#we shape the world in stories

[optionalcausality]

I am so very bad at watching shows, y'all.

Book? No problem. I'll devour it and the next one and want more.

Shows are just weirdly difficult.

But I am going to do my level best to watch this within the first couple of weeks, because I want to incentivize more Content Like This.

(I so rarely get to see shows that feature powered wheelchairs, like the one used by a friend I knew in college.)

[optionalcausality]

I have seen folks reblogging a post of mine with #hopepunk, and I am so glad. Thank you for bringing that snippet of text along with you as you go forward. There are a thousand thousand moments that make a life, and I'm humbled at the thought that my words might accompany you through yours, however briefly.

[iwritenarrativesandstuff]

literally the easiest way to make someone care about a character and make them feel well-rounded beyond basic traits like personality, sexuality, ethnicity, etc, is to give them an actual character arc, and it’s shocking how many people do not seem to fully realize this

you cannot just cram a bunch of tropes. tropes are not the main event, they are tools to tell the story you wish to tell. emotional impact comes from the lead up, so you can’t just jump ahead and expect the payoff to work. “I want this character to just ___ already!” but they’re not there yet. that’s where the arc comes in - how do they get there?

and! most importantly, and this is something I really want people to think about when writing - the most important relationship your character should have, always, is with the world and society around them. defining your character purely through their interactions with other characters are, I find, how a lot of female characters end up feeling flat or not engaging with the themes as much as the male characters, and also how queer and non-white characters wind up as devices for other characters’ development instead of being more fleshed out

[grassbreads]

Man, genuinely there's little that excites me more than encountering queerness in fiction where I wasn't expecting it. I'm gonna be thinking about Kikuhiko/Yakumo from SGRS for so long.

Even setting aside the subtext of his feelings for Sukeroku, the narrative around his relationship to gender norms and his own expression is so fascinating. Guy who grows up steeped in rigid 40s gender roles and actively tries to enforce them, yet only truly feels like himself when he's acting on stage as a woman. Guy who says his life would have been better if he were born a woman and then refuses to elaborate.

[kickingtheladder]

I think Niko should come back from her trip to the snowy spirit realm or wherever she is with the ability to turn into a polar bear because of the bear luck charm (And then she helps Tragic Mick turn into a walrus again because you never know when the good you do comes around)

But mostly I just think it would be very good for everyone to get into trouble and Niko to be dressed in her amazing adorable outfits and underestimated by everybody and then suddenly there's a fuck off big giant bear there instead

[bookshelf-in-progress]

It turns out that I never research because it makes me think the details are the point instead of the story.

The story is the point! It doesn't matter if I don't have an entire world with all its history and cultural and political customs realistically fleshed out! Focus on the story and fill in the details later!

[skinreflectsthesun]

.

[waters-and-the-wilde]

'I'm not gonna tolerate a world where the only way I get to live is if you die'

[phoenix-before-the-flame]

I’m watching one piece, and now I’m wondering do you have any hcs on the world building in the fairy tail universe ? Do you think theirs some crazy kingdom’s , advanced technology in some lands ? Love to hear your thoughts 💗

hmmmmmmmmmmm kinda a bit of a deep question tbh.

Structurally FT has good bones for its world. And that's kinda it lol

There's a fleshed out map of all the countries within the continent that fiore is found on (Ishgar, which has 16 named countries apart from fiore itself) and expanding wider than that we know that there are about 3 named continents (Ishgar to the east being a peninsula connected to the mainland that we know nothing of, Alakitasia to the west where Alavarez is and Guiltina to the north) and a fourth unnamed continent further east that exists within earthland.

But while we have all this info, nothing in particular comes into play as the series had progressed, the majority of the series' arcs all more or less take place within the same country, which for a series that has it's characters constantly travelling for missions looks particularly bad, especially when even the known locations all visually seem indistinct from each other in terms of stuff like architecture. It's a reason why I appreciate edolas in particular because it at least offered something that visually stood out and an insight into how that culture functioned. (and in Phoenix Priestess for the small montage the squad in the city of Rose Garden and showing a bit of the country Veronica)

Like it is frustrating to me whenever I think on it because the solution would be just to change the locations of where they travel to just to expand the background of the places travelled, wouldn't even have to change arc structures or anything to give some life to the named countries like:

Joya despite its small size as a country is the main manufacturers of trains and exports the majority of the transportation other countries use as well as weapons. Wizards are less found here, with treasure hunting being a more popular job choice.

Sin, despite the ironic name, is a deeply religious and faith driven country. Magics that have connection to nature and celestial bodies are particularly revered here.

Desierto mostly deals with trade, having constantly active shipping ports. Enchanted items such as brooms and carpets are popular and easy transport choices within cities and are more widely used than vehicles.

Iceberg's largely uninhabited due to the weather with most of the population sticking closer to the country's borders.

Like this is all just purely flavour text examples to just try and bring some life to these otherwise lifeless locations but you get the general gist of it.

