#wei-han yang

[annoyingthemesong]

SUBLIME CINEMA #656 - YI YI

I've admired Edward Yang a long time for his haunting film 'The Terrorizers', but Yi Yi is even more refined, and a total masterpiece.

Beautifully rendered by Wei-Han Yang, Yang's cinematographer on the equally great 'Taipei Story'.

[kdram-chjh]

Cdrama: Decline (2023)

#Cdrama #BL "i would wait until you come back." #Shorts #webdrama #江湖少年诀

Watch this video on Youtube: https://www.youtube.com/shorts/fXjf16fDpvI

[stuff-diary]

GG Precinct

TV Shows/Dramas watched in 2024

Directors: Cheng Wei Hao & Yin Chen Hao

Writers: Chou Man You, Yin Chen Hao & Cheng Wei Hao

Mini-review:

Look, GG Precinct is not bad at all, but it makes the big mistake of selling itself as a spin-off/sequel to Marry My Dead Body (one of my favorite comedies of 2023). At the end of the day, if you change the characters' names and a few random references, there's nothing else connecting it to the movie. I mean, it even seems to forget the character development that happened there. Sure, it's still pretty hilarious and the mystery itself is engaging, but it feels like something we've seen a thousand times. I don't know, it wouldn't have hurt to add supernatural elements again, to sort of bring it a bit closer to the movie. Tbh, the best thing about it is the superb cast, whose acting and comedic timing makes the whole thing fun to watch. So yeah, it's not terrible, but it does feel like cash grab.

[astolfocinema]

Taipei Story (1985) --------------------- dir. Edward Yang cin. Yang Wei-han cou. Taiwan

[asksythe]

Is there any deeper meaning to Lan Wangji stealing the fragrance pouch Mian Mian gave to Wei Wuxian?

Well, yes.

He's jealous of that Mianmian hussy and wants Wei Wuxian to marry him and not her.

Hahahahaha!

Ahem. Let me explain. Flower or fragrant pouches are one among the 12 proposal gifts of ancient China.

Here it is, number 7 among the 12.

The meaning behind the flower satchel is 寄情寄思 (lit. to entrust my love and longing). So a woman giving a man a flower satchel she made in ancient times means, 'Marry me, dude!' And if a man asks for a satchel made by the woman's own hands, it means he's saying, 'You so hot, baby! Marry me!'

The flower/fragrance satchels as a token of great love and promise are most known through two separate legends:

1.Yang Guifei and Emperor Tang Xuanzhong. In which, after Yang Guifei died during wartime, only her flower satchel was reclaimed. The rest of her body was reduced to shattered bones. When he was given this satchel, Emperor Tang Xuanzhong cried and kept it in his sleeves for the rest of his life. This legend was made into a poem 太真香囊子 (The Pouch is steeped in Fragrance) by the poet Zhang Hu.

2. The Book of Jin Jia Wu recorded Jia Chong's youngest daughter Jia Wu falling in love with his lowly aide Han Shou. To discreetly confess her love, Jia Wu made a satchel and gifted it to Han Shou. When Jia Wu detected the familiar scent of his daughter's fragrance recipe on Han Shou's body, he immediately cottoned onto their feelings. Luckily for the pair, Jia Chong was a considerably open-minded man for the time, so he blessed their love despite the gap in social stations and allowed the two to wed.

So Wei Wuxian asking Mianmian for a fragrance sachet is tantamount to asking her to marry him in the eyes of many, and at least very, very flirtatious. That's why Mianmian reacted the way she did.

And this was in front of Lan Wangji.... Imagine how Lan Wangji felt. So it wasn't without reason (other than the fact Lan Wangji was at a very low point in his life then) that Lan Wangji reacted like he did.

So Lan Wangji stealing WWX's fragrance pouch and keeping it on his body for decades after is equivalent to saying, 'You will not marry her. You will marry me!' without actually saying it.

That is to say, Hanguang Jun might not look like it, but he would fit right at home in one of those scandalous, overly dramatic telenovelas where the love rivals duke it out by bitchslapping each other. You just need to speak his language (of actions) to see this.

[jedineedlove]

Legend VS LMK

Nüwa

Legend:

Name:

Mother Goddes, and Member of the Three Sovereigns of Chinese Mythology. The sister and wife of Fuxi. Nuwa is considered the goddess of creation and the female emperor of mankind. Her reverential name is Wahuang (Chinese: 媧皇; lit. 'Empress Wa'). That is due to Nuwa’s position of honor in the Chinese pantheon, Nuwa was given a character completely unique to her name – Wa. Nu is the character of woman and is often used as a prefix for goddesses.

Shes is a godess in Chinese folk religion, Buddihsm, Confucianism and Taoism

She is one of the most venerated Chinese goddesses alongside Guanyin and Mazu.

Origin:

Nuwa was created by her mother, the goddess Huaxu. While wandering the heavenly realms, Huaxu stepped into the footprint of the god of thunder Leigong and suddenly became pregnant. In the earliest versions of the myth, Huaxu gave birth in the earthly realm to only Nuwa.

In later versions, Huaxu gave birth to Nuwa and Fuxi. Nuwa and Fuxi were born with the bodies of snakes and the faces of humans, however, they could shapeshift into humanoid figures with two legs and a tail.

Nüwa & Fuxi Appearances:

The iconography of Fuxi and Nüwa vary in physical appearance depending on the time period and regional differences. In tomb murals and iconography, Fuxi and Nüwa generally have snake-like bodies and human faces or heads.

