#week 48 2022

[karin1027]

Inside soap week 48 2022

[bobbie-robron]

Eastenders schedule - week 48 (2022)

[amrv-5]

Genuinely unbelievable how much basic face to face conversation makes life feel good and worthwhile and bearable 😭

[happywebdesign]

https://www.studiorhe.com/

[zef-zef]

Siobhan - Latex Face Mask from: Siobhan - Body Double (Nostilevo, 2022; Opal Tapes, 2023)

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[affinityraee]

Bye SNL

Done wit this thing till I think next week unless their taking another break

Why is this ending different and now theirs a ad what I’m confused

Oh wait it happened

BYEE SNL AAAA BYEEE

Five timers yay the jacket is on it’s official

Bye for real this time

[paisleypattern]

This Week in Music (Week 48, 2022)

Playlist, here. Details Below.



New Songs

Chase & Status straight to my veins, please. UK Garage stand up! Song

When country music hits, it hits. "When I need to get back to who I am / There ain't but just one road there / Sometimes you gotta start nowhere". Song

Oof new Metallica!! Fresh as they were in 1983. Song

Get in your feelings with this Tunisian choon. Shouts to my little bro Subhi for putting me on. Song

Mood-y. Song

A whole fucking vibe. Brand new artist discovery this week. Lyrics cut deep on this one: "this life is a cycle". Song

Throwback

Big up to my friend Andrea for educating me on this gorgeous classic. Connie Francis ruled the charts globally from Europe to the Far East Asia to Australia and beyond in the 1950s and 1960s. She was the first woman in history to reach No. 1 on Billboard Hot 100! And went to record another 50+ No. 1 hits in her storied carrier. Song

Cover

Hootie & the Blowfish covering that iconic REM tune. Something about religion. Song

[3liza]

On Earth Day in 2022, President Joe Biden stood among cherry blossoms and towering Douglas firs in a Seattle park to declare the importance of big, old trees. “There used to be a hell of a lot more forests like this,” he said, calling them “our planet’s lungs” and extolling their power to fight climate change. The amount of carbon trees suck out of the air increases dramatically with age, making older trees especially important. These trees are also rare: Less than 10% of forests in the lower 48 states remain unlogged or undisturbed by development. The president uncapped his pen, preparing to sign an executive order to protect mature and old-growth forests on federal lands. “I just think this is the beginning of a new day,” Biden said. But two years later, at a timber auction in a federal office in Roseburg, Oregon, this new day was nowhere to be seen. As journalists and protestors waited outside, logging company representatives filed through a secure glass door to a room where only “qualified bidders” were allowed. Up for sale this September morning were the first trees from an area of forest the Bureau of Land Management calls Blue and Gold. It holds hundreds of thousands of trees on 3,225 acres in southern Oregon’s Coast Range. Forests here can absorb more carbon per acre than almost any other on the planet. A week after Biden’s executive order, the Blue and Gold logging project had been shelved. Now it was back on. The BLM is moving forward with timber sales in dozens of forests like this across the West, auctioning off their trees to companies that will turn them into plywood, two-by-fours and paper products. Under Biden, the agency is on track to log some 47,000 acres of public lands, nearly the same amount as during President Donald Trump’s first term in office. This includes even some mature and old-growth forests that Biden’s executive order was supposed to protect. An Oregon Public Broadcasting and ProPublica analysis found the bureau has allowed timber companies to cut such forests at a faster pace since the executive order than in the decade that preceded it.

lesser evil 🤪

[umseb]

The Day Sebastian Vettel Decided To Retire From F1 — Then Annoyed Aston Bosses With Climate Campaign

Two years ago, Sebastian Vettel decided to bring an end to his glittering F1 career, so picked up the phone to Matt Bishop, then Aston Martin comms boss. He details the ensuing scramble and Vettel's increasing determination to speak out

