#well twist villain might not be completely the right term but..
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orphanheirs · 5 months ago
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WIP Questionnaire
Thanks for the tag, @transthadymacdermot!!
What’s the first part of your WIP that you created?
The characters. They existed as deviantart ocs that I used to roleplay with in chatrooms before any semblance of a story existed. This was back in high school.
If your story was a TV show, what would the theme song/intro be?
I'll give a few examples here because there's a lot of songs I think fit the vibe of the story (I have a 4-hour long playlist of "soundtrack" songs)! All of these are based on pure vibes, not necessarily lyrics. For a TV show, I think a folk revival type song like "Over Again" by Stick in the Wheel or "Cannily Cannily" by Maddy Prior and Tim Hart would be sick. If it was a short instrumental intro song, an eerie tune like "More Bones to Sort" from the OTGW soundtrack or this song would work well. To get more general Rasputina is an artist whose overall sound is something that would work great for the story. If you don't know them they're a band that makes rock music with cellos and is very weird and goth about it.
What are your favorite characters that you made? Why?
I love them all, but right now I have to admit my favorite is Tristan. It's definitely partially because he's the most developed right now, but also because he's the reason I revived the story after dropping it almost 10 years ago. I remembered him and thought he had potential and fell in love with him all over again. Coming up with ideas for his arc and his backstory got me excited for the overarching story again, and I changed him from a side character to a main character. I have a lot of fun with his personality and I relate to him a lot on a personal level.
What other pieces of media do you think your fanbase would share?
Jonathan Strange and Mr. Norrell, Tim Burton's Sleepy Hollow, Over the Garden Wall, Labyrinth, possibly Interview with the Vampire? and people who grew up with things like Hocus Pocus and A Series of Unfortunate Events. Maybe fans of Neil Gaiman? It's kind of hard to say though; I have no idea how the story would be marketed because it's..pretty weird lol.
What has been your biggest struggle with your WIP?
Not sure what the biggest of them all is, but my big three I guess would be plotting, research, and actually writing. I feel like I'm hitting my head on a wall when I try to outline story beats or whatever, so I think I'll just have to fly by the seat of my pants and plot as I go. Research also feels like a hurdle I need to get past because I want to base the story itself on actual mythology and folklore, and root the "real-world" parts of the story in the real historic regency period. Right now I know enough to share fun facts in a conversation, but in reality I don't know shit. I have a lot of work to do in that regard. Actually writing has been a challenge due to a combination of annoying factors including having very little free time in my life, executive dysfunction, and being? scared? of writing? because what if it comes out bad? Which I know is silly but it blocks me from writing a lot of the time nevertheless.
Are there any animals in your story? Talk about them!
Right now I'm thinking Crispin has a pet bat named Sparrow. Crispin named the bat Sparrow because he literally thought it was a sparrow, that being the only flying creature he knew of at the time. Now he knows better, but Sparrow is still Sparrow. I haven't thought much about it, but I think Crispin's keeping of a pet is one of the things that indicates he's different from his family/species, i.e. he experiences empathy and longs for companionship. The demon Tristan summons can shapeshift, and takes the form of many different creatures throughout the story.
How do your characters travel/get around?
Considering the time period, the options are limited. There's a lot of walking in this story, but also getting from place to place by carriage or cart. There's likely to be some horseback riding as well. In terms of the supernatural, Crispin can "teleport" himself from point A to point B using magic--but not very far. I still need to figure out the specifics of that though. Tristan is greatly aided in getting around by the demon he summoned, who transforms into a flying black steed Tristan can ride on.
What part of your WIP are you working on right now?
Right now I'm bouncing around and writing snippets of scenes that come to mind/interest me most. I'm considering everything experimental at the moment, and not committing to anything actually being in the final novel. This is helping me get over my fear of writing, and I like it because sometimes I end up liking what I write more than I thought I would. I also *might* write the story in novella form first, try out some things with that, learn from it, and then expand and/or rewrite it as a full novel. Other than that I'm researching and brainstorming and drawing (which is part of my process)!
What aspects (tropes, maybe?) will you think draw your audience in?
Hmmm I think the fact it's a dark fantasy/horror story and the fact it's set in the regency period will attract people. The regency period and fantasy are both really popular right now (as far as I can tell). Also the fact that it has found family, which seems to be a popular trope. The fact it has queer characters might be appealing too. Other draws might be the Halloween aspect, and the deal with the devil trope. And if anyone likes enemies to friends and twist villains. There's also heavy use of gothic tropes and subverting them/combining them with folk horror tropes. Regency media (cough cough Jane Austen) tropes will also go under the knife of subversion.
What are your hopes for your WIP?
I hope to make it a published novel! Ideally traditionally published, but who knows if that'll happen lol. I also want the book to be illustrated, and to illustrate it myself. Besides that, I'd love to do some comics featuring the characters and maybe even short animations. (She said as if she had endless free time...)
Tagging: @ceph-the-ghost-writer, @finchmomentwrites, and @kaylinalexanderbooks !
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tevanbegins · 4 months ago
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This is a long rant to shoot down mad BoB theories insisting that Tommy is a villain / secret spy in cahoots with Gerrard / plot device / temporary LI. The show's writers are mature adults who surely wouldn't go so out of the way to villainize a queer character? To the extent that he'd fool all the main characters into thinking he was a good guy and great for Buck for an entire season, and then start revealing his true colors in the next season? To make a beautiful storyline about queer joy blow up into flames with such a major negative plot twist? All so that Eddie can suddenly realise he is gay and he and Buck can get together? I seriously don't think a 60 year old showrunner would allow such childish nonsense to happen on his show.
I'm not saying queer characters can't play dark / negative roles — Eva's character is an example from this very show itself. But the writers always told us that she is a bad influence on Hen's life right from the start, never got us attached to her by depicting her as a great person in the beginning and then revealing later that she is bad. If Tommy was meant to be horrible for Buck, the narrative would clearly tell us that from the start the way they did with Eva and Hen. The writers cannot be so insensitive as to give the LGBTQ+ community such significant mlm representation with Buck and Tommy, first making us fall in love with their romance and then humiliating us (as well as Buck) by completely destroying Tommy's character — all to serve the end purpose of making a fanon ship go canon? That might happen in B*ddie fanfics written by teenagers, but it can't happen on a show being written for a sensible, mature audience by grown-ass career TV writers!!!
B*ddie would have happened a long time ago if the writers wanted to make it canon. They are not going to do it now, definitely not by making Tommy the scapegoat in that awful mess, just so the toxic portion of the fandom can be appeased over the rest of the audiences who appreciate the show for its thoughtful and sensitive storytelling.
Why is maligning Tommy even necessary to make B*ddie canon? Like Eddie and Buck have seen each other dating one woman after another through the seasons but only Tommy being the bad guy will suddenly lead to a feelings realisation arc? Why didn't it happen before, or why couldn't it happen without reintroducing Tommy if B*ddie canon was always the end plan? Probably because the writers aren't interested in going there at all, and Tommy is genuinely being written as a long-term LI for Buck?
Backing this argument is the fact that most of the conversations had by the other characters after Buck's coming out have not been explicitly about him now identifying as bisexual, but more about him being involved with Tommy. If Tommy was being written as a plot device or a short-term LI, I don't think the other characters (including Eddie, mind you) would be hyping him up during these conversations. The writers would have probably framed the conversations on the lines of, "Oh wow Buck you realised you're bisexual? Congratulations!" instead of "OMG you and Tommy? Tell us more / We love him for you and approve of you two together!" They wouldn't take the efforts they've been taking to make Tommy a pivotal subject of these conversations if he was just a plot device as the BoBs believe. And if he was supposed to be a villain, the other characters would have told Buck to find someone better if they thought Tommy's vibes were off. Not all of them can be foolish to not see through Tommy if he was truly as bad as BoBs say he is (especially not Bobby.) Yes, Buck's bisexuality is valid regardless of who he dates or even if he doesn't, but the fact the characters talk so positively about both him + Tommy during these convos clearly implies this is an important love story blended into the coming out arc.
If B*ddie canon was in the works, JLH and Kenny Choi wouldn't have said on their IG lives that it's not going to happen, Ryan Guzman wouldn't be referring to Eddie as heterosexual, etc. So, we cannot let the BoB comments get into our heads because they are not the ones writing the show. I think we can expect a lot better from Tim & Co. than them giving in to the delusional fantasies BoBs want to see being manifested. Wanted to say this piece because I am fed up of seeing the BoB conspiracy theories all over and don't want to give them the power to steal our joy. That's all for now!
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chainslobber · 1 year ago
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Agreeing with both arguments. There's an essay I've started working on for YT but keep chickening out and the gist is this: being quirkless in MHA IS being disabled. You're considered lesser-than, there's basically no support for you, the government doesn't seem to care and people bully you or shame you for existing. Now, the thing is is Kai is disabled in BOTH regards: he's missing limbs and, while his quirk is dormant, it may as well not exist.
"But didn't he want to cure quirks?" The thing is, if NOBODY had a quirk, then...everybody would be normal. And the reality is, while he was playing God, he was also correct. Being quirkless--making the world quirkless--would essentially save them. We've seen people who have been trained in their quirk for YEAR (IE Bakugou) who have complete control even start to strain and harm themselves. AFO forcing people to fight to the death for quirk awakenings--this is scary shit.
But to have both your quirk essentially stripped from you AND to lose your limbs? That's a death sentence. That's BEYOND a death sentence in MHA. I want you to name someone quirkless who also has a prosthetic. Go ahead, I'll wait.
Oh, there is none.
At least, no characters we've seen. It seems prosthetics are only reserved for those in hero duty to KEEP GOING. We've seen at least Compress was healed before his jailed time, and we can assumed Kai's stumps were as well but that's IT. Sure, Eri might be a unicorn in terms of quirks and can rewind people but the thing is? The villains don't get that. So now he's gotta navigate this world as both a disabled man, a quirkless man, and presumably a criminal record which means he's fucked in every regard. And without him or Eri, Pops most likely won't wake up ever. He's got no family, most of his friends are dead, no arms, no quirk, no job or occupation he can utilize--he's mentally broken and dead in the water and left to float there or drown.
People want worse for him? How much worse could it be? I do think villains deserve to be punished, as do I think heroes should be held accountable for breaking laws (IE Hawks) but this is the worst we've seen OF a villain. Even AFO has a better life right now because he's rewinding. Tartarus sucks, sure, but during the raid, people like Muscular seemed rather 'okay' and understandably pissed. And Kai? Locked in the only room where you need to TWIST a handle.
He wasn't just in jail and isn't just disabled--he's made a mockery of, and the people who claim he deserves worst really need to re-evaluate their own lives, because this is the cruelest punishment (other than death) we've SEEN in the series.
I'm so sick of people clogging up tags with character hate. This is the website where we're entirely horny for our problematic faves, you should probably go back to Twitter with that nonsense. You're welcome to dislike a character, sure, but seriously using every tag you can so it shows up IN the character tag is just childish behavior.
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shihalyfie · 2 years ago
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Wait wait, WHAT Ken hot take!? 👀
Okay, this is going to be one of my spicier takes here, so please go easy on me ^^ But yes, I do actually believe that the American English dub's take on Ken was arguably more accurate to his original Japanese characterization than the way a lot of the fanbase portrays him, even when they're going off the original Japanese version.
So for context, while the degree and nature of characterization changes in our dub varied from character to character, the part that was most consistently applied was that most of the characters got a lot more outspoken (in terms of criticizing things, speaking their mind, and being sassy or even outright dunking on things). Fundamentally speaking, this is an understandable concept due to cultural differences; anyone who doesn't really have a grasp of Japanese seniority or politeness culture might read the kids as extremely stiff if their dialogue was brought over unaltered.
The part where this posed problems was that our dub overdid it way too much at times, so the kids would just dunk on each other or get really condescending for no good reason, and that often caused quite a bit of damage to character arc integrity or the portrayal of character relationships (or pose issues for characters like Takeru or Hikari, where them not being entirely honest about their feelings is part of the point of their characters). But it's not a fundamental problem at its core to make the kids mouth off or banter a little more; I think Diablomon Strikes Back and Kizuna's dubs did a much better job pulling this off while still staying true to the characters, and I generally consider them my reference for how I'd have been perfectly fine with a lot of things the TV series dub was doing already if they'd only been executed a little differently.
Our Ken was voiced by Derek Stephen Prince, and I suspect they casted him more for “the Digimon Emperor" than they did "Ken". (This happened with a lot of 02 dubs, from what I hear -- the Kaiser having that drastic of a 180 is really that big of a plot twist, so I doubt very many casting directors had enough warning about that. Our Wormmon, voiced by Paul St. Peter, is also a bit too obviously casted and directed under the concept of "evil villain's minion" than the more "pitiful" character he ends up becoming, but he did do his best with what he had.) DSP is an incredible voice actor who adapted to the change very well; he's voiced an absolutely unreal number of completely different roles across the Digimon franchise, including even Veemon in 02, who sounds very distinct from Ken. But since his tone isn't as "soft" as Park Romi's, and because Ken got a certain degree of "sassiness" treatment like everyone else, it's easy to get the impression that our dub's Ken is much harsher while the Japanese version is a soft-spoken kid. That's probably how it seems on the surface, but...
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Even in Japanese, even post-turn, Ken was never a saint or anything. Park Romi's delivery may have a bit of a soft timbre to it, but that doesn't preclude Ken from having some choice words or complaining about things when he feels like it -- at most, he's the kind of person who holds his words back until the right time. (In fact, if you look at their speech patterns, his is actually slightly rougher than Takeru's, and he is certainly more likely to be blunt or open about his feelings than Hikari, Takeru, or Iori.) And yes, it's true that our dub made him a lot more vocal, but it's well within the range of necessary localization procedure; his occasional formality would probably be seen as way more stiff in America than it would be in Japan (where he's closer to "well-behaved"), so this level of change is reasonable. There were definitely some hiccups in the first half when they went a little too hard on portraying the Kaiser as more of a composed villain genius rather than a pathetic eleven-year-old throwing a tantrum, but as far as his second-half characterization goes, the dub writers definitely seemed to understand that he was not in a position to harshly criticize or look down on the others when he was trying to patch things up with them, so he actually still comes off as one of the "nicest" kids in the group by virtue of not giving his dialogue the same degree of condescension the others often got.
The problem is, it's unfortunately very common in fandom (in Japanese and English, so this isn't a language-specific problem) to portray Park Romi's Ken as a saintlike doormat who, post-turn, is incapable of doing a single thing wrong, impeccably polite to a fault in all circumstances, and constantly pensive and sad about everything to the point he's completely reliant on other people to snap him out of it. And that's just not the case at all! Throughout the entire latter half of 02, Ken is consistently portrayed as resilient, oftentimes far more put-together and assertive than Daisuke, and still capable of being cold or fierce when the time calls for it (the Kaiser came from somewhere, after all). So even if you do take the dub changes making him ostensibly more aggressive into account, that's still more accurate to the original Japanese portrayal than completely flattening Ken into that kind of saintlike doormat. He chooses to be kind, but the operative word is chooses, and that nuance is present in both versions.
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perpetual-stories · 3 years ago
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22 Essential Literary Devices and How to Use Them In Your Writing
hello, happy Monday. Hope you’re all having a wonderful day!
I will skip the pre-info and dive right into it.
What Is a Literary Device?
is a tool used by writers to hint at larger themes, ideas, and meaning in a story or piece of writing
The List of Literary Devices:
Allegory. Allegory is a literary device used to express large, complex ideas in an approachable manner. Allegory allows writers to create some distance between themselves and the issues they are discussing, especially when those issues are strong critiques of political or societal realities.
Allusion. An allusion is a popular literary device used to develop characters, frame storylines, and help create associations to well-known works. Allusions can reference anything from Victorian fairy tales and popular culture to the Bible and the Bard. Take the popular expression “Bah humbug”—an allusion that references Charles Dickens’ novella A Christmas Carol. The phrase, which is often used to express dissatisfaction, is associated with the tale’s curmudgeonly character, Ebenezer Scrooge.
Anachronism. Imagine reading a story about a caveman who microwaves his dinner, or watching a film adaptation of a Jane Austen novel in which the characters text each other instead of writing letters. These circumstances are examples of anachronisms, or an error in chronology—the kind that makes audiences raise their eyebrows or do a double-take. Sometimes anachronisms are true blunders; other times, they’re used intentionally to add humor or to comment on a specific time period in history.
Cliffhanger. It’s a familiar feeling: You’re on minute 59 of an hour-long television episode, and the protagonist is about to face the villain—and then episode cuts to black. Known as a cliffhanger, this plot device marks the end of a section of a narrative with the express purpose of keeping audiences engaged in the story.
Dramatic Irony. Remember the first time you read or watched Romeo and Juliet? The tragic ending of this iconic story exemplifies dramatic irony: The audience knows that the lovers are each alive, but neither of the lovers knows that the other is still alive. Each drinks their poison without knowing what the audience knows. Dramatic irony is used to great effect in literature, film, and television.
Extended Metaphor. Extended metaphors build evocative images into a piece of writing and make prose more emotionally resonant. Examples of extended metaphor can be found across all forms of poetry and prose. Learning to use extended metaphors in your own work will help you engage your readers and improve your writing.
Foreshadowing. At its core, storytelling has one ambition: to capture and sustain your reader’s attention and keep them reading your story. Foreshadowing, or slyly indicating a future event, is one technique a writer can use to create and build suspense.
Humor. Humor brings people together and has the power to transform how we think about the world. Of course, not everyone is adept at being funny—particularly in their writing. Making people laugh takes some skill and finesse, and, because so much relies on instinct, is harder to teach than other techniques. However, all writers can benefit from learning more about how humor functions in writing.
Imagery. If you’ve practiced or studied creative writing, chances are you’ve encountered the expression “paint a picture with words.” In poetry and literature, this is known as imagery: the use of figurative language to evoke a sensory experience in the reader. When a poet uses descriptive language well, they play to the reader’s senses, providing them with sights, tastes, smells, sounds, internal and external feelings, and even deep emotion. The sensory details in imagery bring works to life.
Irony. Irony is an oft-misunderstood literary device that hinges on opposites: what things are on the surface, and what they end up actually being. Many learn about dramatic irony through works of theater like Shakespeare’s Romeo and Juliet or Sophocles’s Oedipus Rex. When deployed with skill, irony is a powerful tool that adds depth and substance to a piece of writing.