Nüwa is often depicted holding a compass or multiple compasses, which were a symbol of a dome-like sky. She was also thought to be an embodiment of the stars and the sky or a star god.

Fuxi and Nüwa can be depicted as individual figures arranged as a symmetrical pair or they can be depicted in double figures with intertwined snake-like bodies. Their snake-like tails can also be depicted stretching out towards each other. This is similar to the representation of Rahu and Ketu in Indian astrology.

As some tales of Nüwa and Fuxi, both sprang from the same mother at the same time, Taoists believed that Nuwa was the primordial personification of yin energy (female, gentle, intuitive, and receptive) and Fuxi was representative of the yang (male, fast, active, fierce). Coming together symbolized the reunion of the yin and yang energies which then united to create human existence.

Fuxi and Nüwa can also appear individually on separate tomb bricks. They generally hold or embrace the sun or moon discs containing the images of a bird or a toad (sometimes a hare) which are the sun and moon symbolism respectively. Them holding the sun and the moon appear as early as the late Western Han dynasty.

Other physical appearance variations, such as lower snake-like body shape, depictions of legs. and wings with feathers that protrude from their backs as found in the late Western Han Xinan Tomb or smaller quills found on their shoulders, and in hats and hairstyles.

the Gansu murals dating to the Wei and Western Jin period, one of the most typical features of Fuxi is the "mountain-hat" which looks like a three-peaked cap while Nüwa is depicted wearing various hairstyles characteristic of Han women. Both deities dressed in wide-sleeved clothing, which reflects the typical Han clothing style also commonly depicted in Han dynasty art.

Nüwa and Fuxi Other Stories:

In one version of their myth, soon after the birth of Nuwa and Fuxi, a great flood struck the earth, and only Nuwa and Fuxi remained unharmed after escaping by boat. As the years passed, and with only each other to keep themselves company, Nuwa and Fuxi longed for companionship. Unwilling to violate the laws of heaven by sleeping together as brother and sister, they prayed together seeking a sign of approval.

As they were the only humanoids of their kind left upon the earth, the Emperor of Heaven accepted their union. After mating, Nuwa gave birth to humanity, becoming the matriarch of mankind by giving birth to a ball of meat. Nuwa and Fuxi then divided the meat into pieces shaped as humans and scattered them across the world.

In another version of the creation tale, found in the Classic of Mountains and Seas, Nuwa and Fuxi lived upon legendary Kunlun Mountain. Trying to keep warm on a cold night, the twins created two fires. As the fires burned, they eventually became one. While watching the fires merge, Nuwa and Fuxi joined together as husband and wife. Deciding that they would like to have children, they molded clay into the shape of humans. Using their powers to imbue the small figurines with life, Nuwa and Fuxi created humanity.

Duyi Zhi volume 3, written by LiRong over a thousand years ago, gives a slightly different account of the Chinese creation myth – “There was a brother and a sister living on the Kunlun Mountain, and there were no ordinary people at that time. The sister’s name was Nuwa. The brother and sister wished to become husband and wife but felt shy and guilty about this desire. So the brother took his younger sister to the top of the Kunlun Mountain and prayed: “If Heaven allows us to be man and wife, please let the smoke before us gather; if not, please let the smoke scatter.” The smoke before them gathered together. So Nuwa came to live with her elder brother. She made a fan with grass to hide her face. (The present custom of women covering their faces with fans originated from this story).”

"But most versions give sol credit of humanity's creation to Nuwa. But in some of those Fuxi is credited with introducing a number of innovations and inventions that made significant improvements to the lives of his wife’s beloved creations. One of these, for instance, is the invention of fishing and domesticating animals. "

Creation:

After the goddess Hauxu gave birth to Nuwa, Nuwa roamed the earth alone. The earth was young and teeming with life, filled with blossoming trees and flowers. The lush grounds were covered with many types of animals, the skies were filled with birds, and the seas were full of fish. But while the earth was beautiful, Nuwa felt very lonely, despairing that there was no one to accompany her.

While walking one day, Nuwa was struck by the idea of creating living beings herself. First, she made a new type of bird that could not fly away from her by creating chickens. Then she wanted to make an animal that would be a constant companion, and Nuwa created dogs. On the third day, she made sheep. Then pigs. Then cows. On day six, Nuwa made horses On day seven, while Nuwa walked along a riverbank, she stopped to admire her reflection. As she stroked the hair from her face, she was struck with inspiration and thought to make life forms that looked like her. Nuwa began to scoop and mold yellow clay into figures that had arms and could stand upright upon legs. As she worked the mud in her hands, the figures came alive and began to move and speak. Soon, the creations began to sing and dance around Nuwa while honoring her. All of the loneliness Nuwa had known went away.

Thrilled at her results and filled with passion for her creation, Nuwa desired to make more humans faster. She realized that she could drag rope across the mud and mass produce them, as creating every person individually was beginning to take too much time and hurting her hands. Soon she began to whip the rope, flinging mud and making people faster and faster.

The people Nuwa molded by hand became the wealthy nobility. The ones she made by dragging the rope became commoners. And finally, the ones Nuwa made by whipping the rope became the servant class. As she finished making the last batch of humans it began to rain. Because some of these figures had not yet dried, the rain began to mark them and melt them. The last batch of humans that Nuwa created were damaged by the rain, and thus were the ancestors of those with sickness and deformities.

"She molded humans individually by hand with yellow clay. In other stories where she fulfills this role, she only created nobles and/or the rich out of yellow soil. The stories vary on the other details about humanity's creation, but it was a tradition commonly believed in ancient China that she created commoners from brown mud."

