#what I am now doing is what we in the industry refer to

[yams-here]

#TheBirdAndTheBeeStrikeAgain

part 13

Part 1

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[scentedpeachlandcreator]

Nepo baby Mindset Challenge:

Disclaimer: this challenge is considered to make it fun, not overcomplicating it.

Here i am with my first challenge and i wanted to make manifestation fun so you won't overcomplicate it and keep being bored while manifesting your desires.

What is a nepo baby?

"Nepo baby, short for nepotism baby, is a term referring to celebrities whose parents have succeeded in the same careers. The implication is that, because their parents already had connections to an industry, the child was able to use those connections to build a career in that industry" By Google.

Okay so we do understand the term now.

Let's use it now as a Mindset.

What is a nepo baby Mindset?

To make it short, it's just having the Mindset that you'll get whatever you want no matter what and you'll know for sure that you were born to be successful and having everything you've ever wanted, getting pampered by everyone and getting the best treatment you Always deserved.

How to manifest with it?

Just getting into the Mindset and embodying it, you'll get that confidence and you'll feel like you're on the pedestal.

Seeing something in the 3d and against what you're manifesting? HELL NAH! I HAVE IT ALREADY AND I'LL GET WHATEVER I WANT ! PERIOD !

Someone calling you delusional? Nope, i have everything that i want cause i said so.

Feeling my desire is too good to be true to have it and deserve it? Hell nah, i deserve receiving all my desires cause i'm THAT girl/dude and i Always get what i want cause i said so.

Feeling Like i won't be successful and have my desired career? Nuh-ah✋🏻🤨 i was born to be successful and to getting everything i desire, nothing is too much for me, i deserve to know more.

But..i don't see it in my 3d😢 where is it? The Fuck? I already have my desire 🙄💅🏻 what are you talking about? I HAVE IT IN MY 4D SO IT'S DONE! CREATION IS FINISHED! PERIOD!

Those are the example of the Mindset and how to act when encountering the 3d.

And now i want you to make a list of your desires and when i tell you GO CRAZY YOU'RE LIMITLESS, write all your desires in any app for writing or even on a piece of paper.

Okay just so you know, don't Settle for less, you'll get everything you want because you said so.

You Can use any method you want but the point of this challenge is to have that Mindset and to have that perfect Self-concept.

Do this challenge whenever you want but just to let you know that you deserve everything and your subconscious gonna work so hard to give you your desires cause YOU'RE THAT QUEEN 🙄💅🏻.

I'll suggest an affirmation that i found when i watched a video of my favorite youtuber of LOA and here it is:

"i deserve to be/have [insert your desire]"

This affirmation is a combination of perfect self-concept and feeling Like you have your desire.

For this challenge there's no specific Time crunch, you Can Do it as long as you want, and you Can make your own rules and deciding how long your desire will take to manifest and choose your own affirmation.

And remember to make it fun.

Summary:

: ̗̀➛Embody a nepo baby Mindset.

: ̗̀➛ choose what you want to manifest or make a list.

: ̗̀➛Persist in your assumption and you'll receive your desires in the 3d.

Don't forget to mention me when you do the challenge and i want to see your Success story baby🤘🏻😆🤘🏻🔥.

Have fun~

_ Xoxo, Eli

[renthony]

On "Consuming Content"

Every now and then a post crosses my feed that follows the vein of, "you have to do things other than consume media or else you'll be a dumb person who doesn't know anything about how the real world works and does nothing but pointless fandom stuff."

I hate those posts for three major reasons, not counting the inherent ableism and classism of "you must have approved Smart People hobbies or else you're worthless" rhetoric:

You don't know what people do or talk about outside of what you see on their social media. Responding to fandom communities on a fandom-driven website as if all these people are one-note cardboard cutouts of people is asinine. In many cases this genre of post feels like repackaged 2012 tumblr "not like other girls" and hipster discourse. Yes, yes, you think you're better than everyone else on this website because your hobbies are less mainstream, more morally pure, and have greater intellectual merit, we get it.

What do you even mean by consuming content? As someone who purposely avoids using the phrase "consuming content" because I find the term too vague to be useful, please be more specific. Are you including every single form of media engagement and art enjoyment? Are you just talking about mainstream TV and film? What about novels? Plays and scripts? Nonfiction books and instruction manuals? Do you mean to imply that going to a book club is a worthless non-hobby? Are you including academic reading? Are you including going to the art museum? Going to the theatre, concerts, or other performances? Taped liveshows? Watching sports events on TV? Are you including news media? Are you including YouTube tutorials about how to do various tasks, crafts, or other hobbies? Are you including trade magazines? Are you including industry publications in various fields? What constitutes "content," and what constitutes "consuming" in this discourse? Define it. "Consuming content" is a nothing phrase that people use to mean multiple different things depending on what they, personally, judge as valid media. It's a buzzword at best, and when the same buzzword can be used to describe both "idly scrolling social media" and "reading and discussing a book," it's a meaningless phrase.

As an artist and author, if engaging with media is bad and worthless, am I supposed to conclude that making it is equally worthless? If "consuming content" is a bad, lazy, worthless, fake hobby, what makes creating art a worthwhile pursuit? If I am constantly being told as an artist that engaging with media isn't a worthwhile pursuit in its own right, and the people who want to engage with my art are just brainless fandom losers, what incentive do I have to make that art anymore? Furthermore, to everyone reading this paragraph and thinking, "that's not what content creation is," I refer you to bullet #2: If the phrase "make content" can be used to mean "low-effort posts made to advertise cheap and useless products" as well as "being a novelist" or "getting a gig as a writer on a TV show," it's a meaningless phrase.

None of that is even getting into issues such as the way influencers are preyed on by both brands and targeted harassment from trolls. Influencer culture has major issues, but boiling those issues down to "stupid vapid young people who are too lazy to make real art or get real jobs" (which is a mindset I see frequently online) is unhelpful. So many people pursue influencer deals because they're living in poverty but are skilled at various social media and advertising related tasks, and just like any worker, they're being exploited because they need to eat. Labor rights for influencers are a huge topic that entertainment industry unions have been actively discussing and working toward. (Related links for further info: [x] [x] [x] [x])

"Consuming content is not a hobby" is a worthless statement unless you define what you mean by both "consuming" and "content." Quite frankly, you also need to define "hobby," because if you're putting requirements on what is and isn't allowed to be a "real" hobby, you mostly just seem like you're moving goalposts and defining "worthwhile hobby" as "hobby I, personally, think is good." Use more specific language to articulate your actual problems with the entertainment industry, the art world, influencer culture, or whatever else you're actually upset by.

Media and fandom can involve any number of enriching, satisfying hobbies that take up a perfectly acceptable and healthy space in someone's life. If you aren't into it, go find hobbies you do like and stop policing how other people spend their precious free time in this nightmare hellscape of a world.

[darkficsyouneveraskedfor]

Long Snake Moan 1

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Loki

Summary: your boss gives you a task you're not prepared for.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

“I think it’s best it comes from you,” Tony pats your shoulder. You stare at him in disbelief. 

“Me?” You bat your eyes dumbly. “But I just... I’m just passing along the information--” 

“Look, sweetheart, I’m in the middle of a PR crisis here.” He flashes his phone screen at you. The talk of Stark Tower has been his latest disaster out in the middle of nowhere. Usually, these things are forgotten but an unfortunate post has made the rounds. “You delivered the message perfectly, you can do it again.” 

“But, sir, with due respect, this isn’t exactly in my job description.” You walk backwards as he strides around his desk and tucks his phone away. 

“Your job is to do what I tell you to do. Now,” he looks at you, his eyes flicking up and down, “I think you’re the best possible carrier pigeon for this. Look at you. That ungodly asshole can’t be mad at you and I definitely am not telling him. Not without another explosion and I’m on probation right now.” He taps his chest and his suit expands around his body. “His brother should be wandering around, maybe he can help control the beast.” 

“Sir, don’t make me do this--” He goes to the window and hits the button to pop out the pane. 

“I pay you well enough, sweetheart, so get to work.” He jumps out and his helmet covers his head, blue flame blasting from his heels and gloves as he takes off into the sky.  

You cringe and look down. You should quit. You’ve been reciting the mantra to yourself for months; quit, quit, quit. You wish you had that choice. So far, your resume hasn’t baited any takers. Even with all your work for Stark Industries. Considering who your reference is, you’re starting to wonder. 

You glance around and steel yourself. You walk out of the office and down the hall. Your low heels click, in slow tempo with your dread. You trawl the top floor, searching for a certain blond giant. Thor isn’t anywhere to be found. You’ll have to try the compound... maybe you could just give them a call. 

No, you know Mr. Stark wouldn’t like that. Even if you could get a hold of either of the Asgardians, your boss would make you face the music in person. You take out your phone and scroll through the contacts. Most of them, you’ve never had to call, they’re only there for emergencies and usually, you’re not the one calling them for that. 

You put the phone to your ear as it dials. It rolls for so long, you’re certain you’ll get the voicemail. It picks up at the last moment, the line buzzing and unclear. 

“Hel-lo?” Thor’s deep baritone greets you. “It is the little assistant, yes?” 

You can just make out his hazy words. “Yes, Mr. Odinson? Can you hear me?” 

He laughs and you hear him shuffling around. The crackling stops and the line clears. “Mr. Odinson. You Midgardians. It’s Thor.” 

“Yes, Thor, well, um, where are you?” 

“Is there something the matter?” He asks as his tone turns dire. “Where are you, little one?” 

You ignore the question tossed back at you and clear your throat. “Um, it’s about... um, I think it would be best if we had this discussion face to face but Mr. Stark told me to pass on some news and yeah... I’d like to meet up if poss--” 

“Little one!” Thor appears before you, out of breath, his phone clutched in his hand. He didn’t hear a damn thing you just said. You smile. You’ve trained that expression so well, it’s almost believable. “Where is the danger?” 

You almost laugh. It’s endearing to have him so concerned. You doubt his brother will be as accommodating. 

“Hi, uh, like I said, it’s nothing serious. It’s erm, do you know where you brother is?” Your voice hits a pitch so high it makes your ears hurt. 

“Ugh, what has he done now? I swear, I’ve told him--” 

“It’s nothing he’s done. Well, it’s kind of it. Okay, um, Thor, I need to talk to your brother.” 