Metaphor, Simile, and Analogy. Metaphors, similes, and analogies are three techniques used in speech and writing to make comparisons. Each is used in a different way, and differentiating between the three can get a little tricky: For example, a simile is actually a subcategory of metaphor, which means all similes are metaphors, but not all metaphors are similes. Knowing the similarities and differences between metaphor, simile, and analogy can help you identify which is best to use in any scenario and help make your writing stronger.
Motif. A motif is a repeated element that has symbolic significance to a story. Sometimes a motif is a recurring image. Sometimes it’s a repeated word or phrase or topic. A motif can be a recurrent situation or action. It can be a sound or a smell or a temperature or a color. The defining aspect is that a motif repeats, and through this repetition, a motif helps to illuminate the central ideas, themes, and deeper meaning of the story in which it appears.
Motif vs. Symbol. Both motifs and symbols are used across artistic mediums: Painters, sculptors, playwrights, and musicians all use motifs and symbols in their respective art forms. And while they are similar literary terms, “motif” and “symbol” are not synonyms.
Oxymoron. An oxymoron is a figure of speech: a creative approach to language that plays with meaning and the use of words in a non-literal sense. This literary device combines words with contradictory definitions to coin a new word or phrase (think of the idiom “act naturally”—how can you be your natural self if you’re acting?). The incongruity of the resulting statement allows writers to play with language and meaning.
Paradox. “This sentence is a lie.” This self-referential statement is an example of a paradox—a contradiction that questions logic. In literature, paradoxes can elicit humor, illustrate themes, and provoke readers to think critically.
Personification. In writing, figurative language—using words to convey a different meaning outside the literal one—helps writers express themselves in more creative ways. One popular type of figurative language is personification: assigning human attributes to a non-human entity or inanimate object in an effort to express a point or idea in a more colorful, imaginative way.
Satire. Satire is so prevalent in pop culture that most of us are already very familiar with it, even if we don’t always realize it. Satire is an often-humorous way of poking fun at the powers that be. Sometimes, it is created with the goal to drive social change. Satire can be part of any work of culture, art, or entertainment—it has a long history, and it is as relevant today as it was in ancient Rome.
Situational Irony. Irony: it’s clear as mud. Theorists quibble about the margins of what constitutes irony, but situational irony is all around us—from humorous news headlines to the shock twists in a book or TV show. This type of irony is all about the gap between our expectations and reality, and it can make a memorable and powerful impression when we encounter it.
Suspense. No matter what type of story you’re telling, suspense is a valuable tool for keeping a reader’s attention and interest. Building suspense involves withholding information and raising key questions that pique readers’ curiosity. Character development plays a big role in generating suspense; for example, if a character’s desire is not fulfilled by the end of the book, the story will not feel complete for the reader.
Symbolism. An object, concept, or word does not have to be limited to a single meaning. When you see red roses growing in a garden, what comes to mind? Perhaps you think literally about the rose—about its petals, stem, and thorns, or even about its stamen and pistil as a botanist might. But perhaps your mind goes elsewhere and starts thinking about topics like romance, courtship, and Valentine’s Day. Why would you do this? The reason, of course, is that over the course of many generations, a rose’s symbolic meaning has evolved to include amorous concepts.
Verisimilitude. Verisimilitude (pronounced ve-ri-si-mi-li-tude) is a theoretical concept that determines the semblance of truth in an assertion or hypothesis. It is also an essential tenet of fiction writing. Verisimilitude helps to encourage a reader’s willing suspension of disbelief. When using verisimilitude in writing, the goal is to be credible and convincing.
Vignette. A writer’s job is to engage readers through words. Vignettes—poetic slices-of-life—are a literary device that brings us deeper into a story. Vignettes step away from the action momentarily to zoom in for a closer examination of a particular character, concept, or place. Writers use vignettes to shed light on something that wouldn’t be visible in the story’s main plot.
I’ll make a post going into each of them individually in more detail later on!
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st-just · 3 years ago
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Books I read in January
to prove I wasn’t just staring out the window the whole time/pressure myself to keep up with one of my numerous resolutions
(not counting two web serials, two rpg supplements, and two comic book issues)
1. Downbelow Station by C. J. Cherryh
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Cherryh’s one of those names that’s been vaguely on my list for forever, but thank you to tk for actually recommending her last year and getting me to actually look her up. (I’ve got the Faded Sun trilogy on order at my bookstore to arrive any day, but Downbelow’s what the library had, so-)
So I honestly really, truly loved this book, but for the exact reasons why I can basically not recommend it to anyone I know irl lol. Which is to say, it kind of doesn’t have a protagonist? Like, even beyond there being approximately six dozen different POVs that are jumped between every three pages, there’s just really no central figure to the narrative? Everyone has their personalities, and their positions, and their obligations and their debts, and they do variably extraordinary things, but there’s no one who really warps the world around them, and basically no trace of anyone who succeeds just because they’re a main character.
The book’s horribly unsentimental towards its characters generally, really. Like, not even in a ‘rooting for the villains’ way – there’s two different points where the guy you think is going to be the main antagonist just gets crushed beneath the wheels of history too. Going by the forward, the book basically started out as a way for Cherryh to set the table and explain the setting for another story, and it really does feel it – like an encyclopedia entry expanded into a narrative
..not a complaint, to be clear. Technology and aliens and timescales aside, it’s one of the only sci fi/fantasy stories I can recall ever reading that actually feel like they could be the history of another world, if that makes any sense? (Another part of that is just the complete lack of justice or rightful deserts in terms of where different characters end up. No karma at all, beyond the relatively happy big-picture ending. Really helps with the believabillity)
Also, don’t want to say it’s the only story I can recall ever reading/seeing where a man’s raped by a woman and it’s actually taken seriously by the narrative, but I can’t really think of any others. But then, ‘Josh Talley Must Suffer’ kind of feels like absolute cosmic law by the time you finish.
But yeah, anyway, if this sounds at all appealing, would recommend.
2. No One Will Miss Her, by Kat Rosenfield
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Because for unclear reasons it’s much easier to strike up conversations with non nerds irl about murder mysteries and thrillers than sff.
But honestly this was really fun, basically entirely down to how sharp the writing was. Or possibly ‘cutting’ is the better word. It’s the sort of book where there’s exactly two (okay, three) characters the narrative doesn’t treat with just utter, blood-curdling, withering contempt and you end up feeling like the only real problem with the murder was that it might have happened to the wrong people.
I will say that plot-wise the whole thing hinges around a twist so cliche and obvious that I thought of it ten pages in and discarded it as being way too dumb for the book so far. But, well, here we are. Still, thoroughly enjoyable. Though it does also alternate between pseudo-objective-third-person narration in some chapters and the personal testimonial of one of the victims in others, and I should be clear that it’s the first person testimonial chapters that actually make the book worthwhile/fun to read.
3. Lies of Locke Lamorra, by Scott Lynch
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Because a friend irl has been badgering me to read it for literally over a year. I hope you’re happy Cameron.
But really this was both an incredibly fun book and not at all the one I was expecting from my very vague pop culture osmosis. Much more Baccano! than Leverage, if that makes any sense. Both in how brutal the whole story is when you get past the first section, and how utterly vicious and nasty the protagonist gets when his blood is up. There’s like..3? Of the supporting cast left alive by the time you get to the epilogue, and also our boy Locke cuts off every one of someone’s fingers then takes out his tongue.
Brutal-torture-and-murder quotient aside, it is a great bit of pulpy fun through not-even-hiding-it fantasy Renaissance Venice. Also, there are heists and cons and schemes. It is hard to overstate how much I love heists and cons and schemes. Kind of felt like a high fantasy The Gentlemen or The Bank Job?
Though I do feel moderately irked that they spend the entire book building up/alluding to how there was a girl in the crew who Locke had a disastrous fling with and still isn’t over, and who was incredibly skilled on the con, and makes a whole game of never showing her on screen through all the childhood flashbacks – and then she just never shows up! I mean I know there’s two sequels and presumably she does in one of them but at that point she better have fucking wings to be worth all the build up.
(Also the theoretical villain never really gelled as a character or made that much of an impression, but that’s less of an issue since both emotionally and plot wise his wizard was the one who actually mattered for 90% of everything)
4. Never Let Me Go, by Kazuo Ishiguro
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Because of course when I attempt to acquire some Culture for myself and read some Real Literature, I accidentally go in blind to an alternate history where clones are mass produced to provide on demand organ donations. Your regular reminder that genre is nothing but a marketing category.
But really, this is very much one of those books where trying to seriously interrogate the worldbuilding is just entirely missing the point, it’s all very clearly allegorical (one of the reader’s guide questions at the back was something like ‘readers often express confusion why the clones are so resigned to their fates and never try to run for freedom, why might that be?’ and you can just feel Ishiguro looking exasperated and going ‘yeah, really makes you think’).
The book does first person narration really well, and also has a cast of extremely well drawn, realistic, alive-feeling characters who I would not be able tolerate dealing with for any time at all. Just six different sorts of truly grating personalities. Which given how most of the book is boarding school vignettes mostly means they’re believable teenagers, I guess.
Anyway there’s a couple passages in this that just feel like incredibly obvious topical subtext, except the book came out 17 years ago. Impressive, really.
5. The Councillor E. J. Beaton
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In which a morally ambiguous historian/palace scholar/savant with a substance abuse problem navigates deadly high politics through her learning and a natural talent at intrigue for some confused mixture of vengeance for her dead parent-figure, social reform for the oppressed lower classes, and personal ambition.
I’m very sad I didn’t note down who recommended this to me, but whoever you are, you get me.
Though honestly, probably because this is so close to the platonic ideal of My Shit, I did find the execution a bit lacking? Or, like, going off the author blurb this seems to be Beaton’s first novel, and imo it does kind of show in the prose and plotting
Also, like, the main character is an orphan with a locke of glittering silver hair from the fire which killed her parents, who is de facto adopted by the queen as a pet savant after she translates a famous sequence of classical poetry into the vernacular at age 12, and also over the course of the book she discovers that she is one of the rare minority with magical element-controlling superpowers who are reviled and oppressed and her royal foster mother had executed as enemies of the crown, and despite constantly being anxious about being a commoner in a thoroughly aristocratic world and incredibly hierarchical society, this is literally never once a meaningful obstacle to her. It’s all just a bit much, y’know?
Though I do forgive a lot for how thoroughly un-traditionally heroic her arc is. By which I mean the, like, third-last scene in the book is her telling her attendant/bodyguard/personal spy/friend how fucking amazing stopping someone’s heart with magic feels, and despite about a sixth of the book being Lysande either getting high, thinking about getting high, or worrying about her supply of chimera scale, and her steadily increasing the size of her dose through the book, this just never comes to a climax or really becomes an obstacle. (Right after the scene with the heart-stopping she deals with all the stress and grief of the final battle by getting high again). We stan a functional addict enlightened monarch whose going to give people rights and a wellfare system just as soon as she’s securely in power and it’s politically convenient, I guess.
Anyway it also does that thing that’s a lot of modern SFF does where racism/xenophobia is basically only national lines/between groups of vaguely equal power and some distance, and homophobia and patriarchy just, aren’t even concepts, so all the book’s considerable energies of social critique and desire to have flawed societies is spent on absolutely brutal issues of class and social hierarchy. Something something cultural reflection of rainbow capitalism ig. (Also the thing where the hated and hunted tiny minority really do have awesome superpowers and bunch of them really are trying to take over the world with blood and terror, which I’m just not a fan of generally).
Anyway this all sounds harsh but it was a very enjoyable read overall. Though the sheer amount of page count Lysande spends mooning over prince whatisname and how pretty his neck is and how hot it would be to choke him out does just start to become comedy at a certain point.
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maxwell-grant · 3 years ago
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Having asked your thoughts on designing Frankenstein's daemon, might I now ask your thoughts on bringing Count Dracula from the written word into illustration? (I'm definitely in favour of the 'Hairy Old Mountain Man of Horror pretending he's people' look from the original novel; one of the small tests too many Draculas fail to pass is an absolutely tragic lack of the Evil Beard and/or Wicked Moustache explicitly described by Mr Stoker).
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Unlike with Frankenstein, where I think the design needs to be painstakingly thought out in order to achieve the best balance of the creature's traits for horror and tragedy alike, I think with Dracula you can actually just take an approach of "whatever works". Because as I mentioned before, I think much of the appeal and longevity of Dracula is how the character's both a layered villain as well as a shapeshifting narrative force that can be tailored to whatever you want to do with. Granted, there are bad or dissappointing Dracula designs, of course there are, but in regards to the leeway you get for reinterpretation, you get a lot more of it with Dracula than with other literary icons.
Like with Frankenstein, I'm gonna bring up how I'd tackle a less grim, more comedy-centric Dracula first, one that's less a force of horror and more of a charismatic villain, and I think to that end I definitely agree that people are sleeping a lot on the hairy old man barely-passing-off-as-humanoid of the original story. Despite very much loving these performers, I'm actually not a fan of takes that mold Dracula too closely to people who've portrayed him, like Bela Lugosi and Christopher Lee, partially because I think it's a waste of an opportunity to create your own Dracula design. Since I can't draw (yet), I'll do what I usually do and make a board of images to try and convey some of my thoughts on one way I'd design Dracula.
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(Pictured: Kiwi's design for Dracula, Hotel Transylvania concept art, Nandor, Castlevania Dracula, Charles Dance in Dracula Untold, Vladislav, a Transylvanian rug)
I used the images in my other Dracula post and I’ll post it here again because I absolutely adore @kiwibyrd's designs for Dracula and it's main heroes, in particular I love the way it strikes a good balance at making sure Dracula looks distinctly separate from the humans, but not too much that he couldn't conceivably operate in society as just a harmless old man. I also adore the mustache and bushy eyebrows and pointy ears and I think these three are wonderful features to keep on any Dracula design. I'm also very partial to the Hotel Transylvania concept art, even if it makes me incredibly depressed to look at all the great designs they had for Dracula that they threw in the trash because they somehow decided making him look like Adam Sandler was the idea to go with.
I deeply adore What We Do In The Shadows, both the movie and the show, and Jemaine Clement's Vladislav is one of my favorite (maybe even my actual favorite) on-screen Draculas. But I also enjoy Nandor just as much, and I think it's really great that as a character he's completely different from Vlad while also being ostensibly a take on Dracula, and in particular I bring up his Jersey look because "Dracula in common clothing" is a criminally underrated concept for a joke.
As a character, I'm very partial to comedy takes on Dracula that play him up as a decadent aristocratic supervillain, the kind that can get away with talking in third person. I also have this idea for a version of Dracula who dresses ostentatiously in finely-broidered Romanian or Transylvanian patterns, maybe even wearing a rug as a cape, claiming that he's carrying the legacy of his people on his back. And of course he's lying, he's not Vlad Tepes and he's not even Romanian, he is just a parasite pretending to have a history to be proud of, but good luck getting him to admit that. And finally, I'd like this version to be played by Charles Dance, and I consider it a tremendous crime against humanity that he has yet to play Dracula proper even despite being in a film with the character's name on the title.
So that's kinda how I would design a take on Dracula for something more comedic or more based around him as this guest character and personality on-set. Now, if we're talking a more serious version, I think the possibilities increase, and I won't be getting into all of them because I may prefer to keep them to myself, but I'll elaborate a few ideas.
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For example, the edition of Dracula I personally own comes with these really scratchy, really creepy B&W illustrations related to the story, that I can't find scanned online so I'm uploading them here so you can look at. They don't necessarily depict the scenes but rather some of the story's moments, like Van Helsing staking Lucy, Renfield in a straightjacket, Dracula as a coachman, and they are more focused on conveying the horror of the concepts at play.
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Dracula never looks the same way in any of the illustrations, in fact you kinda have to piece him out of them by trying to find teeth or capes or eyes or bat-features to see where he's hiding this time. In the first, it's the half-man half-bat, in the 2nd, he's the shrieking bat silhouette next to Renfield, and in the latter, he's the gaping jaws and eerily humanoid eyes in the wolf. The effect to me almost feels like if you were to look at a bunch of tv static and then see a humanoid shape form for a split second before everything went back to normal, something like you'd get from Slender Man or other modern creepypastas, and I’ve argued before that Dracula’s form of horror is a very modern one. 
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In terms of illustrations of Dracula that keep up the original traits while still pulling off horror, I definitely have to hand it to the one at the left of the image above, drawn by regourso on Deviantart (account deleted at present). Going back to Castlevania’s many takes on Dracula, two in particular that stick out to me would be Castlevania: Judgment’s armored dress Dracula, who’s got this great twisted heart/rose motif going on in his outfit, and Dracula’s final form in SOTN where he just sits in his throne and his cape twists into all these monsters, particularly how it’s depicted by witnesstheabsurd’s depiction. 
I’m not particularly a fan of how Dracula’s “final form” in these games is usually just some big demon, and part of what I like about his final form in SOTN instead is that, while it’s not a particularly challenging final boss, I do find it interesting the idea of us never actually getting to see what Dracula’s true final form looks like, only an ever-shifting pitch-black torrent of teeth and claws and bloody veins pouring out because that’s ultimately what Dracula is and brings to the world.
On the flip-side of the rotten old monster, we have the charming seductor Dracula, and while I’m really not a fan of how various adaptations have convinced people that “the point” of Dracula is that he’s a seductive force and an allegory for Victorian xenophobia and I’m reeeally even less of a fan of adaptations that make Dracula some misunderstood tragic hero (and I think I’ve made rather violently clear my feelings on interpretations that play up a romance between him and Mina), that the seductive force part exists is impossible to deny, so conversely, while on one hand we can have Dracula as the gargantuan whirlwind of predatory violence, we can also go for Dracula as the tantalizing lover.
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I’ve seen a lot of opinions proclaiming Frank Langella as the best Dracula because he was the best at actually being seductive while still playing Dracula, although I haven’t yet seen his performances. If I had to point at one picture I look at and do buy for a second the idea of Dracula as a romantic character, it would be that particular still of Raul Julia in the left of the above image. And it’s strange for me to think of Raul Julia as attractive because I mainly associate him with his brilliant comedy performance of M.Bison (I know it’s far from the highlight of his career but, look, I grew up with Street Fighter, I can’t help it) but those eyes are definitely looking pretty convincing to me, if nothing else. 
And I’ve included this still of Sebastian Stan in the right because, during a conversation between me, @krinsbez and @jcogginsa about who could be a good fit for Dracula, jcog suggested Sebastian Stan, partially because he’s Romanian, and I’ve learned recently that Stan was actually interested in playing the character in Blumhouse’s upcoming remake. And you’d think I’d hate this idea  considering how much I don’t care for tragic anti-hero Draculas, but who says that’s what he’d have to play? 