The Pillars:

One of the enduring myths of Nuwa is that of the repairing of the Pillar of Heaven. In the early days of earth’s existence, The earth was separated from the sky by four large pillars which had once been the arms and legs of the creator god, Pangu.

During these early days, the god of water, Gong Gong, and the god of fire, Zhu Rong, had been at odds for many years. Unable to hold back their fury at one another, they engaged in battle to determine who would be the god of the heavens. As they fought, fires raged and floods began to destroy the new earth.

Gong Gong was finally subdued by Zhu Rong, but in his rage, he slammed his head against Buzhou Mountain, one of the four pillars of heaven that had once been Pangu’s leg. An earthquake shook the earth, and the pillar collapsed tearing a hole in the skies.

Looking upon the earth, Nuwa was filled with compassion for her children who were suffering. The new creation of earth had been torn to shreds from the battle between the water and fire gods. Fires burned out of control and water poured in a deluge from the hole in the sky. Nuwa desired to help her children, so she sought out the sky turtle, Ao.

Nuwa threw herself at Ao’s mercy, hoping for a miracle to save her many children. The sky turtle, feeling compassion for the mother of humanity, took Nuwa’s sword and cut off one of his legs, offering it as a substitute pillar. After leaving Ao, Nuwa collected five colored stones (red, yellow, blue, white, and black) and melted them together to repair the hole in the heavens, while using Ao’s leg to replace the pillar.

( The five-colored stones symbolize the five Chinese elements (wood, fire, earth, metal, and water)

Waters poured on her relentlessly as she pushed the leg into position, and once in place, she shoved the ashes of burnt reeds into the remaining holes to plug the leaks. After replacing the pillar and stopping the deluge, Nuwa fell exhausted upon the earth and died.

While many are familiar with the Chinese myth of the Three Sovereigns and Five Emperors, some areas of south China revere Nuwa as one of the Three Sovereigns, reigning as Empress Wa after the death of Fuxi and the rise of Shennong.

Tying into China’s strong ancient matriarchal beliefs, after the reign of Fuxi, the Empress Wa’s rule was challenged by a neighboring tribal chieftan. After defeating the chief in battle, Nuwa dragged her enemy to the peak of Mount Buzhou. Filled with shame, the chief banged his head upon the mountain, tearing a hole in the sky.

As the waters poured from the heavens, the entire world soon flooded, killing all of creation except for her army which was protected by her godhood. Nuwa then found five colored stones and melted them together, patching the hole in the sky.

In other versions of the Pillar of Heaven myth, when Nuwa attempted to fix the sky with the five melted stones she soon found that there was not enough to fix the hole in the sky. Knowing there was no other choice, Nuwa used her own body to fix the remaining hole, sacrificing her life to keep her children safe. With the hole repaired the deluge ended, and humanity was able to thrive and multiply again.

"In all of the myths of the repair of the Pillar of Heaven, due to Ao’s leg being slightly shorter than the original pillars, Nuwa could not align the sky and earth the same as they were before. The sky slanted to the northwest. The earth slanted southeast.

Since the repair, the sun, moon, and stars all rise from the east and set to the west, and all of the rivers in China flow southeast. And due to the use of the multi-colored stones, the clouds of heaven now had different colors."

Other:

In southwest China, many of the minority groups still celebrate Nuwa as their primary goddess and honor her with the yearly Water-Splashing Festival. There are many temples to Nuwa and Fuxi, but the largest temple to the pair lies in Hebei Province, believed to be the ancestral home of all humanity.

The Classic of Mountains and Seas, dated between the Warring States period and the Han dynasty, describes Nüwa's intestines as being scattered into ten spirits.

In Shuowen Jiezi (c. 58 – 147 AD), China's earliest dictionary, under the entry for Nüwa author Xu Shen describes her as being both the sister and the wife of Fuxi. Nüwa and Fuxi were pictured as having snake-like tails interlocked in an Eastern Han dynasty mural in the Wuliang Temple in Jiaxiang county, Shandong province.

In the collection Four Great Books of Song (c. 960 – 1279 AD), compiled by Li Fang and others, Volume 78 of the book Imperial Readings of the Taiping Era contains a chapter "Customs by Yingshao of the Han Dynasty" in which it is stated that there were no men when the sky and the earth were separated. Thus Nüwa used yellow clay to make people. But the clay was not strong enough so she put ropes into the clay to make the bodies erect. It is also said that she prayed to gods to let her be the goddess of marital affairs.

In Ming dynasty myths about the transition from the Shang dynasty to the Zhou dynasty, Nüwa made evil decisions that ultimately benefited China, such as sending a fox spirit to encourage the debauchery of King Zhou, which led to him being deposed. Other tales have her and Fuxi as exclusively the "great gentle protectors of humanity" unwilling to use subterfuge Another telling of that story is from the famed Ming Dynasty novel Fengshen Bang. Nüwa is revered since Xia dynasty for creating the five-colored stones to mend the heavens, which tilted after Gonggong toppled one of the heavenly pillars, Mount Buzhou. Shang Rong asked King Zhou of Shang to pay her a visit as a sign of deep respect. Upon seeing her statue, Zhou was completely overcome with lust at the sight of the beautiful ancient goddess Nüwa. He wrote an erotic poem on a neighboring wall and took his leave. When Nüwa later returned to her temple after visiting the Yellow Emperor, she saw the foulness of Zhou's words. In her anger, she swore that the Shang dynasty would end in payment for his offense. In her rage, Nüwa personally ascended to the palace in an attempt to kill the king, but was suddenly struck back by two large beams of red light. After Nüwa realized that King Zhou was already destined to rule the kingdom for twenty-six more years, Nüwa summoned her three subordinates—the Thousand-Year Vixen (later becoming Daji), the Jade Pipa, and the Nine-Headed Pheasant. With these words, Nüwa brought destined chaos to the Shang dynasty, "The luck Cheng Tang won six hundred years ago is dimming. I speak to you of a new mandate of heaven which sets the destiny for all. You three are to enter King Zhou's palace, where you are to bewitch him. Whatever you do, do not harm anyone else. If you do my bidding, and do it well, you will be permitted to reincarnate as human beings." With these words, Nüwa was never heard of again, but was still a major indirect factor towards the Shang dynasty's fall.

