared. Either way though, it's worth the risk for her to know the problem isn't her.

He didn't know what to do. Now he does. He was scared, but he's not as much anymore. Not too much to do it. They're interrupted. Okay, oh well, he'll find another time.

And now to break your heart:

Mike had an idea, Will said it was good, but Mike met that with aversion.

Mike had an idea, Will said it was good, Mike met that with understanding and agreement.

Mike was scared, Will said he had no reason to be, Mike met that with comfort.

(I'm sorry) Mike was scared for El - unrelated - and looked to Will for comfort - as he had every other time - when he tapped him on the shoulder, Will said he should tell her he loves her, and he reacts with

anguish.

This was not Mike's plan.

This was not their plan, so he thought.

Mike's reaction tells us everything about what he knew and what he meant for what's to come. This was not what he meant. That was not what he was going to say. This was not his plan.

And there's that part of you too that always wishes to go back to semi-ignorant bliss. Even if just panicked confusion. Because wasn't it nice: when telling her you loved her evoked this

And not this

Wasn't it nice when you knew...just a little less?

Wasn't it nice, in a way, when you couldn't see the happy ending so clearly?

Don't you sort of miss - when you couldn't taste it?

also fuck it for just for that list bit and the bridge of this song here's my illicit affairs edit linked because "you showed me colors you know I can't see with anyone else"

[theonly-agere-bunn13]

🎒 - paci for sure! A cute sippy-like bottle (the adult sippy cups that you take with you to the gym), a mask to hide the paci :3 one of my favorite stuffies, maybe some coloring pages and crayons or colored pencils or markers, some fidget toys, and smth like chap stick or lip gloss

🪼 - SPERM WHALE!!! I think they're so stupid cool and big and how deep they can dive is incredible and like so impressive especially for an animal like that big? With all that water pressure? SHEESH

🦑 - i do not like looking at myself in mirrors when im regressed .. it really puts me out of it and makes me feel really insecure about my little space bca i physically feel and imagine myself as so small but then i see myself looking normal and like my normal age and it gives me anxiety wjabsj

🐡 - honestly .. i don't think i have an "exotic" hobby. I can't think of this one wjsbdj

🐟 - my aesthetic when im big is a mix of coquette and soft cottage core, so when im regressed its really just a more .. babyish version of that in a way? I feel like it's a lot more whimsical and imaginative when im regressed than when im not, and i like to think im a fairy when i regress :3

🐋 - they're pretty much the same both when im regressed and when im not. The typical bunnies, kittens, dogs/puppies, but when im regressed, i identify a lot more with raccoons and foxes ..

🦈 - im 50/50 .. my sister really loves sharks and i think the pictures and videos they send me are so silly and cute, they're like little water puppies :3 but then i see a video of a shark and blood and bleh ..

🦭 - i don't have a specific pattern or schedule .. it kinda just happens when my body feels it needs time to relax and my brain feels like it needs a factory reset. I'd say like once a week at the most .. if even that.

🦦 - I haveeee 3 stuffies :3 I have Crybaby, a pink bunny with a rattle that i got in the baby section of the Walmart, my bear King, who i found in my grandma's closet a couple years ago, and then Kitty :3 my hello kitty squishmallow stuffie .. i want more tho

🌿 - PINK!!! Specifically pastel baby-pink and like a light coral pink .. i really love the light baby pink when im regressed, and the coral pink for when im big. It's kinda how i differentiate myself from when im regressed VS when im big. If my favorite color is baby pink, im feeling little, if it's coral, im feeling big

🐚 - i used to collect sea shells when we would go visit family down south more often .. but we stopped a few years ago and i lost my sea shell collection somewhere during a move :< I'd love to collect more things but idk what I'd want to collect specifically ..

🪷 - My bedroom :3 it has a lot of twinkle lights and soft warm lighting .. so i turn everything on when im feeling regressed and i tend to just stare at everything when im little. My bedroom is my main sage space <3

🌊 - this is gonna sound a little weird but we listen and we don't judge .. when im big i like to put lime flavored beer salt in my water BUT IT HAS TO BE LIKE ICE COLD otherwise I'll hate it. And when im little it's usually just milk or orange juice if im feeling like i want smth sweeter :3

🫧 - i don't knowww .. honestly i don't really have the ability to do much when im regressed. Really i just sit in my room on call with my boyfriend and babble and talk and stare at my bedroom lights while rocking back and forth. Although i do love sleeping and being all cozy .. i guess that could be counted as an activity :3

aquarium—themed regression ask game !!

not all of the questions are regression—oriented , but they’re still good get-to-know-me questions ^_^

[ ⭐️ ] it is appreciated that when you reblog this post , you send some questions from this post to whoever you reblogged it from ! /gen/nf

🎒 — what are the items in your ideal agere / caregiver bag or backpack ? how often would you have it with you ?

🪼 — favorites aquatic / semi—aquatic creature ?

🦑 — is there anything your especially scared of when regressed ? ( alt : is there anything you especially dislike when regressed ? )

🐡 — what’s your most “exotic” hobby or interest ?

🐟 — do you identity with a particular aesthetic when regressed that’s different than your big self ?

🐋 — favorite animal when big vs. regressed ?

🦈 — thoughts on sharkies ?? friend or foe ? cute or scary ?

🦭 — how often do you regress ? do you notice any patterns of when you regress like times or days of the week ?

🦦 — do you have or want to have plushies ? ( if you do , what are their names ? )

🌿 — what’s your favorite color ? ( be as specific as possible ! )

🐚 — do you like to collect things ? if so , what’s something you love to collect ?

🪷 — do you have a specific area you like to regress in , or that makes you feel safest ?

🌊 — favorite thing to drink when big vs. regressed ?

🫧 — what’s your favorite activity to do when regressed ?

[moonlight-tmd]

Hey, sorry if I'm bothering you or anything. But I am curious, like what would happen if Bumblebee is a femme (female), and what are his teammates and crushes reaction to that?

Well, that's interesting.

There could be two takes on that, either she is a femme by forging or some freak incident with the allspark shard happened and turned him genderbend.

In my mind Cybertronians are aliens so they don't really need to represent themselves as male/female. I'd say the population is about 2/3ds of them having binary pronouns and expressions while the rest just does their own thing. Of couse, while this is a fairly common thing, that doesn't mean where aren't bad things like sexism or xenophobia (mostly towards warframes cuz majority are Decepticons).

If you're in a bad part of town, you might stumble into these types of bots. Minibots aren't takes as seriously as a normal civil frame would, but the lower in morale you go you'll find that these shady folks often treat minis as lap pets.

If Bee was a femme by forging she'd have a hard time staying out of trouble considering most mechs tried to harass her over he frame. Even if she wasn't the most femme-looking and curvy it was quite obvious she was in fact a femme. Most often than not mechs would comment on her big chest kibble.

Wasp was one of those mechs, he'd constantly try and grope the fellow mini and try to intimidate her to be his sparkmate ut it never worked. He thought she was playing tough but in reality she just wanted away from this creep. Thankfully Bulkhead turned out to be different; the mech tried to approach her many times and she just thought he wanted to hit her up too. Took a while and a Bulkhead defending her from Wasp to realize he just wanted to befriend her.

In case of crushes, Bee had 3; Longarm from the times of boot camp. Prowl from their times on earth and Blitzwing who she inconveniently found attractive during their battles.

I don't think it would be much different form how Bee would be treated as a mech. I mean, Longarm was essentially a school buddy, they got along well, maybe something blossomed and it only became something serious once on earth.