“Loki? You need to talk to him? No one wants to talk to Loki,” he narrows his eyes in consternation. 

“Yes, well, I have a job to do. I’d also appreciate if you’d be there to, you know, act as mediator,” you make yourself small as you push your shoulders up to your ears. “Please?” 

“Of course, little one, of course, let us go find that snake!” He grabs your arm before you can react and almost has you off your feet as he drags you down the hall. “I left him in the lobby. He isn’t fond of this place.” 

Maybe that will make this all easier, you think. 

Thor doesn’t slow down. You stumble with him as you struggle to keep your shoes from falling off. You tap his arm as you get to the elevator. 

“Really, we can take our time,” you assure him as he jams his finger into the down button.  

You’re really in no hurry for any of this. You’re almost hoping that if you put this off longer, someone else might just come along and tell them for you. You know that won’t happen but you can hope. Even so, Tony has more important things to do and as usual, you’re left with his grunt work. 

[theabigailthorn]

Hey I made a post a few days ago and someone referred me to you so I’m here to ask for advice and guidance because I’ve been in acting for years and it’s my life passion (stage acting specifically) but I’ve realized this year that I am a trans woman and I don’t know what to do about it because I feel like there are next to no opportunities for me in the community if I transition, especially when it comes to musicals and really anything during early transition. I’ve just started college and feel like now is the time to start pushing for hormones and whatnot if I’m going to transition but I don’t know if I should because I feel like there won’t be a place for me in the career I want anymore. I’m at a point where I could change career paths but I don’t really have anything else I want to do I’ve always just loved acting. So anyways I don’t know what to do and I’m kind of asking anyone for help who might listen or have valuable insights if you read this thank you for your time<3

Mm, this is a tricky one. Are you in Britain? If so then I agree that opportunities are thin on the ground, even more so than for cis people in the industry. I also don't think that's likely to improve quickly. Apart from a dearth of jobs, it helps to be realistic about the risks. I've had people in Britain tell me they straight up won't work with trans people, which is illegal but there's nothing you can do about it. I've had chats with other trans actors who feel there's a hard ceiling in Britain on what you're allowed to achieve, and it's a lot lower for us than it is for cis actors.

The British acting industry also has a chaser problem. One of the consequences of the widespread dehumanisation of trans people in this country is sexual abusers find we make good targets - we're already systemically vulnerable and many people don't care what happens to us. I've seen talented trans actors drop out or contemplate dropping out because they were sexually assaulted by a writer or director. A lot of cishet people still find it unspeakable that straight men prey on trans girls. As a purely hypothetical example, let's say there was a man with a history of being very creepy to women, especially young actresses, who went around sleeping with trans women in exchange for empty promises of work, and who also assaulted trans women at auditions for his big project, who everyone in the British entertainment trans community knows is a creep, who then went on to win a major award - wouldn't THAT just make you want to scromit?! 🙃 Purely hypothetical of course. This elite consensus that trans people are 'violable' also extends to less horrific but still awful things like cis people stealing our work, which isn't hypothetical and did in fact happen directly to me.

If you're in the USA then I think there's cause for optimism, depending a bit on what happens in November.

On the other hand, something they told me at drama school is "In order to have a career you must be two things: 1) Unique, and 2) Good to work with." So perhaps your transness will be your unique selling point! There's really no way to know until you try. And it wouldn't restrict you from making your own work either: look at people like Piss Carnation, who are doing well in fringe theatre! I remember having the same feelings about my own transition: I thought it would be the end of my career. So far the opposite has proven true, which is lovely! There's a lot of luck and privilege involved in that outcome though.

For me, acting is a calling - it's the closest thing I have to spirituality - I couldn't not do it.

[endearing-dalliance]

Arcane Team's Bias Bastardized Piltover and Zaun

I am not an LoL player, but I read up on the lore because I was that fucking disappointed in season 2. Some key points of original Piltover and Zaun lore, which the team kept parts of. Emphasis on parts.

Geography and Symbiotic Economy:

Zaun was established first. A geographic disaster literally split the earth and sunk part of the city, splitting it into what we know today. Many of the wealthier citizens and those involved in the profitable sea trade ended up on a cliffside and industrial parts of Zaun were now across a river and below. They then became separate city-states in a symbiotic relationship.

"Zaun thrives, its people vibrant and its culture rich."

Zaun has multiple levels of "good" areas like the college and Bridgewaltz market where both citizens shopped for music, food, technology in addition to progressively more polluted and dangerous lower levels.

Piltover’s wealth has allowed Zaun to develop in tandem

Zaun's issues like the Gray were attributed to their own factories and labs that benefitted their own people

Culture and Relationship:

Zaunities collectively take great pride in themselves and their thriving city. Many choose to live there, especially scientists and inventors who find Piltover too restricted, because "their right to do as they please is what makes Zaun the freest city-state on Runeterra"

"A citizen of Piltover is typically self-reliant, does not expect handouts, and always aspires to do better."

Piltover has an elected "very empathic and progressive" government and is "one of the least militarized city-states"

Zaun's technological progress and academic institutions are described as being Piltover's only technological and academic rival. 

Both cities' citizens augment their bodies. Piltover's are more flamboyant and display their wealth, even if they are originally necessary; Zaun's are more practical and "necessity is the mother of invention" very much applies.

So this was what they had to work with. I can understand why many people would prefer to live in Piltover, but Zaun is treated as an equal place to be, with its own distinct and proud culture, complex structure, and thriving economy.

Moving on to Arcane (finally lol) and the now infamous original Arcane pitch. Either Christian posted that while every sane person was asleep, or none of them realized how profoundly terrible it makes them look. 

There's a lot in here that's problematic. Piltover is a gleaming wonder, a pure and magical place while conveniently leaving out why its this flourishing utopia. The next bit frames the entire conflict as Piltover's decision. It screams "Mommy and Daddy need to punish the naughty kids or they'll wreck the house." Except the starving kids are locked in the moldy basement and trying to break the door down to escape.

Now about Zaun...here its called the underground district. This becomes more important later, when you realize how many different and contradictory labels they give Zaun. Its an undercity, sister city, part of Piltover, wannabe Nation of Zaun. It establishes again the underlying superiority of Piltover. And of course it is, because Zaun's people are boiled down to dangerous, manipulative criminals (bonus points for an antisemetic reference!) with no morality.

I firmly believe this team has a fundamental deliberate misinterpretation of what LoL Piltover and Zaun are, and it is due to their own biases and privileges of a team that is primarily white, middle/upper class, able-bodied, and mostly male. It is abundantly clear that they see as Zaun is objectively lesser and that its their own fault. They're just a foil for Piltover and source of enemies. Three quotes from Arnaud-Lois Baudry:

"My role as a Production Designer was to make sure we don't negatively impact other teams at Riot Games and contribute to adding value and enriching the worldbuilding of those cities."

"Once we figured out the shape language of the wealthy city of Piltover, Zaun needed to be its dark mirror. We started by combining Victorian architectural pieces and some old industrial elements and added some asymmetrical flourish ornaments made from handcrafted upcycled pieces."

"Canonically Zaun is supposed to be super-dark, oily, and dirty with green smoke everywhere." Dude it is literally called The Gray. Zaun's marketplace, college, and an example of their architectural style from the LoL website:

Zaun is literally an afterthought. And I think its very telling that once again, Piltover was the priority. Magical, pure Piltover with its moral code...and Zaun was literally just designed to be its opposite. They claim that the show was designed to show the good and bad parts of both, but they failed to include any direct evidence that the problems in Zaun are entirely due to Piltover's treatment of them. They literally just took LoL Zaun, scooped the top (more prosperous) levels off, and buried it under Piltover. Piltover was enriched, and even benefited by inspiration from Eastern European culture like Nikola Tesla and Czech artist Alphonse Mucha. And then gave Viktor the only "foreign" accent in the show to further emphasize his disadvantaged upbringing and displacement in Piltover society. As someone with an Eastern European/Slavic background, I cannot emphasize this enough: fuck. every. last. one. of. you.

*sigh* Moving on to the "value and enrichment" given to Zaun:

cities described as "dissonant halves of the a greater whole" rather than symbiotic

Piltover came first, and the undercity later develops into Zaun. No mention of historical or present-day Zaun having anything to do with Piltover's success. Literally nothing is explicitly connected, though we do get Cait committing war crimes using tech her Mom installed to help the Zaunites from suffering the effects of pollution.

Speaking of pollution, AoA explictly states neither city has "big industry, there are no factories". Uhh then where is the pollution coming from?

It is portrayed unflatteringly with two notable exceptions (the Last Drop and Firelight tree), specifically in the ways that are in real life associated with racism, classism, body shaming, and cultural shaming. Its subtle at times, but a constant theme in their book, interviews, and the show itself.

In AoA, the Piltie extras are "understudies" and the Zaunites are "a motely crew".

Piltover has “normal” food like tea and sandwiches, while Zaun has what appears to be slugs in a muddy sauce from an unsanitary food stall that also displays drooling animal heads and tentacles.

All the Pilties are thin; the only overweight people (who are also usually morbidly obese) are from Zaun.

In Art of Arcane (AoA) they talk about how they specifically chose to design the Chem-Barons "more cartoony than grotesque" and that they made sure to have "a few landmarks, like the bridge, so it doesn't feel too cartoony" when designing Piltover.

Only the Zaunites use augmentation. Its a defining characteristic and objectively "bad". AoA explicitly correlates Viktor fixing his leg and spine with losing parts of his humanity. Lord know what they think of the multitude of augmented-out-of-necessity Zaunites. Coincidentally, the other character most associated with augments is Smeech, the cartoony drowned-rat-looking antagonistic Yordle, whose fight serves as a humorous scene endearing Jinx to the viewers.

They created the Piltover Council and then decided to make the Chem-Barons their direct counterparts, because DUALITY! Seriously, is anyone in Zaun NOT somehow just a "worse" version of a Piltie?

[lukolabrainrot]

I am going to talk about some of my thoughts about why I believe N's behavior changed as the PR tour progressed. I am also going to talk about my thoughts on if L&N ever got "jiggy with it" 😂 I'll try to get to my thoughts on Toronto and Ireland tomorrow.

