#well i'm obviously not okay right now

[selfshipping-haven]

Heh. I knew this would happen someday. Here's some vent art of Vail. Threw this together in a short time to get out my feelings on the bad ending. I really wish I had make the expression more visceral. To show the amount of devastation, betrayal, and absolute shame of the moment. They made their escape and were presumed dead. If space had sound, just imagine the most gutteral, heartbroken wails you can possibly think of.

[slymanner]

Look all I'm saying is if that a shadow game can work THAT well and be so well designed story wise and gameplay wise

HE can work

[sachermorte]

(horrible) hole (deadly trap) I put my foot (rolled my ankle) (didn't see it) into (splashed myself against the floor) (faceplanted in front of a room of teenagers)

[makerofmadness]

Update on Town Square:

I got in and it is fun :3 you can just like. Choose a cookie to mess around as. I decided to be Alchemist.

Except apparently there's ALCHEMIST CONTENT IN THIS UPDATE??????? and I don't know how to get to it 😭😭 I saw someone else ask that in the middle of running around the square and I just. Started circling them dndjdjdjdnmd

Btw just wanted to highlight these parts of the title screen since I didn't really show my appreciation for them earlier.

(also also I love Granola Cookie already just-)

[pa-pa-plasma]

i don't think i'll ever get over how people treat kids that aren't good in school as worthless no matter what. "oh it can't be that bad" my guy idk how to tell you this but the last time i went to a normal high school the principal called me into his office to brag about how he failed me in all of my classes before the semester was even finished & i should quit while i'm ahead cuz i'm too stupid ("officially" diagnosed as such by a school counselor & a psychiatrist!!) to succeed. & this is considered normal

[vermillioncrown]

[+] my revision of formulation for the whole study & thesis was majorly approved, ppl can no longer pretend to or actually be lost

[+] minion² was contained, showed up in person and got the sense that no one was going to take his nonsense

[+] no major disagreement between the supes, all subteams understand their tasks

[-] back-to-back-to-back meetings w advisors, integrators, external working groups, and study lead in the next two weeks

[-] i have to finish reading... 15+ papers and compile their data

[-] fix a data structure implementation in my optimization model that i had promised since... nov last year lol (it wasn't entirely necessary. until now)

we'll see if i'm in the mood for stress relief writing instead of just stress relief daydreaming... there's a lot of stuff for every fic but it's all over the place. tpac hyperfixation is still holding strong (esp when compared to all other wips, it is second place for most concrete ending + actual epilogue)

(first place is larb bc every chapter is outlined and scoped; just haven't felt like writing it)

(not saying the other fics don't have planned endings but besides their plot i don't have the context for the endings yet. the shape of the ending scenes are very much informed by the long, in-between chapters)

[bewby]

when you get blocked by him even tgough you guys barely even talk anymore but the last time you talked which was about a week ago you actually had a nice and healthy conversation and you had alot of love for eachother and it seemed amazing 😂😂😍😍😍😍 no i'm definitely not fucking crying Lol

[rubys-domain]

maybe sumeru being the fucking massive nation that it is is a blessing in disguise. so i always have a place to do chill exploration when i get sick of my artifact luck

[eggmeralda]

kind of wish my way of coping with morbid things wasn't to expose myself to them until I become desensitised lol

[loverboybrightsideghost]

.

[sunnywalnut]

No but I'm still looking for the Denny's that is still in the middle of nowhere

having cis guy friends is so funny like youll ask if they wanna hang out and theyll send you to the dark woods

[unproduciblesmackdown]

withering whenever it's like "can't believe they did this Horror in tv y7 media" type thing When what that means is "made a reference to r rated horror movie" like can't believe an evident approximation of Recognizably Specific character or sequence or whatever is in there. like why not. and why is that in & of itself Impressive like well is the scene actually good / is whatever the Reference is being used for effective even without going "i get that reference." do we expect a kid to get the reference. do we expect it to be that motivating to be like "oh shit here it comes. clapping & cheering for Getting The Reference which is the only reason i showed up" like i fucking guess. that "yes, i too Get The Reference" motivation sure Apparently existing but it's so alien(tm) to me (oh my God this media that's not Teens & Up showed a Xenomorph(tm) (but not (tm) so as to be sued?) how?? &, the vision of this, i guess) like does the thing (oh my god. another generally recognizable horror movie. or movie poster) make sense if you don't go "ah, i know exactly what's being referenced :)", is there any broader Effect even if you do Get It. idgaf about clapping b/c They Said (A) Thing i recognize from other media & can like turn & be like "ah did you recognize this as well? delightful" like help. agonizing even if it Doesn't have any meaning If You Do Not Get It. was horrified myself at some interview doing a billions(tm) style Movie Quotation to expand on what someone said by going "oh it's like that scene in movie where she says quote & does moment that makes a trailer" & i was like yeah i do know that material but why was that Specifically invoked to make a point so generic it's barely relevant to that elaborate interruption....like that obviously i think it can be a lot of fun if someone is like "ah i too know that thing" but only if that leads to relevant in depth shared enjoyment of Some sort of specific element. not like oh hell yeah high five over the most superficial thing, or it being a bummer / Shame if you Don't too know that thing, who give a shit. i've never seen anything ever. but preexisting References / whatever passed around description/invocation of peak recognizable / memorable / relevant element sure reach me such that like oh yeah i Know Of xyz sequence without having ever seen that thing. probably without necessarily realizing b/c it had any function in its source material without knowing "ah, this is a reference. & i know it" & like there's no [wow this is a reference to whatever] that would motivate me in & of itself, i think the peak motivation was this sweet spot of like, i was Barely Online before being fourteen & already liked things as an individual experience so the idea that there were other people Liking & Knowing the same thing seemed a lot more impressive for a time lol. but it would still have to be specific enough, might've been like "ooh a reference to thing??" several times & then been like okay that wasn't that rewarding lol