Do you have any idea how much actors, who are traditionally known for heroic or supporting roles, usually LOVE it when you give them a chance to cut loose as the main villain?
I’d want Sebastian Stan to put all of his charm, all of his talent, all of his good looks and etc, into playing the absolute most vicious, bloodthirsty and irredeemable Dracula put on screen. Someone who is exceedingly, eerily good at being a lovable protagonist, who’s all smiles and charming eyes and politeness mannerisms and maybe even a funny accent, and then it isn't as funny when he's flying through your window intent on kidnapping babies to feed to his brides, except he may take a moment or two to do so because he's feeling pretty hungry himself right now.
Now, admittedly this is kind of a lot to juggle in regards to a single character, which is why my answer for questions like these inevitably has to be “depends on what I’m going for”. That being said, if I was going to try and cast someone who I think could both look the part of Dracula, as well as respectively, play “cartoon aristocrat” Dracula, “mercurial embodiment of evil” Dracula, as well as realistically be an attractive, even seductive performer who can charm viewers even as the character descends into horrible villainy, and juggle these performances even?
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I think I’d have to go with Mads Mikkelsen. Not specifically because of Hannibal (I actually haven’t watched it yet), although it’s definitely a factor, the thing that actually made me pick him specifically is, other than his looks, his voice, his reputation for playing sinister characters, the fact that he loves the role and wants to play it, or how many people are deeply in love with this man, or that people already joke that he looks like a vampire, was watching him in Another Round, and specifically that glorious final scene where he’s just dancing to his heart’s content and just, moving with such spring in his step and such joyful vitality even though he’s past his mid-fifties, and that was the moment where, in regards to how much you all love this man, I went
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And now I am going to add “casting Mads Mikkelsen as a dancing Dracula” to The List of Reasons Why I Became a Filmmaker.
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blockgamepirate · 3 years ago
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Technoblade’s purpose in the political narrative of the Dream SMP
I can’t sleep so I decided to finally write the post I’ve been struggling with for literal months, except way more casual because I can’t be bothered anymore and also I’m sleep deprived.
So the thing is: to me the DSMP storyline has always been primarily political, probably because I was introduced to it through Wilbur who was definitely going for political, and also because I’m just generally interested in political narratives right now. Obviously I appreciate the character work and the personal relationship stuff, that’s what makes it more interesting than just dry allegory, but when it comes down to it, this story is about politics to me. So that’s the angle I’m going to approach it from.
Also not to spoil the conclusions here, but I’m an anarchist, that’s my lens.
(Obviously all of this is about rp from here on out unless otherwise specified)
Basically the situation as Techno joins the server is this: L'Manburg exists as an autonomous nation and is de facto independent although not officially recognised by the Dream SMP. The self-appointed president Wilbur Soot decides to hold an election and rig it in order to consolidate his power over the nation he founded and he gets his VP Tommyinnit to join in on the plan. Their scheme fails and they end up voted out instead. The new president, Schlatt, immediately establishes himself as an authoritarian figure and exiles Wilbur and Tommy.
A couple of points on what the election arc demonstrates:
1: the appearance of democracy can be used for distinctly undemocratic purposes.
2: even if the elections aren’t rigged, the electoral system could be massively flawed and end up favouring a party that in fact didn’t have the popular vote
3: even if the winning government (the coalition in this case) has the majority vote, that doesn’t guarantee that they’ll actually act according to the popular will.
4: the supporters of the losing parties basically just have to let the majority overrule their wishes, espcially since apparently L’Manburg doesn’t have an established role for an opposition, yikes. That’s actually a MAJOR oversight in the system but I’m not gonna go into that too much.
5: frankly as an anarchist I am just deeply cynical towards representative democracy, and just because you have a token appearance of choice and consent doesn’t mean that it isn’t a hierarchical and authoritarian system. And to be fair, from my point of view this applies even to so-called liberal democracies and progressive parties. Full disclosure: even if L'Manburg was the ideal example of a representative democracy (which it very much isn’t) I would still be opposed to it because I fundamentally do not believe in top down systems, even electoral ones.
6: despite all these flaws, all the characters seem to implicitly accept the electoral system as legitimate. There’s criticism against the actions of individual characters acting within the system, such as Quackity calling out Wilbur for trying to rig the election, but nobody is questioning the system itself.
So at this point I’m sitting there, watching all this go down, and thinking “man, this would be so much more bearable if there was an anarchist point of view being represented in the story.”
And hey, look who IMMEDIATELY SHOWS UP.
Okay, I’m not gonna lie, early installation Technoblade is not the best representation of anarchism. I was mostly rooting for him out of sheer contrarianism initially. I didn’t really even care if it would be another Killmonger/Magneto/Zaheer situation because I’m used to reading against the authorial intent when it comes to these things. Sometimes any representation is better than no representation, even with political ideologies. That’s not to say that him just straight up spouting this hobbesian notion of a “dog-eat-dog world” didn’t grate on me, obviously it did.
That kind of worldview of humanity needing authority in order to prevent chaos and conflict is literally antithetical to anarchism and is the favourite talking point of authoritarians, the least anarchist people there are. It’s literally what people use to argue AGAINST anarchism. I think it’s mostly because cc!Techno obviously wasn’t particularly educated on anarchist thought and was just basically having fun roleplaying with his friends at this point. Which is frustrating but fair enough I guess.
Cynical ideas about human nature are pretty deeply rooted in the mainstream, unfortunately, most people just consider it common sense. And like I said, it’s a huge talking point in the propaganda against anarchism.
(… even though in fact these arguments were originally used against proponents of representative democracy. Hobbes himself was very much a monarchist, the idea of letting normal people vote for their representatives would have been terrifying to him. Like surely the world would descent into a free-for-all war, all against all. Imagine letting commoners have OPINIONS, the horror.)
So yeah, that stuff was pretty ehhhhh. It was basically what I’d expected though: cc!Techno isn’t an anarchist and we just don’t get accurate representation from non-anarchists, ever. What I dared to hope was that Techno’s character would at least stay consistent about his opposition to ALL governments. I was pretty sure that he would, even though it seemed like the majority of the fandom at the time was convinced that he would switch over to Schlatt’s side or something. It would have been a really shitty twist, I would have ragequit immediately. I mean what would have been the entire point of his character then? He might as well have been a random mercenary. Why even have his character be an anarchist if you were just going to make him work for a government?
(ftr this is kinda my biggest problem with the Hypixel Skyblock revolution event lol, honestly I think that was a worse depiction of anarchism than early DSMP Technoblade. I mean the speech was good, but… still became a government official, tho. booooooooo, cringe)
And yes, I was rooting against L'Manburg, obviously, and I would have even if it had meant having to deal with another badly written anarchist villain character. I never understood why people saw L'Manburg as the good guys, they were nationalist and exclusionary and their whole existence was based on trying to scam people for money.
I mean they were definitely funny, they were great entertainers. I have no problems with people rooting for them because they’re fun to watch; I did that for a bit too. But people were starting to get really into the story and talk about Wilbur and Tommy, the corrupt politicians, and the country that literally excluded people based on nationality as the heroes, unironically, which was wild to me. And when Wilbur started his “villain arc” well: people called it a villain arc, as if he hadn’t been pretty much a bad guy from the beginning, constantly just out for money and power and taking advantage of the people around him and then pretending to be the victim when challenged. I mean yes he got worse, but I wouldn’t call it a villain arc, more like just a mental breakdown arc.
More importantly, to me L'Manburg represented so many things I hate about the status quo in real life, and seeing the fandom mostly unquestioningly accept it as good just pissed me off. Still pisses me off tbh. I mean, to be diplomatic I could say that I understand the emotional attachment and the way L'Manburg was built up mirrors a lot of how real nations are built and how they create a sense of patriotism out of symbols and a sense of honour and loyalty, and it’s actually really fascinating how it even works in a Minecraft roleplay. Says something about the human mind I guess. Doesn’t mean I have to like it though.
Anyway, I just wanted to see literally any kind of opposition to power, even if it had to come from a character that was unquestionably a villain, which I fully assumed Techno would be. Because political narratives so often just leave us out, or at best barely mention us. And even from a narrative point of view, adding an anarchist perspective to a political story just objectively broadens its scope and actually challenges people who are used to only arguing along the lines of conservative or liberal, welfare state or privatization, nationalism or multiculturalism, etc. Even if the original work dealt with it poorly, at least it would give me the excuse to rant about it on Tumblr, which is kinda why I revived my old Minecraft sideblog for this. (That and pig!Techno fanart.)
Also how can you have a story so fundamentally about power without its counterpoint: the rejection of power?
(Yes, Dream SMP as a whole is definitely a narrative about power, it’s a huge theme for Wilbur, Quackity, Dream, Eret and the Badlanders at least, as well as obviously the anarchist characters from the opposite direction.)
So yeah, the build up to November 16th for me was mainly about the anticipation for what Techno would do, how would Techno’s character respond to the seemingly inevitable formation of a new government. THAT was the point of interest for me, that was what I was the most invested in. Would we get an actual anarchist opposition as a new side to the conflict or would they just awkwardly drop that whole angle? Or even have him team up with Schlatt like a complete sellout? There was so much potential but I worried they might just waste it.
And I was right to worry since apparently in the original script Techno wasn’t supposed to do anything, he was just there to help fight Schlatt and witness the explosion along with everyone else.
And WOW that would have been so incredibly boring
Not even just from the political perspective, just talking about the narrative in general terms here: imagine November 16th without Techno’s plot points. Not only would it have been boring for Techno’s character but it would have been equally boring for basically everybody but Wilbur and Philza. An anticlimactic fight followed by a big explosion that pretty much everybody had seen coming already. Yes, the button room scene is dramatic and heartbreaking… for Wilbur and Phil. But nobody else was there to see it. For everybody else, it was just a big explosion. It would have been such a huge disservice to anyone watching the other POVs.
Techno’s intervention gave everyone an ACTUAL climactic fight, it allowed characters other than Wil and Phil to witness some actual drama happening and to participate in it, rather than just waiting around for the explosion, while also foreshadowing the explosion. Even better, it provoked SO MUCH discussion in the fandom AND gave a perfect hook for future conflicts to arise. Wilbur’s end was tragic but it was, at the time, final. L'Manburg would have still suffered a catastrophe but it would have been left with just the same exact antagonist as before: Dream.
And at this point Dream’s core goals had barely changed, just his approach was now different. Yes, that makes a difference for the plot, but it doesn’t really change much in terms of ideological conflict. Especially since there really isn’t that big of an ideological difference between Dream and Tommy, because arguably neither of them are particularly big on ideology in the first place, they just have conflicting goals and use different tactics to achieve those goals (well, the tactics aren’t always even that different *cough Spirit cough*).
Techno’s conflict with Tubbo and especially Quackity (and honestly most of the other characters in general) brings in so much more depth to the story, just by introducing another angle, not to even mention how much it brings to focus questions about power and violence. These are themes that exist in other characters’s storylines too but nowhere in the same way or as central as with Techno.
I’m getting kind of ahead of myself here, though.
The real twist of November 16th was the fact that Techno WASN’T a straight up villain, actually. It was a twist to me anyway, because with all my cynicism I just didn’t see it coming, I didn’t expect him to actually start making reasonable criticisms. I didn’t expect him to drop the hobbesian arguments entirely and start making points that actually sounded like anarchism.
I have to assume that cc!Techno must have seen some of the criticisms of his character and been inspired to adjust because the difference is pretty notable.
(Sidenote: I’m just forever kinda sad that Techno’s “I may seem like the villain here” monologue was cut from the video and most people never heard it.)
And I felt SO validated by the way, because it works so well in the story! Everyone is mostly content with the restoration of a status quo of some sort, Schlatt is gone, this is supposed to be the good ending, and then Techno calls them all out and turns the narrative around completely: This was just a coup d'état. This was just the previous political leadership retaking power by force. Why is everyone celebrating the same exact system that lead to Schlatt’s authoritarian rule in the first place?
What he does there is force the audience to question the narrative they’ve been presented so far, that they’ve accepted without a thought. It might not convince them, but they can’t just ignore it either.
Whatever you wanna say about the discourse around Techno on that day, in the ideological narrative THIS IS THE IMPORTANT PART. Not who betrayed who or when is political violence justified, that’s about personal relationships and morality and it’s mostly all more relevant to the aftermath than the event itself. In my opinion, the REAL point in the moment is that the characters and the audience were comfortable with the ending only to be presented with a completely new perspective on the events.
It also recontextualises the finale, including Wilbur’s actions! It’s a much more ambiguous end to the Pogtopia vs Manburg arc and to Wilbur’s original run as the head writer. Wilbur’s “even with Tubbo in charge I don’t think [that ‘special place’] can exist again” is vague enough to be dismissed as just part of his paranoia and internal conflict, but with Techno, there’s a concrete question: what if Tubbo, given the same powers as Schlatt, will turn out to be just a new Schlatt? And suddenly you have to wonder what Wilbur meant by his words too. And was all this foreshadowing something about L’Manburg’s future?
Okay I’ve only made it to November 16th and there’s so much more DSMP to talk about but the post is getting too long and I’m starting to lose my energy. Will I ever make a part two? No idea. But I’ll try.
Standard disclaimer: I’m not the spokesperson of anarchism, other anarchists might disagree with my reading
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baku-bowl · 3 years ago
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broke 1,000 followers (the fuck? I don't even make content people), so decided to write up a list of some (but not all, I'll make other lists later) of my favorite Bakugou-centric fic recs. my tastes run towards hurt/comfort, as you'll probably figure from the list. if there are some Baku-centric fics that you've enjoyed that aren't on here, please add them - this is definitely not a complete list of the ones I've read and love, but I'm always up for some recs. <3
fair warning, most of these are wips.
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Social Media 101 by WindsChild8178
Part 1: Survival Guide to Fucking Up
[Solely Bakugou’s point of view]
Katsuki Bakugou doesn’t have a gentle bone in his body. He’s aggressive in everything he does and does everything with 100% of his heart in it. After the Sport’s Festival, Katsuki starts to get harassed by strangers for his unheroic demeanor. It starts with letters but it doesn’t end there. The moment Katsuki realizes the harassment has entered dangerous territory and he needs to tell someone, it’s already too late.
Part 2: Post Traumatic Life Disorder
[Point of View opens up to Bakugou, teachers and classmates]
When the Dorms are finally built, everyone is settling in well, but things become tense as people begin to realize something isn’t right with the recently rescued Bakugou.
[Cannon compliant right up to after the License Exam]
hands down my favorite fic in the fandom right now. it’s the one that converted me into a Bakugou lover. if you have any fondness for Bakugou as a character then it’s likely you’ve read this one already, but if not, I can’t recommend it enough. incredibly depressing, but with the hope that comfort is coming soon in the next few chapters.
The Kids Will Be Alright, Eventually by NotWithThatAttitude
Bakugou is spiraling in the aftermath of Kamino and his friends are starting to notice. He's stubborn, aggressively independent, and less than willing to dig into his past, but after a breakdown that ends with a painful secret revealed, he starts to get help.
Whether he likes it or not.
Meanwhile, a new kind of villain threatens an uneasy peace following the loss of Allmight. Whispers build as a new narrative slowly takes shape:
Hero society needs to change.
Feat. Therapy, Dadzawa, best boy Kirishima, dysfunctional families, healing, growing up, and the mortifying ordeal of being known
guys.. the medical accuracy of this fic is just... *chef’s kiss*
I rarely see mental health genuinely handled well in fics, but this one goes above and beyond. kudos to the author for doing such excellent research into psychology, and making the application of it in here not-boring. also, while this one does have abusive!Mitsuki, it’s done in a way that feels realistic, and how I usually will see it occur in real life, rather than just for the hurt/comfort feels.
fair warning, the fic can be incredibly triggering (themes of severe depression, PTSD, panic attacks, rape survival, abuse survival, suicidal ideation/attempted suicide, among other things), so be safe and heed the tw’s if you decide to read. legitimately one of my Top Favorite fics in this fandom.
Lock and Key by autochorystalize
Bakugou made a choked, gravelly noise before croaking out a low, “You can’t be serious.” His fingers ached to blow up everything in the room.
“I’m sorry, young man, but you can’t change reality! This sometimes happens.” Recovery Girl clicked through his file, adding a new symbol in a previously empty slot.
- - -
A pair of eyes discreetly locked on to an explosive blond plowing his way forward, parting people in his path. He recognized the kid, of course. Anyone in the underbelly of society would recognize him, after the publicity of both UA’s Sports Festival and the events leading up to All Might’s fall. The uniform he was wearing cast away any doubts about the young man’s identity.
It was a bit of a surprise that the little firecracker presented as an omega.
- - - - - - - - -
Or: there are certain types of evil that seemed too distant, archaic violations and perversions that would never actually threaten bright-eyed heroes-in-training in the clean, modern world...but sometimes those evils aren't as distant as one might think.
remember when I said that I love a/b/o fics that are full of plot and world-building and gender-induced tension? that’s this one. the OC’s are fabulous and you love to hate ‘em. also, it’s the fic that made me fall head-over-heels for the TodoBaku dynamic, so it’s got a special place in my cold, dead heart. 
be warned, there are rather explicit non-con scenes between an adult (OC) and a minor (Bakugou) in this one, but the author warns for them in advance, and you could likely skip those parts without missing too much if you need to.
Never and Always, Eventually by Wawa_Boonliang
"Katsuki can remember the exact moment that he and Deku…that he and Midoriya Izuku became friends. He can also remember the moment he and Izuku became fierce rivals, a time when they were almost enemies.
However, what he remembers most clearly about their relationship is the moment that they moved passed rivals and became something more close than mere friends. Something more like brotherhood, something forged in fire and secured in the middle of a battlefield or in the midst of natural disaster where the number of the dead was climbing ever higher. And then it was torn from him."
Katsuki is given a second chance. A chance to save everyone. A chance to change everything.
But should he?
y’all. I’m a slutty, slutty whore for time travel fics. a time travel fic with autistic!coded Bakugou? it was love at first read.
Lessons Learned by Sif (Rosae)
Rather than the police station, Katsuki's friends bring him to a hospital after rescuing him from the villains. His wounds were minor, but it didn't make having them treated any less important. As it would so happen, Best Jeanist was also brought to this hospital after the attack.