There was clearly this effort to establish these locations by giving then names (and drawing a full on map) so it always boggled me that they were never properly used as a backdrop for the arcs within the story. (Tower of Heaven? Move that arc to Sin, Lucy's arc with Loke? Takes place in Stella, That arc with the giant village? Put it in Minstrel).

Like shifting around major arc locations would easily open up avenues to naturally expand the world as the story moves. And not even just big arcs, but smaller less grand filler arcs (which jesus christ did ft rlly need because it defs need breathing room between all the big events. It's why the story moves at such a breakneck speed without things really feeling as though they've changed in any meaningful ways) would do wonders to make earthland feel like a genuine lived in world (like how it is within the world of one piece that you cited as an inspo for this ask.)

[imminent-danger-came]

i don't know why people think the writers hate wukong so much. making a character flawed doesn't mean you don't like them and wukong getting yelled at twice isn't the writers putting their grievances in the characters' mouths

The news come in: writers have things happen in their stories

Tbh, the people who have that sort of take are probably just not writers, for the most part. Having characters make bad choices and face consequences for those choices is really fun! It's also just not indicative of how much you "like" that character.

And you know, Lmk is fundamentally about loving flawed people. That's it. That's the core theme. So it's like, of COURSE Wukong and everyone else are going to be flawed. That's why MK's so flawed, he's gotta realize he's worthy of love in spite of and with his mistakes (you know- his actual mistakes and flaws, not the fake ones from 4x01 lol). He's gotta accept the ways people hurt each other.

[littlestkoi-n]

I could talk about Aang and Zuko all day. they're everything and more.

[doctorwhoisadhd]

so wait, since i was just reminded of the recorder thing donna talked about in the giggle, i now have a question for uk ppl: do yall learn the recorder in school? like in a music class? and like how much do yall have music class over there?

[un-pearable]

oh yeah saw blue beetle last night and one million thumbs up. going into having heard it’s very tokusatsu and comic booky made it one million times better. goofy and stupid in fun ways. i’m so glad we’ve looped back around to comic book movies being like comic books: confusing chronologically and catered to fans willing to put up with wildly specific nonsense. also heck of a great job making a movie about gentrification and colonization out of the chaos of blue beetle lore and corporate blandification i genuinely had fun

[pagesofkenna]

Just said "sheesh, Kenna, you're the smartest person I know" out loud while reading your tags on the FMA Truth and Ed's atheism post. Then I realized that Indiana probably doesn't care as much for this information as you might lolol

honestly i'd originally written a really annoying ramble about gods in fiction under that post and now i'm so glad i deleted it to write that much more succinct breakdown of my thoughts on the matter

[chemicalarospec]

One time when I was in 5th grade I wore a nice dress just because I wanted to and someone asked me if it was picture day and I never wore a skirt or dress again for three whole years. (They weren't teasing to be clear, they were just confused I think.) I still rarely wear skirts or dresses -- for one, putting on tights is more work than pants, but for a very long time I had a fear of being seen as "trying too hard" or something, which I still have but not so much towards skirts, those are less remarkable now. I'm not sure exactly what I'm trying to say by sharing this story but it's very formative for me.

[quietwingsinthesky]

sometimes i think about my spn oc and how i rewrote everything about amara to interact with the story i was trying to tell about her. there were some really neat ideas in that i need to recycle for something one day. like, in the show proper, they just let amara take over a human baby and that’s fine, but amara’s not Meant To Be Here. this entire universe is one constructed in her absence. saying she can possess a human body should be like saying if you took a person and sent them to a universe where 1+1=3, they could just figure out how to function within that.

which in story took the form of Amara being something that could not be Understood, only Rationalized. a force locked outside the narrative who could only get inside and destroy things if given a role within it. by the Winchesters as A Monster To Face. by Chuck as Wayward, Unreachable Sister. and by miss oc as. simultaneously a projected creature to be saved, an amalgamation of injustices done to herself (and others) that would never be righted but could be made up for by being a part of this. and as something impossibly powerful that could be both protection and purpose.

and the Darkness wasn’t any of those things, really, but to have agency in her own story required new shackles, but ones she was always straining against. she wouldn’t fit inside the confines of a human mind, let alone a body, at least not well enough to leave it Intact. like lucifer burning through nick, but Worse. because the burns were an expected outcome of skin not strong enough to hold him. humans were built for angels, some were built better and some worse, but they’re meant to work. putting amara in human skin should disconnect the skin and mind and soul from the reality her brother built itself, i think. slowly. bit by bit.

and at the same time, i’d gone and written the kind of wild scenario you really can only write for your thirteen year old mary sue, given that spn oc the part of herald/high priestess/failed vessel. which she pursued with wild abandon like that would fix anything wrong with her <3

in the end, running alongside the borrowed family theming of the original show was my own theme of “how much self-annihilation will you accept to make your point. are you accepting it, really. or are you seeking it.” not just physically, in letting something unmake the base components of what you are as it tries to fit inside you or in it constricting and suffocating itself beyond self-recognition to get inside in the first place, but, obviously, it’s supernatural, how much selfhood do you cede to your family. is it worth it.

it was interesting, if nothing else. let thirteen year old me cook. she had ideas.