obviously a matter of Taste like idc it's grating to me but have fun with [a reference??] revelry, i'm not making a specificass blog post to an audience of Four with this drive like "oh how i wish that this was Illegal" just like idgaf about wordplay/pun haters like whee yippee i'm a connoisseur, we're obviously having different experiences, i'm meanwhile also having the experience that i don't give a shit about Getting a reference alone or along with anyone else, regardless of any other effect [that which happens to be a reference] has / is used for. or it's like the Huh, What, of "when i like i song i'll memorize at least part of it probably, i like to sing along, if not Extra liking it & memorizing Most or All of it, perhaps with extra effort" (me) vs other people like huh wha i've never memorized a song in whole, much less on purpose, b/c i liked it. vs even if there's a song i really like (like a source material being referenced that i really like) i'm not gonna respond to Just The Title or effective title like half line from the refrain or anything, unsung. gimme a karaoke moment. idk

[strikersin]

Dreams. Dreams. DREAMS!

The one where I'm watching a movie at Luther's house and she is dressed in almost Russian attire - Fancy, cold, and so beautiful. And we're in bed and I'm explaining my excitement over the Pathologic movie and later we have to deal with zombies but whatever.

And I'm playing with children's toys there. Everyone is so young.

Real life when we were read The Last Unicorn or something, something, at the cafeteria table. The book where the protagonist is taught how to keep her thoughts locked up tight like a box.

Ugh.

[mypenisthebarrelofthegun]

my friends have a running gag that i'm a nefarious scheming villain and it makes me feel loved more than anything

[sturnsdarling]

'Chris likes girls who don't like him back'

Late night streaming with your best friends turns to a conversation about the boys' type, and Chris gets called out

vibe check: flirty fluffy fun, 3/4 of my favourite f words

1.4k words

A/N: i had this idea literally straight away after what Matt said about Chris' type.........the idea of being Chris' best friend that he openly fancies but you're 'not interested' makes MY TOES CURL BRO LIKE ARE YOU KIDDING anyway I hope you love this. PART TWO IS INCOMING…

love and cigs, merc

"Matt he's right there what the fuck are you doing?!" you scream down the mic, nearly throwing your controller across the room as you jolt back in your chair.

You watch as Matt gets sniped in the head from the back, laughing as he wails on this desk, making the whole stream glitch and nearly crash. Chris is laughing along with you, trying not to make it obvious that he's watching you, and not Matt.

"Matt, bro you need to fuckin' up your game, y/n/n is actually carrying us right now." Chris says as Matt picks his chair up off the floor and sits back down in a huff.

"I always carry when I come on with you boys" you smirk, looking at the tiny square of Chris on your screen.

"yeah because you're a little sweat" Matt chuckles.

The boys had been streaming everyday for over a week now and, after some convincing, they managed to get you to join in on one of their games. At first you were apprehensive, obviously, but they explained that they were trying to diversify their platform and find a more mature audience so, actually interacting with girls on the internet was their first step.

You and the boys had been friends for forever, you met them through Nick in elementary school and had basically all been inseparable ever since, you'd been in some earlier videos but the fans back then made it very difficult to just exist around them so, you took it upon yourself to only exist in their real life, not their online one.

Cut to right now, you're nearly two hours deep in fortnite trios with the boys on stream, everyone was super excited to see you when they announced that they'd be joining and, other than a couple comments that you all ignored, it was going really well.

"Matt, someone asked what our types are" Chris laughed, reading the chat.

"I'm not answering that" Matt dead panned, screwing his face up at the camera

"I can answer it for you both, for sure" you chuckle, "chat do you want me to answer it?"

"yes, yes, yes, yes, omg yes" Chris was reeling off the answers in chat, "everyone wants y/n/n to answer, Matt should we let her?" Chris asked.

Matt rolled his eyes with a smile, "g'head, y/n/n, expose us" He chuckled.

"okay, so" you said, in your best girly gossip voice, "Matt likes nerdy, reader, soft girls" you begin to explain, your train of thought is interrupted by Chris erupting into laughter.

