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cuntycheol · 1 year ago

Text

To You (C.SC)

Summary: Silence has always been a long-term paying guest between you and your husband. It took a cohabitation and more, to turn things around for Seungcheol and you, to figure out your true feelings.

Themes: romance, fluff, smutty, old money Seungcheol cuz he's your rich, cold but tender husband and you're his smart wifey, scenes of a firebreakout(please skip if you're triggered), some nice scenes of Singapore, and the first smut happens already (virgin!couple, slight inexperiences, orals, vanilla!) Cheol's very warm please I love him so much we'll save the real Cheol monstercock for the future ;3

WC: 7.7K

Playlist: Seventeen's (To You, All My Love, Falling for You SDSMSN, Darling), By My Side by Junny, Better Siopaolo , Alina Baraz (Floating, Alone with you, if you let me) I.M Flower-ed, Bibi Step

feel free to arrange them sowwy they're a lil mis arranged

A/N: helloo carats!! Had to make my first post about my man Cheol(thank u to my man) with the good ol' husband!au. It's evident im in my "oh husband cheol feelings" where we loving him real good! I've been impatient so I posted it a bit earlier than expected :D my comfort loving carats, this is based off All My Love and To You lyrics <3 I hope you enjoy this piece of writing as much as I enjoyed writing this! Happy Cheol Day you living legend coupranghae btches :")

Updated: mini sequel here <3

Life was divided into four distinct categories, after one whole month of your brand new status as Mrs. Choi, or Mr. Choi Seungcheol's wife:

Breakfasts with and for Seungcheol because he confessed he anticipates what you offer in the am

Touring the exquisite royalty of the mansion built by his great grandparents(specially the crimson paints)

Spending time with Seungcheol's Mom since she adores you more than her son!

Dinner n Slumber, where you sleep with a wall that separates you from your husband.

You don't exactly think it'd change; however you do expect it to. Everyday, you wake up in your own room, without the warmth of your husband because neither of you are exactly ready to sleep on the same bed together, and neither of you can sacrifice your comfort on the couch. Therefore a shared decision convinces your elders to grant your marriage the gift of time, a chance to understand one another before embracing a shared room and shared life. All credit to Seungcheol's mom, who chose you to be her son's perfect match, a decade ago. She envisioned you as the one to be her son's beacon of illumination in his life, and the way your personality coincides with his. Who knew you'd be repaid for your kindness of tagging along with your grandfather to meet his ailing friend, (Seungcheol's grandfather) with a coerced, arranged marriage to their youngest grandson. It was on you to navigate this relationship towards love and the more easier it sounds, the harder it gets.

Your husband's honesty shines through, expressing that his family holds the utmost importance in his heart, and he could never deny his mother's wishes. Although he initially declined the marriage proposal, the elders' persuasion led him to reluctantly agree. Absolute zero differences in both of your situations. Despite the arranged marriage, he promises to ensure your comfort and well-being. Polite knocks on your door in the morning signify his presence, seeking breakfast if you're up for the task, and he would either leave a note saying "ThankYou" or he would leave a fresh flower on the dining table as a small gesture of appreciation for your efforts in preparing breakfast, letting your pride swell with all this generosity, although you'd wish he says it with his own mouth, overcoming those barriers. Considerate compliments follow whether you're dressed in your best, try some new hairstyles, or ofcourse, after enjoying your delightful meals, was one thing that made you hopeful about this relationship.

It's evident he lacks communication, since he only speaks to you at mornings and occasionally on texts, whenever he's late. He possesses no punctuality but you're quick to realize he has a pattern in timings of when he wakes up, when he returns, when he sleeps. Throughout the day, you don't exactly see him. At nights you barely sit with him. He's either in his room or on his laptop. Nothing, among you two, seems like you're in a bond with the youngest heir of this luxurious business.

"Don't forget, the dinner's scheduled tonight" you chime, while he was leaving. He nods and drives his way out for another busy day.

Marrying a business tycoon of "old money" and serving him great breakfasts, were the last thing you expected in your simple life, where you were focused on academic and personal glowups, and rarely had any serious past relationships, or have slept with anyone.

You just believed better things await for you, and if those better things were in the shape of a young handsome husband, who were you to complain.

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"So! Have you decided a honeymoon destination?" Seungcheol's sister-in-law questions, at a calm family dinner. Seungcheol takes a sip from the drink, "I'm positively considering Greece or Bali, or maybe Fiji. We haven't played rock papers scissors yet to choose one destination" earning a small chuckle from everyone, Seungcheol continues to feast on the delicious dinner you had prepared. A variety of topics continue to be discussed and that was the only response Seungcheol ever said throughout dinner.

While the family members took their departure, after another hour of dessert sessions, you thought about his remark, if there's any depth to it. The honeymoon idea and what he has said so far, made you a bit ecstatic.

Seungcheol's seated on the couch, of the lounge upstairs, sipping his usual coffee. you lean towards the railings of the top floor, where yours and Seungcheol's bedrooms neighbored. He looks at you, with tender eyes, yet a cold expression. "So, about the whole honeymoon thing, are you-"

"Oh "don't worry about it," Seungcheol's dismissively remarks, taking another sip of his coffee. "Family dinners are meant for prying into things we wouldn't discuss on a typical morning," he explains. "And Honestly, I don't see the need for a honeymoon." Your heart sinks at his response, disappointment clouding your expression. "But I thought we could at least look at brochures together? Atleast discuss this thoroughly" you respond, trying to mask your disappointment with a glimmer of hope that he might consider it.

Seungcheol lets out a weary sigh, his tone becoming more serious. "You don't have to give in to everything my family demands. They can be nosy, but they'll eventually drop the topic after a few days." He glances down at his laptop, signaling that the matter is closed.

You can't help but feel a pang of hurt as Seungcheol's words crush your hopeful expectations. The thought of a romantic getaway had brought some solace, but now it seems like a distant dream.

"But Seungcheol," you protest softly, trying to keep your emotions without losing your temper, "it's just that a honeymoon could be a chance for us to spend some quality time together, away from only meeting on breakfasts, away from the hustle of daily life, away from being silent everyday, and both of us make an effort, to get to know each other better" He glances up from his laptop, his expression stoic, but you can sense a hint of frustration in his eyes. "I understand your perspective," he replies calmly, "but I'm not sure a honeymoon is the right way to achieve that. We can spend time together here, without the pressure of a fancy trip. We're not close enough nor we're a match to be doing this in the first place"

at this moment, you find yourself getting defensive...

"It's not about a fancy trip, Seungcheol. It's about creating memories, experiencing new things together, and building a connection outside of this huge mansion... where we live in distant bedrooms" you gesture around you, emphasizing the splendor of the place that seems to distance you both from the real world.

His eyes widen momentarily at your words, and you see a flash of emotion that he quickly hides. "It's not that," he retorts yet defensively, "I just think this honeymoon is an unnecessary pressure, and we should be honest about our feelings and not pretend."

You take a step back, hurt and anger welling up inside you. "So, all this time, we were just a pretense? You're quite audacious to say we're incompatible, considering the amount of time you spend with me. Count the days we ever went out? That's right. Zero" you scoff, "you know what, let's just forget this. Forget I ever asked you anything. Thankyou, for lightening my evening, Good Night" Before he could utter a response or rephrase everything, you stomp your way into your bedroom, hiding your face in your palms, feeling a bit guilty of losing your cool already when it hadn't been a while.

Seungcheol stood there, a mix of regret and realization washing over him. He knew he had made a mistake, once again, with his poorly chosen words to convey his thoughts. The truth was, he had never really learned how to express himself properly; heck he couldn't even say a proper "you're so pretty, I think I have started to find some meaning into this relationship?" to the woman he's been living with, in the same house. Unfortunately words often tumbled out of his mouth without a second thought, and he rarely considered how they might sound or how they could impact the other person. As a result, he found himself remaining silent at critical moments, fearing that his words might only cause more harm than good.

The argument with you had brought this flaw to the forefront of his mind. He recognized that his lack of effective communication had hurt you, leaving you disappointed and disheartened. He raises his fist to knock at your door, wishing he could take back his words and find a way to bridge the growing distance between the two of you, yet again, he retreats.

The same gesture was for you standing in front of your door, trying to atleast add a subtle apology, but an instant realization made you stomp your foot dramatically and jump into the warm bed.

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The next day, you refuse to make any breakfast, or contribute to the daily household activities like you usually do. You sulk in your room, either pacing back and forth, ordering your meal,coffee and everything upstairs.

It angered you how much you like Seungcheol. How deep of an infatuation you've developed towards him, in such a short time, finding glimpses of someone beneath the surface that you want to know better. Yet, the argument hangs heavy in the air, making you doubt whether your budding emotions stand a chance. You journal everything; how much of an asshole he is to not communicate properly, how many layers are there to him, and the only time you two talk, is for an arguement? Everything frustrated you. You hear Seungcheol in the distant, and as much as you were cross with him, you want to look at him, and admire his presence. Although its the first ever arguement you two share, the typical wife in you, expects flowers and apologies first from your husband.

Seungcheol, on the other hand, would often glance upstairs, or at your door. He would expect to see your charming face, he silently admires. Only to slump his shoulders and leave for work everyday.

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Two days pass by, and midnights strike, as you sit alone in your room, the argument with Seungcheol still fresh in your mind, you try to calm your emotions, occassionally collecting your thoughts in process of reading. Lost in your contemplation, you fail to notice the faint smell of burning wires in the air. The faulty switch connected to the lamp had been giving you trouble for a while, but you hadn't paid much attention to it, thinking it was a minor inconvenience, and indeed the most minor issues ignite major disasters.

Suddenly, a small spark ignites near the switch, and within seconds, the flames start to spread rapidly. Second situation of the night escalating this quick. Panic sets in as you realize the danger you're in.

Your heart races as you rush to the door, only to find that it's jammed, likely due to the fire's heat warping the frame. Fear grips you, knowing you're trapped. With no time to waste, you quickly grab your phone and dial the emergency number. Your voice trembles as you explain the situation and your exact location in the house. You yell out Seungcheol's name, as loud as possible, but unable to do so with the smoke rising.

Soon it starts to fill the room, making it hard to breathe. You look around for something to cover your mouth and nose, finding a nearby cloth to protect yourself as you wait for help to arrive. With all your remaining strength, you fan the rising smoke outside the door, to trigger the smoke alarms.

Seungcheol, who was now downstairs fetching a glass of wine trying to prompt an apology for the day he gathers his courage to, smells the smoke and hears the faint crackling of flames; soon he's shaken by the fire alarms sensing smoke. Panic overtakes him as he realizes this leads to your room. As he rushes upstairs, he hears faint bangings from your room, which stops. He calls out your name, but there's no response. Fear for your safety drives him to take action.

Seungcheol approaches the door, with all his force, he breaks it open. only to find the room engulfed in flames. Your figure is barely visible through the dense smoke. He rushes towards your feeble helpless frame, ignoring the scorching heat and billowing smoke. He finds you near window, trying to escape the inferno. With tears in his eyes, he wraps you in his arms and guides you towards the window, with the flames slowly engulfing the entrance door of your room.

In a span of a few minutes, sirens grows louder, and moments later, paramedics and fire brigades arrive, rushing to extinguish the flames and rescue both of you. They break through the main gates, helping you and Seungcheol escape to safety.

"Please check on her! She was unconcious and barely breathing I'm -I Plea-" Seungcheol fails to form a proper sentence.

"Please calm down sir, we're checking on her, and we'll assisst you. You are...?"

"Her husband! Please hurry and check on her god damnit!!" He yells in frustration hoping you're safe.

Soon, you were able to breathe on your own, and slowly you flutter your eyes open, chest heaving from the sudden attack of the horrific accident. Before it could escalate any further, you were given appropriate medications to trigger your drowsiness.

In the aftermath tranquility of this burning situation, Seungcheol stand outside, watching as firefighters work tirelessly to put out the remaining flames. Grateful to have survived the terrifying ordeal, he holds onto your numb hands, finaly letting his tears slip his eyes. He was so grateful to stop a major tragedy, and you're safe, with him.

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The morning sunlight gently seeps through the curtains as you feel it, only to be met with haunting flashbacks of the previous night's terrifying fire, your hopeless voice calling your husband's name, beneath your vision. You shot your eyes open and sit up, heart pounding in your chest as the vivid memories replay in your mind, leaving you trembling with fear. Tears stream down your cheeks as the trauma overwhelms you, and you find it hard to catch your breath.

