#were functioning in similar ways i guess

[jonny-b-meowborn]

I am genuinely so terrified of the fact that I have to find a job now. I'm trying to think of or look up a job that's suitable for my mentally ill autistic ass and I just. I don't know. Everything either requires some very specific qualifications that I don't have, or seems at best awfully exhausting, at worst literally putting me in danger. And I'm not even exaggerating, I genuinely think that working in retail, for example, could possibly kill me if I was forced to do that job for long enough. I sometimes get overwhelmed to the point of crying when there's too many other customers while I'm shopping, I can't imagine working in an environment like that. I suppose physical jobs could work, I've been to this blueberry plantation twice last week and mentally I was fine, but it was. So tiring. And you don't even make that much money a day, I don't think I could earn enough even if I did work there everyday, not to mention it's only a seasonal job. Right now it's fine for me to go there every now and then, but if I wanted to move out and become independent I'd have to get an actual day job. And that sounds impossible. The only job that sounds good to me is being an artist, it's not too mentally or physically difficult, and it's something I enjoy. But I'd have to get commissions constantly or start a small business or something like that to actually survive. And I'm not saying it's impossible, I know that people can live by being an artist, but it's so hard to get into that field. I wish I could do it but I dont know if it's possible for me. Makes me wanna cry. I hate this I hate that my brain isn't suited for this world and still I have to participate in all that shit that everyone has to do. My brain isn't made for working like that

[divin8ion]

sorry for anthropomorphizing insects. as if its my fault

[cy-cyborg]

I'm begging dragonage fans to do a tiny bit of research about arm amputees before loudly shouting their opinions on the inquisitor returning in the next game Please lol.

Apparently, it was confirmed that the inquisitor, your chatacter from the last game (who looses their arm in the final cutscene of the DLC), will return in Veilguard as a customisable character, similar to Hawke, and they will play an active roll in the story. This has caused a lot of people to start speculating on how they'll handle the inquisitor's missing hand, with most people agreeing they'll have to have a prosthetic to be an active part of the story. Which, while I do think this is the rought bioware will take, isn't true, and a part of me really hopes they leave the inquisitor without a prosthetic arm like in the end of Tresspasser

Partially because we already have a companion with a prosthetic (neve) and it would be nice to see some diversity in how amputation is depicted in such a mainstream game, but also because you dont need a prosthetic to fight as any of the main 3 classes from inquisition.

Mage:

mages just need a staff, the game shows them as 2 handed weapons but it's totally beleiveable that it would be usable 1-handed (Neve also uses a dagger-like weapon in the trailer, you can make a "staff" in inquisition that functions more like an energy sword, and the Mage in the chargers uses a staff resembling a bow, so I think it's more that they just need a focus, the shape doesn't matter as much). A knight enchanter may struggle more 1 handed, but I wouldn't write it off as an option with some modifications made to their main staff.

Warrior:

the easiest to justify, because there are several cases of arm amputees fighting with a sword and sheild in history, and while many did have prosthetics, most weren't functional (meaning they were mainly for aesthetic purposes and didn't actually aid the fighter in any way. There were exceptions, like Götz of the iron hand, who's prosthetic was functional, but most were not). The inquisitor looses their arm just above the wrist*, so they still have most of their forearm. Most sheilds strap to the forearm, so it wouldn't take much adjustment to make that work, and you can use the other hand for the weapon. Obviously, two-handed weapons will probably be off the table, though, lol.

*edit to say, as several people pointed out, i got that wrong, my bad 😅. The inquisitors arm is actually amputated through the elbow, the screenshots i was looking at just weren't very clear and it has been a while since i got to trespasser lol. It would still entirely possible to strap a shield to the upper arm though, with some pretty minor adjustments to the existing straps on standard (as in, those used by non-disabled warriors) tall shields, so the point still stands.

Rogue

this is the one people tend to be the loudest about and the one I understand the most. Obviously duel-weilding daggers won't work (unless you give them something like the hidden blades in assassin's creed on their stump side, I guess) but using a single dagger still would, and is a perfectly reasonable approach, given that's how most irl people used daggers. Archery, though, absolutely can work without a prosthetic, despite what people think. Dragonage has crossbows, not something like Bianca (rip) but a small, single-handed crossbow is an option. Even ignoring that though, amputee archery is a thing irl, and not every arm amputee uses prosthetics for it. The bows are modified to be held in one hand and drawn with the mouth using a kind of pully-system built into the bow that I could very easily see being modified into some dwarven-style contraption in game (some double arm amputees use their feet to draw regular bows, but I don't think that would be pheasable in combat).

Like I said, I think bioware will probably go with a prosthetic, but i hope that they don't. Or at the very least, show them with it sometimes and without it other times (the same goes for Neve, no one wears their prosthetic 24/7, I'd love to see them both take them off around the home base, even just occasionally). A lot of arm amputees in particular prefer to go without one, and arm prosthetics in media are some of the worst offenders of the "perfect prosthetic"/"miracle cure prosthetic" tropes. It doesn't count as "diversity" or disability representation if it doesn't actually change anything other than the look of the chatacter, and im really, really desperate for some actually decent amputee representation in games.

[tradgedyinwaves]

First Choice - Part 1

Poly141! x fat!reader tw: self fat shaming, social anxiety, drinking, mention of male appendages at the end

This late Friday night found you where it always did. Alone after watching all of your pretty, skinny friends filter out into the crowd. The plush of your ass settled over the edges of the stool and you're grateful the bar is pretty dark, easier to hide. A glass of whiskey is being nursed in your hands while your eyes take in the crowd, effectively also checking on your friends.

As your eyes rove over, they settle on the back table, tucked into the corner and surrounded by four larger than normal men.

The one with the mohawk is the loudest by far, his boisterous Scottish brogue filtering over the sounds of the crowd. He's got a hand wrapped around a half finished bottle of beer while he loudly recounts a story that makes all of them groan like they've heard it a million times.

The dark skinned one had to be the prettiest man you'd ever seen. His long fingers danced along the side of a glass of what looked to be rum and coke. His chuckle made his shoulders shake, shaking his head at his comrade.

The one with the thick mustache was laughing along with the Scot's story, butting in with his own interjections when he had something to add. His meaty paw held a glass of bourbon while the other gestured a bit wildly with a lit cigar.

The one with the mask though. He had an almost full glass of whiskey in front of him, arms crossed over his chest as he scoffed at the Scot's story. He had been there and he knew that wasn't quite how it went. His eyes trailed from his buddies at the table, doing another sweep of the room. The fifth one you've watched him do tonight.

This time is different. His eyes meet your and you duck your head, avoiding the eye contact. You'd known (the way someone with social anxiety knows) that people would think you weird, making eye contact with strangers. It immediately signals your fight or flight response, settling on flight even though you weren't in any danger.

When you glanced back up, he was looking back at his friends, but you didn't know he'd smiled softly and was now bringing the rest of his tables' attention to you.

In your new panic, you paid your tab and headed out the door. So when Ghost finally got the others to look your way, your seat was empty and the bell was chiming over the door.

"You sure she was there, LT?" Soap asked, clapping the other man on the shoulder.

"Was right there, on the end. Prettiest bird I ever saw," Ghost grunted, his mask wrinkling with his nose.

"Thass m'friend yer talkin bout," a pretty blond slurred at them as she hung on to a frat boy type that was more interested in running his hands all over her body. "Come 'ere e'ry Friday, woo!" She was herded off by her cohort, giggling as they headed for the door. "Guess we'll be here next Friday too then."

You walked home in the chilly night, anger and resentment flooding through your veins. They'd never give you a chance, not with all the pretty girls that were in that bar. You'd always been looked over for girls more beautiful or thinner than you. What was the line they always fed you? 'I love your personality, but you're just not...my type.'

Suffice it to say, the four men would head back to their shared flat, fisting their cocks to just Ghost's description of you and fiending for the next Friday to come.

I promise I'm working on the Touch Fivesome. There's a lot of details and functionality that I'm trying to figure out.

I couldn't get this out of my head. Inspired by another post along a similar vein. I can't remember who it was now, but it's been festering.

Update: I found the inspiration. :3 @devil-in-hiding

Part Two ->

[linkspooky]

SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 

With Great Power… You know the rest. 

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 

Now I’m going to drastically oversimplify what a character arc is. 

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 

Should I save the villain?

Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 

[tritoch]

i have seen people be like "if you think what the dawntrail protagonists do in zone six is valid you have to conceded emet's approach/perspective was valid, what you do is basically what he does" and it's like...nah. it's obviously intentionally very similar ("it's like poetry, it rhymes") but there's some key differences:

emet is disgusted by sundered life, which he sees as inhuman, and longs to return to the unrecoverable past. so he does seven(ish) planet-wide genocides. the endless aren't new life, their ability to grow and learn is specifically in question (at the very least they are fundamentally incapable of taking in new sensory experience of certain forms), they're shades from the unrecoverable past, and you are destroying them in favor of those still alive.

also, we aren't disgusted by them nor do we think anything is fundamentally justified if done to them (everyone pretty much no-sells cahciua "we aren't alive so it doesn't matter if you kill us :)," in fact). we don't have like 12,000 years and the most advanced magic known to anyone alive. we are forced by serious exigency to destroy them due to a political impasse with their leadership's policy re: resource extraction. this tonal difference is in fact extremely important.

the endless themselves seem pretty ambivalent about the whole deal. they're bored or they're wary of the way their world keeps shrinking, and it's very explicitly neither a functioning society by any recognizable human terms nor a paradise.

related to the above, basically every named endless turns to the person most relevant to them (cahciua to erenville, krile's parents to her, namikka to wuk lamat, otis to you) and is like, huh, i really appreciate having this moment of grace at the end of my journey to see that it was all worthwhile and to resolve my lasting regrets, but i understand what you're here to do and yeah, it's probably time for us to go. (does the writing put a finger on the scale by doing this? sure, but the writers also designed and built the scales and everything they're weighing on them, so i find it hard to discredit any one aspect for being the writers' invention.)

finally uh no one in the party has kids with the endless or lives a full human lifetime as one of them lol.

it's important to remember that emet was definitely at least somewhat lying about not seeing the sundered as real people. the fact that he has "lived a thousand thousand of your lives . . . broken bread with you, fought with you, grown ill, grown old, sired children and yes, welcomed death’s sweet embrace" makes everything he did soooooo much crazier than what you do. if i managed to convince an endless to fall in love with me and i had a kid with them and i loved that kid so much that their death threw me into a permanent grief spiral then like. yeah i guess i would have to be like "well hats off to emet, folks." but luckily the game doesn't make you do that.

even if you insist everyone in living memory was a full living person that we killed, you're still weighing like a city of people versus 7+ planet-wide mass murders. you do not under any circumstances got to hand it to him.

living memory absolutely is evocative of everything that happens in shadowbringers. but rather than placing us in emet's shoes, it forces us to relive what we already did, to really fully face up to what we have done by promising to remember emet's culture after destroying any chance of its return. after two games going hard on the hope part of the game's central theme of hope arising from grief, now we're doing grief. we are forced to see the past of our memories not as a cold, ghostly art deco cubus-plagued socratic method hellscape but as the most beautiful technicolor theme park where everyone's happy and no one's sad and there's parades every day and your parents are alive and they love you so much. and then the game's conclusion is, yeah, you were still right to let go. in fact, you were and are morally obliged to let go. the living were and are worth more than the dead. our grief in letting go of them may be immense and turns our world to bleak nothingness for a time, and that is important to recognize, but at the end of the day our most pressing duty is to those we can yet save, not those we have lost.

[funkyplantguy]

grian gets saved by hotguy and then pines over him <3

so this "au" (if you can even call it that when it exists exclusively in my brain and now in this ask) is mostly crack and comes from me joking around a couple days ago with some friends so...don't take it too seriously. that being said...

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you have (3) new comments! view now?

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areeongreenday: hey! so this is insane.

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h0tguysnumber0n3fan: i guess i kind of understand where you're coming from with this - scar goodman and hotguy do share a similar sense of humor, and i sort of see what you're saying at 47:03 when you compared their voices (more specifically, the inflection they use on specific words) but...i guess i'm having a hard time imagining scar as a superhero. don't get me wrong - he's plenty cool, but...didn't he say that he's a full-time content creator now? i don't know that he'd really have the time to record, edit, and post videos on top of saving the city on a near-daily basis. interesting theory, though! admire the dedication.

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scargoodman: ;)

and there it was, taunting him - that damn winky face, yet again, commented nearly instantaneously each time grian uploaded a new video about the man itself. scar goodman - known to many as the man who had risen to sudden fame in the video essayist community with his charming good looks and boisterous personality. scar goodman, whom grian suspected was secretly none other than the city's beloved superhero. after all, they'd both made their debuts within a week of each other and shared not only a similar path of success but a similar sense of humor, a similar speaking style, a similar body type, a similar laugh...sure, there were things that didn't quite line up, but...for the most part, they appeared to be the exact same person.

okay - maybe grian was a little obsessed. but what was he supposed to do, not point out the obvious?

what made matters worse was that nobody seemed to believe him. no matter how many videos he posted, no matter how much proof he gave...nobody was willing to hear him out.

nobody except scar goodman himself, who seemed intent to drive him absolutely insane.

grian grumbled something to himself, pocketing his phone and continuing down the long, narrow sidewalk to his apartment complex. he'd lost track of time at work yet again, and as a result, the sun had long set. this wasn't unusual for him - he often opted to remain late in the office to "finish up a few things" (ie take advantage of the functional wifi his workplace offered instead of trying to upload videos on his crummy home network), so he was...fairly comfortable tracing the path back to his apartment in the dark of night. the street lights in this part of town didn't work exceptionally well, but with the familiarity of it all and the dull light of the moon, grian typically fared well enough.

tonight, however...well, call him paranoid, but...something felt...off. something about the way all the buildings around him were dark, indicating that their inhabitants were either asleep or out (and entirely unreachable if grian were to call for help). something about the absence of the various stray cats that he often crossed paths with. something about how the complete and utter silence made his ears ring.

"aw, what's this? a cute guy? well, pretty boy, you've just entered the wrong part of town at the wrong time. unfortunately, loose lips sink ships, or...uh...however the saying goes, so...sorry, i can't let you leave this visit alive."

before grian could even register the words being spoken (where were they even coming from?? above him? below him? behind him? everywhere, all at once?), he felt hands gripping the back of his shirt. in another moment, he was on the ground, his breath clawing its way out of his chest. above him stood a figure, shrouded in darkness and the billowing, starry cape draped across their shoulders. in their hands was something glinting, something sharp, something deadly -- something that grian's frazzled, spinning mind was unable to put a name to. or maybe it refused to - refused to name the tool that would be his doom. maybe it was better that way, he mused idly, as the figure raised it high above their head. maybe it was best to not know.