Before I start though, I want to mention that I am trying to come to my theories/opinions based off of things I have been able to observe, and verified information online. Obviously though, I don't actually know any of these people irl, so I am never going to understand the full story of what is going on between L/N. All of this is just my thoughts and theories on what is going on based on what has been put out to the public. There has been a lot of speculation online about everything, but I am going to try and not give that information too much weight when coming to my conclusions here. I am interested in hearing everyone's thoughts/opinions though, since this story has a lot of moving parts. Just wanted to put this disclaimer out before moving forward with more of my thoughts/theories.

Alright, on to the main course (this is going to be a LONG post btw)...

N on the PR Tour

I want to start off with the following that we know to be fact about N:

She is INCREDIBLY private about her personal life, especially her dating/romantic life (the same isn't/hasn't really been true about L). In fact, I don't believe N has ever publicly come out as being in a relationship with anyone since she entered the entertainment industry/been in the public eye (although I can't 100% confirm this, so please let me know if there are any articles/or something on her SM where she has publicly confirmed she was in a relationship at some point)

She is VERY online, and very careful about controlling her public narrative

She is a naturally touchy and affectionate person with people, but she seems to hold her true feelings a lot closer to her heart, and it seems to me, that she is kind of "on" in public (which is actually an important skillset to have as someone in the entertainment industry because you really need to know how to stay in control of your public narrative--your fans are your livelihood)

She LOVES photography/taking photos (it is one of her love languages I believe)

Now as I mentioned, L was always a lot more of an open book on the PR tour about his feelings for N (refer to my post here). N seemed to be a lot more reserved/gaurded during the tour when it first started in January, but everything shifted in like April when the world tour started. Below are my thoughts:

N started to become a LOT more obvious through her nonverbal cues about her genuine feelings for L as the tour unfolded. I will say that I believe PART of it probably had to do with getting a little "lost in the sauce" with the energy of the tour. However, I think the larger factor was that L & N were pushed together for many months (in close quarters), and were therefore forced to have conversations about their feelings for each other that I think they had been tiptoeing around for quite a while. From what we then saw from like the middle of Italy (I'm an Italy truther), there was more of a confidence, security, and contentment in how they interacted with each other that signaled to me feelings were shared and reciprocated.

Like I mentioned, she is a PR queen and very, very private about this part of her life. Therefore, why would she decide to be so obvious about her feelings on such a public stage when she knows people analyze everything? Well... I believe this is her way of publicly acknowledging their romantic feelings for each other without ACTUALLY publicly acknowledging anything more than "work besties" is going on with them. Which totally makes sense when you think about it because 1) The fandom would LOSE IT rn 2) That would put a LOT of public pressure on them, and I think these feelings they have shared with each other are very new (but had been brewing for a long time), and I don't think they are confident enough to go public. There is also, of course, the A of the whole situation, which L needs to figure out how he wants to move forward with that. TLDR, the situation is very messy, and I think there is a lot that L/N need to process in private regarding each other out of the public eye. I am pretty confident though that this tour put them in a situation to confront, clarify, and establish what their romantic feelings are for each other outside of the show (and they were reciprocated), and they are taking the space right now to explore that privately.    

Lastly, because I really like analyzing photos and N loves taking pictures, let's talk about those "boyfriend pics" of L she posted since the world tour started. Yes, she was promoting the show, but a lot of those pictures (especially recently) have a very specific vibe. She wants the world to see him the way she sees him. She loves that man, clear and simple. He shines around her, and she knows that. I think it’s also especially telling that she posted the most recent boyfriend pic of her last day of filming (which was the most obvious one in my opinion) now that A is publicly connected to L. It was a statement in my opinion, that regardless of all the drama unfolding, her and L have a really deep and meaningful connection that is special to her. I think it also served as a message that we don’t know the full story, which I think is a positive thing for us Lukola fans. Now I can’t predict the future with these two, but I am fairly certain we wouldn’t have been seeing the type of behavior we saw from them on the PR tour, and the types of photos she has been posting of him lately, if they weren’t confident in moving forward with their romantic relationship in the near future (especially since A has been in the picture for quite some time). I think these pics serve as another crumb that they are a little more than just work besties.

One last note, I think the reason our PR queen started slipping up and changing her answers to certain questions on the tour is because SHE WAS REALLY HAPPY WITH HIM. This can be a whole separate post at some point if people are interested, but I am almost certain from everything I have observed regarding N, that she is quite jaded when it comes to finding a romantic partner, and has been hurt in romantic relationships in the past.  I feel like L is the more sweet, hopeless romantic between the two. I think he allowed her to heal some of her relationship wounds. I think there is something about L and the experiences they’ve shared together that has reignited something within N to make her feel more hopeful about having a deep romantic connection while she can still be very independent and successful in her field. And I think it specifically has something to do with who L is when he is with her and how he treats her. I get the impression he has really altered the way she sees certain things related to romantic relationships. My whole point is that I think they both know what they have, and they know that if they can get on the same page, this relationship would get serious pretty quickly. Therefore, even though N is really private with this part of her life, for L, I think she would publicly acknowledge their relationship, but only when/if they are able to get to a point where they feel confident enough that their relationship would be able to withstand the pressures from the public. They just aren't there currently because of all the other confounding factors, but I don't think that necessarily signals where they will be in like 6 to 8 months imo...

Have L/N ever gotten freaky deaky irl?

From before the PR tour, I just don't have enough information to confidently say yes or no. A lot of people have different opinions on this, and some people think they casually dated near the end of filming season 3/sometime last year (but we don't have any proof of that). This is what I will say:

N still follows J (and vice versa I believe, please lmk if I'm wrong?), so I don't think there is any bad blood there. This makes me pretty certain that L/N never acted on any physical feelings for each other until after that relationship was completely over. I do think though that L/N have had a spark for a while (and tbh, I think L has kind of had a thing for N since they met, and his feelings for her have always been stronger). Therefore, this likely played a part in him emotionally distancing from his relationship with J when season 3 started filming, but at the end of the day, we will never know the specicifics of why they decided to part ways. My guess is that there were a lot of reasons that relationship did not end up working out considering how serious that relationship was.

Considering how WILD L/N's sexual chemistry is, it wouldn't surprise me if they hooked up at some point before the PR tour. But considering L was on Raya by February/March 2023 (from my understanding?), and the fact that N was SUPER busy last year and traveling a bunch, I just don't think there was any time for them to have anything more than something super casual/no commitment (if anything). Even if they did maybe hook up some, I don't think they really directly addressed the depth of their feelings for each other, which is why we saw all that behavior between them on the tour, because I don't think any clear boundaries had been put up and their feelings came flooding back.

Now I feel a lot more confident that somethingggg intimate happened at least once between them on the PR tour. Here are my theories:

I don't think things were great between them at the beginning of the tour (like January) because feelings I think started popping up again for these two during the reshoots in December 2023, and then the NYE kiss comes out, and N and L are feeling disconnected and aren't really on the same page about the tour.

I think they had some conversations in private, because by the VDay event, they seemed a lot more on the same page (and L was giving N those total heart eyes). The extra layer is that (I believe?) A accompanied L to the city the event was in (I think NYC?), but even though A was staying with him, L was STILL looking at N like THAT during the event (which I think speaks VOLUMES).

I think though there were a lot of things they still weren't talking about, and everything came to a head when they got to Italy, which is why the vibes were off at first and it seemed like there was tension between them. This also occurred soon after the Instyle stunt, so I feel like N probably had some feelingssss about that.

I have recently been converted to an Italy truther, so I believe that Italy was where L/N finally addressed/readressed some of their feelings for each other, and N was trying to get some clarity on WTH was going on with A, and making sure it wasn't going to mess anything up with the tour. But I think they "kissed and made up" 😉 and got back on the same page. Which is why there was the shift in Italy, and why we saw what we saw for the rest of the tour.

Not sure exactly what happened of course, but I get the feeling something physical happened after they started having some BIG conversations about each other that they had needed to have for a long time (and I think they continued to have these conversations with each other as the tour progressed). Let's also remember that these are two very non-confrontational people, so I feel like there must have been a LOT of pent up feelings/emotions for them to publicly show that they weren't super happy with each other/beefing during the beginning of Italy.

I also definitely think they physically acted on their feelings in Brazil (like they just had the "glow" imo 😂). And the eff me eyes, c'mon. Like Brazil continually reminded me of that New Girl quote "The stench of filth and lust is all over this room." It just seemed pretty obvious to me 😂 Especially considering the events that transpired right after that with A, and between L/N for the rest of the tour.

Lastly, I know a lot of people believe that L/N didn't physically act on their feelings because the tension would go away. However, I actually think it's a good sign that tension is still there, because I think it shows that there is a pretty deep connection between these two, and they are still feeling that pull/sexual energy after having sex. They kind of remind me of like two friends in a friend group who just admitted their true feelings for each other but aren't ready to go public, but are also having crazy good sex, so they are super obvious and can't really hide it when they are together LOL Regardless if they had ever physically acted on their feelings before the tour, I think these experiences (IF they did indeed occur), helped L/N get clarity if their strong feelings and attraction for each other went past the show and their characters. And I personally think they got that clarity 😉

Wowww okay that turned into an essay LOL, but I think the TLDR is that the situation seems very complicated right now, and I think there is a lot that L/N are needing to figure out in private. But I don't think that negates or invalidates what we saw between them on the PR tour, or that they were "faking" their feelings. Human beings are messy and imperfect, and that is okay. I think the part that still really confuses me is the whole A of the situation, because I just can't wrap my head around it. I would love to hear other people's opinions though on how she factors into all this, so if you have theories/questions you would like to add to that discussion, drop them in my asks. Because I have thoughtssss 😂

[12triceratops]

Where the rubber meets the road.

These two didn't just have a relationship, they had a (soul)utionship. "The Prophecy" Hand on the throttle Thought I caught lightning in a bottle...

What these two had was magical. There is no debate that Karlie Kloss and Taylor Swift were electric: (I am using past tense for the moment, I will refer to them in present tense a bit later in the post)

Fast forward a decade later to Fortnight. This record did not hit me immediately the way "Folklore" and "Evermore" did, It has almost been a week since its release and I hadn't been fully onboard with TTPD. I was expecting something different, something not familiar and I had quite literally thought maybe Jack Antinoff and Taylor Swift had reached their limit together as collaborators. The music produced by Aaron Dressner had flavors and connections to "Folklore" and "Evermore," while parts of the album was reminiscent of "1989." My next thought that maybe the three of them had done all they could do.