Just over two years ago, on Wednesday July 27, 2022, I was forced to do something that I really hate doing: at the eleventh hour I had to cancel a long-standing dinner arrangement with my husband and two of our dearest friends, who live in New York and were on holiday in London for a week. The reason was that, at 5 pm that afternoon, I received a phone call from Sebastian Vettel telling me that he had decided to announce his retirement from Formula 1 in the Hungarian Grand Prix paddock the following day. I was Aston Martin's chief communications officer at the time, and, when something as big as that is sprung on a Formula 1 team's most senior comms/PR operative, he or she has to drop everything and focus on briefing colleagues in confidence, writing press releases, planning social media content, arranging press conferences, and formulating comms/PR strategies designed to optimise the management of a tricky news narrative that in this case would surely unfold rapidly, and perhaps also trickily, over the next 24, 48, 72, and 96 hours. I have written above that Vettel had "sprung" his decision on me, but, although the imminence of his announcement was a surprise, its content was not. Four months earlier you will recall that he did not travel to Jeddah for the Saudi Arabian Grand Prix, since he was recovering from a bout of Covid-19. His place was taken by Nico Hülkenberg, who, despite race-rustiness caused by his not having competed in F1 the previous year, did a typically excellent job.

Seb had made no secret of his disapproval of the Saudi regime when we had all gone there the first time, in December 2021, and, not surprisingly, in March 2022 rumours soon began to spread to the effect that he had invented a Covid-19 diagnosis so as to avoid racing there a second time. The truth was that he had indeed had Covid-19, and that he was indeed still unwell; however, was he disappointed to have had to skip the 2022 Saudi Arabian Grand Prix? No, he was not. Two weeks later, in Melbourne, he was back. On the Thursday before the Australian Grand Prix, in the Albert Park paddock, I gave him his comms/PR briefing, as was my habit on the Thursday before every grand prix. We discussed media matters of moment, including his not having raced in Jeddah. "The truth is that I was ill, honestly," he said, "but I admit that I don't like or approve of the country, so if I was going to have to miss a race because of Covid-19 that's probably the one I'd want to miss." He paused, smiled, and added, "I'm pretty sure I'm never going to race there again." Then and there I realised that 2022 would probably be his final season as an F1 driver. Not only was the Saudi Arabian Grand Prix going to be a fixture on the F1 calendar for years to come, but also one of Aston Martin's principal sponsors was Aramco, Saudi Arabia's state-owned national oil company. Missing that particular race without a 24-carat excuse would henceforth therefore be impossible for any Aston Martin driver. So, axiomatically, it followed that the only way he could make sure that he would never have to race there again would be to retire from F1 at the end of the year.

On the morning of Thursday, July 28, 2022, having worked until 3 am the night before, my comms/PR team and I issued a video in which our much loved four-time world champion announced his F1 retirement in his own words, and he posted it on his then brand-new Instagram channel at the same time. It included the following sentences, which he spoke with his usual eloquence: "I love this sport but, as much as there's life on track, there's also life off track. Being a racing driver has never been my sole identity. I want to be a great father and a great husband. I believe in change, and progress, and that every little bit you do can make a difference. We all have the same rights, no matter where we come from, what we look like, or whom we love. I'm an optimist and I believe that people are good, but, in addition, I feel that we live in very difficult times. How we shape the next few years will determine the rest of our lives. Talk is not enough. We can't afford to wait. I believe that there's still a race to win." The race to which he was referring was his growing and accelerating commitment to doing whatever he could to leverage his fame and popularity for the good of the inhabitants of planet Earth. That may sound grandiose, but it is also entirely valid. In the two years during which I worked with him, 2021 and 2022, we won awards for the inspirational way in which he did just that.