Prowl is the exact same, he'll treat Bee the same way he'd treat him as a mech. But I can see few folks teasing him about having no sense of personal space when he and Bee are bickering. Who knows, maybe one day after a much heated fight between the two, Prowl will wake up and realize Bee has been on his mind all the time and is not as annoying as he makes himself believe.

Blitzwing- honestly, he'd be smitten the first time he sees her. He's been trying his luck in the Legion but everyone always turns him away, mostly due to his condition. But then he sees this tiny cute femme with sharp glossa and visible enjoyment for odd things and he's all over her. He'll flirt in the middle of the fight and pretend they're dancing and not trying to off one another. He'll bring her flowers and stolen objects he'd think she might like, Bee is so tired of this adorator but at the same time she really enjoys it. The others are just annoyed at his courting.

If Bee was somehow turned femme on Earth it would be pretty funny. I've actually had an idea a while back on this.

They were trying to reach the shard but it was one of the unstable ones; it caused everything around to go haywire and, as one of the weirdest things it did, it transformed various machinery into other things. Like forklifts shifted parts to become ice cream machines spurting oil, that sort of thing. They managed to get it but of course, Bee has been hit in the process. he woke up and only after the others saw him he realized what happened. He was a tad more curvy than his mech self, his subspace was now hanging from his hips and he has door wings. His horns were a bit thinner and longer and his peded gained heel struts much like Prowl had. Even his voice shifted to be on a higher note.

At first he was freaking out but over time he got used to it, maybe even like it. The others were sure surprised and had to adjust but there wasn't much issues. Well, except Optimus who seemed a tad uneasy at the sight whenever they spoke.

I would say Prowl was definitely surprised at the sudden change, more surprised when he caught himself being nicer towards Bee in general. They were working on a way to reverse this back since Bee seemed to want his old look back but overtime Prowl noticed Bee changing his demeanor when speaking on the topic. One time he approached the scout when he was sitting alone on the roof and asked what was wrong. Bee then asked him if how he'd feel if he stayed like this instead of going back to his old self.

Prowl didn't expect that but said that if he wants to stay like this he should do it. Bee confessed he has grown to enjoy being a femme, he was glad the one he cared about the most was supportive of it. Ratchet understood too, he just wished Bee would've told him sooner so he wouldn't have spend a good amount of their resources preparing for the frame upgrading. And so Bee officially became a femme and even switched his pronouns to be she/her. It was a short while before everyone got the hang of it and all was good. Well, except Sentinel who now not only harassed Bee cuz he hated him but also was being a creep. But except for that all was good.

Blitzwing's reaction would be when they are already dating and Bee shows up wearing a blanket, covering it up as him being cold. At some point Blitz accidentally rips the blanket off and sees Bee's frame. He wasn't sure why Bee was so nervous about it, those were great upgrades! Then he heard how he got those "upgrades" and it made sense. He still loved Bee and didn't care one bit about his new look- well, except the door wings, he couldn't get enough of them and knowing all the common sensitive spots for flight frames he had one hell of a fun time watching Bee be all flustered and fluttery when he touched them. When Bee showed up to another meeting with much more confident attitude he knew something was up. Bee told him about the plans to bring back his old look so he was quite surprised to hear that was scrapped and Bee was a she now. Of course he gave her extra loving that night and maybe they discovered a few new things about her anatomy. Blitz certainly enjoyed every bit of his new-old Bee.

Idk is Longarm/Shockwave would care much. Longarm is more on the mech expression, Shockwave has nb vibes with he/him pronouns. He'd support Bee during his journey of coping and discovery and he'd be happy when Bee finds his new self that he's happy with. i'm not really sure what to write here tbh.

And that's it. Hope you liked it!

[feroluce]

I've been yapping at a new friend a lot lately about Boothill & Rappa; she described them as "sidekicks in chaos" and! Yes! Finally!Someone else gets it! They're SO cute and so sweet, I adore them. They speak so highly about each other and they have a lot of respect between them! I love them being friends!

With the way Rappa calls him Lord (vs Ninja for everyone else) and how much she openly admires and mimics him, I'd like to think Boothill was the one that showed her the ropes when she was first brought into the Galaxy Rangers. Mentor/mentee and teacher/student are too strong of labels for how I see them, though.

Rappa and Boothill are like a college senior taking the new little freshman under their wing. Or the much older and more experienced coworker trying to look out for the fresh-faced little newbie who's just entering the workforce.

As for how they met and became friends in the first place, I like to imagine it was a case of Boothill's soft heart and being unable to turn a blind eye to things. ☆

Like Boothill wasn't on the mission where the Galaxy Rangers found Rappa, he was off on his own Hunt at the time. But given that the Galaxy Rangers have a leader (La Mancha) and they do seem to have some kind of organized efforts, I wonder if there's any kind of secret hq, or at least certain places where they tend to congregate, like how the Masked Fools have their taverns. Anyway.

Boothill maybe sees Rappa for the first time at one of these hqs (he came back when he heard there'd been a major breakthrough with Dr. Primitive). Or he maybe just happens to run into that Galaxy Ranger from 2.6 that initially found her, who then just. Wasn't really sure what to do with her after the raid. Boothill walks in all these Rangers sitting around like "well now what" because none of them actually expected Rappa to survive the memetic virus. Honestly, her brain should have fried.

Either way, Boothill comes across her by total coincidence. But I think he'd have a lot of sympathy for her because like. Aeragan-Epharshel had been an uncontacted planet before the IPC came around. And since they were there to fuck the place up, they definitely didn't expose the natives to the rest of the cosmos. To say that Boothill "left" the planet is a massive underestimation- he didn't just leave, he escaped. And when he got out, he was completely alone, with very little idea how the rest of the world worked or how to get by.

And right now, Rappa is much the same.

She doesn't know anything beyond the lab she was held captive in all her life. There's no way they would have allowed her to learn that kind of stuff, and I'm sure Kucha wouldn't have told her out of kindness. It would be cruel to taunt her with things she couldn't have.

So someone needs to teach her The Ways of the World! It's just a matter of deciding who.

Boothill: ...What're you morons doing.

The Rangers, in the middle of a very intense rock-paper-scissors tournament:

And Boothill likes these people. He really does! ...Ok, except that one guy. He's kind of a prick. But the rest of them are at least mostly decent! But he wouldn't trust them to keep a pool, let alone a whole human being. If he lets this girl go with any of these dumbasses, there's no way she'll make it. So Boothill smacks them around a bit and announces fine, he'll show the new girl how to be a Galaxy Ranger! If any of them have a problem with this, feel free to make complaints to his revolver ☆

Rappa watches all this go down with stars in her eyes, because Boothill is just like the heroes in her manga! Wow! So cool!

(When it came time to actually leave though, Rappa made some sad eyes at the Ranger from 2.6 that actually found her- for better or worse, she got a little attached. The Ranger told her to go on! Go! Just get out of here!

It's very important to imagine this like a movie where the kid frees the wild animal they bonded with skhzksksjk)

Afterwards, Boothill does actually take Rappa aside and ask if she even wants to be a Ranger. If she doesn't, it's fine. The Galaxy Rangers do a lot of charity work, and everyone knows someone who knows someone who knows someone. They'll find somebody that can help her figure things out and get settled. She can have an actual life now.

Rappa gives a passionate speech (that Boothill catches about 50% of sdlkfjasdl) about how she wants nothing more. She'd wanted it before she even knew the name for it. This was what she'd dreamed of, laying across the bed in Kucha's room, reading through his manga collection for the nth time.

Kucha isn't with her anymore. He'd died just to get her out of there. But she can take the opportunity he gave her and make the most of it. She can still keep her dream alive.

So yes, Rappa wants to be a Ninja Hero. Please teach her!