Seungcheol's immediately awaken by your distress, pulling you into his arms. " I'm here y/n calm down shush..." he whispers tenderly, stroking your head, trying to comfort your trembling body as best as he can. He embraces you tightly in his arms, allowing you to cry and release the floodgates of emotions open from the harrowing experience.

He listens to your trembling sobs, his heartbeats a steady rhythm against your ear, and he continues to stroke your arms and back, comforting you through the turmoil. As you find consolation in his warmth, your clenched fists loosen their grip on the fabric of his shirt, his touch brings a sense of safety and reassurance that you desperately need in this moment. You look at him through your red eyes, as he smiles at you endearingly.

"Seungcheol- I...I'm so sorry" you sniff, gripping his hand, "I never knew that faulty switch would bring this huge mess upon us. You must be the one affected the most. I'm so sorry you had to go through this because of me. I should've let you known" you sob.

He gently wipes your tears, resting your head back on his shoulders "as long as you're safe, I'm at peace. It is my fault that I'm so...uh..quite unapproachable? But I went through hell when I saw you. I was sick worried. I'm sorry I should've protected you better. I should've run a new repair scheme as soon as you moved in. It was my insensitivity to let the most minor things slide" he slowly lies down, with you close to him. He smelled nothing like how the entire house did. He smelled sweet and strong. Everything indeed happens for a reason, as you sense how you're into the man, who rarely touches you, holding you dear.

Throughout the day, your husband Seungcheol stayed by your side, enveloping you in comforting embraces. He ordered breakfast to be delivered to his room, encouraging you to take small steps towards regaining your strength and energy to get on your feet. He offered the support you needed to gather the courage to move on your own and freshen up with a soothing shower.

While you were in the shower, he quietly left the room, allowing you some privacy to release the pent-up emotions that had been bottled up inside you. As the water washed away your tears, the conversations from two nights ago still loomed heavily, unresolved between you both. Yet, amidst the silence and uncertainty, there were his tender gazes - soft and caring. They were like ice on a sunburn, cooling your worries and offering a glimpse of hope. Though words may not have been spoken, his presence spoke volumes, showing that he was there for you in this trying time. You peer outside the window, to see the iron gates glistening with the fog, pitch black sky and the time's almost 11.

Once again, your husband returns into his room, after confirming you've changed, and he smiles at you, approaching with a plate of fruits and berries of all kinds. He was unsure of what your favorite fruit was. He felt unfortunate, of how unaware he is of your preferences. He hands you a bowl of strawberries, and elegantly peels an orange, handing the fruit to you.

"I'm sorry about the previous night" he begins. It catches you off-guard, yet you figure out you're the listener now. "I'm not the best with words, and I do realize I've hurt you-or even worse, left you disheartened. Yet again, I'm at a loss of what should I say, except that let's go on with the honeymoon plans. It may not be the best time right now, but whenever you're sure of doing this, tell me every detail about it; everything you desire for. We'll discuss it." he lifts his eyes towards you, with a subtle smile.

"I thought about everything, and upon contemplation, I realize I do want to give us a chance" you couldn't contain the bubbling happiness, and immediately hug him "thankyou so so so much Seungcheol. I'm glad you get my point" he was frozen at this sudden gesture, yet didn't fail to chuckle. Although he smiled discreetly knowing how wife-coded you are. "Let's begin as friends? Married friends? We'll know each other little by little" you suggest. "Sure, whatever you suggest" he smiles, shaking your hand.

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Amidst the haunting shadows of the accident's aftermath, and quite some insomnias later, time became your ally, gently coaxing you out of the horrors that had shaken your world. However you found an unexpected haven of love and affection with your husband. In your head, this friendship has escalated rapidly. A realization dawned upon you - the past may have shaped your paths, but the present had the power to rewrite destinies. Over time you had found solace in cohabitation with your husband, late-night conversations about life's intricacies, you delved into shared preferences, whispered dreams, cherished birthdays, and bittersweet memories of childhood. And everyday you discover new sides of him. Soon, you call him "husband" essentially finding pride and power in doing so. He was surprised at first, yet now he loves being called nicknames like "Cheol" or "Cheollie".

In Seungcheol, you found everything you admired in a man - daring, possessive, with a stunning face and a strong physique. He loved to be in shape, and encouraged you to stay fit, though romance wasn't his forte, he never faltered in taking care of necessities. While you weren't sure if you brightened his world, he became your epiphany. His struggles with eye contact and occasional mindless words unveiled the emotions he guarded, making you grateful for the accident that brought you together; without it, you might have given up on him. Now, you cherished the connection that had grown, exploring the depths of both your hearts.

Seungcheol realized soon that the collision of your worlds had a purpose, unveiling the potential for love and connection he hadn't dared to imagine. He slowly felt a major change in himself. Slowly, a transformation took place within him. Moments that were once filled with hesitation and distance, now became opportunities for seeking your attention, for his eyes to meet yours. He longed to be closer to you, finding comfort in watching you sleep peacefully at night and waking up to your smile each morning.

However, amidst this newfound affection, he couldn't decipher where his heart truly lay. Your mother's loving gestures and his sister-in-law's respectful fondness were easy to understand, but when it came to your feelings, he was left uncertain. Did you like him back? Would you ever be able to reciprocate his love? The questions lingered, leaving him vulnerable to the unknown, anxiously awaiting the day he could unravel the mysteries of your heart. It's an endless marathon in his mind.

It took him 4 days to gather his courage and ask you for coffee. You laugh and obviously agreed to accompany him to the city's famous coffee spot. Like the man he was, he memorizes your order and pulls into a drive thru.

Seungcheol drives to a spot he usually stops by, to ease his frustrations; Parks. Laughter of children, romantic couples sharing pda, and a bridge that separates cherry blossoms from the playground, you're immediately in love with this scenario. Both of you share some laughter, and enjoy your coffees and croissants, while the petals of the blossoms shed upon you. The look of love you two exchanged was long; to leave your coffees cold and croissants dry. Both of your worlds revolved around each other, only for Kkuma's barks to bring you back in reality, being greeted by Seungcheol's brother and his wife. Your delightful evening ends with a comfortable dinner and living your best chances of being Kkuma's mother, something your two month marriage with Seungcheol lacked.

Soon enough, you persuaded Seungcheol to shift houses permanently. Despite your old room being perfectly repaired, the trauma of sleeping alone had left a lasting impact. Bonus was Kkuma finally moving in with you and Seungcheol. Understanding your perspective, Seungcheol readily accepted to have you in his room in this house, and the new one seeking, welcoming the idea without hesitation.

Within a mere three days, you both found yourselves settling into your new furnished apartment, which, wasn't expansive, it rather held the essence of a cozy aesthetic. With only one guest room upstairs and a spacious bedroom, you had insisted on sharing the same space, declining any notions of personal separation. He made sure to double check every single thing, to disapprove any mishaps.

"Cheol, this is beautiful! I-I love it!! Thankyou so much, husband!" To him it's no new information, but his cheeks flushed shades of cherries. You were too busy exploring your new house, and he couldn't help but adore every inch of your ecstacy.

"Any time, wife" he replies after clearing his throat, and containing his ecstacy.

You poured your gratitudes to Seungcheol the entire day and actively joined hands with you, playfully engaging in household tasks, cherishing every moment as you transformed the apartment into your shared abode, a place that signified the start of your new world together. Nothing changed in terms of routine, however, you two communicate often,and now there were sparks of mischief from Seungcheol, indicating that silence was no more a welcoming guest. And now Kkuma being an addition, you enjoyed being indoors and outdoors with her. It wasn't often both of you enjoy going out often unless its something such as icecream dates or coffee, or some relaxing walks, because neither of you go anywhere out of your comfort zone; except for a business trip or grocery shopping, however the joy of turning down people who ask for your status, was thrilling. You felt a sense of superiority.

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The next evening he returns home a little earlier than expected, searching for an important flash drive in his drawer. It seemed you were in shower, considering how loud you were singing. He smiles, hearing your soft voice echoing in the room, and suddenly the door knob twisting open. Seungcheol quickly slides open the closet door and gets inside.

It was foolish of him to hide instead of leave, but he thought maybe his presence would freak you out. He slowly opens a little to take notes of the surrounding and was taken aback, seeing you in a towel, and your hair wrapped. He gulps, seeing your glistening body smell like lavender, spreading in the room.

Seeing you in this new light, he couldn't help but feel a surge of desire mixed with love. He had never viewed you with such intense admiration before. Tempted to touch and hold you, he controlled his impulses, knowing it was too soon for his hands to explore your curves yet this is the most skin he's seen of you.

You lie down on the bed, laughing and smiling to everything that went in your beautiful mind. Soon you dial your best friend and start off a conversation. Seungcheol senses this was a grave mistake, because phonecalls are obviously long. He had no choice but to stay inside until you're distracted. He facepalms himself, and slowly leans towards the side. You put the phone on speaker while you do your post shower rituals, moisturizing yourself in view of the full length mirror.

"Is Seungcheol home right now? Or should I say your husband" your friend teases you

"Good lord, no he's not. Infact a business trip awaits his presence"

"Tch that's sad. No wonder why you're calling me and not him"

"My man's busy. Sometimes I just hope come early one day and catch me like this? My mind goes places whenever I get out of shower and think of him coming in without notice" you smile coyly "darling you're on my to-do list tonight" you chuckle. Seungcheol could only smirk, after hearing your fantasies.

"Honey you're too inexperienced for this" she retorts

"Inexperienced my foot, I miss my husband already.... and safe to say I actually love him" you sigh.

"Have you told him about your feelings? Have you told him you've never been laid and are deprived" Seungcheol closely listens to everything, occasionally holding his laughter.

"No" you pout again, falling on your back, unaware of seungcheol who was shamelessly hearing you, while admiring your raised chest, that was swollen out off the unknown feelings of you, from him.

"I want to. Everytime I look at him, I want to tell him 'oh Cheollie I love you' " you laugh with your friend, "I'm seriously in love with him and it scares me how quick and sudden it all was. And now its- he's giving me mixed signals. Sometimes he's distant, and sometimes he makes me the most lucky woman ever. I want to tell him I love him, I just don't know when or how" you continue

"Dont say anything. Just go on your honeymoon, and sit on his face, the 2nd hour. Afterall actions speak louder than words" both of you laugh heartily. Seungcheol breathes out a laugh yet onto it, knowing it's over if he's caught.

"Tell me about it" you sigh.

"Seriously! Talk with him and confess! Since when did you become such a big pussy"

"Honey I'm the one with the pussy"

"Goddamn, you- seriously- talk to him. What if he s involved in someone else the time you say the words"

You went silent, the thought just made you sit back up, nd think about it. Could he really have someone else?

"I...highly doubt that. My mother-in-law said he's never really had a serious relationship, since he was focused on training back then"

"Honey its not written on your face that you've never had a man, it aint written on his face that he may have a potential girlfriend before you. What you'll be doing then?" Your friend continues "I hope he's not doing this out of sympathy, considering that whole incident"

Again you felt numb all over, it would've killed you inside out if the signs of Seungcheol's empathy and love was all out of sympathy. However you shake your thoughts, and put a heavy heart on your words, "Then what I'm the one who married him, and I get to choose if I stay or take the other way"

Seungcheol gulped, knowing time is definitely ticking and if he still don't do anything, he'll surely regret.

"Atta girl!"

Suddenly Kkuma runs out from underneath your bed and into the bathroom, and you chase her. "Ahhhhh kkuma stop you frenzy lil- I'll call back later" you chase your daughter, and Seungcheol seeks this as a perfect opportunity to escape.

"Kkuma!!!! That's your dad's favorite shampooo aaa!" You exclaim. Seungcheol takes this opportunity to sprint out of the room, laughing a little at your banter. The smile plastered on his face was priceless. His chest heaved with happiness, ego swollen with pride, heart relieved and thrilled with all the revelations. If he knew anything as a businessman, it was to have a plan. He needs to be prepared for everything beforehand and time was a precious investment. And it was finally time he need to make his first move.

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"Are you interested in accompanying me to this business trip?" Seungcheol asks, out of the blue during breakfast.

"Well, I don't see exactly why wouldn't I" you raise your brows "thought I'd say no"

"Hey hey, it's not that! I just wondered if you'd be up for some adventure, that's all."

"Adventure, huh?" you reply, pretending to ponder dramatically. "Hmm, only if you promise to bring some fun into this 'business' trip."

He smirks, tapping his fingers on the table. "Deal! I'll make sure it's the most adventurous business trip you've ever been on" you're aware of your husband's antics, and it's evident he's brewing something.