Just before the 2021 Styrian Grand Prix, helped by local schoolchildren, he created an F1 car-shaped 'bee hotel' at the Red Bull Ring. Three weeks later, straight after the British Grand Prix, in which he had raced hard for forty laps until his Aston Martin's Mercedes engine had terminally overheated, he led a group of volunteer litter-pickers to clear the Silverstone grandstands of the trash that irresponsible spectators had left behind. A month after that, in Hungary, infuriated by that country's new anti-LGBTQ+ legislation, he wore rainbow-coloured sneakers in the F1 paddock, and he donned a similarly hued T-shirt bearing the legend #SameLove as he took the knee on the grid before the race. Throughout the weekend he had talked to journalists and TV crews intelligently, thoughtfully, and compassionately on the subject of LGBTQ+ rights, equality, and inclusion. In May 2022 he visited and spoke inspirationally at HMP (Her, or now His, Majesty's Prison) Feltham, a young offenders institution in a suburb of west London, formally opening a new workshop in which the teenage inmates could learn how to become car mechanics as part of their rehabilitation. Immediately afterwards he and I took a South Western Railways train to London's Waterloo Station, sitting among regular commuters, so that he could spend time with the pupils of Oasis Johanna Primary School, which is in a disadvantaged part of inner London, and after that we went by Uber taxi to a church in Hackney, in the East End, where the BBC's prestigious political television talk show Question Time would be filmed. As the TV cameras rolled, he conversed fluently on the subjects of Brexit, the UK's cost of living crisis, the then-Prime Minister Boris Johnson's 'partygate' shenanigans, and even Finland's desire to join NATO, consummately out-arguing one of his fellow panellists, Suella Braverman, who was then the Attorney General for England and Wales and the Advocate General for Northern Ireland.

In addition, as the months went by, he continued to speak out in support of what he saw as humankind's collective global responsibility to address the climate crisis, doing so with increasing regularity, vehemence, and fearlessness, with the result that he began to irritate the very most senior people at Aston Martin, even though what he said tended to please most journalists and fans. "I don’t care," he said when he learned of his big bosses' disquiet. "I must do what's right." Behind the scenes what he did was perhaps even more admirable. F1 teams receive communications from troubled people all the time. You try to do what you can to help them, but sometimes their difficulties are of the type that human kindness alone cannot resolve. I am thinking of recently bereaved people, terminally ill people, profoundly disabled people, people with debilitating mental health issues, etc. Sometimes all you can do is send them a team cap signed by a driver. It is not much, and it breaks your heart that you cannot do more, but it is better than nothing.

Yet Vettel always tried to do more. On one occasion, I had been contacted by a young man who was deeply depressed. I told Seb about him, and he said, "Let's do a Zoom call with him." So I arranged it. I had thought that Seb might speak for five minutes or so, but no. He chatted animatedly for more than twenty minutes, with touching humility and heart-warming empathy, and I feel confident when I say that those twenty-odd minutes were significant in expediting the lad's mental and emotional recovery. A few months later, Seb hand-wrote the boy a four page letter. He gave it to me at a grand prix-I cannot remember which one-and he instructed me to post it on when I returned to the UK. I read it before I did so, and the tenderness and beauty of Seb's prose brought me to tears. There are many other examples of his remarkable generosity and sensitivity: too many to mention, in fact. This column has been about Vettel the man, not Vettel the driver. He was fast and clever in the cockpit, and I may well write about that side of him one day. I could write much more about Vettel the man, too, for I have dozens of stories that I could tell on that subject, because I worked very closely with him for two years and, more importantly, because he is a truly great man. In my long career I am lucky enough to have spent time in F1 teams with four world champions-Seb, Lewis Hamilton, Fernando Alonso, and Jenson Button-and they are all fantastic guys in their own, very different, ways. But, in my 61 years on this planet, I can state with confident and emphatic certainty that Sebastian Vettel, from the small town of Heppenheim, south-west Germany, is one of the most impressive people whom I have ever had the pleasure and honour to know, whether that be inside or outside F1. As he is fond of saying, "You can't always be the best, but you can always do your best." As a maxim to live by, it is hard to beat.