(Boothill: Bein' a Galaxy Ranger ain't easy shirt. Ya gotta be able to hold yer own in a fight. Can ya even do that?

And then Rappa fucking suplexed him and Boothill was like ok so the first parta bein' a Galaxy Ranger is- JSJJSJDKSK)

They're mentioned together so much outside of the main game, too. So I'd like to think even after Boothill passed on to Rappa all the street smarts he could, they still remained pretty friendly, and make the time and effort to meet up whenever they pass nearby. They just ended up getting along so well!

Like no, they don't see each other very often. They're each on their own separate Hunt. Galaxy Rangers still largely work alone. But they're the kind of buddies that can still happily greet each other the same even after months of not speaking. ♡

(Clutching my heart imagining Boothill telling Rappa she is now a full-fledged Ninja Hero, and she is now strong enough to make her solo journey! But he does give her his phone number. And he tells her that if she's in trouble- like real, real bad trouble- call him. Call him and he'll come runnin', to any corner of the galaxy, ok?)

[stars4noah]

HALLEY'S COMET- six.

{WARNINGS}: swearing, mention of a bar

w.c- 2,038

a.n- i'm gonna be so honest, chapter five was originally going to be the end of this series but i was driving and i had a crazy idea. enjoy more chapters because i don't think this story will be ending any time soon.

{TAGLIST}: @lacy1986 @collisionofyourkissmakesitsohard @chey-h @rumoured-whispers @oobleoob @dontwantthemoney @n0n3xsisting

"i'll love you forever." he said softly.

"and always?" i asked

he laughed softly, nuzzling his face in my hair.

"and always, my love."

"[y/n]. dude, come on. wake up." nicholas' voice broke through my hard slumber, jolting me awake. i furrowed my brows, sitting up slowly and looking around. i was on the tour bus. but why? i had just been on the couch with noah..

i ran a hand over my face, trying to gather my thoughts. we just finished a show. noah and i got into another argument. but this argument was different from the one in my dream. and then i left. no.. that part was a dream. i fell asleep.

it was all fake.

the music, the new album, the sex and the kisses and the 'i love you's. it was all fake. as much as i hated him, i felt a strange sense of disappointment down in my gut. it hit me like a train. this perfect life had been built up in my mind in the course of just a couple hours. was that really what i wanted? who was i kidding, of course it was. it was all i'd ever wanted in life. to be in love. to be happy. to be able to live out my dreams freely.

even though i definitely wasn't interested in the music industry.

"what, is she still sleeping?" i heard noah's voice getting closer, and i rolled my eyes as i jumped out of my bunk. "no, asshole. i'm awake."

"oh, she lives!" he said. "what were you even dreaming about? you've been tossing and turning and talking for the past 30 minutes." he said, his arms crossed.

"fuck off, noah." i grumbled, searching for some clothes for the show tonight.

"not until you learn how to do your job right."

i rolled my eyes, retreating to the bathroom to go and get ready.

"i swear, it's like he lives to piss me off. doesn't he have anything better to do? like, i dunno, hook up with girls? make music? write lyrics? instead of fucking with me. it's annoying." i rambled to nicholas as i set up my camera, him standing beside me.

and then he suggested the most absurd thing ever.

"i dunno, [y/n], maybe he likes you."

i choked on nothing, my eyes widening. "are you insane? him? like me? never in a million years would that happen."

nicholas laughed softly. "i mean, the way he talks about you when you're not around says otherwise. it's always [y/n] this, [y/n] that. don't you see the way he stares at you when you're not looking? or how he put extra effort in when he knows you're gonna be closer to the stage?"

i stayed quiet. he kind of had a point. i never heard him speak about me or felt his stares, but i could tell that he always dressed nicer or sang better when i was closer.

maybe..

no. hell no. just because i had that stupid dream doesn't mean a thing. i hate him, he hates me. and that's final.

"you're delusional." i said.

"you're in denial." he retorted, walking off to go get ready for the show.

as i continued to set up, i felt a pair of eyes on me. i looked up briefly, noticing noah looking at me before he quickly looked away, going to talk with some girl.

why was i jealous? it's not like we were together. not like i liked him. not like i imagined a future with him every time my insomnia kept me awake at night.

whatever. it didn't matter.

NOAH'S POV.

i finished up my conversation with some random girl whose name i couldn't even remember. i didn't know why, but some part of me just yearned to make [y/n] jealous. to make her wish i was giving her all of my attention instead of giving it to others. i needed her to know how i felt. how i looked at her, how i yearned for her.

what am i saying? i don't like her. at all. she's cocky and stuck up and beautiful and funny and-

fuck.

i watched as she walked around the arena, humming to herself as she adjusted the settings on her camera, not paying a lick of attention to where she was going. a couple more steps and she would-

CRASH!

"ow! fuck!"

i scoffed, walking over to where she was sat on the ground, rubbing the back of her head.

"you good there, princess? looks like you fell." i smirked.

she rolled her eyes, pulling herself up to her feet. "i'm fine."

"you sure? you took quite the fall there." i said.

she smirked. "aww, are you showing actual human empathy for once?"

i scoffed. "keep dreaming. i can't afford to lose my photographer right now. do your job." i said, walking away.

the lights dimmed as we took the stage, the crowd's energy palpable. i stepped up to the microphone, my intense gaze sweeping over the audience. among the sea of faces, my eyes locked with hers, an unfamiliar spark igniting between the two of us.

"the sutures in my head keep getting ripped out. these open wounds are the thoughts i can't stop thinking about. digging for purpose, feelings resurface. and involuntarily my system gets nervous."

there was a crowd of people in the arena. our first sold out show ever. we just released our album Finding God Before God Finds Me a couple months ago, and for our first sold out show of the tour, i decided to add a couple songs from our very first album.

"tell me tonight that you'll be by yourself. cause something bad will happen if you are with someone else. i'm just all fucked up, and i really need your help. i really need your help."

i looked at [y/n] in the front row, snapping pictures. when she was so close to the stage, i always felt like i performed better. seeing her smile at nicholas, hearing her sing along to our songs. it gave me motivation. i closed my eyes.

"there's a lotta hollow souls out there all alone, and they're waiting for you to invite 'em back into my home. they touched and they took what was rightfully mine. now i'm the devil, and their souls just went up in price."

images of her face filled my mind as i sang. her smile, her scowl, her tears and her laughter. every part of her was gorgeous. every part of her made me fall in love deeper and deeper every day. why couldn't i admit these feelings?

"set me free, i think i'm giving up. don't wait for me, i think i've had enough. set me free, i think i'm giving up. don't wait for me, i've had enough, enough now"

right. i had bailey. my girlfriend. i wondered what she was doing right now. maybe sleeping or shopping or watching tv in our bed at home. even though i had her, part of me felt off. it didn't feel like she really loved me. everyone always tried to convince me to break up with her. but she's my girl. the love of my life, the woman i wanted to marry one day. right?

as we got back onto the bus, i came to a realization.

one, i wasn't happy with bailey. she was toxic, manipulative, and i was pretty sure she was cheating on me.

two, i was utterly, hopelessly in love with [y/n].

i laid on my bunk, wide awake with my thoughts swarming in my mind. i was in love with her. i was in love with another woman. what the hell was wrong with me?

"there's a thousand voices in my head. i just hope it doesn't take a rope around my neck to put them all to rest." i hummed to myself, scrolling on my phone.

"noah?" [y/n]'s voice spoke from her bunk, her head peeking out of the curtain. "i thought you went for drinks with the others."

"nope." i said. "i'm not in the mood."

she raised an eyebrow. "that's weird. why?"

i shrugged. "i'm thinking."