You laugh, finding his playful demeanor contagious. "Alright then, you've got yourself a travel buddy. But you better keep your promise, Mr. Businessman."

Seungcheol winks, flashing you a charismatic smile. "Oh, don't you worry, Mrs. Businesswoman. It'll be an unforgettable journey" Kkuma barks in excitement

"Exactly Kkuma" he cheers.

You couldn't help but smile, at how domestic life has turned ever since the coast is clear between you two. The idea of being overseas with Seungcheol sparked a new imagination for you.

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Whoever said travelling is easy, it never is.

After hours of a tiring flight, you found yourself in Singapore, the astonishing city of tourism. The sights were indeed beautiful, with city skyscrapers and landscapes that mesmerized you. The fresh air was a welcome change, adding a touch of excitement to this trip. Your husband, with his penchant for luxury, had chosen a hotel room at a height, providing a stunning view of the city and the rivers below."It must be even more beautiful at night," you thought, taking in the scenery.

Seungcheol's voice broke through your thoughts, and you turned to see him leaning against the doorway, arms crossed, looking incredibly attractive in his white shirt.

"Like what you see?" he teased, clearly enjoying the attention he was receiving.

"Sure I do," you replied with a nervous smile, trying to contain your admiration for him.

"I'll shower first then! I'll be heading out soon, so please order lunch for me as well," he said, scrunching his nose playfully before disappearing into the bathroom.

Following his request, you ordered lunch and kept yourself busy taking pictures of the breathtaking views from your room. Lost in the beauty of the city, you were interrupted by the doorbell, and to your surprise, there stood Seungcheol, clad only in sweatpants, with the towel hanging around his shoulders. You tried your best to keep composure "Oop! Quite a timing, lunch is here" you tried to maintain eye contact but it was hard; both for your eyes to keep to his face, and for his nipples to remain soft in the chilly air of the A/C. It was thrilling and embarassing, considering you now know what he is inside that white shirt he always wears.

"Sure, Thanks. Heard my phone ring" he walks over to the side table for his phone "I'll be quick" he chuckles knowing the effect he had on you. You swore you felt tingles everywhere, and bury your face in your hands, hiding the flusters of your red face and feels. Unbeknownst to you, Seungcheol could see your flustered reactions through the reflection of the window; full enough to capture the city's highlights. He knew he has unlocked a new level.

"Sure this journey will be unforgettable"

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While Seungcheol's been busy attending meetings and chats with his clients, you took this opportunity to explore the city's famous landmarks, enjoying some street shows, and a visit to art galleries and ice cream parlors. The times he's available, he shines as usual; enjoying different flavors, mingling with the dancers, and spending like anything on ferris wheel rides, and to exquisite places you've either seen on searches, or never heard of it.

"So Mrs Businesswoman how are you enjoying your stay so far?" He inquires, leaning rowards the railings of the bridge.

"Amazing, you really know how to explore, Mr Dora" you smile. "How long is your business work though?"

"Why is it? Don't you like it here?" He frowns

"No no, it's that you must be tired commuting back and forth, just making sure you don't get sick"

"Don't worry, besides, weren't you the one to be enthusiastic about a honeymoon" he looks up at the starry sky. An instant realization came to you

"Ooh.... I-damn you sneaky lil I should've known why would you ask me to accompany you all of a sudden" you squint at him "I'm not complaining though. You have quite an elite taste" you smile

"Then lets go get dinner and we'll chill on some champagne later" the idea sounds wonderful already. Seungcheol holds your hand, and your heartbeat accelerated at this gesture

"You don't mind...this do you?" He asks, eyes glistening with innocence as if he doesn't tease you every morning.

"No, Honey" you smile. Despite Seungcheol's occasional flirty tactics, you realized that he had eyes only for you.

The next hour after a delicious dinner, you were in shower, and decided to make him suffer twice the time he does, so you come out in slippers, and a piece of towel barely covering your body, just enough to enhance your curves. Your husband who was pouring champagnes, turns around, to his absolute shock, he was foaming, eye-fucking you. You instantly knew you hit the bullseye.

"Forgot my toner here" you smile innocently, and unintentionally fulfilling your fantasies. Whatever was hard, was definitely not because of the temperature. Soon you return in just an oversized shirt and some shorts, that has been your usual night-fit. He hands you your glass, looking a bit horny. There was silence. Quite a sexually tempting one. Lights were dim, the view was spectacular.

It's when he realized he's had enough and pulls you on top of him, your lingerie-less body hitting his hard chest

"God..Seungcheol what is-"

"I'm I hav- Oh god I don't know how to say this" he contemplates, as you see his soft lips between his teeth

"What the hell you're the one to pull me on you" you roll your eyes

"Sorry I'm I-"

"Never mind" you hold his face and attach your lips with his. To be frank, you've had tolerated enough and it's time you do sit on his face.

The synchronization of your lips moving with his, was very perfect for a first time. You kept on kissing and kissing, exploring every inch of his mouth until he pushes you for a catch of breath. You flutter your eyes open and smile, slowly transcending to a laugh

"God you're so...menacing" he speaks "about time you finally do what you said to your frien-" he stops knowing he said a little too much. You look at him in shock "does that mean you-"

"Sorry" he nervously says. You squint your eyes at him again, very suspiciously "how much did you listen"

"Everything" he confessed "it was unintentional, you were busy on the call and I came for something then I forgot common sense. Sorry" he apologizes. You knew the cat had been out of the box, you were unable to notice it. You sigh, after a quick contemplation

"Well, it's no secret anymore. Here I'll say it fir-" he puts a finger on your lip, switching positions, where he is on top of you now. It earned a small squeak from you, yet you felt your core getting a bit wet by how attractive that was. His leg rested between yours.

"Let me" he stares in your soul. You gulped, kind of getting wet by how his built is hovering on you.

"Y/N, I'm foolishly, in fucking love with you" the sudden profanity made you grin a little harder, all while he strokes a loose strand off your face "honestly. I can't believe it took me this long to express my..sheer love for you, y/n. Back then, i would've died without you but now I...would die for you. I can't imagine a world without you, so if you please let me be yours forever?"

"I hated every inch of air I shared with you then, and how we were just bonded without sharing a hello" you smile, cupping his face "I never imagined I'd find every moment with you, so profound. Every minute with you was magical, and it only concludes how destined we are for each other"

"I love you Seungcheol"

"I love you too..."

With that, he took the "action speak louder than words" a little too serious. His lips wrestle for dominance with yours, and the thigh that was calm, started stirring up a storm between your legs, as he continuously grinds on you. You pull onto the hem of his shirt, and he immediately does, while his hands explore your body inside your shirt. He slowly makes his way from your lips to your neck. Everything felt so ecstatic; it was your new high. You clenched onto the soft pillows for dear life, when Seungcheol slides himself into your oversized shirt, his lips between the valley of your perky breasts, craving his attention. He admires every inch of your perfectly created body.

"Stop...teasing" you moan. He feigned ignorance, continuing to play with your sensations. He pulls you up by your back, and swiftly removes the shirt and throws it on the floor. "There's no stopping me tonight y/n," is the last thing he says before pinching your nipples, and making the best use of his mouth on them. He enjoys hearing the profanities escape your lips, and how your voice changes upon pleasure.

You push him by his shoulders and get down on him, sliding the waistband of his shorts down to his knees, his dick springing high on your face. You gaze at his length before mindlessly taking every inch in your hands. "You..you..do..nt hhhave to ddoo t-ohhh" he groans. "You don't tell me what to do...."

"Such a brat" he smirks, letting you rule his excitement. He felt his high, once you slowly took him in your mouth, taking in as much as you could without gagging (yet) it's a matter of time he shifts from a thread of "oh ffuckk" "you're doing it so good" to "I'm gonna cum" and it's when you stop. You hastily take your shorts off and slowly grind on him. Seungcheol was panting manic. He was a mess. The entire room reeked of lust and his musky scent overshadowing, with his sweat. It proved how much of an authority you held on him

"Slide all the way up to my face beautiful I don't bite"

That's all you needed for your dripping core to slide on his nose, to his mouth. His tongue did wonders. You were sure you wouldn't last long considering this is your first oral ever, and sure you didn't, his tongue toyed with your nerves, and used every "shits" "fucks" "oh cheol" as his drive to go deeper in your cunt. "I'll cum I'm cumming I-" you release on his lips, and like a man, he devours it all.

"Delicious"

"You...you sound like cand..candy crush for god's sake" you breathily chuckle, and he follows, slowly getting up, to position himself on you.

"Then allow me to...'smash' " he presses a tender kiss on your forehead, before entering your core. You squeezed his hand, asking him to be gentle and burying your face in his neck, fingers in his back. It felt so...weird the first few minutes, but as he slowly moves, the funky feeling, the pain, it all vanishes. It's all when you realize you're actually getting laid. The sounds you've never considered you'd make, were too loud, way too unholy. Seungcheol was holding your leg, and was going slow till you adjust to him. His low groans and breathy moans turned you on even further, where you move your head to face him and slap his arm

"Giv...give me e...every..thing, husband. Take me all the way up" you breathe out. It's when he increases his pace, once he received your green signal. The slow slaps, were now louder and faster. Your bed was also giving up on concealing it's squeaks. He holds you in his arms, and continues thrusting in you.

Nothing else in the world mattered but the pressure you felt in between your legs and your delicious heat wrapping around him, engulfing him in until he bottomed out. His head falling into the crock of your neck, whispering sweet nothings against it while he started to fuck you slowly.

“Y-You feel so good, so w-warm.” Seungcheol kissed you, feverishly, swallowing your moans. His soft lips whimpering against yours. “I want to be inside you forever.” His hips moving against yours slowly, making sure you could feel all of him inside you. His hands never leave from your back and pushed you against him, chests heaving against one another’s. You arched your back, gripping the blankets underneath you. "Oh Seungcheo...god....cheol..." you breathe. He continued tinting your neck with his masterwork, and swiftly positions you on all fours. The joy you felt by the way he dominated you, and messed with your fucked out state, was bringing you heaven. You go low, arms stretching towards the headboard, while he grabs them, locking them behind your back, and even going hard.

There was no stopping him, all while the whole city from your foggy windows witness you making love witb your husband.

"Look at yourself, love" he turns your head to the mirror on the right "look at us..mmm..." he moans in your ear his hand snaking in between your bodies searching for the little bud of pleasure. You scream in pure ecstscy.

He turns you around, so swiftly, with his thumb hovering over it, the suspense had you withering, begging for him to touch you the only way he knew how. You whimpered feeling the ghost of his touch, your fingers tweaking at your nipple, sending a rush of pleasure through your body. "C..ch..chheoll..., mmm, I-I need to cum.” You pressed your chest into his back, turning your head all the way up, watching as his face contorted into pure bliss, his thrusts getting sloppier, his connected thumb with your clit and rubbing slow figure eight, constrasting the speed of his thrusts. You gasped raising your hips rocking against his hips and hand, feeling the sweet coil start to build up "im..fucking serious oh....my..."

"Release all on me, love" he demands amidst moans "Cum with me. Savour every drop of it" and it's all you needed to finally finish on him. He groaned finding your free hand and interlocking your fingers with his. You clenched around him. He was pumping as well, and you felt all warmth being filled inside you. Every thing about this was so surreal, so new, so perfect. You breathe as if you had run a marathon; a marathon of lust. Seungcheol hugs you, and stays inside you, caressing your head, showering you with compliments that you were brave and did well for your first time. The sense of encouragement brought tears to your eyes as you bury your face in his chest. He caressed your back with tender touches, and slowly lays you on your back, plopping down next to you.

"You're officially all mine" he kisses your shoulder. You hold his hand tightly, "you're mine as well, babe"

For the first time, you felt real comfort, real love, and an unimaginable intimate experience with your husband. And a shower too.

Seungcheol's heart hadn’t stopped palpitating since. His stomach erupted into butterflies whenever he had held you close throughout the immoral escapades the two of you had engaged in all night. He never wanted to let you go and now as he looked down into your glittering eyes with the heat of the golden sun rays hitting your sensitive bodies.

"Wake up husband"

"I think I want to sleep all day tonight" he shuffles closer to you.

"Oh who knew it would hard to wake my husband up from his slumber"

"Blaming on your irresistable charm" he squeezes your butt under covers.

"Owh! I'll need my own room again if you do th.." his hands cup your clothed core

"Hmmm...you were saying?"