"hey! there you are - what did i say about running off?"

and just as quickly as he'd accepted his death, the threat of it was gone, vanquished by the appearance of the tall, costumed man on the rooftop adjacent. grian felt his breath return to his chest in one fell swoop, filling his lungs and sending a wave of sensitivity to his throat. he coughed, hard, tears welling helplessly in his eyes, and the newcomer's attention snapped to him in an instant.

"oh - and you've made a friend! how nice. unfortunately, there are no plus ones in prison."

"hotguy," grian's would-be murderer snarled. "i thought i'd lost you."

"nah. i may have gotten lost, sure. but you didn't lose me. there's a difference."

"you'll wish that i'd lost you when i'm through with you."

"oh, that was lame!" the man cried, hopping over the low rooftop wall and landing neatly on the ground below (how he did it, even grian wasn't sure. by all intents and purposes, his legs shouldn't have that level of shock absorption, even if he had been fed some chemical cocktail by a mad scientist at a young age as he boasted). "listen - we've got to get you a better catchphrase."

hotguy strode forward, his eyes glinting behind his tinted visor. he glanced to grian out of the corner of his eye, then back to the villain - then back to grian again, his mouth going slack in surprise. grian met his gaze - took in his appearance - and let out a bark of laughter, one not missed by either scar goodman or the cloaked figure in front of him. scar returned his laughter, throwing his head back and planting his hands firmly on his hips.

"well, what a coincidence," he giggled, after a moment. "my new catchphrase just so happens to be "subscribe to my youtube channel."

"what?" their third demanded, glancing between the two. "what are you talking about?"

"oh my god. there's no way. there's no way. how - how am i the only one who knows? how am i the only one who suspects?? it's obvious - it's so obvious."

"what's obvious?"

"i know, right? i make it as obvious as possible, and still...still, nobody puts two and two together. well...nobody except for you, apparently. i guess that you're just...special."

"why don't you just come out and say it?" grian mused, propping himself up on his elbows and ignoring the sputtering from their newly acquired third wheel. "i feel like if you said it - either as scar goodman or hotguy - people would have to believe it, no?"

a strange look came over hotguy's face, but it vanished as quickly as it had arrived.

"ah...i don't think that would change anything. plus, i have this thing with this cute guy where he tries to tell everyone my identity and i egg him on to get him to make more silly videos. i would hate to give that up."

he winked, and grian felt warmth climb his cheeks. gone was the fear, gone was the panic, gone was the darkness and the creeping, crawling sense of unease - instead, there was only curiosity, burning brightly in his chest. he wanted to talk to scar - hotguy - for hours, wanted to pull the object of his obsession apart to see what made him tick, then put him back together again, just to see what would happen. he wanted to get to know who hotguy was underneath the suit - and who scar goodman was with the suit. he'd wanted (he'd wanted for so long) and it felt like maybe...just maybe...he'd get to have.

"hey! what the hell is going on?"

"oh, right," hotguy chuckled, turning his attention to the third member of their party. "sorry - didn't mean to ignore you. here - sit tight, for real this time. the police will be here soon."

"dude, i'm just going to leave again. do you really not have handcuffs or something?"

"who needs handcuffs when you have a cub to design fancy gadgets for you?"

"a...a what?" the figure asked, then yelped, startled, as something exploded out of the cuff on hotguy's wrist. a net, affixing itself neatly to their body, wrapping them up in a cocoon of their own folly. grian stared at it, humming in approval.

"nice."

"thank you! it's new."

"i know."

"i bet you do," scar responded, and grian flushed further at the teasing edge his tone took on. "i bet you know almost everything about me, at this point. obsessed, much?"

"i could say the same," grian huffed back, pulling himself to his feet and brushing off his jeans (there was a rip in one leg, now, he noticed with a frown). "you recognized me, like, immediately. it's pretty dark out, too - sounds like you're the one obsessed."

"what can i say - you're pretty and smart. i happen to like my men pretty and smart."

grian sputtered incoherently in response, all confidence gone out the window. oh god - he was even more charismatic in person, even in costume. and god, was the costume more attractive in person, as well - baggy cargo pants and a tight, fitted top that exposed his tanned midriff. not the most tactical, sure - but damn was it hot.

"you can't say that," he moaned, covering his reddened cheeks with his hands. "oh my god. i hate you. i've known you for five minutes and i already hate you."

"sure you do," scar responded, grinning. "i - oh, hold on."

he raised his hand and tapped the earpiece affixed to the side of his head, concentrating. after a moment, he sighed - and for just a second, grian thought that his shoulders drooped in exhaustion. as quickly as they sagged, however, scar was straightening, turning back to grian with an easy smile.

"sorry, handsome, duty calls. are you alright to get back home on your own? i doubt this guy will be giving you any more trouble. those nets are pretty sturdy."

"wait!" grian sputtered, his heart hammering painfully in his chest (no, no, he couldn't let scar slip through his fingers, not now, not when he was finally so close). "don't go - i...can i see you again?"

scar's smile wobbled around the edges, and any panic grian felt was replaced with guilty - heavy and suffocating (though he wasn't sure why)

"ah...isn't it more fun, this way? don't you like the chase? isn't that exhilaration enough for your pretty little head?"

"i mean...it's a fun hobby, yeah, but -,"

"then we'll stick to the status quo. after all, i'd hate to rob you of your favorite hobby. goodnight, grian. can't wait for your next video."

and with a wink, he was gone, disappearing back into the shadows so quickly grian could have sworn he was made of them. and grian...well. he had an apartment to get home to, a cat to feed...and a chase to continue. and maybe, someday, if he was fast enough...he'd catch up.

[halorvic]

The danger is clear and present: COVID isn’t merely a respiratory illness; it’s a multi-dimensional threat impacting brain function, attacking almost all of the body’s organs, producing elevated risks of all kinds, and weakening our ability to fight off other diseases. Reinfections are thought to produce cumulative risks, and Long COVID is on the rise. Unfortunately, Long COVID is now being considered a long-term chronic illness — something many people will never fully recover from. Dr. Phillip Alvelda, a former program manager in DARPA’s Biological Technologies Office that pioneered the synthetic biology industry and the development of mRNA vaccine technology, is the founder of Medio Labs, a COVID diagnostic testing company. He has stepped forward as a strong critic of government COVID management, accusing health agencies of inadequacy and even deception. Alvelda is pushing for accountability and immediate action to tackle Long COVID and fend off future pandemics with stronger public health strategies. Contrary to public belief, he warns, COVID is not like the flu. New variants evolve much faster, making annual shots inadequate. He believes that if things continue as they are, with new COVID variants emerging and reinfections happening rapidly, the majority of Americans may eventually grapple with some form of Long COVID. Let’s repeat that: At the current rate of infection, most Americans may get Long COVID.

[...]

LP: A recent JAMA study found that US adults with Long COVID are more prone to depression and anxiety – and they’re struggling to afford treatment. Given the virus’s impact on the brain, I guess the link to mental health issues isn’t surprising. PA: There are all kinds of weird things going on that could be related to COVID’s cognitive effects. I’ll give you an example. We’ve noticed since the start of the pandemic that accidents are increasing. A report published by TRIP, a transportation research nonprofit, found that traffic fatalities in California increased by 22% from 2019 to 2022. They also found the likelihood of being killed in a traffic crash increased by 28% over that period. Other data, like studies from the National Highway Traffic Safety Administration, came to similar conclusions, reporting that traffic fatalities hit a 16-year high across the country in 2021. The TRIP report also looked at traffic fatalities on a national level and found that traffic fatalities increased by 19%. LP: What role might COVID play? PA: Research points to the various ways COVID attacks the brain. Some people who have been infected have suffered motor control damage, and that could be a factor in car crashes. News is beginning to emerge about other ways COVID impacts driving. For example, in Ireland, a driver’s COVID-related brain fog was linked to a crash that killed an elderly couple. Damage from COVID could be affecting people who are flying our planes, too. We’ve had pilots that had to quit because they couldn’t control the airplanes anymore. We know that medical events among U.S. military pilots were shown to have risen over 1,700% from 2019 to 2022, which the Pentagon attributes to the virus.

[...]

LP: You’ve criticized the track record of the CDC and the WHO – particularly their stubborn denial that COVID is airborne. PA: They knew the dangers of airborne transmission but refused to admit it for too long. They were warned repeatedly by scientists who studied aerosols. They instituted protections for themselves and for their kids against airborne transmission, but they didn’t tell the rest of us to do that.

[...]

LP: How would you grade Biden on how he’s handled the pandemic? PA: I’d give him an F. In some ways, he fails worse than Trump because more people have actually died from COVID on his watch than on Trump’s, though blame has to be shared with Republican governors and legislators who picked ideological fights opposing things like responsible masking, testing, vaccination, and ventilation improvements for partisan reasons. Biden’s administration has continued to promote the false idea that the vaccine is all that is needed, perpetuating the notion that the pandemic is over and you don’t need to do anything about it. Biden stopped the funding for surveillance and he stopped the funding for renewing vaccine advancement research. Trump allowed 400,000 people to die unnecessarily. The Biden administration policies have allowed more than 800,000 to 900,000 and counting.

[...]

LP: The situation with bird flu is certainly getting more concerning with the CDC confirming that a third person in the U.S. has tested positive after being exposed to infected cows. PA: Unfortunately, we’re repeating many of the same mistakes because we now know that the bird flu has made the jump to several species. The most important one now, of course, is the dairy cows. The dairy farmers have been refusing to let the government come in and inspect and test the cows. A team from Ohio State tested milk from a supermarket and found that 50% of the milk they tested was positive for bird flu viral particles.

[...]

PA: There’s a serious risk now in allowing the virus to freely evolve within the cow population. Each cow acts as a breeding ground for countless genetic mutations, potentially leading to strains capable of jumping to other species. If any of those countless genetic experiments within each cow prove successful in developing a strain transmissible to humans, we could face another pandemic – only this one could have a 58% death rate. Did you see the movie “Contagion?” It was remarkably accurate in its apocalyptic nature. And that virus only had a 20% death rate. If the bird flu makes the jump to human-to-human transition with even half of its current lethality, that would be disastrous.

[xavigav]

The Reddit Blackout, #196, And Being New to Tumblr

okay i've seen a lot of people in the past ~24 hours or so confused by everything going on with Reddit & Tumblr from both sides - people new to tumblr who don't know how to use it, and tumblr users who don't know what's going on with reddit and why many of its users have joined up here i know this isn't really related to my blog but fun fact about me: i was up until recently a very active reddit user and even mod a subreddit, but I've also been on tumblr for about 3 years now on different accounts, so I think I can see pretty well from both sides of this and explain what's going on this post will be split in 2 sections: what happened with reddit (and what #196 means), and a guide for new users

1. What The Hell Is Going On With Reddit?

The thing that's caused all this ruckus is a major change to Reddit's API, which is what Reddit provides to people so they can pull directly from Reddit to make third-party apps or tools.

The change is that Reddit is changing its previously free API to be paid. Which on its own kinda sucks for developers, but it's not unexpected. They need to make money somehow, right?

The problem is that the API pricing is WAY TOO FUCKING EXPENSIVE. The developer of the most popular 3rd party Reddit app, Apollo, says it will cost him $20 million a year to continue running the app as normal.

Essentially, this pricing forces almost everything third-party to shut down, which causes 3 major problems:

Third-party apps cannot keep running, which sucks for normal users because Reddit's official app is awful. It's slow, its video player is a thing of nightmares, it doesn't have many useful features third-party developers have made.

It sucks even more for visually impaired users because they can't use the official Reddit app at all. Reddit's official app does not work with iOS's native text-to-speech function. Third party apps, on the other hand, often do. So Reddit is forcing blind users away.

Third-party moderator tools cannot keep running, which sucks for moderators because many rely on these tools to properly moderate their subreddits. And moderators are often necessary, because without them subreddits get banned and hate speech and even CSA can often run rampant.

So you see why this change is bad.

Reddit users were PISSED.

So over the past week and a half or so, they have been working on organizing a site-wide blackout. The majority of the most active subreddits have now gone private. Some are only doing it for 48 hours, others (such as r/196) are doing it indefinitely.

That's why you can't access most of Reddit right now, and that's why many users have come here.

You're probably still wondering, though - what is this #196?

Well, as you may guess, it's connected to that subreddit r/196 I just mentioned. r/196 is a subreddit which only has one rule: every time you visit, you must post before you leave.

That's it, that's the subreddit.

The thing about r/196 that set it apart from most other subreddits - and what lends the subreddit's users perfectly to Tumblr - is that it was dominated by queer and leftist users.

So now they've come here and set up shop in #196 and r/196 so they can continue their merry little shitposting.

There's a ton of lore related to r/196, actually, but this is already a long tumblr post and quite frankly I cannot be bothered to write about it at the moment.

2. I'm Here From Reddit, What Now?

Hello there, random new user. As a double-citizen of Reddit and Tumblr, let me show you around this place.

First off, there are some other people who are better at explaining that I am who have made some really helpful things. Watch this Strange Aeons video as a guide to Tumblr culture and functionality and read this post which directly compares Reddit and Tumblr.

Assuming you've done that, here's some additional advice of my own:

Do you miss sorting subreddits by top of all time/the year/the month? Well, you can do something very similar with tags! If you go to a tag at the top of the screen you can select top, and then at the dropdown that says "all time" you can select different time periods! Even 6 months, which Reddit hasn't ever had.

Tumblr has a lot of cool customization features! Even outside your icon/banner/bio, you can change you blog colors and on desktop you can have an html theme (which has its own thriving community here). That customization is part of what sets Tumblr apart from everywhere else - I think you'll enjoy playing with it.

Notes will probably confuse you at first. Unlike the different numbers for upvotes and comments, notes combines the total number of likes, reblogs, and replies into the same number.

Outside of organizing your own blog, when making your own posts tags are what help other people find your post. Use them! But don't abuse them, because then people will just block you.

There are three ways of people finding your post: if someone follows you, if someone follows the tag(s) assigned to your post, and if someone is just scrolling through the tag(s) assigned to your post (and also the secret 4th way no one uses, which is finding it on the trending page, but even if people did use it no one will find your post initially that way)

tumblr is no longer The Discourse Website. And unlike what Reddit wants you to believe for some reason, it is very much alive still. Most of the people seeking fights have moved to Twitter (though some have also moved back here again). You will not get any brownie points for being a dipshit like you do on some subreddits.