And then the Matty Healy conversation exploded across the net (le sigh), and I just about gave up on the record.

I damn near had a sanguinary struggle within myself over The Tortured Poets Department (I know, that is very dramatic lol), and then I finally got it. The brilliance of this woman is unmatched.

The last song "The Manuscript." Now and then she rereads the manuscript Of the entire torrid affair

"The entire torrid affair" meaning the last decade (probably longer, but I am sticking with 2014-2024). The title isn't lost on me and many others - The Man-U-Script.

The last segment of the song

The only thing that's left is the manuscript One last souvenir from my trip to your shores Now and then I reread the manuscript But the story isn't mine anymore

She is closing the chapter on all of it. It's over, the countless theories, the stories we all have created about her. They're our stories now, we built them into a formidable, monstrous entity that took on a life of its own. "The last souvenir" are her words to us on this album. From the Swifities, to the Gaylors/Kaylors, to the haters, critics, industry, fans, media. She won't play this game anymore. Taylor gave enough clues on this album to make EVERYONE'S theory plausible (Karlie, Joe, Matty, Travis, Harry, Kim etc). She connected threads to come full circle, which brings us back to "1989," that 1980s syth-pop (hello! "I Can Do It With A Broken Heart"). This is why she and Jack Antonoff brought us back to where it all began, Karlie Kloss and #Kissgate (Dianna Agron, too, who can forget "Wonderland). Aaron Dressner summons moments within this records of the two albums that fractured my soul, F & E. That folky-pop melody that gets into your skin to change the DNA. No joke, I sobbed listening to "Folklore" and "Evermore."

With TTPD, Taylor comes in like a thrashing, tumultuous storm; at times seething and others admonishing. She is singing to herself, for herself and without need of approval from the mainstream radio (or anyone else). TTPD is messy, too much, not enough, vulnerable, real, relatable and she is tired of our collective shit.

Back to "The Manuscript" This Era has come to an end and she is leaving us with the ruins, the aftermath of what she went through: being forced to hide who she really is, having to placate the rabid fans who believe the stories of every boy she has ever dated. She has had zero privacy and the only safe place Taylor has ever had was her music, she is the ONLY one who knows to whom she sings. Does she love her fans, of course, but Mother is tired and done. She is ready to come clean and live the life she has crafted to keep in secret in order to protect the innocent.

The beards, NDAs, slight of hand, she is smashing all that we know. It's not her reflection she seeks to shatter, it's the illusions. In "Fortnight" the nurse, a woman (cannot convince me that it's not Karlie. A doorframe is 6'8" and that nurse is about 5" shorter that frame, which would make that person 6'3" :), comes to save her, gives her the key to set her free. The men in the video are the ones who are torturing her. Like the last 10 years, The poet has been tortured by the department of men: Joe, John, Conner, Jake, Harry, Calvin, Tom, Joe, Matty, Travis, Scooter, Scott, and the list goes on.

It's "Robin" that has got a choke-hold on me.

Buried down deep And out of your reach The secret we all vowed To keep it from you in sweetness

She is singing to a child, a kid, and I am going to say a little boy. Is this song about Levi? I am going to say yes. Hands down the gem of the album, and our cue to realize she is telling us what is next, her family, the loves of her life: Karlie and the kids. That is what she wants and that will be her next chapter. We struggle to interpret the Taylor that is always ten steps ahead of us. Her Eras Tour, this will be the last one for a while. Once it has wrapped, I wouldn't be surprised if she disappeared for a spell. Will she produce more work, sure. Perform, probably, but this last decade has taken a toll, and this tour has been a herculean effort. Hence, its wild success. Could she retire (FLORIDA)? It's possible, but she would never tell us, we would have to figure that out for ourselves.

I have more to say, but it's late and I am sleepy. As I get lost in the piano of "The Manuscript" I am reminded of the book "The Seven Husbands of Evelyn Hugo"

Not sure if anyone is going to see or read this, but I needed a place to write my thoughts about this extraordinary album that I almost let slip through my fingers. Good night and sleep well everyone <3

[canonizzyhours]

I'm a professional screenwriter. I know nobody reading this has any reason to believe that, and I work pretty hard to keep my fandom activity separate from my professional identity, so I'm not going to offer any proof that would doxx me here, believe me or don't. But it's true and I don't just mean I'm trying to get hired as a screenwriter, I mean I am pretty well established in the industry and I've worked on some stuff big enough you've probably heard of it. I've also been active in OFMD fandom for about two years now, since nearly the beginning.

The canyon really freaks me out because seeing it up close makes me worried I've drastically underestimated audiences' empathy gap around characters of color and tendency to sympathize with and excuse the actions of white characters. I've always tried to be conscious about that sort of thing in my work but now that I'm seeing the whole process up close it's so much worse than I always thought.

I think a lot about what I would have done during season 1 of OFMD, if I were in the writers' room and I'd wanted to make sure it would be clear to the audience that Izzy was Ed's abuser and wasn't acting out of secretly sympathetic motives and we're supposed to be genuinely horrified by his actions. I'm in writers' rooms workshopping issues like this all the time. I know the kinds of suggestions I'd make.

Like, if we were worried that the audience would think Izzy's hostility toward Stede was about class instead of homophobia, I might have suggested we make sure Izzy's dialogue never has any reference to Stede's class at all, and that we might do a subplot in one episode where Izzy is equally hostile toward Lucius, since Lucius clearly isn't rich but is extremely gay. But that already happened, and it didn't help.

If I wanted to make sure the audience understood that Izzy is bossing the crew around and screaming at everyone to work harder because he's a petty little bully on a power trip and not because the work actually needs to get done, I might have suggested a scene where Izzy deliberately makes a mess on purpose just so he can order the crew to clean it up. But that already happened, and it didn't help.

If I wanted to make it clear that Izzy has always been awful toward everyone around him -- especially his colleagues of color -- since long before the show started, I might have suggested we repeatedly emphasize throughout the season that while Fang is willing to work with him, he doesn't like or respect Izzy and this is because Izzy has always treated Fang very badly. Have him pull on Fang's beard for no reason and have Fang explicitly say he hates that but knows it wouldn't help to complain. Have Fang tell strangers jokes about times Izzy humiliated himself in public. Have a scene where everybody unanimously VOTES TO MURDER IZZY and someone explicitly stops to ask Fang if he's cool with this and Fang explicitly says yes this is absolutely fine with me and then he actively participates in the murder plan while smiling. But all of that happened and I still see the canyon insisting that Izzy was a much nicer person before the events of s2 when he wasn't under so much stress and has always been liked and respected by the PoC around him, including specifically Fang!

If I were worried that the audience might take seriously the idea that Izzy is motivated by "loyalty to your captain" -- well, honestly I don't think it ever would have occurred to me to worry about that, since he says that in a scene where he's in the middle betraying his captain and I'd probably assume people are capable of picking that up and understanding that when someone says they're abusing you for your own good you should not believe them. But if someone else insisted we address the concern, suggestions I'd make would include: make sure some of the first interactions we see between Ed and Izzy involve Izzy complaining about how he doesn't want to do the job Ed just gave him, then half-assing the mission and lying to Ed's face about it. Show Izzy deliberately undermining Ed to the crew by telling them he's half-insane, then insist to Ed that he's the only one keeping the crew loyal when they're worried about his judgment. But they did that stuff and we still have people thinking Izzy's central motivation throughout season 1 is selfless devotion to Ed.

The show did every single thing I would have suggested, and none of it worked. So what does it say about all the stuff I've already worked on, whenever I've written a scene where a white guy was being a dick to characters of color? Have I just been embarrassingly naive this whole time? Have I undermined my own work by not getting this?

You can't control audience reactions, I know that, that's part of what's great about art, you have to let go and accept that people will interpret things in ways you never intended, I get it. But if it's THIS impossible to choose words that will create the kind of feelings you meant to, what's the point? Is it even possible to write about the kind of abusive relationship Ed and Izzy have, where the white guy thinks he's entitled to control a brown man's life "for his own good" and that the brown guy is obligated to be grateful and reciprocate his "love" and not have a huge group of people creating elaborate justifications for the white guy? What else could they have done? What else can I do, when I'm writing about characters of color? I'm seriously asking. If anybody reading this has advice I want to hear it. What could I do?

#408.

[see-arcane]

I am truly thankful that she is to be left out of our future work, and even of our deliberations. It is too great a strain for a woman to bear. I did not think so at first, but I know better now. [...] I daresay it will be difficult to begin to keep silence after such confidence as ours; but I must be resolute, and to-morrow I shall keep dark over to-night's doings, and shall refuse to speak of anything that has happened.

Jonathan, no, don't give into the guys' peer pressure noooo

It is strange to me to be kept in the dark as I am to-day; after Jonathan's full confidence for so many years, to see him manifestly avoid certain matters, and those the most vital of all. This morning I slept late after the fatigues of yesterday, and though Jonathan was late too, he was the earlier. He spoke to me before he went out, never more sweetly or tenderly, but he never mentioned a word of what had happened in the visit to the Count's house. And yet he must have known how terribly anxious I was. Poor dear fellow! I suppose it must have distressed him even more than it did me. They all agreed that it was best that I should not be drawn further into this awful work, and I acquiesced. But to think that he keeps anything from me! And now I am crying like a silly fool, when I know it comes from my husband's great love and from the good, good wishes of those other strong men.

[...] Well, some day Jonathan will tell me all; and lest it should ever be that he should think for a moment that I kept anything from him, I still keep my journal as usual. Then if he has feared of my trust I shall show it to him, with every thought of my heart put down for his dear eyes to read.

Mina, no, you have to communicate now, in the present, you're you, you can un-acquiesce, you can break the curse, just talk to Jonathan now, noooooo

GOD this is masterfully infuriating work, Bramward Stokerbroker. Here we have on paper just how much this new status quo--the 'proper' status quo--grates against both of them. You can almost hear them grinding their teeth with the effort to keep smiling and nodding through this unanimous* decision. They know it is For Mina's Sake that they are doing this. Sure, they both hate every second of it and it breaks a loving rhythm they've shared for years together, BUT THEY KNOW BETTER NOW :)))

(Lucy is screaming in the afterlife. Renfield has his head in his hands.)