article by matt bishop

[hugshughes]

𝐏𝐄𝐑𝐒𝐔𝐀𝐒𝐈𝐎𝐍 - 𝐐𝐔𝐈𝐍𝐍 𝐇𝐔𝐆𝐇𝐄𝐒

𝐙𝐄𝐑𝐎 - 𝐁𝐀𝐂𝐊𝐒𝐓𝐎𝐑𝐘

ˏˋ°•*⁀➷

𝐐𝐮𝐢𝐧𝐧 𝐇𝐮𝐠𝐡𝐞𝐬 𝐱 𝐟𝐞𝐦!𝐟𝐚𝐦𝐨𝐮𝐬!𝐫𝐞𝐚𝐝𝐞𝐫 𝐞𝐱!𝐌𝐚𝐭𝐡𝐞𝐰 𝐁𝐚𝐫𝐳𝐚𝐥 𝐱 𝐟𝐞𝐦!𝐟𝐚𝐦𝐨𝐮𝐬!𝐫𝐞𝐚𝐝𝐞𝐫

𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬 - 𝐘/𝐧 𝐘/𝐥/𝐧'𝐬 𝐕𝐨𝐠𝐮𝐞 𝐛𝐢𝐨.

𝐰𝐜 - 600 𝐬𝐨𝐫𝐫𝐲 𝐢𝐭'𝐬 𝐬𝐨 𝐬𝐡𝐨𝐫𝐭 𝐢𝐭'𝐬 𝐣𝐮𝐬𝐭 𝐭𝐡𝐞 𝐠𝐞𝐭𝐭𝐢𝐧𝐠 𝐭𝐨 𝐤𝐧𝐨𝐰 𝐘/𝐧 𝐩𝐚𝐫𝐭! 𝐩𝐚𝐫𝐭 𝐨𝐧𝐞 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐝 𝐥𝐚𝐭𝐞𝐫 𝐭𝐨𝐝𝐚𝐲!

𝐜𝐨𝐧𝐭𝐚𝐢𝐧𝐬 - 𝐜𝐮𝐫𝐬𝐢𝐧𝐠, 𝐢 𝐠𝐚𝐯𝐞 𝐫𝐞𝐚𝐝𝐞𝐫 𝐚 𝐛𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐚𝐧𝐝 𝐛𝐢𝐫𝐭𝐡 𝐩𝐥𝐚𝐜𝐞 𝐈𝐌 𝐒𝐎𝐑𝐑𝐘!!!!!, 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐬 𝐨𝐟 𝐬𝐡𝐨𝐮𝐭𝐢𝐧𝐠, 𝐬𝐜𝐫𝐞𝐚𝐦𝐢𝐧𝐠, 𝐜𝐫𝐲𝐢𝐧𝐠, 𝐚𝐬𝐬𝐡𝐨𝐥𝐞!𝐦𝐚𝐭𝐡𝐞𝐰 𝐛𝐚𝐫𝐳𝐚𝐥, 𝐧𝐨𝐭 𝐦𝐮𝐜𝐡 𝐢𝐧 𝐭𝐡𝐢𝐬 𝐜𝐡𝐚𝐩𝐭𝐞𝐫, 𝐭𝐚𝐥𝐤𝐬 𝐨𝐟 𝐚 𝐛𝐚𝐝 𝐛𝐚𝐝 𝐛𝐚𝐝 𝐦𝐞𝐬𝐬𝐲 𝐛𝐫𝐞𝐚𝐤𝐮𝐩, 𝐚 𝐛𝐢𝐭 𝐨𝐟 𝐚𝐧𝐠𝐬𝐭, 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐬 𝐨𝐟 𝐜𝐫𝐲𝐢𝐧𝐠, 𝐢 𝐝𝐨𝐧'𝐭 𝐭𝐡𝐢𝐧𝐤 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠 𝐞𝐥𝐬𝐞(?)