"about?"

"none of your business."

she rolled her eyes, mumbling something under her breath before retreating back to her bunk.

it was quiet for another moment before i spoke.

"hey, [y/n]?" i said quietly, not wanting to disturb her in case she had fallen asleep.

"what?"

i bit my lip. "what do i do if i'm in love with someone.. but i'm in a relationship?"

she peeked her head out again, raising an eyebrow. "break up with the girl, duh. don't lead her on if you're not interested anymore. that's a dick move." she said. "wait, don't tell me you're breaking up with bailey?"

i shrugged again. "i dunno yet."

"jesus, finally." she said, and i frowned. "first of all, don't say that. second, i said i don't know yet. i'm thinking."

she sighed. "noah, you know she's a shit person. she literally abuses you. she's a toxic, manipulative asshole. and if you're in love with another woman who you know can give you the love that you deserve, shoot your shot. don't sit there and suffer just because you don't want to hurt someone's feelings."

i wasn't sure why, but a small bit of rage filled my body at the way she spoke about bailey. "don't talk about her like that. that's not true. she's just doing what she knows is best for me." i said, and she scoffed.

"whatever you say."

"you're just jealous." i crossed my arms.

she raised her eyebrows. "of what? cause its definitely not her behaviour. or literally any aspect of her personality or life."

i laid back down, ignoring her for the rest of the ride. i knew she was right, but i hated to admit it. i loved bailey. she was all that i had.

when we first got together, everything was great. i swore that i would marry her one day. and then she started going out more and staying out later and sometimes i didn't feel like i could trust her. but i let it slide because bringing it up would just lead to arguments. i didn't want arguments.

but as her behaviour continued and i saw my friends in happy, loving relationships, i realized it wasn't normal. being treated like this wasn't normal, and it wasn't what i wanted. i wanted to be happy. feel loved.

i wanted to be loved by [y/n].

with a sigh and a slightly heavy heart, i texted bailey a long message.

'i want to start this off by saying i know what you did. i know what you've been doing behind my back for longer than i'd like to admit. i loved you bailey, i really did. but we can't be together anymore. i want things that you can't provide me. i know you've been cheating on me, and i let it go because we all make mistakes. but this is more than a mistake. please don't try to fight this, just accept it. you would rather sleep with multiple other men than be with me, and that's okay. i can't be what you need, and you can't be what i need. we weren't made for each other. this is goodbye.'

with tears in my eyes, i put on my headphones and put my phone on silent, blasting some music as i washed away these feelings that i didn't want to hit me at this moment. i hated being vulnerable. i'd cry it out when i was alone.

i sat in my bunk for the rest of the night, trying to fall asleep but i couldn't. instead, i drew in my notebook and wrote down the occasional lyric that popped into my mind.

'i'll flip it with you and me inside.'

'heaven know's i ain't gettin' over you.'

'thought you were somebody else.'

'no way to right these wrongs, either way i'm feeling, it might just cost something in the millions. i know that i can't resist.'

fuck. this was going to be good.

[dragonmasterhiccup]

"Okay, I'll get started."

He began applying the salve, starting with her arm. Being quite familiar with it, he knew just how much it would sting before the numbing sensation spread.

His eyes not leaving her arm, he gave a sharp nod. "Good. Wouldn't want anyone else getting a hold of that kind of knowledge. The damage it could do...the damage it has done..." He couldn't think about it too much, not now, what Lyra must have gone through under that man's thumb.

Eyes flicking up the fae, he paused briefly before applying the wrappings, tying them carefully after covering the gash.

"Hurt people...hurt people. I may never understand why some are so cruel, but it usually starts with pain of some kind. Does it excuse their behavior? Absolutely not. But something happened, causing them to turn out the way they became. They...they let the hurt manifest into something that makes them feel... justified in hurting others for their own gain." His words had taken on an almost bitter tone, his expression grim. His thoughts had turned to those he'd faced in the past, leaving permanent scars inside and out.

Meeting Kiara's gaze, he pressed his lips together before sighing through his nose. Scooping up a bit more salve with his fingers, he instructed, "Lean your head back, please."

Continuing as he applied it to her facial wound, he said, "Where there's bad, there's good, too. No living thing is purely good or purely bad across the board. I'm sure some humans feel the same way about fae that you feel about us, but we both know that's not the case."

Having finished, he stepped back, wiping his hands clean with a separate cloth.

"I'm not sure if you want me to put any bandaging around that eye, I'd need to wrap around your head so it wouldn't fall off. Once your healing kicks in, you may not need any wrappings anyways."

Cleaning up, he returned the jar to his satchel, moving further into the kitchen and pouring two cups of water.

Placing one in front of Kiara, he sat back down, drinking from his own cup.

Toothless had long since lumbered back upstairs, snoring on the wooden floor in Hiccup's room.

“Hiccup!” Lyra ran up to the chief, an excited grin on her face.

“Are you busy? I have something to show you!” She took his hand and pulled him towards Altair and Toothless.

“You know how last month the lightning strike caused the large forest fire?” Stopping in front of the dragons the fae all but buzzing in excitement. If her wings were visible they’d be fluttering.

“I did a thing!” She couldn’t wait to show him.

[rosiebun28]

COSMIC HRT Month 1 (The Dream and First Encounter)

Hi, I'm Rosie and this is part of a story I've been wanting to share for a long time. Cosmic HRT started as a comic but I have ADHD really bad and I have struggled with consistently working on art. But as I continue in the community I want to try other mediums like writing to get my story out there. Hopefully one day I can work on turning it into a comic but I just want to at least get something out for my own sanity. This story was inspired by Dragon HRT by @ayviedoesthings and by Eldritch HRT by @dawning-mars The format was Inspired by Arynia's Hellhound HRT story over at @ariathelamia so Definitely go check all of them out if you haven't already! Also Special thank you to @dawning-mars for the Cameo!

Hello, my name is Rose but I like to go by Rosie. My Therapist suggested I should try Chronicling my journey as a way of reflecting on the crazy events that have been happening to me. I've always had problems interacting with other people so I figured I should share these journals online as a way of initiating interaction. (Sorry if that’s weird, I’m still working on my communication skills) I’m really bad at self expression so forgive me if I say something weird or mis-remember something.

Well the whole thing started a while back, I'm a 30 year old transgender woman and things had been getting worse where I lived for people like me. I heard about a new type of HRT that can actually turn people into animals! After doing A LOT of research into it and a lot of self reflection, I Felt this was something I needed but nothing I looked at felt right, felt like me. There were short periods of fancy where I got excited at the thought of being a bunny or a mouse or even a hybrid species, but the excitement always faded after a time. Nothing felt like the real me, I didn’t even know what the "Real Me" was supposed to feel like, just the feeling that something wasn’t quite right. I was stuck at an impasse, walking past and seeing others transitioning and becoming closer to their true selves every day. I liked to try and keep up to date on things so I started following some Therians online but while I was happy for them, I still felt just the tiniest bit of envy and wished I could figure out who I am.

However, that changed one day when I had a weird dream. It's a bit difficult to describe but there was a tall Being in a bright yellow robe with an expressionless mask and horns, we stood on an expansive black plane, the sky behind a stark white with what appeared to be black stars in the background. I couldn’t feel my arms or legs, I couldn’t move and could barely feel myself, I watched as the figure slowly moved towards me in a way I can only describe as smooth, not quite gliding, not quite shambling. Once it reached me it  whispered something I couldn't quite make out and I suddenly woke up with a chill. The next day I had an unexplainable urge to go for a walk through a part of town I'd never been through but it was like something was pulling me there, like I was being drawn in. 

