#well that's the terms of the deal

[papermint-airplane]

If I've said it once, I've said it a thousand times and I'll say it a thousand more: I would give someone's left arm for an amicable divorce mod.

I have a mod that makes romantic interactions like "ask if single" and "ask sign" friendly interactions instead. So unless I'm severely underestimating how hard it is to change interaction categories like that, wouldn't it be great if divorce could be a friendly interaction too?

Although I guess what I would really want is two divorce types -- the mean one we already have for ugly divorces, and a new friendly one for amicable divorces. Not every marriage needs to end in flames with each person hating the other's guts for daring to continue drawing breath in their vicinity. Sometimes you want your exes to be friends. It would just be nice to choose which type you want.

I know there's already workarounds like using the relationship transmogrifier or changing relationships in MC, but those don't have the same effect I'd like. I'd want the divorced Sims to still show in the family tree and on the relationship panel as ex partners.

Idk, I don't know how to make mods so for all I know, this is impossible. I feel like if it could be done, it would have been done by now but I've said that about a few things that just happened to be made recently. I will continue to wish for it until the day it exists. Or forever. Whichever comes first.

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.

[frobby]

i think a core component of the okumura twins relationship is that if you told them before the series what happens in the future, they would worry about each other before themselves

[zylphiacrowley]

Origenics

<previous - next>

[variousqueerthings]

as someone who was working as a live-in au pair for an only somewhat well-known performer (as in, not internationally famous multi-millionaire, but has sway in a certain sphere and whom i looked up to when i first went to work there in my early 20s and who promised to help me out with various things) who went from calling me a friend and a peer (so we didnt need a contract) to becoming verbally and emotionally abusive and got me into a situation of being briefly homeless

the whole gaiman and palmer thing really is. yeah. i can see how that could have happened to me if i'd been less lucky and that person had been even worse. all the behaviours those women are talking about in themselves, the not knowing how to approach the situation, the wanting to smooth things over/feeling guilt for causing a fuss, the worrying about money and what to do without this person, not knowing even what was real and not being able to frame it in the way it really was at the time they were living it (i had a sheet of paper i carried around for years where i had started documenting what my employer was saying and doing, because i felt genuinely mad, both at the time and looking back at it without that anchor)

and i was waaay less affected. and this person had waaay less power overall. and i had much better support structures. i can only imagine how intense it's been for them having to try to remember it, having to figure out what the contexts for their own decisions were in order to survive it, making sense of any of it might be, because it took 8 years or so for me to sift through all of my stuff

all these women's decisions make perfect sense to me, who only lived through something fractionally as bad, and i hope that people won't try to say that this has anything to do with bdsm or that they'd be above this, because it's not at all difficult to see how this happened, and how it happens to many people in many different ways (not all of them including sexual assault)

i hope people will be able to protect themselves when famous/people in the fields they want to work in/people with power over them make these overtures of "friendship" (especially in relation to you working for them in exchange for them helping you with... ???, but you're still definitely friends!!!) because really, it can happen so easily. soooooo so easily

[sendmyresignation]

i think there's really something to be said about how there has never been a record i've encountered where people wanted justification or excuse to refuse to acknowledge the intention and seriousness of the project itself like danger days by both defenders and haters. i find it so incredibly bizarre and strange and partially fascinating.

[kacchanrawr]

mha final volume spoilers

For the past few months I've kinda just come to accept MHA's ending to be whatever. Not the best, but not the worst I've seen it's fine whatever. But seeing the final volume extra content honestly just has me genuinely hating the ending. I'm trying to keep an open mind cuz it's not officially out yet and leaks can be kinda dubious, but I'm genuinely so upset.

Ig the main feeling I have is: genuinely what's the point??? I mean there's a lot of things going on in mha and depending on what you care about ig you could feel like everything's fine and resolved, but personally? Just no. My main problem a few months ago was with Toga's death, but now I'm just even more pissed.

As so many people have probably already discussed: killing the villains off after all this stuff about saving them is a fucking problem right?? With Toga's case specifically (cuz she's my fave and I care the most about her), it's her just dying after she finally found the love and acceptance she's always wanted from Ochako. Like why? Even if you can technically make sense of it with her explanation of "I want to live life as I please", it's just stupid and distasteful. It would be one thing if she said that cuz she was just running away to be free, but to kill her? Of bloodloss of all things? Idc abt people going oh thats sooo poetic, no i think it's stupid. So many other characters have lived after going through worse like for fuck's sake, Edgeshot's still around.