Nüwa and Fuxi were also thought to be gods of silk

LMK:

Long ago, Nüwa sculpted humanity out of clay and mud. She believed her children would not survive the primordial sea of chaos, so she built the Pillar of Heaven and forged the cycles to protect them. But, a cataclysmic event left the pillar shattered. Nüwa crafted five-colored stones and reconstructed the pillar back to its original state. She entrusted four stones to the Four Symbols: the Vermillion Bird, the Black Tortoise, the White Tiger, and the Teal Dragon, the final one to be guarded by the Jade Emperor. After Monkey King's birth, Nüwa repurposed his stone to carry the Harbinger of Chaos. She was saddened by the creature's existence to sacrifice himself but knew that this was a necessary sacrifice to keep her children safe from the chaos beyond.

Thoughts:

Throughout the whole research into her real-world mythology. She has been credited for creating a few animals though monkeys are not mentioned that could be just my research or something else. But I actually found something similar to her pillar story number 3 that nearly matches the LMK version of her fixing the pillars. She was never in the JTTW. But some other thoughts on Nuwa and the pillars I think when she fixed the pillars she accidentally made Wukong. I don't remember where I read this but I think there was a version of JTTW that had the Jade Emperor say something about " Made with the essence of fragments of Godess Nuwas Power" Even if that might not be what I remember right. Maybe it could be in the LMK universe when the crew fought the Nine-headed demon, he used his chaos powers to bind them to certain sections of the wall.

MK is placed over his mural self, the silhouette of his destiny. And the others are placed over the sotnes that would later be them when they smashed them.

But then look at Wukong who is placed in Nuwas hand in the mural of her molding and creating humans.

This could be foreshadowing that it might be revealed and it might hold something of importance later. It might also explain why the goddess chose Wukong as the templet for her harbinger of chaos.

Other Media:

She does appear in the film "The Monkey King: Havoc in Heaven's Palace" and "Journey to the West II", both of which feature Nüwa creating Sun Wukong using one of the five-colored stones. The former film also features Nüwa sacrificing herself to rebuild Heaven, similar to her actions previous to Season 5.

Thnak you for reading if you have something i missed please leave it in the comments thank you :)

[queerliblib]

Any recs for East and SE Asian protags/focused writing? Any and all genres welcome!

just answered a similar ask the other day! it was very WLW focused though, so here are some queer of other varieties works that fit:

The Membranes by Chi Ta-Wei

Nuclear Family by Joseph Han

Afterparties by Anthony Veasna So

Beijing Comrades by Bei Tong

Ghost Town by Kevin Chen

For Today I am a Boy by Kim Fu

Burden of Ashes by Justin Chin

The Genesis of Misery by Neon Yang

Saints of Storm & Sorrow by Gabriella Buba

we’ve also got a whole section of Manga if that’s your jam

[bl-bracket]

Most Unhinged Bracket

Round 1

Vegas (Kinnporsche: The Series) vs Ruan Lan Zhu (The Spirealm)

Ray (Only Friends) vs Fu Yong Jie (HIStory 4: Close to You)

Boston (Only Friends) vs Ichikawa Mitsuo (Double Mints)

Phaya (The Sign) vs Jan (To Sir, With Love)

Mew (Only Friends) vs Ye Zun (Guardian)

Tan (Manner of Death) vs Tin (Triage)

Nawin (Laws of Attraction) vs Ayan (The Eclipse)

Yok (Not Me) vs Tol (Triage)

Nick (Only Friends) vs Noey (I Will Knock You)

Han Ying (Word of Honor) vs Yai (Big Dragon)

Black (Not Me) vs Kim (Kinnporsche: The Series)

Porsche (Kinnporsche: The Series) vs Taohu (The Miracle of Teddy Bear)

Ming (My Stand In) vs Kurosawa (Ossan's Love)

Zhou Zishu (Word of Honor) vs Kijima (The Pornographer Series)

Lhong (Tharntype: The Series) vs Meng Shao Fei (HIStory 3: Trapped)

Jang Jaeyoung (Semantic Error) vs Mo Yi (Stay with Me)

Charn (Laws of Attraction) vs New (Dead Friend Forever)

Xiang Hao Ting (HIStory 3: Make Our Days Count) vs Toh (Secret Crush on You)

Rain (Love in the Air) vs Aoyama (The Shortest Distance is Round: Noir)

Wei Wuxian (The Untamed) vs Nuan (Something in My Room)

Wen Kexing (Word of Honor) vs Way (Pit Babe)

Non (Dark Blue Kiss) vs Chun Sangwon (Love for Love's Sake)

Xue Yang (The Untamed) vs Akk (The Eclipse)

