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#we use modern music
anneboleynqueen · 2 years
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Dr Emmerson did you just call Field of the Cloth of Gold “Woodstock on steroids”? 🤣🤦‍♀️
Not even 10 minutes in and I feel like I’m back in 2009.
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rivetgoth · 9 months
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The r/goth subreddit kinda swinging to the opposite side of the Goth Gatekeeping Discourse pendulum and like getting into incredibly nitpicky detached arguments that don’t really mean anything within the context of like. Going outside and actually engaging with the irl scene about, like, whether Disintegration by The Cure is “actually goth” or not will never not be funny. Someone asked recently if The Birthday Massacre is goth and some guy replied super condescendingly with a comment like “I’ve never heard of them before but listening to them now, they have to be the least goth band I’ve LITERALLY ever heard.” Like…. Come on now. 😭
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simplegenius042 · 29 days
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Music Monday, WIP Wednesday & WIP Ask Game
Tagged by @aceghosts
Tagging @noodlecupcakes @direwombat @socially-awkward-skeleton @voidika @imogenkol @la-grosse-patate @inafieldofdaisies @cassietrn @adelaidedrubman @shellibisshe @josephseedismyfather @icecutioner @derelictheretic @shallow-gravy @strangefable @rhettsabbott @josephslittledeputy @cloudofbutterflies92 @skoll-sun-eater @carlosoliveiraa @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @florbelles @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink @thesingularityseries + anyone who'd like to join.
Two songs for The UnTitledverse on a Transformers Prime WIP called Trust In Us, the sequel to Honour Thy Father, a snippet WIP for A Radioactive Calamity Of Love, Bombs & Gore, which has a Trigger Warning because the Raiders have evil intentions (but are unable to follow through with them) and also for graphically detailed bloody violence (because Alph is a champ and Ress believes the punishment should fit the wrongs), which is the main reason why this post is labelled mature. And lastly, a list of WIPs from The Silver Chronicles that you can ask about. You can listen and read these below the cut:
There's around two plot points to Trust In Us; the first is simply the Autobots finding a possible Energon Lab that Arcee took the decipherable coordinates of in Honour Thy Father, pushing back against the Decepticons and have them go on a wild goose chase so they can find the lab, and then getting ambushed by the Decepticons at the location. Second plot point is Arcee and Soundwave finding themselves in that lab and finding The Horrors(TM), with faulty equipment and weapons, wounded (from each other LOL) and being hunted by deranged A.Is. Sneaking around and outwitting their foes is a key part of this fic... considering the "deranged A.Is" are smarter than they act. Which is why I chose "You Can't Hide" as a song for this fic:
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"I knew I was right to think I would find you over here Well, isn't it intriguing that you seem to be just A little bit weary enough to run off on me* Well, there's no need We know you want to deactivate us But we just can't let that happen Every night, always, it never changes But we can make accidents happen."
"We can make accidents happen We can make accidents happen We can make accidents happen We can make accidents happen."
[*Bon-Bon doesn't exist in this universe so had to change it up here to better fit the context]
During the second half of the plot, Arcee and Soundwave meet a Cybertronian who claims to have had "deserted the Decepticon cause" and found himself trapped down in the lab. They come to know him as Flatline, and while he is inherently suspicious, they must rely on his medical expertise and mapping knowledge to get out of the laboratory alive. Tumult arises when Arcee begins to trust one of the less deranged A.I's who only pokes holes in Flatline's story, which leads to a conflict on who to trust. Soundwave, while displeased with Flatline's desertion of Lord Megatron, does put more trust in him than the Autobot he's stuck with and the A.I she's been listening to. Shame that both options lead them to the same conclusion.
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"Feel the grove Feel the grove Feel the grove Feel the grove Keep moving Keep moving Keep moving Keep moving
I feel like, you are not trusting me enough And I know what's right, I will guide you safely through this night And though it's true I kidnapped you, please know it was for your own good I've kept you hidden, now phase* four can begin, begin Now phase four can- Now phase four can- Know- I- can begin Know- it's true, I- can begin I kidnapped you
Safely, safely Please know Safely hidden, safely
You are not trusting me enough Trusting me enough You are not trusting me enough."
[*Night four doesn't make sense as a lyric in this context. Phase four better fits Flatline's plans]
Here's a snippet for my Fallout 3 WIP The Waters Of Life Flow. Alph and Amata are held captive by raiders in their first ten minutes of being on the surface. Fortunately (not for the raiders), a bigger fish shows up to steal from the small fry. [TW: While physically "Mohawk" only manhandles Amata, his and the other raiders words indicate more depraved intentions with her and Alph. Nothing graphic ever occurs though. However, TW for graphically bloody and detailed violence, courtesy of Alph's resistance and Ress' mercilessness in a Fallout world. Also strong language]. Read below:
Alph struggled against two of his captors as Mohawk howled with laughter at Amata's frenzied defiance. He had her restrained against the ruin's wall, a grin unnaturally wide filled with a wicked glee.