But all that aside, a thing I'm hooked on this read-around is the fact that, hey. We are reading this. Spoiler, but the entirety of Dracula is actually compiled together by Mina after the story closes. These are all written documents we're reading that the entire group has laid eyes on already. With everyone (bar Art and Quincey for some reason, thanks Mr. 3 Lines Allowed and Mr. Laconic :/, Jack is just talking and waiting for Mina to transcribe now, augh) on duty in some way to record the progress of things so that they can be read later as reference...I have to wonder now.

How honest are these pages the Harkers are putting down now versus what they wrote before joining Van Helsing's Scooby gang? Neither one is writing in shorthand. It's all plain English.

I had a class once where one of the assignments was to keep a daily journal. One page filled out every single day, about anything. Anyone want to guess how many personal secrets or honest feelings I put in those pages for the guy grading my class to read? If you said anything higher than 0 you're wrong.

The Harkers have an audience to worry about right now. An audience of Prof. Et Cetera, Dr. Asylum Director (whose asylum they're currently living in! the kind of place where Jonathan could've ended up and innumerable women have been imprisoned for being women the Wrong Way! whee!), Incredibly Wealthy and Empowered Lord, and Mr. Likewise Rich 'We Should Do Guns About It' American. Who all seem to like them, fresh-from-the-lower class, industrious and Dracula-confronting sorts that they are. Fast friends, all of them.

(Jonathan is still only Harker to them. Simultaneously the Man Who Survived Castle Dracula and the gofer guy doing the footwork and the paperwork/property hunt while Van Helsing hits the library and the others...well, I'm sure they're doing something. Other than re-reading the first half of Dracula.)

(...Which was compiled and transcribed by Mina. Who faced down Dracula in her jammies. Unarmed. At night. For Lucy. But she can't handle your scary stories about the houses full of dirt boxes, let alone join you on the hunt she was explicitly prepared and eager to help with. Can't risk it, little lady, off to bed now.)

This is where they are now that they've ~joined forces~ with Van Helsing and the Suitor Squad. After all they've done, all they're still relied on to do, the Harkers are with allies who have had their acquaintance for less than three days. And now, to appease those allies and their opinions and to keep everything placid with these nice, outnumbering, socially and monetarily endowed parties, they do what they've always done when faced with the fact of their being perpetually on the low rung of the ladder.

The Harkers accommodate. Including in their own diaries, as these too are now deemed forfeit important to the Cause, should the gang need to comb back through it all for clues.

That's why the Harkers are the only ones writing it down--because they already were. They're the kids in the group project who can be trusted to do the work. So just let them keep doing it. Keep an accurate record now, kids! You do such a good job of it, we'd only be getting in the way, ha ha. Remember that we can and will read everything you put down in the future.

Hence: All of what we read today. And will read in the dates to come.

The Harkers are writing under a (friendly) gun right now. They can purge some feelings, but not all of them. And not completely. And not in any way that certain doctors and upper class people of power they barely know might misconstrue as ungrateful or mad in any sense. The Harkers are good people. The Harkers are helpful. The Harkers are team players even if that means no longer being a team themselves. They chafe a little at this, but it's all so new to them! It's alright. God's will and Van Helsing's be done. They know better now.

With all this in mind, it makes much more sense why Jonathan chooses to use shorthand for a Very Particular Entry we see coming up. An entry that Mina alone could read and decide to enter in the distant future, after the storm had passed.

And why, in light of all that happens, he cannot trust himself to put more than a vignette's worth of lines down as time goes on. Not if he wants to keep himself from laying out some actual honesty for everyone to read. Mina's entries will be weightier things, while she still has the capacity to write--carefully. Always carefully.

[guidaozongshi]

I know Kishimoto probably wrote sns gay on accident but sometimes I see things and it look on purpose like double suicide. No way he didn't know what it meant.

I strongly disagree with the idea that Kishimoto unintentionally wrote Naruto and Sasuke's relationship with homoerotic and romantic elements.

While I am in disagreement with many of Kishimoto's writing choices, claiming that he or even the editors working at Jump don't understand what he is writing about is just condescending.

Firstly, let's make one thing clear: no Shonen mangaka since the 1990s has ever unintentionally put homoerotic subtext in their work.

Statements like :

" Shonen mangakas accidentally make their male characters gay because they can't develop their female characters "

Is simply not true.

Shonen Jump deliberately allows homoerotic subtext in their works because it is profitable; it attracts a considerable female audience, i.e., fujoshi, to be interested in their series. This is not a recent phenomenon but something that can be traced back to the 1980s with the advent of series like Gundam, which at that time had a primarily female audience due to the intense personal relationships between the cast.

Take this snippet from an interview with Yoshiyuki Tomino, the creator of Gundam

What I want modern day Gundam fans to understand is that Gundam wasn't nurtured by the PlaModel enthusiasts. It was young women who first came to the after recording studio, and Gundam is a work that began with their support. And it was a work that had no connection to the popularity of Gundam PlaModels. So I think the most important thing is creating a work that will attract those kind of girls to it again. I don't think movies as an entertainment industry can succeed without touching on that kind of fundamental portion.

The girls he is referring to are those people who are invested in the emotionally charged male-male relationships of the series.

A lot of people mistakenly believe that Weekly Shonen Jump solely targets boys, which is understandable given its name. However, the strategy of WSJ has continuously evolved alongside its readership, and for many of its series, more than half of the audience is female. In fact, many of its titles, such as Prince of Tennis, Kuroko no Basuke, Haikyuu, etc, have a primary female audience, you can guess why. The homoeroticism and shoujo-esque elements are deliberately added.

To quote a blog that does scholarly work on manga

I also want to make it clear i think any analysis of shonen manga especially Jump manga being soooo friendly to fujoshi and m/m shipping due to misogyny in writing falls flat when you think the authors and editors are thick headed and have no idea how the readers could possibly get that kind of interpretation from their works when Jump has been a STAPLE of the comiket yaoi corner ever since the mid-80’s and their whole shtick is being hyper aware of reader opinion. they know and have always known how female readers read into the works and authors who enter jump only get more and more savvy about how to feed into it. You can’t see the accidental kiss gag and trick yourself into thinking Kishimoto didn’t know what he was doing with that

Now that we have made it clear that whatever written was deliberate, let's discuss whether Kishimoto wanted to portray Sasuke and Naruto in a romantic relationship. This is something I cannot give definitive answers on.. as there are certainly mixed messages

Once again to quote the same blog

When talking about fujobaiting boys manga from now on i will have to put an asterisk on Naruto bc yes i know Kishimoto knows what he’s doing but this really isn’t normal behavior

-

The way that he does everything from being self aware by having the boys get called a slur ( homophobic ) for trying to save Sasuke to the lol wouldn’t it be gross and funny if Kakashi and Gai were gay for each other moments it all contrasted by Sasuke and Naruto playing out a fantasy novel marketed to girls where Sasuke (love interest) turns to the dark side and Naruto (the protagonist) misses him and yearns to have their time together back and is conflicted about the idea of having to fight him one day and the person who comforts him the most during this is Sakura (secondary love interest who gets the short end of the stick) like they can try to repeat the line that they’re like brothers but Naruto doesn’t have siblings like 🤨 how is he sure 🤨🤨 simultaneously to all this Gai and Kakashi are called gross old men for giving each other piggyback rides

But you are right. Kishimoto invokes a lot of romantic tropes that are impossible to ignore altogether or even dismiss as a simple fujobait, and concludes that he never intended to portray Naruto-Sasuke in a romantic light in the text. Libraries worth of content has been written about their relationship so I wouldn't be saying anything new that hasn't been said before.

As you mentioned, the prospect of Shinjū (心中), meaning "double suicide" is invoked between Naruto and Sasuke. At a point in their relationship, Sasuke stands against Konoha. He asks for an ultimatum from Naruto whether he would kill Sasuke to save Konoha or be killed by him, and Naruto says he wants neither. But they will inevitably have to face off against each other because of their obligations as a Uchiha annihilated by Konoha and a Jinchuuriki bound to Konoha. It's also inevitable that when they both clash, they will have died together since they are both equally matched in power. Naruto is ready to face Sasuke's hatred against Konoha and to die along with him. Naruto then says that if the above happens, in the next life they would be able to meet each other without their respective obligations.

This is an obvious romantic trope, especially how straightforward it's played in Naruto that doesn't allow for any other interpretation.

In Japanese theater and literary tradition, double suicides are the simultaneous suicides of two lovers whose personal feelings (人情, ninjō) or love for one another are at odds with giri, social conventions or familial obligations.

Lovers committing double suicide believed that they would be united again in heaven, a view supported by feudal teaching in Edo period Japan, which taught that the bond between two lovers is continued into the next world.

Dying together, because of their respective obligations, despite their feelings for each other, with the hope of being able to unite again in the next life. Is this literally not Naruto and Sasuke?

When one talks of the relationship between Naruto and Sasuke, the Land of Waves arc is considered one of the most pivotal points in the trajectory of their story. Their relationship is frequently made analogous to that of Haku and Zabuza.

And one of the most controversial points I will make is that Kishimoto added blatant romantic intent in Haku and Zabuza's relationship, portraying them as lovers, to make their relationship resemble wakashūdō.

In the warrior (samurai) class it was customary for a boy in the wakashū age category to undergo training in the martial arts by apprenticing to a more experienced adult man. The relationship was based on the model of a typically older nenja, paired with a typically younger chigo. The man was permitted, if the boy agreed, to take the boy as his lover until he came of age; this relationship, often formalized in a "brotherhood contract", was expected to be exclusive, with both partners swearing to take no other (male) lovers.

Wakashū were prominently featured in Edo-period woodcuts, where they are often distinguishable from the female beauties in the same pictures only by a sword or the shaved spot on the crown of their head. In erotic prints ( shunga ), they are often depicted as more feminine than their female partners.

You can't possibly believe that Kishimoto, who is known to imbue Japanese historical and mythological motifs throughout the series, does this by accident.

Why would Kishimoto make Naruto and Sasuke's relationship be compared to that of Haku and Zabuza, two people with heavy romantic implications? It also doesn't just stop at Land of Waves. Even the ending scene of the series, where Naruto and Sasuke lie together, is made to be a direct parallel to the final moments between Haku and Zabuza.