Todd (Not Me) vs Charlie (Pit Babe)

Hira (Utsukushii Kare) vs Prom (Playboyy)

Kiyoi (Utsukushii Kare) vs Nuea (Secret Crush on You)

White (Not Me) vs The Parents (My Eleventh Brother)

Lan Wangji (The Untamed) vs Ritsu (End of the World with You)

Bun (Manner of Death) vs Chalothon (The Sign)

Xie Wang (The Untamed) vs Ai Di (Kiseki: Dear to Me)

Tankhun (Kinnporsche: The Series) vs Prapai (Love in the Air)

Tsuge Masato (Cherry Magic) vs Karan (Cherry Magic TH)

[compneuropapers]

Interesting Papers for Week 44, 2024

The role of the human hippocampus in decision-making under uncertainty. Attaallah, B., Petitet, P., Zambellas, R., Toniolo, S., Maio, M. R., Ganse-Dumrath, A., … Husain, M. (2024). Nature Human Behaviour, 8(7), 1366–1382.

Modeling hippocampal spatial cells in rodents navigating in 3D environments. Aziz, A., Patil, B. K., Lakshmikanth, K., Sreeharsha, P. S. S., Mukhopadhyay, A., & Chakravarthy, V. S. (2024). Scientific Reports, 14, 16714.

Anterior cingulate cortex provides the neural substrates for feedback-driven iteration of decision and value representation. Chen, W., Liang, J., Wu, Q., & Han, Y. (2024). Nature Communications, 15, 6020.

Firing rate adaptation affords place cell theta sweeps, phase precession, and procession. Chu, T., Ji, Z., Zuo, J., Mi, Y., Zhang, W., Huang, T., … Wu, S. (2024). eLife, 12, e87055.4.

Non-Hebbian plasticity transforms transient experiences into lasting memories. Faress, I., Khalil, V., Hou, W.-H., Moreno, A., Andersen, N., Fonseca, R., … Nabavi, S. (2024). eLife, 12, e91421.3.

Gaze-centered gating, reactivation, and reevaluation of economic value in orbitofrontal cortex. Ferro, D., Cash-Padgett, T., Wang, M. Z., Hayden, B. Y., & Moreno-Bote, R. (2024). Nature Communications, 15, 6163.

Modulation of alpha oscillations by attention is predicted by hemispheric asymmetry of subcortical regions. Ghafari, T., Mazzetti, C., Garner, K., Gutteling, T., & Jensen, O. (2024). eLife, 12, e91650.3.

Contributions of cortical neuron firing patterns, synaptic connectivity, and plasticity to task performance. Insanally, M. N., Albanna, B. F., Toth, J., DePasquale, B., Fadaei, S. S., Gupta, T., … Froemke, R. C. (2024). Nature Communications, 15, 6023.

Consequences of eye movements for spatial selectivity. Intoy, J., Li, Y. H., Bowers, N. R., Victor, J. D., Poletti, M., & Rucci, M. (2024). Current Biology, 34(14), 3265-3272.e4.

Prediction error determines how memories are organized in the brain. Kennedy, N. G., Lee, J. C., Killcross, S., Westbrook, R. F., & Holmes, N. M. (2024). eLife, 13, e95849.3.

Neural Representation of Valenced and Generic Probability and Uncertainty. Kim, J.-C., Hellrung, L., Grueschow, M., Nebe, S., Nagy, Z., & Tobler, P. N. (2024). Journal of Neuroscience, 44(30), e0195242024.

Selective consolidation of learning and memory via recall-gated plasticity. Lindsey, J. W., & Litwin-Kumar, A. (2024). eLife, 12, e90793.3.

A synergistic workspace for human consciousness revealed by Integrated Information Decomposition. Luppi, A. I., Mediano, P. A., Rosas, F. E., Allanson, J., Pickard, J., Carhart-Harris, R. L., … Stamatakis, E. A. (2024). eLife, 12, e88173.4.

Memorability shapes perceived time (and vice versa). Ma, A. C., Cameron, A. D., & Wiener, M. (2024). Nature Human Behaviour, 8(7), 1296–1308.

Mixed Representations of Sound and Action in the Auditory Midbrain. Quass, G. L., Rogalla, M. M., Ford, A. N., & Apostolides, P. F. (2024). Journal of Neuroscience, 44(30), e1831232024.

Neural activity ramps in frontal cortex signal extended motivation during learning. Regalado, J. M., Corredera Asensio, A., Haunold, T., Toader, A. C., Li, Y. R., Neal, L. A., & Rajasethupathy, P. (2024). eLife, 13, e93983.3.

Using synchronized brain rhythms to bias memory-guided decisions. Stout, J. J., George, A. E., Kim, S., Hallock, H. L., & Griffin, A. L. (2024). eLife, 12, e92033.3.

Cortical plasticity is associated with blood–brain barrier modulation. Swissa, E., Monsonego, U., Yang, L. T., Schori, L., Kamintsky, L., Mirloo, S., … Friedman, A. (2024). eLife, 12, e89611.4.

Structural and sequential regularities modulate phrase-rate neural tracking. Zhao, J., Martin, A. E., & Coopmans, C. W. (2024). Scientific Reports, 14, 16603.

An allocentric human odometer for perceiving distances on the ground plane. Zhou, L., Wei, W., Ooi, T. L., & He, Z. J. (2024). eLife, 12, e88095.3.

[talesofsorrowandofruin]

Me? Celebrating my birthday by making moodboards for various OCs? It's more likely than you think!