Sideburn and Iron Nose cackled and guffawed respectively at the display, manic grins all around on most of the thugs. The two that kept Alph pinned to his knees didn't wear smiles, though more from apathy corrupting their hearts than any moral discontent with the situation.
Mohawk chuckles died into a mockery of Amata's terror, mouth gaped wide into an open frown as he sputtered out an exaggerated cry. He soon replaced it with a tainted smile, hungry eyes roaming over Amata's figure.
He glanced over to Sideburn and Iron Nose, cocking his head to Alph, "I reckon we should all treat ourselves to a bit of early desert for lunch... and dinner if the meat lasts long enough."
The other woman, shorter than Sideburn, tittered cheerfully on the locker she kicked her feet on, the attention of her wide soulless eyes locking onto Alph, caressing the flamer beside her.
Alarmed, Alph pushed himself against the weight holding him down, but all for naught as he exerted his limits. He breathed rapidly, panic surged into his heart at how Mohawk gripped Amata's arms above her. Once more powerless to help. And it's all my fault.
Amata shook her head rapidly, a begging no, a choked plea going unsaid. Mohawk was undeterred, "What does everyone think? Nothing like a good fuck to release some steam, eh?"
His gang of monsters cheered in unison, amoral to the evil they were going to inflict. Mohawk bared his dark yellow teeth, "Alright then! Trix, you have a turn of the red-head first. This one's mine."
Trix cackled as she leapt off the locker, skipping her way over to Alph. The vault dweller in question shook his head in pure shock of the immorality the demons in flesh were willing to partake. His eyes became glassy as Mohawk pushed himself further into Amata's space, her desperate attempts to shake out of his hold futile.
When Trix came closer to him, he felt one of the goon's slacken in their hold. He felt a bold and ferocious fire ignite, and with Amata's life hanging in the balance, he delved into a source of fury he's only felt towards Butch and the Overseer.
Once Trix leaned too close, Alph bounced up into a pounce, his forehead colliding with Trix's nose.
A resounding crunch stopped everyone in their tracks, and a blood curdling scream from Trix filled the sparse seconds of silence, crimson splattering her mouth and face.
Alph shook off the pain that pulsed at his forehead. He took advantage of his captor's shock, pulling one arm from the guy on the left before elbowing his mouth, and proceeded to gut punch the other to his right.
Alph didn't spare a second to claim back his baton clumsily strapped to rightie's leg.
Alph made a dash for Mohawk, an action that made the depraved leader shove himself off of Amata for a chance to reach his sawed-off shotgun.
It didn't matter once Iron Nose's fist collided with Alph's jaw.
Alph lost his grip on the baton, and once he fell to the hard ground, he felt the dazed pain of a missing tooth and torn flesh on his lips.
"Alph!" Amata rushed over to Alph's side, hastily turning him over and pulling him up to check on him. She glanced to the approaching Mohawk, and she tried to drag a disoriented Alph to the corner of the ruins to put some distance between them and the thugs.
Mohawk stared at Alph, letting out a bemused chuckle, his eyes narrowing onto the two vault dwellers.
"Motherfucker!" Trix screeched, cradling her broken nose spilling red on the ground, "Fucking cunt broke my nose!"
Sideburn rolled her eyes at Trix, while Mohawk grinned in excitement, "Yeah, these vaulties got some bite in them."
Alph leaned onto Amata for support, spitting out the tooth that had broken off. He attempted to push himself in front of Amata, but his best friend remained firm, eyeing Mohawk with a fury to try and distract them from the tremors of her body.
Mohawk bit his bottom lip in thought, and tsked, "A shame really. We can't have our meat biting us back now can we?"
His hand pulled the sawed-off shotgun from his side, aiming it at Alph, "Let's see how much fight the damsel has when her hero drops dead."
Fear grasped Alph and Amata, the latter of whom hugged Alph closely to her as he weakly tried to push her away, eyes wet from the thought of his failure to protect Amata and find his dad, all the while surrounded by dirty and vile vultures of human beings, who grinned with eager anticipation to reach satisfaction.
"Now is that really necessary?"
Mohawk's gang and their captives turned their attention to the additional voice, spotting a tall woman standing above them on the crest of the slope.
