#before making out darcy and georgiana themselves - she knows what an omnipresent livery signifies

[anghraine]

melyzard replied to this post:

You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed. But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy

It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:

she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh

He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:

She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.

Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).

The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:

Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.