"You.." you fail to form sentences once he starts rubbing your core, slow dense circles.

"Hands to yoursel..f or I'll bite" you whisper

"Oh, my damsel in distress" his voice is contagiously attractive;waste no time as he goes down on you undercovers.

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"We're really leaving Singapore as lovers" he chimes, an ear-to-ear grin fixed on, enhancing his dimples.

"Yeah if it weren't you to have the same traits as you family, you nosy lil witch" you exhale, standing in front of the fountains, almost nearing the airport

"I'm always nosy about everything" he smirks

"Honesty is not always the best policy Mr Choi"

He pulls you dangerously close "You have no idea, Mrs Choi"

"You need a haircut"

"All I'll ever need is...you" he holds onto you like a sloth on a branch, as you two harmonize in a melodious laugh.

It is you, he wants to tell everything to. He'll express his love for you, while he holds your hands in his.

And if there's eternal love, Seungcheol is that person for you.

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Thenkyoui for reading!! Stay bias wrecked by him <3

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indigovigilance · 1 year ago

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Jimbriel, Satan, the Book of Life, and what it means for Crowley

Acknowledging that what we know so far about the Book of Life from various characters is highly suspect, I'm going to posit to you that Beelzebub is actually the true authority on the Book of Life, and that they bookend Season 2 with very important (and hopefully accurate) information about the Book of Life. With that in mind, let's take Beezlebub's S2E1 description and see how it fits with other canon evidence:

But what does it mean to have never existed in the Good Omens universe? For that, let us look to Satan.

From in-show canon, we know that Adam was able to retroactively change Satan's status as his father to not his father:

Adam altered reality, although Crowley, Aziraphale, the other celestials, and even Adam himself remember those events from a timeline that supposedly has been erased:

But Crowley nonetheless confirms that this is reality now. Satan was never Adam's father.

Additionally, though not technically in-show canon, we know from Notorious NRG that once Satan became Lucifer, this erased Lucifer from existence in the GO universe:

And Crowley's monologue in the bar drives it home; even though Lucifer no longer exists, Crowley still remembers him, and some key events that they were involved in together.

But a more dramatic portrayal of erasure is found in our favorite Good Omens himbo, Jimbo. In the trial of Gabriel, the Metatron makes direct allusion to the fact that Gabriel will no longer be Gabriel after his demotion:

Not "your memory of your time as the supreme archangel will be erased," no, it's:

Your memory of your time as Gabriel will be erased.

Whether he means to or not, Aziraphale reinforces this characterization of memory-loss-as-new-identity:

This can be taken simply as a safety measure, but Jimbo doesn't understand it that way and we see throughout the remainder of the season that Aziraphale is very consistent about calling his unexpected guest "Jim," even correcting Crowley when they're speaking privately and it wouldn't blow his cover to call him Gabriel:

But the final word on memory and identity, especially as they pertain to Jimbriel, again comes from our Lord of the Flies, Beelzebub:

All your you is your memories.

Altogether we see that there is significant in-show canon to support a theory that memory is inextricably linked with identity, and that when memory is removed, identity is so drastically changed that the name of the entity must also change... and the person who existed before, with that former name, exists no longer; it is as if they never had.

(But, as we see in the case of Gabriel, they can be restored.)

I told you in the title that this post was about the Book of Life: it is. Everything discussed here about memory and identity must necessarily characterize how the Book of Life operates, at least with respect to erasure. When someone is erased, they don't vanish, but they are so changed it is as if a new person has taken the place of the old, the way Jim took the place of Gabriel, until he got his memories back. But we can surmise that when someone is erased from the Book of Life, their memories aren't conveniently stored in a TARDIS/Ru Paul fly for later recovery. The memories may not be gone, but I'm going to guess that they would be extremely difficult (or impossible) to retrieve.

What this means for Crowley:

I think we need to give this scene a lot more credit for telling us how this universe works. Surface level, it reads as "you don't understand my trauma, and how I've been changed by it." Which is a very valid interpretation. But we can dig deeper and see that, given everything else we know about celestial beings losing their memories, names, and identities, Crowley is alluding to something far more horrific than just the scars left by flaming swords and halo-grenades.

These are the scars of a lobotomy. Something was taken from him, and he is aware of it.

He knows that his memory has been tampered with. Various people (Furfur, Saraqael) tell him that they recognize him, and of things they've done together. He has no recollection of them, but instead of getting agitated, he brushes it off and ignores it. This lack of questions from the guy who questions everything tells us that he already has the answers; not the memories, but the knowledge of why he doesn't have them.

Furthermore, when he's trying to get Jim to remember the something bad and Jim says it hurts, Crowley says:

I know. Do it anyway.

How does Crowley know that it hurts, to try to recall memories that have been taken out of your head?

Because he's been through it.

He has tried to remember, and some memories, like working on the Horsehead Nebula with Saraqael or monkeying around with Furfur, weren't worth the pain. Or perhaps it was pain on top of pain to remember what he had lost.

It is an especial testament to the cruelty of Heaven that he remembers going into battle, but not the bonds he formed with his friends. He remembers a million lightyear freestyle dive into a boiling pool of sulfur, but not the work he did on the Horsehead Nebula, a thing that brought him joy.

And now, the person he loves most in the world, his only refuge from the terror of his empty nightmares, from his malignant and creeping sense of unease that something is missing, has gone back to that place where his identity was so horribly violated that he lost his name.

How will our hero cope?

If you liked this meta, you will almost certainly like my meta on Continuity Errors.

For my thoughts on who Crowley may have been before the fall, go here.

For my thoughts on how this pertains to Metatron, go here.

As I continue to produce metas related to this theory, you'll be able to find them all here.

#good omens #good omens 2 #book of life #good omens meta #aziraphale #crowley #gabriel #ineffable husbands #ineffable bureaucracy #beelzebub #ivoc #erasure theory

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theswissgirl · 2 months ago

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from here on until forever - Demetri Volturi

Demetri Volturi was the first ever guy I had a serious fictional crush on on, like it was bad there were so many scenarios I created in my head but there was one that repeated in my head like a never ending movie

And I'm going to write it now

a timeline through the movies like key moments from each film (that obviously features him and my own plot) and the relationship is slowly going to build from there.

And I plan on posting it in parts so New Moon is part 1.

Character:

Name: Evangeline Swan (picture her as you want)

Sister: Bella Swan

status: human (will be changed)

Vampiric ability : seismic sense (later on)

Mate: Demetri Volturi

word count: 3.7k

and obviously all credit to the author of The Twilight Saga and everyone involved in the process of the movies.

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New Moon : The Start of Forever

You were sat in the yellow sports car which Alice Cullen had hijacked and was operating with dangerous speed towards the city of Volterra, Italy, where you knew nothing good was going to expect you when you arrived.

Lush green fields of grass and trees could be seen in your peripheral vision, there was something so scarily calming about it. But of course, Bella was too busy bouncing nervously in the passenger seat to admire the scenery, holding onto the dashboard harshly "I'm guessing you didn't rent his car?" she asked Alice.

You snickered quietly.

of course she didn't

"I figured you wouldn't be opposed to grand theft auto" Alice replied swiftly, briefly glancing over at Bella, who was beginning to look a little nauseous from the curves and pot holes in the road, "Not today" Bella rushed out.

Suddenly, you noticed Alice's eyes begin to glaze over and your curiosity was engaged, she was having a premonition.

Bella caught wind immediately.

"What? What do you see?" Bella asked her vampiric friend, a small hint of anxiety in her voice as she slowly feared for the worst and she had a bad feeling her vampire boyfriend had set some sort of plan in motion.

"Alice, are you okay?" you asked her, speaking up for the first time in a while.

Alice brushed you off, "They refused him" Alice said, narrowing her eyes in concern.

"Sooo" Bella pushed.

"He's going to make a scene, show himself to the humans" Alice said, glancing at both you and Bella

"that can't end well" you mumbled, meeting Alice's eyes in the mirror and having your thought confirmed as Alice nodded her head in agreement whilst keeping a steady eye on the prevailing road conditions ahead, steering the wheel smoothly and precisely.

"No.. when?!" Bella's voice was sharp with angst.

"He's going to wait until noon, when the sun is at it's highest" Alice let out a small gasp as her vision came to an end, making you think that she saw something upsetting.

You may not have liked Edward for all the shit he put Bella through, but you weren't the kind of person who would wish suffering on anyone.

"God Alice, you gotta hurry"

"There's Volterra"

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Bella rushed off to save her boyfriend through the sea of red coats, as per the tradition of St. Marcus day, celebrating the expulsion of vampires. You however, stayed with Alice and looked for a spot to leave the stolen vehicle.

Alice turned to look at you seriously as she covered every inch of her exposed skin, which was mostly her face, "Evangeline I want you to listen carefully to me, when we get to the castle do not do anything to attract attention" she said, looking you straight in the eyes.

you nodded wordlessly, worry growing within you as you sat still in the backseat of the car and feeling it come to a halt just behind the massive castle where the Volturi resided.

You weren't going to question her, you were about to step into the layer of vampires and you wanted to do everything in your powers to come out alive.

"Come on, let's go" she said and climbed out of the car, prompting you do the same and following behind her as she navigated through the areas covered with shade.

Time felt like it passes too fast as you were suddenly in front of a door with a very old and wooden looking latch "remember what I said" Alice said suddenly before breaking the latch and opening the door, stepping inside and you following right on her tail.

"Come guys, its a festival, you wouldn't want to cause a scene" Alice said smugly, whilst you awkwardly tried to close the door behind you but giving up after 2 seconds when the stupid thing did not want to listen.

Suddenly, your movement froze and you felt like the small hair on your skin was beginning to dance on the back of your neck, making an intense shiver run down your spine before spreading all over your body like a tsunami devouring anything in its way.

You looked up to find the source of this sensation, skipping over the beautiful old and italien structure when your eyes finally settled on a blonde man, dressed from head to toe in black. What actually caught your attention was his blood red eyes and how hauntingly captivating they were, even more as they met yours.

"Enough" a set of footsteps could be heard clacking on the ground and you watched as a young girl approach, pulling her hood from her head.

"Jane" Edward said quietly, acknowledging her presence.

As Edward's voice registered in your brain, you snapped your eyes away from the beautiful blonde individual and averted them to the ground, a small blush growing on your face in the process.

"Aro sent me to see what was taking so long" the girl, Jane, said and looked over Bella and you with bright and bloody eyes, not as beautiful or inviting as the other ones, before she turned around and began walking back to where she came from.

"Just do what she says" Alice whispered to you as you began to walk alongside her, your breath hitching in your throat as you walked past the blond vampire again, even more so when he started walking next to you.

Your heart was having a personal fiesta in your chest, the pace it was pumping at made you think you were about to fall to the floor from cardiac arrest, and it was all because of him.

Butterflies grew rampantly fast in your stomach, your fingers trembled as almost irresistible itch to just "accidentally" touch them to his was difficult to shove aside and your entire body felt like it was coming alive

And no words had even been exchanged yet.

After an elevator ride with a charged atmosphere, you found yourself walking down stone made stairs, the staircase being dimly lit by the light just outside the door.

You tuned out the small conversation Edward and Bella shared, choosing to primarily focus on not tripping and making a horrible first impression on the beautiful you may or may not already have a crush on.

You felt your neves growing as the more you felt like you approaching the belly of the beast that were the 3 king of the Volturi, especially since Alice told you the stories of what happens those who are exposed to the world of vampires of if you betray it.

The receptionist greeting you as you walked out had you snapped out of your thoughts and your eyes, on their own accord, flittered back to the breathtaking individual who walked beside you.

But the off-putting thought? she was human.

"is she human?" bella asked not-so-quietly, looking at Edward in his fancy red robe which you thought looked ridiculous on him.

"Yes"

"Does she know?"

"yes"

"Then why would-" Bella cut herself as realization dawned on her, "she wants to be".

"And so she will be" a shiver went down your spine as you heard him speak for the very first time, and it made your heart palpate faster. His voice was the right amount of deep and adorned with an english accent, making him all the more enticing.

You felt like there was an invisible cord pulling you with a prepostourley strong force towards him, and the more you tried to heed Alice's warnings about the Volturi, you find yourself beginning to lean more and more in the opposite direction.

Suddenly, a hand snaked its way across your back and settled itself on your waist, tracing small and delicate circles on whatever exposed skin was accessible to him. Almost as if to assure that you won't be hurt as long as he was there.

And the surprising part? you felt safe with him.

"Or dessert" Jane said and you found yourself being glad that you were protected.