So there, welcome to the hellsite (affectionate), you'll pick up on all the in-jokes eventually, for now just try not to be a nuisance and soon enough this'll be your new internet home.

[accio-victuuri]

while i’m still holding off on the bday cpn compilation till we get more content— let’s talk about a different one. this is about yibo’s vx ( wechat ) reminder. if you watched the video of his night at a portaledge, you will notice something peculiar when he was sleeping. his phone kept on blinking in one scene (p2). i actually noticed that too but didn’t think too much about it. i was more interested on how he was texting (p1) . which is normal i guess cause what else would you do up there.

so the “flashing” is supposedly the function of wechat when someone sets a “strong reminder” that someone sent a message. if you set that for a person, then it means you don’t wanna miss their text or wanna know as soon as they send you a message. the effect is similar to an incoming call, full screen display + ringtone + vibration + flashing, ringing all the time and it won’t stop till you open it. i guess they would prefer to be in a call, but wyb was being filmed so they couldn’t. imagine being that tired, he was filming and climbing/training all day but he was willing to be “disturbed” like that. the person sending him a message must be so important. there were also tutorials about this vx reminder that said he you have to set it time and time again, so as per yibo’s video — the first time, he received a message from xz ( allegedly ) at around 8 o'clock, a strong reminder. he replied to the vx message, and the reminder function expired. so he set up a second strong reminder after chatting, and he was woken up again by his message at 5:15.

we don’t see wyb using this function ( atleast publicly or other recorded stuff like in ttxs ) but it makes sense that he would in this case because it was a dangerous situation. yes he had a whole team of experts with him who made sure everything is safe but sleeping like 100 feet off the ground like that is not ideal. maybe he wanted to comfort xz in this way, making sure to reply as soon as possible so he will know that wyb is safe. this is xiao zhan who was so worried when he noticed wyb coughing or when his (wyb) neck had marks on it because of the necklace while they were playing a game got all upset.

i swear they are too much. so sweet. 🥹🥹🥹🥹

sources: one / two

[somegirlontheinternet135]

I didn't expect a post about a dating sim x click & point adventure game with The Beasts to be this popular but. . .

*random gestures*

So here you go, some thoughts & features that could be added to this weird fangame I conjured up!

(tw: long)

~General~

The world that the player teleported into heavily mirrors the land of beast yeast, complete with each of the landmarks which the beasts resign in. One exception however is at the center of this mysterious land is a forest of silver trees, which surround a strange alter of six stone standing pads, five little stones around a much larger stone in the middle (wonder what that's about?)

Somewhere amidst the silver woods is a mysterious grove, a grove filled with lilies. If adventurous enough, the player can explore the grove, but be warned, for not only do the scent of lilies cause drowsiness and the possibility of passing out, but lilies aren't the only thing that the land houses. The grove is peerless maze, so the player must enter with caution

The story length will be similar to how Obey Me is set up (divided into different chapters) with the first three to four chapters introducing the Beasts

There's no "canonical" choice of who'll you'll end up with, that's entirely up to the player. Another choice the player will have is whether the relationships can be platonic or romantic

Although many MCs are mostly left blank slates, I want the player in the sort of grey area between having an actual personality but leaving details vague enough to leave people guessing. Think the MC from "Obey Me" crossed with Yuu from "Twisted Wonderland" And you know many MCs are often nice and kind-hearted, well sorta throw that out the window bc we're doing something special(snarky, sarcastic, brutality honest, and filled with trust issues)

There's only snippets of what the player physically looks like(trust me, this'll be important later)

It's also important that the player has zero memory of entering the world they were basically isekaed into, something which the beasts learn one way or another. . .

The player will receive several petnames from the beasts, ranging from simple ones like "dear" or "sweetheart," to petnames relating to mice and other rodents(ie: "Little Mouse," "Pika," even "Pipsqueak")

In the game, the day-night cycle plays a big role in the gameplay. You'll be allowed to roam and explore as much as you want, but at night, you're given the choice of whether you should go to bed or keep exploring. If the player chooses to continue exploring, they'll be met with an energy meter, which increases when you sleep and decreases when you don't. With a full bar, the player can explore a total of five times, and once that meter runs out, they get too exhausted and fall asleep

Now would be a good time to mention the player's different bedrooms. They rotate based on the location, but they're meant to be a sort of safe space for the player, it's also the area where they pick up an important item: A journal

The journal functions very similarly to a scribble board and an actual notebook but serves one purpose, to allow the player to take notes on certain puzzles. Different puzzles are scattered across the landmarks, some are extremely difficult and require one to jot notes

I also like to think the player would receive a variety of tools during their journey and will each be essential. Which would lead the player to carry a bag to hold said items

For the purpose of the story, the player is able to respawn if they die. Remember the alter in the silver tree forest, they wake up there like nothing happened, although they do still retain the memories of said death

The player will engage in several minigames, the most common of them being a cooking style game where you prepare meals and ones where your using certain tools. Whilst the click & point portion consists of the player exploring the different areas & interacting with their surroundings

As a bonus, the player is gifted different outfits from the beasts, each one corresponding to the beast, their interests, and their theme

~Shadow Milk~

In the many eyes of Shadow Milk, the player is the only cookie he's seen in a while, so it's obvious he'd want them to be his audience, if you ever so chose to be. They get the option of asking more & trying to convince him on letting them have a turn in performing, which he'll have different reactions to

*You're reading the scripts of one of Shadow Milk's plays, in awe at the material. You compliment his work, making him all the more flattered*

"Oh I love acting! Your script is amazing, could I try acting some things out?"

*Hearing the question, Shadow Milk snatches the script from your hands. He almost snaps at you*

"What? No, of course not!"

"I'm sorry my dear, I adore your praise but. . . we've already established who the audience is! It's the key tool of any actor's career, and without that, we'd just be two actors with no one to entertain. . ."

"Besides, I think you'd have trouble trying to impress such a seasoned performer like myself~"

Despite his condescending comments, he slowly begins to let you act out small skits as their relationship with him becomes stronger, and he begins to cave

Shadow Milk has several references to acting, the stage, and plays, it would be a sin to not give this man a rhythm game. Similar to already existing rhythm games like "Rhythm Heaven" or the rhythm game portion in "Obey Me"

Every task, no matter how minimal or simple, becomes way more difficult with Shadow Milk. If you're just as much as a theater kid as he is, his need for literally everything to be a grand, exaggerated, obnoxious spectacle, especially around the player, is strong. Half the time, things don't go his way & he winds up making a mess, messes which the player is forced to clean up

Also, most everything he does requires a quick "costume change" thems the rules. He's cooking you breakfast? He's wearing a bright pink apron with frills and a heart-shaped pocket. You get hurt and scrape your knee? Here comes Dr. Shadow Milk in his doctor's uniform and stethoscope. The two of you are getting ready for bed? You'll be seeing him in striped pajamas, an extremely long nightrobe, fuzzy slippers and a sleep mask, including hair curlers

There will absolutely be no sneaking out on his domain, not on his watch! Shadow Milk, with his abilities, is a living security system, and reacts heavily to sound. So one snap of a twig or step on some creaking floorboards and it's over!

"*Ahem!*"

*A freakishly familiar voice is heard from behind you. Breaking into a sweat, you slowly turn around, the smallest part of you wished it wasn't who you thought it was. . . But as luck would have it, you didn't know any other crazy entertainers. . . Sure enough, it was exactly who'd you expected to see, Shadow Milk stood in front of you, arms crossed and everything*

"Just where do you think you're going?"

*You try playing it cool, although sweating a bit*

"Oh hey Shadow. . . I was just about to head out and-"

"Head out? At this time?!"

"I-I'm not gonna be gone for too long! I'll come right back after promise- *ah!*"

*Shadow Milk had already scooped you up, carrying you bridal style*

"That's quite enough! I can't have my only audience member getting drowsy during one of my shows, now can I?~"

*You were embarrassed beyond belief, even more once he started walking you to your room, and abruptly boops you on the nose*

"It's off to bed with you little mousey!~"

". . . ok(;w;). . ."

He takes much pride & joy in inconveniencing the player, purely for his own entertainment. What makes it worse is that he'll always find some sort of excuse, saying how it's "to punish them" and "to teach them how to do it right," just some of the lies they have to deal with

And that's not all, you think he started there? nope! He started lying to the player the second the two of them met. Seeing the player scared and alone in his domain, he didn't miss an opportunity to mess with the player's head. Fortunately, this does change as you begin to get closer with him, he starts being more open with the player

The outfit Shadow Milk gives the player is, although the tackiest thing on earthbread(if the player decides that it is), the most practical of the outfits they'll receive. It has a sort of German fairytale vibe to it, covered head to toe in ruffles, lace, bells, overly detailed designs, and of course, colored blue. It looks like, feels like, and is a costume, but despite its cheesy appearance, it's easy to run & move in

Out of all the beasts, Shadow Milk is the one who cares the most for the player's physical well-being. He's always making sure the player's eating enough, getting sleep, and most importantly, is happily entertained. It's been far too long since he was able to put on his plays, and he's gonna make sure they have the ability to sit through them

All and all, Shadow Milk is a well-meaning, all be it annoying, roommate

~Eternal Sugar~

She was always keen on learning most of the trickster's secrets, so finding out about the player, she became both upset yet understanding. Shadow Milk was the Cookie of Deceit after all

Regardless, Eternal Sugar found it quite unfair of him to keep them all to himself, and took it upon herself to steal the player away, via using one of her clouds

*While wandering by yourself within Shadow Milk's domain, you peer up at the unearthly, but normally blue sky, to see what seemed to be clouds suspiciously hovering over you*

Bewildered and curious, the player has the decision of either ignoring it or checking it out, but each will end in the clouds scooping up the player and taking them, all the way to Eternal Sugar Cookie

First meeting the player, she's admittingly unimpressed with what she sees, to think something so important to them would be reduced to such a simple creature. . ? But that mindset quickly changes as she discovers how adorable the player is, and just how naive they are. . .

She views the player as some sort of pet, spoiling them with all the goodies they can ever want, to a point where its almost overwhelming

*On a table, a large platter of sweets is set in front of you; you're almost tooken back by the sheer size of the dish, it was almost half the size of the table! Just sitting next to you was Eternal Sugar, smiling almost amusingly at your reaction*

"U-Uh. . . Is this all for me. . ?"

*She giggled*

"Of course it is dear! What sort of guest would you be if you didn't receive such delicacies?"

*Eternal Sugar picks up a sweet from the platter and holds it close to your mouth*

"Now, open wide~"

Unlike the other beasts, Eternal Sugar has the habit of babying the player, so like Shadow Milk, every simple task becomes way more difficult with her around. She'll make sure they won't be able to lift a finger!

Her associative minigame fits her sort of style, a memory game using cards, similar to the many games you can find on those "Kid-friendly Newgrounds" websites

Another thing worth noting is her clingy nature. Everywhere the player goes, Eternal Sugar has to follow, which does make things more difficult and affects progress. The prime definition of a space invader

It gets even worse during the night cycle, where she often insists on sleeping in the same bed as the player. Despite this, night is the only time the player will be able to get anything done. Just know that when they got back to bed and woke up the next morning, they'll have a sweet surprise waiting for them

*Morning light shines onto your face as it creeps into the rest of the room. You groan, awoken by your natural alarm clock, and begin to yawn & stretch, a part of you wished you slept in a bit longer. But as you try to get out of bed, you feel a weight on your right hand, better yet, you feel an entire section of the bed being weighed down by some unknown force. Turning around, you quickly discover why*

"E-Eternal Sugar Cookie! What are you-?!"

*There, covering a good half of the bed, Eternal Sugar Cookie was peacefully snoozing, clutching your hand. In your failed attempts at yelling at her & pulling your hand away were left to no avail, she had no intent on moving, nor letting go, making you all the more flustered*

"Ms. Eternal Sugar Cookie, please!- Let me go! I need-"

*She merely lifted one eye, only half awake and ready to sleep the rest of the day away*

"Awh~ but little mouse, it's so early!~ Can't you stay just a bit longer?~"

*She smiles at your flustered expression*

"But I have stuff to do! Please, you have to let me- *ah!-* h-hey!"

*Too busy trying to escape, you failed to notice her grip getting tighter, pulling you back down your now shared bed*

"Sleep a little more with me, won't you? There's no rush~"

"O-ok, fine then, but only for a couple more minutes, but that's it!"

*She giggled*

"Deal~"

Throughout their stay, the player only gets small snippets of Eternal Sugar's true personality. If the player chose to question her sickly sweet demeanor, she'd get defensive real fast, asking them why they would even question something like that. If angered, she becomes pushy, demanding, especially when the player doesn't do what she says

It becomes increasingly clear when Eternal Sugar gives you a new outfit, since the one you're wearing (aka the outfit Shadow Milk gave you) didn't fit her style, believing that you should wear something more flowy. She actually offers several different outfits for the player, and although nice, they're. . . let's just say not so family friendly; try as they might to reject her offers, she'll get upset and more persistent, nonetheless; this however does change as the story goes on, she becomes more understanding. Luckily, the two manage to make a compromise, Eternal Sugar offers the player a much simpler pink dress, with bows, lace, and ribbons. Despite being much to the player's liking(if that's what the player chooses), she begins to whine about it, saying how it could've been so much more; not to mention, both the ribbons and lace constantly get stuck on things if they aren't careful

The only time the player's able to really see Eternal Sugar's true colors is when Shadow Milk shows up, who's not all too happy about her basically kidnapping the player. Whilst they ventured alone, he made the mistake of taking his eyes off them for a second, last thing he knew they were snatched by some clouds and whisked away into the sky, which he immediately starts chasing after them. He knew exactly who was responsible. Unlike Shadow Milk, Eternal Sugar does a much better job of keeping her composure, playing dumb and refraining from acting out of character around the player. But once Shadow Milk insults her fake personality, all hell breaks loose

"Well, well, well, if it isn't my dear friend. . .?~ Eternal Sugar Cookie. . !"

*Shadow Milk had snuck in through an open window. Before you could even do anything, Eternal Sugar had already pulled you to her side, forcing you to sit in the lavish and comfortable sofa she was lounging on. He made his way towards her, with his usual wide smile; from the corner of your eye, you could barely see an eye twitch and, was he gritting his teeth? It didn't look like it, but he was seething with rage*

"Oh, Shadow Milk Cookie!~ for what do I owe the pleasure?~"

"How lovely of you to ask!~ You see, you just so happen to have something that belongs to me!"