What's the point of that emotional resolution if you don't show the aftermath, of her being able to live happily, or at least how she'll go on with life from then on? She didn't have to die, she could've just escaped or whatever (I was hoping that was the case when there was no mention of Toga's body). But by killing her, the only message I got from mha's whole saving the villains thing is: "sooo maybe having empathy for the deviances of society is important actually, but it's kinda inconvenient to deal with them." And even if that wasn't Hori's exact intention, that's what his story seems to be saying by killing off the villains.

And then the fucking nail in the coffin is the fact that Hori used Toga's death to drive Izuocha. It was one thing when he did it with the cliff talk when Ochako was mourning Toga (I always found it distasteful okay), but it's so much worse to write Toga literally pushing Ochako to Deku. So not only did Hori kill off the queer character who finally had her resolution and romance so he won't have to deal with her, but he's really following through with the Bury the Gays trope by using her o push the girl she loves to a man? Ew.

The worst part is that even if Izuocha got together and they're canon or whatever cuz of that last part, the way Hori did it is so fucking mid. Like seriously, if you were gonna do my girl dirty like that for that het romance, at least make it good?? But noooo. I mean they don't have to be like kissing and getting married and having babies or whatever (that'd just be shit), but at least have them properly get together. What is that "implied romance" ass handshake?? There's no fucking reason to make it implied, they're not queer or forbidden or complicated or anything. Bro just didn't wanna commit to actually fleshing out their romance. And you used Toga and her death for that, for absolutely fucking nothing?? The funniest part is that everything Togachako did is infinitely more romantic than that handshake, so how am I supposed to be convinced by this "implied romance"? (anyone who says implications enough for izuocha I'd say the bar's just on the floor for you cuz they're het)

And then there's Bakugo. I mean I was fine and whatever with the original epilogue, but what the fuck? So you're telling me bro lead Project Deku Hero Suit or whatever for 8 years, only for Deku to reject him when asked to be a part of his agency? It may or may not have been explicitly stated that they'd be in a hero agency together whatever, but I feel like it was a natural conclusion that they'd end up working together/closely as a hero duo? Win to save and save to win, wonder duo defeating ShigAFO together, that hospital talk about competing together for the rest of their lives, him being the one to reach out to Deku at the epilogue chapter, hello? DEKU REJECTED THAT AND FOR WHAT. Also ok fine this may sound stupid to be upset over, but why the fuck is Bakugo rank 15. Like we do just be writing whatever I guess

I'm still holding on to some hope that the leaks were ass and inaccurate. Or maybe even completely fake cuz the chapter's been getting a lot of AI art allegations? Though it's also probable that's just the leaker who used AI to get high res pictures of the leaks. IDK MAN JUST PLEASE DON'T LET THIS BE COMPLETELY ACCURATE PLEASE LET ME STAND CORRECTED

[sesamenom]

more of Mae's adventures in Castle Dracula

aka: Maedhros used Punch! It's super effective!

[qoldenskies]

I want you to know that Leo bringing out the pet names for Donnie gut me every time and I am always laying dead on the pavement /pos Keep at it!

INSTANT KILL

[i-bring-crack]

A–Aventio TGCF idea?? Wherein Civil God Veritas Ratio meets the infamous Ghost King Aventurine during his first mission cuz cuz like— The "live for me" paralels?!? The one who has all the luck partner as well?!? The villain who was actually not the Villain this whole time!?!? The loving humanity a little too much it causes their downfall !?!?!?

Rant AU in the tags proceed with caution

[flawlessflesh]

for lack of better words, what’s wrong with delgal in your infinity au?

he's a severely depressed 60-something year old man in poor physical health with a substance problem. he can't get out of bed most days and has stopped taking care of himself. as you can imagine, this scenario is thistle's worst nightmare and everything he tries to do to "fix it" doesn't work - mainly because he is the cause of half of delgal's suffering :/ oh, thistle!

[planefood]

Tumblr user planefood as a fellow kiwi objectum I have to question your url because plane food is Fucking Disgusting /lh

My url indicates I am but fodder for the airplanes and I welcome it

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[anghraine]

melyzard replied to this post:

You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed. But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy

It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:

she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh

He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:

She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.

Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).

The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:

Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.

[coriander-candlesticks]

Hail Apollo and Hermes for helping me get my ass in gear to take care of a couple financial things that have been stressing me out for a while! ...and for the reminder to not impulse spend.

[scootersscooter]

Hazel Wells I love you,,,,,