I made my way down to what was locally being called the "Therian District" though some would call it "The Zoo" though I never liked that name personally. As I was walking past a doctor's office, I suddenly bumped into someone and fell to the ground. I felt a cold chill suddenly rush into me and down my throat but it was gone so fast I wasn't even sure if it even actually happened. As I looked up there was a tall, vague figure covered in shadow. When suddenly my vision doubled, one side blue and the other yellow, before recombining. The shadowy figure was gone, in its place before me stood the most beautiful person I'd ever seen. She was extremely tall and had skin that was a lustrous purple, she wore a simple black dress with a black bow and a large black hat. Her face stared at me for a few seconds with five deep, caring eyes that seemed to be full of anxiety, not sure how I could tell that to be honest. She quickly apologized for bumping into me and ran off. I was stuck there for a few seconds going over the image in my mind before someone came over and helped me up. They asked me if I’d been hurt by "That Monster" and I gave them a sharp glare that made them back off and walk away muttering "freak" under their breath. I don’t know why but I'd felt an anger wash over me from hearing them insult this person I’d never even met. It was so out of character for me that I didn’t know how to respond so I called them an asshole and walked away.

That night I had another dream about the Being in Yellow but this time they spoke only four words to me: "Open Your Eye Youngling" After which I heard a cracking sound followed by my vision splitting again into blue and yellow, but this time they didn't recombine, instead they split and my perspective shifted to viewing 3 different angles at once. One blue, one yellow, and one gray in between them looking at glowing blobs of energy, a blue one on the right and a yellow on on the left. They were connected to me by thin white fluctuating beams of light. They seemed to be where the other perspectives are coming from. 

I started to hear and feel one of myselves saying some but it was muffled and all I could make out was a vague feeling. Then the blue and yellow selves seemed to start having a conversation that I could not seem to process. It was like I was hearing words and vague wisps of intent but had no idea what was being said. After a while I woke up again, but something was different. I felt like I could see more, but I wasn't sure what it was I could see that I couldn't before. It felt like a heavy fog had lifted from my mind. Whatever it was, started to make me feel a lot more overstimulated than before. The trade-off being I suddenly didn't feel as lonely anymore for some reason.

I went to take my morning meds and noticed that something was different, my normal estrogen pills seemed to have changed from the little white circles I was used to. They were now a bit bigger and football shaped like my Progesterone but I couldn’t find any seams on them and they appeared to be filled with some kind of milky white pearlescent liquid. I tried to break one open but I couldn’t seem to penetrate the outer shell so I examined the bottle. There were a few things different about the label now too, The patient name was a strange Sigil I’d never seen before. The medication name now said "Dreamadonteride" and the Prescriber information was some kind of symbol I’d never seen before that looked like a dot surrounded by a circle with three squiggly lines radiating out from the center. I looked at the pill again and felt a mix of conflicted feelings and voices inside, but one feeling rang out louder than the others. A voice telling me that this mysterious new pill would help me finally find my true self, would help me finally be happy. So I ignored the other voices in my head telling me to stop as I popped the pill into my mouth and took a drink of water. The voices finally calmed and went quiet. I still don’t know if this was the right choice, but I made it and I was going to stick with it.

[dcdreamblog]

How does the museum handle the loan and transfer of potentially dangerous artifacts between itself and other museums like the Flash Museum in Central City, Hall of Justice visitor’s wing, etc?

See this is going to blow some people's minds, and It's also going to explain to you why I think the people who work at the Flash Museum are NUTS even if they are the progenitors of the idea of dedicated superhero museums. WE DON'T KEEP LIVE SUPER-WEAPONS HERE. Why on earth would we?! Ok, here's an example.

(A placard posted on the Starman exhibit's wall, showing the inner workings of the Cosmic Rod belonging to Jack Knight and later Stargirl) We have what looked like a few different Star Rods, Gravity Rods, Cosmic Rods, all under glass in the Starman exhibit. Right next to where we hang one of his old costumes, some pictures, some explanations of his feats and history. But if some yahoo were to break in here, smash open the case and gun for the rod. You know what he'd find? A freshly painted and polished edifice that had LONG since been stripped of its internal machinery and turned into a very fancy and heavy walking stick. Because this is a museum, not a firing range. Plus we've seen what happens on a constant basis to the Flash Museum and we'd rather not have that happen here. I am dedicated to my job and call me a coward if you must but I'd rather reduce my chance of getting shot at during my shift. When we either find something that could be a working artifact, or have one donated to is, why kindly ask that it be reduced into what our official rules call its "least operable state" What we mean by "least operable state" isn't just that if Sandy Hawkins were to donate one of his mentor's gas guns that we'd just make him take the trigger off of it. No. In order to accept it we'd ask him to go in, scoop out all of the mechanical guts of any kind and leave us with the polished shell that we can then mount on the wall. An artifact or replica has to be separated from any mechanism or material that could make it dangerous or valuable in more than a historical sense. It's why we don't have any actual artifacts from people like Dr Fate, because objects of magic are basically impossible to render fully functionless. Our pieces are for display and education, unlike the Justice League's visitor wing we are NOT a trophy collection for the things the Squadron actually managed to confiscate and we have no interest in being so. If we find something dangerous that was actually left behind (such as when I stumbled upon a working Stinger Gun left behind in Red Bee's things) we hand it over to the people who would most convincingly be called that hero's "next of kin" and they get the choice to either help us dismantle it or THEY can keep it under lock and key. We don't even have security here, we're not going to turn this place into a vault for every supervillain who wants a conversation piece.

[rlbbackup]

A year in review - 2024 (SxF)

So, after reading the lovely @unhappy-sometimes's 2024 retrospective (which I highly recommend you read!), I thought I'd do something similar!

This will be pretty long and have lots of links and tags but I hope you enjoy this little romp I took down memory lane about all the fics I wrote this past year!

All for Naught

This was a fic that was inspired by a conversation with @glacialdawn and I wrote it up completely in 12 hours. I’m not exaggerating! We were just goofing off in dms and we got on the topic of Yuri’s decision to become an SSS officer and how it relates to Yor’s raising him…and it evolved from there. 

All in all, I’m VERY proud of how this fic turned out. Having it be solely from Yor’s POV and forcing her to deal with an abrupt change in how she views her brother was a lot of fun. Of all the reveals that may or may not happen in SxF, I personally feel that the Briar Siblings reveal will be the most critical. Yeah there’s betrayal involved in the TwiYor one and Anya’s reveal will likely end in bloodshed, but Yor has hid what she needed to do to raise Yuri for over a decade and a half at least. And while she admits that her brother is intense, seeing him in his work environment would probably shatter something within her. The work of the SSS isn’t glorious. Neither is that of an assassin. 

All this to say that with this as the start of my fics in 2024, I’m not surprised how later fics turned out XD

Hypothetically…

While my Post-reveal, Pre-relationship series has been written almost entirely out of order, I really enjoyed the inspiration that led me to writing this one. When I saw this post by @itsmechini, the words almost poured out of me. Twilight and Yor have had a lot of things taken from them in life, things that ultimately made them who they are but they didn’t have a choice or say in the matter. Having the choice to reveal who they truly are to each other and accepting the other for who they are feels like a healing of that particular wound and I couldn’t help but put pen to paper. 

I was also inspired by the writing style of the lovely Puolain while writing this, leading me to use different scene change styles and I think it flows better because of it! 

I will also admit that I cried several times while writing this, especially at Yor’s answer to a hypothetical question asked. Beyond that, this was a really cathartic fic to write and I’m glad I got to share it with you guys!

Side by Side and Locked in Tight

THIS FIC.