Sometimes, small choices have a big impact on how a story plays out.
classic Bakugou hurt/comfort. this fic opened me up to the potential that could be a genuinely good Best Jeanist & Katsuki mentor-mentee relationship, and I kind of dig it and search ravenously for it in other fics now. I’m also a huge fan of the behind-the-scences Pro Hero Chat group.
Slope by sunfleurmoon
“I’m not a hero. Or a good person,” Katsuki says, giving Aizawa a pointed look, “So leave me alone. I don’t care about the League or UA, or you—” The two years he’s been away have been fine, more than fine, fucking fantastic actually if you ignore the bi-monthly near-death experiences. He doesn’t need this place. He doesn’t miss this place.
And yet, longing, a childish desire to tear up, or maybe blow something to bits, they all twist in his chest like a band of traitors regardless. “—I just want to go home.”
Or: the one where Katsuki and Izuku fail the first term exam, Aizawa discovers their pasts, and Katsuki is booted from UA. Featuring questionable descriptions of villain organizations, a slightly illegal moving shop, and your favorite emotionally constipated badass in distress with a newly discovered penchant for collecting strays.
paaaaaaiiiiiiiin. the hurt is ALIVE in this one. lots of tortured, angsty exploding child goodness. the OC’s are excellently crafted, and the Bakugou & Eri relationship? beautiful. definitely deserves a read.
Ground Zero by WindsChild8178
In the wake of Kamino, Katsuki is tested more than anyone could imagine. Bound by a villain’s quirk to keep his silence or die, he lives each day knowing it might very well be his last. He continues to work towards becoming a hero, keeping his secret from his classmates and teachers, focusing on making it through each day and trying not to allow the panic or depression to get the best of him. When the villain finally corners him with demands in exchange for his life, there is really only one answer Katsuki Bakugou can give.
honestly don't know which I want updated more - social media 101 or ground zero. this author's fics are amazing, and I really wasn't expecting the twist in this one. can't wait for windschild to come back to this fic some day.
The Defect by LadyGreenFrisbee
"Why do you want to win the Sports Festival so badly?" 
Because I want to see if the defect could usurp the masterpiece.
(In which Endeavor holds a terrible secret and Bakugo has to suffer since childhood for it.)
a great concept, and I adore the shouto and Katsuki sibling interaction here. hoping the author will come back to this one some day.
A Name That You'll Remember by Heronfem
Kirishima Eijirou is a Hero. Bakugou Katsuki... is not. Trapped in his toxic workplace and increasingly desperate to get out, Red Riot's days are only brightened by a new villain known as Caution, who's not exactly villainous and keeps accidentally doing good deeds. But when a real villain appears, a threat from the past that demands that Red Riot make the ultimate sacrifice to keep the public safe, Bakugou is forced into saving the day... and eventually, Red Riot himself.
sob story good guy villains are my weakness, this fic is a gem, and I'd kill for the sequel.
Our Hero by AnonymousTwit
He felt everything jerk to the side and throw his balance off before he saw anything, dust clouding his vision and irritating his lungs as the earth itself opened up to swallow them whole. For a single moment, in a millisecond's time, his wild eyes locked with Raccoon Eyes', hers alight with fear and adrenaline-fueled desperation. Somewhere in the back of his mind, he realized that it was the first time she'd looked at him with something other than long-deserved hatred in days.
And then he was free falling.
Or
After a particularly nasty encounter between childhood friends, the class learns about Bakugou and Midoriya's dark history and practically ostracizes Bakugou while trying to defend Midoriya. An earthquake during an outing has all sides regretting their decisions.
just fucking tear apart my self-sacrificing faves in every way imaginable while their loved ones watch on in terror. 💖🥰💖 this one is heavy on the Bakusquad and Class-1A feels, and VERY heavy on the Mina & Bakugou relationship (platonic).
Running back the tape, watching it replay by Faralyne
For someone ripped from their time, ripped from the few but strong relationships built by time and personal development, by self-reflection and swallowed pride, ripped from the one thing that made him feel worthwhile and needed and put-together, and forced to forge everything over again—Katsuki thinks he is handling it pretty fucking well.
Or
A villain’s quirk sends a 29-year-old Bakugou back in time to his middle school days.
am I a sucker for time travel? yes. am I a sucker for vigilante!bakugou? also yes. am I a sucker for this fic? literally refreshing the page in wait for an update as we speak.
Liability by sandelf
After All-Might dies rescuing Bakugou from the League, Bakugou is determined to prove it wasn't for nothing.
But the world is against him, his grief is overwhelming, and his stability is splitting at the edges.
very self-indulgent bakugou angst. tw for harassment, severe depression, and suicidality.
Special Mentions:
How To Win The Sport Festival: A Step By Step Guide by mhwright
Short re-imagining of the Sports Festival Arc if Shinso had planned a little better and worked a little harder to win the Sports Festival and if the match-ups had been slightly different. Self-indulgent fic of watching him succeed.
this is completely Shinsou-centric, not Bakugou-centric, but I love and adore it and am dying for a sequel. Shinsou is Best Boy here and you'll be rooting for him the whole time.
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dizzydancingdreamer · 4 years ago
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Bubblegum Princess, Cherry Angel | Kai Parker
Hello my lovelies! 2020 is almost over, can you believe it? I sure as hell can’t! I have no idea what inspired this, I truly don’t, but it seemed only fitting to end this year off with a raunchy round of sex! Because why the fuck not! I hope you all have a safe and wonderful new years, and I can’t wait to see you all in 2021! Please enjoy loves!
Description: He smells her bubblegum lip gloss and then wonders how on earth he managed to convince an angel to let him fuck her into next week, let alone get in his truck. 
Pairing: Kai Parker x Female!Reader
Warnings: THIS IS AN 18+ FIC ONLY!! Smut (terribly written smut is more accurate), nothing more than the usual but, like, it is like 7000 words of pure sex so read at your own risk
Word count: 9.2k
Tags: SMUT, FLUFF
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The four hours in which it took two people to find magic within each other, all thanks to one tube of drugstore, bubblegum lip gloss. 
Hour One
Her bubblegum lip gloss attacks him from all the way across the café, cutting cleanly through the aroma of coffee and donuts and sending his heart racing at the obscenely sweet scent. He should hate it. No, scratch that, he shouldn’t think anything of it at all. It’s not in his nature to enjoy things- or to feel things at all, to be frank- but he can’t help it. The drugstore brand, wildly over-scented balm makes his head fuzzy like nothing else. 
Kai watches as she pours over the book in front of her, tilting his head when she scrunches her nose. She murmurs something inaudible, tapping a pen to her lip a couple times. One tap, two taps, three taps. Each time that pen touches her lip he grows more envious, his heart now very much in his throat. Does the pen know her lips taste like candy? Does it at least have the courtesy to enjoy it? He releases a breath when she finally writes something down, leaving her mouth alone. 
He forces his eyes away from her and back to his own coffee. Well, the term coffee should only be loosely used here; it’s more sugar and cream than actual coffee. The sweet syrup warms his chest as he takes a sip, lighting his taste buds on fire. Maybe this is what her lips taste like. He shakes his head to clear her face from his mind- a task much more impossible than one might think- before setting the mug down and turning to the device between his fingers. A cell phone. 
Kai presses the ‘on’ button, his eyes lighting up with the screen. Damon had handed it- the cell phone- to him a few days ago, muttering something about leaving the 80’s in the past where it belongs, and told him to get used to it. A little apple symbol appears and he scrunches his eyebrows. Is that supposed to be there? It disappears, replaced now by a picture of the forest he took a couple days ago. That’s better. He swipes past the lockscreen, coming to a page of little square pictures. Damon said those are called apps.
He clicks on one with a little bird- Twitter, he thinks it’s called- and opens it, scrolling a little sloppily through the page. He comes across a picture, one with a man holding a guitar, and stops to look at it for a minute. It looks like someone he used to know and he clicks on the picture to check. That looks like the same birthmark and he kind of remembers the guitar- 
All of a sudden the picture starts moving and music starts blaring from the phone, filling the quiet café with an obnoxious twang. It startles Kai, his heart jumping and his cheeks much too hot, and he drops the phone on the table, a sharp bang now joining the music. He grabs at his phone frantically, feeling all the stares that are now on him as he blindly searches for the ‘off’ button and sighing in relief when the screen goes black once more. Cell phones are awful, he decides in the moment. 
Kai hears soft giggles as his shoulders sag, the same bubblegum fragrance tickling his senses. The musical laughter and the sugary gloss are a lethal combination, one that taunts his senses and consumes him whole. The giggles echo in his ears, invading his head and bouncing around every nerve. He turns towards the sound- he doesn’t have a choice- and his eyes meet the girl, zeroing in on her glossy lips now wrapped around the end of her pen. He takes in her face, every curve and edge, before landing on her eyes and promptly losing his breath. Does she know she’s the prettiest woman he’s ever seen?
He smiles at her and rolls his eyes in what he can only hope is a playful way, holding up the phone and shrugging his shoulders. Her eyes draw over his face and down his arm, trailing fire over him with her very gaze before landing on the estranged device. She giggles again and Kai wishes he could grab the sound out of the air and pocket it. Is that normal? He bites his cheek as she looks back to her book, the pen still between her sweet lips. He doesn’t bother trying to answer the question; he doesn’t care. 
He clicks the phone once more, this time simply to check the time. A quarter to five. He glances back at the woman, his eyes widening as she slips her book into the leather bag hanging off her chair. Shit, she’s leaving. He stands quickly, shoving his phone in his pocket and slapping a five dollar bill on the table. When he looks up again she’s at the door, her bubble gum aroma fading as she clears the threshold. He shrugs his jacket on, racing out the door to catch up with her.
The cold air bites his skin as soon as steps onto main street, his eyes scanning for the pretty girl with the worn satchel and voice like a siren. He spots her halfway down the square and doesn’t think for a moment before jogging to meet her, his chest a mess of warmth and butterflies. Her head is down, lost in the sound of her heels against the pavement and quite oblivious to the love struck puppy chasing after her. It seems that only a bark will catch her attention now.
“Hey, wait up,” Kai calls, his heart screaming in his chest, “you forgot something.”
He’s a few feet away from her now and her bubblegum scent has morphed into the sweetest mixture of maraschino cherries and candy and every, little, perfect thing he’s ever experienced. It makes his mouth water and his cheeks flush, two things which are only intensified when she turns around and her eyes light up, a soft smile taking over her supple lips. 
She tilts her head at him, pulling her bottom lip between her teeth, “I did?”
He almost can’t answer, the cheesy line he had already lined up on his tongue melting away at the sound of her angelic voice. Two words. Two little words and she has him completely wrapped around her perfect finger. He doesn’t understand the feeling in his chest, the way her voice makes him feel like he’s breathing for the first time in his entire life, but he doesn’t care. That’s a recurring theme with this girl.
A grin spreads across his face, his stomach twisting as he finds his words once more, “you did,” he nods, taking half a step towards her. “You forgot to let me buy you dinner.”
Her face lights up even further as she throws a hand over her lips, her giggles once more flooding his body with tingles. She looks like an angel, the way her eyes close slightly when she laughs. She must know what she’s doing to him, how when she throws her head and her neck curves against the setting sun his entire body goes stiff. His fingers squeeze at his sides, wanting nothing more than to trace over her soft skin. What is going on?
“How silly of me,” she murmurs, her pretty eyes- yes that’s all he can think, that they are the most pretty eyes he’s ever seen- dancing over his face, “how could I possibly forget to let a man- whose name I don’t know- ask me to dinner?”
His cheeks flare with heat but he can’t wipe the adoring smile off his lips, “where are my manners? I’m Kai,” her takes her hand, pulling it to his lips and stealing a few more of those delicious giggles from her throat, “and I would really like to buy you dinner.”
She hums appreciatively, a wide smile on her lips. His heart flutters rapidly when she twists her fingers into his, running her thumb over his. Every part of her is soft- gentle- and he would give anything in that moment to be able to pull her into his arms. That isn’t normal, though, he knows that much. 
“Kai,” she tests his name on her tongue and his heart stops, his whole being screaming at him to beg her to say it again and again, “I like that. I’m y/n,” she supplies and the name clicks into his chest like a missing puzzle piece as she continues on her little ramble, “Kai.” She tilts her head, her eyes clouded over in thought, “something is missing, though. Is that your full name?”
His eyes widen, his chest flooding with dread at her soft inquiry, “no, actually. It’s Malachai,” he winces slightly as it rolls off his tongue- he always has hated that name- watching her closely for the moment she recoils in disgust, “I know, what were my parents thinking right? I sound like a villain-”
“I like it better,” she interrupts, her eyes catching his and her hand squeezing a tad harder, “it suits you. Malachai.” This time when she says his name he has to swallow the lump in his throat, his stomach tensing, “tell me, Malachai, do you like pizza?”
Hour Two
Her heart pounds hard in her chest as she sits in the booth across from him, his chocolate and honey scent still clinging desperately to her hand. She brushes an invisible strand of hair from her face, using the excuse to breathe him in again. He’s intoxicating, she muses to herself. Does he know he’s the most handsome man she’s ever seen? He smiles at her, his grin tugging at his red lips and sending her heart even further into overdrive. He must know.
“I hope this place has good pizza,” Kai laughs, the sound like heaven to her ears, “I haven’t actually tried it yet. If it’s awful I give you full permission to hate me.
She laughs as well- she can’t help it, she never giggles this much but he around him it’s impossible to not- pressing her hand to her mouth, “you’re lucky then; you chose my favourite restaurant. I always make sure to stop by the grill when I’m home. The pizza here is wonderful.”
That’s what she says. The pizza is wonderful. What she wants to say is that she doesn’t think she could ever hate him. That five minutes under his gaze, listening to his smooth voice and honeyed laugh, is enough to have her completely spellbound. That she’s almost certain by the time an hour passes she’ll forget every other boy she’s ever laid eyes on. What she wants to say is that she thinks he’s wonderful. But that’s not normal- not proper- so she just smiles at him.
He tilts his head, his eyes skimming over her face in a way that makes her cheeks warm, “when you’re home?”
She nods, trying to ignore the way he leans towards her slightly and how it makes her blood pump harder, “I go to school out of town. Not too far away but far enough that I have to live on campus. I actually have to head back tonight,” her heart stings for a moment, thinking about how she only just met him and now she has to leave, “I was only here for a day.”
“So I only have a few hours,” he hums, his smile like a bullet straight to her heart, “I think that’s enough time.”
His fingers slide slowly across the table, his pinky skimming her hand. It’s the simplest of touches- just a brush of his skin against hers- but it’s like she can feel all of him through it. She can feel his hands skimming her body, every inch of it, in intricate detail, as if she’s been in this very moment before and her muscles can recall each of his. It only increases when he grins, no doubt catching the way she sucks in a breath. The sinful twist of his lips strikes something in her. She has felt those lips on her, perhaps not in this life but definitely in another. She can feel it.
She’s breathless, the phantom feeling of his mouth on hers consuming her completely even as she speaks, “enough time for what?”
He slips his fingers between hers and she sighs, the feeling of their hands fitting so perfectly together overwhelming, “enough time to make you fall in love with me, obviously.”
Her mouth falls open and he laughs again, pulling her arm across the table and kissing her knuckles once more. Too late, she wants to scream, you don’t need an hour. She pulls her bottom lip between her lip, artificial bubblegum bursting across her tongue. His lips on her skin is too much; too much and not enough all at the same time. How is that even possible? 
She doesn’t need to ask herself the question again. No, this isn’t normal. Nothing about how she feels right now is normal. Not the way she wants to wrap her arms around Kai, not the way she feels like she knows him already, and especially not how she’s dreading leaving this town when normally she wants to run as far away from it as possible. The most not-normal thing about it all, though, is the way she wants to tell him each and every one of those things. She wants to grab his face, run her fingers through his gorgeous hair, and tell him everything she’s feeling right now.
But she can’t so instead she whispers, “what if I make you fall in love first, Malachai?”
Kai squeezes her hand tighter, his legs tangling with hers under the booth. His lips part, his tongue darting out and wetting his lips. Her heart hammers in her chest as she watches, ridiculously jealous at the notion of not getting to taste him in the same way. Her body floods with heat when his eyes twinkle, a response dancing on the very same, traitorous tongue, but before he can answer their waiter arrives, setting down a large pizza and turning to face her. He has blonde hair and an easy smile, one that would send most girls reeling. Matt Donovan. She remembers him from high school; he was a good kid but they never really ran in the same social circles. She doesn’t regret not knowing him, his group is part of the reason she left this town.
“Alright, one pizza. Is there anything else I can get for you,” he smiles at her and her heart doesn’t hammer anymore, it slows.
She tightens her fingers around Kai’s, her voice less melodic than moments ago, “no, this is great thank you.”
Matt nods, stalling a moment and smiling at her. She can feel Kai tense, his legs stilling against her own. Her eyes dart between the two and she catches the way his eyes narrow at the blonde, his head tilting as if calculating what he should do. His chocolate scent increases, if that’s even possible, wrapping around her like a blanket as he sits up straighter. Matt doesn’t even look at him, his eyes focussed on her and her alone.
“You sure I can’t get you anything else?”
She nods but before she can speak Kai answers, his voice clipped but a smile on his lips regardless, “actually,” his eyes lower to the nametag on Matt’s chest, “Matt, we’d love a box.”
Matt’s eyebrows scrunch and she giggles, a tad confused but deeply invested in the cruel twang to Kai’s voice. She meets his eyes, pulling her lip once more between her teeth and swallowing her heart that has crawled it’s way into her throat. Something about the way he’s holding himself- the way he taunts the boy she went to school with only a few years ago- makes her feel alive. Who would have thought that the bubblegum princess would get such a thrill from watching the devil go head to head with the boy next door? 
“A box?” she has to stifle another giggle, not wanting to appear rude despite how much joy she’s feeling.
Kai nods, “please, and the check. We really should get going now.”
Her heart thrums, wondering what on earth he’s up to. She doesn’t care. It’s starting to become a recurring theme with this boy; how little she cares about anything but being in his presence. Each second that passes she falls deeper into something she can’t explain. Her heart jumps when Kai’s eyes meet hers, his smile softening from the malicious grin that he had been aiming at Matt. She shakes her head lightly, nudging his foot under the table and rubbing her calf against his. 
“Alrighty,” Matt grumbles, “I’ll get that for you right now.”
She watches as he walks away, turning back to the man across from her with a grin on her glossy lips, “how am I supposed to fall in love with you when you don’t even feed me?” 