𝐧𝐨𝐭𝐞 - 𝐨𝐟 𝐜𝐨𝐮𝐫𝐬𝐞 𝐢 𝐝𝐨 𝐧𝐨𝐭 𝐨𝐰𝐧/𝐜𝐥𝐚𝐢𝐦 𝐭𝐨 𝐨𝐰𝐧 𝐚𝐧𝐲 𝐨𝐟 𝐭𝐡𝐞 𝐬𝐨𝐧𝐠𝐬 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐞𝐝 𝐢𝐧 𝐭𝐡𝐢𝐬 𝐟𝐢𝐜! 𝐥𝐨𝐨𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 𝐟𝐨𝐫 𝐬𝐩𝐞𝐜𝐢𝐟𝐢𝐜𝐬 𝐨𝐧 𝐭𝐡𝐢𝐬!

𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 - 𝐧𝐞𝐱𝐭 𝐩𝐚𝐫𝐭

𝐭𝐚𝐠𝐥𝐢𝐬𝐭 - 𝐧𝐨 𝐨𝐧𝐞 𝐲𝐞𝐭. 𝐥𝐞𝐭 𝐦𝐞 𝐤𝐧𝐨𝐰!

-

Social Media!

thevogue.com/artists/yn-yln/#bio

Artists / Y/n Y/l/n

Pop Female Vocalist Indie Folk Post-teen Pop Singer-songwriter

Published December 2nd, 2023. 11:29AM PST

Y/n Y/m/n Y/l/n (born January 11, 2001, in Annapolis, Maryland) is an American singer-songwriter. Y/l/n is a 3-time Grammy winner with a total of 11 nominations (as of October, 2023). As of October, 2023, Y/l/n has sold 26 million albums and 88 million singles worldwide.

Y/n Y/l/n is a internationally praised pop-indie phenomena. She quickly rose to fame at only 17 when she released her debut album Pause (February 19, 2018). Pause sold over a million copies in less than 48 hours, soaring to the top of the Billboard Hot 100 chart. 8 of Y/n's songs took place on the top ten and it took 41 weeks for Y/n's songs to exit the top 10. Pause racked up 3 Platinum singles, including Blouse, Innocent, and Bags.

Y/n Y/l/n's fame somehow skyrocketed higher when she released her second album Chaser (January 19th, 2020). The album features mostly love songs, rumored to be about her then boyfriend, NHL player Mathew Barzal. The album featured best sellers such as Cruel Simmer, Habits, and Happiness is a Butterfly.

As we stay on the topic of her ex boyfriend, she has been stuck in one scandal regarding her love life. In September of 2021, 20 months after releasing Chaser, there were paparazzi videos released of the IT couple in a shouting match on the street outside of popular restaurant, BOA Steakhouse, in Los Angeles, California. Video depicted Y/l/n crying as she fought with the hockey player, who was caught insulting Y/n very explicitly. The video ends with Barzal storming back into BOA Steakhouse, and Y/l/n sitting on the curb, awaiting her ride after the NHL star shouted, "Get a f***ing Uber back if you're going to be a b***h and embarrass me like this!" Bystanders watch as Y/l/n entered long time friend Tate McRae's car.

Less than a week later Y/n confirmed the end of the three year long relationship, with no further comments. While there have been no albums released since Chaser, in January 2020. Y/l/n has released two singles, Memories, and The Cut That Always Bleeds, both released in the summer of 2022.

As of now, December 2023, there has yet to be any major news of new music, but there's always the tiny bits and rumors that get down to the public. While Y/n has promised an album in 2024, she has yet to set a release, causing fans to believe it will come in the later months of the new year.