*Shadow Milk then stares back at you, startling you a bit with his crazed expression. Although Eternal Sugar seemed unfazed, her grip on you only became tighter as the trickster started speaking to you*

"Little mousey, there you are!~ Oh I was so worried, thank goodness you're safe!~"

"I am so, so, sorry to have kept you waiting~ believe me, it's a long story!~"

"*Ah!* And what happened to the little dress I gave you?! I mean you still look cute, but you'd look so much better before and- oh! almost got off track for a second!~ *haha!*"

"Alrighty, I think it's time for me and my little mousey to get go-"

"You're leaving with them? Now what would be the purpose in that?~"

*She quickly shifted from her lounging position to a sitting position, pulling you closer toward her, and flustering you more. You see the trickster's eye twitch more, noticing just a crack in his character*

"*hehe-* what did you say. . ?!"

"I've tooken quite the liking to 'your' little mouse!~ Besides, you keeping them all to your self. . ? Extremely unfair of you!~"

*She then draped her arms around you, your face was getting redder by the second*

"Surely they'll be much happier here, isn't that right little mouse?~"

"Well, *uhh-* actually. . ."

"Then it's settled!~ The little mouse will be staying with me!~"

*They proceeded to argue back and forth, Shadow Milk's played up character was falling apart at the seams, losing a drop of his patience with every word the "angel" said. Eternal Sugar found herself quite entertained with the trickster getting angrier and angrier. All the while, you didn't know what to do, clearly neither of them were going to let you leave, or you know, let you get a single word in. So you were placed in a very awkward situation, stuck between an angel cookie who wasn't keen on you leaving, and a jester who was trying to get you back through gritted teeth*

"Listen, I'm the one who saw them first, they were found in my domain, therefore, they're mine! So if you would be so kind as to return them to me. . !"

*She proceeded to hold you closer, practically cuddling you, was she trying to make him even angrier?!*

"Oh but we're having so much fun!~ They'd much prefer it here than that over-the-top spiral you call a tower. . !"

*Insulting his domain was the nail in the coffin. It looked like he'd finally snapped, any ounce of patience he had before was completely out the window. Using his magic, he wrapped up your hands in some mysterious string, pulling you forward and out of Eternal Sugar's reach, greatly shocking and scaring the heck out of you. Once you were back in his arms, Shadow Milk pushed you behind him, and looking back at Eternal Sugar, she'd gotten up from the sofa, it seemed like she was starting to crack as well*

"Oh!~ So that's how we're gonna play *huh?!* Then I'll lend you this: do you really think they'd want to stay with a tooth-rotting prick like yourself?!"

*She began to clutch her fists, her eyes widen in a mix of shock and anger*

". . ?! What did you just call me. . ?!"

"Oh don't you give me that! little miss 'sweet & innocent angel!' unlike myself, people can see your fake persona from a mile away!~"

"And with how long they had to stay with you. . . I'm surprised my poor little mousey hasn't gotten sick and vomited from the spoiling and smothering they had to withstand!"

*That was all it took for her, she broke faster than he did, the wings on her back got bigger, Eternal Sugar's eyes glowed with rage*

". . . how dare you. . !"

"HOW DARE YOU!!"

The player obviously gets the choice of trying to stop the fight or slipping away, the following events escalating faster or slower depending on which they choose. Things escalate to a point where Eternal Sugar just snatched them and attempted to fly away with the player, which led to Shadow Milk using his magical strings to pull them back, entering the two of them in an intense game of tug of war with the player. And the force of both sides was so strong. . . It ended up ripping the player in half

So, Eternal Sugar Cookie, kinda pushy at times and very clingy all the time, but a sweetheart nonetheless

~Mystic Flour~

Getting ripped in half by two powerful beings. . . not something you would easily forget. . . You'd expect this to be game over, right? well, wrong, cause upon miraculously waking up, not only do you find yourself on top a strange alter, but face to face with Mystic Flour Cookie

Seeing the clouds of Eternal Sugar Cookie's cloud soaring past her land, she immediately could tell that something was a mist, and strolling through the silver forest and finding the player laying on the strange alter, her suspicions were correct

At first, she couldn't believe it, a cookie, in their world?! But after a proper meeting with the player and asking how they ended up on the alter, she became a bit more pitiful, going on to invite them to her domain, such a clueless cookie shouldn't be left alone!

But talking about what was basically their death is pretty traumatizing, so the player is given the choice of whether to straight up lie, or give some part of the truth

"So, you have no memory of how you ended up on this alter. . ? Nothing at all?"

*Your voice was strained, you didn't want to tell her the full truth*

"N-no, not a lot. . ."

*Mystic Flour then proceeds to grasp both your cheeks, pulling you close to her face, much to your slight embarrassment*

"Oh, you poor thing! You must be so lost, so confused. . ."

*It was that moment when an idea sprung into her, an idea that may help the both of you. . .*

"How about you come with me?~ Surely you'll be much safer!~"

*Try as you might to decline her offer, she just becomes more insistent. She was giving decent points however, you were lost and confused, not to mention trapped in this witch-forsaken place, and the only two "cookies" you knew killed you, accidently or not, you couldn't decide. . . Eventually, after lots of convincing and growing tired, you finally cave, accepting her offer*

"Ok, fine, I'll go with you"

"Oh good! Well, come along then!~"

*Gently, Mystic Flour took your hand, pulling you off the alter, and guiding you through the silver woods*

Mystic Flour had already made herself sound quite trustworthy, but of course, this can't be without some sort of catch. . . Though she looks caring on the outside, she sees the player as a mere tool, a stepping stool for something much greater. Her methods of getting information is much more subtle

Both minigames mentioned before required some sort of skill, Mystic Flour's is no exception. Similar to classic video game "Snake," the player's goal is to fill the respected area using dragons instead of snakes (wonder why?)

Pretty much the minute the two of them enter her domain, she basically gives them free range to do whatever. She doesn't really care if the player wanders too far or gets into spaces they shouldn't. But she will let you know when it's time to head back

*As the sun starts to set, you continue to search about the area like a curious child, you hardly noticed Mystic Flour standing just behind you*

"Little pika, dear it's time to head back!~"

*Hearing her voice yelling out to you so suddenly just barely startled you, but you gained back your composure once you see her warm smile*

"Oh! Hi Mystic Flour Cookie! Just give me a second, I have to check a few more things!"

*It wasn't like you weren't going to listen to her orders, you just had a bit more to do. But watching you get farther & farther away from her; Mystic Flour saw it differently. Already making her way toward you, she proceeded to scoop you into her arms, startling you and plastering blush onto your face, as she started walking you back herself*

"*ah!*W-Wait! Mystic Flour Cookie, I wasn't done ye-!"

"I know, I know, dear, you have your little tasks!~ But you'll have so much time to do them tomorrow, so please, might we head back? I'm sure the food is getting cold!"

*With you being in her grasp and your legs being very much off the ground, there wasn't really a choice to keep going. You could've kicked and screamed, but there were doubts that'd even work. . . And so, with no other options, you let her take you away, which sucked, but hey, at least you have yummy food waiting for you!*

Mystic Flour has the sheer amount of enthusiasm as an overly supportive mother, she has not a clue of what the player is doing but they're doing great! But like some mothers, she tries a more "hands off" approach as a way to set rules, intentionally not telling the player helpful information just for the sake of them learning it themselves

She does, however, provide them with all the materials to do so: a bedtime routine, plenty of food, and a warm winter outfit. Speaking of which, due to the wintery background, Mystic Flour gives them an outfit most suitable to withstand the cold, something heavy, but also angelic, a nun like dress colored a soft yellow, complete with black counterparts. The only downside is that defending the player from the cold is its only purpose, for it is much too heavy anywhere else and unbearable in hotter areas

Unlike the other beasts mentioned, Mystic Flour has no interest in forming a genuine relationship with the player. To her, you only serve one purpose, finding her escape (whatever that means) and is more direct into reaching her goal. She creates a false sense of security between the two of them, then when the time is right, uses that bond to her advantage. Fortunately, this behavior does change as the story continues, and Mystic Flour becomes more interested, and attached, to the player, but for now, her methods remain neutral

This becomes more apparent as Mystic Flour tries getting information out of the player in a sort of therapeutic way, sitting them down and letting them speak about their troubles, starting with the obvious. . .

"And. . . that's pretty much what happen. . ."

*You laid atop the much larger cookie, your head resting on her lap as she lightly massaged your hair. You rub your hands uncomfortably, as if waiting for bad news, your throat felt strained. Sandwiched between two angry beings, getting pulled into the sky then ripped in two, these were memories you weren't ready to revisit, especially with someone you've met only a few moments ago. . . At the same time, was holding this deep inside healthy? You saw life flash before your eyes, seconds before being split in half. . . Besides, you were already holding onto so much. . . would it hurt to let go of some. . . You felt Mystic Flour let go of your hair as she began running her hand on your face*

"Oh you, poor, poor, dear. . ."

"I am so sorry you had to be apart of. . . that. . ."

*Although you couldn't see her face, she sounded genuinely sorry for you, which was quite refreshing considering everything you've been through so far*

"They can be rather selfish at times, only thinking about themselves. . . You're lucky you've ended up with me!~"

*You laughed at her remark, trying to brighten up the mood, despite still feeling, well, you didn't know what to feel at that point. . .*

"*Heh* Yeah. . . I guess you're right. . ."

*Unannounced to you, Mystic Flour smiled to herself, her plan was working swimmingly. . . Having brought you to a docile state, it was more than a better time to gather the information she'd been longing for. . .*

"If you would allow me to. . . may I ask you something else?"

*You think for a minute, it was only one question, what harm could it do. . .*

"*Uh* sure. . . what is it?"

"Well little pika, you see-"

*Before the words could fall out of her mouth, there was a sudden loud BANG noise from outside. Respectfully, this startles you, making you flinch, but Mystic Flour didn't seem to move. . . Looking back up, you were finally able to see her face, she seemed irritated, annoyed. Gently, she lifted your head off her lap, resting you onto your knees, confused, you turn to her and saw that she was already standing, looking down upon you. She mumbled something under her breath*

"*Ugh* At a time like this. . ?!"

"Just a moment pika. . . I have to handle something. . ."

Mystic Flour considers herself to be the mother figure of the beasts, and although uncompassionate at times, she plays her role well

~Burning Spice~

(Literally the most perfect segway!~)

All it took was Shadow Milk and Eternal Sugar fighting for Burning Spice Cookie to want a part of the action. Last where we left off with them, the two managed to split the player in half, insides and everything, and were now freaking out over their (very much dead) body, whilst arguing over whose fault it was. By sheer coincidence, did Burning Spice decide to check up on Eternal Sugar, and catches site of the two yelling at each other

Burning Spice hasn't met the player, doesn't know who they are nor what they look like, but he took immediate interest in them after seeing how they affected the two other beasts. If just their mutilated body was enough to cause them to start screaming and crying like little kids, who knows what else they could do. . .

Already, he was making assumptions of what kind of person they'd be, perhaps the player was someone strong and intimidating, someone perfect to be his sparring partner, and continues to deny any sort of actual description of them

Him, Shadow Milk, Eternal Sugar had mostly worked together in their search for the player, but the millisecond they found out they were with Mystic Flour, the race was on. . . Which takes us to now, where Burning Spice appears first, causing a massive scene with his abilities in an attempt to lure her out

*Alerted by the sudden destruction just outside, Mystic Flour rushed to her outer balcony, irritated like this had happened before. . . She knew exactly who the culprit was, and sure enough, there he was, sitting casually atop the balcony's railing, Burning Spice greeted her with a sinister look on his face. She had already prepared herself, immediately knowing that something was about to go down*

"There she is, Misty! Long time no see!"

"Burning Spice Cookie. . . what brings you here. . ?"

"*Oh!* I think you know exactly why I'm here!"

*Getting off the railing, he walked toward his comrade, having no use in making a big deal out of it. Mystic Flour, although slightly surprised, saw it as a sort of threat, only further did she stand her ground*

"Ya see, a little birdie told me that you've been hiding a shiny new treasure from us. And I, of course, thought it'd be too good to be true. . . So I decided to drop by to take a look for myself. . !"

*He tried walking around her to reach the balcony's entrance, but before he could take another step, Mystic Flour stopped him, she wouldn't back down that easily. . .*

"There is no such thing. . . whatever is in my possession is none of your business. . !"

*In her defensive state, Burning Spice's persistence only grew, now patting her shoulder almost reassuringly*

"Hey, c'mon Misty!~ we're buddies, pals! Letting me get a tiny sneak peek shouldn't be a problem!"

"Say, how about this? You let me see what you're hiding, and I promise, I won't tell the others, I'll even let ya keep it! So what do ya say?~"

*Not even seconds after he said that, he immediately tried pushing past Mystic Flour as if she'd already answered his question. Of course, she shut that down almost instantly, even pushing him back, something which he doesn't really take well. His eyes widened, she set him off by just that push alone. She could bluntly tell he was lying, only using their relationship as an excuse, so she didn't let him any closer*

"Burning Spice Cookie, we've known each other for eons, do you really think I wouldn't be able to recognize one of your petty excuses. . . ?! "

"If you knew better, you'd be wise enough to leave, for this so-called treasure you're after, I know nothing about!"

*Pushing and telling him to leave. . . yep, that'll do it. . . Burning Spice broke into laughter as his hair began to glow warms shades of red, orange, and yellow, moving like a sea of flames*

"*HA HA HA HAHAHA!* *Oh!* Misty, ya might just make me angry!"

*His tone quickly shifts from trigger-happy to overall threatening once he'd opened his eyes, now just as bright as his hair, he marches towards Mystic Flour, who was all the more irritated and unfazed*

"And you. . . don't wanna make me angry. . !"

"Make you angry?! *Heh!* Didn't know it was so easy to mess with that small brain of yours!"

*It isn't long before the two engage in full on battle, both sides being equally matched in some way. While this was all happening, you were completely unaware; being inside exploring, you're none the wiser of the destruction going on outside*

Eventually, Burning Spice does manage to bust his way inside, and upon actually seeing the player in their simple state, he couldn't be more disappointed, to think Shadow Milk and Eternal Sugar's bickering would be caused by such a boring little cookie(but those two do fight over a lot of things, so-)

He'd almost considered leaving them, but Burning Spice would rather leave with something than nothing, so taking his losses he hoists up the player over his shoulder and makes, a not so quiet, escape. Much to Mystic Flour's dismay and the player's protests (or cries for help depending on what they choose)

Burning Spice sees the player like how a general sees a soldier. He thinks they're weak, bland, and more notably boring, and wants to, in his words, "spice them up." Because of this, he is unnecessarily harsh, working the player to the bone and expecting them to "get up" when they get too tired

*How long has it been. . ? An hour? Two hours? At that point you didn't know, but all you did know is that it felt like an eternity since Burning Spice started your so called "training." Back and forth, you were forced to run with heavy rocks on your back whilst following him, who was doing the same. All the while he'd yell at you to pick up the pace as encouragement. . .You huffed and panted*

"*Hah**hah. . .* Burning Spice Cookie, please, can't we stop for. . . just a minute. . ?"