He laughs, tugging her hand to his mouth. She’s starting to think that her hand belongs there, pressed against his lips for eternity. Every time his lips swipe across her knuckles she swoons, sparks tingling up her arm. If his lips feel this good against her hand then they must feel even better- no, nevermind that. 
“You can eat in the car,” he suggests, his eyes searching hers as he draws another knuckle to his mouth and nipping lightly with his teeth. 
The feeling of his teeth scraping against her skin sends her reeling, a shiver racing up her spine as she registers his words. In the car. She presses her lips together. What does that mean?
“Malachai?”
“Let me drive you back to school.”
Hour Three
Kai watches her steal the last piece of pizza and laughs, tossing the box into the back of his truck and pulling her closer on the bench seat. She tangles her fingers through his free hand and his heart explodes in his chest. His eyes lock on the road again but his thoughts are stuck on the beautiful girl beside him whose hands are wrapped around his arm. She clings to him, her bubblegum and cherry and just plain irresistible scent invading his senses. She leans her head against his shoulder, rubbing her cheek against his jacket, and he forgets that she hasn’t been in his life more than three hours. 
They’ve been driving for an hour, laughing and talking as the sun set. She’s told him about her major, about the books she reads and her parents. She’s spouted all the lines of her favourite movies and listed her favourite cities in order even though she’s only been to a couple. He, in turn, has told her about his favourite song. He told her about the time he broke his leg and how he isn’t usually like this. How he’s never like this. She agreed with that, taking the opportunity to tell him how focussed she usually is. He didn’t mind when she spoke over him. Had it been anyone else he would have but he could listen to her talk for ages. She makes hours feel like minutes- like seconds- and every sign they pass he gets more and more desperate. He doesn’t want to leave her. He wants more of the minute-like hours.
“What’s your favourite color,” she mumbles, running her nose over his arm.
He’s never understood why people care about favourite colors. It’s just so trivial, the answer always changing, that it’s never made sense to him. Is it possible to have a favourite color? He doesn’t think so. For some reason though, when she asks him and her voice goes high at the end of the question- as if she’s truly dying to know his favourite color- his heart stammers, not wanting to mess up the answer. He glances at her, his eyes finding her bubblegum cherry lips. Maybe he has a favourite color after all.
“Red,” Kai responds, running his thumb over her wrist and smiling when she shivers against him, “my favourite color is red.”
She hums appreciatively, her voice bouncing around the cab of his truck, “I like red too. It’s not my favourite though.”
Her fingers untangle from his, her hand landing on his thigh, using him for balance as she tucks her legs underneath her. Kai sucks in a breath at her touch, a tingle shooting up his spine. Her innocent eyes peer into his, no doubt still thinking about colors without a care in the world. His mind, on the other hand, couldn’t be further away from the color wheel. 
“Why’s that,” he forces out, his voice gravelly, “what’s your favourite color?”
“Black,” she answers and for a moment he doesn’t think about her hand still curled around his thigh, “I think I like the color black.”
He scrunches his eyebrows. Black. He wouldn’t have pegged her for a dark colors kind of girl. Every part of her screams light. Goodness. She seems like the type of girl who likes laying in the sun and eating ice cream on hot days and filling the bath with more bubbles than water. No, she doesn’t seem like she is; he knows she is. He doesn’t have to ask her to know that she is the complete opposite of him. 
Kai can’t stop himself from asking, “why the color black?”
She moves her hand back to his arm, wrapping both of her arms around his, and he lets out a sigh of relief. Well, relief mixed with frustration. He didn’t want her hand gone, he wanted it higher. He’ll take her wrapped around him though, it’s just as good. It’s better. He can think of a hundred different ways he would like this woman wrapped around him. 
She presses her lips to his shoulder and he wishes the stupid jacket would just burn, “because it suits you. I didn’t think I liked it before today but now I think there’s something beautiful about it.”
Kai’s hand finds her thigh, his heart pounding fiercely, “the color?”
She gasps lightly when he squeezes, a sound that hits him straight in the gut. He does it again, this time harder, and she presses her forehead against his shoulder, her soft moan tumbling against him. His hand tightens on the steering wheel at the sound. He has no idea how he managed to get an angel into his truck. How he convinced her that he was good enough to sit this close to her; good enough to hold her in his hands and hear her pleasure. 
“The darkness,” she whispers, her voice hitching when his hand slides higher, “I didn’t think I would like the darkness this much.”
He digs his fingers into her jean-clad skin, reveling in her warmth and the way she squeezes her thighs around his hand. He bites his cheek, barely containing his own moans. She’s not even touching him and yet the sound of her voice alone has him so close. His eyes read the next sign, sucking in a harsh breath. Ten more minutes and she’ll be out of his truck. 
Kai looks over at her- perhaps for what will be one of the last times- forcing a sharp smile to his lips, “this darkness is nothing, princess.” His voice is hoarse, his words soft but pained, “it’s just a glimpse. I don’t think you would like the real thing as much.”
He watches as her eyes widen, her mouth falling open a touch. Exactly, he thinks to himself, now you’re starting to get it. He clenches his jaw, going to move his hand from her heavenly thigh when she stops him, her hands closing around his wrist. His shoulders- among other things- tense as she drags his fingers to settle directly between her legs, using her hand to guide his motions and arching into his touch. Holy fucking shit. 
“Princess what-” Kai tries to process his thoughts clearly but he can’t; the heat seeping from her and her fingers pushing his to rub against her are much too demanding for him to form a coherent sentence.
The sign for her university comes into focus as he rubs his fingers harder against her. A soundtrack of her moans fills the cab of his truck, her hands wrapping like a vice against his arm as she presses her face once more against his shoulder. He curses, breathing in her sugary aroma, his chest flooding with heat. All he can think about is how he has to park this damn car before he crashes and doesn’t get to experience more of the exquisite creature next to him. She rolls her head back onto the seat, spreading her legs further for him, her hands never leaving his arm.
“Just try me, Malachai.”
Hour Four
She moans as Kai’s hands find the button of her jeans, the tires of his truck screeching as he finally pulls into her dorm’s parking lot. As soon as he shifts the gears into park she’s on him, grabbing the collar of his jacket and pulling his lips to her own. God, she was right, he tastes chocolate and mint gum. He groans into her mouth, one of his hands finding her hip and pulling her onto his lap while the other goes to her neck, pushing her lips against his. She presses against him, rocking against the hard bulge in his jeans and gasping against his mouth.
“Malachai,” she murmurs, her hands sliding through his silky hair, “I need you.”
He wraps his arms around her back, pressing his chest against hers and backing her into the steering wheel. Her heart thunders when his lips meet her jaw, nipping at her skin before sliding back to her lips and pulling her bottom lip between his teeth. 
“Fuck,” her body lights up at the throaty tone of his voice, “are you sure, princess?”
She nods, the words lodging in her throat as Kai’s lips trace to her neck, his tongue flattening against her pulse point. She’s sure alright. She’s never been more sure of anything. She wraps her hands around his back, clawing at his shoulders and mewling at his skilled lips. She tugs at his jacket, trying her best to convey her need for the material to disappear. The girl is rarely speechless but right now, when she needs her voice the most, it’s as if it’s nowhere to be seen.
“Off, please get it off,” she finally murmurs against his lips, her hands splayed hard against his jaw as he shrugs the jacket off, “I need to feel you.”
Kai’s fingers curl around the hem of her shirt, sliding underneath and around her back, his fingers digging into her spine deliciously. She rocks higher on his lap, her lips finding his throat and sucking his warm skin into her mouth. She runs her tongue against the hollow of his throat, smiling when he bucks his hips against her. Tingles shoot through her as he brushes against her and she lets loose another moan into his skin.
“More,” she fumbles, seeing stars behind her eyelids, “I need more. I need all of you, right now. Please.”
She doesn’t even know what she’s saying; she just knows if he doesn’t make love to her soon she’s going to literally combust. She slides her hands down Kai’s chest, her fingers slipping beneath his shirt and glimpsing at his hard muscles. Her fingers explore slightly and she reels when he tenses under her, a breathy moan of his own joining hers.
He crushes her against him, his head falling against the seat, “angel, I will do whatever the fuck you want me to but not in my truck.” His hand slides to her ass, squeezing so hard her core clenches, his name slipping from her lips, “I am not about to let just anyone watch me fuck you into next week. That’s mine and mine alone.”
She can hear exactly what he means; you’re mine and mine alone. It sends another wave of heat coursing over her, her core clenching again, harder, and she nods furiously against his neck, “my room. Now!”
He laughs, pulling his keys from the ignition and opening the door. She giggles with him, sliding out of the truck and all but dragging him with her. He kicks the door shut, his arms wrapped around her stomach and his face buried in the side of her neck. She squeals gleefully when he lifts her, her back pressed against his chest as he kisses the side of her neck and spins her around. The cold air nips at her stomach, exposed from where her shirt rides up. 
“Malachai,” she whines, her hand sliding behind her and into his hair, tugging a tad harshly, “please hurry, baby.”
“You’re no fun, angel,” he murmurs against her skin but sets her down nonetheless. 
She wraps her hands around his arm, tugging him to jog after her, her giggles spilling into the night, no doubt waking up some of the other students as she leads him through the campus. She doesn’t care, she hasn’t felt this free in ages. He laughs with her and the sound of his joy exhilarates her, lighting her whole being up with a dangerous kind of fire. It weighs down her limbs, pooling in her stomach and soaking her jeans. His hand links with hers, his fingers squeezing hers as her body tingles. She’s so close to her dorm she can taste it- taste him and everything he’s going to do to her- and she hurries quicker.
She tugs him around a corner and he stops abruptly. Her heart jumps in her throat, wondering for a moment if he’s changed his mind. When she turns to look at him, though, his dark eyes pour over her, his lip pulled between his teeth. He looks like he wants to take her right here on the stoop of a dorm that isn’t her own. She squeezes her thighs, trying to ignore the part of her that reels at the thought.
“Kai-”
He pushes her against the brick of her dorm building, his mouth slamming against hers, his tongue slipping between her lips, “Malachai, princess. That’s my name. Say it.”
She moans at his soft and stern tone, grinding her hips against his the best she can, “Malachai, I need you.”
He nods against her lips, his hands wrapping around her hips and pulling her up his body. She wraps her legs around him, sighing when he pushes her harder into the wall with his hips, pressing his hard length against her covered core and moaning into her mouth. His scent consumes her, lingering in her chest when he pulls back, his eyes consumed by darkness. Her heart thunders when his nostrils flare, her thighs clenching around him at the sight of his flushed cheeks.
“What room number,” he pants, grinding his hips and sending another relentless wave of heat racing through her.
She presses her mouth against his, her tongue lapping at his minty lips, “I’m in 102.” She tugs his bottom lip, pulling a heated groan from his chest, “it’s just a few doors down. Please, Malachai.”
She kisses down the side of his throat as Kai searches for her room, running her nose along his warm skin and sinking as far into his arms as possible. She tugs the key out of her bag when he slows, leaning away from him to unlock the door before turning the knob and all but falling into her room. She giggles as they stumble, pushing the door shut quickly and throwing her keys to the floor. No need for those anymore.
He tosses her on her bed and she can’t help but giggle at the feeling of her plush blanket, knowing soon it will be brushing her bare back as he slides into her. He makes quick work of her heels, pulling them off and tossing them to the side. She winces when she hears them clunk somewhere in her room- that loud sound better not have been one of them breaking, Kai- but is soon distracted when he kicks his own boots off, kneeling on the bed and crawling towards her. The bed sinks at his knees and her body thrums in anticipation.
As soon as he’s within arms reach she grabs him, her fingers twisting in his t-shirt as she hauls his body over hers. Well, she tells herself that she’s the one who brings him closer. In reality it’s he who complies, letting her command him in whichever way she so pleases. He leans down, finding her mouth and kissing her hard, lowering some of his weight onto her. She moans, pressing back against him and wishing that his clothes would just vanish already, their mutual affinity for jeans starting to become a problem.
“Angel, fuck,” he murmurs as her hands slide once more under his shirt and he grabs her fingers, pulling her wrists above her head, “I need permission right now before we keep going. Yes; I fuck you. No; we cuddle. I am more than fine with both options.” One of his hands slides down her belly and wraps around her hips, fire flaring everywhere he touches, “what’ll it be, princess?”
He hovers over her, his gray eyes soft on hers. For the first time tonight she can see them clearly and her breath hitches, an unexpected wave of emotion flooding her chest at the way he’s looking at her. All that talk about darkness and he’s anything but. She yanks her arms from his hand, instead loosely hanging them around his neck. She arches her chest as close to him as she can, feeling each layer of clothes between them in agonizing detail.
“As wonderful as cuddles sound,” she tangles her legs around his hips, pulling his hardness back to her heat, “I really need you to fuck me.”
A wicked grin settles over Kai’s face, his lips drawing to her ear and pulling the lobe between his teeth, tugging hard, his words sending shivers through her body, “then I think it’s high time these clothes go, don’t you?”
She nods, her voice choosing once more to vanish at the most inopportune moment. He pulls her onto her knees, his lips brushing her jaw softly as his hands find the hem of her shirt for the last time, dragging it slowly up her stomach and over her chest before finally discarding it next to the bed. His fingertips draw over her skin lightly, his pinkies grazing the valley of her breasts and his thumbs smoothing over her collarbones. Even the slightest touch makes her clench, knowing he’ll soon be putting those fingers to good work.
She thanks the heavens for a moment that she thought to put on a nice bra, her body flushing with heat when Kai sucks in a breath at the blue lace barely concealing her peaked nipples. His hands circle her waist, his thumbs trailing fire over her soft skin. He darts his tongue out again against his bottom lip, watching her breasts rise and fall with her breaths like a starved man. If a look could ever make someone come on the spot it would be this one. She takes a sharp breath, her chest swelling, the cups of her bra stretching, and his eyes darken.
“Fucking hell, you really are an angel, aren’t you?” he slides his hands up her ribcage, over the flimsy material covering her and flicking her hard nipples, his mouth falling open in a half smile at her breathy sounds, “my angel.”
She gasps, her eyes as wide as saucers, and Kai smiles, fully, his eyes flitting to hers as he does it again, watching her face as his fingers lazily sweep back and forth over her buds. Each brush of his fingers sends a jolt of electricity straight to her core, her body tensing at each pinch. Her hands jut out, grabbing onto his shoulders as to not fall over from the sensation. She squeezes her thighs, rubbing her jean clad legs together in her best attempt to quell the raging fire but it’s useless. Only he can put it out and he knows it, chuckling- a sound like ice cream melting on a hot day; slow and sweet- at her sweet agony before finally slipping behind her back, his fingers finding the clasp of her bra.
“Perhaps I should leave this on, hmm?” Kai teases and she whines, arching her back into his hand. “Watch the way you bounce,” he leans down, his mouth capturing one of her nipples through the lace, his tongue hot and wet against her, “the way the lace pulls.” His teeth find the edge of the cup gently, careful not to ruin it as he drags it over her chest. She jolts when his lips graze her nipple directly, a small taste of his electricity, “what do you think angel?”
As soon as her breast is free from the lace she digs her fingers through his hair, desperately pushing his face back to her chest, “please take it off.”
He laughs, his hot breath fanning her bud as his fingers pull at the hooks behind her back, finally releasing her from the suddenly constricting material. She hears it hit the floor but she doesn’t watch where it lands, her eyes locked on Kai’s as he lowers his mouth back to her nipple, his other palm sliding up her ribs to tease her other breast. His hair tickles her skin as he flicks his tongue over her, his fingers imitating the same sensation, twisting and flicking her peaked bud in time to the laps of his mouth. Her stomach twists, her core dripping from the stimulation. 
“Malachai,” she pleads, her fingers tugging at his hair, trying to find his eyes desperately, “please more. I need more.”
Kai tugs her nipple between his teeth, biting harshly and pulling a small hum of pleasure from her lips as waves of heat attack her body, “patience, angel.” He runs his tongue over her burning bud, soothing her skin once more, “I want you to feel everything. I want you to remember it- me.” He kisses across her chest, pressing his lips gently against her sternum, “every kiss-” he bites at her breast, sucking her skin roughly into his mouth, sending another jolt through her core, “every bite.” His hands drag down her stomach, lazily drawing circles as he teases the waistband of her jeans, “I want you to think about me in every class, I want my name to be the only thing you can say when you go to answer a question. That will take patience-” he kisses her stomach, his tongue dipping against her bellybutton and his fingers grazing the lace under her jeans, “but I think maybe these can go.”
She moans her agreement, the sound tearing from her throat as she nods, most likely once a coherent thought but now just a mess of want- of need. Kai quickly pops the button of her jeans, his fingers digging into the waistband and yanking, tugging her pants down in a way that very much goes against his wish for slow. She lifts her hips from the bed, helping him as much as she can to get the damn pants off. He chuckles as she writhes, each gentle laugh zeroing in on her now barely covered core and sparking little fires across her clit. The sound of the material finally pooling on her floor is like music to her ears but her eyebrows furrow when she looks at him, still completely clothed.
She sits up on her elbows, biting her lip, “come here,” she coos, her voice breathy and her chest heaving, “please, Malachai. C’mere,” she sighs when he complies, her fingers twisting his shirt when he settles between her thighs, “this should have come off ages ago.”
She clenches her bare thighs around his own jean covered legs, mewling as the rough material scratches deliciously at her skin.
“Of course, angel,” his nose skims over her neck as she pulls the material from his body, his voice low and teasing, her fingers gliding over the hard dips of his abdomen, “where are my manners.”
She hums happily- a kitten purring from some much needed attention- as he pushes her back, his sculpted stomach now fully on display for her viewing pleasure as the soft blanket tickles her bare skin. His attention is now focused on the matching, blue lace that is not even trying to conceal her core. Kai slides off her bed, kneeling beside her, and her mind races, her heart thumping hard in her chest. What are you-
Her thoughts are interrupted when his hands dig into her hips, tugging her so that her legs dangle off the bed. He spreads her thighs, his eyes latched on hers as he leans down, kissing the inside of her thigh much too lightly. Her fingers dig into the comforter as he pulls her legs over his now bare shoulders, his hot skin soothing her aching muscles. He plants another gentle kiss on her other thigh and she almost screams- do something Kai, do anything, please- her breath ragged as she watches his lips crawl closer to the soaked lace. She digs her heels against his back, hoping to spur him closer to her.