It’s been bouncing around in my head for a long time now, since I love the song that inspired this (Cop Car by Sam Hunt - there is also a version by Keith Urban, but the Sam Hunt version feels softer so I’m going with that one XD). I had an early draft of this fic existing in my Google docs since… 2021 I think? Right after I fell down the Ken/Anya shipping cavern and haven’t wanted to climb back out.

But actually writing this fic was a STRUGGLE until talking prompts out with the people in the SxF Rare Pair server. While it was a NSFW prompt, handcuffs just broke through the fog I’d had regarding this plot idea and BOOM I was finally able to post it. 

While Ken has some of the shortest character involvement in SxF, I love this kid. I get he’s practically an OC at this point, but I’m okay with that and I love playing around with how he’d interact with the Cecil Hall Gang. I want them all to be friends. Anya should have more friends!

Anyway! I go back and read this fic from time to time and I’m still happy with it. Especially the twist at the end XD

Don’t forget to lock the door

Another fic created with the help of the Rare Pair Server! (love you guys!)

One thing that makes me laugh constantly in SxF is the fact that the Forger’s apartment has a deadbolt but it looks like the Forgers never use it XD. Imagine all those times people barged into the apartment stopped by a simple use of a sliding lock 🤣So, why not make it a plot point of a fic!

I blame @creativwit for this ultimately. Though it was a pleasure to write Twilight and Franky needling each other and Yor soothing both of them. On a second/third/however many times I’ve read this thing, I still love how they are soft with each other in their own ways.

Little Black Number

A fic inspired by my own art!

Sometime in 2023, I was talking to some friends on discord when I was reminded of Princess Diana’s “Revenge Dress” that she wore after then Prince Charles’ “Tell All” interview where he sort of hinted at being unfaithful to her during their marriage. This spiraled into “I’m pretty sure Yor would look fantastic in the Revenge dress” and going from there.

Now, based on anecdotal evidence, it’s believed by myself and others that SxF takes place mostly in an alternate version of the 1960s. Endo-Sensei does mix things about the world regarding technology in his story, but the fashion is straight out of 1960s fashion magazines. So, the revenge dress is way out of the possibilities. Still. I think the dress would look good on Yor and drew it!

The dress I describe in the story is notably different (namely that the skirt is ankle/floor length versus the above knee design of the inspiration). 

To the story itself, I really want Yor to have friends and while I’m still wary of Melinda I think the two of them could be close! So I wrote about them having girl time together, bonding even when they are in two different social groups and where they can compromise on things. It was a quick and fun write! I really loved this one!

A moment of weakness

This fic was inspired by @/usleepover's art on Twitter!

Like most of the other fics mentioned here, this was inspired by chats on Discord. I have USleepover and @astersugar for this. Long before ch. 109, we were wondering what would lead these two to interact, and guessed that it would probably involve Dr. Forger’s office. Now…that conversation spiraled into something wildly different from what I did in this fic, but it did inspire me.

As a little more background, I have had a fic in the background for a year and a half now where Yor experiences a medical emergency and how the Forgers’ lives change as a result. I have no idea when or if I will ever post that fic since it’s…heavy. Emotionally and mentally heavy. But I was able to write this in relation to it. While I’m not specific in what ails Yor, I did leave enough for one to guess. Like it’s larger, heavier sister, this fic took an emotional toll on me. Having someone you love in the hospital and not being able to do a damn thing to help them is…difficult. I can’t put into words exactly how difficult that is. I wouldn’t wish it on my worst enemy, that’s how bad it is. So writing Loid and Melinda come to terms that they are out of their depths and still want to do something for Yor was cathartic in a way. I’m really happy with how this one came out and still reread it on occasion.

Rendezvous

I half blame @sister-cna-reader for this 🤣Her Hidden Under Roses’ Au with McMahon and Sylvia has me in a CHOKE HOLD and I was sunk for this ship from the start. So I decided to write about it. The other person I “blame” for this is @/Ari_Gateau on AO3 for encouraging me and ultimately giving me the prompt idea in the first place! You both are wonderful and I love you dearly!

I went back and forth on where in any timeline to put this, but ultimately decided that my PRPR verse was the best place. With Twilight and Thorn Princess revealed to each other, I could see their handlers also involved in that. Handler and Director aren’t exactly friends, but they are allies enough to watch each other’s backs if they find themselves on an assignment where they have aligned goals. 

Leaving this fic with the ending I did was a choice I also debated internally but I like it! And I guess that’s what matters 🤣

Pink Sakura

OH BOY THIS FIC.

The inspiration for this hit me upside the head very suddenly on Kiss Day (May 23) and I decided to choose violence. Like with Side by Side and Locked in Tight, I pulled my “canon but mostly an OC” buddy Ken back for some hanahaki “fun” 🤣This one is in the same universe as Flowers and Thorns, but this is clearly the angster younger sister. And once I started writing, I couldn’t stop. I wrote for almost three days straight before I was ready to post this. But it was worth it.

Adding Anya’s chapter wasn’t something I had originally planned (not that there was much planning involved in this fic 🤣) but once I finished Ken’s chapter, I realized there were some pretty glaring plot holes. So I used Anya to fill them and I think that worked out really well! I know hanahaki isn’t everyone’s cup of tea, but I enjoy it and I’m glad I wrote this one!

New Moon Blues

I return to my Myth Au! 👏 I’ve mentioned this in my author notes, but this whole au was developed by several people (@httplovecraft1890 , @gonnahypatia, @whatroguewrites, @awphooey2u, @juuyeah and @connoisseursdecomfort) and started by @foxtamer113. I couldn’t have made this without everyone’s inputs!

This one was a plot we had discussed ages ago. I think once we nailed Loid and Yor’s roles down, we almost immediately started brainstorming how Anya fit into their lives. We pretty much made her their biological child from the start (if my memory serves me), which I genuinely love in Aus. We did debate over HOW she was born, even though we agreed that she would be a baby goddess. One of the ideas mentioned was something about mingling blood and tears but we decided that the "Athena" route was much more fun to play with. In the end, I altered it just a bit mostly because of inspiration from a comment on the story before this one (Soothing Rays). (thank you to that commentor! I can’t find it right now, but you are amazing!)

Floodgates / Throwing Away Fate (just to keep you safe)

These fics are a RIDE my guys. 

First off, Floodgates was originally a gift from the lovely @creativwit and I hijacked it because of conversations about this au on discord 🤣(like several others on this list amirite??) The idea of Kasper came from those conversations and we’ve grown insanely attached to him. Originally, he was going to be the contact that Garden silenced in ch 43, but we loved him too much to do that.

Since then, we had this idea of what would happen if Franky really did end up in Garden’s crosshairs, and Wit wrote the first chapter of Floodgates as a start. I’m pretty invested in Yor as a fault, so I kept thinking about how she would handle this situation and ended up writing the “interludes” for this fic. I’ve since renamed those chapters to the lyrics of Loyal, Brave, True by Christina Aguilera since that’s the song I primarily write these chapters to. 