Jane pushed open two gigantic wooden double doors and walked into a massive throne and of course, on two majestic chairs sat the 3 volturi kings.

Aro, Caius and Marcus.

Aro seemed to be excited.

Caius was glaring at visitors with annoyance and anger.

Marcus looked... well, rather somber.

Alice had tried to grab your arm and make you go in the same direction as her, the beautiful was quicker and pulled you closer with whilst moving to somewhere in the back of the room and away from the action.

Bella sent you a questioning glance, wondering what you were doing but you had no answer for her so you just shrugged your shoulders and smiled reassuringly at her.

"What a happy surprise! Bella is alive after all" Aro said, his tone chipper as he clapped his hands together, a little too chipper for greeting someone who knew about the existence of vampires...

"Isn't that wonderful? I love a happy ending" you watched Aro approach Bella and Edward, biting your lip in anxiety as your sister was dangerously close to having her life ended.

You weren't aware of it, but your hand subconsciously grabbed ahold of his sleeve and squeezed the material tightly in your grasp.

Aro grabbed ahold of Edwards hand, "they are so rare" he said before his eyes widened and glazed over and it reminded you of when Alice experiences one of her visions .

"La tua cantante, both of the swan sisters" he said, eyes flickering over to you in an instant with newfound curiosity bright in his eye before he decided to make his way over to you.

"My dear Demetri, it seems as though you found your mate" He said, stopping in front of you and looking you dead in the eye, making you shift a little closer to you to seek safety.

"So thats his name, Demetri. Suits him beautifully" you thought yourself.

"Yes my lord" Demetri said, his grip on your waist tightening ever so slightly but enough to make you crave more and be closer to him, even if you didn't understand why you wanted to close to someone who eats your kind for breakfast.

Aro's eyes go to you and you freeze, you couldn't decipher that look in his eyes, curiosity but combined with something else and you weren't sure if you wanted to know... or witness.

"Their blood appeals to you both" he started and you noticed a change in his facial expression "it makes me thirsty" you froze and moved closer to Demetri almost automatically.

"Aro can read every thought you've ever had, with one touch" Edward interjects, his voice making you startle in surprise and your gaze went to him, seeing that he's had his eye on you and Demetri, as well as Alice and you sent her a small smile to let her know you were okay.

Aro turned to look at him "you are quite a soul reader yourself, Edward. No, you can't read Bella's thoughts" he glanced at Bella another time "fascinating"

"I would love to see if you are an exception to my gift as well, would do me the hohor?" Aro extends his hand to Bella and you watch her take a tentative step forward, placing her hand in his.

You watch with nervousness and anxiety as Aro lowers his head and closes his hand, most likely trying to rifle through her memories one by one but he won't be successful, you knew that.

"Interesting" he pauses.

"I see nothing".

Maybe that was a good thing.

Aro takes a few steps backwards, interlacing his hands in thought "let us see if she is immune to all our powers" he says and an unsettling grin grew on his face as he looks at jane "shall we, jane?" and you could swear your heart leaps into your throat and panic consumes you.

"No please don't" you breathed and surged out of demetris hold and towards your sister but strong arms wrapped around your frame in an instant and coiled tightly, immobilizing any movement and leaving you thrashing to get away.

"No" Edward growled and lunged at jane, only to freeze on the stop and his body begins to contort painfully, as if his body was being squeezed into a little ball and he falls to his knees.

"Stop" Bella demanded with a fearful tone "no please stop" she pleaded and tried to run to edwards side but was stopped by Jane's brother, Alec.

"Stop, just stop hurting him please, please" her voice grew louder every second that edward appeared to be in more pain, his face completely strained as he fought against the onslaught waves of pain Jane sent in his direction with one steely eyed glare.

"Jane" Aro said that Jane obeyed instantly, stopping her ministrations against edward.

"Go ahead, my dear" aro said eerily softly and suddenly, Jane looked at Bella with excitement.

"This may hurt just a little" she said calmly and you began thrashing in demetris hold again when you realised what was going to happen

"please let me go" you pleaded quietly as you watched Bella prepare herself, a look of determination in her eyes and much like a python, the more you moved in his arms, the tighter he held you to him "please calm down mia cara, she won't come to harm" he whispered softly in your ear, his voice warm and somehow comforting and it sent shivers down your spine.

Aro lets out a laugh and claps his hands "Remarkable" he breathed "she confounds us all".

"So, what do we do with you now?" then, he looked at you.

"With both of you?".

you huddled closer to demetri at the threatening glint in Aros eyes, almost doing it instinctively.

"You already know what you are going to do Aro" the oldest and kind of depressed-looking spoke up first with a monotonous tone in his voice, as if this whole ordeal bored him.

The blonde king spoke next "They know too much, they're a liability" he said before glancing at you "the younger swan will be spared as she is Demetri's mate, but she has to be turned" he demanded and your stomach tightened with dread.

did you want to be changed? were you really willing to throw a whole chapter of your life away to be with someone you met an hour ago?

Aro sighed wistfully "thats true" he agreed before casting a glance to a burly vampire, giving him a look "Felix" was all he said and Bella was released from Alecs grip

only to be flipped so she was standing protected behind Edward and he lunges at Felix, tackling him to the floor with ferocity and then you felt a rush of wind, suddenly feeling cold.

You looked to the side and saw that Demetri had a hand wrapped around Alices throat in a vice-like grip, not letting her escape and you frowned, she must've tried to intervene.

But with Demetri guarding Alice, you felt exposed and unsafe in a room full of vampires which would easily kill you if given the command, damn you really got comfy in his arms.

Every time edward was slammed into the marble floors, small and tiny cracks grew along his skin, like a porcelain vase that was beginning to shatter and you winced as the cracks and tears grew louder.

And then Felix had him in a headlock, ready to tear off his head and bella let out a cry of desperation "Please, no, no, please, plese!" she cried and aro gave the command to stop felix, hearing the plea in her voice "kill me, kill me, not him" she rushed out and inhaled shakily.

your head turned faster than a cobra striking its pray, you couldn't believer her words, how easily she was willing to give up her life for the man she loved but what about you? were you at the center of her priorities too?

"Bella no, don't say that" you breathed and fought the rising tears as you went to stand by her side but you only got a glare from your sister, so this is what it came to be.

Suddenly becoming a vampire didn't seem like the worst idea.

Aro stalked towards bella with slow and deliberate steps, a confused yet a look of awe in his eyes "how extraordinary, you would give up your life for someone like us, a vampire, a soulless monster"

shivers went down your spine and a burning sensation tingled by the back of your head, you turned your head to look and saw demetri had his eyes trained on you whilst still having focus on keeping Alice captive with is hand wrapped firmly and tightly around her throat.

Guilt consumed you when your first thought was not centred around Alice and her safety but rather the man who had the potential to cause her harm if she so much as she attempted to squirm and break free, the thought of that was enough to get you to turn your head and focus on Bella and Edward again.

But all you then saw was a blur wizzing forward and slamming into another member of the Volturi and you quickly realised edward pounced on him, most likely to protect bella.

(skipping ahead)

Edward was spared from being destroyed and stood with Bella once again and Demetri stood by you again, an arm wrapped securely around your waist.

"let us be done with this, heidi will arrive any moment"

the old and frail-looking king spoke up as he stood up slowly "thank you for your visit" he said slowly with a deep rasp in his voice and then then the blonde king spoke up.

"I would advise that you follow through with your promise soon, we do not offer second chances" he said with a sneer on his face, emphasizing the word "chances" to make it sound more menacing you were sure.

Demetri let go of you momentarily to open the giant double doors and led you and the others out of the throne room "goodbye my young friends" Aro said from behind but you did not once stop to think to turn around, you just kept walking and followed demetri.

"Nice fishing, heidi" you heard demetri say and you looked up, a beautiful vampiric woman in a red dress walked past your group with a sea of tourists following right behind her, mumbling curiously and admiring the architecture of the palace and it appeared as though they were completely oblivious that they were being lead to their deaths.

maybe it was better that way, a quick and swift death.

"yes they do look rather juicy" Heidi replied and sent a smirk in his direction and an emotion that mimicked jealousy (or actual jealousy) rose within you, did she have thing for him? but you shook those thoughts away.

and then the screaming and shouting came.

you froze and wanted to turn around to observe what was happening but demetri snaked an arm around your waist and pulled you close to him "don't look its not for the faint of heart, mia cara" his soft voice met your ear and heat rushed down your spine at the close proximity, the effect he had on you making you slowly forget.

A few minutes later and you were outside, the warm sun beaming down on you and you welcomed it without hesitation, breathing in the fresh air and relaxed.

"It's time we go home" Alice stood next to you, a hand on your shoulder as she gave you a soft smile.

you bit your lip in thought, eyes flickering over to demetri.

for whatever reason, the thought of leaving him was like going through a heartbreak and it was like your whole body was protesting and fighting hard against it, leaving him felt like a gloomy cloud was descending upon you and your world would shrouded in darkness.

"2 seconds alice" you told her quietly and stepped over to demetri, your heart hammering violently in your chest.

"what happens now?" was the first thing you asked him as you looked up at his beautiful face, his beautiful red eyes looking down at you with a certain softness and fondness you didnt think you'd ever on a vampires face.

"We will be together again, and I understand that you must return home" He spoke with understanding as he delicately placed his hand on your cheek, stroking the skin softly like you were the most precious thing he had in his possession.

Which is kind of true given your human nature and his vampire.

a sad and small smile rose on your lips as you subconsciously leaned into his touch, his hand burrowing itself gently in your hair "I look forward to it" you whispered before stepping back, his hand falling from your head and you immediately missed his touch.

"we'll see each other sooner than you think, mia cara"

"this is only the start".

and with that, you turned and left with the others and you were damn sure that you wouldn't ever forget him.

_____________________________________________________________

still new at this, hope its nothing too bad

#love #demetri volturi #demetri volturi x reader #new moon #demetri volturi x oc #bella swan #alice cullen #edward cullen #twilight saga #stephanie meyers #vampires #short story #soul mates #volturi

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twinsarekeepers · 2 months ago

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I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy” like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself

I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.

This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.

That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.

I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.

Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.

There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.

I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.

And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.

These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!

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humanthatexistsrn · 2 months ago

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okay well what if alex and steve woke up from a shipwreck with nothing but a single book left (a crafting book) and now must survive together in this new world they’ve never explored. and also they’re teenagers, at first amazed at this mostly barren but beautiful land they’ve ended up in, and they play and mess around and don’t take it seriously. and then night comes and the monsters come out and it’s terrifying and they have to make a dirt shack somewhere and they’re terrified but at least they have each other. slowly but surely they begin exploring the world, and they find villagers who speak a language they don’t understand so it takes time to understand them, and they can’t trade immediately. and over the course of the movie they grow up, and their appearances reflect that, gradually becoming the default skins we know. and they begin to uncover the secret history of this land, how there were people before them, maybe their ancestors, but something terrible happened to them and now all that remains are their builds. alex takes to redstone and steve to building. eventually they find manuscripts of how to create a wither, and how to get to the end. they kill a wither to make a beacon for their end fight. they kill the ender dragon, not knowing that she’s innocent and harmless, and enter the portal. as they’re falling two beings circle them and begin talking about their journey and they recite the end poem. we see clips of the pair’s builds, how they’ve grown. we see clips of other lands and other people in them. and then they wake up. they feel like something is wrong and after exploring the end islands they find out the dragon was innocent and was merely protecting her egg. they return to the end to give birth to another dragon. they keep creating together, pushing one another further and further. until, finally, a wandering merchant finds them with news from their families. they get a map that gives them directions on how to return home. steve wants to finish some build he had an idea of, but alex decides to sail away first, promising to come back and visit. steve continues building with alex visiting him every so often. alex eventually sends him a letter saying she likely won’t visit anymore because she’s gotten too busy back home. eventually steve decides to leave as well. he leaves his dogs and pets behind to be taken care of by the villagers. he sails away. credits roll. post credits scene: alex and steve visit with their respective kids. their appearances are even older than before. the world has changed, but all of their work is still there. alex and steve show the kids around, who are understandably amazed at their builds and machines. alex comments how this changed world feels different, and being back feels less special than she expected. steve replies that they’ve changed too, but the kids will probably like it as much as they did.

#minecraft #minecraft movie #a minecraft movie #had to get this plot off my chest #to be clear steve and alex wouldn’t get together #they’re you and your best friend when you were playing mc back in the day!