He runs his nose along the lace, straight down her clit and she gasps, the sensation like lava flowing through her veins, “Kai!”
He flicks his head up, squeezing her hips harder, “what did I already say about that, angel,” he kisses under her belly button, purposefully avoiding her throbbing nub, “what’s my name?”
His gray eyes are wild, filled with a hunger that makes her clench around her emptiness.
She digs her heels harder against him as his teeth tug at the lace, his name a delicious moan on her tongue, “Malachai.”
“Very good,” he praises, “you’re so good for me, baby.”
She moans again as he strikes gold, no response to the name other than pure lust filling her body. His hands tug at her panties, finally pulling the last article of clothing- if a piece of sheer lace even counts as clothing- from her body, exposing her pulsing clit to the cool air of her room. He sucks in a breath, leaning down to blow warm air against her, spreading her legs even further. She throbs, watching as he finally lowers his mouth, his tongue licking a stripe directly to her core and planting stars behind her eyes.
“Fuck, baby,” he moans, more to himself than her, his muscled arms wrapping around her thighs and crushing her to him, “I was right you taste like fucking candy. So damn sweet.”
He dives back against her, his hot tongue flicking her bud back and forth. Waves of white fire pour through her, compressing together in the pit of her stomach. Her fingers dig into the sheets, tugging at the plush comforter because she knows if she runs her fingers through Kai’s hair she might just rip it out. Her back arches, her breasts greeting the air as Kai’s tongue swipes straight to her core again, dipping into her heat before going back to her clit sucking hard. 
He moves one of his hands between her legs, his fingertips lazily circling her entrance as he continues to devour her, “so wet for me, baby. From the moment I first touched you,” he muses, his eyes finding hers over the arch of her sternum and swell of her breasts, “it’s like you knew I was coming.”
“Maybe I did,” she pants, squeezing her thighs around the man buried between her legs, letting out a strangled gasp when he sinks one of his fingers into her, “maybe ever since I locked eyes on you-” another gasp, this time from him pushing a second finger in and curling them both- “I’ve wondered how I’m going to forget you.”
He curls his fingers faster at her words, sucking that much harder on her nub. His eyes stay latched on hers, dark and determined. The ball of fire grows dangerously as his fingers brush over a spot- the spot- and she groans, her hand finding his hair. She doesn’t care anymore, tugging harshly on his silky hair and pushing his face as close to her as she can, grinding against his lips as her whole body starts to tingle. It’s like someone replaced her veins with fluorescents and Kai’s tongue is the outlet. 
“Well maybe,” Kai curls his fingers and her body jolts, teetering on the sweet edge of nothingness, “baby,” his voice is just this side of taunting, his tongue finding a tortuous rhythm, “I don’t want you to forget me.” 
He curls his fingers one more time and she falls- quite possibly in more than one way- over the edge, an earth shattering orgasm tearing through her entire body, “fuck, Malachai!”
Her body trembles in his arms, his fingers still twisting inside her, his mouth still latched to her, sucking and licking until she comes down from her high. She sinks back into her comforter, entirely spent and limbs heavy, his name still a moan on her lips. Her heat throbs, clenching and unclenching as she watches him stand. Maybe she isn’t so tired after all. She pushes her heels into her bed, crawling back towards her pillows as his hands find his belt, making quick work of the leather. He doesn’t bother pulling it from the loops, he just hooks his fingers in his jeans, his taut muscles heaving as he shoves his clothes off in one steady push.
She moans as her eyes land on everything he’s been keeping from her, her mouth watering at the sight of his thick, hard shaft bouncing slightly against his abs. She sinks back against her pillows, her toes curling at the thought of him- what was it Kai said? Oh, right- fucking her into next week. She stretches her arm out, her eyes lidded in anticipation and her nipples peaking once more, and curls her fingers at him. Come here, she almost screams, come burn yourself into my very being. She’s doing her best to remain composed but her skin is flushed, the feeling of his lips still fresh on her body, and her core aches to be filled with something more than his fingers. 
He kneels on the bed once more, his lips tilted and his eyes dark, and he crawls back to her body. He grabs her thighs when he reaches her, pushing her knees to her chest and baring her core him, stretching her muscles deliciously. She grabs his shoulders, digging her fingers into his warm skin and tugging him to hover over her, her legs pressed between them. His shaft presses against her still sensitive clit and she hisses, giggling slightly from the stimulation.
“Angel,” Kai murmurs, his lips pressing against hers as he rocks his hips against her, his tip teasing her entrance, “fuck, just tell me you don’t want to forget me.” He pushes in a few inches and she gasps, cooing at the way he’s already stretching her walls, “tell me you’re mine-” he pushes further, his eyes locking on hers and making her core tighten, her fingers digging harder into his skin. “Tell me you’re mine even if you’re lying.”
He pushes all the way into her, his thighs pressed against hers and his hand shoved into the pillows beside her head, keeping him from falling against her. She feels the most full she’s ever felt, her heat pulsing as he gives her a moment to adjust. She can feel each breath he takes, each slight bump of his hips as he holds himself back, each twitch inside her like he’s a lit match and her body is a temple about to be burned to the ground. She shifts against him and a line of fire zings straight from her bellybutton, a tremor of pleasure shocking her heart. Burn me, please, she chants in her head.
“How could I forget about you?” She breathes, her mouth falling open when he slowly pulls back, only to snap his hips back into hers, driving himself deeper than the first time, “why would I- ah,” Kai presses his chest against her knees, pushing her further into the mattress and leaning on his forearms, circling his hips and stealing the air from her lungs, “I’m yours, Malachai.” She resigns, her train of thought long gone, “all yours.”
“Absolutely right, baby,” he growls, pulling out of her again and slamming back into her as soon as the words are out of her mouth, “mine.”
His hand grabs her knee, pulling her legs apart to wrap around him as he settles into a faster pace. She wraps her arms around his neck, her fingers anchoring in his hair and tugging his lips to hers. She squeezes her thighs around his hips, her toes curling from his bruising pace, whining when he almost pulls all the way out of her once again before thrusting back. She arches her spine, her chest bouncing against his as he circles her arm around her back, pulling her flush against him.
She drags a hand down Kai’s back, her nails digging against his skin and drawing a sinful moan from him. His lips latch on to her jaw as he thrusts harder into her, his arm sliding behind her neck and holding her closer, “fuck, you’re so tight-”
He lifts to his knees, bringing her with him and shifting the angle of his thrusts, his shaft brushing the same spot from before. She lets go of his shoulders, falling back into her pillows to grip her fuzzy sheets for dear life. She can feel the fire from before start building again, only this time hotter, and she rocks back against him, doing her best to match his pace but it’s impossible. He has her legs around his waist still, her bottom half clean off the mattress as he pounds her top half into the pillows; there is nothing for her to do but let the pleasure wash over her. 
Kai pulls her leg further up his chest, hanging it from his shoulder as he smirks, tugging his lip between his teeth, “if only you could see how pretty you look princess, all stretched out for me.” She clenches at his words, the ball of fire pulsing dangerously, and he tightens his hand on her thigh, his eyes going dark, “do you like it when I praise you baby?” His voice is throaty and she can feel him twitch, just as close to coming undone as she is, and her walls clamp around him harder this time, “I’ll take that as a yes.”
“More,” she begs, screwing her eyes shut and letting the sound of his voice push her closer to the cliff, “tell me more. Please!”
He sucks in a sharp breath, his hips slamming impossibly harder against hers, brushing that magical spot relentlessly. His fingers slide down her leg, dragging through her folds to find her throbbing nub, circling his fingers lightly and drawing a strangled scream from her lips.
“And what should I tell you, hmm?” He presses harder against her clit, his fingers picking up the pace to keep time with his increasingly sloppier thrusts, “should I tell you that you look exquisite wrapped around my cock?” She moans, his words making white flash behind her eyes, her core squeezing and sending the first taste of her second orgasm spiraling through her, “that I can’t wait to flip you over in a minute and make you cum again,” her legs jerk, the second wave so much more intense than the first, so much more earth shattering, “and again,” he pushes into her one last time, throwing them both over the edge, “and again, angel.”
Her whole body splinters when he empties himself into her, meeting her release with his with a shuddered breath. She can’t even scream his name- god, she certainly tries though- the white, hot pleasure coursing through her veins, stirring a new life into her bones, only allows her to whisper it. Mouth it over and over again as he collapses against her sticky chest. Fuck, Malachai. He pulls out of her and she hisses, swallowing the last wave of electricity as she stretches her bones, delighting in the careful pop of her joints. 
“Fuck,” Kai rolls onto his back, his eyes shut and his mouth wide open, “that was-” he props himself up on his elbow, his eyes now open and swimming over her face, “that was just wow, baby. Fucking wow.”
She giggles breathlessly, her legs jelly as she turns to him, reaching her arms out. Her body still craves him, her skin aching to press against his in a way she’s never experienced. He wastes no time scooping her up, wrapping an arm behind her knees and pooling her on his chest. His other hand glides up her spine, his fingers pressing hungrily into her flesh. Her thighs slip around his hips as she sinks against his chest, her face finding the crook of his neck. His hands work at the kinks in her shoulders and she shivers, her body starting to light up again.
“Fucking wow,” she agrees as she presses her lips against his throat, squeezing her thighs as his fingers draw lower again, swiping over the dip at the base of her spine as she murmurs a soft, “you don’t have to leave yet, do you?” 
Kai’s body tenses under hers and her heart stutters, her chest stinging- oh, maybe he does. 
“If you do though that’s okay,” she rushes out quickly, pushing her hands against his chest to put some distance between the two of them, “I don’t want to keep you if you, uh, have places to be, I guess-”
He tightens his arms around hers, sitting up quickly, keeping her in his arms as he does so, “I have nowhere to be but here.” He presses his lips against hers and she sighs, reveling in his slightly salty taste, “nowhere I want to be but here, princess”
She nods, brushing her nose against his, “okay.”
Her fingers tangle through his matted hair and he sighs, leaning down to brush her back. Okay. It’s not what she wants to say- something more along the lines of please never leave- but she can settle for it for now. She shifts to straddle his thighs better, pressing her chest against him and sighing at the growing electricity. Round three it is. When she kisses him back she can swear she tastes a hint of her bubblegum gloss on his lips.
“Okay,” he agrees.
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kittydemon9000 · 3 years ago
Text
SO MERLOPIAN KAI PART 2 ELECTRIC BOOGALOO
So, with Kalmaar, he ofc immediately goes to his parents about his feeling, slightly placing his revenge on hold. They are...dubious about it, but Maya raises the point of how there has never been a human/merlopian hybrid before, and from what Ray has told them about having two EM parents it’s possible for Kai to have some water abilities himself, which could be what gave Kalmaar his feeling. So, they agree to look into it.
Moving on..... Uh. Kai doesn’t have a fun time in S6, as briefly as he’s there. You see, Nahdakahn knows exactly what buttons to press and is able to get Kai into a panicked state where he, on the verge of a panic attack and mental breakdown, just says “I wish that I could just be normal! I wish I could just go home! I wish I could be with dad and mom and father and Kal and Bentho and Nya!!!”
The “normal” comment comes from how they weren’t able to completely hide Kai’s heritage since yeah, there were other people on the boat who saw him. That and he also tried a lot less to keep it hidden. And because some humans are assholes, he has to deal with that.
So ofc, Nahdakahn interprets it in the worst ways and as two wishes. Kai is now a full human yes….but was also sent to where the fish fam currently were……which just so happened to be at the bottom of the ocean.
So yeah, double trauma for both groups. Kai got to experience what drowning felt like, and his fam was essentially forced to watch him die since there was nothing they could do. They were too far under to take him to the surface and too far from the palace to take him there.
But dw, it gets even worse.
You see, the whole reason Nahdakahn is being this malicious about Kai’s wishes is because he learned that Kai was the reason the Preeminent was destroyed, thereby destroying Djinjago.
Nahdakahn is then able to do a “oh? Is this not what you wanted? I thought you wished to be normal.” Which ofc sounds really bad since it’s in front of his family. “But, I understand. You grow tired of the stares in the street, how they whisper behind you back about what you are. Not human, not merlopian, not normal. Just a freak masquerading as one of them.”
This ofc supremely pisses off the fam. Like, weapons drawn ready to commit murder.
But then Nahdakahn stop them with a “ah ah ah, I wouldn’t do that if I were you. After all, I am the only way your son has a chance at living. So go ahead. Make a wish.”
Trimaar ends up being the one to do it, and is smart enough to know this uh will twist it in anyway he can so says. “I wish for Kai to be sent safely to the surface without harm done upon him.”
Blah blah blah, your wish is yours to keep, Trimaar realizing “wait there’s a lot that could be interpreted” but too late BAM now Kai’s kinda stuck on the Misfortune’s Keep.
And he....generally has a pretty bad time. Think Jay but this time it’s personal.
However, Kai’s appearance had Trimaar get the Merlopian army and start heading to the surface. The remaining ninja have a brief moment of “are you kidding me two enemies at once” before learning that this is Kai’s lost family and they’re here to help.
So now the ninja have a whole ass fish army to help them, plus a very protective, very angry fish family.
But for the rest of canon, the only difference is that when they’re leaving Tiger Widow Island, Nya gets snatched along with Jay(who was taken because he hadn’t used his wish yet) and they aren’t stuck on the island, and then later that Kai gets sucked into the sword when the ninja launch their rescue mission.
But yeah, it gets all Un-Happened by Jay’s wish(which at seeing Kai physically hurt and being emotionally torn apart at his baby sister dying, wished that none of this ever happened and that Nahdakahn was never found), only like canon Nya and Jay still remember what happens.
Nya is now firmly on team Kai Is Alive and tells her parents everything about what happened and the wish Jay made, and more importantly where Kai is.
Unfortunately, they need to take some time and prepare. Trimaar and Maya have been doing their best over the years to open the populace possibly making bonds with the humans, but now it’s finally happening. They can’t just go up there out of no where, since from what Nya has told them 1) most humans don’t even know they exist and 2) in the past few years they have been subject of many attacks, mostly from non-humans, so they need to make sure the humans understand they don’t mean any harm.
So DotD happens, then the beginnings of S7 :)
Right out, Kai never liked the museum curator. Up to that point he’d only ever caught fleeting glimpse of him but something about him Kai just despised. As a result, he also visited the museum as scarcely as possible, and thus didn’t notice a very interesting painting containing a two very strange figures.
When he learns his name was Dr.Saunders.....things don’t go well.
It happened when Kai brought the helmet with his dad’s symbol on it. As much as he disliked the curator, he was the most likely to be able to recognize what kind of helmet it was.
Then in his anger he gets himself captured.
He’s taken to a special cell lined with vengestone and has guards around the clock, and Krux takes extra care to make sure Kai doesn’t know where Ray is.
ofc it’s around this time that the Merlopians arrive and express their wishes for a possible alliance between their two races. Unfortunately they showed up at literally the worst time, and double unfortunately the people in charge of diplomacy decide to bring some of the ninja in as an extra precaution because of the villains have been running around.
So the people who join the meeting are Lloyd and Jay from the ninja(they would’ve brought Kai but he hasn’t returned from his missions yet and isn’t answering their calls) as well as some police officers and from the Merlopians is the whole royal family plus a few guards.
Both Jay and Nya have a silent moment of staring at each other since “I know and I’m not sure you know but I think you know but I don’t want to say anything since you might not”
And just as they’re about to start, The Time Twins attack. Because why the hell not.
They’re actually able to hold them off for a while, but unfortunately there are too many Vermillion. Then Kalmaar whips out his Water Powers which causes him to get kidnapped since they need both Fire and Water masters for the blade.
While they’re recovering, Lloyd then gets a panicked call from Zane saying that he checked the museum footage and Kai has been captured. The gets overheard by the royal family, and then Lloyd asks why they looked so upset at which they learn(sans Jay since wish) that Kai is royalty. The eldest son actually, and thus first in line for the throne, as well as being presumed dead for the past five years.
So basically Krux has kidnapped the King and Queen’s husband, the crown prince, and the second in line prince(if anyone knows a more fancy term for this please let me know)
Maya, Trimaar, Nya and Benthomaar are not happy. Not with the Ninjagian people, no they’re fine, but they’re bout ready to murder Krux, and they don’t even know about Ray yet.
So they offer any help they can.
Zap back to how Kai and Kalmaar are doing.
Kalmaar is….kind feral tbh. Like, he’s biting, clawing, trying to strangle them with his tentacles, and before they got vengestone cuffs on him was trying very hard to drown anyone.
Ofc, this does little to the Vermillion and soon Kalmaar finds himself in the cell right next to Kai’s. He’s overjoyed to see his brother again, albeit upset that this is why.
They both reluctantly come to the conclusion that there isn’t much they can do at the moment, and there are many Vermillion guards right outside their cells, so they decide to start catching up.
And for pretty much the rest of the season canon is pretty much the same, just shuffle around the characters a bit and add a protective Fish Fam. 
Though their little trip back in time is quite sight for the Past EMs, especially because of how Kalmaar is using his powers, which leaves Kai mostly stuck in his Fish Form. This time they don’t even bother trying to explain, just give instructions on how to defeat the Vermillion and jumping into the battle. 
And I mean just imagine that from the EMs perspective. An enemy you thought you defeated just returned with a giant metal creature and an army of snake things that don’t look like any kind of Serpentine they’d ever seen. Then a shark person and squid person??? show up and not only do they know how to fight the snake things but they also seem to be Elemental Masters???? Despite the fact Ray is very much alive and they didn’t even know there was a Water EM. Then the two not only summon dragons but they also fuse their dragons into an even bigger one with two heads.
And then all of them disappear into the sky without a trace.
W i l d
But yeah, after that it calms down quite a bit. Kai spends the time skip before S8 reconnecting with his family and his dad, and through some tech courtesy of Borg they're able to bring Ray with them :D
And Kai actually goes to meet the Jade Royal Family since y’know. He’s the crown prince. He’s kinda important and legitimately forgot about it. Luckily Kalmaar is able to help coach Kai through it, but is also a bit smug about how he finally has something to teach to his older brother. Kai was actually the one who suggested asking the ninja for help protecting the mask.....but we know how that inevitably ends.
Bentho, Kal and Nya were actually on the ship for this particular adventure, and then Nya and Bentho were dragged along when they got sent to the First Realm. Bentho, despite being the youngest sibling and to the surprise of literally everyone, was actually really good with kids and spent the most time with Little Wu, right behind Cole.
But yeah S9......Nya and Bentho have a really bad time in the First Realm beause of the heat, but at least they don’t get captured. Kai on the other hand....