*It was the only time he'd turn back at you, what a ridiculous ask!*

"What?! Definitely not! ya still got a lot to go, pipsqueak!"

*You couldn't go on any longer. A mess of sweat and sore bones, you plummet to the ground, numb to the rocks currently on your back, you wanted rest, at least for a minute. . . Burning Spice only reached a good distance away before noticing you were far, far behind. He ran back to you, but not because he was worried*

"Ay! Pipsqueak, what's the holdup?!"

*He crouched down, better viewing your shriveled up body, far too weak to keep going. Despite the obvious, Burning Spice still tried getting you to stand, poking, even attempting to pull you off the ground, but you won't budge. . .*

"C'mon! Quit acting like Eternal Sugar Cookie and get moving!"

"Please. . . let me rest. . ."

*Your sweat could've well stained the ground if it were cool enough. . . You were stubborn & refused to get up, becoming a puddle of flesh. Realizing that you weren't moving, he, grudgingly, decides to do what was best, but first he had to move you somewhere more suitable to your needs*

"*Ugh* Alright! Fine! I'll let you outta this, only once!"

*Swiftly brushing the rocks off your back, he scoops you up and onto his shoulder, no way would he let you die right then and there. You suddenly feel the biggest weight being literally lifted off your shoulders, thanking whatever was out there for this moment*

"I'll let you rest, but not here!"

"*Heh* Thank you. . ."

"Yeah, yeah, whatever!"

Everything Burning Spice does, he expects the player to do the same, no matter how difficult. But will give them the benefit of the doubt when the player gets too tired to keep going, much to his annoyance

He's active and moving 24/7, that's why Burning Spice's minigame is directly based on "Super Mario Bros" where the player runs about collecting items, attacking enemies, etc.

If the player is talking to him, he'll most entirely talk about himself, boosting his ego, even throwing insults at the other beasts, which is both annoying and ironic because he does the exact same things that they do. That being said, it's important to never get mad at him or give him attitude because it will work him up, for better or worse. . .

The player can easily get information from him due to his blunt honesty. When talking about the other beasts, he'll always give bits of helpful information about them, some that can be extremely helpful in the future

Similar to Mystic Flour, Burning Spice gives the player free range to do whatever, the only difference is that Burning Spice sets up these "training sessions" on random occasions without notifying the player firsthand, and expects them to drop everything to train with him. This exhausts the player, causing them to only be able to do things during the day, when they've required enough rest

*Stumbling into the room Burning Spice gave you, you flop onto the bed, nestling your head against your pillow, relived. You were finally able to rest your jelly legs, sore running around and doing tasks. But you turn to your side, something catches your eye. . . On the single window of your room, you noticed what looked to be a slip of paper. Despite being entirely drained, your curiosity got the better of you, and slipping from the bed, you make your way toward the windowsill, now realizing how out of place from the rest of the room, appearing more of a light lilac than any of the reds and oranges. You questioned if even came from the place, and upon proper examination, your suspicions seemed correct. . . This was no mere paper, but a letter! Curiosities only felt more rapid as you opened, revealing not only short message crafted in cursive, but a beautiful illustration of a rose*

"Small Rodent, have you been faring well within our world? Have you been eating, sleeping well? I hope the others hadn't been too cruel towards you. . . Word of mouth does not travel fast here, so I apologize if I arrive to you late. . . I wish to reach you soon. . ."

"From- Silent Salt Cookie"

"Small Rodent. . ?"

*Reading through the passage, you took a few seconds to process, hoping that whoever sent it wasn't suggesting what you thought they were suggesting, cause if you got kidnapped one more time. . .-*

"Aye! Pipsqueak!!"

*Burning Spice had, without warning, busted into the room, no time for internal dialogue now! With milliseconds to think, you swiftly hide the letter behind your back, not before confronting the brute for his sudden excursion of your privacy*

"B-Burning Spice Cookie?! What are you doing here?!-"

"What?~ I can't check on my little pipsqueak, can't I?~"

*Again with the nickname. .?! Blushing rapidly, you couldn't tell whether you were annoyed, angry, or just plain embarrassed. . . Burning Spice laughed boastingly, always amused by your expressions*

"*HAHAHAH!~* Ya never fail to entertain me, pipsqueak!~"

*Then he noticed the arms behind your back. . .*

"Say, whatcha got there? Ya hiding something from me?"

*Shoot! the letter was still in your hands! Only seeing this as more of a reason to keep it hidden, you play it cool for as much as possible*

"I-It's nothing! W-What are you talking about?!*hehe*"

*Burning Spice just saw your actions as even more suspicious, he might be a barbarian, but he isn't stupid. He attempted turning you around to see what exactly you were keeping from him, all the while you were trying to dodge him, cold sweat beginning to run down your forehead*

"Are ya sure? Cause *uh* ya starting to look pretty sweaty there. . ."

"Oh!- this?! *Uhh. . .* I'm just, tired! from all the training today *haha!*"

*You two do this dance a bit, with you becoming doubly irritated the more Burning Spice tried seeing what you're hiding, getting additionally irritated while Burning Spice looked completely willing to tear your front open, asking and reinsuring you, again and again to get a little looksee. And you thought Shadow Milk was nosy?! Annoying and driven to your breaking point, you practically yell at him-*

"IT'S NONE OF YOUR BUSINESS, OK?!"

*Hearing those words fall out of your mouth, Burning Spice is beyond tooken aback, clearly, he didn't like being told what to do. You quickly gasp to yourself, slamming your mouth closed with a free hand upon realizing what you've just said, how could you be so stupid?! With the letter still in your other hand, you decide the best course of action was to crumble up the paper, that letter was the least of your worries now anyway. . .*

"Did. . .Did you just yell at me. . ?!"

*You gulped, your sweat becoming increasingly apparent as the brute looked seconds away from having steam shoot out his ears. He proceeds to get unnervingly close, practically towering over you. . .Didn't think it would end this way. . .*

"That. . . Is. . ."

"Great!!!"

"Ya getting spicier by the minute!"

*Burning Spice grabbed both your shoulders, and shook them with excitement, much to your bewilderment. The way his tone can just shift was both jarring and impressive. After a bit of violent shaking and surviving what would've been another death experience, he eventually lets go, not before giving you a hardy slap to the back whilst laughing, dang near knocking you off your feet and the letter out of your hand*

"*HA! HA!* Ya know what!? Take the rest of the day off! I wanna see my hard work!"

*He happily marches out of the room, leaving you in a rather messed up state*

"Be sure to get all the rest ya need! Ya gonna need it for tomorrow!"

*Burning Spice leaves the room, shutting the door, the second he was out of sight, you took the biggest sigh of relief. That was close, way too close! Like you practically dodged a bullet! You pull back out the crumbled-up letter and tried to fix it, somewhat regretting your decision of almost destroying it before. You had to be more careful next time*

During this entire scene, the player must be extra careful around Burning Spice, because despite how it's played, there's a route where he discovered the letter while they're asleep, and he's not too pleased with having Silent Salt trying to contact them, promptly getting so angry he burns the letter to ashes

That being said, Burning Spice, though seeming like a rage-filled brute who fights first and asks questions later, he's never threatening nor outright violent to the player, unless its a final resort. The player is a much-needed piece in a, all be it complex, puzzle, even if they don't even know it, and in order for them to work is through gaining their trust. But don't think that this is a good thing, there are many times where he could've hurt them yet actively chose not to

He immediately got to work constructing another outfit for the player cause in his own words, "there's no way ya staying here looking like that!" And the outfit he gives them perfectly reflects his ego, slick black clothing, paired with red barbaric accents, and brightly colored armor, making the player look like a mini version of himself. It's good enough for the endless training they have to do, but it's clear that some parts of the outfit were put together at the last second and were made from the minimal sewing Burning Spice learned. And if wanting to be honest, it's kinda ugly. . . Overall, it's the player's least favorite of the outfits given (if they decide it is)

Every hour, it feels like Burning Spice is always learning something new about the player, to him at least. Because of this, he celebrates every accomplishment they make with lavished (and very spicy) feasts, no matter how small they might be. Not exactly the best prize for basically being slaved away constantly to a point of exhaustion, but he doesn't need to know that. The only downside to this is that he's loud, like really loud, so loud in fact, he can't hear any other voices but his own, making him clearly oblivious to a certain someone stealing away the player(-again)

So Burning Spice, a not-so great roommate, but a pretty good personal trainer

~Silent Salt~

Ever since leaving Shadow Milk's site, someone else had been watching the player for some time, someone who wasn't too distant from the player, none other than the silent knight themself, Silent Salt Cookie

Once they found out about the player, there wasn't an ounce of disbelief nor hesitation that got into their head, they only had one goal in mind, and that was getting the player out of the other beasts' hands. But like a hungry wolf with its meal, they knew it wouldn't be easy. The other beasts always kept the player at arm's length, even with the leisure they receive, those four always made sure they were watched. And so they waited, and waited, and waited. . . In till they had the right moment to strike

Normally the beasts would be more direct when approaching the player, probably showing some pity towards them, not before whisking them away, Silent Salt on the other hand had a more different approach. They'd leave small letters for the player, all written in cursive and paired with a beautifully drawn illustration which they constructed themselves. Silent Salt essentially gives the player a bread crumb trail, preparing them for what was to come as to not spook them later

"Last one to get back to the base goes stale!"

"Burning Spice Cookie! Wait up!"

*You two were only trying to get back. . . nothing too special, yet of course, Burning Spice just had to turn it into a game of tag, didn't he?! Already tired from the day's activities, you struggled to move forward, and the barbarian is way ahead. Despite how unfair, annoying, and exhausting it was, you sighed, it wasn't the first time he did this. . . As you forced your body further, all you cared about was getting rest. You never understood why Burning Spice pushed your body to such lengths, but if there was one other reason to keep going it was to spite him. But as you were about halfway there, an unknown force suddenly grabbed your arm and pulled you to the side, you yelped, why does everyone here like grabbing you!?*

"*AH!* W-What the!?-"

*Pulled into an unnoticed corner, you practically swing yourself around, already having a good idea of just who decided to yank you out of the way, and you got what you wished for. . . Hovering over your tiny body, was the silent knight themself, quiet and unmoving, looking down at you. . . You jump back a bit startled, those training sessions are sounding a lot better right now. . . Although frozen with fear, it didn't take long to realize that something wasn't right. Sure, they appeared in front of you but that was merely it, just standing there, menacingly, almost like a statue. Your fear quickly dissolves into pure confusion as you stare back at them, the moment shifting into awkward silence. You already had a decent idea of who this fellow might be, and decided to use it as a way to break the barrier between you two*

"*Um. . .* Hi. . ."

"Y-You're Silent Salt Cookie, right. . ?"

*It took them a second to respond, and by "respond" they actually crouched down and got extremely close to your face, adding to your bewilderment, and barely managing to keep your composure*

"*ah!-* I'm gonna take that as a yes. . !"

*As a result of being thrown around so much, you practically knew what was next, but seeing the knight so still felt alien to you, and almost refreshing. . ? Like you were happy to just not be snatched for once, as morbid as that sounds. Oh but no, that's not right, who's to say that this fellow was to be trusted. You make the bold choice to ask them more questions, but before another word could fall out of your mouth. . .*

"Aye Pipsqueak! What's the hold up!?"

It's a no-brainer that Burning Spice finally noticed the player's absence, they have the rightful decision of running to him or yelling out, which Silent Salt covers their mouth and attempts to take them away(what a surprise!) The second route, however, the player's (4th) kidnapping is put on display for Burning Spice, who did not handle the situation well. He immediately rushes in to save them, but Silent Salt was much too swift for him. All the while, the player attempts to save themselves; trying to kick, scream, and squirm their way to freedom, but nothing works, they were a knight after all. Enraged, Burning Spice yells at Silent Salt that he'll get revenge, and he won't be alone. . !

(And before we go on any further, I personally like to hc that Silent Salt is both mute and deaf because 1. it matches with the new ancient heroes since Pure Vanilla is heavily implied to be blind; and 2. it'd make sense that the witches would want to make a disabled cookie. During their pre-corruption days, the five virtues also had to be role models for the cookies, thus they had to, at some extent, be relatable. So giving one of the virtues something that other cookies can relate to makes sense. Oh and as a bonus, Silent Salt is completely fluent in ASL and is fairly good at lip reading; Shadow Milk and Mystic Flour are also fluent in ASL and often act as their mouth pieces. Ok moving on!)

You'd think that the player wouldn't trust Silent Salt from the jump, given the circumstances & that this happened to them so many other times, and yet. . . Silent Salt was the only one to be considerate of the player's feelings before performing the act, they knew the player would be scared, if not terrified, of them, especially when you consider their appearance and quiet nature; thus they planted the letter to let them know. So although this doesn't mean the player fully trusts them, it is a step into the right path

How they view the player is a complete mystery, unlike the other beasts, it isn't just spelled out in ink. Instead, the player has to focus on their interactions and certain body language, since they can't speak

Similarly to Eternal Sugar, Silent Salt will often give the player gifts in an attempt to gain their trust. The main difference on the other hand was that those gifts were much smaller scale than what Eternal Sugar gave them, but still feel more thought out and genuine

*Lilac-colored curtain draped over large windows, comfortable sitting, and a bed that resembled a soft marshmallow, you had to admit, for living in a wasteland, they sure knew a thing or two about decor. But as you admired your new bedroom, you get a sudden knock on the door, and opening it a crack, you see Silent Salt, they appeared to be holding a few things*

"Oh! Silent Salt Cookie! What brings you-"

*Fully opening the door revealed what they were holding, a bouquet of beautifully made paper flowers in one hand, and a sliver tin, filled with salted chocolates in the other. Seeing the gifts, you were pleasantly surprised, not just by the tin of sweets but the paper flowers, so true to life and clearly made by them, you were amazed by the fact they were able to pull something like that off*

"Wow! are these for me?"

*The knight nodded their head, handing both gifts to you. Despite how small the gesture was, you still felt a tiny bit overwhelmed, the smallest hint of blush creeped onto your face*

"T-Thank you! They're lovely!"