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fountainpenguin · 3 months ago

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Riddle watches New Wish - Post #22

Best of Wish

I enjoy Irep's grit-teethed remark when he mentions Anti-Fairies can't have godkids. He's just like his dad, for real, for real.

If he's this annoyed at the thought of Anti-Fairies not being allowed godkids, that kinda implies he wants one, which is interesting. Godkids were always one of Anti-Cosmo's interests, but never something Foop pursued on purpose or ever expressed interest in.

Please enjoy this cut Anti-Cosmo dialogue from an early script for "Fairly Oddlympics" that I think about constantly:

btw, there are a lot of funny deleted scenes in the old scripts that I love talking about, especially from this one, so if you find anything that catches your eye and post about it, you should @ me because I would enjoy reading your reactions <3

Plot twist - Irep is doing healthy things to work through his "scary godparent for Vicky" trauma while Peri's reaction to Vicky trauma was to cover his ears, hide behind his mom, and sing "La la la, la la la" to pretend she wasn't there.

Peri said his memories of childhood are blurry. I wonder if Irep remembers his childhood better since he was fully able to talk and comprehend things back then.

"Once a fairy quits, any magical being can take their place!"

I mean... Technically yes, but you used to have to sing for it. lol.

The Pixies, who are literally last in line for godkids below all other magical beings (including pegasi, bigfeet, and lake monsters), watching Irep stroll in like: ???

- which imo was implied to be a punishment for their race after H.P. was godparent to some unconfirmed kid I've been headcanoning was Dale for 7 years-

Actually, I like the implication that Irep was so fast to snipe Dev because he's been stalking them since he found out Peri was assigned a godkid.

Irep: Once a fairy quits, any magical being can take their place! Wanda: Peri didn't quit! He was waiting for you to call! Cosmo: He thought you two were on a break! Me: ... ?????? Peri was waiting for Irep to call and take him back? Run that by me again??

... I legitimately cannot tell if they're addressing Dev or Irep. Irep was the last person to speak, but Dev speaks next. Rewinding and listening to the conversation again, I can use my context clues to see they're probably looking at Dev (who is offscreen), but ?? why would you frame it that ambiguously.

Did anyone else get confused here or was that just me?

Also this has done nothing to disprove my previous "Peri is clingy especially where break-ups are concerned" interpretation.

I like how the very first wish Dev makes in this scene isn't for his dad to love him, but for Bev to love him.

How many kids in this class have names that rhyme with Dev and why is he so determined to befriend them all?

?? Okay, so I was previously confused about Dev's friendships because I was pretty sure I remembered him saying in Episode 1 that he and Trev were friends, but we haven't seen them interact at all. I went back and checked, and here's what he says:

"That's Trev! He's my bud, so he probably won't give YOU the time of day."

I wish we got to see him hanging out with Trev. Did they split after Trev didn't come to his sleepover?

- I just checked; I don't see any evidence of Trev at Hazel's. - Hey, did Winn and Jasmine ever find out Hazel lied to them about living in a 5-star hotel? - In conclusion, we are being ROBBED of the Trev-Dev-Bev friend squad.

Looking back, it's very funny that Dev made an effort to introduce Hazel to people when she was the new kid despite that not being his job... including giving some glowing reviews of a few of their classmates, including "This guy's my bud, this person's cool, and I respect this other guy." He wants to talk...

Also, moon is full in New York.

I keep waiting for Irep's music to drop again, but it never does in this scene. It's stressing me out; why did it only drop in THAT scene?

The version I'm watching unfortunately doesn't include credits and I can't find it after a few quick searches, but if Guy Moon did the music for this episode and remembered how he used to do it for Foop and his alt personality when they would do their switch cues 14 years ago, and so when he saw that body language he did it again, I'm gonna lose it.

Surely not... But he had to do it for at least 3 seasons; maybe it just stuck??

I don't see him credited for A New Wish at all on his own IMBD or Wiki page either. idk who did this episode, but I liked it. Hi, I'm the target audience; it's me.

And Irep's still a leftie! Even after putting both hands on the mace handle to smash it down, it goes back to his left when he takes one hand off.

He even does the "sword fight" with his left hand. It's the boy!!!

?? Is Irep's hair both blue (like both his parents') AND black (the color his tuft was in the OG series)?

Are his roots black, but the color eases to dark blue the farther out it grows? That's fantastic!

I like how Peri's hair looks most like his mom's but with a faint slope implying his dad's influence is there, and Irep's hair best parallels his dad's, but he gets his curl from his mom.

Huh. Looks like we've retired the 5 magic colors and now we're just pink poofs and dark blue lightning. Which I'm okay with; I just wasn't paying attention until now. But I know lightning-shaped Anti-Fairy magic was canon in "School of Crock," maybe others.

This does deprive me of my usual 2nd-watch shtick of reading moods based on color. Alas.

I enjoy Hazel rescuing the news reporter, but letting her know that she's a big fan of her work.

Okay, Irep uses his right hand at the last second, but I consider this a win.

I went back and checked frame by frame because I'm a NERD, and funnily enough... It looks like he changes hands after Cosmo blasts him in the left arm. It's hard to tell with the poof cloud, but when you consider the direction he moved (buffeted backwards), that implies it was a left-side hit. It's probably just coincidence, but that's funny.

I like Dev's silly star shades during this scene:

Peri's back!! Old buddies, ol' counterpart pals... I love that teeny-tiny movement Peri makes with his fingers to symbolize air quotes around "quit."

"I never gave two weeks notice~!!"

Also, this definitely belongs in my collection of counterparts using the same body language for opposite moods. idk if we'll see more of that, but it excites me that my stash grows!

I like Peri patting Dev on the head.

"He's still my godkid! :)"

Ooh, snap. Local cousins (once removed) are here to lay down Da Rules, as von Strangles do.

Aw, I like how undoing Dev's cheating means Hazel ends up with the prize shirt. I guess that makes sense; it just wouldn't have been my first thought.

I'm glad adult Irep makes squeaky sounds when you squeeze him. I seem to remember OG Poof making squeaky sounds when he bounced off walls.

Aw, Peri having a happy hug with his parents again! Instead of him feeling like they're overbearing. That's great.

Peri once again proving he's a jealous, clingy ex. I don't think this kid was okay when he was pried away from Timmy and I don't think he took his parents' leaving him on his own for 10k years very well.

I really enjoy Peri's body language throughout this series. All his little twitches and arm rubs and flicking eyes... It says a million words. You could talk forever about him.

I enjoy Dev and Hazel a lot this series, but I think Peri's my favorite. With all his little anxieties and moments he avoids eye contact, you really get the sense that he's working through a lot of baggage.

I like how his instinct was to be honest with his parents and then he immediately regrets it and closes off his body language, avoiding eye contact. He retracts what he said and says something else that he thinks makes him look better. He's got a lot going on.

The fact that he makes this big, decisive head nod as he changes his story to claim he wasn't "jealously spying on Dev" after quitting as his godparent, but he was instead "very normally and confidently passing by" is fantastic. That's... not how people talk in normal conversation, Peri. But I'm glad you're telling me you struggle with confidence issues.

- I think everything I've seen of you supports that. You've been the biggest anxiety ball ever since you got here. - Peri is the guy who'd be on edge wondering if he did something to make everyone mad.

It took me forever to get the above screenshots so I had to keep rewinding, and I have to say... I'm obsessed with that itty-bitty head tilt he does to the left before he goes full right. Idk why it's there, but I like it. It's like a shrug, or like he's thinking through his lie? I enjoy.

Also that teeny-tiny head squirm when he's enjoying the hug with his parents. He's so cute.

Okay, that's pretty messed-up of Peri to laugh with his parents while Dev is in the background really upset. Like, Peri is literally talking about Dev behind his back

-> I wish they'd snuck hints of purple in the background to indicate Peri was there, like a milk carton or pencil or something.

-> I stand by everything I've previously said about Peri not being emotionally mature enough to godparent. His kid needs comfort after a tough experience! Dev just got snapped at and punished by authority and now he's sitting on the ground looking dejected, and Peri's over there giggling!

-> C'mon, man! Hazel clocked on and she's trying to do your job for you. She shouldn't have to do that! (Though it's nice of her to try comforting her friend).

Oop, Dev just yelled at Hazel (again) and Peri did not discourage or discipline him in any way, and tbh... I don't think he even noticed. Because he was laughing and talking about his godkid with his parents. Dude, get your crown in the game.

I love Hazel throwing her prize shirt in Dev's face and shouting that she "hopes it was worth it" <3

I still don't know how to spell O-pairs and at this point, I'm too afraid to ask.

omg, Dev wants to learn about Anti-Fairies. Are we going to get lore and culture? Drama...

PERI, your godkid's running away!! Oh no, he can't hear us... he's got anxiety...

#Riddle watches FOP #New Wish spoilers #FOP Irep #Best of Luck #Pending Dev tag #Pending Hazel tag #Dragonfly parents #Purple hippie dragonfly #Nerdy blue bat son #FAIRIES!#Original script #Long post #screenshots #Episode tags later #We're Pixies!#I'm wasp dad trash #Sanderson is neat

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kcwriter-blog · 1 year ago

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Just recently I asked myself an important question. Why do I, a person not usually into angst, continue to romance Solas. It’s not like it’s going to end differently. My Lavellan will always get her heart broken.

The simple answer? It’s worth it. There is a gentleness in how they treat each other that you don’t find in many real-life relationships much less in a video game. It’s soft, quiet, and tender. It’s what love looks like after years with someone you truly care about.

How can that be? Solas isn’t being honest with her. To Solas’ credit, he realizes that. He takes her to Crestwood to tell her the truth. When he realizes he can’t, he breaks it off. Which in and of itself is an act of love.

What he is honest about is his love for Lavellan. He never denies his feelings. A case in point is the aftermath of the first kiss. It would be so easy for Solas to say that he just got caught up in the moment. He doesn’t. He may say that it’s been a long time and that he thinks a relationship isn’t a good idea, but he never denies that he has feelings for her. Even when he breaks it off, he refuses to lie and say she was a casual dalliance or that he doesn’t love her.

For her part, Lavellan never pushes Solas. When he asks for time to think, she grants it. “Take all the time you need.” She understands him. He has trust issues. Getting into a relationship with her would be a big step for him. She may not know what made him that way, but she cares enough to let him decide if a relationship is something he truly wants. She is willing to wait.

This demonstrates a respect for each other and for their budding relationship. They are honest about their feelings. They are willing to take it slow. They talk about it like adults. They go into it knowing there will be risks.

An underrated aspect of the relationship is the conversations where Solas shares his recollections of things he saw in the Fade. Solas isn’t just randomly pulling stories out of his hat. He is telling Lavellan about the things he saw that meant the most to him. He is opening up to her, trusting that she won’t laugh at him or dismiss him. For her part, she actively listens. It’s a quiet kind of loving and, for me, one of the most intimate things you can do in a relationship.

The balcony scene is another place where this plays out. Solas wants to be with Lavellan. He has come up to the balcony to tell her that. He still has reservations. He wants her but he doesn’t want to hurt her.

Lavellan knows he must be the one to make the choice. Instead of kissing him, she puts her hands behind her back. If he wants this, he will have to kiss her. He balks. She asks him not to go. Many people interpret this as begging. That’s not it. She is telling him, quietly, that if he leaves, she won’t wait any longer. “It would be kinder in the long run but losing you would…” He can’t. He loves her. He decides to take the risk.

There is also a strong spiritual component to their relationship. Solas isn’t attracted by her physical beauty. He is all about the spirit. To him she is wonderful. Someone wise. Someone who thinks before she acts. He calls her beautiful in Crestwood, but I think he is talking about her soul, not what she looks like.

There are many other small moments that give us clues as to what their relationship looks like post balcony scene. Solas attempts to comfort her at the Winter Palace by dancing or taking her in his arms. She reassures him that he can trust her. They hold hands in Crestwood. He calls her “my heart” and it’s clear she is precious to him. His voice when he speaks with her in Crestwood is intimate. It’s a vocal tenor we don’t hear anywhere else. He remonstrates with Sera when she jokes about his relationship with Lavellan.

I find it interesting that even if Lavellan is angry, when Solas finds the broken orb she isn’t fist pumping because he didn’t get what he wanted. She treats him with kindness.

He goes out of his way to tell her what they had was real – or that she was right to be angry. No matter what happened they acknowledge each other’s feelings.

Everything paints a picture of an intensely private, intimate, loving relationship. That’s what I love about it and it’s why I keep coming back for more.