In no particular order:

Leopold Colman (The Case-files of Seo Yo-han)

An Ji-hun (The Case-files)

Alexander Lennox (The Case-files)

Davit Altounian (The Case-files)

Seo Yo-han (The Case-files)

Ophelia Patton (The Case-files)

Meng Wei Yang (The Case-files)

Gilbert Millner (Uneasy Money)

Hariye Zinoth han-Teyar (Like Snow on Hungry Graves)

Rusudan Lajareshvalë (LSOHG)

Konstantine Niðarajë (LSOHG)

(All photos from Pinterest)

Adding the taglists:

Case-files: @akindofmagictoo, @sam-glade, @sarahlizziewrites, @oh-no-another-idea, @cljordan-imperium,

@mrbexwrites, @lightgriffinsect, @thescatteredscribbles

Uneasy Money: @lightgriffinsect, @transthadymacdermot

LSOHG: @whimsyqueen, @original-writing

(Let me know if you want to be added to/removed from any of the taglists!)

[mikuni14]

Poll Tag

tagged by @my-rose-tinted-glasses thank you! 😘

Challenge: make a poll with five of your all time favorite characters, and then tag five people to do the same. See which character is everyone's favorite.

The challenge seems impossible, just the thought of choosing only 5 characters made my brain overheat and shut down lol. That's why I chose them at random, because otherwise I would have sat on it until tomorrow and probably died (without even choosing anyone 😭).

(I know Beyond Evil isn't technically BL, but I think we can all agree that yes, it actually is).

The choice was VERY HARD, especially in situations where I really like both characters and choosing between them seems unfair (like Love For Love's Sake, Our Dining Table, To Sir With Love etc.). Also, some characters were my favs only in part of the series, like Tharn (The Sign) or Sprite (Twins), but in these parts I loved them dearly. Other characters I wanted to add: Charn (Laws of Attraction), Shin Da On (Light on Me), Yamato (I Cannot Reach You), Rain and Phayu (Oh My Sunshine Night), Mr. Tiwson (MSP), Jang Jae Young (Semantic Error), Im Han Tae (Sing My Crush), Fighter (Why R U), Yoon Tae Joon (ULS) AND MANY MORE 😭

Tagging @italianpersonwithashippersheart @shannankle @pickletrip @miss0ataeand @silverraes @pinkkop @listeningwithearphones @whenisawthemoon @callipigio @whiteorangeflower @benkaaoi @befuddledcinnamonroll @braininanotherdimension @poetry-protest-pornography @negrowhat @maxescheibechlinichacheli @nozunhinged (sorry if I missed anyone). Anyone who sees and want to play consider yourself tagged by me and please tag me if you do it 😘

[kdram-chjh]

Cdrama: Decline (2023)

#cdrama #江湖少年诀 #AdventureofYoungDetectives #BL #fanedit

Watch this video on Youtube: https://www.youtube.com/shorts/lsxol1pdCK0

[renewedmotionforjudgment]

A Definitive (See: Extremely Subjective) Ranking of (Not All) Yu Zheng Dramas

With the Double airing, it has occurred to me that despite all of my critiques of Yu Zheng, I have watched quite a number of Yu Zheng dramas. Two reasons: (1) I do love a palace makjang, and Yu Zheng wrote a lot of them before harem dramas got banned, and (2) Yu Zheng is a prolific producer.

Disclaimer: despite everything, I have not seen Female Prime Minister.

So a definitively, extremely subjective, rank of Yu Zheng dramas.

Gong 1 aka Jade Palace Lock Heart. A plot that is banned these days. Modern girl time travels back to Qing dynasty, specifically during the Kangxi era, and gets mixed up in the dynastic battle between the 4th prince and the 8th prince. Starring Yang Mi and Feng Shao Feng. Copious plagiarism from Hana Yori Dango/Meteor Shower, FL advises a Kangxi concubine to rollerblade her way into seduction, and the start of Yu Zeng's neon era. Does it have the cerebral gut punch that Bu Bu Jin Xin gave? Nope. But it remains an extremely fun watch. Only 35 episodes.

Scheme of Beauty/Beauties Rival in the Palace (the first one, I have not seen subsequent ones). An extremely fictional story about Empress Dou of Han, played by Ruby Lin, also featuring Yang Mi, Feng Shao Feng, and Luo Jin, back when he was still playing the second ML. There is some plagiarism scandal attached to it, but I will say that plot wise it's probably the most tightly written of all Yu Zheng works.

Yanxi Palace. I admit, I am a Legend of Ruyi girl through and through, but upon re-watch, honestly Yanxi Palace is so fun. It is a later era Yu Zheng, when he's no longer as restrained by thing like "put less plot armor on your main characters," but it is probably the drama that plays best into Yu Zheng's strength, aka a fun makjang.

Gong 2. Was Yu Zheng trying to rip off Zhen Huan? Yes. BUT it's a fun watch with albeit VERY NEON outfits.

Legend of Haolan. The story about Qin Shi Huang's mother. Wu Jinyan playing a very Wei Yingluo character, so enjoyable watch, but also it felt very ... Yu Zheng madlibs.

Ban Shu Legend. The costumes were fugly. But I actually enjoyed the chemistry between Zhang Zhehan and Jing Tian. The plot is a mess though, I can't even describe it.

Untouchable Lovers. It was a mess! but! it's like a whose who of Yu Zheng's current talent roster.