Silent Salt was & still somewhat is known for their skills with a sword, thus the reason why their minigame is based on "Fruit Ninja." The player, instead of slicing fruit, is made to cut different pieces of paper according to a dotted line, in an attempt to mimic Silent Salt's paper flowers

While out exploring and doing tasks, Silent Salt will actually partner up with the player & help them, which is already a massive change from the player's other beast encounters. Either they'd find ways to stretch the task out even longer, or just not help at all, so having them there is a huge change of pace. They're always by the player's side, because of this, they can come off as clingy at times

They, like most of the beasts, give the player free range to do whatever, but is quick to set boundaries. The player isn't allowed to go into certain areas without their supervision, especially at night

*Lightly tracking your steps across cold floors, you carefully tiptoe through the Silent domain, moonlight streaking onto every nook and cranny acted as your only light source, which you tried to use to your advantage, the last thing you wanted was to be caught. But when you turned the corner, guess who you unceremoniously bumped into. . ? Pressed into their chest, you abruptly backed away startled & flustered realizing who it was, Silent Salt just looked at you, just like before*

"*Ah!-* Silent Salt Cookie. . ! It's not what you think. . !"

"I-I just have a few other things to do, that's all!-"

*The silent knight only stood there, arms crossed, making their stance all the more stern. You already had a good idea of what was going on in their head, no amount of convincing would change your fate. So with a sigh, you started heading back to your room, not before Silent Salt gently scoops you up, refusing to let you touch the floor, and carried you there themself. Blushing rapidly, you beg and plead for them to put you down, but failed miserably; why does everyone like carrying you so much. . ?*

Silent Salt treats the player like they're the most fragile thing on Earthbread, handling them with care and, with their position as a knight, more than happy to cater to their every need and desire

Due to their disability and limitations in lip reading, talking to them is difficult, creating this communication barrier between them and the player. This, however, doesn't stop the two of them from trying to fix the issue

That being said, Silent Salt most definitely wants to teach the player ASL so they can communicate easier. They made sure they'd take their time, teaching them all they need to know, starting with letters, to phrases, to full sentences. Even if the player struggles to learn at first, they're extremely patient with them, teaching things one step at a time

If it wasn't already obvious, Silent Salt is very delicate with their hands, due to their precise skills with a sword. Because of this, they picked up quite a few hobbies, like painting and drawing, clearly showed by the letter they made the player before, and surprisingly, braiding hair

*Slowly, the silent knight carefully overlapped strand after strand of hair from your head into beautiful braids. They put special care into each braid, constantly checking with you to make sure they were comfortable, even going the extra mile of creating more paper flowers to infuse into the braids. Sitting in front of the bedroom's vanity mirror, you were in awe at how perfect the braids were, your hair practically became an art project! Looking back at them, you couldn't see their face, but you could tell Silent Salt was genuinely enjoying themself, how they added flower after flower, even sometimes placing one directly onto your head; because well, why not? It was moments like this that made you think back to when you first met, back to when their silence felt alien to you, and how you were so unwilling to cooperate. . . Yes, you still didn't fully trust the knight, all of this just felt too perfect, almost too good to be true even, but it does. After placing the last flower, they were finally done, the braids were wrapped around your head and tied in the back with a purple ribbon*

If the hairstyle doesn't make them feel like royalty, then don't worry, Silent Salt had them covered. Cause not soon after doing their hair, they presented their outfit, which looked more like a gorgeous gown than any regular dress. Everything about it was perfect, the long white silk trin that partly touched the floor, the bow around the waste that matched your hair, the simple purple accents, its ruffled layers, everything. But possibly the most radiant part of the gown was these beautiful sewn in embroideries, each more beautiful than the last, all throughout. This was the straw that broke that camel's back, such actions of kindness couldn't go unrewarded; so through ASL, the player is able to sign phrases "thank you" and "sorry," to which Silent Salt immediately accepts. Quite a shame the player couldn't do more. . . The only two downside one could think of is that it strongly resembled a wedding dress, which can give the wrong ideas fast; also the gown length gives the possibility of tripping, but that's a simple price to pay

The relationship between the player and Silent Salt is mostly through action, and to some extent, physical touch. The player is always finding new and creative ways to repay them for everything they've done, often finding themselves cooking or cleaning for them, even gifting them drawings and paper creations they made themselves. Silent Salt does find this sweet and charming, but as a knight, they really have no desires. They crave the simpler things, like holding hands, learning ASL, or just being together in general. No amount of wasted paper would change that

Unfortunately, as stated before, not everything can be too blissful. . . Silent Salt is regularly shown to be extremely overprotective of the player, which does make sense considering their role; Silent Salt is a knight, keeping the innocent safe is their job, and the fact that the other beasts were also after them only made them double down on protecting them. Now, Silent Salt, before meeting the player, had no plans of escape, at least even they think of, in fact, became increasingly fond of their surroundings. . . Only when they learned the player did they start to reconsider. . . with a new opportunity, they couldn't simply pass it up. . .

Because of this, they've developed a 6th sense(or 5th or 4th) whenever they felt the player was in danger. Silent Salt can pick up signals of danger from miles away, and acts quickly ensure their safety, so imagine the player's surprise and confusion when being rushed somewhere else

*Everything was a blur. . . One second ago you and Silent Salt were spending time together per usual, before you knew it you were being pulled into your room, and Silent Salt was doing repeated checks on the door and windows, making sure they were locked. Confused, you try to stop them in their tracks, to get some sort of answer, but all they did was clutch both your hands tightly, looking you directly in the eyes; before abruptly letting go, telling you to never, for any reason, open the door or windows till they came back, then disappears, leaving you in a state of flustered shock. Even if completely unexpected on your end, it became increasingly clear why Silent Salt acted the way they did. . . with a battle axe, guess who was waiting just outside. . ?*

"Salty! right on time!~ It's been awhile, hasn't it?~"

*The knight merely stood there, sword in hand with a tight grip. They already knew what the brute was saying, him placing the axe's handle on the back of his neck as he began to walk towards them*

"Honestly, I'm pretty surprised Salty!~ Out of everybody here, it's you who'd be dumb enough to steal from me, me!"

"Cause when I think of stealing, I usually think of Shadow Milk Cookie, maybe Eternal Sugar Cookie if what we're after is really worth fighting for, but you?! *HA!* Didn't think of ya as the taking type!~"

"*Hmm. . .* I like it! You know I always love a good surprise?~"

*With every step he took, Silent Salt only further stood their ground, having already pulled their sword out from the dirt and getting into a battle stance. Upon reading their body language, his grin only got bigger, he knew exactly what was doing and actively stirred the pot. He put his hands up as he backed away in a condescending yet reassuring tone*

"*Woah!-* *Woah!-* Easy there buddy!~ Now I know what it looks like, but I promise, I didn't come here to cause trouble. . ."

"Instead, I'm looking for a little. . . exchange. . ."

*Burning Spice proceeded to hold his axe behind his back to make himself appear more innocent. All the while Silent Salt didn't once get out of their battle-ready mindset*

"Now I know I can be a little. . . hectic at times, but for this I'm willing to make one exception. . ."

"Say, I won't leave a scratch on your place, if you return what you've stole from me. . !"

"A simple deal, really!- You get out of this with no causalities, and I leave with that little cookie in tow!~ So what do ya say. . ?"

*Silent Salt was only getting parts of the Burning Spice's so called "deal," and already, they were not having it. . ! With just a blink of an eye, Silent Salt went from guarding their domain to holding the tip of their blade at Burning Spice's throat, as if they teleported, they were that fast. . ! Along with Shadow Milk's lies, none of the beasts were dumb enough to fall for one of his exchanges! The knight was clearly provoked; exactly what the brute wanted, so he kicked back far enough to pull his axe out from his back. Though the kick was strong, Silent Salt was still able to hold their ground, using their sword to keep their footing. There was a battle-hungry look in his eyes*

"*HA HA!* You just love surprising me, don't ya Salty?!"

*He then stretched his neck and shoulders, tense bones popped at the motion. Then proceeded to do his battle stance*

"Whatever! Wouldn't have worked anyway! Besides, no one gets dumber around here, right?! *HA!*"

"But one thing's for sure. . . Doesn't matter how tough you act. . . I'm not leaving without my pipsqueak. . !"

*His tone shifted to slight anger as his hair turned into bright flames. Having weapons drawn, it's clear as day as neither was willing to do what the other wanted, nor give in. Both had goals set in stone and willing to follow through with them; but just before they could actually strike at one and other. . .*

"*Yoo-hoo~* Up here!~"

"Apologizes for being so late you two, we've bumped into some. . . causalities. . ."

*In from above, flew in Eternal Sugar atop one of her clouds as Mystic Flour floated beside her, landing onto opposites of the brute and knight, creating this strange box. Burning Spice became all the happier, being the violence-obsessed cookie he was, this just maybe the fight more interesting for him. While Silent Salt was as stern as ever, despite being outnumbered*

"Misty! Sugar! Welcome to the party!! Just when things were starting to get interesting!~"

"*Ugh* Don't overexcite yourself Burning Spice Cookie, some of us only want this to be over with. . !"

*She has a quick glance at the beasts around her, just as annoyed of as before*

"So . . . I assume we all know about our new. . . 'inhabitant,' yes?"

*The silent knight nodded*

"*Pfft* *Uh Duh!-* What's was ya first clue?!"

"That's right! It's been far too long since I've seen another cookie, and when I finally find one, they're snatched from my hands!"

"Oh my poor little mouse!~ They must've been so lonely since they were taken away from me!"

"Being pushed and pulled by some brute and locked away by some scary knight?!~ What can be worse?!"

*Eternal Sugar whined and whined, nitpicking everything that she deemed "cruel treatment," and although most of the things said were true, Burning Spice couldn't help but take offense*

"Aye! What do ya mean by 'pushing and pulling around?!' I have you know I treat them with utmost respect and care!"

"*HA!* You call your so called 'training' of yours respect and care?! Don't make me laugh!"

"Unlike you, I provide my little mouse with everything they could ever need, everything they desire. . ! I make them happy! All your training does is ruin their perfect mind and body!"

*She looked over to her two other comrades*

"At least I can be assured that those two actually kept them safe, otherwise, I wouldn't know what I'd do. . ."

"Even Shadow Milk Cookie takes better care of my little mouse. . ."

*That's when most of the group realized a crucial detail, where the heck was Shadow Milk?! Unannounced to them, Mystic Flour already had a good idea of where he was, but waited to answer. . .*

"Oh yeah! Shadow Milk Cookie isn't here! Where is the guy anyway?!"

"When we found out the pika was being kept here, we came as soon as possible. But it wasn't long before Shadow Milk separated from us; we tried to pursue him but by then, he was already gone. . ."

"Perhaps we should wait for him. . .Knowing him, he likely has something planned. . !"

*With Shadow Milk being the smartest of their group, waiting for him seemed like the safest option, after all he was known for his tricks, who knows what he could be planning. Yet the brute and angel, who always had something to say, didn't have the patience for such. . .*

"And let him get another chance on stealing my little mouse away again?! Absolutely not!!"

"Yeah Misty, not having Shadow Milk Cookie around means less of us to get through, even if it is kinda boring! *HA HA!*"

"Wouldn't want his filth to rub off on my pipsqueak. . !"

*Eternal Sugar gasped in surprise and utter disgust*

"'Your' Pipsqueak?! are you delusional?! Clearly they're mine!!"

*Burning Spice cracked his knuckles, as he puffed his chest*

"Oh yeah?! Then why don't ya prove it?!"

*Mystic Flour groaned in irritation, if her eyes were open she would have definitely rolled them, this charade was going too far*

"*Ugh* You two are bickering like children! Could you at least not treat them like some object?! It's likely that the pika will return to me or Silent Salt Cookie, at least we don't see them as a mere pet. . !"

*Silent Salt nodded in agreement*

"And yet, I think we all know what we're really after. . . "

*With that sentence alone, it made Burning Spice and Eternal Sugar as quiet as Silent Salt was. . . The whole area was hushed, quiet enough to hear a pin drop. . .The four beasts side eyed each other, as if ready to duel; evidence was undeniably clear, they wanted to use you. . .for something? After keeping their running mouths shut for what felt like decades, Burning Spice finally breaks the silence, drawing his weapon, his patience was already dissolved. . .*

"Alright, that's it! We all want the cookie, and just sitting around isn't gonna help!"

"So, let's settle this. . . once and for all. . !"

"Agreed!"

"*Ugh* Suppose we should get this over with. . !"

*As Silent Salt drew their sword, the battle had began. The four played sides, the three of them trying to barge their way in, and Silent Salt trying to keep them out; and despite how unfair the fight seemed, not only were they evenly matched, but they all were fighting for themselves, for their own selfish goals, all of which surrounded getting to you. . . Speaking of that, you were once more left in the dark, spared from the situation. Not to say you aren't curious about what was going on either, in fact you were completely willing to open the windows to look outside if Silent Salt didn't tell you to keep them closed. Laying on top of the marshmallow bed, you stare up at the ceiling in boredom and something else. You received another to be alone with your thoughts, really rekindle and wonder. . . What the hell was going on?! First you were teleported to this strange place, then you were kidnapped five times, then you basically died and came back to life? Nothing about your situation was normal! Not to mention the cookies you're trapped with, if you can even call them "cookies" what even were they? You didn't know anything about them, what to feel about them, let alone if you could trust them or not. . . Questions were swimming in your head like fish upstream, feelings fighting for control in till. . .*

"*AH HAHAHAHA!~* no matter what, the story always stays the same!~"

*You hear a voice, a squeaky, arrogant, yet oh so voice. . . You look around in surprise, was that who you thought it was?!*

"That's right!~ The hero has arrived!~"

". . .To save his damsel in distress!~"

*CRASH!*

*Destroying one of the windows, bursts in the self-proclaimed trickster himself, Shadow Milk Cookie, the suddenness of the action making you fall off your bed startled and almost near giving you a heart attack. When hitting the ground, he did a quick barrel roll before landing on one knee in a sort of "ta-da!" position, acting like he didn't ruin a perfectly good glass plane, and much to your bewilderment. You quickly get up and stand towards him*

"S-Shadow Milk?! Are you ok?!"

"Awh~ Look at you!~ worrying for lil'ol me!~"

"I'm perfectly fine my little mousey!~ Absolutely splendid!~"

*You knew you should've expected a reaction like that from him of all cookies, but it didn't stop you from going dumbfounded*

"You just jumped in through a closed window!!"