I am not condoning 'shipping' Zabuza and Haku at all, and I think people have the right to be repulsed by a romantic reading of their relationship, but this is a very obvious observation.

Even to an average viewer without any shipping intentions, Zabuza and Haku's relationship has always been weird and it has spawned countless discussions speculating the nature of it

Kishimoto could have easily used a less controversial and more recognisable platonic relationship as the one that onsets the trajectory of Sasuke and Naruto's relationship, but he didn't.

Why?

Decide for yourself.

[invisibleicewands]

Bringing revolution to Port Talbot - by Michael Sheen

On a recent February morning, I woke up to find I was wrong. Not a particularly uncommon experience in itself, but unusual to discover that on this occasion I was being publicly accused of it by the Secretary of State for Business and Trade. “Michael Sheen has said that ‘the people of Port Talbot have been let down’,” Kemi Badenoch wrote in the Daily Mail. “But he is wrong.”

It was a big day. I spent all of last year directing a three-part drama series for the BBC called The Way, which was to air that night. It begins in my hometown of Port Talbot, where a strike at the local steelworks becomes the spark that ignites a violent descent into national chaos. Clearly, Ms Badenoch had been given a sneak peek of the series before forming quite a strong opinion on it. But no: reading her article, Ms Badenoch admits that she hadn’t watched it at all. Why let a total lack of information prevent a full-throated denouncement, eh? Presumably, she also assumes that we managed to write, film and edit the entire series after Tata Steel announced the imminent loss of some 2,500 jobs at the steelworks mere weeks ago.

While the winds of change have only been blowing in one direction for many years, the events in our story were dreamed up some years ago and act as a fictional catalyst for all that follows. Surely even Tory ministers understand there is no VIP fast lane for making a TV series. This isn’t a PPE contract, after all…

Nothing to see here

After that episode aired, it occurred to me that such shenanigans in the right-wing press could have been about a couple of things. Since the ITV drama about the Post Office scandal, Mr Bates vs The Post Office, caused public outrage, I imagine the government has a new fear of the impact a TV show can have. A pre-emptive strike against a series it perceives to be criticising its actions around the steel industry must have seemed a useful tactic. And, having seen Breathtaking – based on Rachel Clarke’s memoir of how the Covid crisis unfolded in the NHS, which aired on ITV the same night as The Way – I wonder if her piece was an attempt to distract attention away from more dangerous territory.

It gave Ms Badenoch a chance to trot out her line about how the people of Port Talbot should be grateful for all that the government is doing to save the steel industry, not moaning about the impact job losses will have on their community. But the people of Port Talbot have been let down, no matter what Ms Badenoch wants us to think. Not by any single entity, but by years of neglect. That she immediately assumed my comments referred to her and her government tells its own story. In the words of a much older drama than mine: the lady doth protest too much, methinks.

Then and Nye

“This crisis is a privateering racket with your friends lining their pockets!” No, not an accusation against Boris Johnson, but something I currently say to Winston Churchill every night. We opened a new play called Nye at the National Theatre this week. I play Aneurin (“Nye”) Bevan, who attacks the prime minister for turning a wartime crisis into a money-making scheme for him and his cronies. It’s one of many moments in the play that seem to speak to past and present at the same time.

The entanglement of “now” and “then” is heightened by the fact that I am wearing pyjamas. Nye is lying unconscious in his hospital bed at the end of his life, and we follow him through a dream of his past. He wanders from childhood memories of overcoming his stutter in Tredegar library to his meteoric rise through local politics, to becoming the youngest member of Clement Attlee’s pioneering postwar cabinet. And, of course, as minister for health, his tumultuous birthing of the NHS on 5 July 1948. It’s an extraordinary, surprising and moving experience telling this story on stage each night. That shared space between actors and audience, where all is felt but unseen, crackles with electricity.

Once more, with feeling

It seems that exploring the motives of politicians, the uses and abuses of political power, and the quest for justice that saw the creation of the NHS taps into deep wells of emotion. Like the pockets of gas that miners feared within the coal seam, their release brings risk and reward. At a recent show, we had three instances of people needing to be helped out of the theatre, the final one forcing us to pause the show moments from its end. Thankfully, it was nothing more serious than someone fainting. But emotions are running high.

I’m more than happy to invite Ms Badenoch to a performance. But I realise, of course, there’s no guarantee she would make it to the end.

[raven-at-the-writing-desk]

⭕️👋Hi I’m new, I really like your character analysis, world lore analysis etc,…I think they’re very accurate and provide more insight into the twisted wonderland world,

do you think NRC gets enough funding cause they’ve been losing to RSA for like almost 100 years now and the Magift incident where the recruiter’s and scouts probably didn’t really pay attention to most of the players cause of Malleus .I know they probably get funding and tuition and stuff from affluent parents who care about the quality of education & environment of their children but is that really enough? Is Crowley secret Stressed about funding cause of their losing streak to RSA???

I just wondered what your thoughts were on the matter

Hello and thank you very much ^^ It always warms my heart to hear that people enjoy my more analytical writings!

Now to answer your question, I don’t think NRC is hurting for money. Like, at all.

You did bring up a fair point about NRC’s almost a 100 year loss streak to RSA + the lack of interested Spelldrive/Magical Shift scouts in book 2, but that’s not enough of the big picture. RSA is only one rival magic school out of several. Just because NRC is not doing well against one other school doesn’t mean that NRC is suddenly deemed “lesser”—NRC is still considered a top arcane academy and eclipses other magical institutions like Noble Bell College. In regards to the pro recruiters, I don’t think it has a huge impact?? Sports is only one sector at NRC; they’re still doing relatively well outside of it (such as in academics, extracurriculars, and connections for internships) in the grand scheme of things. Things like not winning VDC and not being noticed by scouts seems to only really impact the career prospects of students who were interested in the entertainment/sports industries; I doubt that this would seriously hurt whatever funding NRC is receiving.

Night Raven College is a private school, so they are most likely receiving money from tuition and not the government. Though tuition is not explicitly mentioned in TWST (at least not that I am aware of), if we assume the average cost for one student to attend a British boarding school—for which NRC is modeled after—that means 25,000 pounds per person, PER YEAR. Let us assume that NRC had only 800 students (this is the rough estimate TWST provides us). That means, from one year’s worth of tuition alone, the school is raking in 20,000,000 pounds or 4,058,310,000 madol. Note that this is just money in, not yet factoring for expenditures, taxes, etc.

The school also receives 10% of Mostro Lounge’s proceeds, and while we cannot put an exact number to that, we do know that most menu items range from 600 to 1500 madol. The lounge must also make significant enough money to pay for its ingredients, nice silverware (something which Azul stresses to give customers a high class experience), and even provide pay to workers (Ruggie would not be doing labor for free and refers to his time at Mostro Lounge as “a job”; see: his Ceremonial Robes vignettes). While this doesn’t make up a large part of NRC’s money, it’s still a nice little bonus to account for.

NRC also has many, MANY wealthy students, including literal celebrities and royalty. In fact, the upper middle class to flat-out rich make up the majority of the main cast (close to like 70-75%). If this is also the case for the regular mob students, then there are many other ways for the school to get huge donations. In the main story alone, two significant donations are mentioned: Kalim's dad gave enough money for NRC to completely renovate Scarabia and the Shroud parents paid for all the damages caused to the school's buildings. Additionally, Crowley says that the Shrouds made "substantial contributions toward expanding [NRC's] facilities."

Please note that this is just donations from current students’ families. Think about potential donations coming from NRC alumni too!!

It should be noted that NRC has the financial power to spend liberally, and no one really says that this will put the school in a touch spot. For example, Crowley literally buys up Sam's entire stock of goods during Ghost Marriage... and if you know anything about Sam, it's that he can magically keep things "IN STOCK NOW!!" Crowley even indicates in one of his voice lines that he is in constant competitions to buy out Sam's stock and has scarcely managed to one-up him--so the fact that Crowley does buy out Sam during an event is meaningful and speaks to how much of the school's money he is throwing to save it. He also tells Sam to bill the school for the cost of the fairy dust in Fairy Gala.

Both times, Crowley complains about how he would rather not spend money, but he does so anyway. This in of itself does NOT prove that NRC is in need of money, this is just proof of Crowley's cheapness. (We see many other examples of this greed and stinginess of his; he guilts Yuu for spending money on them, constantly tries to get free food and souvenirs from his students, and cuts costs for Halloween candy.) If NRC were truly hurting financially though, then they would not be able to throw lavish events or donate back to the community, both of which still happen multiple times. For example, NRC holds a huge Halloween event every year in which they open their campus to outsiders. This event is entirely free and involves a budget large enough for each dorm to create intricate decorations and costumes for 800ish students. There is also enough money to throw a celebration party for the students at the end of it—and let’s remember, NRC has the money to afford five star ghost chefs to regularly cater, serve in the cafeteria, AND teach their Culinary Crucibles/Master Chef courses.

While explaining the nature of the Halloween events, Crewel cites that NRC has survived this long in part due to the "While explaining the nature of the Halloween events, Crewel cites that NRC has survived this long in part due to the "understanding, cooperation, and subsistence of Sage's Island locals." This implies that the immediate community on the island also supports NRC in some ways. Perhaps it isn't financially, but it's clear that NRC still has social capital and a good reputation in spite of its losses to RSA.

In Port Fest, Crowley states that setup, food supplies, and all other expenses will be covered by the school. Half of the proceeds will then be donated to charity and the other half will be granted to the students to celebrate their hard work. Again, would NRC be giving away this money if they really needed it for the institution itself? They're not obligated to give money to the students, yet Crowley easily agreed when Azul asked for an incentive.

And let's not forget the school cultural festival, which was largely open for the public to attend. If they choose to spend on additional things (such as food and drink or VDC tickets, which are a "hot commodity"), that's on the individual. The school itself is hosting the event for free.

Yuu is offered a large sum of money (if the NRC tribe wins VDC)... and Ramshackle renovations (from Crowley) in book 5 in exchange for letting the boys host their training camp in their dorm. Look at how old and run-down Ramshackle is; there is no doubt that such repairs would be pretty expensive—but Crowley doesn't complain about the cost, he's not above bribing someone to make himself and his school look good.