"dude she's so right! you love a girl that looks like she's always buried in a book" Chris wails.

"what are you guys even saying?" Matt complains, the smile etched across his face giving his tone a lot less power.

"you definitely want a girl who will go on a hike with you or some shit, Matt" You say, enjoying this whole interaction a bit too much.

Chris was keeled over in laughter, loving finally being able to talk about this kind of stuff on the internet without everyone going insane.

"I dunno why you're laughing so much, Chris, you're next" Matt states, Chris shrugs in reply.

"i don't give a fuck, call me out y/n/n, gimme the best you got" Chris sits back in his chair, arms folded over his chest.

"hmmmm" you say, exaggerating your thinking, "what is the famous Christopher Sturniolos type" you rub your chin, pretending to be thinking deeply.

A knowing smirk is spread wide across Chris' face as he stares at your face on his screen, tongue prodding the side of his cheek.

"I know Chris' type" Matt adds, a menacing smile on his face.

"g'head matt, you take this one" you gesture to the boy on your screen.

"Chris likes girls who don't like him back" Matts brows raise in accusation towards Chris.

You try and hide the smile forming on your face, attempting to look as focused on the game as possible as your tongue prods at your teeth. Neither of the boys say anything, both of them cheesing, Matt in a teasing and knowing kind of way and Chris more so in a 'I cant say what I wanna say' kind of way.

"damn, Matt, you just called me the fuck out" Chris shakes his head, looking to the tiny version of you on his screen.

You're still quiet, trying to fight the smile on your face and look as focused as possible, you catch Chris looking as if he's looking at you on his screen and shake your head with a chuckle.

"what you grinnin' at, kid?" Chris smirks.

You raise your brows, shaking your head with a downwards smile, "no, nothin', nothin" you say, returning your focus back to the game.

All of the viewers watched the interaction and were blowing up the chat with comments about how Chris definitely likes you, saying things like 'did you guys see that?!', and 'think they're slick look at how they're both smiling!!!!!'. Chris was reading the comments and trying to hide the red blush crawling its way onto his cheeks, Matt was relishing in the fact that Chris was so obviously nervous, and you were just trying not to react.

"Chris, dude, you better wipe that smile off your face, chat's onto you" Matt pokes the bear.

"chat ain't onto shit, Matt, shut the fuck up" Chris says, trying to be serious but unable to push his smile down.

"you know i'm right though, you do like girls who don't want you" Matt pushed on with his joke.

"Matt, shut your fuckin' mouth, dude" Chris rolled his eyes and shook his head, his smile still prevalent.

You couldn't help but laugh, still pretending to not care about the situation unfolding. In hindsight, it probably made it all the more obvious that you knew exactly what Matt was referring to.

"you're awful quiet, y/n/n, you got nothing to say on Chris' type?" Matt extends his joke over to you and your attention is immediately on him.

"nah, you hit the nail on the head, I think" you shrug, stretching back in your chair and adjusting your headset.

"oh really?" Chris replies, brows raised in accusation.

"mhm" you nod, faux innocently.

Chris kisses his teeth, nodding and trying to hide the smile on his face once again.

"yeah, chat, Matts right, I like pretty girls, who don't like me back" Chris says, subtly turning his attention to you and then back to chat.

You roll your eyes with a smile, leaning forward once more to lock into the game.

"you're ridiculous, Chris" Matt chuckles into the mic, watching you shift in your seat, trying not to blush.

The rest of the game went off without a hitch, you guys went on to win multiple times and all the viewers eventually stopped trying to get the conversation back to Chris' obvious crush on you. You played until the early hours of the morning, joking and laughing with the boys' just like old times and relishing in the fact that you were finally able to be a part of their online presence again. When it hit around three a.m you told them you had to sign off, explaining that you had to be up early for college that morning.

"guys, I gotta go, but I'll text you when I wake up" you said, pulling off your headset, and brushing your hair back with your hand.

"alright, y/n/n, thanks for helping us bury kids, its always a treat" Matt grinned at you, shooting you his token boyish smile.

"you know I live to humble kids on fort, Matt" You shrugged, putting on your best boyish persona, earning a laugh from Matt

"okay seriously, I gotta go, bye chat!" you smile, "bye boys" you go to switch off your computer but you're stopped by Chris booming voice.

"bye, beautiful" he says, a cheesy grin on his face.

your eyes roll to the back of your head as an uncontrollable smile finds your lips, "bye, Chris" you reply, switching off your computer.

The whole chat erupts with people losing their minds over Chris calling you beautiful, the boys say nothing, Matt just shakes his head, laughing at the chat as he watches Chris, grinning with pride and completely unashamed of his very obvious crush on you.

taglist: @sturniozalt@mattslolita@shaquilles-0atmeal@blahbel668@sleepysturniolo@le4hsblog @sarosfilms @joemamaaa42069 @2muchofaslvt @seluky10

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.