Alph and Amata held onto each other, their eyes scanning the stranger. Her long platinum hair singled her out from the blue sky behind her, dark-tinted shades displaying Mohawk and his gang in the reflection, hiding her eyes from them. Her skin was darker than Amata's, she was cleaner than everyone in the ruins too; including her attire.
She was wearing a black zip-up leather jacket, with a high collar that was broad. She had matching slim black pants and dress boots, a fancy contrast from the blues of the vault dwellers and the faded garbs of the marauders.
"Who the fuck are you?" Mohawk questioned, the vaulties at his mercy forgotten at the appearance of the woman.
"Marissa Bishop," she introduced herself, her head bowing into a tilt, "But my family only have the right to call me that. So how about Ress instead?"
"How'd you even get in here? Jeremy should have splattered your brains against the pavement," Mohawk inquired, aiming his weapon at this 'Ress'.
Ress' lips opened up into a wide grin, showing off teeth too pearly for someone that's living on the surface.
"Well," she said, taking a step down the slope to walk closer to them, "I think I did have a run-in with this 'Jeremy', but our introductions ended with a handshake."
She stopped when she was at even leveling with Mohawk, surveying the group, "But I'd be more worried for yourselves than of him."
Mohawk blinked at her with an incredulous expression, though Trix seemed to have a more visceral reaction at the news.
Alph watched as Trix sauntered up to Ress, mouth and nose stained with her own dried blood, pulling out Amata's 10mm pistol, aiming it at Ress' face.
"What have you done to him you freaky bitch?! What the fuck did you do to my Jeremy?!" Trix shouted at the taller woman, who didn't change her expression.
"Aww, how cute," Ress cooed, replying, "To answer your question; nothing more than trash like him deserved. And the sames going to happen to all of you."
Trix sneered at the taller woman, while Alph and Amata glanced to each other, wondering how the newcomer was even keeping a straight face from being threatened with certain death.
"Oh yeah? Newsflash fucker; I'm the bitch with the gun," Trix cocked the slide back.
Ress hummed, taking a step back before lifting her hand in front of Trix's face; pinkie and ring finger curled into her palm, index and middle finger stacked together and point forwards, with her thumb standing up.
Is... is she for real?
Alph was baffled by the woman mimicking a gun with her hands, and couldn't help but wonder what joke she was trying to pull off, and the sensation of dread at the sinking chances of the likely unwell woman succeeding against Mohawk's gang being as close as Alph and Amata got to actual rescue.
"Mine's bigger," Ress replied, reeking of overconfidence and delusion as Alph began to mutter a prayer.
Mohawk and his cronies burst into laughter, the leader pointing his shotgun downwards as he nearly doubled-over from the embarrassing display.
Trix cackled at Ress' face, shocked and enraged and bemused. The taller woman, with her "gun" still pointed towards the broken nose of Trix, merely shrugged at the reactions. Her "hammer" pressed down onto her index.
Alph could have sworn her saw a small blue light leave from her fingertips until he witnessed Trix's skull caved into the back of her head in an explosion of crimson blood and white cartilage with bits of brain matter spattering onto the concrete ground.
Trix's headless body stumbled back, Amata's pistol falling from its grip as it fell to the floor with a massive thump.
Mohawk and his goons stood shocked, trying to process what they just witnessed, while Alph and Amata began to drag themselves to the corner wall, making distance.
Ress, however, merely wiped away the gunk that got onto her face, taking off her stained sunglasses to reveal captivating ocean blue irises, putting it away in one of her pockets.
She looked from Mohawk, to Sideburn, to Iron Nose, to the two goons who had sullied themselves.
"So," Ress stated, pulling the raiders out of their stupor, "Who's next?"
And lasting the WIP Ask Game for The Silver Chronicles.
Rules: Make a new post (I've broken this rule already) with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it! Then tag as many people as you have WIPS.
Some of these are NSFW (which in this case only refers to sexual themes, because otherwise I'd have to put an asterisk on everything LOL) so I marked them with an asterisk in case you wanted to ask about something (relatively) SFW.
The Silver Chronicles
Silva's Hope
La Última En Pie
Old Dusk
Call To Arms Duology
Ain't It A Joy?
No One's Safe At Home
An unnamed Bloodborne fic that's straight up depression for the soul like the game but with twin sibling Hunters and a demigod, as well as a mix of the worst unrequited toxic yaoi I've made thus far between the demigod and his ex-buddy.