#solas #solavellan #dragon age inquisition #dragon age #dai #solasmance #fen'harel #solas dragon age #solas dread wolf #solas x female lavellan #sometimes its about tenderness

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odetojupiter · 4 months ago

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what if i told you that thea’s raven number - 14 - is an unlucky number because, translated, it sounds similar to ‘must die’/‘will certainly die’ in cantonese, and ‘is dead’/‘will be dead’ in mandarin.

‘her number was 14 for reasons’ - nora sakavic, aftg extra content

what if i suggested that tetsuji gave her that number specifically because he considered a black woman dominating his own sport a threat not only to himself but to his perfect court. not only is tetsuji’s misogyny pretty clear, but we all know the other ravens were killing themselves trying to be given the next perfect court number, but that was never gonna happen because even though the perfect court was actually full of the best players, it was never actually about championing the best players, it was about ownership. so what if i said that tetsuji hated that thea was as good as she was without having any ties to himself, outside of signing on to the college team he coaches. he felt undermined because he couldn’t fully credit himself for her skill, and so he gave her the 14 - on the surface, it’s an achievement to get so close to single digits for the ravens BUT it comes with a hidden threat. you will die if you go too far.

and then what if i suggested that nora also chose 14 because of the way the fandom reacted to thea. i have no idea whether she’d already picked out the number before the series was published but i don’t think it’s mentioned in the original series ?? so i mean…

yes, i’ve seen the list of issues people have with thea but what’s crazy to me is that we know literally nothing about her bar the few tidbits nora mentioned in the extra content, and the few scenes we have in the series. and i know there was probably a full backstory written for her that we never got to see bc of all the hate nora got purely for introducing her, and the subsequent reactions to literally everything we’re told about thea just makes me think that nobody actually learned anything about how people’s trauma can drastically influence how they perceive the world and how they react to things including the abuse of other people - cough. andrew and aaron cough. - her reactions to things are bound to be built off her experiences and she was literally in a cult which would completely rewire her world view so like (even what we’re told in the EC, we don’t meet her until her fifth year of edgar allan so she’s five years deep into this shit guys, and you know tetsuji was physically and mentally abusive to all the ravens u have to know that by now)—-

but anyway this post isn’t supposed to be a defence or a critique of her i just find the number 14 aligns with the way people speak about her as though she’s done something bad enough to deserve death threats, so i just hope you realise when u perpetuate that shit it’s like ur tattooing that 14 right on her face.

oh to add to that, in japanese culture the number fourteen represents imperfection, but specifically beauty found in things that are imperfect. if i say that’s a way of saying no thea isn’t perfect but that doesn’t mean she deserves to die ? what then?

bc no she’s not a perfect person and ill be the first to admit i hated that scene in tsc with jean, but are you really telling me that’s the worst thing an aftg character has ever done?? why is she being branded as the worst when she was literally in the series for like 3 pages?

and do u know what, the fact that she, post graduation, still wears her 14 is 1) a sign of pride that she really is one of the best and 2) a reminder that she is not dead yet, despite the efforts of tetsuji and the literal fandom

#posting this with minimal encouragement bc i can’t be stopped #i don’t really care if you hate thea as long as ur aware morality isn’t black and white especially for abused characters #and just bc you don’t see her abused doesn’t mean she wasn’t #if ur going to act as tho she’s an abuser u can leave tho #aftg number analysis #numbers strike again #or i strike again with numbers i should say #thea muldani #the perfect court #aftg #tsc

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ajokeformur-ray · 5 months ago

Text

My thoughts on Jareth

If none of these thoughts or concepts are original or if they're canon elsewhere, then I'm unaware because I've never read any of the novelisations or comics etc. These thoughts are all based on over twenty years of loving this film; it raised me while I raised my younger siblings.

4.9k words, written during Labyrinth's 1 hour 41 minute runtime. Unedited.

Hesitant to post but doing it anyway because a friend read it last night and liked it enough to encourage me to post it.💖

I think a lot of who Jareth is, is contained within his music - “lost and lonely... no love injection... no one can blame you for walking away... don't tell me truth hurts, little girl, because it hurts like hell... that's underground.” - in this last one, he's telling her who he is and how his world works. He's lonely, the only one of his kind Underground, and in the end credit song it's rather heavily implied that his sister wished him away when they were children, and he begged for his daddy to come and get him, but he was never rescued and rather reluctantly was forced to become the King of the Goblins, somehow. Jareth knows the truth hurts, towards the end of the film he's hurting but he can't and won't stop it, because Sarah is his downfall and he knows it. He's doomed to shrivel up within her as a very strong childhood figure, lost and stagnant within her imagination, while Sarah will, at some point, grow up and thrive because of the lessons he taught her, the friends he gave her (or the creatures he put in her path, if you'd prefer to think of it like that) and his presence in her life. He was there for her when she was lost and lonely and wanting to escape from all of it. Jareth caught her as her world fell down, but when he fell... no one was there to catch him. He's doomed by his own narrative.

He watches her rehearse from the book he gave her in the park – he's getting to know her and who she is in the moments when no one's watching. A teenage girl who has had a traumatic time – the death of her mother/her parent's divorce and her father's remarriage (canon is shaky on whether her mother died or left to become a Hollywood actress and so her father remarried after their divorce, so I've included both possibilities for the sake of being thorough), the birth of a new sibling and the parentification that elder siblings get stuck with most of the time, – and is stuck in the uncomfortable stage of still being a child but not quite an adult. He's an owl while he watches her – suspicious in broad daylight but hidden; Sarah clearly thought nothing of it, and perhaps he was indulging her, giving her the audience and attention she craved, but also giving her and himself the company they both need - “lost and lonely”is repeated in the opening song; it's common ground they both share and is therefore a theme within the narrative. Jareth uses his music to speak, as do we all. Music binds love and humanity together, and Sarah's time in the park, her rehearsals, is clearly a more tangible deep dive into the world inside her mind – a world in which she is a heroine up against a villain who is as strong and powerful as she is, and an escape from her real life, which is always shattered by the chiming of the clock. Just like Cinderella, another fairy tale. This parallel with clocks, big white Cinderella ballroom dresses and reality shattering a fantasy, is evident also in the As The World Falls Down scene, in which Jareth's devastation is made clear. (More on this later!)

“But what no one knew, was that the King of the Goblins had fallen in love with the girl, and he had given her certain powers” - here's where my main theory starts. Jareth is doomed by the narrative – his own narrative – because it's been constructed by a teenage girl who doesn't know quite yet who she wants to be, and this narrative has been constructed because of the powers he gave her. Jareth doomed himself by falling in love with Sarah and he knows it, but he's powerless to resist because it's in the narrative that he can't. This ties into the “fear me, love me, do as I say and I will be your slave” scene later on, because Jareth is simply declaring them as equals with that line. He already fears the power she has over him, as she has revoked his power over her (or, the power that his character in her story has over her), he already loves her, he already is her slave, and he is already scared of what she could do, because now Sarah has realised that, while she does have to grow up and be a better person, she still has the time for childhood, and that is what she chooses in her rejection of Jareth; she chooses her childhood, delaying adulthood for a few years more. She's only fifteen, so I can't say I disagree with her decision.

Instances in which Sarah could have been harmed but she was not, showing that Jareth never intended her any actual harm and was merely fulfilling his role:

Threw a 'snake' at her, which turned into a soft furry goblin the second it came into contact with her (role here: Sarah wanted to be like the heroine she reads about in Labyrinth, so Jareth gave her a villain to go up against. He said it himself, he only took Toby because she asked him to. Prior to this, the only involvement he had in her life was giving her the book. Otherwise, he was a content silent spectator of this fascinating human who lives with her head in the clouds.)

Sarah got the riddle at the door right and she would have been able to progress through the tunnel into a deeper part of the Labyrinth, but then she said - “I think I'm getting smarter.” (this is confidence and therefore went unpunished; the trap door didn't open) “this is a piece of cake” (this did get her punished, because there's a fine line between confidence and arrogance and she tipped over the edge, so for being arrogant, Jareth hindered her progress and sent her into an Oubliette where Hoggle was waiting for her because, again, Jareth does not want to harm her. He's not an actual villain. He's doing this because she's written him as HER villain and he's merely doing what she asked him to do. Again.Another lesson here; he humbled her immediately and played the role of a mentor/guardian). She could have been hurt when she fell through, but she wasn't. There were Helping Hands to guide her way down gently, and then Hoggle was ready and waiting to take her to another part of the Labyrinth. No harm came to her, even though it very easily could have; Jareth could have let her fall through unguided, with no help on the way down. But, he opened up the world beneath her, and then manipulated his own world to catch her fall, like he promises in the romantic song As The World Falls Down (more on this later). For the second time, he threatened but did not fully follow through.

The cleaners!!! Second time Sarah got arrogant – this time, she looked down before she said “it's a piece of cake” so she was lying about it, and you do not lie to fae! So, Jareth punished her with the cleaners. This was a little more high stakes in terms of harm, but at the end of the corridor is a readily marked part of the wall which is obviously cut out with a darker arch around the outside and weakened enough for a teenage girl to push against it just enough to knock it over right before the cleaners got there and then there's a ladder taking her to safety away from the tunnels???? There is no way that's accidental – everything in the Labyrinth which challenges Sarah is put there by Jareth, who can manipulate his heart (I think the Labyrinth is a metaphysical representation of his heart – more on this later) – or, his world – to his own wants. He humbled her yet again but also punished her for lying to him (to herself, technically, since this story is hers), and gave her a good scare in the process. Sometimes, we need a good dose of fear, and Sarah clearly wants adventure and some excitement in her life!

The Bog of Eternal Stench – What I find interesting here is that Jareth spoke presumably through one of his crystals to warn Hoggle against throwing away the poisoned peach in a god-like over-seeing manner – this was an overt intervention. But minutes before that, he did nothing to prevent Ludo, Sir Didymus and Hoggle all working together to save Sarah from falling into the Bog when the bridge broke. We know from that exchange with Hoggle and previous scenes that he watches Sarah's progress and he manipulates his world/heart at will to hinder/help her, but in this particular moment when she is actually in danger, and not through his or anyone else's fault, Jareth does nothing to prevent his subjects from helping her. Therefore, he never intends to harm her, and I fully believe that if Ludo hadn't been successful in summoning up the rocks to save Sarah, that a barn owl would have swooped in out of nowhere and stopped her from getting hurt/falling into the Bog. There's a strong branch right above where she falls, and there are enough rocks in the Bog to get Sarah to safety. The world of the Labyrinth is built for Sarah because she's at the core of everything Jareth does and stands for. She has to get to the centre of the Labyrinth because the castle represents the core of Jareth's heart. Why else would he be so proactive the closer she gets, with the threats of danger becoming more real and yet she narrowly avoids harm every time? Jareth's mischief is just enough to scare but never enough to hurt Sarah. This over-seeing intervention in times of danger also happens when she jumps in the Escher room – Jareth gentles her descent so she lands delicately on her feet before he steps out through an alcove, implying that he was watching her and intervened when he needed to so that she wasn't hurt. It's no coincidence that all of her friends are able to help Sarah in some way! Sir Didymus' role is intellectual stimulation, giving Sarah the adult conversation she's craving, challenging her to challenge herself. She rises to the challenge every time, and Jareth's lesson here is that sometimes we just have to ask for help - “well, do I have your permission?” - sometimes things aren't always as they seem, but sometimes they are that simple. Family is loyal to family, which is chosen and not decided – Ludo and Sir Didymus are clearly different species, and yet they decide they are brothers and honour that throughout the rest of the film.

Instances in which he aided her progress through the Labyrinth because his real intention is to help her grow up, to help her become who she is supposed to be:

Had Hoggle stationed at the gate of the Labyrinth as her way in, but also as her first friend; we cannot travel through life or growth alone and a being as lonely as Jareth would know this. I feel like Hoggle represents Sarah's stubbornness & her inability to accept help or friendship when it comes from an honest place. “Hoggle is Hoggle's friend!” // “Hoggle, you coward!” - Sarah frequently says “it's not fair!” and doesn't accept responsibility for her actions, so here Jareth has prepared Hoggle to be Sarah's mirror – holding him up so that Sarah can see the error of her ways by observing her behaviour in someone else and realise why it's wrong. Also - “Who are you?” / “Sarah.” / “That's what I thought.” = Hoggle KNEW that Sarah was coming. The journey through the Labyrinth is one big lesson Jareth constructed, because stories have morals and they're meant to teach us about perspectives and other such things about life. So in a way, Jareth turned the powers he gave Sarah against her.