*He then went on this long, overexaggerated, winded speech about how much he missed you, how you two had been separated for far too long, what lengths he had to go through just to get to you, but you were wise enough to know that he was partly spewing out lies. . . Mystic Flour knew he had a plan, and had a plan he did! whilst everyone else was occupied, he'd snuck in through a back window, unbelievable how such a cheap tactic was able to work. . . It wasn't long for Shadow Milk to notice the beautiful dress you were wearing, and lights up with glee, zipping toward you, and scaring you once more*

"And might I add, that is quite a marvelous gown you have on!~ *AH!* It makes you look so much more like a proper damsel!~ who made it?!"

"Well-. . ."

*He cuts you off before another word could come out of your mouth*

"-Oh, no, no, no, wait!- don't tell me, Silent Salt Cookie made this, didn't they?~"

"*AH!* It's such a no brainer!~ They make such amazing things, of course they'd make something this cute!~ I'm a little jealous!~ *hehehe!~*"

"*Whew!~* Okay, I think we had enough excitement for one day, hadn't we?~"

*He abruptly grabs your arm and pulls you close, startling you as blush begins to creep up your cheeks*

"Time to go home!~"

*It was the mention of "home" that threw you into a loop, what did he mean by "go home?!" Shocked, you pulled yourself away from the trickster, causing surprise and slight annoyance on his end*

"H-Home?! What are you talking about?!"

"Oh, you ask such silly questions, I'm taking you with me! Back to my humble abode!~"

Obviously, going back to the guy that had the player turned into two halves, is something that they aren't fully ready to do, thus are given the choice to go with him or not; to which both have different, yet very grim results. . . If they say yes, Shadow Milk Cookie will carry them out of Silent Salt's domain, not before being founded out by the other beasts, causing the player to be caught up within the drama, eventually getting stabbed through the chest from all the excitement. . ! On the other hand, if they say no, Shadow Milk with become more persuasive toward the player, reminding them of their time spent apart. If they deny him enough times, his patience begins to wane as his persona falls apart. Becoming more demanding till he snaps, forcing the player to leave with him; but it was already too late, as the other beasts had shown up, who aren't too happy about his late arrival, and chaos ensues, leading to the player getting decapitated. . !(Woooo-)

~Final~

The player ends up back at the top of the altar in the Silver Forest, completely passed out from the shock. All the beasts, after freaking out over their dead body, head there in a heartbeat, arguing over who'd be the one to take the player home, till Mystic Flour decides enough is enough, ending the argument and declaring the Shadow Milk should be the one to take in the player since he found them first, further saying that arguing wouldn't get them anywhere and wants to start a meeting before anyone else could argue back. . . Fast forward to Shadow Milk's base, the player is getting some well needed rest as the beasts are discussing what to do next, although it isn't entirely apparent that they remember how they got there, having them around could be beneficial to their much bigger goals. After a bit of talking, Shadow Milk conjures up a wonderfully, awful, idea. . . keeping the player as their hostage. . . Think about it! From the outside world, they already have reputations for being cold and cruel monsters, if they found out they had a cookie with them, they'd go nuts! Plus, who'd be more inclined to get involved? None other than the new Guardian Of The Seal, and Ancient Hero herself, White Lily Cookie. . . Long story short, they all agree with the plan, as it will guarantee their escape, and check on the player not long after, who was still passed out

*In your dormant state, you lay unconscious as all five beasts watched you, each of them claimed a corner of the bed. As they watched, Silent Salt noticed a slight twitching in your hand, and instinctively embraced theirs into yours, rubbing their thumb on your wrist. Not everybody took it well, cause Eternal Sugar shooed their hand away just a few seconds later*

"*Ugh* Get your hands away from them, you're ruining their slumber. . !"

*She turns back to you as her mood shifts from annoyance to gentle delight*

"Awh~ They look so precious!~"

*Burning Spice leaned forward on the bed to get a better look at you, he seemed upset*

"How long are they gonna be like this. . ? It's been awhile now. . ."

"Roughly a few hours, but I believe they will be awake by tomorrow. . . Poor thing, must have scared them quite a lot "

". . . I think it'd be wise to not tell the pika about our plan, after all, we did get this far with them"

"Right you are, my dear comrade!~"

"If it were to get out that we were keeping them for our own sake, it'd surely shatter any trust we might have, and we don't want them defying us, now do we?~"

*The other beasts agreed*

"*hehehehe!* So it's settled!~"

*Running a hand up your arm, the trickster looked back at you with his signature smile*

"*Hehehehe!*Oh be sure to get all the rest you need, my little mousey!~"

"Cause you'll be in for quite the performance!~"

And that's pretty much how the story begins, the player is their little doll for the time being, none the wiser about the beasts' plans for hostage type deal with The Guardian Of The Seal

(holy crap we're almost done, guess it's time to talk about some background and bonus info)

~Background~

You are playing as the new resident of the Faerie Kingdom, a half-faerie who grew up in Crispia. There, they are known for two things, having cookie genetics and being kinda an a*s, everything makes them unique compared to other faeries, especially the lack of wings on their back, and their personality isn't exactly a pocket of sunshine either. So throw that in a blender, and you got yourself unnecessary fame that many don't want. The player receives the full "little sibling treatment" with faeries being overbearing and constantly getting doted on. Which, of course, sucks, day by day, no matter where they go, they can't escape it! The only escape they have from it all is their day job, working as the librarian's assistant is when they could finally have some peace and quiet, alongside the librarian, who became the player's good friend

Ok! Bonus Stuff!

With the player's kidnapping and life within the Silver Kingdom, a few bonus relationships the player can have are with Silverbell, Mercury Knight, Pure Vanilla, and of course White Lily. SB and Mercury are like childhood friends/crushes, having met the player before the events of the main game, making the player more acquainted toward them. White Lily and Pure Vanilla on the other hand, take a parental role, acting as the player's protectors much later in the game. Both are relatively more alien to the player, especially White Lily, but the two quickly insert themselves, insisting that they only want to keep the player safe(which makes sense considering their mission is to protect Cookiekind, and the player certainly counts) Out of the two, it's White Lily we end up getting the closest with(a mother + child bond if you will), as Guardian Of The Seal, she was horrified to find out the player was being held hostage by the beasts, and wanted to do anything in her power to save them. She also took a liking to their personality (which's fine I guess???)

It may not look like it, but this game is all about choice. It's about the ideas and importance of choice, how decisions affect your life, how even bigger decisions are often made by selfish people, and (I'm probably gonna get publicly executed for this!-) how a democracy should be handled, because let's be honest, we need a better one. . . We'll see plenty examples of a bad democracy among the beasts, as Shadow Milk, the proclaimed "leader" constantly makes choices for others, in reality only thinking about himself; it's through the player he learns to give the others a say in the matter. Speaking of which, it's the player's choices that will have the most impact as the story continues, like how most games do, the only difference is that the game provides a much wider buffet of choices, making the opportunities endless!

.

.

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If you're reading this then, Congratulations!

You Made It To The End!

Here's A Trophy!🏆(for both me and you cause omfg this took FOREVER! I'm happy with the final result but like- I never thought this would take like 5 weeks to make ;w;)

If I could go back in time, I would've definitely made this shorter. . !

If you any other ideas for this strange fangame, then feel free to let me know!~

Ok, bye!~^^

*decomposes into the soil*

[orphiclovers]

Okay. Long incoherent rambling theory post ahead. Specifically, I want to talk about how the Han Sooyoung 'split' happened/how Han Sooyoung got the avatar skill, extrapolating from canon where I can and headcanoning the rest.

Let's start from what she herself says on the topic. 3rd rounds Han Sooyoung tells Kim Dokja, in a conversation about how 'Avatar' works, that the very first time she made an avatar, she gave it too many memories and it 'went out of control' and ran off. This was a friendly conversation and hsy brought it up herself, so there's not really a reason for her to lie here - this is probably close to how she actually remembers the situation.

Which is interesting because 1863rd rounds Han Sooyoung denies this fact and says SHE is the main body and that she left an avatar behind to act as her. Now 1863 could be lying here to unbalance kdj, they were having a battle of words at the time with lying being an explicit part of the game, but she could also be telling the truth and maybe 3rd just doesn't know she's an avatar (like 49%). we don't get a comfirmation either way so that is left ambigous. So. That's a dead end.

Then, how does the Avatar skill evolve in general?

Kim Dokja says the requirements to evolve it is that you need to be in a creative field of some kind (so you have an 'Author' attribute) + under enough psychological distress for your mind to 'split' in a way that orv compares to DID (in not the most tactful way). It's a rare skill so I'm guessing it probably requires both of these to be true at the same time. A key hint is that we do actually get one other example of someone evolving the Avatar skill on screen. 1863rd rounds Yoo Joonghyuk. It goes like this:

So...not exactly a fun time. But actually I'm sensing a pattern here. Both Yoo Joonghyuk and Han Sooyoung, after evolving and using the avatar skill for the first time end up as two sepetate autonomous entities with their own free will - 1863rd!hsy and 3rd!hsy and white and black coat wearing yjh respectively (Kim Dokja too actually - with 49% 51%). So, I think this might be how the skill functions, spontaneously splitting you in half the first time and then both halves of you can make avatars at will after that. Let's assume this is true for the sake of the theory. This conflicts with the way both Han Sooyoungs describe it - they both say they 'created' an avatar the first time BUT I think neither of them were being entirely truthful.

Let's talk about that second parameter. 'Severe psychological distress' in a way similar to that of DID. How I interpret this, based on what we see of 1863rd!yjh, is that there needs to be some fundemental dissonance of core beliefs that cannot exist or be held at the same time, so requires the soul to split in half. For Yoo Joonghyuk it's 'I want to live/I want to die.' (Although Kim Dokja doesnt get the skill in the natural way, I think this concept still holds true. His dissonance is not so explicitly stated but maybe it's something along the lines of 'epilouge/eternity' i.e 'happily ever after OR atonement for his (percieved) sins'.)

But also there's an element of, how do I say this...'purifying self-destruction' to how we see our trio use Avatar. Yoo Joonghyuk takes the blackened and traumatized part of him that wants to die and kills it with a sword, leaving only the part of him that still has hope to regress to the 3rd round, free and unburdened by the weight of bad memories.

You could interpret 51%/49% this way too. The inherent act of Kim Dokja choosing to use this skill to split his soul in half means he did not see another way foward - that psychological distress and belief dissonance is an inherent part of this skill. 49%, the one who get's the 'happily ever after' does not remember needing Ways of Survival, maybe because Kim Dokja couldn't imagine himself having a happy ending with the weight of those specific memories.

But coming back to Han Sooyoung. Just look at the way she uses Avatar in kaizenix. She is a person who does not enjoy being emotionally vulnerable so in any heavy situation she clings to her dry and witty personality like a shield.

Let's just fully realize what she's saying here. When she says she erased the memories of her life deliberately, what she means is that she created an avatar, a sort of 'black coat wearing han sooyoung' and killed it again and again, every year, so she could keep that sarcastic and light hearted attiude. Otherwise she would have become someone like 1863rd rounds Han Sooyoung - hardened and unhappy. And I mean that she literally was on the path of becoming her - she even got 1863rds skill.

She deliberatley brushes off Kim Dokja and doesn't acknowledge the weight of her actions in kaizenix, both waiting for 50 years and killing parts of herself over and over.

And I think this is the sort of mindset she had while telling Kim Dokja about 'creating' an avatar for the first time. She doesn't see the point in potraying herself as vulnerable, so she probably would obscure some details of that story, for example if she was on her knees clutching her head a la 1863rd turns Yoo Joonghyuk at the time. This would seem like a pointless detail to add when the point of the story was that her avatar ran off.

So FINALLY, here's my headcanon on what I think the original belief dissonance was for Han Sooyoung and how she got the Avatar skill.

The split happened very early on in the scenarios. And well, there is one obvious Big Event that might cause someone to have a mental breakdown/identity crisis. The first scenario. I think whoever Han Sooyoung killed, she couldn't deal with the fact she had become a murderer and 'exorcised' those memories - and so 1863 was born, with blood on her hands, in an already destroyed world.

[glassautomaton]

What Is the First Magic, Anyways? (Or How I Learned to Stop Worrying and Love FGO Spoilers)

Out of the five instances of True Magic, the Second and Third are known about in some detail, the Fouth is a total unknown from what I can gather and simply hasn't been expanded upon in the lore quite yet, and the Fifth being shown, but not explained in detail, which is its own post. The First Magic falls somewhere in the middle here, where a few vague things are known about it and the person who attained it, but not much in the way of details.

What we do know for sure is that the Magician of the First Magic was Yumina, the First Witch, who founded the Meinster lineage and used the First to create Ploys, which were passed down to Alice Kuonji, considered to be the last pureblooded Meinster by 1989 following the 'death' of her mother. Based on some information about Witches and the Meinsters in particular from the FGO collab from back in April, I think I can hazard a strong guess as to what the First Magic actually is: authority over Mystics/Mysticism itself.

Some spoilers for FGO's Lostbelt 6, though nothing critical to the plot, as well as this translation of Alice Kuonji's FGO profile.

First off, some basic information about Witches and Yumina that was dropped a solid decade after Witch on the Moly Night first came out, because Nasu's a fucking comedian:

This establishes a few things, first and foremost that Alice is actually Yumina's descendant, that Witches aren't human and are instead closer to faeries (although I'm not sure if they can be considered true faeries as this is phrased like they were created by an individual rather than born from the land or the Inner Sea), and that the daughters of Witches are essentially the next vessel for a singular consciousness, such that lineages are more like a single individual with several reincarnations. Not all of this information is actually completely relevant to this point but how insane is it that Alice got a lore drop for the first time in a decade and it was buried in the ass-end of a six-year-old mobile game? I just needed to get that off my chest.

Alice's profile reinforces this by seeming to allude that Alice's mother and her ancestors were all the same person, as well as the third paragraph using similar wording to how True Magic is often explained.

Crucially, the final line also states that Meinsters stand in defense of Mystics from humanity's constant march towards order, which inevitably destroys Mystics by coming to understand them, as is one of the overarching themes in Type Moon in general. Yumina's lineage seems to be actively pushing back on this.

Knowing Nasu, I could stop right here. See, it's thematically cohesive with the Meinsters and Alice's character arc of growing past the reminders of her family's past and learning to appreciate the present, and thematic cohesion is really all you need in Type Moon, established lore and rules be damned.

However, I think that my point is supported by the Ploys, which are all products of the First Magic. We'll start off with the Three Great Ploys, which we know were created by Yumina proper and not any of her later descendants/incarnations.