All Yours*
Faithful
Generosity (or the fic where the sexual tension is strong between Silva and Faith aka Faith tends to Silva's wounds to symbolize the intimacy of trust or something)
Hands On Bare Skin*
No Snake, Only A Boa In The Garden
Only One Person Can Frustrate Me (And That's You)*
Strawberries
The Most Wonderful Of Mistakes*
Weaponizing The Obstacle
We're Primal Beasts After All
Where She Belongs
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akkivee · 3 months
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was thinking about music production and i think it’s neat that bb’s speakers contain the ‘essentials’ for producing your own music 🤭
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mefistophallic · 3 months
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Removing the aux jacks from audio equipment was such a fucking scam and we all just let them do it
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ratguy-nico · 9 months
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and finally
The Best Scene of both episodes.
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13eyond13 · 2 months
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actually stunned by how gay The Beatles has been all this time and I just never knew
#like its always just been there in my life but i just never paid attention#my university roomie was obsessed w them and had several beatles posters that i looked at every day#so stuff like the pictures of them from the let it be album are like engrained into my brain#and yet i never knew the lore??#nor did i know until recently that they were actually all high school buds nor did i know they wrote their own music#nor that they genuinely basically invented modern bands n using the studio the way they did etc. so all that was very impressive and cool#but THEN on top of that omg the angsty gayness of john and paul#like all i knew previously basically was that john was a thing w yoko ono and paul had a young wife recently#i had at one point heard of people shipping j&p together and was just kinda like wow i guess people will ship anything#I DIDNT KNOW#that they were actually like that cute and that insane together and that their song writing together was like an actual marriage#anywayz the old pictures and videos of them are just like jesus look how they look at each other i dont think it was just being bros#i am sort of in the camp of they prob didn't act on it for real but there was def some insane tension/chemistry going on#and then ofc once youre aware of this their songs take on so many possible meanings outside of just singing about their gfs and wives....#anyways i just have to vent about this somewhere bc im actually shocked at how this has just passed me by all these years#and it definitely was not on my bingo card for 2024 to fixate on the beatles but here we are lol#more proof to me that my ultimate fave trope or wtv is 'besties to enemies when really they actually probably wanted to be lovers'#gets me every time!!!!#whats been fun about this rabbit hole is how just every single one of my expectations has been reversed as well#i went in assuming i would like them best in this order:#(1) george (2) ringo (3) paul and (4) john#i was sure i would hate john i thought he sounded so pretentious and like such a douche#but no actually he is my fave one and it's literally in reverse order for me i find george my least fave#(i like his music and feel bad for how he got ignored in the band but i like him the least)#and then i literally am john paul ringo george in order of faves now#i just love when i get surprised like that idk it keeps me on my toes and keeps things exciting and fresh#and yes john is indeed pretentious and a douche but i didn't know he was also funny and vulnerable and that i like his voice and songs#the most in the bunch almost every time as well#the beatles#p
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araneitela · 5 months
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Me staring at test results: It makes so much sense for her, but if I don't specify or elaborate, then we end up with the fanon take. Ugh, how do I easily explain that if you look at the word 'sex' through a much more old-fashioned lens instead of the modern one, that you'll get a vastly different picture of it?
/takes angycat.png typing to my tags
#[ ooc. ] don't try to make it logical or edit your soul according to the fashion. rather; follow your most intense obsessions mercilessly.#[ post-it. ] in a way; you are poetry material. you are full of cloudy subtleties I am willing to spend a lifetime figuring out.#[ i'm so tired. i need to write a post on this or something. and somehow add it to my pinned. in some way. ]#[ 'sex' and 'seduction' are /not/ wrong in my opinion. HOWEVER-- they are /very wrong/ if we go by modern labels and perception. ]#[ god the horror of writing a muse that is so interlaced in a modern world; setting and culture but seems to /ooze/ something archaic. ]#[ this level of refinement isn't of our times in my opinion. these things that she loves aren't commonly loved nowadays. ]#[ there's so much about her that is old-fashioned to me and it's so in my face. and yet fanon doesn't see it. ]#[ i can't believe i'm an old millennial who's screaming boomer or older things. ]#[ but like can we acknowledge that sex in today's age isn't the same as it used to be? not /always/ but more generally so. ]#[ can we acknowledge that /seduction/ didn't always mean what people see it to mean now? ]#[ can we acknowledge that the FEMME FETALE TROPE HAS CHANGED /LEAGUES/ since the 2000s? ]#[ which is my biggest beef actually. and maybe all of my frustration plays into this most. it's that the femme fatale now is sexualized. ]#[ while that is /not/ what the femme fatale used to be. kafka plays into the old school femme fatale so well. film noir days. ]#[ i had this same struggle on yelan where they make VERY OBVIOUS draws to it by her music in her trailer. god; the jazz. ]#[ but kafka suffers from this so very much as well to a point where i don't dare to call her a femme fatale because then it's fanon. ]#[ the fanon i hate so much. ]#[ but just uuuughhhh. UGHHH. it's so much to explain. ]
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imma-bunni · 2 years
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sketch doodle page of modern wwx - idea: Wei Ying has a piano app on his phone for musical cultivation
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So my friends and I were in the car this weekend and listening to fearless and ttpd. And we listened to tell me why / change / you're not sorry back to back and then turned on who's afraid of little old me. And the thing that stood out to all of us was the lack of actual instruments in Taylor's modern music and how because of that the songs don't go off as hard. I would say who's afraid of little old me is the song to scream to on ttpd and then listening to fearless it felt SO flat and emotionless. We were all like "where are the drums?"