Throwing Away Fate is a prequel (hence why i’m mentioning it here) and was pulled from those same conversations. I love the idea of Kasper already been head over heels for Franky before the real action gets going in Floodgates, so I wanted to explore how he found Franky and went on this adventure running from Garden. Originally, I had wanted to write more (up until they are found in Floodgates ch. 1) but I was running out of steam and didn’t want to force myself any farther. Maybe one day I’ll (or wit, or both of us together) write the scene where Shopkeeper finds Kas. That might be fun 😈

Crosslegged in the Dim Light

Unlike the song this title is drawn from, it’s pure fluff! I saw this art by EvuriKigen and immediately started writing. There wasn’t much thought put into the development of this fic since I just started writing. The only thing I did think was that I wanted this to be in my Post Reveal/Pre relationship series, where even though Twilight and Yor have all their cards on the table, sometimes they don’t need to talk about the specifics of their jobs. They know and trust their partner, and that’s really the point of this story. 🥰

Inferno

Shifting gears pretty abruptly, we once again dive into my chats over discord 🤣While I will grumble about how Yuri’s superior doesn’t have a name 😒, I love the dynamic Endo-Sensei set up for the First Lieutenant (I know in the English version he’s called “Captain” but the Japanese says “First Lieutenant” so that’s what I’m going with!), Yuri and Chloe. So I wanted to expand on that outside of their tracking down WISE agents. 

And while I know there is no evidence of any of them being closer than colleagues, my shipping brain just loves the idea of Chloe at least admiring her superior. Hence This fic. 

Like Crosslegged in the Dim Light, I wrote this one very quickly and with little thought about plot. I’m pretty happy with this one!

7 Minutes in Heaven

This one was a beautiful joint venture with @cambot77, @sister-cna-reader, @strangeduckpaper and @creativwit! As with several of the last fics, this one started it’s life on discord. It was our original hope to have this done by Kiss Day (May 23) but that changed as we all kept writing. It was a blast!

Writing out a list of all the pairs to start off was a treat because I kept randomly forgetting some of them XD. But we got them all and planned out a vague idea of what could happen in each chapter. Then I used an online spinner to divide up the ships that hadn’t been previously claimed. After confirming that everyone was happy with what they had, we made the order. 

Ao3’s Collections and Co-author features really helped us here and reading everyone’s chapters brought me genuine joy. It’s so wonderful watching how all of our different writing styles and takes on the characters fit together as a whole. I honestly cannot pick a favorite chapter since I love them all. Thank you all again, my dears. This project was so much fun!

Complicity

The fact that it took me 9 months to finish this one is still astounding to me 🤣I had planned for All For Naught to be a stand alone, but then I saw a prompt on the @dailytwiyorprompts tumblr and that quickly flew out the window!

Seeing everything from Twilight’s perspective and going through his mental gymnastics was honestly a blast. Not sure if there will be a follow up to this duology or not, but anything’s possible.

Psyche

The last fic I started in 2024. This is a gift for the lovely @cantareincminor and was something she requested specifically. Her prompt was: “Mole hunt arc with a twist: Garden sends Thorn Princess to Shellbury to assassinate Wheeler. Instead of Nightfall, Thorn Princess is the one to stumble upon Wheeler and Twilight. She absolutely mops the floor with Wheeler and saves Twilight. Up to you whether his mask is off or on—could be awesome either way if she believes her husband or her brother is in danger.”

No going to lie, I was completely surprised when this developed into a 10k first chapter. The second chapter is still in the works and looks like it may also end up about that length and there’s no clue about the 3rd. But I want to talk about the inspirations behind this fic beyond the prompt. 

The title for this fic changed multiple times as I was writing it and probably spent more time as “untitled” than anything else. But within the day I posted it, I was struck by Orpheus by Cantare herself! I honestly love mythology (as my Myth series shows I hope 😅) and considered the wider plot of where this story would go. Without giving away too much, the story of Eros and Psyche just fits. Yor is the wife that doesn’t truly know her husband and through some twist of fate ends up finding out. While this story won’t be a one-to-one retelling of the myth, there may be echoes found within it until the end. And I’m really excited to share that with you all!

Honorable Mention: Sleeping with the Telephone

While I started this fic back in Nov 2023, a lot of it has been written in 2024. This fic has been an honest to goodness rollercoaster to write…and it’s not done yet. 

In my author’s note, I mention that I originally wrote part of the first chapter as a one shot on my RP blog, but it has developed moreso than I could have anticipated. There are a lot of themes in this, from draftees suddenly leaving their children and spouses behind, to family dynamics and the struggles therein, how war impacts relationships as a whole, and the like. Of course most, if not all, of these are addressed in Spy x Family, but bringing the war back to Ostania and having them fight another country entirely was interesting. 

Unlike the phenomenal @niregonnagiveyouup’s Not a Vein of Stars (which i HIGHLY recommend), I wanted to base this story around some of the hot conflicts during the Cold War. The US and USSR were infamous for recruiting other countries to help fight “their own” wars (like the Philippines sending troops to South Korea and The Warsaw pact sending troops to fight with the USSR in Albania). This still happens in the present day (such as the UK sending troops to Afghanistan and Belarus to Ukraine), even if it’s not to the same insanity that WW2 was. I don’t like it. I never have liked war, and writing this story from the perspective of a family being caught in the proverbial crossfire helped me hate it all the more.

But this story is a passion project of mine. I’m at the home stretch and re-reading this story to center myself for that happy ending I’ve promised myself really helps me love it all the more. Someday soon that fic will have a complete next to it’s name and I can’t wait. 

I know this was long as heck, but thanks for sticking with me! I didn’t realize I had written so much this past year since I took a break for a good chunk of it. But in hindsight, I’m really proud of how all of these works turned out and want to thank everyone who read, left kudos and/or comments. You all are wonderful!

Happy 2025 everyone! Here’s to more stories! 🍾

[arceespinkgun]

More detailed thoughts on the current arc of the Skybound comics (spoilers for up to the most current issue, #16) in which I give some more insight into why I'm still kinda ambivalent about certain parts:

Starting with the negatives to get them out of the way (they're not super serious or anything but I think they're why I'm not sure how I feel yet).

The characters who are part of the Combiners are not really characterized at all, and when they are it seems very odd. The Combaticons as big Starscream fans is really strange to see, especially when I remember their G1 debut. Mostly, the Constructicons and Combaticons feel like they're fulfilling rank-filling roles.

It's too vague right now to know what exactly happened between Starscream and Megatron in the past, but if Megatron was compelling or mind-controlling Starscream, I think that doesn't really do Starscream a lot of justice. However (and this is a big however) I believe this plotline is probably symbolic and ties into what's going on with Optimus. This series seems to be exploring the harsh realities of war and its corrupting influences, so even if I'm not sure about how one particular character is written, it may serve the greater narrative.

Arcee's crisis in #16 didn't make sense to me? She didn't jeopardize anything at all, that was only Optimus's (wrong) interpretation... and he went and killed Shockwave anyway! It just seemed odd to me to see her be comforted by Optimus when it almost feels a little hypocritical.

The thing I still find most frustrating is, unsurprisingly, how Jazz is written in this series. He barely feels like a real person with depth even now. Although nothing is like, contradicting his G1 characterization, the fact that Jazz was one of the most prominent and fleshed-out of all the transformers is making me feel like he's not being utilized very well. He always had lots of interesting things to say in the cartoon but I don't feel like that's happening here.

Now onto the positive things!

I continue to adore what DWJ's doing with Elita-1. We get to see her now as a leader of a team, a trait I've been waiting for, and I was surprised by and enjoy her friendship with Warpath! I never would've thought of something like that, but I guess it makes sense. They've been portrayed as Cybertronian resistance fighters before. Her smile while he's getting repaired was so sweet.

In a similar vein, I love seeing characters who have always been around but rarely focused on getting much more attention and care in the narrative. Bluestreak's ruthlessness was great to see focused on and maybe this series will do something more with the fact that his backstory is like Cliffjumper's in this series. I was really excited to see Trailbreaker, a character with a ton of potential, get to shine a little too! I really hope he goes on to be a major character.