Yeah at some point he gets accidentally splashed with water and well.....it definitely doesn’t help with the Oni accusations. The Dragon Hunters decide to burn him along with the Wind Dragon, which moves up their Build Our Own Dragon time table.
After they escape Faith is actually pretty chill about the whole fish thing, but she does ask a lot of questions. 
And then S10..... kinda the same. They end up dropping off as many people as they can with the Merlopians since the smoke can’t reach them.
I might make a Part 3 for the rest of the seasons, but yeah. this is where we’re at.
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div-divington · 3 years ago
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big ol’ invicncible spoilers, watch the show first trust me you’re not missing anything if you don’t read this post
I’ve never talked about a cartoon or tv show before but I’ve gotta say that people who say there’s ‘no complexity’ to Omni-Man’s character just tick me off.
I mean, listen, he’s totally a villain at least in the cartoon adaptation (I’ve not read the comics, going to consider them separate entities for the sake of argument), but he’s far from a two dimensional sussus amogus imposter blindly readying the planet for invasion.
I whole-heartedly believe that Omni-Man enjoyed being a superhero, saving lives. I believe his friendship with the tailor guy was real, I believe he respected, admired even, the Guardians of the Globe, cherished his relationship with Debbie, and enjoyed living among humans. The brief interaction with Darkwing and The Immortal when the Mauler Twins attack the White House is so sincere right? Like, it seems to me he respects them, the jokey “you’re welcome” when he saved Darkwing, the “I had him” when he saved the guard Immortal was going for, that wasn’t necessary of him. He had no real reason to be playful and cordial with them, he could have been distant and still gained their trust easily (I mean, Darkwing was a jerk and they loved him). The brief moment of shock and unresponsiveness when Mark revealed that he’d finally gotten his powers? I honestly believe that was a moment of disbelief. I think he hoped Mark’s powers wouldn’t manifest, hoped he wouldn’t have to continue his mission. That pause was him coming to terms with the end of things. The realization that he would have to hurt people he respected, finish his mission, and end his time as a father, author, and superhero.
When he collapses after murdering the Guardians of the Globe, the look on his face isn’t just exhaustion from the fight, it looks to me like shock. Disbelief. I don’t think he wanted to kill the Guardians, I think he hated doing it, but it’s what he was bred for. He was born and trained from childhood for thousands of years to weaken a planet from within, prepare it for invasion. Earth had superheroes, naturally a pretty noteworthy obstacle for an invasion, so he, in his mind, had no choice but to kill them. And notice that most of his kills are pretty... clean? He goes right for Immortal’s head, ditto with Aquaris and Green Ghost, snaps War Woman’s neck, kills Darkwing in one clean move, tears off Martian Man’s heart(? is that a heart?), crushes Red Rush’s head (which seems slow because of Red Rush’s perception of time being RIDICULOUS compared to our own, that horrific scene only lasted like a second for the rest of the characters). He goes for quick, clean kills, minimizing pain. Maybe its just brutal, soldier-like efficiency, since the greatest superheroes on Earth cannot be allowed to get any good hits in (they nearly killed him as it was), but what if it was a desire to not prolong the suffering of people he genuinely liked? 
We see in the flashback towards the end (during the THINK, MARK, THINK! scene lmao) that he initially didn’t give two shits about humanity on a deep level. He loved and respected Debbie and his then-very-young son, but thought humans were, on a whole, primitive and dumb. But as he spends time observing them, watching their culture, interacting with them, living with them, he warms up to them. The smile on his face when Mark hits his first homerun in little league, remembering Debbie’s favourite foods, the way he laughs when he mentions how a superhero had to meet the president in a plaid supersuit, the fishing photograph with the tailor. Even after he finally reveals himself as an infiltrator, the way he talks, to me, shows respect for his adversaries even as he demeans and belittles humanity. The discussion with Cecil, the warning to ‘stay out of this’. Nolan seems reluctant to kill anybody he doesn’t have to, and seemingly acknowledges that the Global Defense Agency at the very least is a minor threat.
So, you say, why does he act so AWFUL at times?
Well, his seeming lack of emotion after the funerals for the Guardians of the Globe can proooooooooooooobably be chalked up to his alien psychology. He finished grieving, he didn’t see the harm in cracking jokes about them. Calling Debora a ‘pet’? I think that honestly would be him trying to rationalise his feelings for her. There’s a fraction of a second where he hesitates to say it, and I honestly think he’s just trying to explain to himself how he could ever love a ‘lesser lifeform’. Killing all those innocent people? In his mind that was justified to get through to Mark. He doesn’t enjoy it -- though he also doesn’t dislike it -- he just sees it as a flat necessity, no less insignificant than killing a bug (i said the man is a complex character, I didn’t say he wasn’t evil). 
Don’t forget, Nolan’s genuine reasoning for bringing Earth into the Viltrum Empire is to help it. He argues that Viltrum technology can end hunger and poverty, end crime, revolutionize medicine. In his eyes, his indoctrinated eyes, he’s doing the right thing to help the people of Earth.
He still thinks he’s the hero.
‘it’s right to pity them’.
He sees humans as lesser creatures, he thinks they need protection from themselves, need to be brought up by the Viltrumites to be better. They can’t survive on their own, they’re weak and soft, they need us to reach their full potential, to find true glory in serving the might of Viltrum. Omni-Man does not see his actions as evil, he thinks he’s the good guy. He reluctantly kills the Guardians of the Globe, slaughters thousands of people, and destroys a city in order to, in his extremely twisted sense of morality, help people.
And, in the end, it is not the Viltrumite parts of Omni-Man and Invincible that end the conflict. It is Mark’s very human belief that he will, one day, get through to his dad. His refusal to give in, his undying love and determination to save people, save Nolan. It’s this that reaches Omni-Man. It doesn’t reach the tough soldier he had been for thousands of years, it reaches the small part of Omni-Man that wasn’t pretending to be human. The part that is Nolan Grayson. The part that, despite still seeing them as primitive and inferior, likes humanity. It’s a human tear that leaves his eye as Nolan flies away from Earth, finally giving up and refusing to facilitate the invasion if it means killing his son, something a full Viltrumite wouldn’t hesitate to do for a second if their family got in the way of their conquest. He was changed by his time with humans.
I’m not defending Omni-Man, he’s obviously a bad guy, an antagonist, serving a genuinely evil empire, but i AM saying he isn’t some flat, boring two dimensional villain who just PRETENDED to like humanity for the twenty odd years he spent living there. I’ve seen people in youtube comments replying with “I think you misunderstand Omni-Man as a character, you see, he was simply pretending to not hate humanity, it was all an elaborate ruse, there’s no real depth and inner terminal in him at all uwu” but i think THEY misunderstand Omni-Man.
He’s not morally grey, he’s arguably not even redeemable, but he IS a complex and well written character and boiling him down to ONLY being an evil alien who tricked people into liking him just rubs me the wrong way.
but idk maybe I misunderstood him and he really IS flat and boring. Maybe his time with humanity didn’t change him at all, he isn’t emotionally conflicted, and he’s just less cool than I thought.
And despite my seeming passive aggressive language, it’s totally chill if you disagree with my personal interpretation of Omni-Man as a character, art is meant to be a unique experience for everyone, so if you see him completely differently to me that’s great! I just dislike the insistence from some people online that anybody who sees him as a deeper, more complicated character is just wrong.
also sorry for this post coming out of left field entirely lmao 
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lochnessies · 3 years ago
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genuine question: how much do you think 3H fandom's issues fall down to basic media illiteracy, like the concept of unreliable narrators, character arcs or framing? because like.
"dimitri bad!" yes, he is condemned for this in his own route and he has a character arc to grow and change. he doesn't do this in the other 3 routes bc in one he is fine and the other 2 he is dead because his original thought process literally got him killed and he could only succeed once he abandoned it. it is almost like. this was the point. why even bring it up, we know that he did bad things. we played AM and understood the narrative being told, you see
honestly, in my personal opinion, most of the fandom’s problems come from this. now the game’s structure and writing itself isn’t free of blame but it would be disingenuous to place all of it on intsys.
and usually (don’t come for me for saying this bc i know someone will) these literacy issues come from a certain section of the 3h fanbase. once again, it would be disingenuous of me to place full blame on she-who-must-not-be-named’s stans but it is undeniable that there is a common denominator with their arguments.
i wouldn’t even chalk it up to them not knowing about unreliable narrators, character arcs, and framing bc they’ve shown that they do know with their analyses. for example:
seteth is an unreliable narrator because he says edelgard wants to make herself a false goddess when she clearly doesn’t
byleth has a character arc when they go from a cold mercenary to a human in crimson flower
crimson flower can’t be a villain route because the overt tones are saying you are the heroes
now these are surface level observations that are completely false but the fact that they are used shows that they are aware of these narrative devices.
i think the problem lies in their attachment to you-know-boo. they can’t possibly fathom that their little princess actually is the one you can’t trust and that her words are worth less than tana mongeau’s cryptocurrency. that everybody other than edelgard goes through a negative character arc. that the reason the cf tones are positive is bc of the ignorance theme but if you know the lore you see the cracks
the framing of white clouds is that the church is this evil shadow over fodlan and edel is this trailblazer that will forge a new dawn for fodlan. you see her laugh, cry, and be a teenage girl. then there’s the big twist in the holy tomb where you are forced to come to terms that you were just played like a fiddle. edel may still be a cute teenage girl but she’s also a liar, a terrorist, and an enemy to peace. however, since byleth is effectively a blank slate, you don’t get this internal dialogue and in the heat of the moment the player is most likely going to side with her.
then you get to crimson flower where everything edelgard did or was complicate in is swept under the rug and never mentioned again. the assassination attempt? flayn’s kidnapping? remire? the western church? her weird ass dad? it might as well have never happened so the player forgets about it.
so when they get involved in meta and the fandom they’re doing it from an edelgard centric view. she’s the one who’s right and everybody else is unreliable. edelgard goes through a character arc and dimitri and rhea are just lunatics. crimson flower is a brilliant dawn so how dare you insinuate that there’s something rotten in the state of denmark?
then there’s the fact that cf, and by extension edelgard, simply appeals to a more self righteousness mindset. now i’m not saying everybody who likes her has their head up their own ass, but if you go to places like r/edelgard it’s just a circle jerk of people stroking each other’s egos and talk of how everybody else is too simple minded to understand how complex edelgard and her motives are [enter zero escape meme here]. you’ll also find the same on tumblr and twitter but they’ll probably call you a sexist or homophobe or some other buzzword that has lost all meaning at this point.
they’ll continue talking and badgering you and flood comments, notes, and forums on ‘why edelgard is clearly the best and why can’t you just see it’ until everybody is exhausted and leaves. they’ll then strut around like they won an argument and are valid in their opinions bc nobody is arguing with them anymore.
so yeah, they’re 100% aware of these devices it’s just that a mix of bad structure, superficial meta, willful ignorance despite the evidence to the truth, and in some occasions just a personality flaw that has created this never ending nightmare we know as the fe3h fandom.
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ironwoodprotectionsquad · 3 years ago
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Considering the name of your blog I'm just wondering if you've taken a look at lore of the Silver eyes blog and their analysis on ironwood? I did and I had to stop a quarter of the way through out of sheer rage. It's just one long list of head cannons explaining why ironwood was always evil and the moment he tried to compare Atlas to the empire from Star wars I was out.
I blocked them a long time ago but not before seeing the post your talking about. Now I will be honest I don’t remember the post too well in terms of specifics within it but I do remember feeling extremely angry when reading it. What was very frustrating about this “analysis” is that I do recall them relying extremely heavily on their own personal head-cannons regarding James and acting as if they where in reality canon. I also remember seeing them sending their post to other James haters to try and get praise for this analysis and how good and accurate it was.
Now as I said it’s been a long time since I’ve read the post and they’re buried somewhere in my block list so trying to find the post and break down where it fails is just going to take forever and maybe it might be worth it but it also may just leave me angry and pissed off and that doesn’t sound like a good time for anyone. But this does seem like a good time to talk about the environment surround James and any of his fans.
Now I joined the fndm officially only very recently. I stopped watching the show for awhile because I just got way to busy and didn’t have the time to watch much of anything if I’m honest. So it’s hard for me to discuss how the fandom was before V8, all I can really talk about is post volume 8 and the environment we are in now and how James and his character are treated. But what I’ve seen and experienced is a very weird hatred towards James and his fans.
I regularly see posts from what can only be described as James haters outright lying about what James did in earlier volumes to try and twist him into a mustache twirling villain rather then allowing him to be the morally complex and flawed character he was up until Volume 8. He is a man who made both good and bad choices throughout the series, who did morally questionable things for the greater good of humanity because he didn’t see a better option and for the most part, neither did I. He was someone who spent a lot of time suffering and struggling with severe PTSD that goes relatively unchecked by anyone around him who then turned around and blamed him for breaking from the pressure and blamed him for things they *cough*fuckingWinter*Cough* told him to do. And the mega fans ate it right up. 
I have seen people claim James was manipulating Yang when he was disqualifying her from the Vytal tournament and later on when he gifts Yang her new arm, that Jacques did what he did because he knew James was a bad person who was trying to take over Atlas and he was the only one standing in James’s way, that James was trying to forcibly take over Vale from Ozpin, or more recently that he was completely useless and couldn’t do his job. If you examine the text however it’s pretty damn clear none of this nonsense is true. Plenty of people have broken each of these things down far better then I ever could but we know he wasn’t manipulating Yang because James and everyone else had no idea that Emerald made Yang see Mercury attacking her when he didn’t. James had every reason to want to be the one to talk to her from being head of security and not her headmaster so it would likely appear to be less biased to him having lost half of his body in an unknown accident so he likely felt he could relate to her and thought genuinely that it was an adrenalin rush that made her see something that wasn’t happening. 
I have already discussed why the Jacques thing is just complete nonsense but I will say I would like to know the thought process of the person making the post and the mental gymnastics they went through to convince themselves that Jacques of off people was somehow the one who was genuinely trying to help people rather then just the selfish asshole the show has repeatedly shown. 
The argument that James was trying to take over Vale is one I see most often which still to this day confuses me as to what made people decide this was what he was thinking. We know James is scared, we know James is the type of person who likes to keep control over the situation whenever possible, and we know he thinks very highly of his army. Now it could be argued that James liking to have control indicates a desire to take over Vale but I would disagree. James brought his army because he saw a danger, one he felt Ozpin wasn’t taking seriously. So he decided bringing his army to ensure safety was necessary in order to keep people safe. Now one flaw of the inner circle is that they seemed to have struggles with being on the same page and agreeing on what the best plan of action is. But even with this flaw, James still defers to Ozpin’s judgement and let’s him send a bunch of first years and a history teacher to investigate and when shit hits the fan because of this decision James honestly reports what happened, nothing more, nothing less. He didn’t manipulate or force the council to consider if Ozpin would remain headmaster after this incident, he didn’t take joy from it, he was doing what he felt needed to be done for peoples safety. 
I have been working on a long post about the last point here, but one thing I would like to mention is that regardless of the in story arguments as to why James isn’t useless, at the end of the day, RWBY are supposed to be the protagonists. The writers are going to do things to ensure they are a. apart of the plot and b. generally taking charge of the main plot. That is kind of just how writing goes. 
But even pretending James was supposed to be seen as incompetent, someone who is incompetent is NOT necessarily evil. I would even argue they generally are not evil or even trying to be malicious. Especially with James if he is incompetent (something I really do not think he is) we can see he is constantly trying to do good and help people out as best he can with what he has. He’s not this monster the writers and mega fans are trying to make him out to be, he’s a mentally exhausted man suffering from severe PTSD that our so called heroes ignored for potentially weeks. 
Sorry I know I rambled on way longer then necessary for this one I just had a lot to say. 
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shepherds-of-haven · 3 years ago
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I'm obsessed with this dark!Shepherds AU?? Could you tell us more about it? Or in a head-to-head fight, which Shepherds would win against their evil counterparts or vice versa?
Hi there, good question! I haven’t really given that much thought to the dark!Shepherds AU, but I imagine (if we’re making it very similar to the Justice League scenario) something happens to make the majority of the Shepherds snap, and they turn against the Autarchy and instate a form of governance based solely on power and domination. They think they’re doing what’s right by preventing conflict and protecting the world from demons, just like the Justice Lords felt when they took over the world. That being said...
Dark!Blade: Dark!Blade isn’t all that different from teenage/young adult Blade, who was perfectly comfortable with the idea of assassinating and killing people for his cause, and because he firmly believed it would lead to the greater good. Dark!Blade would be like that, but even colder and more ruthless than his past self. He would rid himself of all personal attachments, such as friends, family, and romance, believing that such feelings made him weak and hesitant, and made himself vulnerable to his enemies in the way that the Autarch was made vulnerable through her sons. 
In a toe-to-toe combat situation, it’s hard to say who would win. Both have razor-sharp killing instincts and battle tactics, but I’m probably going to give it to Dark!Blade, because he would be willing to fight dirty (taking loved ones hostage, threatening kids or bystanders) and Blade would sacrifice himself willingly for others while Dark!Blade wouldn’t. So I’ll give it to him 90% of the time!
Dark!Trouble: I really can’t imagine a dark version of Trouble, not in the whole “bad Justice League” sense. I suppose he already walks a fine line between light and dark as it is; his relentless good, altruism, courage, and compassion make him a hero, but there’s that edge of temper, rage, and darkness (especially in his past--he was a criminal and killer-for-hire too, after all) that colors it as well. Like, now it’s fine for him to beat the everloving shit out of an asshole like Lazu Reen, but that could tip over to someone who’s not so black-and-white bad, too--he could turn that hatred towards an enemy who is more nuanced, like a politician who ultimately serves the people and does good, but who happened to make Trouble an enemy by personally slighting or hurting a friend, something like that. Trouble’s sense of loyalty tends to override his desire for justice in some ways, and I could see him supporting someone like Blade or MC to the end if they framed their endeavors in a way that could still be read as “good”. Like, yeah I had to kill this group of people, but it was for the greater good! And he’d be like “alright, I trust you!” He’s got your back even when the whole world turns against you, until there comes a point when he just can’t stand it anymore--but by then, he probably already did a lot of bad out of love of his friends.
If it were a death match between Dark!Trouble and our Trouble, I’m betting our Trouble would win, purely because Dark!Trouble’s desire to live would be just slightly lessened by the weight of all the deeds he committed. I don’t think he’s truly cut out to be bad, so our Trouble would probably win... 