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universestreasures · 3 months
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The Song Of Memory (A Kisara & Ishizu Drabble)
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"We've been expecting you, Miss Utahara."
The greeting is given as soon as the singer steps out of the car by the one she had contacted on Yugi Muto's recommendation, the very woman who was claimed to have the answers to all her many questions regarding the strange occurrences that had been going on recently. Kisara had traveled a great distance to meet with Ishizu Ishtar today, and without her sister, no less. While Shiori's company was to be expected and preferred in most situations, she had specifically requested she attend this meeting alone. This meeting was regarding Kisara's own circumstances, ones she didn't want to burden her sister with when she already had so much on her plate.
Upon walking towards the tomb keeper, who herself was accompanied by two bodyguards, the singer bowed her head in respect. This was not only a custom, but also a sign of gratitude. For securing this meeting had been of high importance to her ever since she learned that the answers she was looking for could be found with the elder woman.
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"Thank you for taking the time to meet with me, Miss Ishtar. Considering your important position, I imagine you must be very busy. I very much appreciate you being able to fit me into your schedule."
"Of course. Now, will you please follow me? There is much for us to see and discuss." The woman gestures towards the entrance of the tomb, Kisara giving her a nod as she follows her down the dimly lit staircase. The two bodyguards then moved to guard the location's entrance. Seems they would have total privacy for this conversation, thankfully.
"This tomb is the current resting place of some of the relics that were once on display in Domino City's history museum. I originally brought them to Japan in hopes they would inspire the current generation of duelists, but with that task having been completed some time ago, they have been returned to their homeland."
"I see...So, that must be why you said we could not meet in Japan. You wanted to make sure I could see the relics, right?"
"Precisely. I hope these relics can inspire you Miss Utahara in the same way they both inspired Pegasus J. Crawford to create the game of Duel Monsters...and Seto Kaiba to host and battle in the Battle City tournament.
"He...He saw them too?"
Ishizu's words caused Kisara to halt in her tracks; her eyes widened as the flash of that man, of Seto Kaiba, flashed in her mind. Her encounter with him was the starting point of all the strange occurrences that had going on. The dreams. The visions. The strong ache in her heart when she sees him. Some of these she's experienced in the past, but they've only increased in frequency since their initial meeting. And it was the explanation behind these occurrences that she sought to find by coming here.
"Is something wrong, Miss Utahara?"
"N-No. It's...It's nothing." It clearly wasn't, but she couldn't lose focus now. Not when she was so close to the truth. "I was just...surprised. I...I didn't expect anything related to Duel Monsters to have taken inspiration from Egyptian history."
"Despite not being a duelist yourself, I think once you see them , the connection will become clear to you. Come, we're almost there."
She nods as she follows Ishizu deeper and deeper into the tomb, Kisara's heartbeat seeming to rise with each step. Was she getting nervous? Nervous about what she might learn? Or was it the thought of Seto Kaiba that made her heart race? She isn't sure, but regardless of the distraction, she pressed on until she met Ishizu at the bottom of the chamber.
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"These two carvings you are about to see are from the 18th dynasty of Egypt that existed over 3,000 years ago. We at the Egyptian Supreme Council of Antiquities have worked carefully to preserve these treasures so the legacy of our history is not lost to the sands of time. Please look at them at your leisure, and I'll be here to answer any questions you may have. Though, I believe the one you must look at is the one on the left."
She gives the other a nod before advancing forward, choosing to look at the tablet she was directing her towards first. Kisara is not sure what to expect when she looks at it. What did Ishizu mean by 'inspired'? What did these relics have to do with her experiences relating to her visions? To her weird connection to Seto Kaiba and the White Dragon? Guess the only way to find out was to see it with her own eyes.
Thus, with a deep breath, Kisara's gaze shifts to look at the stone. And the second she laid her eyes upon it, seeing the image in full, she froze, unable to do anything but look with widened eyes and process the unbelievable imagery before her eyes that seemed to fit the picture perfectly into the missing pieces of the puzzle of this mystery.