All in all, Y/n Y/l/n is a talented, young superstar. She captivates audiences like few can, and with the way her career is going now, could be one of the biggest star the world's ever seen. Most recently, Y/n was spotted in a cozy Baltimore suburb alongside Taylor Swift, who Y/n has repeatedly mentioned as her biggest influence when it comes to music, as well as her biggest fan. Swift seemed to take Y/n under her wing in 2019, even having Y/n open a stretch of her shows at The Eras Tour, in 2023, as well as the US shows in late 2024!

There are obviously large things in store for this young influential woman, and I can't help but applaud all of her hard work and dedication to her work.

Similar Artists

Taylor Swift

Gracie Abrahams

Conan Gray

Billie Eilish

[karin1027]

Hi! Could you post the Matty article please? Thanks 💜

Of course ❤️🧡 Here it is.

Inside soap week 48 2022

[bobbie-robron]

Classic ED schedule - week 48 (2022)

Danny’s decision whether to stay or leave is based on Ollie. Laurel recruits for the Christmas choir. Merry Christmas, Louise, here’s your obituary! With now Rodney on her radar, it’s time to hightail it out of the village for Louise (with Ray) on Christmas Day. Who will be the winner of the most outrageous Christmas decorations - Viv or Tricia? Jason, Cynthia and Latisha head off to Lisbon. Louise’s stalker turns to phone calls. Jack worries over Victoria’s strange behavior and who Walter is - imaginary or real? Terry becomes a bigger town piranha over Louise’s accusations landing him on Alan’s doorstep for a roof to stay under. The new St. Mary’s Church is ready for action. Paddy and Emily briefly get a new foster - 13-year-old Debbie! Louise makes a realization when Terry is behind bars on who her stalker is with a fatal confrontation and cover up! Chris reluctantly hosts the villagers thanks to a blackout. Who will win the dance competition - Viv or Edna?

The show starts at 1:40pm UK time the entire week.

28-Nov: 17-Dec-2002 (3333) goodbye Marc Reynolds until May-2007, 19-Dec-2002 (3334)

29-Nov: 20-Dec-2002 (3335) goodbye Jason Kirk, Cynthia Daggart & Latisha Daggert (returned in Aug-2006), 23-Dec-2002** (3336)

30-Nov: 24-Dec-2002** (3337) hello Debbie Jones aka Dingle, 25-Dec-2002** (3338) one hour

01-Dec: 26-Dec-2002** (3339) goodbye Ray Mullan, 27-Dec-2002 (3340) Liam Fox aka Dan Spencer appears as PC Tyrell (through 02-Jan-2003) & Susan Cookson aka the whiner appears as DI Judy Dove (thru 16-Jan-2003)

02-Dec: 30-Dec-2002 (3341), 31-Dec-2002 (3342) originally 1hr with episode 3343, goodbye Zak until Oct-2003

**Robert appears in the episode

Snippets:

25-Dec-2002:

26-Dec-2002:

[sunny-day-jack-official]

So! The demo is finally out! Or, a bit of it is. What’s next?

Let’s run over a few questions, so hopefully everyone is in the loop!

Q: Why is it only a little bit after so long?

A: Development has been all over the place and a big reason is just how difficult it can be to mediate between artists, programmers, writers, etc.. Mental and physical health, personal emergencies, etc.. are also a big part of this— and it wasn’t anticipated that this would eat up so much time.

The original game was planned to have Sauce (presently speaking!) handling a large majority of tasks all at once. So— when health stalled, production stalled.

Of course, healing took a bit of time to. And even now, that’s why so much of the demo is left unfinished. Overall— it wasn’t possible to complete the demo in the same amount of time the original demo was completed because realistically speaking— that was extremely unhealthy and rushed.

Because of that tight deadline, 48 hours to a week, many significant errors or retconned elements made their way into the game. A huge toll was taken that resulted in extreme burnout after. Quality (as can be seen in the CGs) suffered. An emphasis on quality is currently being prioritized, but I can safely say that I am no longer able to work at my original 2021-2022 pace.

—

Q: Why are you (Sauce) working alone?