Crowley caring about his reputation isn't new either, it's a pattern. We see him getting upset at NRC's loss in book 5 and lamenting bad publicity/being excited about good publicity in numerous events (Ghost Marriage, Wish Upon a Star, etc.) The school has been under his care for a long time, so naturally he will feel proud and/or slighted whenever NRC is involved.

This leads me to the conclusion that Crowley, the figurehead and headmaster of NRC, and his own personality quirks are being misconstrued as an indication that NRC is in a bad financial spot. His own fixation on triumphing over their rival school, acquiring and maintaining material goods for himself, and wanting positive attention do not reflect the state of the school. Notice how no one but Crowley whines about the financials and how while Crowley still complains about spending money, he has no qualms with spending lavishly himself on school events and holidays. This means NRC has money to spare, but Crowley is just stingy about how those funds are allocated.

[weirdly-specific-but-ok]

the baftas: my eyes need bleach after the livestream chat.

I SAID I WOULD COME TO TUMBLR AND SLUT-SHAME ALL OF YOU, AND YOU BET YOUR GODDAMN BILDADDY I'M HERE TO DO IT. First, a huge thank you to @good-usernames-were-taken, Valerie, for enabling this entire chaos and streaming it. And of course to Disappointment the Main Maggot.

Second, as per requests from you maggots, I have to give an honourary mention to the tragic lack of an emotional support gaseous orange, the late half-eaten packet of Lays on my desk, and my nearly empty can of Monster energy. Idk either, you asked for the mentions you got them.

Without further ado, presenting the BAFTA Awards 2024:

I am busy drawing out the neckline stitches of Crowley's wedding dress, when I am reminded of the stream and I crash into it midway. Little do I know what I am getting into.

Everyone is here for David Tennant. No one is here for the actual awards. This is made very clear very quickly.

KNEES. JUST KNEES. ALL EVERYONE TALKS ABOUT, THROUGHOUT THE STREAM, IS DAVID TENNANT'S KNEES. ARE YOU ALL OKAY WHAT THE FRESH HELL.

For context, David is in a kilt for the first half. I finally see why my relatives disapprove of skirts above knee-length. I never knew humanity's unholy worship of knees till I came here.

SOMEONE ASKS IF DAVID HAS TANNED HIS KNEES. MAGGOTS. PLEASE.

We interrupt our regular scheduled program of David knees to have an intense discussion about British versus French humour, and the misgendering of croissants.

RDJ wins an award and calls his wife his Alpha and Omega.

We're back to the knees. I can't handle how slutty David's knees are, says a worthy maggot.

This goes into a discussion about tickets for David's Macbeth, because, you guessed it, the kilt and the knees.

A lot of gorgeous and talented women in the BAFTAs tonight. I am floored.

I am not allowed to dwell in my awe because the chat is not a place of the lord. Curtain calls of Macbeth are discussed with unnecessary lasciviousness.

Thankfully, in the midst of this, I get a great Zodiac pattern reference for Crowley's wedding dress cummerbund. I was going to have to research the night sky for star charts but this is better.

People show their beautiful brainrot-induced Doc Marten purchases.

The knee thirst has moved into X-rated territory. I am terrified.

A song is sung in memory of film industry people who passed away this year, and people are sad about Dumbledore but at the same time are imagining Aziraphale and Crowley dancing to the song. The brainrot is real.

I accidentally spoil Saltburn's freakshow for someone. When I ask how I can make up for it, they say something about GOAD. I'm alarmed. Is that an OnlyFans, I ask. It's Good Omens After Dark, the chat answers. Is THAT an OnlyFans, I ask. Close enough, the chat says.

David has now changed outfits to a suit, which finally makes people pay attention to the BAFTAs, if only to alternatively thirst over the suit and bemoan the loss of knees.

Things, uh, happen, which I will have to include as quotes in another post. Cheers, @thearoacemess and @vitrilol.

Barty Crouch Jr is debated about as the Wolfstar child. Bratty Crouch Jr is said to be Crowley.

I obtain a banana, which I associate with blowjobs.

@thearoacemess talks about someone deepthroating a seven-inch banana without a hitch.

The stream does a flashback to the kilt time. It is a mistake. @queermarzipan barrels in and is being too slutty about the knees.

I tell them they need jesus, and they yell about how they've gone to mass twice today and they're an atheist.

Thankfully, @vitrilol starts chanting about the glory of Ireland. The only thing that will distract Marzipan from David Tennant is Ireland.

He proceeds to start screech-singing in all caps.

🎵IRELAND IIIRELAND TOGETHER STANDING TALLLL.🎵

The BAFTAs end. People are still thirsting over David Tennant.

🎵I KNOW YOU'RE MISSING HOME IT'S SO LONG SINCE YOU'VE BEEN🎵

Uh, more dubious things about David, suits and the absence of said suits are discussed. I'm trying my damndest not to notice.

🎵AND THE LIFE YOU HAD IN DUBLIN NOW AIN'T NOTHIN BUT A DREAM🎵

There is accidental Mascot lore: I am apparently from a different timeline (I mixed up timeline and timezone) and that's how Apollo deposited me in an illegal sushi restaurant where I became Neil Gaiman and Michael Sheen's intellectual child.

I am compared to a cat.

TOM HIDDLESTON AND DAVID TENNANT WERE IN THE STAGED-LIKE THING IN THE BEGINNING AHAHAHAHAH LOKI AND CROWLEY MY TWO CELESTIAL GENDERFLUID ICONS.

OKAY so I will end the summary here and make a list of out of context quotes in a new post. Because. Boy oh boy. That deserves its own post.

[genericpuff]

So Webtoons is getting sued by a bunch of law firms in class action lawsuit. Saw it on reddit. Apparently they lied to shareholders about revenue which is like one of the worst things I could imagine doing to your shareholders. Then their stock dropped again. Wow....wonder how this is gonna effect readers going forward or how they're gonna be more exploitative in the future. Not saying the down of Webtoons has begun but I wonder if it's gonna be the start of it.

Yep, I've been following this since the initial investigations began.

All that said, we likely won't see anything of this for a while, if anything even comes of it. The reality is that Webtoons... really didn't actually lie about being bad at making money. It's literally outlined in their IPO documentation:

So these lawsuits, at least in my opinion (*I AM NOT A LAWYER NOR AM I ANYONE WHO HAS ANY EXPERIENCE PLACING WALL STREET BETS, TAKE WHAT I HAVE TO SAY WITH MOUNTAINS OF SALT) is less about Webtoons 'lying' to shareholders and more so about them kicking the debt down the road which these lawyers want to try and hold them accountable for. It's not uncommon for startups to seek out private and/or public funding to help them stay out of bankruptcy, but such practice is incredibly shitty because if a company was already near the point of bankruptcy to begin with, what exactly is going to change to ensure that they actually make that money back with an additional net gain for those investors?

So in that sense, either something will come of this, or it won't, nothing's really a guarantee as of now. It's just as common for startups seeking public investments to get sued within their first 1-2 years because a company not returning on their initial investments within 3-6 months is a prime cut for lawyers to drool over. Despite their attempts to be honest about their earnings, the vast majority of Wall Street investors are paranoid little fuckers who invest in whatever's new and exciting with the hopes that it'll turn them a profit quickly and without headache. Unfortunately, Webtoons isn't a company that's known for having huge profit margins, which these investors would have realized if they knew anything about this industry or at the very least, bothered to read the fine print that Webtoons was obligated to lay out for them in their documentation. At best the majority of them saw Webtoons' offering that covered buzzwords like "content generation" and "AI" and went "yes please, I love money!" without realizing that webtoons, as a medium, have some of the highest production expenses to lowest-paying demographics out there and therefore companies like Webtoons aren't going to be a short-term gratification. It's more like waiting it out for the "next big thing" that will make that stock valuable again, a massive gamble that isn't guaranteed to payoff. And that's just the game of Wall Street in general.

That said, it's because of how difficult it is to directly monetize digital comics that Webtoons often has to rely on selling merchandise and IP rights in the hopes they'll land a whale - but even their pre-existing whales like Lore Olympus and Let's Play have either nothing to show for themselves, or have left the platform entirely. Of course, they'll vaguely claim that two of Netflix's highest-performing projects came from their platform, but any peek at an aggregated Top 10 list will prove that that is simply not true, and at best, they're referring to True Beauty's live action adaption, which is simply not even close to breaching that list of all-time top-performers (except probably in Korea but this is Goldman Sachs and their American investors they're trying to convince), All of Us are Dead (see above, same situation as True Beauty), and Heartstopper which is... not even an Originals series. Of course, that didn't stop Webtoons and Tapas from boasting about Heartstopper's Netflix adaption and its success on the platform, but literally none of its success is exclusively owed to either of those platforms, Alice Oseman flies solo and if anything, Heartstopper never would have gotten to the point it's at if it were tied down to a Webtoon Originals contract.

So in a sense, until anything comes of these lawsuits, they're more so just lawyers jumping on their own investment opportunity - the opportunity to get settlements from Webtoons for both their clients and themselves by extension. At best what they feasibly have against Webtoons is the company getting way too high on their own supply without anything to feasibly show in terms of profit for their IP's. Considering how many IP's they sold to television and film production studios back in 2019-2022 when they were at their peak over the lockdowns - a peak that is long in the rearview mirror - they are incredibly behind in actually paying off those promises. Even in a recent meeting they held just the other day with Goldman Sachs, they're quoted as saying: "When Rachel Smythe was a graphic designer in New Zealand, 4 or 5 years ago, and she had a story to tell, we enabled her to not just tell it in one part of the world, but globally. She became a NYT Bestselling author, she is rumored to be releasing soon as a major animated release."

When even the company that hosts Lore Olympus as its prize pig can only say that its long-anticipated TV production that both Rachel and Webtoons have been assuring people on repeat that the show is "still happening" and that what they've seen so far "looks amazing" is simply 'rumored to be releasing soon'... I don't even have the words to describe how embarrassing that is for them. Never mind the fact that Lore Olympus has been over for months and both it and its creator, Rachel, have been falling into the pits of irrelevancy. They don't have any other home-runners to bet on, they're just continuing to bank on Rachel as their own example of someone who "got big" even though it was years ago and that fame is now shrinking with the passage of time, you can even see the performance of the series dipping in its own front-end metrics over time. They are trying so hard to convince people that they're worth investing in when the one thing that actually DID have that kind of allure has now come and gone.