"That dragon...That dragon is...!" Flashes of different memories of her dreams and visions are shown before her eyes, and all of the dragons in this carving are seemingly depicted as plain as day. "The White Dragon...Blue-Eyes...White Dragon...The dragon from my dreams...It's...here on this stone, but...how? How could a creature of my dreams be on this stone, and later turned into a Duel Monsters card that is only owned by-"
Kisara pauses, realizing an important detail. Beautiful blue hues then start to shift their gaze from the carving of the beast to what was below. Or rather, who was below it, the very figure depicted as battling side by side with the dragon.
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"It...It's him..." She speaks softly as she approaches the stone, gently touching the face of the figure depicted there for reasons she can't understand. "It's that man from my vision...The one that looks just like...!"
"Seto Kaiba." Ishizu's voice brings Kisara's focus back, her head turning back to face the woman who had approached her. "That is a depiction of a priest known as the 'White Beast Tamer', a loyal and prideful member of the Pharaoh of the 18th dynasty, Pharaoh Atem's, court. Despite being in his service, he considered the king both his greatest friend and greatest rival. The battle between these two destined duelists is what is carved here on this stone."
Her eyes then wander to the opposite side of the tablet, the side featuring both the king and the magician carved above him. "That's Pharaoh Atem? But...but he looks just like Yugi Muto! Why...Why do these two figures look like people from the present? And what does all of this have to do with me? I came here looking for answers, but...I'm more confused than ever!"
Her heart was racing. Not only from the anxiety of the situation, but also because of what she saw on the stone and in the flashes of memory. There was clearly a connection between all these things. That was undeniable, and yet the very nature of it was still frustratingly unclear. Luckily for her, she had someone who could elaborate a bit.
"Miss Utahara." Ishizu speaks, gently placing a hand on Kisara's shoulder to try and help ease the obvious panic in her soul. "What does your heart tell you when you gaze upon this tablet? What feelings does it evoke? What words? What sights? It is in them that you may find your answers."
A hand is moved over her heart. The white-haired adult can still feel it racing in her chest, as if threatening to escape. She tries to take deep breaths in an attempt to calm herself enough to focus on the confusing cloud of feelings deep inside, once again her gaze shifting to the stone, specifically its left side. Silence fills the chamber for minutes on end as she continues to look, and it is only broken once an instinct takes hold of her, an instinct that allows her to convey what she is feeling in the only way she knows how...through the expression of her soul.
🎵"Once, like a dream...You looked at me...And everything felt new..."🎵
Her song is accompanied by images, images that were as clear as day to her. She sees herself beaten and stoned by a crowd, only for it to stop once he, the priest, intervenes and saves her life.
🎵"Time slipped away...The past seemed to fade...My hope restored by you..."🎵
She now sees herself looking at the priest from her weakened position on the ground, whose image seemed to glow in the sunlight. He was a beacon of light. The light of hope that she desperately tries to reach for.
🎵 "And I know, for some, it's temporary...Like a shooting star soon out of view..."🎵
Kisara finds her visions to now be of herself behind bars, watching the priest slowly turn and leave towards a darkened hallway. It then shifts to herself in the center of what appeared to be an arena, faced down by horrifying monsters. However, she turns around, now facing the image of the priest staring back at her.
🎵"But this will always be...It's my destiny...To be in love with you..."🎵
The priest in her images then moves in front of her, summoning a creature through his magic to defend her. Circumstances then cause the floor beneath them to fall, leaving them both dangling by a thread. That's when her body emits a bright blue aura, and from within that aura appears...the White Dragon...
🎵"Some people fall in love for life..."🎵
She finds herself behind bars again, her cell now breaking down around her. That's when he appears, like a miracle, to break her free, taking her by the hand as they escape a crumbling palace.
🎵"Others never get it right..."🎵
He then speaks to her. They are words Kisara cannot hear directly in her vision but are ones she can seemingly understand. They tell her to run, run away from this land, and don't look back. Despite her hesitance, she runs away from him, seemingly never to return to his side.
🎵"Love's fickle when it calls..."🎵
But...she ends up turning around, unable to leave him behind. He looks back at her a moment, screaming out her name, before everything is consumed in a dark light that strikes her core.
🎵"One thing that I know for sure..."🎵
Everything slows around her as her body slowly wilts, akin to that of a dying flower. She can see the panic in the priest's eyes as he cries out for her, a sign of his care for her. That...That was enough for her, she feels, to see him be concerned over her well-being, a feeling that can't help but feel a bit distant as these memories replayed.