A: At this point in time— we had spent a while working on the GUI and design/function of the game. It is, after all, set to have some pretty hefty features.

Translation and dub settings

Censorship and Softcore modes

A VERY LARGE story map with several endings

An additional “one-shot” story mode wherein every ending you unlock, you then unlock additional content

That takes a lot more planning than we’d anticipated.

How do we make this efficiently run on most systems?

Are we able to make sure that the size of this game is compatible with older devices?

Are the assets optimized? ( A lot of time has gone into re-drawing and working out sprite systems )

What settings are accessibility necessary for impaired players? How do we implement those options?

How do we design a stylish and efficient system?

That was something we had figured originally would be pretty easy to work out! But multiple people here are wearing multiple hats.

The rest of the team is actively working on those portions. But at the moment— we’ve decided to shelve literal art development and scripting (which was where we were hovering for a while) until we got the programming bits truly sorted out.

That leaves little old me! While they worked on this, I’ve been spending time making sure we could serve you a sample of what’s to come. My job is doling out a taste of the narrative, style, etc.. That way, once they’re finished, we can consider any feedback in the implementation of these portions of the game in the final, official build.

Hopefully that makes sense! TL;DR - Everyone’s busy making the important program my bits and designing the menus. So I’ve stepped away to work on this so you all have something to see in the meantime!

—

Q: Why are you REBUILDING THE DEMO?

A: The old demo— you’d think it would be easy to patch up. But it’s literally the very first build, sized up and fixed and stitched over. Unfortunately it was an unoptimized mess, even for what it was.

Hopefully a cleaner, more organized build will allow for better gameplay. But the key factor is just a desire for better quality!

—

Q: How often will you be uploading new additions?

A: Until all the bugs are fixed and the whole demo is rebuilt. This should be every week or so until then. Once it’s all done, the demo will see a re-release publicly!

In the meantime, please keep in mind bugs may be aplenty— and I personally apologize for this. Demos released are intended to show proof of work— but they may not be the best, most fun experience for narrative-seeking players. It’s advised immersion-prioritizing players wait until the build is fully finished and christened on our steam page!

—

Q: Will there be Mac support?

A: I will absolutely try!

—

Hopefully that helps give a bit more insight. Unfortunately it’s difficult to articulate everything that’s going on, but we’ll do our best! We’d like to have someone more verbally gifted helping us to write these posts, but until we decide how to go about that, you’re stuck with me.

We’ll do the best we can to answer any questions as clearly as possible. And again— we thank you all for your patience.

Making SDJ was clearly a messier experience than we had considered. It’s been a rollercoaster— and as Sauce speaking, I can actually attribute most of the delays to my own personal health and absence.

That— I am sorry for.

The rest of the team is working very hard to put something together that’s quality. I can promise with my whole heart that they’re doing their best. We’re all just people passionate about this project, and no matter the weather I don’t think it’s ever not on our minds.

I look forwards to putting out a large Kickstarter update soon, detailing our work and more! And I’m excited to open the airways for more and more communication.

But for now— we’ll see you next bug-fixing update.

- Sauce

[happywebdesign]

https://www.duties.xyz/

[hotjaneaustenmenpoll]

Hot Jane Austen Men Tournament!

48 of the Hottest Jane Austen Men from all your favourite Jane Austen Adaptations are readying their duelling pistols to prove they are the Hottest Jane Austen Man. From the rakish to the heroic to the truly pathetic we're putting these men head to head to see who'll come out on top!

I've picked men from Pride and Prejudice 1995/2005, Sense and Sensibility 1995/2007, Emma 1996/1996/2009/2020, Northanger Abbey 2007, Persuasion 1995/2007/2022 and Mansfield Park 1999/2007 as well as a couple of random others but my ask is open for submissions!

Like all good period dramas this tournament will begin on Sunday (18th February) and the first round polls will last a week!

@tournament-announcer