Flat Snark, Oil of the Moon, is the Great Ploy that's featured most prominently in Mahoyo. This is pretty straightforward - the prose in the scenes that feature it describe it as Magic, and it functions by transforming the world inside of its domain into a landscape of fantastical insanity. It is, quite literally, draping the landscape in Mystics once again. Even the air becomes dense with mana, similar to the atmosphere in the Age of Gods (as shown in Absolute Demonic Front), when Mystics were at their most common and well-integrated, before humanity had begun to push it back as much as they had.

The Thames Troll is the second of the Great Three Ploys, and one that, at first glance, seems to be by far the most simple - it's a massive golem that can get stronger based on what it's built out of. Alice states she has poor compatibility with it, and therefore can only use its first two forms, that being wood and clay/brick/stone, with its final two forms being iron and steel, then silver and gold. Thames uses the environment to create its body, be it the woods the first time we see it or the brickwork in the park during Alice's fight with Touko, which would mean that further forms would likely do the same. As Alice says that the final form would overshadow even London, this would mean that Thames is capable of annihilating entire cities. However, considering it would need iron and steel nearby to do so, it could likely only become so powerful when being used within a more advanced human settlement, likely for the express purpose of destroying it. Therefore, Thames is the Ploy that most directly serves the Meinster's goals of opposing humanity and safeguarding Mystics.

The final of the Great Three Ploys, which isn't directly stated in Witch on the Holy Night but instead FGO, is Wandersnatch, which frankly could and probably should be its own post. There's a whole hell of a lot going on with that thing.

The long and short of it is that the Ploy consists of a dense fog, and numerous entities within it. Only by glimpsing Wandersnatch's true form in the fog can one escape, which makes the Ploy itself act as a microcosm for Mystics in general - it's an impossible, insurmountable obstacle that can only be weakened and overcome by observing it and learning more about it. It's little surprise, then, that Yumina herself choose Wandersnatch to inhabit while her current descendant doesn't yet harbor her consciousness - much of Wandersnatch’s presence has to do with Yumina attempting to exert more control on Alice in order to possess her and incarnate.

Ultimately, though, the smoking gun for me isn't one of the Three Great Ploys, but the most common one we see used: Diddle Diddle, Alice's favorite Ploy. This one has a simple function, that being that it strengthens Mystics in a certain area when dropped on the ground. Which is simple, yes, but also just absurd. You mean she can just crank out little Christmas tree ornaments that can singlehandedly counteract the one consistent force present in every single Type Moon property? She can just do that? Alice, and only Alice, can just say "nuh uh?" That's not attainable through normal magecraft, and has got to be an application of the First Magic through the Ploy. Considering how straightforward the effect is, it seems to pretty clearly point towards the First Magic being tied to Mystics.

As a final note, I also think this makes sense of Nasu's note that the First Magic was discovered after the Third but named as such for a special reason relating to its nature (although this is from an unofficial translation from the Fandom wiki so take this with a grain of salt). It would be very in keeping with what we know about mage society for them to say Mystics are more foundational and important than souls.

[keydekyie]

📖 Hey, Piss on the Poor site! I have a Poll for you about Reading! 📚

I just finished listening to Sold a Story, and it's made me curious about the relationship between loving to read and reading fluency. So I have a poll here for you.

Please make sure to check the descriptions of each method before voting. Also, by "reading" I do mean literally reading text, not listening to audiobooks. Audiobooks are perfectly valid ways of enjoying books, but they're not what we're talking about here.

*Phonics: decoding words by sounding out each letter phonetically. Involves starting readers on very short, easy words such as "cat" "dog" "bat" etc, then slowly progresses and introduces more difficult sounds and words later. Takes multiple years to get readers to a point where they are able to decipher whole sentences or more complex text.

**Whole Language Method (sometimes includes the "3 cueing" model): memorizing the appearance of words rather than sounding them out, and decoding unknown words by guessing through clues, such as syntax, the first letter, or context. This method specifically avoids phonics, and often starts early with more difficult words such as "though" "cough" or "dolphin" in an attempt to get readers reading more difficult text as quickly as possible.

***Balanced Literacy Method: The whole language method, but with the addition of phonics. Still usually focuses on whole language learning and is functionally very similar.

Please reblog this poll after voting so it can get as many responses as possible! Thanks!

[yuri-is-online]

...so you just threw this beautiful idea of Fyuuture kid, and left me with a brainrot? Especially after you answered one ask with i quote "he loves his parent so much and was really fighting it to keep it together when he saw them alive again" end of the quote. WHAT DO YOU MEAN AGAIN? WHAT? HOW?

ask 1 and ask 2

Oh 👉👈? I wasn't expecting to get an ask about this au ever again actually, but I am so glad you did, I like it a lot. I mentioned Fire Emblem Awakening in the first ask I got about it but for those of you who haven't played the game, the plot features the children of your army traveling back in time to try and prevent the end of the world. That's more or less what happened in the fyuuture kid au, at least in my first draft... I always end up associating the "future kid meets their parents" trope with either FE: Awakening or I guess Golden Sun? Which I think is the name of the jrpg where something similar happens idk I just like there being a reason for the kid to need to meet their parents.

In my original draft of the au, Yuu was told by Crowley there was no way home for them, so they settled down with Yutu's father and started building a life together. This turned out to not be true, as the Magical Marshall's office began investigating the overblots that happened while Yuu was in school and came to the conclusion Yuu had something to do with them; so they were secretly arrested, cursed to forget everything about Twisted Wonderland, and sent home. The curse was meant to trigger every time Yuu vaguely remembered their time in the otherworld, with the idea their brain would prevent them from thinking about it after a while. They would have justified it, if anyone had been there to ask, by saying Yuu wouldn't know they were missing anything and would be able to live a happy life. When Yutu was born that made that outcome impossible, but the Marshal's office didn't think to check if Yuu was pregnant...

Shortly after they did that though strange things started happening. Monster attacks got more frequent, blot levels started rising, not to extremes immediately but still enough to be concerning. Reports of a strange, abyssal magic using beast, started pouring in to S.T.Y.X. suspiciously close to Grim's description. While Yuu was busy trying to put their life back together in their world, Twisted Wonderland slowly began to fall apart drowning under an ink colored sky. The overblot phantoms they fought come back and begin hunting in their respective homelands, and rumor has it they can turn certain mages into their thralls...

The curse slowly eats away at Yuu's brain, every time they see something that reminds them of their friends, their time at NRC, every time Yutu does something that would make them think about how much he takes after his dad, they feel a great deal of physical pain and temporarily lose the ability to function. It's killing them, and no doctor or specialist can figure out the cause, so Yutu just has to sit there and watch his parent slowly die and not be able to do anything about it. I was uncertain of where exactly I wanted Yuu to die in the story, but it always was around when Yutu gets isekaid to NRC, either before and he had to leave them behind or after when they both get to go home finally! But Yuu doesn't completely make it, they're able to have one moment of peace with their son and Professor Crewel before passing on.

Yutu's dad changes depending on who you want it to be of course, as does whether they met before he and his friends decided to go back in time to prevent this version of the future from ever happening, but his feelings about Yuu never changes. Yutu really admires his parent, he did even before he learned about them facing down overblots! They were really close and the more he learned about their curse, the more responsible he felt for their death. He's very determined to keep Yuu alive and safe in Twisted Wonderland in this timeline, even if it costs him his life.

His opinion on his dad really changes depending on who it is and what he learns about them. Like can you imagine learning your dad was known for being obsessed with teeth and no he had no intention of being a dentist? Clown behavior 💀💀💀 His friends were all ocs I made but never really developed... I do remember that one was a younger sibling of Kalim's (who could be his aunt if you like Kalim and absolutely embraces that role), her retainer, Crewel's son who also sees himself as Yutu's uncle (the feeling isn't mutual) because he is old enough to sort of remember Yuu and thinks of them as a sibling, and a random oc I based off of the kid from Up for no reason other than I like the movie. They also came back in time, but only Yutu ended up in the right place, just like fire emblem awakening.

idk I should probably do something with it. like writing the reactions for the other dorms...

[marlynnofmany]

Fun and Dangers with Hovercycles

When the spaceship is grounded for a mechanical checkup that most of the crew helps with, but your knowledge of alien tech is limited to “That button means go, right?” then there’s not much to do. I’d been stuck with cleaning duty on other similar overhauls, which was fair enough. But it sucked. So I was delighted today to find that Mur was giving the hovercycle a once-over in the cargo bay, and didn’t mind letting me help.

“Is it hard to ride?” I asked while he shone a flashlight into the fuel tank, standing on the tips of his tentacles to get a good look. “I’ve never actually gotten to.”

“I wouldn’t say so,” he replied. “The balancing function is top-notch, and the brakes are reliable.”

Paint sorted through the toolbox, organizing wrenches and whatever. “It’s a little high off the ground for my taste.” She craned her lizardy neck to look up at me. “But that may not bother you.”

“Probably not,” I said with a smile. “Can I try it? There’s never been a good chance before. It’s always in storage unless we need it for some rush delivery on the far side of a space station.”

Mur sighed and clicked off the light. “Yeah, and that’s usually my job these days. Mimi is a great rider, but he’s usually busy, and Coals is respectable but doesn’t like to…”

“I don’t like to either!” Paint exclaimed, holding a scaly hand to her chest. “He always has a better excuse!”

“Why don’t you like to?” I asked.

“Too fast, dangerous.” Paint shook her head. “I don’t like the pressure of urgent deliveries when a minor distraction could leave me and the package smeared across the scenery.”

“Okay, fair,” I said.

“It’s not that dangerous,” Mur said. “It won’t tip over, and the brakes have an impact sensor.”

“It feels that dangerous!” Paint insisted, lashing her tail and looking away.

I said, “I guess you can’t really drive slower without being late, huh?”

“Oh, some deliveries have plenty of time. But it’s still too high off the ground.”

“Can I try?” I asked again. “It really doesn’t sound that scary to me.”

“Sure, why not.” Mur tightened the fuel cap and consulted the checklist. “We’re almost done here.”

The rest of the checklist was quick. I helped by holding things and occasionally reaching with my long human arms, while Paint was in charge of the toolbox and unscrewing things with her claws.

“Annnd done!” Mur said as he finished the checklist with a flourish. “Let’s take it outside where you won’t crash into a wall.”

“I thought you said there were impact sensors for that,” I reminded him as he clambered into the seat.

“Eh, they’re not perfect.”

Paint hit the controls for the bay door, toolbox already set aside, and I followed as the hovercycle whirred quietly out onto the alien landing pad.

I reflected that this really was an ideal place to practice riding. Only a couple other ships were parked at the moment, some distance away, and the settlement was set far enough back that people wouldn’t be bothered by the noise and whatnot of landing spaceships. Everything else around us was dry, rolling ground, with hills in the distance and not so much as a cactus to dodge around.

“You twist this to go forward,” Mur said. “Turn it the other way for backward, or just a little to slow down. It’s pretty intuitive once you’re moving.”

“Just don’t twist it too far!” Paint said. “It can go really fast!”

“Right, I’ll be careful,” I said. “Do I steer by leaning or turning the handlebars?”

Mur gave me a few more pointers on the basics, with Paint adding cautionary tips, and soon enough they let me get on. It wasn’t really human-shaped like an Earth bike, but it was close.

“Okay, so I’ll just aim to go over that way, then circle back,” I said. “This way for forward, this way for backward?”

“Right,” Mur said, tentacle-walking up onto the ramp.

“Start gently!” Paint said as she scampered up beside him.

“Got it.” The motor was already on and burbling away, so I held on tight and gave the throttle a minuscule twist. The bike scooted forward.

With Mur and Paint offering encouragement behind me, I eased it out across the smooth ground with no trouble, giving a couple experimental leans to get a feel for the auto-balancing mechanism. It really was good. Then I sped up a little, and was honestly impressed with the stabilizing gyros or whatever. Even on sharp turns, I didn’t feel like I was in danger of being thrown off or skidding out of control, which was pretty great. I still had a traumatizing memory of bike-riding as a kid and running over a tin can that slid out from under me. But there would be no scraped-up arms today! This hoverbike knew what it was doing. I gave it some proper speed.

I zoomed over a couple low hills, laughing at the change in pitch while the hover engines adjusted to catching air. I spun in tight circles and a gradual curve, leaving a faint trail of dust behind me where the wind of my passing had kicked it up.

Then I got a look back at my coworkers on the ship’s ramp, and they were waving their hands urgently. I straightened out and looked around in alarm; was some local beastie or natural disaster right behind me?

Nope. Not unless it was invisible. Which I wasn’t ruling out.

I powered back toward the ship, worried now, and braked to a stop that felt pretty darn perfect for my first time out.

“ARE YOU OKAY?” Paint yelled, rushing over.

“Yeah, why?” I looked behind myself again.

“Wait, you weren’t out of control?” Mur demanded. “You were going that fast on purpose?”

“Uh, yeah? Should I not have?” I took in their worried faces. “It felt pretty safe. You’re right about the balance; that’s great.”

“WHAT?” Paint exclaimed while Mur laughed. “Why would you go that fast on purpose?”

“It’s fun?” I asked, shrugging. “I really didn’t think it was that big a deal. Do neither of you like going fast ever? I mean I can understand not wanting to worry about getting an urgent delivery there on time, but what about casual joyriding?”

The way Paint was sputtering for an answer and Mur wasn’t even trying to come up with one told me I’d stumbled into another unexpected bit of culture clash.

Paint finally settled on, “No, that is terrifying!”

Mur straightened up from where he’d collapsed into a puddle of tentacles and helpless laughter. “I’ve been doing all the time-crunch bike deliveries because I can hold on best! You’re doing the next one.”

“Okay,” I said, smiling a bit myself. “You know I thought you were trying to tell me there was something chasing me, right?”

Paint covered her eyes. “I can’t believe you flew over that big hill deliberately.”

“Oh, that was great!” I said. “I want to do that again. Can I?”

Paint spun to walk back up the ramp. “Have fun! I’ll tell whoever’s in the cockpit not to call for bandages unless you ask.”

Mur told her, “You should probably tell the captain about the roster change too.”

“On it!”

“Thanks,” I said. When Mur waved me forward, I zoomed back out into the desert for more joyriding. It really was fun. I made sure not to do anything reckless like standing up during a jump, as much as I wanted to. The crew in the cockpit was probably worried enough already.

I looked forward to the next urgent delivery, though.

~~~

The ongoing backstory adventures of the main character from this book. More to come! And I am currently drafting a sequel!