🎵"Longer than our lives endure..."🎵
The sight before her now is a familiar one. She sees herself in his arms and knelt before a tablet depicting the White Dragon. Even now, seeing this sight fills her soul with an intense sadness, enough to cause tears to flow from her physical eyes and for her to drop to her knees.
🎵"You're my forever fall..."🎵
Kisara's eyes return back to reality, once again facing the stone as her song concludes. She reaches for the depiction of the priest once again, and for a moment, his image flashes in her mind. He smiles at her, reaching out his hand, before the image breaks and her hand finds itself touching the cold gravel of the tablet.
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"Lord Seto...That's your name...That's who you are...The man who...saved me...in the past...The man who I wanted to repay...The man that I..." Her hands move to cover her heart, and her tear drops fall on the skin like dew drops. "Loved..."
She takes a few moments to herself to steady her spirit, slowly wiping the tears from her eyes with a handkerchief from her pocket. Kisara then stands up, one movement at a time, and turns back towards Ishizu. The look in her eyes is different than before, both murkier from her tears but almost...clearer somehow, as if some fog had been lifted.
"So...I'm the vessel for the White Dragon, or rather...I was in a previous life. And what I've been seeing...What I've been experiencing...That song I just sung...It was me connecting to that part of myself, wasn't it Miss Ishtar?"
"Yes. Just like the destined duelists the tablet depicts, it seems your journey, too, has not yet reached its final conclusion."
"Does this mean that...I still have the White Dragon inside of me? Could that be why I see it in my dreams?"
"I'm not so certain of that. In ancient times, Egyptian sorcerers trapped creatures, both good and evil, into stone tablets that they could summon at will. Today this practice is represented by the Duel Monsters cards duelists can summon to aid them in battle. If you still had the spirit of the White Dragon within you, then I think there could be no card of it."
"I guess...I guess that makes sense. And those cards...They belong to..." A puzzle piece seemingly clicked in her mind as she was putting things together, things she wanted to confirm with the women first just to be certain. "Miss Ishizu, Does...Does that mean that Seto Kaiba is..."
"He is as you suspect. He is the priest reborn in this new age, and he is fully aware of his ancient heritage."
"Then...Then, does he know about..." Her words die in her throat, and she remembers one crucial detail from the memories of her human life she had just seen. While her past life's feelings for the priest had been clear, they were ones she did not get to express. For her past self passed away before being given the chance to say what she felt to him, of the love she had for him deep inside.
At least...as far as the blue-eyed women knew, anyway. There were more secrets of her past still yet to reveal themselves. The memories of her human life during her time in Egypt had been unlocked to her. However, the secrets housed within the other parts of her soul, the ones tied to the four Blue-Eyes White Dragons, still were out of reach, and until she could reconnect and access them, the full truth would still be just a mystery.
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"I do not know what he knows and does not know at this current moment. What I do know is that he has outwardly rejected and denied his claims to the past, to his very destiny on multiple occasions, despite what he has experienced first hand."
"I see...I cannot say I'm surprised. He is...a very mysterious and cold person, with his heart seemingly sealed off from the world..."
It was a stark contrast to what she witnessed from the priest in her visions, who always appealed to her as warm and protective. Then again, she doesn't know Seto Kaiba that well at all. Could he too be hiding a part of himself?
"But honestly, after learning all of this? I...I want to get to know him, more than I did before. I don't know what fate has in store for us, or how I'm going to handle these new...feelings from my past." Contending with a love, a powerful one that seemingly crossed time to the present day, that is hers but also not hers was going to be challenging, after all. "All I do know is that I should at least try. I'd forever regret it if I didn't."
"I wish you the best of luck with your efforts. Now is there anything else I can help you with? You still haven't looked at the second carving."
"I...I think I got more than I could ever ask for just by looking at the first one. If anything, it gives me an excuse to see you again. Thank you, Miss Ishtar. Thank you for everything." Kisara bows her head in gratitude once more, a soft smile characteristic of her gracing her face.
"You can just adress me as Ishizu."
"Only if you address me as Kisara."
"Alright, Kisara. I'm glad I could be of help to you. You are free to contact me anytime should you need it."
"I appreciate it, Ishizu. Thank you again."
With permission to be casual around one another exchanged, the two ladies leave the tomb, and Kisara heads back on her way to her hotel. The singer is sure to call her sister and tell her the meeting was successful and that she will be flying back to Japan in the morning. Seems like she has a busy schedule ahead of her when she gets back. She did take a few days off just for this trip, meaning she'd have to play catch up when she returned home.
As the Blue-Eyed Maiden sat in her room, her hands were busy writing in her songbook. She was writing down the song she had sung in the tomb, a song that she had known how to sing and knew the notes to without needing to think. It was a song that seemingly came from her soul, a song that Kisara...wanted to share with him someday, no matter what his reaction may be. It would not be for herself now, but rather who she used to be, to say what she never got to say before...before her death.