Swordsman. Yes, I'm putting it below Untouchable Lovers because that drama was at least aesthestically pleasing. Swordsman was Yu Zheng's peak neon era and if there is one thing Yu Zheng should have no business touching, it is a classic wuxia.

[k-s-morgan]

Hi....if you don't mind me asking, who are your favorite romantic relationship's couples in books/ manga/ anime/movies/tv series (can be canon or non-canon)? Sorry if you've answered this question before......Thanks....

Hi! Thanks for such an interesting question!

So, I chose to mention the ships that I loved enough at some point to read fics about them obsessively, from the oldest to the newest.

The X Files

Mulder and Scully

Sailormoon

Haruka and Michiru

Queer as Folk

Brian and Justin

Harry Potter

Harry Potter and Tom Riddle

Previously I shipped Harry and Snape + Voldemort and Bellatrix

Sherlock

Sherlock and John

Hannibal

Hannibal and Will

Black Butler

Sebastian and Ciel

Shadowhunters

Alec and Magnus

Batman

Bruce and Joker

Untamed & Mo Dao Zu Shi

Wei Wuxian and Lan Wangji

Ships I also liked a lot and read fics about, only to a lesser extent, are Stiles and Derek from Teen Wolf (although I didn't feel much between them in the show, it was fics-strictly ship), Edward and Bella from Twilight, Jack and Elizabeth from Pirates of the Caribbean, Flint and Thomas from Black Sails, Ga On and Yo Han from Devil Judge, Xiao Xingchen and Xue Yang from Untamed (show, books, + anime).

[dangermousie]

In support of Hot General Summer (tm)

I realized that my recent poll not only lacked visual support but also left out a lot of my fave cdrama generals. So, in support of my Hot General Summer agenda:

Xiao Qi, Rebel Princess

Wei Wu Ji, Sound of the Desert

Ling Buyi, Love Like the Galaxy

Zhousheng Chen, One and Only

Zhao Yun, God of War Zhao Yun

Sima Yi, Secret of Three Kingdoms

Han De Rang, The Legend of Xiao Chuo

Zhan Beiye, Legend of Fuyao

Gao Chang Gong, Lan Ling Wang

Xiang Yu, Story of Han Dynasty

Cao Pi, The Advisors’ Alliance

Meng Tiang Fang, Ancient Terracotta War Situation

Chu Bei Jie, General and I

Zhu Zan, Jin Jiu Ling

Wolfie, The Wolf

Xiang Yu, Legend of Chu and Han

Cheng Yi, The Promise of Chang’an

Liu Xiu, Singing All Along

Huo Xin, Painted Skin the Resurrection

Meng Qi You, Glamorous Imperial Concubine

Yang Bros, The Young Warriors

Weng Gui, Princess Jieyou

Xiao Ping Zhang, Nirvana in Fire 2

Pei Zhao, Maiden Holmes

Ji Ye, Novoland Eagle Flag

Zhu Qi Zhen, Imperial Doctress (it’s a reach he’s an emperor. But he leads his force in battle and I wanted Wallace Huo there so...)

Yuan Ling, Lost Love in Times

Yi Xiao Chuan, The Myth

Gu Tingye, The Story of Ming Lan

Lu Bu, Three Kingdoms 2010

Xu Lingyi, The Sword and the Brocade

Yue Fei, Patriot Yue Fei

Xiang Yu, The Myth

Ping Zhang, Nirvana in Fire 2

Guo Jing, Legend of Condor Heroes 2008

Xiang Yu, The Legend of Qin

[hel-the-growl]

Cultural Annotations on New Gods: Yang Jian -Part 1-

This is the companion piece to my long-ass thread about the same topic on twitter.

Light Chaser really outdid themselves with the visuals and research this time, and with Yang Jian out in NA theaters, it's totally worth seeing on the big screen.

There were so many historical references packed into this movie, I thought I'd do a deep dive into the characters, motifs and lore associated with Investiture of the Gods scene by scene.

Background

Yang Jian is the second instalment of the New Gods series of animated films (after Nezha Reborn), that are loosely based on the 16th-century Chinese novel Investiture of the Gods (IOTG). IOTG shares some canon with other Chinese classics like Journey to the West, Classic of Mountains and Seas, Lotus Lantern etc. so there may be crossovers.

The character Yang Jian, better known as the god Erlang Shen, is a figure widely regarded as heaven's greatest warrior deity. He is recognized for having a third truth-seeing eye, and in IOTG, helped bring about the fall of the Shang Dynasty in 1046 BC.

The movie however, takes place during the Wei, Jin and Northern and Southern dynasties circa 5th century AD, some 1500 years after events of IOTG. We first meet Yang Jian as a rather lethargic but free-spirited individual, 12 years after losing his powers during a great disaster involving the three realms, scraping by as a bounty hunter.

A rough timeline

c. 1075-1066 BC: Yang Jian is born

c. 1060-1050 BC: Yang Jian cleaves Peach Mountain

1046 BC: Battle of Muye (Conclusion of Investiture of the Gods)

c. 9 BC-23 AD: Erlang Shen defeats Sun Wukong (Journey to the West, Chapter 7 - Havoc in Heaven)

c. 405 AD: Disaster of the Three Realms; Yang Chan is trapped under Mount Hua

c. 417 AD: New Gods: Yang Jian

c. 1920s - c. 1930s: Nezha Reborn

Breakdown

Yang Jian’s crew all have backstories. In Journey to the West, Kang Anyu (康安裕) and Yao Gonglin (姚公麟) are two of Erlang Shen’s six brothers of Plum Mountain, both supreme government officials in charge of military affairs. Maybe we’ll get to find out about the other four’s whereabouts in later instalments?