Truthfully, though, if we’re following the Justice League formula, I could see Trouble being the one dying to trigger the domino effect that leads to the Shepherds turning bad. Like the Flash (I’m pretty sure it was Wally West in JL), in a way, he’s one of the hearts of the Order that bridges them to the civilian population and vice-versa. If he were killed, I could see them falling into the path of darkness (with a lot of other factors involved, too).
Dark!Shery: we already know that Dark!Shery and Shery are one in the same, lol. I don’t think Dark!Shery would be so much like the bad Justice League; I think what would be dark about her would be her indifference, her total passive indifference to their quest for domination “for the greater good” and their thirst for revenge. Dark!Shery is more just personally angry, aggressive, loud, forceful, and selfish, but I don’t see any world where she sets out for power or world domination. If anything, I see Dark!Shery (in that AU) being petty and mean, ripping lollipops out of kids’ hands because she feels like it and not batting an eye at seeing a beggar collapse in the street. 
That’s not to say drunk Dark!Shery is like that, I’m just taking her badness to an extreme in an AU where all of the Shepherds are bad!
In a fight, Dark!Shery would absolutely win, lol. She doesn’t have any better combat abilities than our Shery, but her sheer rage would be terrifying and would lend her crazy strength, lol.
Dark!Tallys: Tallys, too, already walks the edge of the path to darkness a little bit, I think. Obviously she’s chosen the good side, but in a different world where a demon promised her revenge for her fallen family and an opportunity to burn the Autarchy down, I think the younger her would have taken it. In a dark!AU where Trouble was killed or something, I think she would be like, “okay, fuck it” and give in to that doubtful, vengeful side of herself and just go apeshit on the world. She would be one of the people spearheading the plan to take over the world. She’d give lip service and say she was doing it for the greater good, but another part of her would revel in the blood and chaos. It wouldn’t heal the wound in her heart, though, and would only make her even more twisted and angry. 
In a head-to-head first, I’m going to give it to our Tallys 60% of the time. Part of the thing that makes Tallys so effective in battle is her ability to sever herself from her emotions and maintain a cool head; she can detach herself from personal feelings and analyze combat with cold clarity. I feel like dark!Tallys would be easy to taunt into a rage, or she would let her hatred and thirst for blood cloud her mind, so I feel like our Tallys would have the advantage most of the time!
Dark!Riel: I say this in complete seriousness: in a world where Riel decided to turn evil or fall to the dark side, everybody is already fucked. He would absolutely be the most effective and terrifying villain out of the entire cast. He will rip, slash, and burn entire countries with the easy ruthlessness of an accountant making budget cuts. He knows a dozen ways to starve, lay siege to, and lead public campaigns against the enemy. He would be the scariest Autarch the world has ever seen. If you think he’s mean to his enemies like Ebert now, wait until he has no moral code holding him back...
It’s difficult to imagine a battle between Dark!Riel and our Riel, but I’m going to guess the utter dispassionate cruelty and lack of compassion in Dark!Riel would win 90% of the time. Our Riel has a little less edge than Dark!Riel, so for that reason, I think he would lose. And so would the world...
Dark!Chase: I feel like Dark!Chase is very similar to our Chase, just colder, more ruthless, and bloodthirstier. He’d take genuine pleasure in torturing and killing his enemies, and I think he would cut out the flirtatious aspect of his personality in favor of a crueler and more sadistic sense of humor. He would also probably be batshit insane, like, somewhere on the Joker’s level but not obnoxious; in fact, quieter and calmer and deadlier, like you could never really know what he was thinking. People would be afraid to look into his eyes. I think it would take a lot more to push him to that point than the others, though; but once he tipped over that cliff into darkness, there’d be no going back or remorse for him. He’d love to kill his enemies with a kiss and a smile.
In a fight between our Chase and Dark!Chase, I feel like it would be 50/50. Dark!Chase would be more reckless, unpredictable, and have even less of a fear of death than our Chase does; our Chase would have the edge in terms of strategy. So yeah, I think it would be 50/50!
Dark!Red: I can’t even imagine what Dark!Red would be like, lol. I just can’t imagine him being truly evil or ruthless without feeling guilty about it. I guess I could only imagine it if, like, he messed around with some spell and it robbed him of the ability to feel love or empathy?? But even then, I feel like he doesn’t have any inclination to go around conquering the world or hurting people. He mostly just wants to chill and read his books. I feel like he’d be the only one out of the group (besides probably Trouble if he’s not already dead) to be like uhhh guys what’s going on here, this isn’t like us?? He’d probably defect and lead a small underground rebel force with Pan and Neon. OMG and he’d be the one to figure out worldwalking and travel to our Blest to get our Shepherds to fight his because they’d be the only ones to stand a chance at taking down the evil versions of themselves!!! OMG!!! IT ALL FITS WTF. 
Dark!Ayla: I could see Ayla Hulking out and becoming full of rage, but it’s difficult for me to imagine her doing something like supporting the death of innocents or using dirty-handed maneuvers to conquer the land. She’s also among the most independent of the Shepherds, so I feel like she’d be the most vocal of their opposition... it’s realllly hard for me to imagine her casually killing anybody except for scumbags who hurt other people, like murderers and kidnappers. In a war between different political factions or a bid to conquer the world, I just don’t think she has it in her--no matter how angry and aggrieved she was at whatever turned the rest of the others bad.
I think she would either be on the good side, such as supporting Red’s rebels, or vocal enough among the bad guys to have been killed as a dissenter; she might not be around by the time our Shepherds made it to the dark dimension. But if she was, I’m pretty sure our Ayla would win against her 80% of the time. Our Ayla still has the courage of her convictions and the scrappy desire to survive no matter what; dark!Ayla probably wouldn’t. 
Dark!Halek: Also hard for me to imagine Halek turning truly evil; I feel like, if something bad were to happen to turn the rest of the Order bad, Halek would give himself more to grief instead of rage and revenge. He most likely would remove himself from the situation rather than try to take over the world; they would probably have to go hunting for him in the wilderness, kind of like when Luke was a hermit on that blue milk island in Star Wars (spoilers I guess?). I guess dark!Halek would be sort of tired and indifferent Halek, not able to go up against his old allies; our Shepherds might regard him as a coward, but he wouldn’t be evil like the others. 
Our Halek would definitely beat that Halek in a fight, but they’d probably have no reason to fight in the first place!
Dark!Briony: did any of you ever watch the Flashpoint Paradox (another DC movie about the Justice League--well, the Flash--finding out about a really evil parallel universe)? There’s a scene in it where Dark!Wonder Woman--Queen of the Amazonians and waging a war against Aquaman and the Atlanteans--like, beheads Aquaman’s wife Queen Mera and holds her head up to Aquaman like “fuck you”. I won’t link the gif because all of the violence in that movie is pretty gruesome, but that’s how I feel Dark!Briony would initially be. Super strong, running through the enemy army like a knife through paper, annihilating whole forces and landscapes with just her fists, and not giving a shit just how many people she’s killing. I feel like there’s already a tenuous grasp on her emotions in our Briony; beneath the happy-go-lucky, sweet exterior, she feels so much and loves so much that there’s also the ability for her to snap. It wouldn’t take that much (a few more Nathes) to unhinge her and decide to hurt the world as much as it has hurt her. I think she would sort of black out into an all-consuming, heartbroken suicide run where she just decided to do everything in her power to create as much destruction as possible, to somehow soothe the destruction in her heart. 
When that wouldn’t work, I think she would come back to her senses a little and start to slowly realize how fucked up and evil the things she’s doing (and the people around her) have become. It would be slower than someone like Ayla or Red, but gradually I think she would start to nurse a secret doubt in her heart, and if someone like Red was still around, he’d be able to convince her to start working for the good guys in secret, as their mole within the dark!Shepherds. However, I feel like cleverer minds like Blade, Lavinet, Chase and Riel would find her out, and she’d probably be executed for her treason.
In a fight against Dark!Briony and our Briony, I feel like it would depend on what stage of her development she’s at. If it’s still full rage mode, Dark!Briony probably wins like 80-90% of the time!
Dark!Lavinet: I could see Lavinet turning evil, but it’s sort of hard to imagine because she takes her duty to serve the people so seriously--it’s difficult to imagine what would need to happen to make her forget that, or to make her think she knows what’s best for them, even if that means doing bad things. It would already be so easy for her to do that in our world that she’s very conscious of it, so it would take a lot for her to fall into darkness. However, it’s still possible, and I could totally see her agreeing to be installed as a figurehead Autarch in order to maintain order and peace, slowly becoming more callous and ruthless over time. She would totally execute the old guard loyal to the previous Autarch and make their heads roll publicly to instill fear and respect for her reign. She does have that streak of ruthlessness in her; in our world, it’s reserved only for her enemies, but in that world, she’d slowly start to view everyone as her enemy--even past friends!
In a fight between Dark!Lavinet and our Lavinet, I would guess that our Lavinet would win 90% of the time. In that AU, I feel like Dark!Lavinet would let others do the fighting for her, and she would get used to ruling and being behind the front lines; in a way, she’d lose her fighting edge, something our Lavinet still has in spades. So in a direct combat situation, I think our Lavinet would win! In a game of wits and politics, I’m not sure--I would give that one 60-40 in favor of Dark!Lavinet!
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thedeviljudges · 3 years ago
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Do you think Yohan always planned to fake his death and join Elijah in Switzerland, or did he originally intend to really die with the rest of the 'villains'? Part of me thinks that would fit with his pre-Gaon conception of himself, as a monster, not deserving of love, not necessarily seeing a role for himself in Elijah's life beyond getting revenge for her/Isaac, and financing an opportunity to help her recovery. Or do you think regardless of that, he'd still never plan to leave her on her own?
i didn't mean to put off this ask for so long. i was busy, but i also wanted to wrap my thoughts around this before i tried answering. not bc i didn't have an answer to begin with but yohan and death is a subject i'd like to approach, but i'm not entirely sure how i'd like to make the analysis of it, and i'm not sure i ever will.
so that leaves me to answer it here in the best way i can because point blank: i do believe yohan intended to die by the end. i do think he had two plans in place since the beginning (dying or not dying and helping elijah), but of course, until that final moment, he wasn't ever going to know the truth. that end scene of him blowing up the court was a 50/50 shot. he had a plan to make it out, but it wasn't a guarantee.
but lets also back up a bit because before we get to that point, i think it's necessary to point out that the reason yohan gets away and does all of the shit that he does is because he knows that he might not make it out alive. it's why he's reckless. it's why he bends the law the way that he does. yohan's actions prove, over and over again, that he does not care for himself. he does not care to live except to protect elijah. there are so many small moments of this. we call yohan unhinged out of fun, but i think there is truth in it because i've mentioned this casually before (and part of my words above in terms of not necessarily knowing how to approach this just yet) is that yohan is almost...... suicidal himself.
he's reckless. he's said that he does not care about the actual law. his goal has always been getting revenge for his brother, especially for his niece who grew up without her parents. yohan never truly cared about the bigger picture until gaon came along. if we leave out gaon and think of the plot as such, yohan would've been able to prevail much quicker, i'd say. he had a plan and was going to follow through with it no matter what, regardless of the ending. and he knew going into it that there was a chance he wouldn't make it out alive.
which is why i think he partially also allowed elijah to blame him for her parent's death because if she hates him, it will be so much easier for her to forget him. she won't mourn him or miss him. she will be able to move on with her life and live it any which way she wants. but because yohan doesn't really understand kids, let alone elijah, what he fails to realize is that elijah doesn't actually hate her uncle. she's looking to get rid of all of the pent up hurt and frustration bc she never had an outlet to let all of that out. yohan fails to see that elijah cares for him and would miss him, to a degree, if he died.
so now, if we think of the plot with gaon, it twists everything on its head bc gaon has no need to be there within yohan's plans. yohan doesn't need gaon to do anything bc everything was already planned from the beginning. if anything, gaon came in and crashed some things, leaving yohan to pick up those pieces and continue pushing forward. biggest case in point, gaon's stubbornness and his arguments against yohan with the law and what he's doing.
see, gaon eventually comes to realize yohan's reasonings for doing what he's doing for his brother, but i feel like gaon thinks that even if that is part of yohan's plan involves revenge, how much does he think yohan is also doing this for the greater good and wanting to fix society? we know that yohan has no intention of that, but does gaon? and so no wonder gaon protests because if he thinks yohan is trying to fix a broken system (plus get revenge all in the same plot), no wonder gaon continues fighting yohan - he's under the belief that yohan is trying to make things better. but he's NOT.
which circles back to the idea that yohan had every intention of either making it out alive or dying. gaon opened his eyes that yes, maybe things could possibly be good. gaon made yohan question a lot of things along the way, especially his own humanness and realizing that he is worth something and not the monster he let himself believe he was, and what others told him he was. that wasn't part of the plan either, which is why it made it so much harder for yohan to go through with bombing the court because yohan's at a conflicting place of finally understanding gaon's hope but knowing that he only ever had revenge as an intent.
yohan's plan is derailed a bit by gaon being hope and introducing concepts yohan has lived without for so long. before then, yohan lived isolated with one clear goal in mind until gaon showed him he had a reason to live. i also said in another post that while gaon stopped yohan because he didn't want to see yohan going down a path he couldn't come back from, it was already too late at that point. yohan had already set his path long before gaon came into the picture and nothing he said or done would've changed that. but it DID given yohan more perspective and more heart, possibly being at peace even more so with dying knowing elijah would have gaon.
but instances within the show - of course, his two fake deaths. him steering gaon and himself off the road on the middle of the highway. him chasing after the minister's son. yohan asking soohyun to save gaon despite him literally bleeding out.
yohan does not care for himself. he does not care whether he lives or dies, as long as his plan is completed. we can talk til we're blue in the face about how yohan was wrong manipulating the law like he did and various other things, but the reason why? is because he did not care. and it wasn't because of him being a sociopath by any means. it was because he numbed his emotions, lied to himself, and used his love for his brother and elijah to propel him to a desired end with the possibility of his death involved. and quite frankly, that speaks volumes about who he is and just how much he actually cares, how much he actually has emotions.
yohan, to love his niece so much he decided to manipulate the law, to serve his own agenda and purposes for an outcome that wouldn't actually give them that much peace, but would at least position the country in a way they could grow and give elijah a life where she wouldn't have to grow up into that kind of destruction. this is why yohan "leaves" gaon behind and why gaon is the hope of the show because in going along with his plans, yohan realized that if gaon wasn't going to follow him through til the end, if he was going to do everything in his power to stop yohan, then the biggest apology yohan could give gaon was the world - the entire judicial system to make things right, to do better. that was yohan's gift to gaon and his apology because yohan had no intention of making it better. but maybe gaon could with him gone.
i've seen a few comments about how if yohan was someone in irl, we'd all steer clear of him, well, there's a lot of characters out there like that, but i wouldn't stay away from him for the reasons everyone typically lists (like the choking and manipulation) because they think he's that way just bc. yohan's actions mimic those of someone who simply doesn't care because they're depressed and not because they're psychotic. there is a DIFFERENCE. like yes, are some of his actions shitty? and his gaon right to mistrust the things he does sometimes, also yes.
but understand that there is a difference in people's behaviors depending on the underlying mental health issues involved. i don't fully believe yohan had any intent to hurt elijah or gaon maliciously. it's part of yohan being oblivious and not recognizing his own actions mixed with the entirety of his plans to be followed through til the very end. we've seen how oblivious yohan can be (the classroom bird story is a classic example; they all thought he was the devil when in reality, this kid only hurt the bird because it was scaring the girl he sat next to. logically, that mean eliminating the threat. he didn't purposefully kill the bird and enjoy it. it was a practical response within his own personal world).
i feel like i'm missing parts of this discussion, which is why i said this was a difficult topic for me to approach just to get all of my thoughts about it out there. and long story short to answer your question: i think yohan intended to die (just like he had a plan in case went to jail, for example). that possibility couldn't have been ruled out. but i think he had the plan to escape with elijah so that she could get better. either way, whatever happened happened, even if he died. elijah would be taken care of regardless.
gaon throws a wrench in his plans just a little bit, makes him realize his emotional capacities but gaon's not enough to stop yohan from seeing his plans out until the very end, even if that means losing gaon, too, because even if gaon has shown yohan that he is worthy of love and family and affection, it is not enough to forgive everything he's done, and he needs to make right what was wrong. yohan's death in that courtroom, if it had happened, wouldn't be the thing everyone needed to forgive him for his actions but it would be a start in eliminating himself as part of the problem.
another thing to keep in mind, is that we know yohan is not a sociopath, even if that's what everyone wanted us to believe. everyone thought he made sunah jump out the window, but what he was actually doing was protecting isaac and his mother's necklace. sunah made the choice all on her own, set up yohan and framed him despite yohan reaching out time and time again. isaac didn't even understand what had happened and focused on the fact that this girl jumped because of yohan without listening to the truth of it. yohan has always been shown to be fiercely loyal to the people he loves. he's never directly done anything bad (at least as a kid) unless he was provoked.
what people need to understand about yohan as a character is INTENTIONS. and i hope i'm making myself clear on this. everyone thinks he's born a devil, but that has never been the case. yohan's actions just come from a place from blind revenge. if he never needed to get revenge in the first place, if isaac was alive and well, would yohan make these same decisions? would he still be this kind of person who needed to use these methods to work around the law? i don't think so.
i think i remember getting an ask awhile back about whether yohan would eventually turn into who he is now had isaac lived because we see him livid and upset during that flashback to one of his earlier court cases (where we find he's ripping the paper with the pen) and whether or not isaac's death just fast forwarded the process. i don't feel like trying to go dig that post out, and i can't remember what i said on it either, but i feel yohan would have his family as a moral compass to keep him in line, and he wouldn't have succumbed to his present-day tactics. i think he could've worked his way up into the system and made real change. i think his heart could've been there all long, but again, was derailed by isaac's death and of course, plans changed.
this was a mouthful, and i hope what i'm saying makes sense because you can probably see what i mean about how difficult it is trying to organize my thoughts about this subject. but i am under the full belief that yohan had every intention of dying at the end or even before that. i think he's a depressed individual who learned to slowly open back up with gaon's help, but gaon is no doctor and no amount of his kindness would help someone that depressed either. it helped, certainly. but yohan saw himself as a monster/devil until the very end, and was more than willing to kill himself to make gaon and elijah's life so much easier. as penance. as justice. as love.
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