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🎵 "Your trust, honesty...Helped me believe...A ray of hope shined through...You set me free...Saw what the world couldn't see...I found my joy in you...
"Every life is filled with passing moments...Like the seasons change, they come and go...But this is infinite...Nothing, even death...Could separate our souls...
'Cause you're my final goal...
Some people fall in love for life...Others never get it right...Love's fickle when it calls...One thing that I know for sure...Longer than our lives endure...
You're my forever fall..."🎵
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fluentisonus · 10 months
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napoleon movie was not good tbh
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so much of a 21st century woman that i legitimately had to have a guy in my YA lit class explain to me how men's emotions work because i've only ever heard about it from idiotic women speaking for men or super macho guys who think any form of emotion is utter weakness for my entire life
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s-wordsmith · 1 year
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Why did I just now notice the prominent flute in the first half of the first chorus of "All You Wanna Do" in the studio cast recording?
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twilightarcade · 7 months
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i still can't believe she said that shit to me
#wordstag#she KNOWS I can't get behind that stuff ! She's met me yeah ?#tthen she has the audacity to say it's not that deep. Like yeah; saying that all of humanity is inherently evil and wouldn't#accomplish anything if it weren't for their lives hanging over their heads isn't that deep. Average Tuesday type conversation.#'if you were an apple farmer wouldn't you want to hoard your apples?' BUT FOR WHAT?? WHERE DOES THAT GREED GET YOU. WHY IS THE AVERAGE#PERSON IN YOUR MIND INHERENTLY GREEDY. Like ohhh if everything was free nothing would get done because people need motivation#like shit isn't getting done as it is now. You want to be a music teacher. You can't because of money. Why isn't this an obvious solution#like . I know you can't just go welp everything is free now; have fun. I know you can't destroy all of modern economics like that.#but why is a hypothetical magical world where we do that bad. What did the human race do before capitalism? Just roll over and die?#there was still art. There's always art. There's always going to be someone who wants to do something with their life that can't#because of MONEY. Like everything is so focused on money [coughing at the art industry] why can't it just be .#^^^^ anyway context I was talking 2 someone (that I know . Like really well ) and proposed just#getting rid of money forever . Because fhey wanted to be a teacher but couldn't bc money#and this was like . The most preposterous thing to them. Why would people do anything if not for money etcetc#even went as far as 'humans are inherently evil' which wooooaaaaah slow down there buddy .#you're letting your christian show. Or whateevr. Idk just not an idea I can personally get behind#then she goes 'it'snotbthat deep' like she didn't just imply something about the entirety of the human population. Or something.#like if humans are so evil jsut kill us now or something .
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dreamsy990 · 1 year
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who do u think is most likely to randomly quote memes in the ven/sora/roxas household. my money is on roxas. sora seems like he wouldn't know memes unless roxas shows them to him but is also the kinda guy to try and rickroll anyone at any given chance bc he finds it funny. ventus is a connoisseur of animal memes. to me
dont have my drawing stuff out rn so no doodles for this but yeah i agree with most of what you said. so heres my headcanons
sora is horrible with electronics he barely knows what an internet is. he doesnt know what the word meme means and nobody will explain it to him. i think he saw a 'get stickbugged' meme once and sends it to his friends like "LOOK AT THIS CUTE BUG!!!!!!!!!!!" and really likes those shiba memes because he is a little guy
roxas DOES know how to use the internet unlike sora. presumably. hes probably the most 'in touch' of the group but thats not saying much. i think he has no social media accounts whatsoever. maybe he doesnt know how to make an email maybe he just doesnt care but whatever it is he is simply observing. i forget what the word is my brain went to ghosting but i am very much thinking of a mother mother song. i think roxas would quote vines. they pass a road work sign and he says 'yeah i sure hope it does' and everyone turns to stare at him in confusion except xion (she is laughing because roxas showed it to her) lea (he is very proud because he is the one who taught roxas how to use vine) isa (he gets the reference and is disappointed in lea for what he has started) and ven (who laughs even though he doesnt get the reference either because he thinks it is funny or he wants to be included). i think he mostly uses his phone for music.
and youre so right about ventus. ventus watches funny cat videos. he spams group chats with cat pictures. he loves animals and will tell you all about this really cool dog picture he saw the other day. he is either a joy to have in group chats or the worst depending on how much you like animal pictures. he only gets memes a little bit because like sora he is very new to the internet but unlike sora he is putting a lot more effort into trying to learn. he and roxas are the only two who know what a rickroll are
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