Astrotrain is also a highlight for me, and I was pretty surprised to hear he wants revenge against Megatron because... Megatron killed his love interest? This is a surprising and confusing turn I never would've thought of, but I guess this is how Astrotrain would act if such a thing happened, and I'm wracking my brain trying to guess what the backstory is there. I think I'd prefer if this was about a pre-existing character and not an OC, because I found Starscream's backstory about a dead OC friend kinda weak TBH.

I'm super excited to see further fallout of Thundercracker feeling so betrayed and I was happy that this finally happened.

Megatron using Laserbeak as his eyes is really cool and I doubt DWJ would do this, but it would kind of be nice if Megatron was just blind for the whole series.

I'm really eager to see how this comic approaches the deep-seating transformer cultural issue of creating new life to be soldiers thing now that its reared its ugly head, and if Cliffjumper might have some kind of crisis later on if he feels guilt over his choices.

The art is just incredible and continues to be!

For now, I think I'm waiting to see if all this comes together like the end of the last arc worked so well.

[tyrantisterror]

You're welcome! Thank you for being such a willing participant in the interactive side of this story!

And yeah I'll gladly answer some more questions.

So, as I said above, I realized in the process of writing the story that, from a narrative and thematic perspective, this story could not give Sailor a clear and definitive answer to what they are. Even in the ending where they chose to go back to the normal world, we get an answer that convinces Sailor, but still clearly has some holes to the audience. I think there are ways we could have skewed certain conversations to learn more about the hypothetical answers in-story, but it would have come at the cost of key moments of character development for Sailor and Calibani. And I also think it's possible we could have skewed the story in such a direction where giving a definitive answer to the question wouldn't have necessarily hurt the theme of the story, by dint of turning the story into a different theme entirely - a South-heavy story might have focused on Sailor confronting their own inherent selfishness and short-sightedness rather than questions of their identity, for example, while a West-heavy story might have been a more dense and wacky adventure full of foolhardiness where learning who/what Sailor is could happen quickly and definitively without fanfare in order to be pushed aside for more shenanigans. 58 choices - there's a lot of potential what-ifs here.

There would be no way to contact Earth in the story as told, no, just as there wouldn't be a map till the very end. But, like, Sailor is canonically living longer than just the nine or so days the story covers, the Sea of Monsters is big, and Sailor knows a mad scientist. It's possible Sailor finds a way to get a message back to earth at some point - but I guess we'll have to save that for a hypothetical At Sea Without a Map 2: Now With Map!

I generally tried to vote either for the answer I thought would get the most votes, or the one that would get the least, in hopes of not actually affecting the result too much (unfortunately tumblr doesn't let you see the results before the poll ends unless you vote, and for the sake of keeping to a more-or-less daily schedule, I kinda needed to keep an eye on it to know what I'd need to draw during my downtime moments). I think the TT-only version of At Sea Without a Map would have been pretty similar to what we got. We might have spent a bit less time with Calibani and bit more time getting into monster hijinks and drawing exposition about the setting from characters like Dr. Neptune, but otherwise it would have been pretty similar. I had more fun with the player-choices that contradicted my own instincts, though - it was fun being given free reign to just shoot the shit with love interest while ignoring the plot. Very indulgent I do wonder if Sailor might have turned out differently, though - I was very conscious of trying not to flavor things too heavily when Sailor was in my control in the narrative, i.e. when they had to make choices without a compass to set them in a direction. I didn't really start giving Sailor personality in-text until I got a feel for what we were turning them into together, and even then I always felt nervous about it - I never wanted it to feel like I was forcing you all to play a character that wasn't authentic to what you were choosing. This wouldn't be a problem if Sailor was just written by me and me alone, so they might have become something different by dint of me not having to worry about alienating voters with their actions.

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[talkorsomething]

I have Got to get more transgender

[victorluvsalice]

-->While Smiler was bopping away, Victor had finished his upgrading, so I had him transportalate down to the greenhouse, change into more appropriate clothes, and start tending all the plants (a process made a little bit harder today by his bees being angry about life and stinging him occasionally). Alice, meanwhile, was stopped from going out to shower in the rain (Erratic Sims…) and forced to finish her breakfast and take a quick wolf nap to calm her instincts before I sent her out to feed Toothy the cowplant and the poor starving chickens. Fortunately going out in the thunderstorm didn’t make her scared (one of the few perks of a Sim being Erratic) – though it did break her umbrella, so that wasn’t great. Despite this, though, she got everybody fed, cleaned out the coop, and got all five eggs waiting in said coop without incident. Feeling both proud of her for staying on task and bad that I'd made her work in the rain, I then directed her to head inside and up to her and Victor’s bedroom, before having her change into her outfit with the Delicate “bad mood calming” bracelet and start working on her latest book again (the mystery “Who Stole The Tarts?” in case you need a reminder – I did!). She plugged away at that for a bit while I checked in on Victor – he’d finished all his tending, so I decided to have him super-sell his garden –

After he’d bonded with his bees to stop them being so angry. And after he’d evolved his taro root. And after he’d gathered soy wax off his soy plant. And after he’d gotten a pee – which involved him magically fixing the downstairs toilet because at some point it broke (I think the moment he tried to sit down on it, in fact). And after he’d given Surprise a lecture on scratching the furniture. I’m saying it took a WHILE to get to super-selling all that produce. XD But he did get there eventually, poor guy!

-->And then I looked at Alice again and noticed her Fury was getting really high because, despite her bracelet’s best efforts, her “gotta be outside” werewolf instincts were giving her lip. I quickly sent her out into the backyard (fortunately the rain had calmed down to a drizzle at this point, AND her umbrella was back in good repair) and had her somber howl to lower her Fury – then, deciding I wanted to be extra safe on a party day, sent her back up to the séance room to meditate the rest of it away. Smiler, meanwhile, was finally allowed to stop dancing for the camera (I’d left them like that for a while because, uh, it was just easier ^^;) and upload the video to their production station so they could start editing it and adding effects and transitions and all that jazz. Victor, for his part, finished his super-selling at last – I immediately made him Repairio the wind farm (those things break SOOO MUCH) and smash up a twisted tendril growing outside Moory’s pen before having him harvest the prairie grass in said pen. XD No rest for the wicked – or the magical! Though he got a pretty good harvest out of the prairie grass – not only did he bundle up plenty of hay, he also found a bottle of potato nectar – and a bottle of VITALITY nectar. AKA the nectar that can deage Sims and bring ghosts back to life. O.o So yeah, that right there? That is the GOOD stuff. Have to remember to get him to store it in the aging racks later!

-->Anyway – while Victor was getting that done, Smiler uploaded and hyped their finished video (just in time for it to be included in the royalty money for the day, nice), then ran downstairs to lecture Shock for scratching furniture and drinking from puddles. I couldn’t get a good picture of either as Shock kept running away from Smiler to do something else as they tried to lecture her (like going to drink from puddle in the bathroom while Smiler was trying to tell her no scratching the living room chairs), but the lessons DID take, and Shock has learned not to do either thing anymore. Hooray! I then had Smiler mop up all the puddles around the place and take a quick shower as I checked in on Alice – to my delight, she was completely Fury-less! Yay! :D And even better, I quickly discovered an activity to keep her busy while I tried to wrangle Smiler and Victor (Smiler, finished with their shower, was trying to mold the clay blob in the bathroom from last episode while Victor wanted to chat with them) – the laundry! The hamper was starting to look a biiit full, so I had her search everyone’s pockets, then load up the washer with the clothes and a chrysanthemum and set them tumbling. Victor and Smiler had headed back up to Smiler’s room to dance to the tunes coming out of their radio at this point, so I just had Alice head up and join them for a little dance party –