Xiaotian is Erlang’s dog sidekick who helps him subdue evil spirits and never leaves his side. The movie’s version of Xiaotian seems to be inspired by ancient paintings depicting her as a white hound.

The wanted bulletin printer seems to be inspired by a Hu Shi Ren You (虎噬人卣), a tiger-shaped Ancient Chinese wine vessel.

In Chinese mythology, Penglai is a legendary island for immortals. It has been reimagined to be the equivalent of the CBD of the divine realm.

The dice used in the casino are 18-sided Xing Jiu Ling (行酒令) from the Han Dynasty. It has the numbers 1 to 16, along with the characters for "wine" and "arrogance" engraved in gold and silver. The rat is the first animal of the Chinese Zodiac.

Shunfeng’er (顺风耳), who now goes by Old Gao and works at the casino, was usually accompanied by Qianliyan (千里眼). They are two temple guards whose names translate to “all-hearing” and “all-seeing” that could hear and see things from thousands of miles away.

Light Chaser is serious about its monkey business. The way casino monkey grabbed Yang Jian’s tally with his foot, the big ape miming and even in Nezha Reborn where the little monkey imitated Yunxiang.

Fun fact: The monkey is voiced by Yang Tianxiang, the same actor who voiced Li Yunxiang (Nezha) in Nezha Reborn.

Refresher - Primordial Spirit, known in Chinese as yuanshen (元神), is is a concept in Daoism defined to be a level of existence surpassing that of physical existence. In the New Gods universe, they manifest as giant glowing avatars.

New Gods also has a recurring theme of lost Astras - In Nezha Reborn, Wukong’s staff is nowhere to be found and Yunxiang has only recovered Nezha’s Sky Ribbon so far. Among Erlang Shen’s many Astras, three are mentioned in the movie.

Yang Jian’s headdress is designed to resemble his signature trident, the "three-pointed, double-edged lance". Hence when casino monkey asked him where his weapon was, he clinked the headdress.

This weapon was later shown in a flashback:

Another one of his Astras is a golden bow with silver bullets. According to the director, it was melted into his harmonica (although this was probably retconned as in the teaser for the sequel, it was his mother who gave it to him as a child). The harmonica not only has the powers of his bow, but is also the ignition key for his ship.

The third weapon featured is his mountain-cleaving axe (开山斧). It is the axe he used to split Peach Mountain in half to save Yaoji. He is shown wielding the same axe in the opening montage 1500 years earlier and it is currently wedged inside the Lotus Peak of Mount Hua from the events of 12 years ago. Needless to say it is a powerful Astra with earth-shattering capabilities.

The Four Diablo Brothers - Mo Lihong, Mo Liqing, Mo Lihai, and Mo Lishou - were initially antagonists in IOTG, having launched an attack on the Western Foothills. This led to the introduction of Yang Jian, who helped defeat the brothers.

By the conclusion of the novel, they were enshrined as the Four Heavenly Kings - Vaiśravaṇa, king of yakṣas (多闻天王; Duowen Tianwang), Virūḍhaka, king of kumbhāṇḍas (增长天王; Zengzhang Tianwang), Dhṛtarāṣṭra, king of gandharvas (持国天王; Chiguo Tianwang) and Virūpākṣa, king of nāgas (广目天王; Guangmu Tianwang). In the movie, only Mo Liqing was addressed by his title when Shen Gongbao met him inside the lighthouse.

There's a PSA on the noticeboard with a picture of Nezha pissing. It reads "no urinating or defecating here." This might be a piss (pun intended) at the 2019 animation Ne Zha from a rival studio, and its hilarious promo. The shade 💀

Further supporting my theory that White Snake and New Gods are from the same universe, Precious Jade from White Snake is recruiting!!! And medicine boy plugging his illegal business lol.

Jinxia Cave (金霞洞), lit. Gold Sunset Cave is Yuding’s HQ. It is located on Jade Spring Mountain in the Divine realm.

The little disciple playing the flute is a tribute to the 1963 ink animation “The Bamboo Flute” (牧笛) produced by Shanghai Animation Film Studio.

Yuding is one of the many disciples of Yuanshi Tianzun, one of the highest deities of Daoism known as the Primeval Lord of Heaven. Yuding is ranked 10th among the “12 golden disciples”, and among his peers are Jiang Ziya (the main character of IOTG who led the battle against Shang), Taiyi Zhenren (Nezha’s master) and Shen Gongbao etc. They are all practitioners of Chan Daoism, also known as Kunlun Sect, founded by Laozi and Yuanshi Tianzun.

In the tale of the Magic Lotus Lantern, Chenxiang was the son of Yang Chan AKA Goddess San Shengmu AKA the holy mother of Mount Hua AKA Erlang’s sister, and a mortal scholar named Liu Yanchang. This parallels the Yang siblings’ own origin story as the children of a goddess and a mortal.

Chenxiang literally means Agarwood. It is a revered wood valued for its use in incense and traditionally burned during meditation.

The place on Jade Spring Mountain where Yuding sealed the sect brother’s Dharmakaya (the embodiment of the truth itself, a transcendence of the physical and spiritual bodies) is based on the travertine pools in and around Jiuzhaigou, Sichuan. Notably, a scene from Journey to the West, a story associated with Erlang Shen, was once filmed at one of the waterfalls here. I’ve been here and yes, it looks exactly like this irl.

Part 2｜Part 3｜Part 4