Never mind the fact that again, most Wall Street investors probably don't even participate in webtoon culture so the name "Rachel Smythe" isn't some golden ticket to fortune. Lore Olympus might get a bit more of a reaction, but it's going to be a lot more mixed due to how divisive the series became in the end, and general audiences who are new to Webtoons as a public company (and the medium as a whole) are still not so likely to know what the fuck that means or why it's significant. The best time to pull the "we have Rachel Smythe!" card in the public investing pool was, like many other things Webtoons has fallen behind in, years ago. Now it's clear Webtoons thinks that Rachel is their own personal J.K. Rowling, but they forgot the part where Rachel is creating for an incredibly niche and historically unprofitable medium that is nowhere near as big as what Harry Potter was back in its prime, and - personally speaking - that Rowling and Rachel are both, well... terrible at what they do.

Webtoons also has the added burden of not being a startup company. They're not some grassroots Silicon Valley tech startup run by a bunch of friends "with a dream", they're an extension of an industry that thrives overseas but barely has any infrastructure to support it here. They've been bankrolled for years by an overseeing tech company - Naver - but have consistently failed to get out of the red and so of course, now they're turning to public investments to help them out and subsequently, are passing that debt off to the next highest bidder, which is Wall Street. They had nearly a decade to figure their shit out here in the West and while they had their opportunities to thrive, those opportunities have come and gone, a lot of doors have closed and now this all feels like their own attempts to rip those doors back open again.

There is a LOT to insinuate already that Webtoons - a Korean-hosted platform - wasn't ready to enter the Western market and this fumbling of their public stock image is yet another great example of that. Even outside of Webtoons, other Korean-run platforms like Tapas have relied on private investments to keep them afloat (and still do, Tapas is still operating privately) and have routinely struggled to get a real foothold in the greater Western industry despite how much they hyped themselves up as the "next big thing". They're all playing the same game over and over again expecting better scores even though the playing fields are entirely different than what they've come to expect in Korea, where much of the entertainment industry is built around webtoons, much like how our entertainment industry in the West is built around comic giants like Marvel and DC (and even those giants are faltering as we've been seeing over the past several years).

Anyways. I don't know if this lawsuit is gonna go anywhere, there's a lot to the legal process that could lead to a variety of different outcomes, but at the very least, their plummeting stock value and the lawyers circling them from above is yet another notch on their belt of fuck-ups over the past few years. I know it's easy to say this in hindsight and I'm not the kind of guy to say "I told you so", but considering I've been following along with the bullshit of these major platforms for years and knew as soon as Webtoons was rumored to be going forward with an IPO that it would lead to disaster, I'm pretty confident in saying, "No really, I told you so." And I don't entirely blame the investors for that (except for the ones that clearly didn't read the fine print) - I also blame Webtoons for that, because they are a chronically unprofitable company run by a bunch of clowns who manufactured their own demise by getting in WAY over their heads and clearly don't even have a concept of a plan let alone an actionable one.

And that sucks, because the people who stand to get hurt the most are the ones who were made those empty promises years ago, long before the platform entered Wall Street - and that's the creators who were promised that their livelihoods would be secured and their work would be protected.

I will forever bully and make fun of Webtoons for everything they've done in and to this industry. I hope at the very least those investors learned an expensive lesson, and that the damage these lawsuits have already caused to Webtoons' public image - regardless of whether or not these lawsuits win - empowers others who have been screwed over by them to speak up and make their moves. They are not a monolith. They are a brittle business operating from the trunk of a clown car on their way to becoming a penny-stocks sham.

Fuck Webtoons <3

[agendabymooner]

heaven ! fernando a. x ofc (mom!professional wrestler!canadian!ofc)

"i don't know how heaven could be better than this."

summary: everyone's talking about the hearth sisters, lester and their partners. but what about the original F1 it couple of the 2000s? OR beatrice anastasia 'trish' alonso is the only woman who can balance out fernando alonso's insanity with her calmness, and she happens to be the grid's crush of the season.

content warning: fluff, mentions of mclaren fernando, dad!fernando, family-centric (ish), possible use of explicit language, badly translated spanish, tim hortons references, 2023 canadian gp, f1 drivers are down bad, petty fernando at the very end, using 'trish stratus' (the actual ring name of the wrestler) as the ring name of oc

note: was writing third part of my max verstappen thing, worked on cmyc for a minute, thought about nando and that photo with the models, made these posts, had a breakdown. bon appetit xx

masterlist

2018 ROYAL RUMBLE - TRISH STRATUS TALKS ABOUT COMING BACK TO THE RING AS A WOMEN'S ROYAL RUMBLE ENTRANT

[1st image: i've definitely missed being in the ring. for the past few years i've been working back and forth in spain and canada- where my yoga studio is. i've been watching my husband, fernando, race throughout the years and we've been taking the kids along whenever we could.]

[2nd: i've told him (fernando) at some point that i've missed being out there and wrestling. months before, hunter (triple h) called me and wondered if i'd like to be a part of... this. i had never been so happy to hear that they want me to be a part of this very important event that will impact women's history at the professional wrestling industry. now here i am, participating in the first women's royal rumble.]

[3rd: it's been an eye opener for me, to be honest. i've met many women that are new here- some of them apparently grew up watching me alongside stephanie mcmahon and lita and the other ladies. i had never been this happy nefore because we never had the same platform as men - and back then, it wasn't as diverse in the women's division. so for me to be a part of this, so far, has been an absolute privilege. i will never ever waste any time spent here.]

[4th: my husband was more excited than i was *laughs*. throughout his break, he did everything a supportive spouse would have done. he took the kids to watch me train, we often did our workouts and yoga together, he was actually the one who suggested i wore these ring gears. he's highly excited to see me in the ring tonight - he even wore an old trish stratus merchandise that he bought years ago.]

[5th: he's supposed to be in uk for his sim racing practice, but he phoned me few days ago telling me that he was already flying in with our kids - one of which is a six month old - from spain. he said that "he didn't want to miss out on his wife making history again." so... here i am! making history with the most talented women in wwe, as my fernando wanted.]

2016 AUSTRALIAN GRAND PRIX - POST-RACE INTERVIEW WITH FERNANDO ALONSO

[1st image: i know that my mom and my wife are watching the tv, so i got out quite quickly.]

[2nd: trisha has been calling me every hour to see if i'm okay. i keep telling her that i'm okay but she doesn't believe me for one bit- i was like "what do you want me to do???" *laughs* but i am flying back to canada as soon as i can because i miss her and our son.]

[3rd: it's not the first time that has happened to me but now i know i have to make it out of such situation because i have a family. our son, frederico, is only 2. i still want to see him and his many siblings grow up, you know? this is the first time i've been scared (enough) because i promised to take him swimming when we go back to spain. so, yes. i would like to get out of australia as quickly as possible so i can rest with my wife and our son.]

tagged fernandoalo_oficial, lance_stroll, astonmartinf1

liked by tillywolff, estebanocon, carlossainzjr

user1 OMG !!! frederico was so little back then 😭

user2 what grade even is frederico in?

thetrishalonso fifth grade! he's turning 10 soon 🥰

astonmartinf1 when freddy and rey dressed for the occasion 💚 liked by thetrishalonso

thetrishalonso of course, green = lucky 🍀

user3 word on the street is that the drivers were drooling over you 😭 can you please confirm? landonorris pierregasly lance_stroll charles_leclerc

oscarpiastri "the source is i made it the fuck up" -user3

yukitsunoda0511 not true 👎

user3 oscarpiastri yukitsunoda0511 i literally didn't ask either of you 💀💀

user4 f1 drivers are obvious and down bad 🙅‍♀️

georgerussell63 thanks for visiting the mercedes garage! it's been a pleasure 😊

user5 oh no they're piling up...

carlossainzjr frederico y reyna estan bien grandes ahora! liked by thetrishalonso

thetrishalonso estoy tan preocupada de que lleguen a ser más altos que yo y su papá.

landonorris thank you for the selfie! i really liked spending time with you and the mini alonsos 😇

lance_stroll thank you so much for the iced capp this weekend! it definitely helped! liked by thetrishalonso

thetrishalonso of course, sweetheart 😘 anything for the aston martin crew!

mickschumacher the everything bagel was very good, thank you so much! teach us how to do the stratusfaction next time!

nyckdevries thank you for introducing tim hortons to us 🙃

estebanocon thank you so much for the timbits 😊 lance failed to be a canadian to us and never got us any the last canadian gp

schecoperez ¡encantado de verte, beatrice!

user6 she got the whole grid on a leash 😭 so girlboss of her

alo_oficial estoy tan feliz de que tú y los niños estuvieran aquí. te quiero mi reina 😍😍 liked by thetrishalonso

thetrishalonso love you too, mi hombre guapo 🥰

tagged thetrishalonso

liked charles_leclerc, pierregasly, landonorris

user1 LMAO YALL NEED TO APOLOGIZE TO FERNANDO 🤣

user2 fernando's bout to enter his dts villain era once more 😭

pierregasly very pretty! 😍

user3 not you having the audacity 🤠

landonorris so fine 🤪

user4 why are y'all asking for your death wish 😭😭

user5 fernando's on his way to wipe half of the grid, thanos style 🤌🥰 as he should

thetrishalonso you're going to have to work hard first then we'll talk babies 3,4 and 5 😘😜 liked by fernandoalo_oficial

fernandoalo_oficial challenge accepted, mi amor

user6 ugh parents 😫 if you need a dog hmu

translations !!! (what i wrote down in the translating app 💀)

frederico y reyna estan bien grandes ahora! = frederico and reyna are so big now!

estoy tan preocupada de que lleguen a ser más altos que yo y su papá = i'm so worried that they'll grow taller than me and their papa

¡encantado de verte, beatrice! = nice seeing you, beatrice!

estoy tan feliz de que tú y chicos estuvieran aquí. te quiero mi reina = i'm so happy you and the kids were here. i love you my queen

mi hombre guapo = my handsome man

solo mi esposa, frederico y reyna, y sus muchos más hermanos por venir = just my wife, frederico and reyna, and their many more siblings to come