The worm at the wall who told Sarah how to get through the walls/access the actual Labyrinth instead of running through the outer walls; though, Jareth is a fae and Sarah needs to learn to be less naïve/stop taking things at face value so much, especially from strangers or people she doesn't know very well, so the worm lied about which way to go. Nothing is fair in life and this was Jareth's first little reminder for the important lesson. He said it himself - “You say that so often. I wonder what your basis for comparison is.” - which means, all the times he was in the park with her, he never quite figured that out = it's a part of Sarah she needs to work on, because if a silent spectator can't understand something revisited often, then it's likely not a valid viewpoint.

Hoggle frequently tells Sarah that she should give up, stop, turn back, not continue, and every time, Sarah snaps back and says she's not quitting or giving up, she's come too far. This links to my previous point about Hoggle, but here, Hoggle is showing Sarah that she can do something when she wants to, she can be responsible when she needs to be (by this stage of the film, she has accepted the consequences of her actions and has resolved to 'save' her brother from Jareth's very generous babysitting services), and that perseverance and a certain degree of being stubborn is necessary in life. The world doesn't stop when you're tired and Hoggle's role here is to nurture Sarah's resilience. She's already endured so much, “you've run so long, you've run so far” (Within you), and she can endure it better and easier when she has friends/a support network to get through it. Additionally, Sarah and Hoggle are both less resistant to each other's help and friendship as the film progresses – the reflection is completing itself, the mirror isn't needed so much as Sarah grows through the Labyrinth. Jareth has seen her potential through shining moments in Aboveground, and he's trying to help her reach it as best as he can, given he's a figment of her imagination and he knows it. By the end of the film, she's accepting her potential a little more, but isn't quite ready to step into it.

Ludo! His role is to reaffirm that things aren't always what they seem, and to teach Sarah that appearances are deceiving; Ludo is supposed to look scary, but in reality he's a big teddy bear who is resourceful (he uses rocks in times of trouble, or, translated into our world, he does what he can with what he has – an important lesson), afraid of the unknown but willing to venture forth if he has a friend beside him (and this humanises him in Sarah's eyes and makes it easier for her to befriend him), and he's bullied by others for things he can't control (i.e. being strung upside down because he's “a big yeti” and goblins like causing trouble). Ludo's role is to teach Sarah that face value isn't valuable all of the time, and his resourcefulness saves her multiple times. As the King of the Goblins, Jareth knows absolutely anything and everything which goes on in the Underground, and there is no way that he didn't deliberately choose the creatures he did to aid Sarah in her journey. They all fulfil a specific purpose and mirror a part of Sarah back to her so she can change her ways by seeing them in others and realising there's another way. Ludo is a big cuddly teddy bear who gives Sarah a hand to hold, he saves her, he keeps her company, and gives her some comic relief too. He may also be very slight practice for going back home to Toby, like when he gets the door handle stuck in his mouth and Sarah has to help him with it. Jareth here nurtures Sarah's kind nature – she makes friends everywhere she goes and is willing to forgive when Hoggle commits wrongs (abandoning her when they are afraid, giving her a poisoned fruit under the pretense of giving her actual food – which Sarah should have known not to accept, but sometimes we can't see the red flags even when they punch us in the face, and this may have been another lesson from Jareth, or perhaps it was his only way into fulfilling another of his roles; romance.)

This is where things start to fall apart for Jareth. When he says, “friends?” to Hoggle, the bitter undertone in his voice reeks of jealousy. He wants to at least be friends with Sarah, this human whom he's watching grow, but because of the multiple roles and challenges she has written for him to fulfil for her (as a figment of her own imagination, hence why he looks like David Bowie because, in the beginning, we see newspaper clippings of Sarah's mother with David Bowie, so there's a strange Electra-esque situation going on with Jareth looking like Sarah's mother's boyfriend), he's unable to be friends with her. His narrative has him being the villain, the challenger, the threat, the teacher, the nurturer, this all-knowing figure who holds a strange power over her (powers he gave her were then turned onto him and then turned back onto Sarah when she rejects him at the end), the suitor, and, above all else, the life lesson. Nowhere in the narrative she constructed is there room for friendship. He “can't live without her sunlight” (her attention on him), he “can't live without (her) heartbeat” (Within You) because Jareth literally exists within Sarah. He will dessicate inside her, shrivel up within her imagination and become a distant childhood figure as she grows up, while she will flourish and thrive because of everything he did for her when she was younger. And the worst of it is, Jareth is self-aware and he knows this, but he's doomed to do it all anyway because it's his narrative. He is a self-fulfilling prophecy, he's watching his own car crash and he's powerless to stop it because a teenage girl took the powers he gave her and made everything happen between them like it does. He does everything she asks of him, against his better judgement in some cases, and yet she still doesn't accept his love (which, if we follow the metaphor, is actually adulthood as a concept because he's nurturing her – another of his roles) and he's known all along that this doesn't end well for him (“don't tell me truth hurts, little girl, 'cuz it hurts like hell”) but he can't – or won't – try to change it.

The Garbage Lady who leads Sarah into a reproduction of her bedroom to try to trick her into thinking she is home until she opens her bedroom door – Jareth reminds her of what is important – her brother – and 'tests' her by presenting her with all of the material things she values in her bedroom; her childhood slippers and toys, but then she sees the Labyrinth book and she remembers her brother – she chooses reality over fiction and chooses responsibility over fiction, though she still leans into it when it is piled on top of her. Here, Jareth is showing her a balance between the two. They're both important, and they both have their place in helping us to do what we need to.

As The World Falls Down is a scene in which I think, while Jareth is fulfilling the role Sarah has given him as her suitor, he's also being quite vulnerable. Not with her, necessarily, he's teasing her by disappearing into the crowd and he makes her look for him. He makes her chase him, rather than him being the one who is chasing. And then, when he's had his fun, he finds her like he was watching her the entire time and knew exactly where she was and who she was with (notice that when the camera pans, he is always looking at her and barely glances at the other fae who address him in some way). He sweeps her into his arms and they dance. Sarah wanted romance and he was giving her that. In her bedroom at the beginning, Sarah has a ballerina figurine that looks exactly like Sarah does in this ballroom scene, and so parts of the Labyrinth – Sir Didymus' Ambrosius is her dog Merlin, she becomes in this scene that same figurine she has in her bedroom, she has an Escher wall poster in her bedroom, she has a grass maze, she has stuffed animals of the Fire Gang, she has a Hoggle puppet, she physically takes the same lipstick she applies in the beginning into the Labyrinth to guide her way... all these pieces of the Labyrinth which she encounters already exist in her bedroom, adding further evidence to my theory that the Labyrinth and, by extension, Jareth, are all figments of Sarah's imagination, with some added fuckery in that Jareth is the one who gave her the Labyrinth book, which is the source of the powers he gave her.

When they dance, Sarah falls into the illusion, she falls into the romance, but then like in Cinderella and as aforementioned in previous statements, the clock chimes and this shatters the spell, it breaks the dream, and Sarah frees herself. Jareth is visibly distressed, he looks so heartbroken and shattered because he knows no matter what he does, what role he performs for her or how good he does it, no matter what, Sarah is always going to reject him even though she is the one who assigned these roles to Jareth. He is under her spell, powerless to resist against his own powers – powers he gave her! How do you fight yourself? How can he convince Sarah when he only exists within her own mind and worse still, he knows this? He is doomed by his own narrative and it breaks his heart to follow it, but he has no choice. So he exhausts himself, as he states at the end, trying to live up to all the roles Sarah gives him, knowing the entire time that it's futile and he's not going to triumph.

That's not what Sarah wants – she wants a villain, he gave her one. She wanted an escape from a constantly crying baby – he gave her that. She wanted romance, mystery, intrigue, adventure, a good dose of 'safe' fear, friendship, companionship, he gave her all of that. But Sarah cannot give him the one thing Jareth wants – acceptance. Because he exists within her, and being a teenager is too tumultuous a time for Sarah to be able to accept herself, to accept that she needs to grow up and fight to be a better person, and she's not quite ready for that yet. Jareth knows Sarah will fight her way to his heart (the centre of the Labyrinth) and then destroy it – the Escher room dismantles when she jumps, effectively choosing her brother over Jareth. His love for Sarah destroys him, but aids Sarah in becoming someone more mature, wiser, and kinder. When Sarah breaks away from him in this scene and literally shatters the dream he gave her, is when Jareth starts to realise that he's been doomed from the start. Sarah wants pretense, she wants an escape. When Jareth shows her the reality of who he is (or, in the metaphor, the reality of reality), she rejects him, she rejects what it means to be an adult, and thereby chooses to be a child for a little longer. One who is more responsible, sure, but still. Jareth understands this, he knows why it happens the way it does, and though he pleads, the look on his face when he throws the crystal up in the air is ultimately,

“We could have had so much fun together”.

Additionally, there is a deleted scene where Sarah rejects him, but then he smiles right before he throws the crystal into the air. It's a proud smile, which lends support to my theory that he is using the journey through his Labyrinth to teach Sarah, to help her to be a better sister and daughter. She rejects him, and he's heartbroken by it, but he's proud of her too, though he knows he's doomed to just wither away within her. He's a complicated being, so full of grey areas, he's spoilt and ironically as childish as Sarah is, but that's why he's able to fulfil all those roles so well, and apply a mirror between her and the world she explores – self-reflection is, after all, taking a look at oneself, and Jareth has spent so much time with Sarah Aboveground while she rehearses her favourite scenes in Labyrinth that he's come to understand her, though he doesn't agree with everything; and that's why he put this journey into motion.

Another thing I find interesting is how, at the gates of the castle (at the gate of the core of Jareth's heart), is a very menacing scary metal contraption designed to invoke fear and keep people away from getting through the gates. And yet, Hoggle is able to intervene and prevent the attack, and once they're all through the gates, the goblin army don't seem to take it very seriously at all. I have no doubt that, if they needed to, goblins could and would cause serious harm, and yet really they just annihilate themselves and make it very easy for Sarah and her friends to make their way into the castle. This suggests that it's all what's on the surface – they don't treat Sarah like a threat because she isn't one – by this point, Jareth has accepted his own ultimate role is to lose in a love he was written to feel, and he wants her to succeed in running his Labyrinth, he wants her to triumph and become better and learn from him. He wants her to get her brother back, because her brother isn't the point of it all – Jareth only took Toby because Sarah asked him to. The point of it all is for Sarah to grow, to learn how to grow up, to learn to be stronger and kinder and wiser so she can grow up, and that is why Jareth makes it quite easy for her to get through the city into the castle. He only watches from the window, he does nothing to help his goblins or to help Sarah. He just watches from his window, looking down at life happening but doing nothing to stop it.

Once Sarah gets to the castle, it's quiet, still. No more resistance from Jareth, just a final plea to delay the inevitable. “I have to face him alone, that's the way it is done” - here, he is once again a villain, staged for the final confrontation, and Sarah has painted herself as the heroine. Likely because she has little to no control in her real life over anything, so in her head she writes herself to be heroic on adventures, saving other people in a way she wishes she could be saved. In Within You, “your eyes can be so cruel, just as I can be so cruel” - again, he's showing the parallel within them, his first declaration of them as equals, because writers always put a piece of themselves in the stories they write, and Sarah, as Jareth's writer, is no different.

Jareth is so tired in the final scene, all of his masks and roles are discarded, though Sarah still recites from the Labyrinth. Before, Sarah backed away from Jareth, but now he is backing away from her, though he pleads with her to accept him (her dreams, her fiction). The power is now hers, and she knows it. He knows it. The crystal ball turns into a bubble, which breaks at Sarah's touch. Jareth's world shatters, he returns to existing only within her, and Sarah takes away all of the wisdom and lessons and experiences he gave her. I find it interesting how “I need you, all of you” should include Jareth too, but he sits on the outside looking in once again, forced only to watch, and no longer able to participate in her world. The boundaries have changed, Sarah admits she still needs her childhood fantasies and stories to help her with real life, but the narrative she wrote for Jareth is set in stone.

When Sarah's world fell down, Jareth caught her (the comfort of fiction) but when his world implodes, no one is there to break his fall.

Don't tell me truth hurts, little girl, because it hurts like hell...

#jareth the goblin king #labyrinth #labyrinth 1986 #sarah williams #jareth #jareth x sarah #(i suppose this could be read shippy or not depending on your perspective)#i didnt write it shippy so it's up to you #i just wrote down my thoughts as I watched

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